tag:blogger.com,1999:blog-82700022329714274832024-03-29T14:50:09.131+02:00URBAN ASPIRINESΘειοςhttp://www.blogger.com/profile/13880525245436046572noreply@blogger.comBlogger1926125tag:blogger.com,1999:blog-8270002232971427483.post-87614181026757439632024-03-29T09:49:00.000+02:002024-03-29T09:49:45.396+02:00L.A. Witch: L.A. Witch 2017 + Octubre 2018 + Play With Fire 2020<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KBCQEJSyFKRKUS10x7qNxONU2d2DZXM6A2jWXD73v8fpQu19QDTDlaMK0sf3NppoeQcAu6PB-WrwMc6dnQO00ignQa3bWRDnOMQsuDeA55i2wegayskcLV4JNZQL5tJEaRp848UJgFzTN1_cPx8J_W0JqReNBiUGw0s8QJg2rfjuL7Xr_4V_ja8hhPg/s987/L.A.%20Witch%20-%20Poster%2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="987" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KBCQEJSyFKRKUS10x7qNxONU2d2DZXM6A2jWXD73v8fpQu19QDTDlaMK0sf3NppoeQcAu6PB-WrwMc6dnQO00ignQa3bWRDnOMQsuDeA55i2wegayskcLV4JNZQL5tJEaRp848UJgFzTN1_cPx8J_W0JqReNBiUGw0s8QJg2rfjuL7Xr_4V_ja8hhPg/w259-h400/L.A.%20Witch%20-%20Poster%2011.jpg" width="259" /></a></div> <p></p><p>Los Angeles' L.A. Witch is a gothy, atmospheric rock trio centered on singer/guitarist Sade Sanchez. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigmkC5PetMU4wygbe-lgWB4rZeYtXH84hTiZOJ0_UmnjsmH7jiH8nIZ0FV_X0OQ25_PsWnQDqsdQT4oYnS4EYptko7jcgUT4A_GfJifIcPzAKTZl2KBIv5rwCeMxEpJQ4Zd3Agu3nplDnjylrD9L0nHJRB23ni_oqAeA2bNkX6JE95den0h4mPZQ5gD5A/s1800/L.A.%20Witch%20-%20Photo%2025.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigmkC5PetMU4wygbe-lgWB4rZeYtXH84hTiZOJ0_UmnjsmH7jiH8nIZ0FV_X0OQ25_PsWnQDqsdQT4oYnS4EYptko7jcgUT4A_GfJifIcPzAKTZl2KBIv5rwCeMxEpJQ4Zd3Agu3nplDnjylrD9L0nHJRB23ni_oqAeA2bNkX6JE95den0h4mPZQ5gD5A/s320/L.A.%20Witch%20-%20Photo%2025.jpg" width="256" /></a></div><br />They gained widespread buzz with their 2017 debut, L.A. Witch, which showcased their road-hardened sound and aligned them with gritty, leather-clad outfits like the Kills, the Jesus and Mary Chain, and Black Rebel Motorcycle Club. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9oevfZaEgBfxV9PJB6Hk2D9uczpWMG5gm_2Sy9KUbcp6Ej3kdGA7LMmZXiUDgIgEOb-Q5Oz2yxFeNXpzO7wpzhyeWDQJKJY0kdiu68wPvSN7Na44r0TTSc0uNrKE4P1qlGEsdtHwptCO00r3c2r-sbILhD-VkTKAQmyD4OGeBeixYc4k3qfRUw6Oby2U/s1200/L.A.%20Witch%20-%20Poster%2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1200" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9oevfZaEgBfxV9PJB6Hk2D9uczpWMG5gm_2Sy9KUbcp6Ej3kdGA7LMmZXiUDgIgEOb-Q5Oz2yxFeNXpzO7wpzhyeWDQJKJY0kdiu68wPvSN7Na44r0TTSc0uNrKE4P1qlGEsdtHwptCO00r3c2r-sbILhD-VkTKAQmyD4OGeBeixYc4k3qfRUw6Oby2U/w400-h210/L.A.%20Witch%20-%20Poster%2010.jpg" width="400" /></a></div><br />L.A. Witch is an American garage-rock trio formed in Los Angeles, California in 2011. Founded by <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamtCZMTCi2GjIxAtRE5GG2EJMxU3rHEbooqc9LoKD7oAm3CzL0U9jYH9kh56YyqMSi1vzzqjIqhyAAWvlBC6RF1eyBSiuGjY5vp7G5hWi8yifSPR5jB4RhERks3M7lloyGIkpBM1W_BiAh6_1lBM6HaNR8irJJM3t9kd2yHLWgPRTXnnD-8wVFUtI6tY/s1440/L.A.%20Witch%20-%20Photo%2026.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1066" data-original-width="1440" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamtCZMTCi2GjIxAtRE5GG2EJMxU3rHEbooqc9LoKD7oAm3CzL0U9jYH9kh56YyqMSi1vzzqjIqhyAAWvlBC6RF1eyBSiuGjY5vp7G5hWi8yifSPR5jB4RhERks3M7lloyGIkpBM1W_BiAh6_1lBM6HaNR8irJJM3t9kd2yHLWgPRTXnnD-8wVFUtI6tY/s320/L.A.%20Witch%20-%20Photo%2026.jpg" width="320" /></a></div><br />L.A. natives Sade Sanchez (vocals, guitar) and Irita Pai (bass), the band's sound has been described as a "mix of forlorn psych folk, lethargic lo-fi blues and boozy garage rock drones steeped in moody, drugged-out surf reverb." The group's influences include Black Sabbath, The Brian Jonestown Massacre, and seminal L.A. punk rock bands X and the Gun Club.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHDuqpUGQ8mADgd7fU_FRjHyT2S71kVvQR7vf8_Uie8Rd5dBUnvZD2R2MjBQpNrzC_RBuYEFy745SfDicAAU5B3o6Oebo9d4RazKM_HtMi0AwjmdLlcXrgf0izWMM1MbtalretvRSTFkQQDfSuCs3UqgR21FMzNUGNA14t0yWBrcdzKJZ4mcRxormaijI/s1440/L.A.%20Witch%20-%20Photo%2031.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHDuqpUGQ8mADgd7fU_FRjHyT2S71kVvQR7vf8_Uie8Rd5dBUnvZD2R2MjBQpNrzC_RBuYEFy745SfDicAAU5B3o6Oebo9d4RazKM_HtMi0AwjmdLlcXrgf0izWMM1MbtalretvRSTFkQQDfSuCs3UqgR21FMzNUGNA14t0yWBrcdzKJZ4mcRxormaijI/w400-h400/L.A.%20Witch%20-%20Photo%2031.jpg" width="400" /></a></div><br />Raised in the Valley on the edge of North Hollywood, Sanchez first began playing guitar at age 15. She <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZMnKDmGB8Evb0KT1HQLKwc5D1R-u0PPGG4H7uOVayUrI1T6QxOvEOHJ_NiYBB7KZVJpDDydYOMdzviqV96z_nZ3fnEcxon_tBNEjS_vNzgTFgxC0e34qU7XtJwmYz_dmrfgb6Ldxg9rew1WgP-KAQDSG4avfOnF6LePe4zU1c04CyGXvtagx-hAVYhyphenhyphenE/s800/L.A.%20Witch%20-%20Photo%2022.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="535" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZMnKDmGB8Evb0KT1HQLKwc5D1R-u0PPGG4H7uOVayUrI1T6QxOvEOHJ_NiYBB7KZVJpDDydYOMdzviqV96z_nZ3fnEcxon_tBNEjS_vNzgTFgxC0e34qU7XtJwmYz_dmrfgb6Ldxg9rew1WgP-KAQDSG4avfOnF6LePe4zU1c04CyGXvtagx-hAVYhyphenhyphenE/s320/L.A.%20Witch%20-%20Photo%2022.jpg" width="320" /></a></div><br />quickly discovered punk rock, especially the horror-infused style of bands like the Misfits, the Cramps, and Dead Moon. The band cites The Gun Club as one of its early influences, with Sanchez noting that "When our band first met, that was one of the connections we made. There’s something about their vibe — it’s blues-y, twang-y, kind of country, but also poetic and goth-y — that inspired me."<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3O3_d0wdlIN705ikwsWUTSr9mObWd5zZW1ZUQXbo02_6JcsVmMoVY8u0x2g8W_cez_t4T4V4Md9Q31lyHxx3Ho_nNS_inxHfxCeqHgAwO99QEawhPikVCQfoiVCcf79n5no7il9ESbDpgw77NLnSv6My2zU86ds2BENP30MIR5U7nashXK77udBY7tw/s2048/L.A.%20Witch%20-%20Art%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1325" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy3O3_d0wdlIN705ikwsWUTSr9mObWd5zZW1ZUQXbo02_6JcsVmMoVY8u0x2g8W_cez_t4T4V4Md9Q31lyHxx3Ho_nNS_inxHfxCeqHgAwO99QEawhPikVCQfoiVCcf79n5no7il9ESbDpgw77NLnSv6My2zU86ds2BENP30MIR5U7nashXK77udBY7tw/w259-h400/L.A.%20Witch%20-%20Art%202.jpg" width="259" /></a></div><br />It was during this period that she met English and the two began playing together, even winning a battle of the bands as a duo at Burbank High, where English was a student. After high school, the duo went <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3l2TdCh7wk9PakuZdu24ufHEAUeXoSDEQ4lV-leNs-Qg2hp46Fe_zdrl3V8nqs-rQYoVAUR09U5iC9j8C7Heze0S3jEuoCUmhokD9vUkB29GeldLduMPS4jb5eUlBRzg4y5cWmXSySRoLvy2K-_EBfIs8b-iD_Qq6K-3VvepLCwyADW8jKP-nEkhYtc4/s1800/L.A.%20Witch%20-%20Photo%2024.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3l2TdCh7wk9PakuZdu24ufHEAUeXoSDEQ4lV-leNs-Qg2hp46Fe_zdrl3V8nqs-rQYoVAUR09U5iC9j8C7Heze0S3jEuoCUmhokD9vUkB29GeldLduMPS4jb5eUlBRzg4y5cWmXSySRoLvy2K-_EBfIs8b-iD_Qq6K-3VvepLCwyADW8jKP-nEkhYtc4/s320/L.A.%20Witch%20-%20Photo%2024.jpg" width="256" /></a></div><br />their separate ways, with Sanchez forming the noise-rock outfit Silver Drones with bassist Pai. However, Sanchez eventually reconnected with English, and by 2015 Silver Drones had morphed into the trio L.A. Witch. They hit the road that same year, touring almost nonstop for the next three years and picking up well-earned comparisons to many of their idols. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicxls75UAxnEWq2lvVVMUZuuYhjTbI8A6wrGQrHVl3ehApLDfkXKkQjOSgyBwutMseOI2hG2LVUsToYh96LtkhAzf-v1elkaq6Y3WHC2Eay6qGFgwRU7bWYkrEglqdVZOMBZMDSLgihhlu10DuhfXbsJSB0qj_xToneHT3SYrttgo0rAYyFk5WcZjBUgM/s800/L.A.%20Witch%20-%20Photo%2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicxls75UAxnEWq2lvVVMUZuuYhjTbI8A6wrGQrHVl3ehApLDfkXKkQjOSgyBwutMseOI2hG2LVUsToYh96LtkhAzf-v1elkaq6Y3WHC2Eay6qGFgwRU7bWYkrEglqdVZOMBZMDSLgihhlu10DuhfXbsJSB0qj_xToneHT3SYrttgo0rAYyFk5WcZjBUgM/w400-h400/L.A.%20Witch%20-%20Photo%2011.jpg" width="400" /></a></div><br />The band toured extensively before releasing its eponymous debut album in 2017, recorded at Hurley <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsOfRBiIIt8ymEiHEdnWYjTOsLl7F7YJTNuMPvewe5S4MlPSYYyrucdcMI-VGnad0nQ2_cGGizS4JyGsfxzoPmxRZWPpBe62JfgscdOV08Q_PqrXMsxm2vFDdIoz7oUTmEYqP88sC628UH8sku3dhOXZNCe7OfQIvGPTRG-v5y_WQdW3N0BrQcKaNVqKE/s2000/L.A.%20Witch%20-%20Photo%2028.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2000" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsOfRBiIIt8ymEiHEdnWYjTOsLl7F7YJTNuMPvewe5S4MlPSYYyrucdcMI-VGnad0nQ2_cGGizS4JyGsfxzoPmxRZWPpBe62JfgscdOV08Q_PqrXMsxm2vFDdIoz7oUTmEYqP88sC628UH8sku3dhOXZNCe7OfQIvGPTRG-v5y_WQdW3N0BrQcKaNVqKE/s320/L.A.%20Witch%20-%20Photo%2028.jpg" width="256" /></a></div><br />Studios in Costa Mesa and mixed in Highland Park, Los Angeles. [14] Their second album, Play With Fire, was released in 2020, followed by a cover of the Gun Club's Ghost on the Highway. The band tours frequently in the U.S. and internationally. Joining the band on its 2022 European tour was guitarist Lauren Andino of the Los Angeles-based duo Tremours.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ve8wD_JfM3xZ9mY1Px25RZWmbyyS_zAZN3OXjwdwQu2U05WIWTAu6wuxNxKnIXGi6M5Sxb2BUdXUcVpW6tQBkuum5ozXTXXQprfFJDC-3pKePMfCp5F1lmhKnXxbSHyNiEYur6GohJuXmGmVq3AH5uSawHCMZQftd3pvu2-Pi4CKz38sC2UpJQMt8BE/s1920/L.A.%20Witch%20-%20Poster%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ve8wD_JfM3xZ9mY1Px25RZWmbyyS_zAZN3OXjwdwQu2U05WIWTAu6wuxNxKnIXGi6M5Sxb2BUdXUcVpW6tQBkuum5ozXTXXQprfFJDC-3pKePMfCp5F1lmhKnXxbSHyNiEYur6GohJuXmGmVq3AH5uSawHCMZQftd3pvu2-Pi4CKz38sC2UpJQMt8BE/w266-h400/L.A.%20Witch%20-%20Poster%203.jpg" width="266" /></a></div><br />But as more listeners come under the band's aforementioned spell, Pai refutes attempts by journalists to sort them into pithy (and sometimes inane) categories like "beach goth." For L.A. Witch, it was more <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvYJEUfA_Z_ew_j98eIZnFNu5IUCBefBjfYQWy-8e6GJTEqJZHdNrLnORWPdSvYFl826eIbsiRIxDHw45p7tDZLttPZ8WIeUGksZzfH0mzaUL-zI1Aa41Pfu6oXxPTEcqN5R-ikrFrEfmCTLIo_H_8vMY5N0WiPEWI-w5_n_5m3ZNKOlBhFYtkp5wEb28/s1600/L.A.%20Witch%20-%20Art%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvYJEUfA_Z_ew_j98eIZnFNu5IUCBefBjfYQWy-8e6GJTEqJZHdNrLnORWPdSvYFl826eIbsiRIxDHw45p7tDZLttPZ8WIeUGksZzfH0mzaUL-zI1Aa41Pfu6oXxPTEcqN5R-ikrFrEfmCTLIo_H_8vMY5N0WiPEWI-w5_n_5m3ZNKOlBhFYtkp5wEb28/s320/L.A.%20Witch%20-%20Art%203.jpg" width="256" /></a></div><br />about following the kind of sonic aesthetic that they each already naturally gravitated to. For starters, she says the band "really loves horror movies. I think the soundtracks of those films really played a huge role, in terms of influencing that — especially early horror movies. I think that kind of sound just feels right. I can't describe it, it's just something you're attracted to." <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOq-7rqDF9xswxbYRZMvdt2c_lXQoIWUhmDqpu9d_Sb2J1OVMJvnbJSaMBlEA-jiwzoybY7Xqe4a7tfkrKGEaxVgYThLtvOKoElLsX0sBmHhNORy3zopZBFIgFfByQI4HV2SrdjrLtaNhSS95kIrCsHsu45CmM8tMRiWT9nkVSqjdUi5tndP6lVJG2i4A/s1167/L.A.%20Witch%20-%20Art%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="383" data-original-width="1167" height="131" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOq-7rqDF9xswxbYRZMvdt2c_lXQoIWUhmDqpu9d_Sb2J1OVMJvnbJSaMBlEA-jiwzoybY7Xqe4a7tfkrKGEaxVgYThLtvOKoElLsX0sBmHhNORy3zopZBFIgFfByQI4HV2SrdjrLtaNhSS95kIrCsHsu45CmM8tMRiWT9nkVSqjdUi5tndP6lVJG2i4A/w400-h131/L.A.%20Witch%20-%20Art%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">L.A. WITCH - L.A. WITCH 2017</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh41MPrXKLHvQilzVQHh_EIgMUTETd11tJhgvvQe7dA7wzruZSImptaHIp6rok06V76aBcM7S9cV4U64RlE4qhrP65N3yb-AcR5TkPk_sIfSVXNlCyBgOUKrgUMCtFwcsVgmN_98MYvk7Iy31vZDIemTZmZ8K3-GdOYugJ_Q38M1VoFyQiRSppAEpbYLgs/s1000/L.A.%20Witch%20-%202017%20-%20L.A.%20Witch%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh41MPrXKLHvQilzVQHh_EIgMUTETd11tJhgvvQe7dA7wzruZSImptaHIp6rok06V76aBcM7S9cV4U64RlE4qhrP65N3yb-AcR5TkPk_sIfSVXNlCyBgOUKrgUMCtFwcsVgmN_98MYvk7Iy31vZDIemTZmZ8K3-GdOYugJ_Q38M1VoFyQiRSppAEpbYLgs/w400-h400/L.A.%20Witch%20-%202017%20-%20L.A.%20Witch%20-%20Front%20Cover.jpg" width="400" /></a></div><br />With a desert rock sound that is positively arid and a penchant for grim lyricism that feels Tarantino-<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicCfE1EpJ4lwVZy8yIhfnRLWTTGyLoH7eFNQHyDkimqmOMLnzDLKUu7Ok6LKWq9g6YOrTpq85bAipersFS7B-7Yjre2-q6-aVMK8lKb94IM-jImBfb2vKoWIRe1Aam3EL8casCDzaa0whaaQ8_8_b_h5kzTOQjEosCaWUe4HItTUWDxP9WU_RdU-PER2I/s1280/L.A.%20Witch%20-%20Photo%2020.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicCfE1EpJ4lwVZy8yIhfnRLWTTGyLoH7eFNQHyDkimqmOMLnzDLKUu7Ok6LKWq9g6YOrTpq85bAipersFS7B-7Yjre2-q6-aVMK8lKb94IM-jImBfb2vKoWIRe1Aam3EL8casCDzaa0whaaQ8_8_b_h5kzTOQjEosCaWUe4HItTUWDxP9WU_RdU-PER2I/s320/L.A.%20Witch%20-%20Photo%2020.jpg" width="320" /></a></div><br />esque, L.A. Witch’s debut record is as self-assured and succinct as first albums come. At just nine tracks and only 32 minutes, it truly seems like a mirage for the sun-scorched, dust-caked traveler. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNsjSW4mCHUlCC7b_23_P9MqF2ypsBgOdD0NzbCostpTBtpOiX5_WsBLBJggHD0F2NhNZnbzQwcn-LxnCV5Ve0-CBN2L9VkPnTBVpP_a_5puV3_vBbjkSInfh4QK2zKJ8SX5CPyAlZ3FyMXuu79LwkH9xZ5ISfuSUwm-GcyPOAF6KnIopJi1m0KbhqaK0/s612/L.A.%20Witch%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="566" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNsjSW4mCHUlCC7b_23_P9MqF2ypsBgOdD0NzbCostpTBtpOiX5_WsBLBJggHD0F2NhNZnbzQwcn-LxnCV5Ve0-CBN2L9VkPnTBVpP_a_5puV3_vBbjkSInfh4QK2zKJ8SX5CPyAlZ3FyMXuu79LwkH9xZ5ISfuSUwm-GcyPOAF6KnIopJi1m0KbhqaK0/w370-h400/L.A.%20Witch%20-%20Photo%202.jpg" width="370" /></a></div><br />Though they’ve been buzzing since 2013, the band has taken their time to properly coalesce. In that <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8fBmDR-kYWaKc47aMjkitKpTliFHnJMJc2yf2h8btrSnL9FBDBeWKq6O7lOAVClPW4VNdaevlyF0vvDSXbtT_6_TRSIY3rkP1AxzDvysnEFwWe2AYfKIRKqJ5blnTF4Kj4Ic7ur5lBI9LH__P8PxrbVhqeVpQM-UaVC6lyW0kh4pr4vhYCVHPQEXjk2w/s1440/L.A.%20Witch%20-%20Photo%2027.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1066" data-original-width="1440" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8fBmDR-kYWaKc47aMjkitKpTliFHnJMJc2yf2h8btrSnL9FBDBeWKq6O7lOAVClPW4VNdaevlyF0vvDSXbtT_6_TRSIY3rkP1AxzDvysnEFwWe2AYfKIRKqJ5blnTF4Kj4Ic7ur5lBI9LH__P8PxrbVhqeVpQM-UaVC6lyW0kh4pr4vhYCVHPQEXjk2w/s320/L.A.%20Witch%20-%20Photo%2027.jpg" width="320" /></a></div><br />time, they switched drummers (Ellie English replaced Crystal Nava) and honed their sound into something more cinematic, which boasts more eclectic genre influences beyond late ‘60s psych rock and bluesy guitar.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimpmS_kiMl5OdvGh_QZiDQLKZjQ3ZYAqamRX_JtV8aeV9GeGI4Q1LMy_UA-zx3Nm11cwSY7HMY17tNglWgZMbauC5UzxiOdm7kuwNlIJBg6xgLJnpELrokxQrYL2HDYLILGrAEjfUI2D5ws-HlIja_3-xZw3i06o83UzfXUpWWFRNrm5eIZDmK3X4feVY/s1280/L.A.%20Witch%20-%20Poster%204%20(L.A.%20Witch).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimpmS_kiMl5OdvGh_QZiDQLKZjQ3ZYAqamRX_JtV8aeV9GeGI4Q1LMy_UA-zx3Nm11cwSY7HMY17tNglWgZMbauC5UzxiOdm7kuwNlIJBg6xgLJnpELrokxQrYL2HDYLILGrAEjfUI2D5ws-HlIja_3-xZw3i06o83UzfXUpWWFRNrm5eIZDmK3X4feVY/w400-h400/L.A.%20Witch%20-%20Poster%204%20(L.A.%20Witch).jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>L.A. Witch – L.A. Witch<br />Label:S uicide Squeeze – SSQ155<br />Format: CD, Album<br />Country: US<br />Released: Sep 8, 2017<br />Genre: Rock<br />Style: Psychedelic Rock, Post-Punk<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9rqfLKl-HUQEb1ZFXLDlnBV1bRLcAfhEMpIkG5RCpNl6tnWEcaCBJItfVgnqwaJJh_kmgANyR41gvAuOUsHDv88VWx7dHy9UIfMJIIhbOh2DYFS-GDjLV_P_OeHlS1KuoN1A1EQw1GoVHbt8egtltmC2nMlpPaP87OZKo57wRluQ5DE_SN6h-x8_kAiY/s800/L.A.%20Witch%20-%202017%20-%20L.A.%20Witch%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="800" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9rqfLKl-HUQEb1ZFXLDlnBV1bRLcAfhEMpIkG5RCpNl6tnWEcaCBJItfVgnqwaJJh_kmgANyR41gvAuOUsHDv88VWx7dHy9UIfMJIIhbOh2DYFS-GDjLV_P_OeHlS1KuoN1A1EQw1GoVHbt8egtltmC2nMlpPaP87OZKo57wRluQ5DE_SN6h-x8_kAiY/w400-h353/L.A.%20Witch%20-%202017%20-%20L.A.%20Witch%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Kill My Baby Tonight 3:07<br /><b>02.</b> Brian 4:03<br /><b>03.</b> Untitled 3:14<br /><b>04.</b> You Love Nothing 3:36<br /><b>05.</b> Drive Your Car 3:16<br /><b>06. </b>Baby In Blue Jeans 4:29<br /><b>07.</b> Feel Alright 3:34<br /><b>08.</b> Good Guys 2:07<br /><b>09. </b>Get Lost 4:22<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLTRDbaNBJC-gZvHSbG4cB5Yy8zi7hH7qlv9i8vCfFkJVPN2b1SIguUd0RQ9beFyw1AMcsC8-Mocd_7oSBfdddRV0Dnca1xpH9_ZL1AW_lXGm6FQwOz-t79B04R0xjEMsOGy9iZWE9IZUTNGa4lzoZUIflRCGNiLUSwbXHFgX432J7SAaVF8eyqP0d2M/s1360/L.A.%20Witch%20-%20Photo%2033.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="573" data-original-width="1360" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLTRDbaNBJC-gZvHSbG4cB5Yy8zi7hH7qlv9i8vCfFkJVPN2b1SIguUd0RQ9beFyw1AMcsC8-Mocd_7oSBfdddRV0Dnca1xpH9_ZL1AW_lXGm6FQwOz-t79B04R0xjEMsOGy9iZWE9IZUTNGa4lzoZUIflRCGNiLUSwbXHFgX432J7SAaVF8eyqP0d2M/w400-h169/L.A.%20Witch%20-%20Photo%2033.jpg" width="400" /></a></div><br />Bass, Keyboards –<b> Irita Pai</b><br />Drums, Percussion – <b>Ellie English</b><br />Vocals, Guitar – <b>Sade Sanchez</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/GAB3SSBR#r_9Z8UZwOK6AcLw0SHbNe7sLUth_9Yn4RKxdZngJjsA">Flac Size: 223 MB</a><br /><br /><span style="font-size: large;">L.A. WITCH - OCTUBRE 2018</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSQlG9T0mRkgDsAwDPItGNHqK2uXsO804xZtijRv1XbxGrAuAF7GN3V1LjIRYBy7iUezOxc8a6yy0dIJTaCWpKxuwDDvv1UVAfyqvCREzJm6kvTd3C8TBLDq-iy_wY_KAdhAFxFMADyJEENS208-9CoS9h5AyxRhaam2OurBdq7QEAEwE3KkSxgm3VpiY/s800/L.A.%20Witch%20-%202018%20-%20Octubre%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="716" data-original-width="800" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSQlG9T0mRkgDsAwDPItGNHqK2uXsO804xZtijRv1XbxGrAuAF7GN3V1LjIRYBy7iUezOxc8a6yy0dIJTaCWpKxuwDDvv1UVAfyqvCREzJm6kvTd3C8TBLDq-iy_wY_KAdhAFxFMADyJEENS208-9CoS9h5AyxRhaam2OurBdq7QEAEwE3KkSxgm3VpiY/w400-h358/L.A.%20Witch%20-%202018%20-%20Octubre%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The name is a partial misnomer. Though the band hails from Los Angeles, they do not partake in any <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy4nhRXwo5k1HJo2ym0sXo7eqKtHyLq7mgXylxvFeStSe8glgc2dM5wT4KoBoiHtPIoDAWZzk6mbBCkyawwKnj58KktbM3yQYZORqCyAHxBlS0Mc1d4BbS5laiKVeq9XWcOmdk2WFs0GC31DTvyOlI4ZOL-B9r0ZJ4HOFZlWBoh1Ys3Tg-hmnaEX-_9uQ/s1000/L.A.%20Witch%20-%20Photo%2021.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="762" data-original-width="1000" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy4nhRXwo5k1HJo2ym0sXo7eqKtHyLq7mgXylxvFeStSe8glgc2dM5wT4KoBoiHtPIoDAWZzk6mbBCkyawwKnj58KktbM3yQYZORqCyAHxBlS0Mc1d4BbS5laiKVeq9XWcOmdk2WFs0GC31DTvyOlI4ZOL-B9r0ZJ4HOFZlWBoh1Ys3Tg-hmnaEX-_9uQ/s320/L.A.%20Witch%20-%20Photo%2021.jpg" width="320" /></a></div><br />sort of witchcraft. Yet their ability to conjure a specific time and place through their sound does suggest a kind of magic. On their eponymous debut album, L.A. Witch’s reverb-drenched guitar jangle and sultry vocals conjure the analog sound of a collector’s prized 45 from some short-lived footnote cult band. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXsTFSNXnOayrEZuhXcR5Rx1oeBVRd5LExGBvf8DC8Dfuq6RRQ1qE5cIIoJwun5604ekAA3fZzJ_5_yhMYnr0axQbc66gt7JJoofZpaAkGe9TB5BXk4naFfyqmkzzR_pARFAexPJuevtnkcfFWlb5U7dhmTa7Sfk3ZK3bHbXXIWH8XRdtW8Tp35ulhfQE/s1342/L.A.%20Witch%20-%20Poster%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1342" data-original-width="1074" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXsTFSNXnOayrEZuhXcR5Rx1oeBVRd5LExGBvf8DC8Dfuq6RRQ1qE5cIIoJwun5604ekAA3fZzJ_5_yhMYnr0axQbc66gt7JJoofZpaAkGe9TB5BXk4naFfyqmkzzR_pARFAexPJuevtnkcfFWlb5U7dhmTa7Sfk3ZK3bHbXXIWH8XRdtW8Tp35ulhfQE/w320-h400/L.A.%20Witch%20-%20Poster%207.jpg" width="320" /></a></div><br />The melodies forgo the bubblegum pop for a druggy haze that straddles the line between seedy glory and ominous balladry; the production can’t afford Phil Spector’s wall-of-sound, but the instruments’ <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqzZjw1WvPlu8BfFRSgBwmGC70KiC3UzQeMgpjX2IE97EUn6AvuegSSjF30AodLN7Q7NbvfVmtayH5HZ7y4tVvhK-msKkwTRkHWTHmZVadLggAlvsd0SeZQmNGpEYMaNATCPmnkrEeYIMla-ri5KBWPg2FveW24EuA-g5BLz2YnvaJH3aNQAC9Uc2AyA/s800/L.A.%20Witch%20-%20Photo%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="496" data-original-width="800" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqzZjw1WvPlu8BfFRSgBwmGC70KiC3UzQeMgpjX2IE97EUn6AvuegSSjF30AodLN7Q7NbvfVmtayH5HZ7y4tVvhK-msKkwTRkHWTHmZVadLggAlvsd0SeZQmNGpEYMaNATCPmnkrEeYIMla-ri5KBWPg2FveW24EuA-g5BLz2YnvaJH3aNQAC9Uc2AyA/s320/L.A.%20Witch%20-%20Photo%205.jpg" width="320" /></a></div><br />simple beauty provides an economic grace that renders studio trickery unnecessary; the lyrics seem more descendent of Johnny Cash’s first-person morality tales than the vacuous empty gestures of pre-fab pop bands. This isn’t music for the masses; it’s music for miscreants, burnouts, down-and-out dreamers, and obsessive historians.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS-J40gdWPxn0jtt3xfG7cQrgVTKmRFN6I__ctKcqAZYik7ychFt8Cu7jIunFlwC9c64UEIQj0f-KRRUDxGY4VRkxean7QQtNBauvt6L13wa4YpHPFnW7gE2cR1zDkZq7lxjcCXYYuZ97-PLSacwu0AZ8IKhlMd0PZmNzbhcUks5l1VNify_fHpkhaIaE/s900/L.A.%20Witch%20-%20Poster%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS-J40gdWPxn0jtt3xfG7cQrgVTKmRFN6I__ctKcqAZYik7ychFt8Cu7jIunFlwC9c64UEIQj0f-KRRUDxGY4VRkxean7QQtNBauvt6L13wa4YpHPFnW7gE2cR1zDkZq7lxjcCXYYuZ97-PLSacwu0AZ8IKhlMd0PZmNzbhcUks5l1VNify_fHpkhaIaE/w285-h400/L.A.%20Witch%20-%20Poster%206.jpg" width="285" /></a></div><br /><p></p><p style="text-align: center;"><b>L.A. Witch – Octubre<br />Label: Suicide Squeeze – SSQ166<br />Format: CD, EP<br />Country: UK, Europe & US<br />Released: Mar 22, 2019<br />Genre: Rock<br />Style: Garage Rock, Psychedelic Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Uz4GG5un909NmyvNoedb7FIGKouJmOEEeC3Y6TPXN1Fi8L7c1Px_KK6_tcnr3w-oDc4_dH5pANMe2a-H2WkSK2gy8DBhSE4uqtfgNx2SHrxXntNiE_MTNV__mjqpnPyyG18iFv8ppXLZ9NIruUKbL4wAfrOrMIdqa34qieWCblMIgm_Gm9S2VaCmTkk/s800/L.A.%20Witch%20-%202018%20-%20Octubre%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8Uz4GG5un909NmyvNoedb7FIGKouJmOEEeC3Y6TPXN1Fi8L7c1Px_KK6_tcnr3w-oDc4_dH5pANMe2a-H2WkSK2gy8DBhSE4uqtfgNx2SHrxXntNiE_MTNV__mjqpnPyyG18iFv8ppXLZ9NIruUKbL4wAfrOrMIdqa34qieWCblMIgm_Gm9S2VaCmTkk/w400-h360/L.A.%20Witch%20-%202018%20-%20Octubre%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Haunting 3:22<br /><b>02.</b> Sleep 3:53<br /><b>03. </b>BB's Momma 2:59<br /><b>04.</b> Heart Of Darkness 2:28<br /><b>05.</b> Outro 1:56<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZrMbmmAdJ4gawoQ8_iSlKE_xTgrSIX9dFedu64F77bHOzbb7A1LheRTaysBPSRc6umT3uI3rjDMsf7DlilJnWTEhEizyGCp2k4Sah4Wdf_MpprslG9pFIg6Z668XAlX99uXLUmExabxpc2lLbrO7cwUqHkgM3EchUIlV6RFgkNGKGwkAOrmCRTTVW8Jk/s1175/L.A.%20Witch%20-%20Photo%2023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="1175" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZrMbmmAdJ4gawoQ8_iSlKE_xTgrSIX9dFedu64F77bHOzbb7A1LheRTaysBPSRc6umT3uI3rjDMsf7DlilJnWTEhEizyGCp2k4Sah4Wdf_MpprslG9pFIg6Z668XAlX99uXLUmExabxpc2lLbrO7cwUqHkgM3EchUIlV6RFgkNGKGwkAOrmCRTTVW8Jk/w400-h208/L.A.%20Witch%20-%20Photo%2023.jpg" width="400" /></a></div><br />Bass, Organ – <b>Irita Pai</b><br />Drums, Percussion – <b>Ellie English</b><br />Guitar [Additional], Piano [Additional], Organ [Additional] – <b>Mr. Pharmacist </b><br />Vocals, Guitar – <b>Sade Sanchez</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/KMASnIzZ#A3693ewTvs57cr5gXAIUWqkl7xi0LrG_6Yh_LNX9JuE">Flac Size: 172 MB</a><br /><span style="font-size: large;"><br />L.A. WITCH - PLAY WITH FIRE 2020</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbibQE1-jPCxdqruAsshRew1L9Kb5T8el13n0l32xdvlG-JJ7z5AF6AOJTDCY5AHQdKAPP9lpNsPPSLEfRoQ0CqM7h1AVHaaYJYl52Gzfg97OmrxyBK1loJasKm-0azb1Qwv6twIQB51nFZ-4wmUwebibzqIR3_jWoMVsP2eZVt-st9bvZZdLDFum0ZQc/s1400/L.A.%20Witch%20-%202020%20-%20Play%20With%20Fire%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbibQE1-jPCxdqruAsshRew1L9Kb5T8el13n0l32xdvlG-JJ7z5AF6AOJTDCY5AHQdKAPP9lpNsPPSLEfRoQ0CqM7h1AVHaaYJYl52Gzfg97OmrxyBK1loJasKm-0azb1Qwv6twIQB51nFZ-4wmUwebibzqIR3_jWoMVsP2eZVt-st9bvZZdLDFum0ZQc/w400-h400/L.A.%20Witch%20-%202020%20-%20Play%20With%20Fire%20-%20Front%20Cover.jpg" width="400" /></a></div><br />In the dimly lit interior of a small nightclub, where the stale smell of a thousand extinguished cigarettes <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfMwOytdPnOhZGA-wAUDJsqrDEXCtqzGVyqhVLnyZCRfvXuQM_RR-w8tmCAl9u0rYjDkl2txAUFULdbKMpXLUh7Fpk__yux21zxtgCpbInsqEEROSglgt2-gpT_9D5E21H_tEzbFlFX-grwgAx7jV75MUbqkTbaYwipEoj85lvsltvytzYjIh2qXyf2KY/s610/L.A.%20Witch%20-%20Poster%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="502" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfMwOytdPnOhZGA-wAUDJsqrDEXCtqzGVyqhVLnyZCRfvXuQM_RR-w8tmCAl9u0rYjDkl2txAUFULdbKMpXLUh7Fpk__yux21zxtgCpbInsqEEROSglgt2-gpT_9D5E21H_tEzbFlFX-grwgAx7jV75MUbqkTbaYwipEoj85lvsltvytzYjIh2qXyf2KY/s320/L.A.%20Witch%20-%20Poster%208.jpg" width="263" /></a></div><br />drowns out the smell of spilt beer and broken dreams, a band plays against a backdrop of cheap golden tinsel. Outside, palm trees line the night’s horizon. In the years to come, the streets will swell into highways and interstates, but for now Los Angeles is still a young city growing daily with transplants from across the United States, all looking for a new life. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZeCyMw4kNdMwZMeb2Fz9HZBNMlOuwCdqS_2AKzrLOapp28raS04kG3PUbsaNrrPoxJPpiTIL8t_6jPj0VreUjrh2i-aF7-_dbpu5W-DG3rCusVXWKrU1s2K1uqn8IvryFHOuIdesFXxC_PQhVWBpTcOFrsuubb-MH5T-ngfa1dcbCNaNTRUJrGhtFZg/s1280/L.A.%20Witch%20-%20Poster%205%20(Play%20With%20Fire).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHZeCyMw4kNdMwZMeb2Fz9HZBNMlOuwCdqS_2AKzrLOapp28raS04kG3PUbsaNrrPoxJPpiTIL8t_6jPj0VreUjrh2i-aF7-_dbpu5W-DG3rCusVXWKrU1s2K1uqn8IvryFHOuIdesFXxC_PQhVWBpTcOFrsuubb-MH5T-ngfa1dcbCNaNTRUJrGhtFZg/w400-h400/L.A.%20Witch%20-%20Poster%205%20(Play%20With%20Fire).jpg" width="400" /></a></div><br />It’s still a city largely cut off from the rest of the country, and in the years before the Manson family <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5WGjYx6mHjavwPYMb597AwXINjmJaE39TMTA9Da8B0h_C05o78wqExiOvkLS24jEl0kCSdorlL6ahMEgIQi34jLWFIA6PJdmDgN_J4URdcRmJsg0faoOULO2AFZk4PG8AFK-eJe8_WEguokeRn1E8SmkU3dCOz75XfX7PszkZX0N04Zt9Sm6Z7yvKrE4/s540/L.A.%20Witch%20-%20Poster%209.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="540" data-original-width="374" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5WGjYx6mHjavwPYMb597AwXINjmJaE39TMTA9Da8B0h_C05o78wqExiOvkLS24jEl0kCSdorlL6ahMEgIQi34jLWFIA6PJdmDgN_J4URdcRmJsg0faoOULO2AFZk4PG8AFK-eJe8_WEguokeRn1E8SmkU3dCOz75XfX7PszkZX0N04Zt9Sm6Z7yvKrE4/s320/L.A.%20Witch%20-%20Poster%209.jpg" width="222" /></a></div><br />forever tarnishes the infinite hope of the Western enclave and before the Hell’s Angels of Altamont interrupt rock n’ roll’s peaceful trajectory with unprecedented violence, there is still a dreamy California sound for those dark rooms suffused with neon light. The three women of L.A. Witch wouldn’t be born for several decades, but their sound transports you back to those warm Californian nights in smoky rooms.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_O75EILhej_4hwzzobIKNlewgYenfip4p2GZ8uy_tuLRr17yu3qiN50FoO6qhA7xWpn2ns7WvgSTUKEMEIovp8lriWG0SXpSlHbWBUXFwjwttZJq4Mkkl0XlfotJWj7OkdZJOH-mPuENtJax8Fa9G6-nlCVWIe3dBwxDPhZqLo80dJVf7H8c5LBvQ0fw/s800/L.A.%20Witch%20-%202020%20-%20Play%20With%20Fire%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="716" data-original-width="800" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_O75EILhej_4hwzzobIKNlewgYenfip4p2GZ8uy_tuLRr17yu3qiN50FoO6qhA7xWpn2ns7WvgSTUKEMEIovp8lriWG0SXpSlHbWBUXFwjwttZJq4Mkkl0XlfotJWj7OkdZJOH-mPuENtJax8Fa9G6-nlCVWIe3dBwxDPhZqLo80dJVf7H8c5LBvQ0fw/w400-h358/L.A.%20Witch%20-%202020%20-%20Play%20With%20Fire%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>L.A. Witch – Play With Fire<br />Label: Suicide Squeeze – SSQ173<br />Format: CD, Album<br />Country: US<br />Released: Aug 21, 2020<br />Genre: Rock<br />Style: Garage Rock, Psychedelic Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWqXoUnHf-sVDNYPQfp4CH1uO_nA_iy2VMS2FR3S3hqxrVGgHfU52KDMDV6-K8qCnSvKcI2S1XBo_wBDCqJUNeJdv0q8nlqzQzhTlp3MDDMlYscO5oJg7eZbUPxC_9xHPakIqM0Fx2IVKte3FpJ1Fs2_dOX67vfoh4S9rAGddWuoXZJUZf7YSyUxXpDn4/s800/Screenshot%202024-03-28%20at%2009-08-30%20L.A.%20Witch%20-%20Play%20With%20Fire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="733" data-original-width="800" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWqXoUnHf-sVDNYPQfp4CH1uO_nA_iy2VMS2FR3S3hqxrVGgHfU52KDMDV6-K8qCnSvKcI2S1XBo_wBDCqJUNeJdv0q8nlqzQzhTlp3MDDMlYscO5oJg7eZbUPxC_9xHPakIqM0Fx2IVKte3FpJ1Fs2_dOX67vfoh4S9rAGddWuoXZJUZf7YSyUxXpDn4/w400-h366/Screenshot%202024-03-28%20at%2009-08-30%20L.A.%20Witch%20-%20Play%20With%20Fire.jpg" width="400" /></a></div><br /><b>01.</b> Fire Starter 3:21<br /><b>02.</b> Motorcycle Boy 3:49<br /><b>03. </b>Dark Horse 3:34<br /><b>04.</b> I Wanna Lose 4:03<br /><b>05.</b> Gen-Z 4:08<br /><b>06.</b> Sexorexia 3:14<br /><b>07. </b>Maybe The Weather 2:46<br /><b>08. </b>True Believers 2:02<br /><b>09. </b>Starred 2:59<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwC0EUAe_BPdvHFhic8t-Pa1tEcfsS3_k87p4II7FqQcQoMaEeC1ajCJ4z7X7Cb3VO2xWuh0zJIZ8EaMqhboquJn9Rlg5nv3DVWob9-DBKrxUUQTspWtvggO4hn-IiLpX0JzrHyleCkfabmqf9FkGW7DGgSu7etwsmbOHj-9V_Ma8GZDZUUrWkpryUmYs/s800/L.A.%20Witch%20-%20Photo%2032.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwC0EUAe_BPdvHFhic8t-Pa1tEcfsS3_k87p4II7FqQcQoMaEeC1ajCJ4z7X7Cb3VO2xWuh0zJIZ8EaMqhboquJn9Rlg5nv3DVWob9-DBKrxUUQTspWtvggO4hn-IiLpX0JzrHyleCkfabmqf9FkGW7DGgSu7etwsmbOHj-9V_Ma8GZDZUUrWkpryUmYs/w400-h400/L.A.%20Witch%20-%20Photo%2032.jpg" width="400" /></a></div><br />Bass, Keyboards – <b>Irita Pai</b><br />Drums, Percussion – <b>Ellie English</b><br />Guitar, Vocals, Photography By [Back photo of Sade Sanchez] – <b>Sade Sanchez</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/2RpFHBQJ#SW8tMg6FKJUTjbqCtpnqBwgr-Ov0yEl0pmGInaO5ihY">Flac Size: 347 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com10tag:blogger.com,1999:blog-8270002232971427483.post-59806595651046946862024-03-27T09:35:00.000+02:002024-03-27T09:35:00.538+02:00Manos Hatzidakis - New York Rock & Roll Ensemble: Reflections 1970 + Raining Pleasure: Reflections 2005<p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChsTXfv-033K0KyO14pZ6oWa6MdJtOYQ5pGff_gusekcSAtaWIwhBv7kFEtwb_gt5ElG4Jw7ENznJSAhf_GdiR5zYTeoIdaHzi08FZNAx2Pq3kFUnLYsG_wTaW4NjVV0PsArlLscm1rxYY1M37emkw0GN-ukunp5QOnN3sDsUe5sGlMAe_Oam2ao_Jzs/s1250/Reflections%20-%20Big%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="703" data-original-width="1250" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChsTXfv-033K0KyO14pZ6oWa6MdJtOYQ5pGff_gusekcSAtaWIwhBv7kFEtwb_gt5ElG4Jw7ENznJSAhf_GdiR5zYTeoIdaHzi08FZNAx2Pq3kFUnLYsG_wTaW4NjVV0PsArlLscm1rxYY1M37emkw0GN-ukunp5QOnN3sDsUe5sGlMAe_Oam2ao_Jzs/w400-h225/Reflections%20-%20Big%20Front%20Cover.jpg" width="400" /></a></b></div><b> </b><p></p><p style="text-align: center;"><b><span style="font-size: large;">MANOS HATZIDAKIS</span> (The Composer Who Shaped Greek Music)</b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgef2nB6r-JwNW33SUfDFkAoL7z8mwIr7WfulGofh6SPnZUJk5GztvtJzrKSTrUbeputAjJ5UEoySFpkvq_TI7EZASf21OF6QVqgcY7OPC0_G4_1fvMMOCAXWbEcSGPJiA7d2DkotZNNke8Uq_ayGC3-OWQQi-CN_dqXO7tIMQ9b6k-OmropCSiuMqVPFU/s800/Manos%20Hadjidakis%20-%20Photo%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="456" data-original-width="800" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgef2nB6r-JwNW33SUfDFkAoL7z8mwIr7WfulGofh6SPnZUJk5GztvtJzrKSTrUbeputAjJ5UEoySFpkvq_TI7EZASf21OF6QVqgcY7OPC0_G4_1fvMMOCAXWbEcSGPJiA7d2DkotZNNke8Uq_ayGC3-OWQQi-CN_dqXO7tIMQ9b6k-OmropCSiuMqVPFU/w400-h228/Manos%20Hadjidakis%20-%20Photo%209.jpg" width="400" /></a></div><br />Manos Hatzidakis <b>(also spelled Hadjidakis; Greek: Μάνος Χατζιδάκις; 23 October 1925 – 15 June <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHe1_xJJeJadVL-DNE3PBCATX3VV6kFO99gZqN-4AWIpzR6bzqYB18Ed9EpiB4NtA9wCfi8usinboxTO6mzhbGQBJADqznads5edPzogN-U8pra74S8zoO7cVbrJVMg22yG3OrJX8aFJR9Ort0llwlKlpKicvlSo-78ZR2gTaFCILJjGoNBJ6hKcYZ2zw/s640/Manos%20Hadjidakis%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHe1_xJJeJadVL-DNE3PBCATX3VV6kFO99gZqN-4AWIpzR6bzqYB18Ed9EpiB4NtA9wCfi8usinboxTO6mzhbGQBJADqznads5edPzogN-U8pra74S8zoO7cVbrJVMg22yG3OrJX8aFJR9Ort0llwlKlpKicvlSo-78ZR2gTaFCILJjGoNBJ6hKcYZ2zw/s320/Manos%20Hadjidakis%20-%20Photo%202.jpg" width="320" /></a></div><br />1994) </b>was a Greek composer and theorist of Greek music, widely considered to be one of the greatest Greek composers. He was one of the main proponents of the "Éntekhno" form of music, along with Mikis Theodorakis, is the founder of the Orchestra of Colours, an ensemble performing lesser-known works and the music of Greek composers, and influenced a broad swathe of Greek culture through his writings and radio broadcasts.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho9si5lWi8HqyNzvpxRhreVFcqPHHtZ83wyaDWuR2aK9iRhHe2LZbVaHwnG8bdVEkY9EOG2jwpJ8ibXC4IiPInZ49cOx2v5xo8CpBty3JMdRH_boiOTgwRRsgSek-nSZuJpq2gPTFKd9VaCmtJUdH4PQJyNkCn6S649Sil9G-LAK7KWM1LlHl648npMxg/s472/Manos%20Hadjidakis%20-%20Photo%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="246" data-original-width="472" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho9si5lWi8HqyNzvpxRhreVFcqPHHtZ83wyaDWuR2aK9iRhHe2LZbVaHwnG8bdVEkY9EOG2jwpJ8ibXC4IiPInZ49cOx2v5xo8CpBty3JMdRH_boiOTgwRRsgSek-nSZuJpq2gPTFKd9VaCmtJUdH4PQJyNkCn6S649Sil9G-LAK7KWM1LlHl648npMxg/w400-h209/Manos%20Hadjidakis%20-%20Photo%208.jpg" width="400" /></a></div><br />In 1958, Hatzidakis met Nana Mouskouri, his first "ideal interpreter". It was 1960 that brought him <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7d4gMR0yhGosHBztXUk0gbB_ul03H7UYcPO2Q5XOrzm7IrCJV5k-w2XmH6PaiC_FrMsukTzp_IIfcJwchUEz6lVcQqjwHRlNIrqSgXmzXbcJXCAgf6cipv80ceqa6m0i_MYiRXhfDLlzgpf8eYmcxtJsz_AZ6KVLsXA70R_ZuoF1apaYtuQoroCDVcc4/s800/Manos%20Hadjidakis%20-%20Photo%2010.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="574" data-original-width="800" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7d4gMR0yhGosHBztXUk0gbB_ul03H7UYcPO2Q5XOrzm7IrCJV5k-w2XmH6PaiC_FrMsukTzp_IIfcJwchUEz6lVcQqjwHRlNIrqSgXmzXbcJXCAgf6cipv80ceqa6m0i_MYiRXhfDLlzgpf8eYmcxtJsz_AZ6KVLsXA70R_ZuoF1apaYtuQoroCDVcc4/s320/Manos%20Hadjidakis%20-%20Photo%2010.jpg" width="320" /></a></div><br />international success, as his song "Never on Sunday" ("Τα παιδιά του Πειραιά"), from Jules Dassin's film Never on Sunday (Ποτέ την Κυριακή), won him an Academy Award and became a worldwide hit. Hatzidakis did not attend the Academy Award ceremony in 1961, and refused to collect his award. He said that the film Never on Sunday with a prostitute as its protagonist reflected negatively on Athens.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFn7vvHkkaTdSprMPfPGGmPYmjNrj205T51VnwqMv_RAIwUl8aCEiNNUiE_65REQHeWNl7THg7gh7pLGE4TEGYA5Bzz5ftHzqujVxdmceQWDt2DjhDc1Q35t9vBUgHYE-utsQL_1w-UyWMyW9GNOwUSWmLlWxmD4YGV60844X51uNzDTOMxVWYvb8jCcg/s720/Manos%20Hadjidakis%20-%20Art%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="540" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFn7vvHkkaTdSprMPfPGGmPYmjNrj205T51VnwqMv_RAIwUl8aCEiNNUiE_65REQHeWNl7THg7gh7pLGE4TEGYA5Bzz5ftHzqujVxdmceQWDt2DjhDc1Q35t9vBUgHYE-utsQL_1w-UyWMyW9GNOwUSWmLlWxmD4YGV60844X51uNzDTOMxVWYvb8jCcg/w300-h400/Manos%20Hadjidakis%20-%20Art%202.jpg" width="300" /></a></div><br />Hatzidakis studied music theory with Menelaos Pallandios, in the period 1940–1943. At the same time, he studied philosophy at the University of Athens. However, he never completed this course. <b>He met and connected with other musicians, writers, and intellectuals including George Seferis, Odysseas <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYudvEhki_c_m0qMt-HhGRcVEa4vAQx-7MBiVxoq41UciEGdrNeCv_JYXeFj8NxoEAJ0hGZ7RVHYalEYQZCcsxLBX0vYcQ-T6LeysD_fDxLn7cbpRMKY2a0FgCA__-ilwpOqSiPXQlBjPaHs6uKvo3uDVYXBSWXp5iT7nLnXP0Ks-Km8MLYhcDwY8AD9Q/s1024/Manos%20Hadjidakis%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYudvEhki_c_m0qMt-HhGRcVEa4vAQx-7MBiVxoq41UciEGdrNeCv_JYXeFj8NxoEAJ0hGZ7RVHYalEYQZCcsxLBX0vYcQ-T6LeysD_fDxLn7cbpRMKY2a0FgCA__-ilwpOqSiPXQlBjPaHs6uKvo3uDVYXBSWXp5iT7nLnXP0Ks-Km8MLYhcDwY8AD9Q/s320/Manos%20Hadjidakis%20-%20Photo%203.jpg" width="320" /></a></div><br />Elytis, Angelos Sikelianos, Yannis Tsarouchis and especially the poet Nikos Gatsos who became a close friend.</b> During the last stages of the Axis occupation of Greece, Hatzidakis was an active participant in the Greek Resistance through membership of the United Panhellenic Organization of Youth (EPON), the youth branch of the major resistance organisation EAM, <b>where he met Mikis Theodorakis with whom he soon developed a strong friendship. </b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDvrnMa7XuGS72Y9h_LL8eI7TxtbMCcFBsko_IugxqQoHc8mJ-QDXqZSfqKQKc2xITNbcvDjkG9QEu9kqwaAZe7VTkw8vG90Yt_dJgG1N6kWPQvbHcecMWfwdJJ03dUX1C_KR7ptEPfCx5UheagQ8UOjIuPxVswE4P_HzHOiNbCHu5LGuiyD8na80S9nY/s824/Manos%20Hadjidakis%20-%20Photo%2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="588" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDvrnMa7XuGS72Y9h_LL8eI7TxtbMCcFBsko_IugxqQoHc8mJ-QDXqZSfqKQKc2xITNbcvDjkG9QEu9kqwaAZe7VTkw8vG90Yt_dJgG1N6kWPQvbHcecMWfwdJJ03dUX1C_KR7ptEPfCx5UheagQ8UOjIuPxVswE4P_HzHOiNbCHu5LGuiyD8na80S9nY/w285-h400/Manos%20Hadjidakis%20-%20Photo%2011.jpg" width="285" /></a></div><br />Hatzidakis's first composition was the tune for the song "Paper Moon" ("Χάρτινο το Φεγγαράκι"), from Tennessee Williams' A Streetcar Named Desire staged by Karolos Koun's Art Theatre of Athens. His first piano piece, "For a Little White Seashell" ("Για μια Μικρή Λευκή Αχιβάδα"), came out in 1947, and in 1948 he set a collection of Gatsos poetry to music: Blood Wedding. In 1949, Hatzidakis shook the musical establishment by delivering an influential lecture on rembetika, the urban folk songs that <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_pwY_rwjsNTtmA34Cy6mk-HdjHYE4NtAtPMC0dRpzt6POfvhGc8ui5yZ2uug8mR4g1TlTbNWek5mQO2lhaOx4PRiRZwrCE3oG4HiYGvmmS1ei8IFKfmDcesivF5tdWk9SyFUWKXwgOIfOXtULS4opWKkHpM17xUlWiMoKNCrU7_IqU-7L5wpreSjz7g/s568/Manos%20Hadjidakis%20-%20Photo%207.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="354" data-original-width="568" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_pwY_rwjsNTtmA34Cy6mk-HdjHYE4NtAtPMC0dRpzt6POfvhGc8ui5yZ2uug8mR4g1TlTbNWek5mQO2lhaOx4PRiRZwrCE3oG4HiYGvmmS1ei8IFKfmDcesivF5tdWk9SyFUWKXwgOIfOXtULS4opWKkHpM17xUlWiMoKNCrU7_IqU-7L5wpreSjz7g/s320/Manos%20Hadjidakis%20-%20Photo%207.jpg" width="320" /></a></div><br />flourished in Greek cities, mainly Piraeus, after the Asia Minor refugee influx in 1922. Hatzidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like Markos Vamvakaris and Vassilis Tsitsanis. Putting theory to practice, he adapted classic rembetika in his 1951 piano work, Six Popular Pictures (Έξι Λαϊκές Ζωγραφιές), which was later also presented as a folk ballet. Also in 1949 he co-founded the Greek Dance Theatre Company with the choreographer Rallou Manou.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqAbXvKN9Xg1voErKGa_YKhJAD_4e6FzTSlCYszd9JnhuHRuH-7jqbhILFljTJ7UMNBo45-ixm7Cg9SJ_QuG-WpBfdCSiG25D-IAb3Y0yXBOKBBBubr8CALLdvO_F36BmqMC84HbCZQG3r69KJHv4ewoRXnWkahp8ote6lg9ple5et9n8jBl84fey4ZNw/s822/Manos%20Hadjidakis%20-%20Art%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="822" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqAbXvKN9Xg1voErKGa_YKhJAD_4e6FzTSlCYszd9JnhuHRuH-7jqbhILFljTJ7UMNBo45-ixm7Cg9SJ_QuG-WpBfdCSiG25D-IAb3Y0yXBOKBBBubr8CALLdvO_F36BmqMC84HbCZQG3r69KJHv4ewoRXnWkahp8ote6lg9ple5et9n8jBl84fey4ZNw/w311-h400/Manos%20Hadjidakis%20-%20Art%201.jpg" width="311" /></a></div><br />Hatzidakis lived in the United States from 1966 to 1972, during which he completed several more major compositions, including Rhythmology (Rythmologia) for solo piano, his compilation, Gioconda's <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHquPC_olmc10oOQU3ZsgAfmWh_5834ac4iabKxQjrQs-NJzSM5KUqB3CsbcA0KksLYalyVOShJ3yHVo5HoTdlm3ADRpnTVL1N4sec8vuLXmmdBEBNS_petwNJK1aTLQXoRxuLCIeIDKRoizrvRCNztwix4gxNZLBPCRG6HJb8YCDBz6FXddXse2X9e9s/s849/Manos%20Hadjidakis%20-%20Photo%206.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="849" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHquPC_olmc10oOQU3ZsgAfmWh_5834ac4iabKxQjrQs-NJzSM5KUqB3CsbcA0KksLYalyVOShJ3yHVo5HoTdlm3ADRpnTVL1N4sec8vuLXmmdBEBNS_petwNJK1aTLQXoRxuLCIeIDKRoizrvRCNztwix4gxNZLBPCRG6HJb8YCDBz6FXddXse2X9e9s/s320/Manos%20Hadjidakis%20-%20Photo%206.jpg" width="241" /></a></div><br />Smile (produced by Quincy Jones), and the song cycle, Magnus Eroticus (Megalos Erotikos), in which he used ancient (Sappho, Euripides), medieval (stanzas from folk songs and George Hortatzis' romance Erophile) and modern (Dionysios Solomos, Constantine Cavafy, Odysseus Elytis, Nikos Gatsos) Greek poems, as well as an excerpt from the Old Testament book "Song of Songs". He released the album Reflections, a collaboration with the New York Rock & Roll Ensemble.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiILmXG3h2N7QTt6OecwmY2RO_K6pcNd2im1oB3M22_bBiMGBGqIzLcMUV7WhgMqdZh7F-7HQr3Tsk3AEMpVpqa2n0G6uJlaP8B1G7hw8pBd4tpuH71Ulhc39VgWXdlD8g0PGxyFwwfpapAGYAI-tH61q50pv3mXpq8cfZNLT361W_KRstPGxHcnbrF3xU/s550/Manos%20Hadjidakis%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiILmXG3h2N7QTt6OecwmY2RO_K6pcNd2im1oB3M22_bBiMGBGqIzLcMUV7WhgMqdZh7F-7HQr3Tsk3AEMpVpqa2n0G6uJlaP8B1G7hw8pBd4tpuH71Ulhc39VgWXdlD8g0PGxyFwwfpapAGYAI-tH61q50pv3mXpq8cfZNLT361W_KRstPGxHcnbrF3xU/w400-h266/Manos%20Hadjidakis%20-%20Photo%201.jpg" width="400" /></a></div><br />Hatzidakis died from a heart attack on 15 June 1994 in Athens at the age of 68. In 1999 the city of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXJP27xmUh3gUG8Cc4k7MqieGmo64uSVOZW0KcWGuVyXk6SKXXQvX0_ppVp5iqTEgiyURvwl1VUBzSsRZbbqVwxXu0rmhhaWQ2tJDxJLoBJ3LSVFnw86f6uxGvrHqoataqxkHqQSC5-tf7D-Wx-4SIKcPqaIJ6DdSOITc2Qd5DKCdoFt8gQnYWOuLssJM/s518/Manos.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="390" data-original-width="518" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXJP27xmUh3gUG8Cc4k7MqieGmo64uSVOZW0KcWGuVyXk6SKXXQvX0_ppVp5iqTEgiyURvwl1VUBzSsRZbbqVwxXu0rmhhaWQ2tJDxJLoBJ3LSVFnw86f6uxGvrHqoataqxkHqQSC5-tf7D-Wx-4SIKcPqaIJ6DdSOITc2Qd5DKCdoFt8gQnYWOuLssJM/s320/Manos.jpg" width="320" /></a></div><br />Athens dedicated the museum Technopolis in his memory. Along with Mikis Theodorakis, Manos Hatzidakis was Greece’s greatest composer—and his music can also easily be described as the soundtrack of 20th century Greece. His loss on June 15, 1994 deprived Greek music of one of its two main musical ambassadors.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5h8qFy7PQp1n8xxywpCA1BEz8YMmShc_YBOa2tXMo57oP3-HG_KSgYk92PhuPF8Jrw5UxOi2MyWpxhidG_-6z05To0dpkv1WDFHVq4xqvropwqkYWdxhqcghsOJZEpAVk7aboU0rcY18NeRijVnsMUSmphXVCOL3tUjBGYKVIxz3iOskyY_NB2HfNbFI/s450/Manos%20Hadjidakis%20-%20Photo%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="450" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5h8qFy7PQp1n8xxywpCA1BEz8YMmShc_YBOa2tXMo57oP3-HG_KSgYk92PhuPF8Jrw5UxOi2MyWpxhidG_-6z05To0dpkv1WDFHVq4xqvropwqkYWdxhqcghsOJZEpAVk7aboU0rcY18NeRijVnsMUSmphXVCOL3tUjBGYKVIxz3iOskyY_NB2HfNbFI/w400-h400/Manos%20Hadjidakis%20-%20Photo%204.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">Famous quotes by Manos Hatzidakis</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdoP9lQuYuNzfJ6Z8uyTrMQpsukiyzfCnE7vI0uFzHnK56QBgBVrXGb03WySNAuLDZDwwHJDfXYRcdXeD9wEvohyphenhyphenUB5JRrFPg2dEl04dgJ-_zoEGXaIwkxN7RA9Hjp9tT8n7l1ENBXZAk_Jz2Btf9cdRwbGhOuUuxzYzoAMZ5xcm45Qc1zSC1OYtNRlc8/s600/Manos%20Hadjidakis%20-%20Photo%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="479" data-original-width="600" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdoP9lQuYuNzfJ6Z8uyTrMQpsukiyzfCnE7vI0uFzHnK56QBgBVrXGb03WySNAuLDZDwwHJDfXYRcdXeD9wEvohyphenhyphenUB5JRrFPg2dEl04dgJ-_zoEGXaIwkxN7RA9Hjp9tT8n7l1ENBXZAk_Jz2Btf9cdRwbGhOuUuxzYzoAMZ5xcm45Qc1zSC1OYtNRlc8/w400-h319/Manos%20Hadjidakis%20-%20Photo%205.jpg" width="400" /></a></div><br />“The only antibiotic to fight the beast inside us is Education.”<br />“When you get used to the beast, you get to look like it.”<br />“I don’t care about fame. It imprisons me in its own confines, not mine.”<br />“To make music, you need three things: art, technique, and experiences. Without them you can not write music.”<br />“I believe in songs that expose us and express us deeply—not those that flatter our frivolous and violently won habits.”<br />“The two enemies of politics and culture are populism and elitism.”<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">THE NEW YORK ROCK & ROLL ENSEMBLE</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5EI9fb1bVNiyDHjfWuptuWTztCnXDYEjbPidNtr6TP3d6KuQo0HrxSgwbH6vCB9OJlvtTzar3ZCDzYBuy0kNGnP46rDJz2WgaCc-5ED8yT1sXSzzqanYLcmGK9VjW6-VgHtebMi5fmSM-Tn2BQ7kF2rWjS7D7cgx8xVFEnaUVWOhj5v4E3-Lx3IhFLb8/s1080/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="581" data-original-width="1080" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5EI9fb1bVNiyDHjfWuptuWTztCnXDYEjbPidNtr6TP3d6KuQo0HrxSgwbH6vCB9OJlvtTzar3ZCDzYBuy0kNGnP46rDJz2WgaCc-5ED8yT1sXSzzqanYLcmGK9VjW6-VgHtebMi5fmSM-Tn2BQ7kF2rWjS7D7cgx8xVFEnaUVWOhj5v4E3-Lx3IhFLb8/w400-h215/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%205.jpg" width="400" /></a></div><br />The New York Rock & Roll Ensemble was formed by three Juilliard students (Michael Kamen, Martin <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKcgSLP89RZgTrM9Z0k9ccqairDCr05ksi_ohXJFpXkNXJ4taoMBHa3YNBWlSSgOFoss4Kw_2wCo1Guk4k8qUKBaG6sVHIm_p00XcGbOgOWnoqJzH1snXmQRTOxOSh-c5H7u0lzch4WXg7d4gb0HIBwJ_WiLhAjfH3mGKIhnERac7Pm2h5nhn39l1my1E/s1024/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="1024" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKcgSLP89RZgTrM9Z0k9ccqairDCr05ksi_ohXJFpXkNXJ4taoMBHa3YNBWlSSgOFoss4Kw_2wCo1Guk4k8qUKBaG6sVHIm_p00XcGbOgOWnoqJzH1snXmQRTOxOSh-c5H7u0lzch4WXg7d4gb0HIBwJ_WiLhAjfH3mGKIhnERac7Pm2h5nhn39l1my1E/s320/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%204.jpg" width="320" /></a></div><br />Fulterman ---now known as Mark Snow--- and Dorian Rudnytsky) as well as two rock musicians, Brian Corrigan and Clifton Nivison. Beginning with their 1968 debut album they broke tradition by using classical music instruments in rock songs and rock instruments in classical pieces. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-nwCB0arEZnuvXrM9uaIIlsYCRdpXP3flEFhE03-FHM4Z6p75AsinOFRQovuaF1DYTrgtUDHEHfquTAl8t9CrEy9MS5Z-4PdCzfMzwGTSI-doZpVW4_OxgQY_7M7J6rHjedMHIB4CHVoecIf34Uf0Iixzr-vmHK0aMWHpJUDuT0EPMMWKY_vzF5sJlog/s900/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="597" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-nwCB0arEZnuvXrM9uaIIlsYCRdpXP3flEFhE03-FHM4Z6p75AsinOFRQovuaF1DYTrgtUDHEHfquTAl8t9CrEy9MS5Z-4PdCzfMzwGTSI-doZpVW4_OxgQY_7M7J6rHjedMHIB4CHVoecIf34Uf0Iixzr-vmHK0aMWHpJUDuT0EPMMWKY_vzF5sJlog/w265-h400/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%201.jpg" width="265" /></a></div><br /><b>This fusion, daring at the time, impressed legendary conductor Leonard Bernstein so much that <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V0qwVapDuoLB2hSy_AG52MV8S177x1i8rsL3UlavhLLEsmvIul3rRH9lFzdwmk61S_T3to2EY3OrnUJVJIHa1zedtkrwk4J2VfCa44Wrpo_ZAgFd6_noDmaBQeA_rem4oZZslu2FIAV8nUMivMo9pXn5AKQ-yNBqGIhJiH_p-jYxTSIUKnzY_SmLQKY/s640/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%203.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2V0qwVapDuoLB2hSy_AG52MV8S177x1i8rsL3UlavhLLEsmvIul3rRH9lFzdwmk61S_T3to2EY3OrnUJVJIHa1zedtkrwk4J2VfCa44Wrpo_ZAgFd6_noDmaBQeA_rem4oZZslu2FIAV8nUMivMo9pXn5AKQ-yNBqGIhJiH_p-jYxTSIUKnzY_SmLQKY/s320/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%203.jpg" width="320" /></a></div><br />he invited the group to appear at one of his Young People's Concerts with the New York Philharmonic </b>Orchestra where they performed their signature song "Brandenburg", based on the first movement of Bach's Fifth Brandenburg Concerto.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimy-jqnLx9GDFyxUCRpp9xOh1AatkjCoJNKwUHJD8yONvarmVpMQmCLVpBQqi7ING_YefEVNtuKji_ImSpVuA6roSLMtAzBqirdsGvmfWyxecoi3Ympp1CTvdbAa1uljyd9OBaCKRX6mDgGmNFClEgv2Eii9SE9x_duKs2uDzWLh9Z-rY6O1Fi6Te2r2Y/s1283/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1283" data-original-width="1024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimy-jqnLx9GDFyxUCRpp9xOh1AatkjCoJNKwUHJD8yONvarmVpMQmCLVpBQqi7ING_YefEVNtuKji_ImSpVuA6roSLMtAzBqirdsGvmfWyxecoi3Ympp1CTvdbAa1uljyd9OBaCKRX6mDgGmNFClEgv2Eii9SE9x_duKs2uDzWLh9Z-rY6O1Fi6Te2r2Y/w319-h400/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Photo%202.jpg" width="319" /></a></div><br />Brandenburg appeared on the group's second LP "Faithful Friends" (1969). This LP had higher <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr_MAkBwUkT-cSX2p2JUR4obzMBUMpNiQVusMsCCmdt9oaebYIry9QCMIRHq-oRre9JgaL8VL3S9StqBxx2BVQpB8_Tlwlk8F5nEpjKHUh7QOM5TmnkF5jo5CHSH89CzNAvjMZojgMknKqWfLngShnhsiTw1gJkCAsT7tesVBS4GP56PXVloAn1LSo4JM/s999/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr_MAkBwUkT-cSX2p2JUR4obzMBUMpNiQVusMsCCmdt9oaebYIry9QCMIRHq-oRre9JgaL8VL3S9StqBxx2BVQpB8_Tlwlk8F5nEpjKHUh7QOM5TmnkF5jo5CHSH89CzNAvjMZojgMknKqWfLngShnhsiTw1gJkCAsT7tesVBS4GP56PXVloAn1LSo4JM/s320/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%204.jpg" width="205" /></a></div><br />production values than their first and contained many of the songs that were part of their live act. Their third album, "Reflections" (1970), was actually recorded prior to Faithful Friends and was a collaboration with Greek composer Manos Hatzidakis on the score for a film that was never produced. Rhythm guitarist Brian Corrigan departed after the third album and after being part of the only movie appearance by the group, "Zachariah".<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJj4hnRRnnFyw3QG9PJTlzGFHk0jx_yXjScvyGPAOMrQhpAVKrSI1Qp2wZZcVrllfWTCdJZmhVj1YJ3rChOBmnYplA5FGcHN3RoBNISKyVI4KpEGyqywF_FqnSSn8jf7Y8-Yh8p4cgcy6ah0BLLd5DTNOEZ3O6tMT273XqHkJ-0heNXAFHWiGly8WJhg/s599/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="599" data-original-width="386" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJj4hnRRnnFyw3QG9PJTlzGFHk0jx_yXjScvyGPAOMrQhpAVKrSI1Qp2wZZcVrllfWTCdJZmhVj1YJ3rChOBmnYplA5FGcHN3RoBNISKyVI4KpEGyqywF_FqnSSn8jf7Y8-Yh8p4cgcy6ah0BLLd5DTNOEZ3O6tMT273XqHkJ-0heNXAFHWiGly8WJhg/w258-h400/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%202.jpg" width="258" /></a></div> <br />The band then shortened its name to The New York Rock Ensemble and switched to Columbia <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0JfsaqxQuNfLO62qRA2Crb1jNA3wyG7TlaBuukt7jLOfD4mID3gB1ydfPtFBZHP4t4g-4dN4RZNIVLi9MAG8_qip5FjH-rk5gwOHvsRLLbs1uK_N5JR4EewAZ5s7RZHXV2h7HbF84gjQ3IzM94kWO08WUbtfKuAM3xOOL-XarbyegpVurZ2AhdI9ikJQ/s640/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%203.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="370" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0JfsaqxQuNfLO62qRA2Crb1jNA3wyG7TlaBuukt7jLOfD4mID3gB1ydfPtFBZHP4t4g-4dN4RZNIVLi9MAG8_qip5FjH-rk5gwOHvsRLLbs1uK_N5JR4EewAZ5s7RZHXV2h7HbF84gjQ3IzM94kWO08WUbtfKuAM3xOOL-XarbyegpVurZ2AhdI9ikJQ/s320/New%20York%20Rock%20&%20Roll%20Ensemble%20-%20Poster%203.jpg" width="185" /></a></div><br />Records. Roll Over (1971) was their most overtly rock album and, at that time, their biggest seller. Their album Freedomburger (1972) was an uneven collection of songs. Soon after the tour supporting this album the band dispersed. Kamen, joined by Rudnytsky and other musicians, gave it one last try when they released New York Rock in 1973.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeM4-jm8CNUncJCzS3YL1Zq2VUL5ETeL7_PJDAkjZMDcA3uVeZNT_gOGHQ8Std2J6LzwVVnk5rZdwmDmwsix_F3WVByl4wd5ROMY3SbjH5Fdp37-gJSWyZH2WGcbRLQqjg1wkj_eZmdgssXSMzcK88_1DF7o7m2Z7IkdcgxrZsLMfJiVA1NMdI34qbLKE/s1080/Reflections%20-%20Manos%20+%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="1080" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeM4-jm8CNUncJCzS3YL1Zq2VUL5ETeL7_PJDAkjZMDcA3uVeZNT_gOGHQ8Std2J6LzwVVnk5rZdwmDmwsix_F3WVByl4wd5ROMY3SbjH5Fdp37-gJSWyZH2WGcbRLQqjg1wkj_eZmdgssXSMzcK88_1DF7o7m2Z7IkdcgxrZsLMfJiVA1NMdI34qbLKE/w400-h225/Reflections%20-%20Manos%20+%20Front%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>New York Rock & Roll Ensemble – Manos Hatzidakis - Reflections<br />Label: Warner Music Greece – 7567-80635-2<br />Series: Μουσικό Αρχείο της Warner Music Greece<br />Format: CD, Album, Reissue 2006<br />Country: Greece<br />Released: 1970<br />Genre: Rock<br />Style: Classic Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbr0qQYxYrDtqRV0PVIDc-MLxAcY9_0Jz07jiQ_DI8Uo9IFig1TvBHUpCpb0joT6Mvu-P-lSaVYSE-xf5onI67Da6z2-KeEO5fwqkKpTtLfXFL_u8iqQ68NF1-wjX4pCQKm8y0yvJSbW11ORIy810GvHe7Gxyp3wyk9xvMl8nzT7j1b3PE1IPthQQFBx8/s800/New%20York%20Rock%20Ensemble%20-%20Manos%20hatzidakis%20-%201970%20-%20Reflections%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="629" data-original-width="800" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbr0qQYxYrDtqRV0PVIDc-MLxAcY9_0Jz07jiQ_DI8Uo9IFig1TvBHUpCpb0joT6Mvu-P-lSaVYSE-xf5onI67Da6z2-KeEO5fwqkKpTtLfXFL_u8iqQ68NF1-wjX4pCQKm8y0yvJSbW11ORIy810GvHe7Gxyp3wyk9xvMl8nzT7j1b3PE1IPthQQFBx8/w400-h315/New%20York%20Rock%20Ensemble%20-%20Manos%20hatzidakis%20-%201970%20-%20Reflections%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. Orpheus 2:31</b><br />Songwriter – Dorian Rudnytsky, Manos Hatzidakis<br /><b>02. The Day 3:30</b><br />Songwriter – Brian Corrigan, Manos Hatzidakis<br /><b>03. Love Her 4:17</b><br />Songwriter – Brian Corrigan, Manos Hatzidakis<br /><b>04. Dance Of The Dogs 2:58</b><br />Songwriter – Manos Hatzidakis<br /><b>05. Kemal 4:01</b><br />Songwriter – Manos Hatzidakis, Martin Fulterman<br /><b>06. Dedication 2:47</b><br />Songwriter – Clifton Nivison, Manos Hatzidakis<br /><b>07. The Three Answers 3:48</b><br />Songwriter – Manos Hatzidakis<br /><b>08. Street Song 3:26</b><br />Songwriter – Brian Corrigan, Manos Hatzidakis<br /><b>09. Bitter Way 4:15</b><br />Songwriter – Brian Corrigan, Manos Hatzidakis<br /><b>10. Noble Dame 3:11</b><br />Songwriter – Dorian Rudnytsky, Manos Hatzidakis<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjrOD5eBnlldaG485vsD2uJG0hiRvMiokTu1hds_85MSGDTdgk8h1ERi4PGO2X71VHvovEpsPJSsu4D0-1eAd2x3U9AJ5jXdWI03uU2KQ_2hpGffMZsY7Qr5raMgkMlssyL7VhmsBIUa8SQitdlW6399Enbbe5vld1Y3YOIiq3dL3L4cSLeVOoiOL_DxU/s800/The%20New%20York%20Rock%20Ensemble%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjrOD5eBnlldaG485vsD2uJG0hiRvMiokTu1hds_85MSGDTdgk8h1ERi4PGO2X71VHvovEpsPJSsu4D0-1eAd2x3U9AJ5jXdWI03uU2KQ_2hpGffMZsY7Qr5raMgkMlssyL7VhmsBIUa8SQitdlW6399Enbbe5vld1Y3YOIiq3dL3L4cSLeVOoiOL_DxU/w400-h313/The%20New%20York%20Rock%20Ensemble%20-%20Photo%201.jpg" width="400" /></a></div><br />Bass Guitar, Cello – <b>Dorian Rudnytsky</b><br />Drums, Oboe – <b>Martin Fulterman</b><br />Keyboards, Oboe – <b>Michael Kamen</b><br />Lead Guitar – <b>Clifton Nivison</b><br />Rhythm Guitar – <b>Brian Corrigan</b><br /> <br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Arranged By – Manos Hatzidakis, New York Rock & Roll Ensemble<br />Orchestrated By – Manos Hatzidakis<br />Producer – Manos Hatzidakis<br />Producer [With The Colloboration Of] – Adrian Barber, Bruce Tergesen<br />Written-By – Brian Corrigan (tracks: 2, 3, 8, 9), Clifton Nivison (tracks: 6), Dorian Rudnytsky (tracks: 1, 10), Manos Hatzidakis, Martin Fulterman (tracks: 5)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/rBYW2SwJ#ac0Z87FjDMP_H_P8y9sCYbHr33NNToMGuQOjYBIXIUI">Flac Size: 220 MB</a><br /><span style="font-size: large;"><br />RAINING PLEASURE - REFLECTIONS 2005</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_sPCr-DOs82AE1G3yNFrr0_6r8ZKubajjhLBUXDKuAropuEE8ZIHrMf3M19NUeTbfQVEgIuwQ9sn9p4KvT5Dtuz6MOEo3QFJiST7i5QySTlqcTSbAJ8AdMIZOl-WKA0wRz9ClKIAa7dSsCTmyhiKl_4WdO4hN24xAVSSgAhCo9ugX-IuEQ3GkRidqU2Y/s800/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="724" data-original-width="800" height="363" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_sPCr-DOs82AE1G3yNFrr0_6r8ZKubajjhLBUXDKuAropuEE8ZIHrMf3M19NUeTbfQVEgIuwQ9sn9p4KvT5Dtuz6MOEo3QFJiST7i5QySTlqcTSbAJ8AdMIZOl-WKA0wRz9ClKIAa7dSsCTmyhiKl_4WdO4hN24xAVSSgAhCo9ugX-IuEQ3GkRidqU2Y/w400-h363/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The band was formed in September 1990 under the name Rest in Peace. A year after their formation the band started appearing live locally. In 1992, they changed their name to Raining Pleasure and started <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPOqx5nAkvN9-P7F53ywJE-3Prbm7ZUOIxV4SqkcWRNDETUjB9t2Eu7iM-PdJ1RYTa9e41pW6jVSn-k6TO_9giAHYDU2kDw_Dr8tmcRXJVvZHjhKNw0mlFDC9S4ee__cGg-KWRRLJRsevMYzKllrxcVSK-3ZHBhZceUHuvyiU8KcnvnhSel0BvlRH3anU/s450/Raining_Pleasure%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="448" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPOqx5nAkvN9-P7F53ywJE-3Prbm7ZUOIxV4SqkcWRNDETUjB9t2Eu7iM-PdJ1RYTa9e41pW6jVSn-k6TO_9giAHYDU2kDw_Dr8tmcRXJVvZHjhKNw0mlFDC9S4ee__cGg-KWRRLJRsevMYzKllrxcVSK-3ZHBhZceUHuvyiU8KcnvnhSel0BvlRH3anU/s320/Raining_Pleasure%20-%20Photo%203.jpg" width="319" /></a></div><br />touring Greece. In 1994, the band self-recorded and released a demo of their work (limited to 160 copies); since then, most of its songs have been rerecorded and included in their studio albums. For two more years, the band continued touring Greece and, in 1996, had three of its songs released through Pop & Rock 's magazine compilation Dytiki Akti '96.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qvm1y1sKSYU6C_V4XitOnE57mqEYB3aWd5LQoqE7-rSAgc2l2tDDFEn7gx1HyACiQZl64Kq1fiui5qxMoksZtok4AF2ukAYfqCvwg8rwIBiS76DCDVENXK-uTHQJ4hzJ9fLK2SOFynvKnaqihRzoYuItPgo0XWKgIMntWIzejxlFJo51YzYm9COLfxA/s960/Raining%20Pleasure%20-%20Photo%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4qvm1y1sKSYU6C_V4XitOnE57mqEYB3aWd5LQoqE7-rSAgc2l2tDDFEn7gx1HyACiQZl64Kq1fiui5qxMoksZtok4AF2ukAYfqCvwg8rwIBiS76DCDVENXK-uTHQJ4hzJ9fLK2SOFynvKnaqihRzoYuItPgo0XWKgIMntWIzejxlFJo51YzYm9COLfxA/w400-h266/Raining%20Pleasure%20-%20Photo%209.jpg" width="400" /></a></div><br />Near the end of 1996, the band signed a contract with Lazy Dog Records based in Thessaloniki; in early <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSXSmIOVz3sUXjIo61evpBeebC22FQ1M45NvvZBYnJgL9HknR5LoGghdu0sSEk-4d31R0nZ3-mqc-kpYaeoP6PT2RZLVstjlcHWew2FxBZY0UbkhyphenhyphendX9JfR9S4x0MFNiTncCONATt5SreQzSXbGR8niK0Npu3mBOAgi6GddFbsJtCqohCaRh1CEq42WUo/s960/Raining_Pleasure%20-%20Photo%204.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSXSmIOVz3sUXjIo61evpBeebC22FQ1M45NvvZBYnJgL9HknR5LoGghdu0sSEk-4d31R0nZ3-mqc-kpYaeoP6PT2RZLVstjlcHWew2FxBZY0UbkhyphenhyphendX9JfR9S4x0MFNiTncCONATt5SreQzSXbGR8niK0Npu3mBOAgi6GddFbsJtCqohCaRh1CEq42WUo/s320/Raining_Pleasure%20-%20Photo%204.jpg" width="320" /></a></div><br />1997, they released their first full-length studio album Memory Comes Back which was well-received from the independent press at the time. Their second release, Nostalgia, appeared in August 1998 also under the Lazy Dog banner. In fall 2000, Raining Pleasure signed a contract with Chrysalis Records, originally obtaining the label as an imprint for their Minos EMI releases. This made them one of the relatively few English-speaking bands in Greece to sign with a multinational record company.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXgrv0N0zf-OtB3J7evhUt0jz7A7kUDB0vGsQu8myF0YCGiqX36WInh_4ZhnozxuiuWggV7UkxVsP7aNIILN5nzl71RMpCx04deaAnkqRbVoGORb1wsMpYONAI67mi65Hs2Vi5JJ9yFCqdc0Ji50FKVjUhjzZ86_zzVyd-aZKTlO5_oXC19bRvFAtxNTc/s1024/Raining_Pleasure%20-%20Photo%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXgrv0N0zf-OtB3J7evhUt0jz7A7kUDB0vGsQu8myF0YCGiqX36WInh_4ZhnozxuiuWggV7UkxVsP7aNIILN5nzl71RMpCx04deaAnkqRbVoGORb1wsMpYONAI67mi65Hs2Vi5JJ9yFCqdc0Ji50FKVjUhjzZ86_zzVyd-aZKTlO5_oXC19bRvFAtxNTc/w400-h266/Raining_Pleasure%20-%20Photo%207.jpg" width="400" /></a></div><br />In December 2001, Raining Pleasure's major label debut Flood was released to critical acclaim. The <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTOgnh1k2XfYxBRpEdrQxDAeCToCJdkhbnrQAhfjx4jD2wV_mUbK_8YA6TaoF6Yqzm0u2GZuaZD41NXNbfnLCttV3cNTwiYOYiiyuqSXiXiS3hZbHBwnDsJZsvL7OfidMOV-LSpcvLJ1WBapmXxcv6ubiWdexyHrKnlF8iwPcxtPFR5mmF52WolJF9kCU/s640/Raining_Pleasure%20-%20Photo%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="640" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTOgnh1k2XfYxBRpEdrQxDAeCToCJdkhbnrQAhfjx4jD2wV_mUbK_8YA6TaoF6Yqzm0u2GZuaZD41NXNbfnLCttV3cNTwiYOYiiyuqSXiXiS3hZbHBwnDsJZsvL7OfidMOV-LSpcvLJ1WBapmXxcv6ubiWdexyHrKnlF8iwPcxtPFR5mmF52WolJF9kCU/s320/Raining_Pleasure%20-%20Photo%208.jpg" width="320" /></a></div><br />album performed exceptionally well on the charts, spending 15 weeks on the international chart where it peaked at No. 1 before chart regulations necessitated the album's move to the local repertoire chart where it peaked at No. 5 (an unprecedented feat for a Greek act performing in English). <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRLFB9dmutmhjzAQS_Ah_nGfxvyiBvk9yk4CmrMSAuWdnB74Y-hGe2QzVpNF-jaZwglsf09RehEyw6UUHa10_UoqbkFO-Bc_MPVq7WKnWVY5L6tJoCsTXL7lusMIGRj7rYSUV2AocSRQOOgUoromyFyewEcsqZO8LcgAUh7JHbp71RLyPGme_8WqB0uIw/s1074/Raining_Pleasure%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="1074" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRLFB9dmutmhjzAQS_Ah_nGfxvyiBvk9yk4CmrMSAuWdnB74Y-hGe2QzVpNF-jaZwglsf09RehEyw6UUHa10_UoqbkFO-Bc_MPVq7WKnWVY5L6tJoCsTXL7lusMIGRj7rYSUV2AocSRQOOgUoromyFyewEcsqZO8LcgAUh7JHbp71RLyPGme_8WqB0uIw/w400-h224/Raining_Pleasure%20-%20Photo%202.jpg" width="400" /></a></div><br />Raining Pleasure gave a series of successful concerts in Greece, which resulted them in <b>supporting bands like The Cure, the Pixies, The Dandy Warhols and Black Rebel Motorcycle Club in their <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimHf1OwFa-lQJcAp7rbInpbRdl8t0tRg6ipBwe6GBH6zieGQTQr32OY2Kyu-c9A9NbQxMZwZrfOLRrCAB9-0zWGxGl7lDrYa6awlZgyz5FhmaJBDaLI6k2Wu4lTiaHz8LqQo1KhSL7YDGYBZIeO3jqz6NdaZpl5dpFLJm24ViFu5WvO2z294oE8PsFnyg/s800/Raining_Pleasure%20-%20Photo%206.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimHf1OwFa-lQJcAp7rbInpbRdl8t0tRg6ipBwe6GBH6zieGQTQr32OY2Kyu-c9A9NbQxMZwZrfOLRrCAB9-0zWGxGl7lDrYa6awlZgyz5FhmaJBDaLI6k2Wu4lTiaHz8LqQo1KhSL7YDGYBZIeO3jqz6NdaZpl5dpFLJm24ViFu5WvO2z294oE8PsFnyg/s320/Raining_Pleasure%20-%20Photo%206.jpg" width="320" /></a></div><br />Greek shows.</b> In 2004, the group's album Forwards & Backwards was introduced by the double A-side single World / Identical Twins. Singer Elly Paspala contributed vocals to the track Identical Twins. Both songs in the single became airplay hits. The band has announced that since September 2022, they have resumed rehearsals. They have announced that they are playing back together. Their plans (for live shows etc) are to be announced. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXeE8myqoPuhIEqZmMWi415fLyQEEqri9X7u7YgxnGHDOHMDPJQm4PVwK6jyGWkWCCpYTa_sp_bryT_MpqetSEJyfc2MtZMnokqiljbRnayZsC6QQeP7AQeWzPoqTS8tkkDNagn7xDFTI4MHokH8l2XlEPcQOEiFFg4HnCuNPXh-LjDZIXUuoHPmRJTMk/s1024/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="1024" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXeE8myqoPuhIEqZmMWi415fLyQEEqri9X7u7YgxnGHDOHMDPJQm4PVwK6jyGWkWCCpYTa_sp_bryT_MpqetSEJyfc2MtZMnokqiljbRnayZsC6QQeP7AQeWzPoqTS8tkkDNagn7xDFTI4MHokH8l2XlEPcQOEiFFg4HnCuNPXh-LjDZIXUuoHPmRJTMk/w400-h205/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /><br /><p></p><p style="text-align: center;"><b>Raining Pleasure – Reflections<br />Label: EMI – 0946 311536 2 4, Blue Note – 0946 311536 2 4<br />Format: CD, Album, Copy Protected, Digipak<br />Country: Greece<br />Released: 2005<br />Genre: Rock, Pop<br />Style: Alternative Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhklot6ZDuKKgxC5IFeuTvDTWiqThbGmO1-8qgz67QfkO2azhTwAGqNmdXCYzyhzmwI0XGcNSWtNeJhnpZ4dz0ml33NX1E7QgbJqKAagfMY0pqJ4QQu7uUm2F6KToEbaEK4OWSj1C2_C4IF65U4KUFxm5BMd8KCOUNoNOsy2jrsvQ9qFe4vqOSSKEdBonk/s1000/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20CD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="997" data-original-width="1000" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhklot6ZDuKKgxC5IFeuTvDTWiqThbGmO1-8qgz67QfkO2azhTwAGqNmdXCYzyhzmwI0XGcNSWtNeJhnpZ4dz0ml33NX1E7QgbJqKAagfMY0pqJ4QQu7uUm2F6KToEbaEK4OWSj1C2_C4IF65U4KUFxm5BMd8KCOUNoNOsy2jrsvQ9qFe4vqOSSKEdBonk/w400-h399/Raining%20Pleasure%20-%202005%20-%20Reflections%20-%20CD.jpg" width="400" /></a></div><br /><b>01. Orpheus 2:55</b><br />Drums – Jay <br />Guitar – Jeremy <br />Guitar, Flute [Mellotron Flute], Organ, Electric Piano [Wurlitzer] – Spiràl<br />Vocals, Bass – Vassilikos<br />Written-By – Dorian Rudnytsky, Manos Hatzidakis<br /><b>02. The Day 5:42</b><br />Drums – Jay <br />Flute [Mellotron Flute[, Strings [Mellotron Strings], Keyboards, Electric Piano [Wurlitzer] – Spiràl<br />Guitar – Jeremy <br />Violin – Nikos Mavridis<br />Vocals, Bass – Vassilikos<br />Written-By – Brian Corrigan, Manos Hatzidakis<br /><b>03. Love Her 5:24</b><br />Drums – Jay <br />Flute [Mellotron Flute], Strings [Mellotron Strings], Organ – Spiràl<br />Guitar – Jeremy <br />Vocals, Piano, Bass – Vassilikos<br />Written-By – Brian Corrigan, Manos Hatzidakis<br /><b>04. Dance Of The Dogs 2:48</b><br />Drums – Jay <br />Guitar – Jeremy , Mick Schirmeyer<br />Organ, Strings [Mellotron Strings] – Spiràl<br />Vocoder, Bass, Guitar [3 Guitar Notes] – Vassilikos<br />Written-By – Manos Hatzidakis<br /><b>05. Kemal 5:02</b><br />Drums – Jay <br />Guitar – Jeremy <br />Organ, Flute [Mellotron Flute], Strings [Mellotron Strings], Electric Piano [Wurlitzer] – Spiràl<br />Performer [Everyone] – Russians<br />Violin – Nikos Mavridis<br />Vocals, Bass – Vassilikos<br />Written-By – Manos Hatzidakis, Martin Fulterman<br /><b>06. Dedication 3:10</b><br />Drums – Jay <br />Guitar, Mandolin – Jeremy <br />Piano, Organ, Strings [Mellotron Strings] – Spiràl<br />Violin – Nikos Mavridis<br />Vocals, Bass, Piano [A Bit Of Piano] – Vassilikos<br />Written-By – Clifton Nivison, Manos Hatzidakis<br /><b>07. The Three Answers 3:25</b><br />Bass, Piano [Chembalo], Flute [Mellotron Flute] – Vassilikos<br />Drums – Jay <br />Guitar – Jeremy <br />Organ, Flute [Mellotron Flute], Choir [Mellotron Choir], Electric Piano [Wurlitzer] – Spiràl<br />Written-By – Manos Hatzidakis<br /><b>08.Street Song 3:19</b><br />Drums, Percussion – Jay <br />Guitar, Mandolin – Jeremy <br />Organ, Strings [Mellotron Strings] – Spiràl<br />Vocals, Guitar, Electric Piano [Wurlitzer], Strings [Some Mellotron Strings] – Vassilikos<br />Written-By – Brian Corrigan, Manos Hatzidakis<br /><b>09. Bitter Way 6:54</b><br />Drums – Jay <br />Guitar – Jeremy <br />Keyboards, Flute [Mellotron Flute], Strings [Melloron Strings] – Spiràl<br />Vocals, Bass – Vassilikos<br />Written-By – Brian Corrigan, Manos Hatzidakis<br /><b>10. Noble Dame 4:20</b><br />Drums – Jay <br />Guitar – Jeremy, Spiràl<br />Tenor Saxophone, Flute, Percussion [Bottles] – <b>David Lynch </b><br />Vocals, Bass – Vassilikos<br />Vocals, Electric Piano [Wurlitzer] – <b>Elly Paspala</b><br />Written-By – Dorian Rudnytsky, Manos Hatzidakis<br /> <br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Drums, Percussion – <b>Jay </b><br />Guitar, Mandolin –<b> Jeremy </b><br />Keyboards, Guitar – <b>Spiràl</b><br />Music By – <b>Manos Hatzidakis</b><br />Vocals, Bass, Keyboards –<b> Vassilikos</b><br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/iMZ1WYgT#hFl6K4sXaHQQG2HBOvv3XIlFac9rfyLgI_dxQcJ2SsM">Flac Size: 260 MB</a></b></p><p style="text-align: center;"><b>Raining Pleasure on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/Raining%20Pleasure">HERE</a> <br /></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com5tag:blogger.com,1999:blog-8270002232971427483.post-83572650844273414942024-03-24T09:17:00.001+02:002024-03-24T09:19:59.201+02:00Velvett Fogg: Velvett Fogg... Plus 1969 (Reissue 1989)<p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRegXG_7ySea1kTFnd95FIg8KXMC_dS5O9XgOeAIRi0jBaXZ6iQSd7rEs77rBUHBQIc_oW-eezeXHB1NcLSdG0aD3gpujyU16zrMWvvFRlu20qReGBxQfrFgomeS7NbCLDS1Sb_S-ykP-T6ZIi65khwweLFHreeGqPWKpoa_ynzt9hn29JUZB_jf1tuMM/s800/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRegXG_7ySea1kTFnd95FIg8KXMC_dS5O9XgOeAIRi0jBaXZ6iQSd7rEs77rBUHBQIc_oW-eezeXHB1NcLSdG0aD3gpujyU16zrMWvvFRlu20qReGBxQfrFgomeS7NbCLDS1Sb_S-ykP-T6ZIi65khwweLFHreeGqPWKpoa_ynzt9hn29JUZB_jf1tuMM/w400-h396/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b> </b><p></p><p><b>Velvett Fogg were a British psychedelic rock band between 1968 and 1969. Tony Iommi was a member in mid-1968, but soon left to form Black Sabbath.</b> Their lone eponymous album was released in January 1969, and re-released on CD by Sanctuary Records in 2002. The group released an album of organ-heavy, derivative psychedelic rock in the late '60s with a tinge of eccentricity. It became a sought-after collector's item 15 to 20 years later. Velvett Fogg were one of many new bands within the </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwgL2Jxt5bhh160QbkrVvNEmA7zoPbK1SBzJTR_f01ABbGoxk3yimW-ZJ_ahZL-thL7tfGtdyWlEqQwdEJHw7x9RbCjy3ZrwMeZPj4izPrNEXZvzr-DFjNXmj2VJ5yn7bJJ9JYELyudCP4R4outQcHI0PR28kwwTHgQi3VUjj8DfJMOsyFuqkQHxh7ZXE/s578/Velvett%20Fogg%20-%20Photo%204.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="578" height="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwgL2Jxt5bhh160QbkrVvNEmA7zoPbK1SBzJTR_f01ABbGoxk3yimW-ZJ_ahZL-thL7tfGtdyWlEqQwdEJHw7x9RbCjy3ZrwMeZPj4izPrNEXZvzr-DFjNXmj2VJ5yn7bJJ9JYELyudCP4R4outQcHI0PR28kwwTHgQi3VUjj8DfJMOsyFuqkQHxh7ZXE/s320/Velvett%20Fogg%20-%20Photo%204.jpg" width="320" /></a></div><br />underground scene, that were formed at the end of the 1960s that would attempt to take pop music to a higher level of creativity. Birmingham also had its own flourishing underground music scene during that time with a variety of innovative groups emerging. The line up of Velvett Fogg all came from within this alternative music scene in the city. The Velvett Fogg line-up were players whose common attributes consisted of an abundance of musical talent along with a desire to create something new and exciting.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPs04sysQza27J0tq9i7ynCq8-xUjFv97uagV95xe-T79znclgctOvh6PQTsPWhDk3uLddIwF7tzSNBb6bQ4mbdT_fZ-eGvAcAE4VGyQtFCPeG4hTr5JxcOstcw58uuLHt5bONvICU-euTPLWNGo3L9IC_eY1DK6jQMFT0tOx8kuY65G-lV6lwJYCw1s8/s800/Velvett%20Fogg%20-%20Photo%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="778" data-original-width="800" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPs04sysQza27J0tq9i7ynCq8-xUjFv97uagV95xe-T79znclgctOvh6PQTsPWhDk3uLddIwF7tzSNBb6bQ4mbdT_fZ-eGvAcAE4VGyQtFCPeG4hTr5JxcOstcw58uuLHt5bONvICU-euTPLWNGo3L9IC_eY1DK6jQMFT0tOx8kuY65G-lV6lwJYCw1s8/w400-h389/Velvett%20Fogg%20-%20Photo%206.jpg" width="400" /></a></div><br />Velvett Fogg were formed in 1968 from members of a Birmingham band <b>Gravy Train.</b> Up front was soul singer Ernie Handy, Bob Hewitt was lead guitarist, with Graham Mullett on drums, and Mick Pollard on bass guitar. Londoner Frank Wilson who played Hammond organ, was also on vocals, eventually becoming band leader and lead vocalist. The newly formed band spent most of the year touring Germany playing at army bases and clubs. Their stage act included a light show and a go-go <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdqvXQkgJQjLgerBJX01L_l7ZuOmMbKdjMwU37oePO7yfQyFaxxbl0jenU5SkMvvZaqQ-JD_HDSTXI3witMOVL_L-G9uXOpSFiD_rCe4X6foXuQbik-gnM2y5RgsIoA9Iw_R5Ru0pIP_dcjVdIoTHvxFo4fvF0v2YDPif2FOvcByCfg_SSMMyrzYi9ub4/s960/Velvett%20Fogg%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="317" data-original-width="960" height="106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdqvXQkgJQjLgerBJX01L_l7ZuOmMbKdjMwU37oePO7yfQyFaxxbl0jenU5SkMvvZaqQ-JD_HDSTXI3witMOVL_L-G9uXOpSFiD_rCe4X6foXuQbik-gnM2y5RgsIoA9Iw_R5Ru0pIP_dcjVdIoTHvxFo4fvF0v2YDPif2FOvcByCfg_SSMMyrzYi9ub4/s320/Velvett%20Fogg%20-%20Photo%2010.jpg" width="320" /></a></div><br />dancer (who later married Ernie). Upon returning to Birmingham, the band, now managed by an agency called Inter City Artists, was given a record deal by Jack Dorsey of Pye Records. At this time it seemed that the more unusual or controversial a band was, then the greater chance there would be for success in the record business. The record label was looking to sign unusual "underground" acts and Velvett Fogg were told to, in Jack Dorsey's words; "develop an image that would make people think you would piss on the pope" !<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiM1d3Lj9o5EcsdngZeAJXPBb0ahZxpJTzqbFtpvVWtz6RECB9RxlZ6mFPbmQ_UXlbo7kf6aeTsJlloGN_vBXU-w9y2yP1fIOAoygcbFR4280kYf0fw_wskUB1pKGqJTe8gS-nmOnNOeKZMC9KartWsVf0Btwjr6-KinzDhMZqCZmsAMC3D9YLsCbYFYM/s324/Keith_Law.1967.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="288" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiM1d3Lj9o5EcsdngZeAJXPBb0ahZxpJTzqbFtpvVWtz6RECB9RxlZ6mFPbmQ_UXlbo7kf6aeTsJlloGN_vBXU-w9y2yP1fIOAoygcbFR4280kYf0fw_wskUB1pKGqJTe8gS-nmOnNOeKZMC9KartWsVf0Btwjr6-KinzDhMZqCZmsAMC3D9YLsCbYFYM/w355-h400/Keith_Law.1967.jpg" width="355" /></a></div><br />Keith takes up the story; "I was in the Rum Runner one night, when someone told me that Velvett Fogg were looking for new material, and they introduced me to them. I arranged to meet them at their rehearsal place, Langley Baths. I went along the next day, and went through the following songs with <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUda3IR_gzUnu5gOHTAEHKLSnKmxQhBxipEOIpn_oHCgxMx2lMkWkqlzG6Lg1Pm_JjQoKwLHZwVOMofsuGPQMj9Umef6G5xqZElXVSGjZvfzfZORcbwchyFuz6VOY2ZkE4gtCux9y7OCM5Z1nQSURpAl_M4gyhHL97oRIZNObpZBN9NfWHBiKcahk63ps/s364/Velvett%20Fogg%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="364" data-original-width="244" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUda3IR_gzUnu5gOHTAEHKLSnKmxQhBxipEOIpn_oHCgxMx2lMkWkqlzG6Lg1Pm_JjQoKwLHZwVOMofsuGPQMj9Umef6G5xqZElXVSGjZvfzfZORcbwchyFuz6VOY2ZkE4gtCux9y7OCM5Z1nQSURpAl_M4gyhHL97oRIZNObpZBN9NfWHBiKcahk63ps/s320/Velvett%20Fogg%20-%20Photo%2011.jpg" width="215" /></a></div><br />them; 'Yellow Cave Woman', 'Once Among The Trees', and 'Within' The Night' and that was it! The next couple of days, they were in London recording". Before recording could begin in late 1968, Ian Leighton departed Velvett Fogg and was replaced by guitarist/vocalist Paul Eastment (a cousin of the band's previous guitarist Tony Iommi). Paul Eastment was also to contribute original compositions for the album along with Frank Wilson, Graham Mullet and Mick Pollard.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHsfqka4q1drttVRo9HV90ulOuAB8rkM2Fr2noMmHr1eq3PtWriQsDkEw-JG5j_0eZZZEHrqmgrAbAW2iDZOaWYiJdk0569AuvxeUr1k8Wf1WcCYhc10YhQAsyFQlPEe92tjXFJ_Utjai3gCFLlnW2_aVKpKt4pQVeGxDpPyl3lgYyy3P3UmhWHn8bZjw/s870/Velvett%20Fogg%20-%20Photo%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="870" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHsfqka4q1drttVRo9HV90ulOuAB8rkM2Fr2noMmHr1eq3PtWriQsDkEw-JG5j_0eZZZEHrqmgrAbAW2iDZOaWYiJdk0569AuvxeUr1k8Wf1WcCYhc10YhQAsyFQlPEe92tjXFJ_Utjai3gCFLlnW2_aVKpKt4pQVeGxDpPyl3lgYyy3P3UmhWHn8bZjw/w294-h400/Velvett%20Fogg%20-%20Photo%201.jpg" width="294" /></a></div><br />Velvett Fogg recorded the tracks for their debut album on Pye Records under the direction of Jack Dorsey. Apparently, Dorsey aimed to get the band onto the then-popular progressive band wagon. "I was a classically trained pianist but we all had to play way below our capabilities" said Frank Wilson. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkEOqSykoRjkPTzGyZgkAuuFaHMep5ZrPNEGLqIejNf3ofDmQOt4Qc9NjIz5FPFtbupG59Qq8izLz2cWEgZCv1eqrtJlG0I0JtCpskYgCiMISRBKnLSni5YZFDVxNEteCLlyqTVUdMhQTOFfgY97Z_Pn4qd-gmpdyPeYs3dbkqCBWwtyCULBZzjh_jYDw/s800/Velvett%20Fogg%20-%20Photo%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="629" data-original-width="800" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkEOqSykoRjkPTzGyZgkAuuFaHMep5ZrPNEGLqIejNf3ofDmQOt4Qc9NjIz5FPFtbupG59Qq8izLz2cWEgZCv1eqrtJlG0I0JtCpskYgCiMISRBKnLSni5YZFDVxNEteCLlyqTVUdMhQTOFfgY97Z_Pn4qd-gmpdyPeYs3dbkqCBWwtyCULBZzjh_jYDw/s320/Velvett%20Fogg%20-%20Photo%203.jpg" width="320" /></a></div><br />The band were also allowed to record covers of a few songs they liked, and these included psychedelic-sounding versions of "New York Mining Disaster 1941" by The Bee Gees and Tim Rose's "Come Away Melinda". Original songs for the Velvett Fogg album were supplied by Keith Law, a local who became a friend of the band. A veteran of the West Midlands music scene, Law played with such groups as The Williamsons, Love and Understanding, Paint, and Jardine. In his initial writing sessions with the band Law came up with "Yellow Cave Woman", "Once Among The Trees" and "Within' The Night". <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEKhXF5if8FTdNBZtwioMmqnH3PPcrLbxoC5poVsbAWDRSF3pIP8B0ahwEZzRtpIBpnU5jyz1_9dAlDlub_a9M7_uZp9GzTXBipxmsAvaxoPJDBz2dgNmqHq7fjXemz6EJHrQ2cBZik4Mduu5JEgYbnriJq39hE3WlD1kiwTItCX51eUsvQnAyQ0jBHr4/s864/Velvett%20Fogg%20-%20Photo%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="210" data-original-width="864" height="98" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEKhXF5if8FTdNBZtwioMmqnH3PPcrLbxoC5poVsbAWDRSF3pIP8B0ahwEZzRtpIBpnU5jyz1_9dAlDlub_a9M7_uZp9GzTXBipxmsAvaxoPJDBz2dgNmqHq7fjXemz6EJHrQ2cBZik4Mduu5JEgYbnriJq39hE3WlD1kiwTItCX51eUsvQnAyQ0jBHr4/w400-h98/Velvett%20Fogg%20-%20Photo%205.jpg" width="400" /></a></div><br /><b>John Peel wrote sleevenotes for their 1969 debut and only album</b>, where he mentioned how he discovered the record:<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGUnFl58MZjRjr1YHlM2yKaj5urreFQezUsKsAf7xTh42sWi3unB4TJZGQF8qkTVaUvhb_BUekh4YX7si7qOMVepG2kU6Xg5bjgsQc-BE6pF0rHKawjMuLXI4mJn-1cKHJ_yqwg6No5STtF5bNPIuR9VLRh1D0uLhvD5oal_lss5aAEg4LMrBY4FvB1wg/s684/Foggreview.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="576" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGUnFl58MZjRjr1YHlM2yKaj5urreFQezUsKsAf7xTh42sWi3unB4TJZGQF8qkTVaUvhb_BUekh4YX7si7qOMVepG2kU6Xg5bjgsQc-BE6pF0rHKawjMuLXI4mJn-1cKHJ_yqwg6No5STtF5bNPIuR9VLRh1D0uLhvD5oal_lss5aAEg4LMrBY4FvB1wg/w336-h400/Foggreview.jpg" width="336" /></a></div><br />"Actually producer Jack Dorsey of Pye Records and his secretary brought me this record as I huddled in my mean bed wracked with jaundice with the unoccasional, long-suppressed flicker of pain crossing my boyish features. They left the record, saying they needed the notes that I’m typing by Monday. It’s <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXbRUOcynFpm37476t5h5fo5LiJrADCnnLnTIn0ojfLZ_F4Z8IqFwtlV7WAUKSQklsbttjkoL_bvLLw_q2c3XywFiHLRGS9xaFGOCOdsvSJYoy6u8Vlz8Xw7EBZhBr4ynU1v1fLt7xKiqNBy6FuX4fDdOwfZDWFUux_SBDUOfDaaMDMzUY-fROkuEW_4s/s636/Velvett%20Fogg%20-%20Photo%209.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="622" data-original-width="636" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXbRUOcynFpm37476t5h5fo5LiJrADCnnLnTIn0ojfLZ_F4Z8IqFwtlV7WAUKSQklsbttjkoL_bvLLw_q2c3XywFiHLRGS9xaFGOCOdsvSJYoy6u8Vlz8Xw7EBZhBr4ynU1v1fLt7xKiqNBy6FuX4fDdOwfZDWFUux_SBDUOfDaaMDMzUY-fROkuEW_4s/s320/Velvett%20Fogg%20-%20Photo%209.jpg" width="320" /></a></div><br />now Saturday night, tomorrow’s “Top Gear” and I’ve listened five or six times to the Velvett Fogg, liking them more with each hearing. However I forgot to ask anyone for details about the members of the group – In fact I don’t even know how many there are within it. Perhaps that information will be elsewhere on this sleeve. I don’t know their names, what they play, when they were born, the colour or not of their eyes, hair, teeth. I have never heard even the faintest rumour about their taste in breakfast foods, furniture, musicians or girls." <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrUeHHX1jkoFTV1u8SHvybApxhvcRX9YZSinSLTbQl7sjFtwLIFtlo198BEKliIg9WcWeVbM-nFSXMrAfvCogxV6W0mzoTTkAZPafc53Yz7xb4NYhZwEPA4Q69sQ6Ny47OqiHzWCZIm9dF6PkpX3vMrMnRzEXWmZj8IjDO7J0DpWr-1QitozIwf9_6sXg/s434/Velvett%20Fogg%20-%20Photo%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="420" data-original-width="434" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrUeHHX1jkoFTV1u8SHvybApxhvcRX9YZSinSLTbQl7sjFtwLIFtlo198BEKliIg9WcWeVbM-nFSXMrAfvCogxV6W0mzoTTkAZPafc53Yz7xb4NYhZwEPA4Q69sQ6Ny47OqiHzWCZIm9dF6PkpX3vMrMnRzEXWmZj8IjDO7J0DpWr-1QitozIwf9_6sXg/w400-h388/Velvett%20Fogg%20-%20Photo%208.jpg" width="400" /></a></div><br /><b>Frank Wilson</b> returned to London and joined Riot Squad and then The Rumble Band before following in Rick Wakeman's footsteps to join Warhorse in 1970. Frank Wilson, now performs with his band Run VT, and performs at venues
in South East England. Keith Law and Frank Wilson are back together
writing as Velvett Fogg Reloaded, and recording for a proposed new
Velvett Fogg album.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg46bpCrsUsa65BMbJh4-CJcOOU-HGA6NL7PLJj7q76T4nA7pDnA1A6kwZRSPu0ACHfCurnX0GOLtVLzHzHoBTlE9AfEYCjYAtmRz7GvhBTP6RyxcRE7dRLMp5S8pIZagM_E6hcLfDVJ7fwztGws2-sfUHeqMrins8zDsisHaZL8skH0yKSJgYbs3nBD2o/s800/Graham%20Mullet.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg46bpCrsUsa65BMbJh4-CJcOOU-HGA6NL7PLJj7q76T4nA7pDnA1A6kwZRSPu0ACHfCurnX0GOLtVLzHzHoBTlE9AfEYCjYAtmRz7GvhBTP6RyxcRE7dRLMp5S8pIZagM_E6hcLfDVJ7fwztGws2-sfUHeqMrins8zDsisHaZL8skH0yKSJgYbs3nBD2o/w300-h400/Graham%20Mullet.jpg" width="300" /></a></div><br /><b>Paul Eastment </b>started a Brum band called Holy Ghost — later to become <b>Ghost</b>, with whom he recorded an album <b>He later fronted another group called Resurrection, as well as recording with local folk singer, Shirley Kent. (You can find GHOST <a href="https://urbanaspirines.blogspot.com/2024/03/the-ghost-when-youre-dead-one-second.html">HERE</a>)</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaDKC0LxS3bUsn7bAudquY2BPFq5JKtw73lz7Zsc4NcO6RhLQmtJsTUgY49_43URKj-0LwwSI6IveuxJzFUJeE4F8df46PnLudZ511B064grVQ5UtqB6NXC3AOc_cJh2AL60XfdGbrCcAGRYy_5uqNEg6cAxRdT6J1yo4gXuwPVEhhjwEDNay0M6t40q4/s604/Keith%20Law.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="604" data-original-width="452" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaDKC0LxS3bUsn7bAudquY2BPFq5JKtw73lz7Zsc4NcO6RhLQmtJsTUgY49_43URKj-0LwwSI6IveuxJzFUJeE4F8df46PnLudZ511B064grVQ5UtqB6NXC3AOc_cJh2AL60XfdGbrCcAGRYy_5uqNEg6cAxRdT6J1yo4gXuwPVEhhjwEDNay0M6t40q4/w299-h400/Keith%20Law.jpg" width="299" /></a></div><br /><b>Keith Law </b>stayed in the music business, is still writing songs, and is now an entertainer in South West England. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMbJWxpYTlWinjDmTK5U0m8LQaAMSZiqqNaFxs-3yU2HH0_4DUDMtiB6TkroMEokT69_secgwVZJQQne2tcPb6tQE-QlH90VMwVQ5qlAsjoahdjLqHOqNKWMRGj3WiqAQ2J5o5pBKeOorTWrWwve5icAzdvnshe6XKAJnkCqQ2CnGqib6TX-XO6ujfsTQ/s800/Velvett%20Fogg%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMbJWxpYTlWinjDmTK5U0m8LQaAMSZiqqNaFxs-3yU2HH0_4DUDMtiB6TkroMEokT69_secgwVZJQQne2tcPb6tQE-QlH90VMwVQ5qlAsjoahdjLqHOqNKWMRGj3WiqAQ2J5o5pBKeOorTWrWwve5icAzdvnshe6XKAJnkCqQ2CnGqib6TX-XO6ujfsTQ/w300-h400/Velvett%20Fogg%20-%20Photo%207.jpg" width="300" /></a></div> <br />During the years since Velvett Fogg's demise, demand amongst collectors for copies of their (now very rare) album has increased considerably. Original albums have changed hands for high prices with bootleg copies also known to be in circulation. <br /><p></p><p style="text-align: left;"><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5pCLUqnfWjuvLL3Z3C04dWxno7to5h2n4279ljAVEMt_GpwOoCW3n1iX0tc6WpKOPKc7JgpWMe6kllL7TT-KzmU3T7HF7KKlaP7-u0rCRGBkhoD-8Db2t0mKEv30mBOlP4Bg4zkbuXgSu2I7d_fBiaGJpWPK-bLE_GnjkczMLgoKacm6DwF57xwcPcXM/s800/Mick%20Pollard.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5pCLUqnfWjuvLL3Z3C04dWxno7to5h2n4279ljAVEMt_GpwOoCW3n1iX0tc6WpKOPKc7JgpWMe6kllL7TT-KzmU3T7HF7KKlaP7-u0rCRGBkhoD-8Db2t0mKEv30mBOlP4Bg4zkbuXgSu2I7d_fBiaGJpWPK-bLE_GnjkczMLgoKacm6DwF57xwcPcXM/w300-h400/Mick%20Pollard.jpg" width="300" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b>Velvett Fogg – Velvett Fogg...Plus</b><br /><b>Label: See For Miles Records Ltd. – SEE CD 259</b><br /><b>Format: CD, Album, Reissue 1989</b><br /><b>Country: France</b><br /><b>Released: 1969 </b><br /><b>Genre: Rock, Pop</b><br /><b>Style: Psychedelic Rock</b><br /><br /><b><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqMHHxweI-X5k3NOLSt7BcWzg3_T7YzmTUBzuwNaSRFwBhYyptAVfSmFnLVTPQ3dQAmeNme3SeOWdnuKCi9y2ANxkbCrEdJmmfIsNzqUH5anaAAPjFIVQPnwVMpzASuPtLwJa06lOv7tcMxIze-ehmake_e5y5SaYqlez9kkPFSvhjlSyk9Tmb7JwMPqg/s1782/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1378" data-original-width="1782" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqMHHxweI-X5k3NOLSt7BcWzg3_T7YzmTUBzuwNaSRFwBhYyptAVfSmFnLVTPQ3dQAmeNme3SeOWdnuKCi9y2ANxkbCrEdJmmfIsNzqUH5anaAAPjFIVQPnwVMpzASuPtLwJa06lOv7tcMxIze-ehmake_e5y5SaYqlez9kkPFSvhjlSyk9Tmb7JwMPqg/w400-h309/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Yellow Cave Woman (Written-By – K. Law) 7:00<br /><b>02.</b> New York Mining Disaster (Written-By – B.R. & M. Gibb) 2:55<br /><b>03. </b>Wizard Of Gobsolod (Written-By – Eastment) 2:57<br /><b>04.</b> Once Among The Trees (Written-By – K. Law) 5:39<br /><b>05.</b> Lady Caroline (Written-By – Eastment) 2:23<br /><b>06. </b>Come Away Melinda (Written-By – Minkoff, Hellerman) 5:55<br /><b>07.</b> Owed To The Dip (Written-By – Wilson, Mullett, Pollard, Eastment) 6:07<br /><b>08.</b> Within The Night (Written-By – K. Law) 4:47<br /><b>09.</b> Plastic Man (Written-By – Wilson, Mullett) 4:47<br /><b>10. </b>Telstar 69 (Written-By – J. Meek) 2:47<br /><br /><p></p><p style="text-align: center;"><b>Total Time: 00:45:25 <br /><br /><span style="font-size: large;">NOTES</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-yces4qgdVOKKO7duPz2HqLvlDm5lCGbjdrRiWBQjL2R1aA_Yk2FFMrDgjrQAe2_1KbHAtJPvkgB06ToQpOQ2wYsSso4IA_ny2Wv-W_02CtoPCHY8EoSjSwIIW6jp6NEAVPahAZvoBkhjYkL4ar32W-52NPuZk5Yr1DB8QgClIUiX8q2L0Pleb6kpQc/s1458/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20CD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1458" data-original-width="1420" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-yces4qgdVOKKO7duPz2HqLvlDm5lCGbjdrRiWBQjL2R1aA_Yk2FFMrDgjrQAe2_1KbHAtJPvkgB06ToQpOQ2wYsSso4IA_ny2Wv-W_02CtoPCHY8EoSjSwIIW6jp6NEAVPahAZvoBkhjYkL4ar32W-52NPuZk5Yr1DB8QgClIUiX8q2L0Pleb6kpQc/w390-h400/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20CD.jpg" width="390" /></a></div><br /><p></p><p style="text-align: center;">Track 10 is a bonus track.<br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCWQz7_FcESeDcTu1Eqj8Pq9ba69fPyeRHOrftkvIJokYQcfMiOVe1wRfII1ASchJhwgevrrf8WoDehLPCnrPL7jp9A1-SMY8iNIec_x62AkftmxJ0AwYehgNnHcC1McKWWnEPnEZ37m0FQjZSq4ldSqJ1rmJleZ-vJvYnpKqOqCt5EGP5_tDMDJ9_1ZU/s2831/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Inside%20Cover%203%20.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1414" data-original-width="2831" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCWQz7_FcESeDcTu1Eqj8Pq9ba69fPyeRHOrftkvIJokYQcfMiOVe1wRfII1ASchJhwgevrrf8WoDehLPCnrPL7jp9A1-SMY8iNIec_x62AkftmxJ0AwYehgNnHcC1McKWWnEPnEZ37m0FQjZSq4ldSqJ1rmJleZ-vJvYnpKqOqCt5EGP5_tDMDJ9_1ZU/w400-h200/Velvett%20Fogg%20-%201969%20-%20Velvet%20Fogg%20...%20Plus%20-%20Inside%20Cover%203%20.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Frank Wilson </b>- Hammond organ, vocal<br /><b>Paul Eastment</b> - guitar, vocal<br /><b>Graham Mullett</b> - drums<br /><b>Mick Pollard </b>- bass guitar<br /><b>Keith Law</b> - songwriter<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/iJpznKKY#CNhSIF7BTHL-FAFUxz4GVz83q73xSlSNSaEEepMo0P4">Flac Size: 257 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com1tag:blogger.com,1999:blog-8270002232971427483.post-47073614566097995472024-03-22T09:10:00.002+02:002024-03-22T09:11:52.965+02:00The Ghost: When You're Dead - One Second 1970<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTIGVEFAqnbtdrpT6rLfLSjzzzRYR8nAFlZ_H0ChaBkXMU9vvapW_zcQ9OjFvYF-VrSGiFQkdlfFdSD1clt6aqjobxdPTZefTXA0t4WHi-CB4qEdi3AM0X_hLYZQb-k8XJYXsxCl_Vx1tnV0rOlPNBdu-wt6nbQce3ltoQdyFjtkQOvC_pBQYuttfdQYE/s800/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTIGVEFAqnbtdrpT6rLfLSjzzzRYR8nAFlZ_H0ChaBkXMU9vvapW_zcQ9OjFvYF-VrSGiFQkdlfFdSD1clt6aqjobxdPTZefTXA0t4WHi-CB4qEdi3AM0X_hLYZQb-k8XJYXsxCl_Vx1tnV0rOlPNBdu-wt6nbQce3ltoQdyFjtkQOvC_pBQYuttfdQYE/w400-h396/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Front%20Cover.jpg" width="400" /></a></div> <br /><p></p><p><b>UK ack THE GHOST was formed in 1969, at the very start using the moniker Holy Ghost but pretty soon shortened for obvious reasons.</b> Paul Eastmont (vocals, guitar), Charlie Grima (drums), Terr Guy (keyboards, vocals) and Daniel McGuire (bass, vocals) were the forming members; and when Shirley Kent (vocals, guitars) hooked up with shortly after the line-up was complete, and they headed off to </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitQ0gk1fj4dmaLwI2BBYAYSqqGK7psOD0jBiEsuej0iE8_syHr6ytV6zbtcpnhdviCMrVeQwN95pyFlQ713E615yKScovSy8OO1kaNxZQfRJiDT2qfCd8-_UcSb45VyIYbgngY5YQmR2tykvd30LBu4kOvAStkJz04UyDAPVCqgCug8wUsZFDZwZqZGew/s314/The%20Ghost%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="314" data-original-width="288" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitQ0gk1fj4dmaLwI2BBYAYSqqGK7psOD0jBiEsuej0iE8_syHr6ytV6zbtcpnhdviCMrVeQwN95pyFlQ713E615yKScovSy8OO1kaNxZQfRJiDT2qfCd8-_UcSb45VyIYbgngY5YQmR2tykvd30LBu4kOvAStkJz04UyDAPVCqgCug8wUsZFDZwZqZGew/s1600/The%20Ghost%20-%20Photo%2011.jpg" width="288" /></a></div><br />record their first single, issued in 1969. swiftly followed by a full length production, both issued in 1969.<br />Ghost formed in Birmingham in the late sixties. They started out playing a heavish sort of blues-rock before they met up with singer Shirley Kent who'd already recorded two tracks on a charity EP, The Master Singers And Shirley Kent Sing For Charec 67 (Keele University 103) in 1966. <b>Paul Eastment had earlier played in Velvett Fogg</b>.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZr9Tfu_eYK0KlcPQP9NJo_lEJUBShGtkcxKPK9O71Gb2BpCQhgb7le49iH51oEaFLfFBZ_Ndjko51dmTtO5RbhEEh3QH8-bBhTJNT8NCG7p7fq4kt0eGIlVV6D8WuIGl9IYtuubZw8fXaB5EUdsl4sGR6K0t32cxODlW40qQt9JQJdAg11bgrVBV8rM/s640/The%20Ghost%20-%20Photo%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="632" data-original-width="640" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZr9Tfu_eYK0KlcPQP9NJo_lEJUBShGtkcxKPK9O71Gb2BpCQhgb7le49iH51oEaFLfFBZ_Ndjko51dmTtO5RbhEEh3QH8-bBhTJNT8NCG7p7fq4kt0eGIlVV6D8WuIGl9IYtuubZw8fXaB5EUdsl4sGR6K0t32cxODlW40qQt9JQJdAg11bgrVBV8rM/w400-h395/The%20Ghost%20-%20Photo%209.jpg" width="400" /></a></div><br />They recorded their album at the end of 1969, spawning their first 45 at the end of the year. When You're Dead was a strong song with a clear US West Coast influence. It was hardly Chart material, though, so predictably sales were poor. The album came out in January 1970. There's a clear contrast between the folk pieces that Shirley Kent sings on like Hearts And Flowers and Time Is My Enemy, which in style recall Sandy Denny's heyday in Fairport Convention, and the blues-rock numbers contributed by the rest of the band, of which For One Second sounds the strongest. Also worth checking out is the powerful Too Late To Cry. The album has now become a major collector's item, partly on account of its rarity but also on account of the breadth of its appeal to fans of both blues-rock and folk.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKORDRuJ1UiM8BGkcwVuosnOPJZZB6ALa3SpxncynAVjPHrZJhyphenhyphenQWyqd0GqAHlydKnN9naW-kjCBlm0m7TnJdn62Azcvv7vjiBL6dDVJ6XSIcvIjYvSE8NhmeCvbtUW2SOIrLqvLsxOyNQfYO8-ltzNAPzWD9L7A1Uu2floiEGPl97AlBR1TNNjZSz07s/s800/The%20Ghost%20-%20Photo%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKORDRuJ1UiM8BGkcwVuosnOPJZZB6ALa3SpxncynAVjPHrZJhyphenhyphenQWyqd0GqAHlydKnN9naW-kjCBlm0m7TnJdn62Azcvv7vjiBL6dDVJ6XSIcvIjYvSE8NhmeCvbtUW2SOIrLqvLsxOyNQfYO8-ltzNAPzWD9L7A1Uu2floiEGPl97AlBR1TNNjZSz07s/w400-h396/The%20Ghost%20-%20Photo%204.jpg" width="400" /></a></div> <br />The band returned to the studio in Spring 1970 to record I've Got To Get To Know You. Another track from their album, For One Second, was put on the flip, but when the 45 failed to sell the band slowly began to fall apart. Shirley Kent left to pursue a solo career and eventually released an album in 1975, Fresh Out, under the pseudonym Virginia Tree. I haven't heard it but it's reputedly folkier than Ghost's <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0TkkL8IBkYhfGONCz1LjfkhwMRm0BC0cM31-8ntBWgt1B0IDey3U8h-mZUd_CdfNcj9B8CosBWquA2-U4wYLjQQrCHsCFqG9WUkdgupi9cFt9wILMrSUQDYIgpzEq8xJUqfapGnxhrD7p_Qhg9vpmeLWOhGbXFqH-Y3SwH8D2c4KSxiGTSL3OMR89qrk/s316/The%20Ghost%20-%20Photo%2012.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="316" data-original-width="290" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0TkkL8IBkYhfGONCz1LjfkhwMRm0BC0cM31-8ntBWgt1B0IDey3U8h-mZUd_CdfNcj9B8CosBWquA2-U4wYLjQQrCHsCFqG9WUkdgupi9cFt9wILMrSUQDYIgpzEq8xJUqfapGnxhrD7p_Qhg9vpmeLWOhGbXFqH-Y3SwH8D2c4KSxiGTSL3OMR89qrk/s1600/The%20Ghost%20-%20Photo%2012.jpg" width="290" /></a></div><br />output and featured former band members Paul Eastment and Terry Guy on three of the tracks. After Kent's departure, the remaining band members soldiered on for a while using the name Resurrection but this later incarnation of the band didn't make it onto vinyl. However, Shirley Kent decides to leave the band to start a solo career soon after. The band continue using the moniker Resurrection, but split up without releasing any more material. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr57hWs8RC2zcqY17gxQ2dhxtDQ7hY51RgP0_6K2P2PFVMpGDlPK0XgrOftA88n42_BPbDeC-0dx6kcWa3j3hkMKeKKZDSay-5AtbUfiBrIq3gdUfVSuw_EOt1IbrADCLi1iGRDVU8dgyYgYlxJ_pdiBR1KBHkWoWOUCSijNBVtuVyrfWgLLh902ll3Rg/s500/The%20Ghost%20-%20Photo%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="226" data-original-width="500" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr57hWs8RC2zcqY17gxQ2dhxtDQ7hY51RgP0_6K2P2PFVMpGDlPK0XgrOftA88n42_BPbDeC-0dx6kcWa3j3hkMKeKKZDSay-5AtbUfiBrIq3gdUfVSuw_EOt1IbrADCLi1iGRDVU8dgyYgYlxJ_pdiBR1KBHkWoWOUCSijNBVtuVyrfWgLLh902ll3Rg/w400-h181/The%20Ghost%20-%20Photo%201.jpg" width="400" /></a></div><br />THE GHOST briefly appeared like a spectral vision in Birmingham, England in the late-1960's. Their hauntingly-titled one and only album "When You're Dead - One Second" rose from the grave in 1970 before the band just as quickly disappeared in a wisp of hazy smoke like a phantom apparition. The spooky album cover showed a ghostly translucent image of the five-piece band gathered around a large tombstone, headed by a Celtic Cross. Right from the first few opening bars of "When You're Dead", you can tell we're going to be in for a weird and wonderful wild psychedelic ride here. This acid-drenched music is very reminiscent of the American band H.P. Lovecraft. In fact, The Ghost have such a strong resemblance to the American West Coast sixties sound that it's hard to believe they could be from the gloomy backstreets of Birmingham in England. This "phantasmic" bunch of Brummies really know how to Rock! The Ghost are listed as Prog Folk on ProgArchives, but make no mistake, this opening number sounds like a wild Psychedelic Rock trip back in time to the flower-power freeway of love in San Francisco in the swinging sixties. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqV0CVF20NJfZrRA2aorWzIXXybCByFypwISHWOb-k12w89_6Jvhfy6aTw8HuJY5-fhlGVCSNRr7OVp760IkUQAvdPfytw7RQY3gFqlQOOBx6vv0NrHJmBKnQDaaVnp6jOpD-jINkSgMr-cwABy3C5paXyS_7yd_Pt8J5RCnJahxpFqi_D1fBkAeTyLOc/s800/The%20Ghost%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqV0CVF20NJfZrRA2aorWzIXXybCByFypwISHWOb-k12w89_6Jvhfy6aTw8HuJY5-fhlGVCSNRr7OVp760IkUQAvdPfytw7RQY3gFqlQOOBx6vv0NrHJmBKnQDaaVnp6jOpD-jINkSgMr-cwABy3C5paXyS_7yd_Pt8J5RCnJahxpFqi_D1fBkAeTyLOc/w400-h400/The%20Ghost%20-%20Photo%207.jpg" width="400" /></a></div><br />In complete contrast, the second song "Hearts and Flowers" is a gorgeous Folk Pop refrain that could quite easily have been recorded by Peter, Paul & Mary or The Seekers. It's a truly beautiful melody floating along on a gentle wave of gorgeous guitar strings and uplifting harmonies. This stunning song - featuring Shirley Kent on lead vocals - is a real gem that shines like a sparkling diamond and would <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUH-eAHV0UE1EgB2_ORKmdL_Wh9B-9yLsqJEOQb9hoRSlSJSChO5psZeiU6Ed87Nq3WBc-wKOzP1YWr_EiHNdrL-anJVfumoT9Q3ZLeyjmP_ASonb9_yZ2zes3wlikECSAmiHB71vvsM0_ojWkhJ0GIbGDnobzMq8CZhqiuDdxgwVqPrc1up_LQyzSn8/s332/The%20Ghost%20-%20Photo%2013.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="332" data-original-width="328" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUH-eAHV0UE1EgB2_ORKmdL_Wh9B-9yLsqJEOQb9hoRSlSJSChO5psZeiU6Ed87Nq3WBc-wKOzP1YWr_EiHNdrL-anJVfumoT9Q3ZLeyjmP_ASonb9_yZ2zes3wlikECSAmiHB71vvsM0_ojWkhJ0GIbGDnobzMq8CZhqiuDdxgwVqPrc1up_LQyzSn8/s320/The%20Ghost%20-%20Photo%2013.jpg" width="316" /></a></div><br />have had tremendous hit potential if it had ever been released as a single. We're back on the magic bus again for "In Heaven", and if you love the sound of H.P. Lovecraft, then you'll be "In Heaven" too when you hear this absolutely fabulous psychedelic sixties song. It's groovy, baby! There's a return to gentler Folk Rock territory for "Time is My Enemy", a poignant song about the passing of the years which conjures up fond memories of the classic years of Sandy Denny and Fairport Convention, although this is more of an unconventional slice of Psych-Folk. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8vLtCNhzEbjuXwD1SESclkiOLDBaXnKwZ9kqjtdChFlG92tLwCgXOY6DbA6TsZudZt7vSykynPDhJgSFeQW-AMj1HX_VsCaR0MUtzbbeljr4jmB20qtYVyPFD5lthh82s15-7gdH3E9_eHkci862FFzBgOT0dLxnuB6UVoSkpSkFB3hkjAOlsZMXXxFk/s800/The%20Ghost%20-%20Photo%206.(For%20One%20Second).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="568" data-original-width="800" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8vLtCNhzEbjuXwD1SESclkiOLDBaXnKwZ9kqjtdChFlG92tLwCgXOY6DbA6TsZudZt7vSykynPDhJgSFeQW-AMj1HX_VsCaR0MUtzbbeljr4jmB20qtYVyPFD5lthh82s15-7gdH3E9_eHkci862FFzBgOT0dLxnuB6UVoSkpSkFB3hkjAOlsZMXXxFk/w400-h284/The%20Ghost%20-%20Photo%206.(For%20One%20Second).jpg" width="400" /></a></div><br />Shirley Kent sounds in magnificent voice on this hauntingly- beautiful song. It's a compelling blend of Sandy Denny's "Fotheringay" and "Who Knows Where the Time Goes", given a liberal psychedelic sprinkling of glowing rainbow colours. This is turning out to be a very good album indeed! Continuing with the intoxicating blend of storming Hard Rock songs and gentle Folk Rock refrains comes "Too Late To Cry", a rousing rip-roaring rocker, featuring an extended psychedelic wah-wah guitar trip back to the Streets of San Francisco in the hippy sixties, or the wild and untamed streets of Chicago in the case of H.P. Lovecraft.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhES4pWmqIzIPG7p2HVXDOT89kr9nksTAZ3hHf0EKHafslF8-kF1jC0uoWcNXn0BL92h2IbVdzx4QoyrUPft4DZ-ioPCxZGJYg-ijX1nybn4uSaSbR3f0l8HNPY2QZQ6f9Ynsa2G28-2nwbVKysqG5hqSakxnLPv4fit-Eju2RJV6orRJvY_PCSEOIuHQM/s800/The%20Ghost%20-%20Photo%203%20-%20For%20One%20Second.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="786" data-original-width="800" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhES4pWmqIzIPG7p2HVXDOT89kr9nksTAZ3hHf0EKHafslF8-kF1jC0uoWcNXn0BL92h2IbVdzx4QoyrUPft4DZ-ioPCxZGJYg-ijX1nybn4uSaSbR3f0l8HNPY2QZQ6f9Ynsa2G28-2nwbVKysqG5hqSakxnLPv4fit-Eju2RJV6orRJvY_PCSEOIuHQM/w400-h393/The%20Ghost%20-%20Photo%203%20-%20For%20One%20Second.jpg" width="400" /></a></div><br />We're onto Side Two now "For One Second", which opens as a gently laid-back country-tinged melody, but wait one second because there's a surprise in store when the song metamorphosises from a caterpillar into a bright and beautiful psychedelic butterfly for the storming crescendo of acid-soaked <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHq4N2qFxomt4M9yJkG7124_uCO5nCzNADT6lF-0LaldJQ3CdaPJOl07euExkyJlKuxD2lPPWa4uNeHBeLZRb8FsdlkURHPbBrAWIIsf3cOsbqXRnTofkvzcl0SLvflcxnNOy9S-y5S63XtaTLh_6zWMDZ3ltfz-oBr9JXDzMHgBlP9_NxKYn3CbMR84/s332/The%20Ghost%20-%20Photo%2014.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="332" data-original-width="314" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHq4N2qFxomt4M9yJkG7124_uCO5nCzNADT6lF-0LaldJQ3CdaPJOl07euExkyJlKuxD2lPPWa4uNeHBeLZRb8FsdlkURHPbBrAWIIsf3cOsbqXRnTofkvzcl0SLvflcxnNOy9S-y5S63XtaTLh_6zWMDZ3ltfz-oBr9JXDzMHgBlP9_NxKYn3CbMR84/s320/The%20Ghost%20-%20Photo%2014.jpg" width="303" /></a></div><br />guitar reverb in the fabulous finale. And now we come to The Ghost's magnificent magnum opus, "Night of the Warlock", a spirited Demons and Wizards song that barrels along at pell-mell speed, taking the listener on a crazy helter-skelter ride in a headlong rush towards psychedelic nirvana. This is like a maniacal harum scarum version of "Season of the Witch", wound up to 99 and given an energetic burst of adrenalin and raw power. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirHSznfnSyRtY9NRxGy5U6yrmpZXiHAjwruvCE9Tbo_EoQeTWQm0YOhz_kxsd3PR7Q79vbhymIiQMpYCr450sVV8ciGxuyOcAJi5dfVTYCU3NzXBfSRdB6sHDDpQOkVluOeWdXcmnPwNAxpZIkjeQbnZrP_nlkWTMc-kzSUiLRN14pmd4aIleWuuFYyFc/s800/The%20Ghost%20-%20Photo%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="800" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirHSznfnSyRtY9NRxGy5U6yrmpZXiHAjwruvCE9Tbo_EoQeTWQm0YOhz_kxsd3PR7Q79vbhymIiQMpYCr450sVV8ciGxuyOcAJi5dfVTYCU3NzXBfSRdB6sHDDpQOkVluOeWdXcmnPwNAxpZIkjeQbnZrP_nlkWTMc-kzSUiLRN14pmd4aIleWuuFYyFc/w400-h310/The%20Ghost%20-%20Photo%202.jpg" width="400" /></a></div><br />We're off to meet the "Indian Maid" next, so you can expect to hear some exotic far-eastern vibes from the Indian sub-continent, although the song is still firmly rooted in western psychedelia. Either way, it's another great song wherever you are in the world. It's time now to mount the battlements for "My Castle Has Fallen", a storming medieval ballista firing a relentless percussive artillery barrage of pummelling Psychedelic Rock! There's no let-up in the incredible pace either because "The Storm" is on the way, a thunder and lightning display of sonic energy to rattle the windows and light up the sky. It's not all Crash! Bang! Wallop! though, because there's a return to gentler climes for "Me and My Loved Ones", a bright rainbow sunburst of groovy psychedelic colours to close the album in magnificent style. Wait a minute though, we're not quite through yet, because there's the groovy sixties number "I've Got To Get To Know You" added as a bonus track.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaLij5atY4wLiQh2z1ZRWwAWEP9rzsom0zpToBpE6ox-7ZbAuXY1QCTRytOrPyMg9s-cACAqwVeE5utkZMCtPL27pvYCOVs6XDsjvXSOKTyJqCDR17BwUHzZuv19CQOrx-kl-NHIbvGsbAqcSGBZAMCFH68IoUJNXb7esOUsDSTdjTFDJZsQQ7vOK75aw/s802/The%20Ghost%20-%20Photo%205.(For%20One%20Second).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaLij5atY4wLiQh2z1ZRWwAWEP9rzsom0zpToBpE6ox-7ZbAuXY1QCTRytOrPyMg9s-cACAqwVeE5utkZMCtPL27pvYCOVs6XDsjvXSOKTyJqCDR17BwUHzZuv19CQOrx-kl-NHIbvGsbAqcSGBZAMCFH68IoUJNXb7esOUsDSTdjTFDJZsQQ7vOK75aw/w399-h400/The%20Ghost%20-%20Photo%205.(For%20One%20Second).jpg" width="399" /></a></div><br />The sole album by this British band was a strange entrant into the field of late-'60s/early-'70s psychedelia, mixing folk-rock, much heavier West Coast-influenced psych, and early hard rock. The lead-off track, "When You're Dead," is the most effective and famous (at least in the world of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBThOsSMV87EvcRQjrWx_Am-7sxgvwF3dRL79eHj0-_04JGJUp9WxKqOH_gbaV6aqkYoWNEWZ-eBtEpbp_oaBJrtsJsRJvMVhWtoEVTWmo_G6Y-6xBdaIoxQKRLdP1NuTttmz1aXvkDz_ZGXQpzkP5mPfxcHw1s-rOsfxQI4QGbNVjH7V3-CvjSJVPZX0/s322/The%20Ghost%20-%20Photo%2015.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="322" data-original-width="298" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBThOsSMV87EvcRQjrWx_Am-7sxgvwF3dRL79eHj0-_04JGJUp9WxKqOH_gbaV6aqkYoWNEWZ-eBtEpbp_oaBJrtsJsRJvMVhWtoEVTWmo_G6Y-6xBdaIoxQKRLdP1NuTttmz1aXvkDz_ZGXQpzkP5mPfxcHw1s-rOsfxQI4QGbNVjH7V3-CvjSJVPZX0/s320/The%20Ghost%20-%20Photo%2015.jpg" width="296" /></a></div><br />psychedelic collectordom) cut. Lead singer Paul Eastment sounds much like Family's Roger Chapman, but even creepier (and more ostentatious), as the group vamp around a skin-crawling riff, anchored by an almost garagey shrill organ. Yet the second song, "Hearts and Flowers," could almost be the work of an entirely different outfit, with the band's other lead singer, Shirley Kent, shining on a pretty folk tune reminiscent of some of Fairport Convention's most precious early numbers. The CD reissue on Mellotron adds the non-LP 1970 single "I've Got to Get to Know You" as a bonus track.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQxBs5zsM8rD1H-7_dAOgu21yKNCRiAJRCWY12FkcsGZkrVRC8zmsROahLzeZKT1fhkay9-10IFZoE3u4sk8idzSiUVbmVohfu9oMamQ8bbpdDVhpZCIe1PzGv0wPlMORek5uarrRHYPMnkjcg_Bm4YEqlvuq_HlujZ295T0VqnaIc2wZYSq8GyVYzVM/s840/The%20Ghost%20-%20Photo%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="616" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQxBs5zsM8rD1H-7_dAOgu21yKNCRiAJRCWY12FkcsGZkrVRC8zmsROahLzeZKT1fhkay9-10IFZoE3u4sk8idzSiUVbmVohfu9oMamQ8bbpdDVhpZCIe1PzGv0wPlMORek5uarrRHYPMnkjcg_Bm4YEqlvuq_HlujZ295T0VqnaIc2wZYSq8GyVYzVM/w294-h400/The%20Ghost%20-%20Photo%208.jpg" width="294" /></a></div><br /><p></p><p style="text-align: left;"><b>The Ghost has risen from the grave of the psychedelic sixties era and reappeared as an awesome apparition fifty years later on ProgArchives. "When You're Dead - One Second" is an album full of haunting Folk refrains and spirited psychedelic acid trips. All in all, it's a heavenly album full of devilishly good songs. <br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzBmKtjcLCbrWv9CK1qAFaLAQKbSPLoIVsfcsChUq-k0eN-vKGmPOzwsOy-hM59xzZQeeBUe-Zxp9gki7d5-0a0uvzBFEO2mEcv0T4FEX5xBkSidwcfjtarSoKubcO5T7d5VKCrzdBpr_bNBr_yJ4DkoqQBmGNpm6FXdtaWPoP_TydYynXlsIpkSdk1MU/s807/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20CD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzBmKtjcLCbrWv9CK1qAFaLAQKbSPLoIVsfcsChUq-k0eN-vKGmPOzwsOy-hM59xzZQeeBUe-Zxp9gki7d5-0a0uvzBFEO2mEcv0T4FEX5xBkSidwcfjtarSoKubcO5T7d5VKCrzdBpr_bNBr_yJ4DkoqQBmGNpm6FXdtaWPoP_TydYynXlsIpkSdk1MU/w396-h400/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20CD.jpg" width="396" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b>The Ghost – When You're Dead - One Second</b><br /><b>Label: UFO Records – BFTP CD 005</b><br /><b>Series: Blast From The Past </b><br /><b>Format: CD, Album, Reissue 1991</b><br /><b>Country: UK</b><br /><b>Released: 1970 </b><br /><b>Genre: Rock</b><br /><b>Style: Psychedelic, Prog Rock</b><br /><br /><b><span style="font-size: large;">TRACKS</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMZml7bp6WK1uraYXBofIU_ai__plVS7v6YMi4w04JymDKhuDtAmI1GnQ_TyqTDKhczhJ0R1SCPmAayn-IXA2HpUfHkrUgZESbBv6OnCzPknOLDfWeXh4F-4dDGGSDOQl-KU9pnDEDL3liflM1kpWCp18n2MwiZ1MXHJQKl50SeJcxO3JhfeLGFO4Rs60/s800/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMZml7bp6WK1uraYXBofIU_ai__plVS7v6YMi4w04JymDKhuDtAmI1GnQ_TyqTDKhczhJ0R1SCPmAayn-IXA2HpUfHkrUgZESbBv6OnCzPknOLDfWeXh4F-4dDGGSDOQl-KU9pnDEDL3liflM1kpWCp18n2MwiZ1MXHJQKl50SeJcxO3JhfeLGFO4Rs60/w400-h313/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br />01. When You're Dead 4:25</b><br />Written-By – P. Eastment, P. Keatly<br /><b>02. Hearts And Flowers 2:54</b><br />Written-By – S. Kent<br /><b>03. In Heaven 3:21</b><br />Written-By – T. Guy<br /><b>04. Time Is My Enemy 4:06</b><br />Written-By – S. Kent<br /><b>05. Too Late To Cry 5:04</b><br />Written-By – P. Eastment, P. Keatly<br /><b>06. For One Second 5:25</b><br />Written-By – T. Guy<br /><b>07. Night Of The Warlock 4:22</b><br />Written-By – P. Eastment, T. Guy<br /><b>08. Indian Maid 4:21</b><br />Written-By – T. Guy<br /><b>09. My Castle Has Fallen 2:57</b><br />Written-By – P. Eastment<br /><b>10. The Storm 3:36</b><br />Written-By – P. Eastment, P. Keatly<br /><b>11. Me And My Loved Ones 4:09</b><br />Written-By – T. Guy<br /><b>12. I'Ve Got To Get To Know You 4:02</b><br />Written-By – S. Kent<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVSBJq8P-67O2jjg_sj9_BrWFRYVMLSYwoapRNL5l46NeN7pu_9hbuJIUeUjChsPHc4XoAs9n5Zlz0DP9PyL0zIf8NM45kHVcYvOaykpQcLVIFr663L2r4XRhKpOesGC2vb1fJO6AWQ_1sAszGyNTDimvUQt3B6sOfnnfCbsCX02StbrY5VWWDjIsFVlY/s800/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Inside%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="800" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVSBJq8P-67O2jjg_sj9_BrWFRYVMLSYwoapRNL5l46NeN7pu_9hbuJIUeUjChsPHc4XoAs9n5Zlz0DP9PyL0zIf8NM45kHVcYvOaykpQcLVIFr663L2r4XRhKpOesGC2vb1fJO6AWQ_1sAszGyNTDimvUQt3B6sOfnnfCbsCX02StbrY5VWWDjIsFVlY/w400-h378/The%20Ghost%20-%201970%20-%20When%20You're%20Dead%20-%20One%20Second%20-%20Inside%20Cover%202.jpg" width="400" /></a></div><br />Bass Guitar – <b>Daniel MacGuire</b><br />Drums, Percussion –<b> Charlie Grima</b><br />Engineer – <b>John Taylor</b><br />Vocals, Lead Guitar – <b>Paul Eastment</b><br />Liner Notes, Supervised By – <b>Carl Denker</b><br />Organ, Piano – <b>Terry Guy</b><br />Vocals – <b>Shirley Kent</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/CJg1RZJR#max5P77zv2F5cufCUqNETT7Bxp3gTQ9bPeYHaF20Tkg">Flac Size: 314 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com9tag:blogger.com,1999:blog-8270002232971427483.post-343244138934468622024-03-20T08:50:00.001+02:002024-03-23T12:32:14.661+02:00Pearls Before Swine: Studio Discography<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi37jEVp9Sg_85YfyFFj5egD4VD2Y6AULlui99FKTryNmkfI1k9jWsjZDNNV3_Nv67rNh1bJTO9QwMpkZeLnB_tCQarXBqKMv6fmNqyp_71uMo4WuZtQHMYD_EablCaOQlkYtmheYncuyYVx0_BnnhL9svBcFzgSdOK8HoZ5LdnxjoZMzxSvlz47Su2uPg/s460/Pearls%20Before%20Swine%20-%20Logo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="460" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi37jEVp9Sg_85YfyFFj5egD4VD2Y6AULlui99FKTryNmkfI1k9jWsjZDNNV3_Nv67rNh1bJTO9QwMpkZeLnB_tCQarXBqKMv6fmNqyp_71uMo4WuZtQHMYD_EablCaOQlkYtmheYncuyYVx0_BnnhL9svBcFzgSdOK8HoZ5LdnxjoZMzxSvlz47Su2uPg/w400-h400/Pearls%20Before%20Swine%20-%20Logo.jpg" width="400" /></a></div> <p></p><p>Pearls Before Swine was an American psychedelic folk band formed by Tom Rapp in 1965 in Eau </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKzkob0WY6dt_oUZOZ5D6wB463dJUofGkBfxJ2HUPo2mrzDmm45J89xgFxnnwYRi2i08IQ5ZV_5VBX6OYNGr3dN8hYB_JUN8W2Q81zL4a9x3ttfwiPF-i77ZeXRvLLdJgYut_FEdiw7Vn8KTMze66FqAaeVdEquxIJaQlhSL1thIPD-wj2gFLqhT8pxu8/s640/Pearls%20Before%20Swine%20-%20Photo%206.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKzkob0WY6dt_oUZOZ5D6wB463dJUofGkBfxJ2HUPo2mrzDmm45J89xgFxnnwYRi2i08IQ5ZV_5VBX6OYNGr3dN8hYB_JUN8W2Q81zL4a9x3ttfwiPF-i77ZeXRvLLdJgYut_FEdiw7Vn8KTMze66FqAaeVdEquxIJaQlhSL1thIPD-wj2gFLqhT8pxu8/s320/Pearls%20Before%20Swine%20-%20Photo%206.jpg" width="320" /></a></div><br />Gallie, which is now part of Melbourne, Florida. They released six albums between 1967 and 1971, before Rapp launched a solo career. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXxvek8fctaL3iT6Q9HiqyvCKJPo7ugSGZv0Zgln52ehDNUyIypwiWeDPfpfyqx_LL_gjm37lLEM99EdoHGnyohYIInN5i6Exc-lQTAyokv3CCPKt96ZH6CimWaVpDQpprnvz7vXUZjRHQ3C5p6PfDEvgKBepEkjoNoHLtZ11dHw9AvsUq7XOpLmavEdQ/s650/Peaels%20Before%20Swine%20-%20Logo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="650" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXxvek8fctaL3iT6Q9HiqyvCKJPo7ugSGZv0Zgln52ehDNUyIypwiWeDPfpfyqx_LL_gjm37lLEM99EdoHGnyohYIInN5i6Exc-lQTAyokv3CCPKt96ZH6CimWaVpDQpprnvz7vXUZjRHQ3C5p6PfDEvgKBepEkjoNoHLtZ11dHw9AvsUq7XOpLmavEdQ/w400-h234/Peaels%20Before%20Swine%20-%20Logo.jpg" width="400" /></a></div> <br />With high school friends Wayne Harley (banjo, mandolin), Lane Lederer (bass, guitar) and Roger <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja6kUmjBllOwsAwsjLCgxzFR88s_JMuiPbZjbN2DCeGR1KPTEp_JKCXgE_tT2VKgEfDhVGdhZeXumxnCvvUo6Dwygx4n-dtn-cu1o4ajtAlnSYIPdWZ2SBASe5Hd3fPOUCGg5jOmmNZGO1NuOe8jpEAnwggM39e8dM6VnVQnJM_ct5f40r-S1DJjQpjAk/s607/Pearls%20Before%20Swine%20-%20Photo%201.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="606" data-original-width="607" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja6kUmjBllOwsAwsjLCgxzFR88s_JMuiPbZjbN2DCeGR1KPTEp_JKCXgE_tT2VKgEfDhVGdhZeXumxnCvvUo6Dwygx4n-dtn-cu1o4ajtAlnSYIPdWZ2SBASe5Hd3fPOUCGg5jOmmNZGO1NuOe8jpEAnwggM39e8dM6VnVQnJM_ct5f40r-S1DJjQpjAk/s320/Pearls%20Before%20Swine%20-%20Photo%201.jpg" width="320" /></a></div><br />Crissinger (piano, organ), Rapp wrote and recorded some songs which, inspired by the Fugs, they sent to the avant-garde ESP-Disk label in New York. The group took its name from a Bible passage: "Give not that which is holy unto the dogs, neither cast ye your pearls before swine ...." (Mat. 7:6, KJV), meaning: do not give things of value to those who will not understand or appreciate them.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBsHcxdxFCm3Y00kTs-rvxDjxx9VX0q0PUNMhh9dDUSMotXBI9SjVHORIDX1bGcbUrwpYB7oz8Fm1WY7W6Aw9IFuMXCsxMEYCBpC9uspUMmuOGKdyvSrJkco7NFpE15zNn2HHUjnBiKSr9BvJ-lCXwme4drILnxyewh6AhiIFgd3PBvZeH__UP_Asa1yg/s800/Pearls%20Before%20Swine%20-%20Photo%2013.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="800" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBsHcxdxFCm3Y00kTs-rvxDjxx9VX0q0PUNMhh9dDUSMotXBI9SjVHORIDX1bGcbUrwpYB7oz8Fm1WY7W6Aw9IFuMXCsxMEYCBpC9uspUMmuOGKdyvSrJkco7NFpE15zNn2HHUjnBiKSr9BvJ-lCXwme4drILnxyewh6AhiIFgd3PBvZeH__UP_Asa1yg/w400-h243/Pearls%20Before%20Swine%20-%20Photo%2013.jpg" width="400" /></a></div><br />Though RAPP would remain the only standing member of the band over the years, this first line-up can <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvFvg8fcWslsEf5UCntA406dZs-cvldQNsPO6SyLs2FNMkROOi-Xm1MaNi6dgB7SIAh1m_0h6Vx7bXT4fPstBaRId1q_wG9OUozKPYDdWeWEhLSXLNz1J6e1RFox2fZhauk5vCtQQL2JD4r0GippMmtPYV4_KKzk7GdvSwqzklBTJGMPEWZF-uvwnTCdc/s600/Pearls%20Before%20Swine%20-%20Photo%209.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="460" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvFvg8fcWslsEf5UCntA406dZs-cvldQNsPO6SyLs2FNMkROOi-Xm1MaNi6dgB7SIAh1m_0h6Vx7bXT4fPstBaRId1q_wG9OUozKPYDdWeWEhLSXLNz1J6e1RFox2fZhauk5vCtQQL2JD4r0GippMmtPYV4_KKzk7GdvSwqzklBTJGMPEWZF-uvwnTCdc/s320/Pearls%20Before%20Swine%20-%20Photo%209.jpg" width="245" /></a></div><br />be attributed with the first two albums, "One Nation Underground" (1967) and "Balaklava" (1968), on which PEARLS BEFORE SWINE can be described as a psychedelic and progressive folk group. Both albums were released by ESP. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQs84DUMHKn7tL6TTpvcpl8qTllZapUg5xqU3M2q09jgppd0mqTE3SGAuEX_ljse6TEif0VSAURf_dUOtU9vciLhz3WU2gNFRDW3gpvXXNFGJ1K18cZxmBVRLxXe7fJ6r78gfD0RN-a4H1AQInEnq7ANrJ1JQrfamLeW5HfvZK_7XwPcjqlaxKVxxMas/s800/Pearls%20Before%20Swine%20-%20Photo%2011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="362" data-original-width="800" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeQs84DUMHKn7tL6TTpvcpl8qTllZapUg5xqU3M2q09jgppd0mqTE3SGAuEX_ljse6TEif0VSAURf_dUOtU9vciLhz3WU2gNFRDW3gpvXXNFGJ1K18cZxmBVRLxXe7fJ6r78gfD0RN-a4H1AQInEnq7ANrJ1JQrfamLeW5HfvZK_7XwPcjqlaxKVxxMas/w400-h181/Pearls%20Before%20Swine%20-%20Photo%2011.jpg" width="400" /></a></div><br />After this Tom RAPP would continue to record milder folk records under the PEARLS BEFORE <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIXg8J0v1qedj8z0xYwYYjjmhZaaKimFvgljS5fejJQtM0kpUmhC2RAu3yCoAB3f6nnE9YvnAii5VVtkwwpc0fAGj2Y0K97SIqHjON6kHujkm30Kd7-CkmpDQMbKVUIppOjFoAhLeqw3_hlXK3NDWvEhhAXOgW_XD300bzYQ0y2dv93ZAkn80tLrJqrU/s468/Pearls%20Before%20Swine%20-%20Photo%205.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="468" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIXg8J0v1qedj8z0xYwYYjjmhZaaKimFvgljS5fejJQtM0kpUmhC2RAu3yCoAB3f6nnE9YvnAii5VVtkwwpc0fAGj2Y0K97SIqHjON6kHujkm30Kd7-CkmpDQMbKVUIppOjFoAhLeqw3_hlXK3NDWvEhhAXOgW_XD300bzYQ0y2dv93ZAkn80tLrJqrU/s320/Pearls%20Before%20Swine%20-%20Photo%205.jpg" width="274" /></a></div><br />SWINE flag with a diversity of studio musicians until dropping the bandname in 1973. He then delivered another three albums under his own name (these are also included on this page) before becoming a civil rights lawyer. In 1999 Tom RAPP would return with another solo album.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzmWJrbOSeibauy2wubHyBNaEzri_lHXY0tQVTcYlzPYR_7pMnejNxbYLXnNNCpbXnGlPj3kwztPZe2Htlak9M6oKOTPq9H9RZqOEAde5snbP-tTU1IiE0SHI4q0WvgUDpS7sHq2ZAPV1CfZuy6Roz3Lp5HRBtFlSi1TEZ88hDsN_Wt6ws1Gwki9-dwCs/s773/Pearls%20Before%20Swine%20-%20Photo%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="773" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzmWJrbOSeibauy2wubHyBNaEzri_lHXY0tQVTcYlzPYR_7pMnejNxbYLXnNNCpbXnGlPj3kwztPZe2Htlak9M6oKOTPq9H9RZqOEAde5snbP-tTU1IiE0SHI4q0WvgUDpS7sHq2ZAPV1CfZuy6Roz3Lp5HRBtFlSi1TEZ88hDsN_Wt6ws1Gwki9-dwCs/w400-h300/Pearls%20Before%20Swine%20-%20Photo%2014.jpg" width="400" /></a></div><br />RAPP would eventually become a cult-idol because of his mystical and political songwriting and his <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHzH_jiIpISHT7Z3YzHtD5fp9sQt_YsEobg_Wb-yGwWAxXfzkmDAat1kAYdrARY2aexvBfh4aJZXL4AqLxglLgOBV5mQ3p0UCw9YxlpchY8cG4jXQXolYQ18Lpg_WUqshb5sdbTpvQhXMRH9EVEW5nPLOuIhQl6giISyEZegxP5qws_01e4KPdCk0HR2Q/s400/Pearls%20Before%20Swine%20-%20Photo%202.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="398" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHzH_jiIpISHT7Z3YzHtD5fp9sQt_YsEobg_Wb-yGwWAxXfzkmDAat1kAYdrARY2aexvBfh4aJZXL4AqLxglLgOBV5mQ3p0UCw9YxlpchY8cG4jXQXolYQ18Lpg_WUqshb5sdbTpvQhXMRH9EVEW5nPLOuIhQl6giISyEZegxP5qws_01e4KPdCk0HR2Q/s320/Pearls%20Before%20Swine%20-%20Photo%202.jpg" width="318" /></a></div><br />emotionally driven, folky and almost whimsical (in a good way) vocal performances. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi79ZlLxab8UQbbzAsS8Xv9cvlnTBHEdT2K45UuyStoMrQ21Nnb-AA20rAPMovu-IoyQ4UNIe2ukzb5Z3tLlic5ZGIArLMnowVk6f5J0DDk4MINv3n8opv54vU8ToiKyrZ3uqUxb-7KKMYBnbWV8JeJH9kfQF5PXtzWal7T6Zyuzuv9dOp-Erk3inuBtQs/s608/Pearls%20Before%20Swine%20-%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="384" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi79ZlLxab8UQbbzAsS8Xv9cvlnTBHEdT2K45UuyStoMrQ21Nnb-AA20rAPMovu-IoyQ4UNIe2ukzb5Z3tLlic5ZGIArLMnowVk6f5J0DDk4MINv3n8opv54vU8ToiKyrZ3uqUxb-7KKMYBnbWV8JeJH9kfQF5PXtzWal7T6Zyuzuv9dOp-Erk3inuBtQs/w253-h400/Pearls%20Before%20Swine%20-%20Photo%203.jpg" width="253" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">PEARLS BEFORE SWINE - ONE NATION UNDERGROUND 1967</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ6q7uEtAl2xaDGH_hFwJo9Hn9W6-Acke8-d-bmpgbfQA_xDz634_0Nx5oPSdpncLfwIKM7dW0Qseek28t_Leut9WCX_v3ObuMvAk_GuKt7kt78KoojUUJ5or8NrLEoXHoxQZmCa3blecBFVDdMVYyL7xnkWBHlvP8Mgj5t4i-Dqp35hyphenhyphengn_hdkUqE5P4/s808/Pearls%20Before%20Swine%20-%201967%20-%20One%20Nation%20Underground%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ6q7uEtAl2xaDGH_hFwJo9Hn9W6-Acke8-d-bmpgbfQA_xDz634_0Nx5oPSdpncLfwIKM7dW0Qseek28t_Leut9WCX_v3ObuMvAk_GuKt7kt78KoojUUJ5or8NrLEoXHoxQZmCa3blecBFVDdMVYyL7xnkWBHlvP8Mgj5t4i-Dqp35hyphenhyphengn_hdkUqE5P4/w396-h400/Pearls%20Before%20Swine%20-%201967%20-%20One%20Nation%20Underground%20-%20Front%20Cover.jpg" width="396" /></a></div><br />The first line-up of PEARLS BEFORE SWINE consisted of Tom RAPP, Wayne HARLEY, Lane <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOc09OYtavgAqIB-K9_Uqukb6QMb7QHn-lJ-DKL08RA1JvYkyoJMLLqzSgVvUytybIdJD1WPTdTf258ecwzVTMvD5LGZKiTZwsvVa6c9gz1njDNEPknawSw3fMcf1wdvOKQLZtAUZ1Di0LNbAtK2kOCvEJHVZItlv2tmRcCATqO_qMxs4xoqflnK3x2k/s612/04.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="596" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOc09OYtavgAqIB-K9_Uqukb6QMb7QHn-lJ-DKL08RA1JvYkyoJMLLqzSgVvUytybIdJD1WPTdTf258ecwzVTMvD5LGZKiTZwsvVa6c9gz1njDNEPknawSw3fMcf1wdvOKQLZtAUZ1Di0LNbAtK2kOCvEJHVZItlv2tmRcCATqO_qMxs4xoqflnK3x2k/s320/04.jpg" width="312" /></a></div><br />LEDERER and Roger CRISSINGER. Together they would record the classic "One Nation Underground" (1967), a psychedelic folk album with some heavy edges, psychedelic moods, political lyrics and mystical folk songs. The album sold a reasonable 250.000 copies, but due to lack of proper management the band would not profit very much from this. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcKlO56QaQ-nZVB_Tj0jvgucbHwqjSlpVCaywb1VidzqYH7wcTeSLEtLF69Ro8EACzyfaZ9zqmmpCgQxbxrbLcSdoV5tto4DXQcdJaNWumWUF4rs4nA_4glMEH7f0_PmFpeEp6AJecL2f7ZA-4L4xnNMB68MOn4EjEjV7cnREd1hN04URVPz6s26vJ2k/s2870/Pearls%20Before%20Swine%201967%20-%20One%20Nation%20Underground%20-%20Front%20&%20Back%20Inside%20Cover%20(Big).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="2870" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcKlO56QaQ-nZVB_Tj0jvgucbHwqjSlpVCaywb1VidzqYH7wcTeSLEtLF69Ro8EACzyfaZ9zqmmpCgQxbxrbLcSdoV5tto4DXQcdJaNWumWUF4rs4nA_4glMEH7f0_PmFpeEp6AJecL2f7ZA-4L4xnNMB68MOn4EjEjV7cnREd1hN04URVPz6s26vJ2k/w400-h198/Pearls%20Before%20Swine%201967%20-%20One%20Nation%20Underground%20-%20Front%20&%20Back%20Inside%20Cover%20(Big).jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Pearls Before Swine – One Nation Underground<br />Label: Drag City – DC-659CD<br />Format: CD, Album, Reissue, Remastered Oct 20, 2017<br />Country: US<br />Released: 1967 <br />Genre: Rock, Folk, & Country<br />Style: Folk, Psychedelic Rock, Folk Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTKwzj4Gpll9wblqr5_5QXXC4D7BRW6tcp7XtbX4m03dGPmkwDCQdcIXLwQSZ9HSkzkFaZUabXrFEqbIkVhFbZ0-mmLrfk8BcC10S08_rgDn7BR5INLK21iyjlIytgGZEq7_5x3bW19xpztqsSoYp2Xdtnq5pJ9kalA6zASu_NpZ8TaPxvZm5ZxEYyxic/s800/Pearls%20Before%20Swine%20-%201967%20-%20One%20Nation%20Underground%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTKwzj4Gpll9wblqr5_5QXXC4D7BRW6tcp7XtbX4m03dGPmkwDCQdcIXLwQSZ9HSkzkFaZUabXrFEqbIkVhFbZ0-mmLrfk8BcC10S08_rgDn7BR5INLK21iyjlIytgGZEq7_5x3bW19xpztqsSoYp2Xdtnq5pJ9kalA6zASu_NpZ8TaPxvZm5ZxEYyxic/w400-h313/Pearls%20Before%20Swine%20-%201967%20-%20One%20Nation%20Underground%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. Another Time 3:05</b><br />Written-By – Rapp<br /><b>02. Playmate 2:17</b><br />Written-By – Saxie Dowell<br /><b>03. Ballad To An Amber Lady 5:13</b><br />Written-By – Crissinger, Rapp<br /><b>04. (Oh Dear) Miss Morse 1:52</b><br />Written-By – Rapp<br /><b>05. Drop Out! 4:07</b><br />Written-By – Rapp<br /><b>06. Morning Song 4:05</b><br />Written-By – Rapp<br /><b>07. Regions Of May 3:25</b><br />Written-By – Rapp<br /><b>08. Uncle John 2:52</b><br />Written-By – Rapp<br /><b>09. I Shall Not Care 5:10</b><br />Written-By – Roman Tombs, Teasdale, Rapp<br /><b>10. The Surrealist Waltz 3:27</b><br />Lead Vocals – Lane Lederer<br />Written-By – Lederer, Crissinger<br /><br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Autoharp, Banjo, Mandolin, Vibraphone, Synthesizer [Audio Oscillator], Harmony Vocals – <b>Wayne Harley</b><br />Bass, Guitar, English Horn, Horn [Swinehorn], Sarangi, Celesta [Celeste], Finger Cymbals –<b> Lane Lederer</b><br />Co-producer [Production Aide] – <b>Elmer J. Gordon</b><br />Drums, Percussion –<b> Warren Smith</b><br />Guitar, Lead Vocals –<b> Tom Rapp</b><br />Harmony Vocals – <b>The Swine Chorus</b><br />Organ, Harpsichord, Synthesizer [Clavioline] –<b> Roger Crissinger</b><br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">ANOTHER TIME LYRICS</span></b><br /><br />Where have you been to?<br />Where did you go?<br />Did you follow the summer out<br />When the winter pushed its face in the snow?<br />Or have you come by again to die again?<br />Well, try again another time<br /></p><p><br /> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDZf4ZYsNkRX5D4RKVepcL1S2w4vBwxLgmyXBzKWSRaJo7iYUa4s2D8pLPb_4CD1D6kxxznTEplxtY9nlXD0w2IXgiStw14o5TV_mLJK-dSaNDcKV0fj7FCJEbov2Bw3w3eHb6rasRw0H3XzFeeMJwp9eNDexaIvCzaveMtKSg8h-V52sDdSjK3Umb_R8/s1280/Crystal%20Swan.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="720" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDZf4ZYsNkRX5D4RKVepcL1S2w4vBwxLgmyXBzKWSRaJo7iYUa4s2D8pLPb_4CD1D6kxxznTEplxtY9nlXD0w2IXgiStw14o5TV_mLJK-dSaNDcKV0fj7FCJEbov2Bw3w3eHb6rasRw0H3XzFeeMJwp9eNDexaIvCzaveMtKSg8h-V52sDdSjK3Umb_R8/w225-h400/Crystal%20Swan.gif" width="225" /></a></div><br /><br /><p></p><p style="text-align: center;"><b>Did you follow<br />The crystal swan?</b><br />Did you see yourself<br />Deep inside the velvet pond?<br />Or have you come by again to die again?<br />Well, try again another time<br /><br />When you set to shape the world<br />Was the shape the shape of you?<br />Or did you cast enchanting glances<br />Through the eye that all men use?<br />Or have you come by again to die again?<br />Well, try again another time<br /><br />Did you find that the universe<br />Doesn't care at all?<br />Did you find that if you don't care<br />This whole wrong world will fall?<br />Or have you come by again to die again?<br />Well, try again another time<br /><br />Did you ever capture<br />All those jewels in the sky?<br />Did you find that the world outside<br />Is all inside your mind?<br />Or have you come by again to die again?<br />Well, try again another time<br /><br /><b><a href="https://mega.nz/file/2Y4BVDQL#j3bP1_b_vOQGV9lEzsxQb3FaYztkCK8s40DbDxR9jlo">Flac Size: 196 MB</a><br /><br /><span style="font-size: large;">PEARLS BEFORE SWINE - BALAKLAVA 1968 </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoh7NySZ7V3-gOTtPk9dW2GmhNk7NNopjYuaAbR2QR7ngLLP6l2cRWH9ka_UpImf0LQnTAPeZvhBSfL9dbyyUPnEcUl_dGLEHBDt6kIMD5B0ig-FTR1FU_PpLurKTqLmL0VJiBFr1zzsUGuzPud_B2ZkEfcYB7MBfV9btzoV4qRb85oEpIK96a3pMbbE8/s801/Pearls%20Before%20Swine%20-%201968%20-%20Balaklava%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoh7NySZ7V3-gOTtPk9dW2GmhNk7NNopjYuaAbR2QR7ngLLP6l2cRWH9ka_UpImf0LQnTAPeZvhBSfL9dbyyUPnEcUl_dGLEHBDt6kIMD5B0ig-FTR1FU_PpLurKTqLmL0VJiBFr1zzsUGuzPud_B2ZkEfcYB7MBfV9btzoV4qRb85oEpIK96a3pMbbE8/w400-h400/Pearls%20Before%20Swine%20-%201968%20-%20Balaklava%20-%20Front%20Cover.jpg" width="400" /></a></div><br />In 1968 the band would re-emerge with again RAPP, CRISSINGER and LEDERER, this time joined by <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlcxyP-SmBJ30OgRrfgIk26kpzP5Kwhj7-x4i3OhwUzqjN2J7uQZMzJ_JsHLOAOpzz01-vwJ_eBSQ7ssU4r75RDJJ21Y6u-3XAPBGJSOplRzb0FG8cm2oD7CpYsEReYMcYTAJXsxGeoU-vyf9OrTrDLRR9Sr5_ndUrC_7MrVSzaZn_bRjVl-y5nlE16PA/s318/02.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="318" data-original-width="305" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlcxyP-SmBJ30OgRrfgIk26kpzP5Kwhj7-x4i3OhwUzqjN2J7uQZMzJ_JsHLOAOpzz01-vwJ_eBSQ7ssU4r75RDJJ21Y6u-3XAPBGJSOplRzb0FG8cm2oD7CpYsEReYMcYTAJXsxGeoU-vyf9OrTrDLRR9Sr5_ndUrC_7MrVSzaZn_bRjVl-y5nlE16PA/s1600/02.jpg" width="305" /></a></div><br />Jim BOHANNON and some guest musicians in the studio. "Balaklava" (1968) would be their most progressive effort with a continuation in style, but with a more daring approach with psychedelic sound-effects, symphonic arrangements and a dark ending song based on the 'The Lord of the Rings'.<br /><br /><p></p><p style="text-align: center;"><b>You Can Find it <a href="https://urbanaspirines.blogspot.com/2009/08/pearls-before-swine-balaklava-1968.html">HERE</a><br /><br /><span style="font-size: large;">PEARLS BEFORE SWINE - THESE THINGS TOO - 1969</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rZBq-uV4kIbtaGngU0GltMKFWXPO7PJzDK0Q_RVGPtV-WF0hBGFoZxDfum20483OJdq1H2vTwm0Spxk6Fe2dmQhiMufZYzw4hKtZYpinNhO49cq7zTJ5wFfdm9BeRuA8rvOPsh76FPuwPgCiv0WLrikZlOEgvGASFQaLcYFIVMwS6p6WCEhpjll0Egw/s800/Pearls%20Before%20Swine%20-%201969%20-%20These%20Things%20Too%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rZBq-uV4kIbtaGngU0GltMKFWXPO7PJzDK0Q_RVGPtV-WF0hBGFoZxDfum20483OJdq1H2vTwm0Spxk6Fe2dmQhiMufZYzw4hKtZYpinNhO49cq7zTJ5wFfdm9BeRuA8rvOPsh76FPuwPgCiv0WLrikZlOEgvGASFQaLcYFIVMwS6p6WCEhpjll0Egw/w400-h396/Pearls%20Before%20Swine%20-%201969%20-%20These%20Things%20Too%20-%20Front%20Cover.jpg" width="400" /></a></div><br />On the third album "These Things Too" (1969) the band's line up changed significantly. RAPP would <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBy0AsInlm9fmakSLLZs1Gna3GOUokzpESDPzLc-6tNLyXiOnhokbeZQtsqNJctbDzyXL32i8rLz0oxiIXxPWQlA7dg_Ury068k2-iEhNABws6DfhVfSDtK3rdEiDfkSPw1FISFyPE1yd1SVYQjdMM4mEST4PJNaqdoqS93qcQJCbajzRfDIrOYxHo84Q/s1000/03.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBy0AsInlm9fmakSLLZs1Gna3GOUokzpESDPzLc-6tNLyXiOnhokbeZQtsqNJctbDzyXL32i8rLz0oxiIXxPWQlA7dg_Ury068k2-iEhNABws6DfhVfSDtK3rdEiDfkSPw1FISFyPE1yd1SVYQjdMM4mEST4PJNaqdoqS93qcQJCbajzRfDIrOYxHo84Q/s320/03.jpg" width="320" /></a></div><br />be joined by his wife (of Dutch origin) Elisabeth, Wayne HARLEY, Jim FAIRS as well as some studio musicians. This album would be their first album on the Reprise label, but unfortunately the recording quality was rather poor. Mainly for this reason this album is perceived as the lesser PEARLS BEFORE SWINE ALBUM.<br /><br /><p></p><p style="text-align: center;"><b>Pearls Before Swine – These Things Too<br />Label: Water – WATER 111<br />Format: CD, Album, Reissue 2003<br />Country: US<br />Released: 1968<br />Genre: Folk, World, & Country<br />Style: Folk<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoaEjvvVBbcm6ClnDTh5cHesQbwlddDw4oAMoXhhvxVmOHJfWmllSEzaR4Z3FcI7tTNuDDsCf2ufH-xT8WapBUrG6zyZGKlLfAdLgxsECxvMo6n3ir7L6zhqGBMU2q13YC7IQhyphenhyphenHKEbc6LIqUh_gy2k9QB7Z2oRhwK3OumL8krVdyeoG1zDy1_umDvfk/s800/Pearls%20Before%20Swine%20-%201969%20-%20These%20Things%20Too%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="800" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoaEjvvVBbcm6ClnDTh5cHesQbwlddDw4oAMoXhhvxVmOHJfWmllSEzaR4Z3FcI7tTNuDDsCf2ufH-xT8WapBUrG6zyZGKlLfAdLgxsECxvMo6n3ir7L6zhqGBMU2q13YC7IQhyphenhyphenHKEbc6LIqUh_gy2k9QB7Z2oRhwK3OumL8krVdyeoG1zDy1_umDvfk/w400-h305/Pearls%20Before%20Swine%20-%201969%20-%20These%20Things%20Too%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Footnote 1:16<br /><b>02.</b> Sail Away 3:06<br /><b>03. </b>Look Into Her Eyes 4:34<br /><b>04.</b> I Shall Be Released 3:02<br /><b>05.</b> Frog In The Window (Reprise) 1:36<br /><b>06.</b> I'm Going To The City 2:27<br /><b>07.</b> Man In The Tree 3:25<br /><b>08.</b> If You Don't Want To (I Don't Mind) 3:20<br /><b>09. </b>Green And Blue 0:22<br /><b>10.</b> Mon Amour 2:04<br /><b>11. </b>Wizard Of Is 3:36<br /><b>12.</b> Frog In The Window 3:36<br /><b>13. </b>When I Was A Child 4:44<br /><b>14. </b>These Things Too 3:24<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Banjo, Backing Vocals [Harmony] – <b>Wayne Harley</b><br />Celesta [Celeste], Guitar, Backing Vocals [Harmony] – <b>Jim Fairs</b><br />Guitar, Vocals –<b> Tom Rapp</b><br />Vocals – <b>Elisabeth Rapp</b><br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/qQxnWZDZ#r9ZKn1CGt0a8euoZ30jzkIsoepESfWJHdM5n01kVo8I">Flac Size: 244 MB</a><br /><br /><span style="font-size: large;">PEARLS BEFORE SWINE - THE USE OF ASHES 1970</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOutjpcG3D2dV5N64TdX4ZGUGAYkH-wyIDQNJ400GFrYlgZDNlMj10_5d7KGvQBrg75PRhq-oGigN1V76VRZjcs_XixKWX2K85RdWmEmbNywu8hTSGneE1036-bpuZhggcX7d6KQGGEToyoBR3Y-mP_C_zPgP7dyDRHql03CKWN3DcAyaT2_R21Q8Zb-8/s804/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="804" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOutjpcG3D2dV5N64TdX4ZGUGAYkH-wyIDQNJ400GFrYlgZDNlMj10_5d7KGvQBrg75PRhq-oGigN1V76VRZjcs_XixKWX2K85RdWmEmbNywu8hTSGneE1036-bpuZhggcX7d6KQGGEToyoBR3Y-mP_C_zPgP7dyDRHql03CKWN3DcAyaT2_R21Q8Zb-8/w398-h400/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Front%20Cover.jpg" width="398" /></a></div><br />In 1970 RAPP and his wife, like so many other folk and rock acts of that period, traveled to Nashville <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvyW5-rHvZnXi4eYMQlEYG4JQiPVHlB_M938ilCUdBGsUVwAT1WsLFVpPhiJzO4wlbd2XMJEZVvDeHQTrb8wjDXUSRYN1hxPLFWXWwT_5WCZcTzcDFykA6SQtM9qwU3EEywuXhbekNSwi9Gcoqi-lXTijnlQj6GR4PPijm4TEP3hxTce_NLnf9JR-p_ek/s766/01.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="766" data-original-width="580" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvyW5-rHvZnXi4eYMQlEYG4JQiPVHlB_M938ilCUdBGsUVwAT1WsLFVpPhiJzO4wlbd2XMJEZVvDeHQTrb8wjDXUSRYN1hxPLFWXWwT_5WCZcTzcDFykA6SQtM9qwU3EEywuXhbekNSwi9Gcoqi-lXTijnlQj6GR4PPijm4TEP3hxTce_NLnf9JR-p_ek/s320/01.jpg" width="242" /></a></div><br />to record "The Use of Ashes" supported by long list of local studio musicians. The sound changed to that of a well-produced folk sound with pop-arrangements reminding us a bit of Bob DYLAN, but with a symphonic edge to it. "The Use of Ashes" is perceived as one of the best albums of Tom RAPP because of its splendid sound, delicate style and songwriting.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4xvuMCEI-npG_q8xVs0ReBg0alvfbHWhoSsQU-OrvrKfX6SdxbBwo3GbHh_WiIBappwglfoZGXSTARY3UAYWIbh3WEIYmKqgKlz4aAuJwwXAJZ0H-IhoZT51e_AuuzaVG_obIYiyEaLP0K6Af6i8pKAcN59CZqauISbz-OvZ6NN590Igf2NqZLM1wcs/s1024/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Front%20&%20Back%20Inside%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="513" data-original-width="1024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn4xvuMCEI-npG_q8xVs0ReBg0alvfbHWhoSsQU-OrvrKfX6SdxbBwo3GbHh_WiIBappwglfoZGXSTARY3UAYWIbh3WEIYmKqgKlz4aAuJwwXAJZ0H-IhoZT51e_AuuzaVG_obIYiyEaLP0K6Af6i8pKAcN59CZqauISbz-OvZ6NN590Igf2NqZLM1wcs/w400-h200/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Pearls Before Swine – The Use Of Ashes<br />Label:Water – WATER 112<br />Format:CD, Album, Reissue 2003<br />Country:US<br />Released:1970 <br />Genre:Folk, World, & Country<br />Style:Folk<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzT90zLR0DHAjwYuaJp5SitDtpuzzbV9RbgKEYhbG7NbHxp9q5DD6BwtoEwzEH_YUyv3hLSunaxJo0GHL9ZqPXiAFG-yObiGgjk013zBErxREgrpX78jDJw0mzXeGG05WxzTclQ3q2uI7AlXvsHpEs4Cq78Rey8FDGTeHuugToDu-ORKyik7tHkPAfYTo/s1024/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="1024" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzT90zLR0DHAjwYuaJp5SitDtpuzzbV9RbgKEYhbG7NbHxp9q5DD6BwtoEwzEH_YUyv3hLSunaxJo0GHL9ZqPXiAFG-yObiGgjk013zBErxREgrpX78jDJw0mzXeGG05WxzTclQ3q2uI7AlXvsHpEs4Cq78Rey8FDGTeHuugToDu-ORKyik7tHkPAfYTo/w400-h309/Pearls%20Before%20Swine%20-%201970%20-%20The%20Use%20Of%20Ashes%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> The Jeweler 2:48<br /><b>02.</b> From The Movie Of The Same Name 2:21<br /><b>03.</b> Rocket Man 3:06<br /><b>04.</b> God Gave The Child 3:08<br /><b>05.</b> Song About A Rose 2:21<br /><b>06.</b> Tell Me Why 3:43<br /><b>07.</b> Margery 3:03<br /><b>08.</b> The Old Man 3:16<br /><b>09.</b> Riegal 3:13<br /><b>10. </b>When The War Began 5:07<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Charles McCoy, Norbert Putnam</b><br />Cello – <b>Buddy Spicher</b><br />Dobro –<b> Charles McCoy</b><br />Drums – <b>Kenneth Buttrey</b><br />Flute – <b>Bill Pippin, John Duke </b><br />Guitar – <b>Charles McCoy, Mac Gayden, Tom Rapp</b><br />Harmonica – <b>Charles McCoy</b><br />Harpsichord –<b> David Briggs </b><br />Keyboards – <b>Hutch Davie</b><br />Oboe – <b>Bill Pippin, John Duke </b><br />Piano –<b> David Briggs </b><br />Viola –<b> Buddy Spicher</b><br />Violin – <b>Buddy Spicher</b><br />Vocals – <b>Elisabeth, Tom Rapp</b><br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/aVJlyRDb#SvojCociTNLJW24nZ1cCXLnRKTcEmQvk4h-Y3OTc4YU">Flac Size: 172 MB</a><br /><br /><span style="font-size: large;">PEARLS BEFORE SWINE - CITY OF GOLD 1971</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhperjh8UDjFCHkjkeyQWpPfkqiGc2vAVzQjsypJVt3pTgyeAWulN1q3ojBs21c_1XBW0YIKTQYOD53cBaYrrnFm5vR2kTzC0AsBMjynBSAySiL-I9v-nHn4UPm92M_ZhtQZI135jUTYa9VhXAqsQ1-xdC7g0ub8cDXskFVAJIzwJaHiIqcbpc3fqD2Xpw/s803/Pearls%20Before%20Swine%20-%201971%20-%20City%20Of%20Gold%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhperjh8UDjFCHkjkeyQWpPfkqiGc2vAVzQjsypJVt3pTgyeAWulN1q3ojBs21c_1XBW0YIKTQYOD53cBaYrrnFm5vR2kTzC0AsBMjynBSAySiL-I9v-nHn4UPm92M_ZhtQZI135jUTYa9VhXAqsQ1-xdC7g0ub8cDXskFVAJIzwJaHiIqcbpc3fqD2Xpw/w399-h400/Pearls%20Before%20Swine%20-%201971%20-%20City%20Of%20Gold%20-%20Front%20Cover.jpg" width="399" /></a></div><br />Leftovers from these recording sessions were release in 1971 as "City of Gold" a.ka. "Nashville album". <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib7q7K8-X2XpYEktbGs9QHER0Dk8viza3QL3WLi37guPBFSv84YPoQ3xmO_8JtAQkc1yjbtSeUIr4P-AepVxsejlXczaPMNoZhmTwX9ZiyB8-L95CRprv8tBoqqoI7NfDIYmyteysiGDnz25jaLNmjvotY4z9NdK0l9POoyX8sREVMApf67lT2AxBGm6w/s815/07.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="607" data-original-width="815" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib7q7K8-X2XpYEktbGs9QHER0Dk8viza3QL3WLi37guPBFSv84YPoQ3xmO_8JtAQkc1yjbtSeUIr4P-AepVxsejlXczaPMNoZhmTwX9ZiyB8-L95CRprv8tBoqqoI7NfDIYmyteysiGDnz25jaLNmjvotY4z9NdK0l9POoyX8sREVMApf67lT2AxBGm6w/s320/07.jpg" width="320" /></a></div><br />This album has a wider range of styles, including country, folk and the return of psychedelic influences on the last tracks of the album. Elisabeth RAPP would contribute a lot on these two albums. <br /><br /><p></p><p style="text-align: center;"><b>Tom Rapp, Pearls Before Swine – City Of Gold<br />Label: Water – WATER 113<br />Format: CD, Album, Reissue 2003<br />Country: US<br />Released: 1971 <br />Genre: Folk, World, & Country<br />Style: Folk<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoNptqGjr4uIsWb7DGIReSqCYTaI0ngBw7j9uUkVOgdGasAGkK4TtI16qvNixxhV3x83EAcOfv2tbSM7npKYfaXmFL5lCdK49bekdKxTYIJ2uNek0TFpS06iZrTwe0ji7lMhsRRMe3L4_W-l6LKgLLpzSYALtw_gPFa8vHY4YZ5TUAsOC1xMLtXKrSz0/s808/Pearls%20Before%20Swine%20-%201971%20-%20City%20Of%20Gold%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaoNptqGjr4uIsWb7DGIReSqCYTaI0ngBw7j9uUkVOgdGasAGkK4TtI16qvNixxhV3x83EAcOfv2tbSM7npKYfaXmFL5lCdK49bekdKxTYIJ2uNek0TFpS06iZrTwe0ji7lMhsRRMe3L4_W-l6LKgLLpzSYALtw_gPFa8vHY4YZ5TUAsOC1xMLtXKrSz0/w396-h400/Pearls%20Before%20Swine%20-%201971%20-%20City%20Of%20Gold%20-%20Back%20Cover.jpg" width="396" /></a></div><br /><b>01.</b> Sonnet #65 0:49<br /><b>02.</b> Once Upon A Time 2:40<br /><b>03.</b> Raindrops 2:06<br /><b>04.</b> City Of Gold 3:09<br /><b>05.</b> Nancy 4:50<br /><b>06.</b> Seasons In The Sun 3:25<br /><b>07. </b>My Father 2:22<br /><b>08. </b>The Man 2:30<br /><b>09. </b>Casablanca 2:33<br /><b>10.</b> Wedding 1:42<br /><b>11. </b>Did You Dream Of 2:50<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Norbert Putnam</b><br />Drums – <b>Kenneth Buttrey</b><br />Flute, Oboe –<b> Bill Pippin, John Duke </b><br />Guitar [Guitars] – <b>Mac Gayden</b><br />Guitar, Vocals – <b>Tom Rapp</b><br />Harmonica, Vocals, Guitar, Guitar [Dobro], Bass –<b> David Noyes</b><br />Harpsichord, Piano – <b>David Briggs </b><br />Keyboards – <b>Hutch Davie</b><br />Viola, Violin, Cello – <b>Buddy Spicher</b><br />Vocals – <b>Elizabeth Rapp</b><br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/PVYX2Y4a#zFuxF-UySqrlhWqJnjRp8RZjVQlGCjrDc5OEy_gaKvw">Flac Size: 171 MB</a><br /><br /><span style="font-size: large;">TOM RAPP, PEARLS BEFORE SWINE - ...BEAUTIFUL LIES YOU COULD LIVE IN 1972</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj2TNdZbqqDt9JkrGxkpWsotQo82DSM7I9N-ZAmdUBG_xzropqqAcPcM_yF6PfZ6diqOZ7Kd2XG5iV47-ELOSJRMFl60dHRDkJ7bQGGasQbsFfCnaNSHGclqOKmaZlplEtrwWj_d1rMTCu5ZMulqunt8qO7leOpyBsdv4rByJoD3-mffp1vu_71N6RkHc/s800/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj2TNdZbqqDt9JkrGxkpWsotQo82DSM7I9N-ZAmdUBG_xzropqqAcPcM_yF6PfZ6diqOZ7Kd2XG5iV47-ELOSJRMFl60dHRDkJ7bQGGasQbsFfCnaNSHGclqOKmaZlplEtrwWj_d1rMTCu5ZMulqunt8qO7leOpyBsdv4rByJoD3-mffp1vu_71N6RkHc/w400-h400/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The last album recorded under the PEARLS BEFORE SWINE flag is the 1972 ".Beautiful Lies You <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Tb5ljiJ42oUv1fJshIbcVbgsKOVENcb3aqRtVpft5op_FYT6j1FO83z50a_czbrZ-8NOj3C3nir6OZlXjn2QNezB1m3jInr-rqCW43weIHZYltH-ygM3EPGB59LHUofW412ihgGbmzhmeVeF_wUl8cbARuyufzBZn3ZyiZ94L5AVTsNGMLaYwSXxLf4/s768/05.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Tb5ljiJ42oUv1fJshIbcVbgsKOVENcb3aqRtVpft5op_FYT6j1FO83z50a_czbrZ-8NOj3C3nir6OZlXjn2QNezB1m3jInr-rqCW43weIHZYltH-ygM3EPGB59LHUofW412ihgGbmzhmeVeF_wUl8cbARuyufzBZn3ZyiZ94L5AVTsNGMLaYwSXxLf4/s320/05.jpg" width="320" /></a></div><br />could live in" with RAPP and his wife as standing members. The song-writing on this album is particularly strong, sentimental and intimate, though the reverb-folk sound was replaced by a more dry, down to the earth folk recording. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKgLkAZa9ZfV0DPMaOzrzNhM1VwC1tmJSYisdvKwy4wR84Sdn6kctyyKEr7XJdZpCzvLtJEB1e_LoaMj76qpnRtwxou9xK_iNx8-MnhjkBtQkrNfVY1kn__quyWW5iZ0aFBuLuYmQGsmIsYE7qeNeswVbhyB429O3lt3KtWKRN_Bm9jwXFlfRbwmGjg0/s800/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="800" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKgLkAZa9ZfV0DPMaOzrzNhM1VwC1tmJSYisdvKwy4wR84Sdn6kctyyKEr7XJdZpCzvLtJEB1e_LoaMj76qpnRtwxou9xK_iNx8-MnhjkBtQkrNfVY1kn__quyWW5iZ0aFBuLuYmQGsmIsYE7qeNeswVbhyB429O3lt3KtWKRN_Bm9jwXFlfRbwmGjg0/w400-h310/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Tom Rapp, Pearls Before Swine – ...Beautiful Lies You Could Live In<br />Label: Water – WATER 114<br />Format: CD, Album, Reissue 2003<br />Country: US<br />Released: 1971 <br />Genre: Folk, World, & Country<br />Style: Folk<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoC_Px6rmEL_0rN_lDyLfsoifySe3wa_zE_Nt8eL1m8pXjSD6IKVl4IadrULKFs2-FgQoL_D9-ENT-koSY8pqr_ybrc38FiFASkXbVqFeTHP0sKdPh9eJCKM0QACfOZ42Q8TgLF4RG0CZRABXo_x1cypWT8_RhKVA_1LK3GBpdFI66SQU4lz9mixKXQG8/s800/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="623" data-original-width="800" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoC_Px6rmEL_0rN_lDyLfsoifySe3wa_zE_Nt8eL1m8pXjSD6IKVl4IadrULKFs2-FgQoL_D9-ENT-koSY8pqr_ybrc38FiFASkXbVqFeTHP0sKdPh9eJCKM0QACfOZ42Q8TgLF4RG0CZRABXo_x1cypWT8_RhKVA_1LK3GBpdFI66SQU4lz9mixKXQG8/w400-h311/Tom%20Rapp,%20Pearls%20Before%20Swine%20%E2%80%93%201971%20-%20...Beautiful%20Lies%20You%20Could%20Live%20In%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Snow Queen 4:00<br /><b>02.</b> A Life 2:57<br /><b>03.</b> Butterflies 2:46<br /><b>04.</b> Simple Things 2:56<br /><b>05. </b>Everybody's Got Pain 2:47<br /><b>06. </b>Bird On A Wire 3:34<br /><b>07. </b>Island Lady 4:02<br /><b>08. </b>Come To Me 2:58<br /><b>09. </b>Freedom 3:03<br /><b>10. </b>She's Gone 2:12<br /><b>11.</b> Epitaph 1:25<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Gordon Hayes, Gerry Jermott, Morrie E. Brown</b><br />Drums –<b> Billy Mundi, Grady Tate, Herb Lovell</b><br />Electric Guitar – <b>Amos Garrett, Stu Scharf</b><br />Guitar – <b>Jon Tooker</b><br />Guitar, Vocals – <b>Tom Rapp</b><br />Organ, Piano – <b>Steve Alan Gramble</b><br />Piano –<b> Bob Dorough, Michael Krawitz</b><br />Vocals – <b>Elisabeth Rapp</b><br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/CQgVTDrD#efOLXol5wn4rbNBgNF3HGweQ_wEWWASCZ6ii_XRrjU8">Flac Size: 190 MB</a><br /><br /><span style="font-size: large;">PEARLS BEFORE SWINE - THE WIZARD OF IS 2004</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3K9W4NgXhtqmn7oAkRNCtEzGA4ro4gls1w7wJcxiGPDxiRFPQvH25IwFjgxfXwLS5O8FviHejV488F1V3Ks6JdeH8KzohkSM0P9JryO3fntwcCOpxD4eIq2PLNVAPfo-_pEbbCmlsW3GEtwk8jXpmXHM3fbPwgLKP1vfnwUzs0MuFaPEbax-iUNmFVTc/s808/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3K9W4NgXhtqmn7oAkRNCtEzGA4ro4gls1w7wJcxiGPDxiRFPQvH25IwFjgxfXwLS5O8FviHejV488F1V3Ks6JdeH8KzohkSM0P9JryO3fntwcCOpxD4eIq2PLNVAPfo-_pEbbCmlsW3GEtwk8jXpmXHM3fbPwgLKP1vfnwUzs0MuFaPEbax-iUNmFVTc/w396-h400/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20Front%20Cover.jpg" width="396" /></a></div><br />San Francisco's Water Records has certainly done right by Tom Rapp and Pearls Before Swine. Not <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICcwA-zpJHpZQLeTVB9CwWKeRKlM04b48wz-oXUi7soxRgtLKsP_ZqmfrC3PP3QfPkoXh8OrqJrHpkdiuaiPEegyOv6CmFVLZBjgaNhyco7_uDKn1S9LTl6LvVFMhFcsFOMdeUiL7zjvxKk8mgROq_nWeqf8zT4r7A3J2FooOAV3Q3YE4mWELit0QlJs/s1024/06.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICcwA-zpJHpZQLeTVB9CwWKeRKlM04b48wz-oXUi7soxRgtLKsP_ZqmfrC3PP3QfPkoXh8OrqJrHpkdiuaiPEegyOv6CmFVLZBjgaNhyco7_uDKn1S9LTl6LvVFMhFcsFOMdeUiL7zjvxKk8mgROq_nWeqf8zT4r7A3J2FooOAV3Q3YE4mWELit0QlJs/s320/06.jpg" width="320" /></a></div><br />only has the label reissued its Warner Bros. recordings in their entirety individually and as a box set, it has now come up with this 44-track, two-disc collection of rarities and live recordings from 1967-1976. This is a mighty artifact indeed. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ30hre82jzfTkYiTp7rS6zp-1oBKtQdVUW5m8lZ11zp62zllcVL2IKQllPIopnx-h5ti7KwyZyNzqQqqLdHDUoj7aTUC2vv8OjarJDuPxzowNaxEMK_adDk8roe-bycEOTNwXSPoR2Oc44P2IRUFtidpIs_ufFk0X-Ey0pYYu6rRN1AWR6nZ-a9PUMX8/s780/Pearls%20Before%20Swine%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ30hre82jzfTkYiTp7rS6zp-1oBKtQdVUW5m8lZ11zp62zllcVL2IKQllPIopnx-h5ti7KwyZyNzqQqqLdHDUoj7aTUC2vv8OjarJDuPxzowNaxEMK_adDk8roe-bycEOTNwXSPoR2Oc44P2IRUFtidpIs_ufFk0X-Ey0pYYu6rRN1AWR6nZ-a9PUMX8/w394-h400/Pearls%20Before%20Swine%20-%20Photo%207.jpg" width="394" /></a></div><br /><b><span style="font-size: medium;">The first disc</span></b> contains all sorts of demos and strange little live recordings. Some were made at home by the first edition of the band with Elisabeth Rapp and Wayne Harley, some are solo (including a stunningly beautiful original recording of "Butterflies"), some are with later incarnations, some are with <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUq6rqeabFd5CJbsSunZMv_H6fZHxZiMFscL41rH9fe0fPVD8YWpXRq8sriii7ehaHxReNJXWN7hCsk5LYWcyNe6RLPBF-4JDYmdYnmrkqHW-6uUofsiyF7QBR-SPA8NfyqkZSRsjwKKKZtQib006SpKTLhyphenhyphenUTR0iOeTNYU7qFtZwgo0X2i9fMssbL_rQ/s800/Pearls%20Before%20Swine%20-%20Photo%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="800" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUq6rqeabFd5CJbsSunZMv_H6fZHxZiMFscL41rH9fe0fPVD8YWpXRq8sriii7ehaHxReNJXWN7hCsk5LYWcyNe6RLPBF-4JDYmdYnmrkqHW-6uUofsiyF7QBR-SPA8NfyqkZSRsjwKKKZtQib006SpKTLhyphenhyphenUTR0iOeTNYU7qFtZwgo0X2i9fMssbL_rQ/s320/Pearls%20Before%20Swine%20-%20Photo%208.jpg" width="320" /></a></div><br />notable musicians like David Bromberg ("City of Gold" and "Mary, Mary"), and some are Nashville session demos. There is also a slew of cover version demos, including highly original readings of Bob Dylan's "Oh Sister," Randy Newman's "Sail Away," Joni Mitchell's "Real Good for Free," the Spector and Bates classic "There's No Other (Like My Baby)," Leonard Cohen's "Suzanne," and even Jacques Brel's "Love, You're Not Alone," along with poems by Shakespeare, W.H. Auden, and Sara <br />Teasdale that Rapp set to music. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBqHkWbIpPMw0vHS6X7sr6rQ_jvcDkEkXvF_piquemt9LQb9jr3gDlSb-4vSuzcv90pG1OoQvGYQW2eDtUFK_naPMcA_tH-HhH7v-IoZZ0flP142XMF2BS2FbnYq7vb6LvtyPxK1NQFgbCZVr2MM75MASZCbKVUCsKIUt1j8Yp0wVDHpIQH1N0FLJoMSs/s862/Pearls%20Before%20Swine%20-%20Photo%2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="862" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBqHkWbIpPMw0vHS6X7sr6rQ_jvcDkEkXvF_piquemt9LQb9jr3gDlSb-4vSuzcv90pG1OoQvGYQW2eDtUFK_naPMcA_tH-HhH7v-IoZZ0flP142XMF2BS2FbnYq7vb6LvtyPxK1NQFgbCZVr2MM75MASZCbKVUCsKIUt1j8Yp0wVDHpIQH1N0FLJoMSs/w298-h400/Pearls%20Before%20Swine%20-%20Photo%2012.jpg" width="298" /></a></div> <br /><b><span style="font-size: medium;">Disc two</span></b> features live recordings from a Goddard College show featured in its entirety as well as a Netherlands Radio performance and a performance from the Choate School in 1972. There is also a cut <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjo47ADG2ybxxUI82cSQC6gW7pbL5ypI98bxcOuGpPe_eDctxkib8TGEI-ddcd6UTwkML7ItIbPZMtMtMa7cPFMJvW1nH2DQB-PNE3qIlgumt3yIjWef943suT-X0IB4-OyFHgvQ0N4yQkKdxRIduPZ_W1tqozXb9vTjew-0raK8bgRXq0u_DYxnbIcVc/s826/Pearls%20Before%20Swine%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="826" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjo47ADG2ybxxUI82cSQC6gW7pbL5ypI98bxcOuGpPe_eDctxkib8TGEI-ddcd6UTwkML7ItIbPZMtMtMa7cPFMJvW1nH2DQB-PNE3qIlgumt3yIjWef943suT-X0IB4-OyFHgvQ0N4yQkKdxRIduPZ_W1tqozXb9vTjew-0raK8bgRXq0u_DYxnbIcVc/s320/Pearls%20Before%20Swine%20-%20Photo%2010.jpg" width="248" /></a></div><br />-- "Lesson of the 60s" -- recorded at Terrastock in 1999. Fans will no doubt find a treasure trove of material here; some exists on bootlegs, but it's awesome to have the cleaned-up quality of the material available officially. The sound, given the wildly varying nature of the tapes, is surprisingly good and the music is truly inspired. Rapp gave listeners no dregs here; this is a fascinating and compelling collection of tapes from the catalog of a genuine musical enigma.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHNFlN7_Z9RPGFptopUYM-MPnVqgizCqjnFpPwkoLrWNOgeJRd1VahoUpzHt67X8XhyphenhyphenYC1STn7AFQVhjK7TtzQPp93SLAPcEFP1kk_SQ3y-FlVh6n991t01KKpi6gYeAEhsxZ-d-QoitNzB7MNT0pPtI0_YlzjK3pLdo4J4I6k7NjixdF56d2Xpg2Lqms/s1806/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1409" data-original-width="1806" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHNFlN7_Z9RPGFptopUYM-MPnVqgizCqjnFpPwkoLrWNOgeJRd1VahoUpzHt67X8XhyphenhyphenYC1STn7AFQVhjK7TtzQPp93SLAPcEFP1kk_SQ3y-FlVh6n991t01KKpi6gYeAEhsxZ-d-QoitNzB7MNT0pPtI0_YlzjK3pLdo4J4I6k7NjixdF56d2Xpg2Lqms/w400-h313/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><br /><p style="text-align: center;"><b>Pearls Before Swine – The Wizard Of Is<br />Label: Water – water136<br />Format: 2 x CD, Compilation<br />Country: US<br />Released: 2004<br />Genre: Rock<br />Style: Psychedelic Rock, Folk Rock<br /><br /><span style="font-size: large;">CD 1.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5G0JehLgLBaPke2heUiwwb1dYnzMThz3yA4YJ0VgDO_m8gtKmNRDMdDgigTvfmZc6Bl2VnhszeihTMQoVUBLBMfCRufEbq910Frzwpg_QDd3Vy4baEX6qZVhlVftnG6IUXF1LACDD2tV2gl5pOKaM2QWmmQicPMTQXfwdHJv6xf2ZPvM5El0YzdsC8U/s520/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20CD%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="513" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp5G0JehLgLBaPke2heUiwwb1dYnzMThz3yA4YJ0VgDO_m8gtKmNRDMdDgigTvfmZc6Bl2VnhszeihTMQoVUBLBMfCRufEbq910Frzwpg_QDd3Vy4baEX6qZVhlVftnG6IUXF1LACDD2tV2gl5pOKaM2QWmmQicPMTQXfwdHJv6xf2ZPvM5El0YzdsC8U/w395-h400/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20CD%201.jpg" width="395" /></a></div><br /><b>01. </b>Where Is Love 2:23<br /><b>02.</b> Butterflies 2:48<br /><b>03. </b>Love, You Are Not Alone 6:00<br /><b>04.</b> Grace Street 3:42<br /><b>05.</b> Translucent Carriages 3:28<br /><b>06.</b> Space 3:35<br /><b>07. </b>Sail Away 2:02<br /><b>08.</b> City Of Gold 2:38<br /><b>09. </b>Song About A Rose 1:50<br /><b>10. </b>For Free 3:08<br /><b>11.</b> Roadside Hotel 1:47<br /><b>12. </b>Prisoner Of War 2:18<br /><b>13. </b>Wizard Of Is 3:09<br /><b>14. </b>Oh Sister 2:37<br /><b>15. </b>The Lincoln Dream 0:50<br /><b>16. </b>Can't Go Back 3:20<br /><b>17.</b> Mary Mary 1:23<br /><b>18. </b>Going To The City 2:11<br /><b>19. </b>Rocket Man 4:02<br /><b>20.</b> Riegal 3:30<br /><b>21.</b> Just Let The Grass Grow 1:29<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/HJBAFDBT#fQk9vAAL4fcb1yBvhbH2OBwDmW-4lkjUpvPZHnrxrpY">Flac Size: 286 MB</a><br /><br /><span style="font-size: large;">CD 2.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcf5yYtmP6F_Eg2CrLtsnz-PnHflpmVg1MvUwDG928fMVENbSWeTicpXPXg6fndb7Y0fURg0keE9bkbxOpH4ARZms9mI6178LAi2snMuDVU2h7RP4yrf18tzfGN91j64dnYEv6SzynVR9a5XPEjaYBB3Q2ZPWv2RbTW1GSB3L8M2hmuHtfzba8E9NsZOc/s809/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20CD%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcf5yYtmP6F_Eg2CrLtsnz-PnHflpmVg1MvUwDG928fMVENbSWeTicpXPXg6fndb7Y0fURg0keE9bkbxOpH4ARZms9mI6178LAi2snMuDVU2h7RP4yrf18tzfGN91j64dnYEv6SzynVR9a5XPEjaYBB3Q2ZPWv2RbTW1GSB3L8M2hmuHtfzba8E9NsZOc/w395-h400/Pearls%20Before%20Swine%20-%202004%20-%20The%20Wizard%20Of%20Is%20-%20CD%202.jpg" width="395" /></a></div><br /><b>01.</b> Everybody's Got Pain 2:38<br /><b>02.</b> Amber Lady / I Saw The World 3:51<br /><b>03. </b>Crawling Towards Bethlehem 1:35<br /><b>04. </b>Translucent Carriages 3:19<br /><b>05.</b> Miss Morse 1:53<br /><b>06.</b> There's No Other 1:50<br /><b>07.</b> Island Lady 3:46<br /><b>08. </b>Frog In The Window 1:38<br /><b>09.</b> Morning 2:53<br /><b>10.</b> Riegal 2:47<br /><b>11.</b> Full Fathom Five / I Shall Not Care 2:46<br /><b>12. </b>Marshall 2:20<br /><b>13.</b> Footnote / When The War Began 5:25<br /><b>14.</b> Jesus 1:18<br /><b>15. </b>Anothertyme 2:54<br /><b>16.</b> Rocket Man 2:52<br /><b>17. </b>Crewman 1:36<br /><b>18. </b>Suzanne 4:30<br /><b>19. </b>Prayers Of Action / Candle 3:54<br /><b>20.</b> Lesson Of The 60s 0:41<br /><b>21. </b>Rocket Man 2:56<br /><b>22. </b>The Jeweler 2:28<br /><b>23.</b> If You Don't Want To (I Don't Mind) 3:57<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />This is a 2-CD set of all previously unreleased vintage Pearls Before Swine recordings. Disc one features '60s and '70s home demos, out-takes, various studio recordings, works in progress -- many songs that never appeared on any Pearls Before Swine albums, various cover songs, experiments, and just an amazing view of Tom Rapp's personal tape archives. Disc two features a complete early '70s live concert performance, as well as other vintage '70s live recordings and radio sessions.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/jRYEBTjI#AKHXqjMF82ctNBNha5bpGUacY5yJIwdFBlpEsfrV4KI">Flac Size: 352 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com19tag:blogger.com,1999:blog-8270002232971427483.post-86454297353281164282024-03-17T11:48:00.000+02:002024-03-17T11:48:59.167+02:00Various: Highs In The Mid Sixties Vol. 17 - 18 - 19 - 20 - 21 - 22 - 23<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNF_ytafN67IkMbvr4IIE72LVSHQbr528nyH_6QBiBrGsPMSNhYcl33SzFFEsOSgFpWrsF39poFutZh7QM9z2Ixn_h3Z9cpUXbNcbjFZT7BeI655_DzCHqY89YFv_qneMItVLmiyyQI2D9DFeP3HIqMYvnNC0YdoTXWMiG4ZXva32QvMaGEHhsXTyEyBs/s800/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%2017-23.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="800" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNF_ytafN67IkMbvr4IIE72LVSHQbr528nyH_6QBiBrGsPMSNhYcl33SzFFEsOSgFpWrsF39poFutZh7QM9z2Ixn_h3Z9cpUXbNcbjFZT7BeI655_DzCHqY89YFv_qneMItVLmiyyQI2D9DFeP3HIqMYvnNC0YdoTXWMiG4ZXva32QvMaGEHhsXTyEyBs/w400-h155/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%2017-23.jpg" width="400" /></a></div> <p></p><p>The Highs in the Mid-Sixties series is a group of 23 compilation albums of garage rock and psychedelic </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSfTfdMR0FXaNCIAMPIQIB0wTBEC-gW05M03WGcbFV8ymFpWOqQsQaxjaqNeEAhcwgMsHcGQSU7n17sK18Uqf_9DCdMyu0o7fT_C4YVLPjKmwFJNPgi7acNhXwrWbpgb-xNgEB23T5ShllbZPGY_8u5g9qY2G94G_TOUKafqs73tbzkCVbF6btue9bGHU/s740/Art%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="740" data-original-width="610" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSfTfdMR0FXaNCIAMPIQIB0wTBEC-gW05M03WGcbFV8ymFpWOqQsQaxjaqNeEAhcwgMsHcGQSU7n17sK18Uqf_9DCdMyu0o7fT_C4YVLPjKmwFJNPgi7acNhXwrWbpgb-xNgEB23T5ShllbZPGY_8u5g9qY2G94G_TOUKafqs73tbzkCVbF6btue9bGHU/s320/Art%203.jpg" width="264" /></a></div><br />rock recordings that were issued by AIP Records in the mid-1980s.This series is a companion to the Pebbles series of similar music; the title is technically preceded by "Pebbles Presents:". The title sounds like it might have come from a weather report, although "Highs" intends to mean "the best" (and is also an apparent drug reference), while the recordings on these albums were originally released in the mid-1960s. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1HLMQ4NY9VnFNx6dLr6HlJgPNf0sl2Ifkxrf3N5z09qot9qmUNYXcteSW8HYE2sAeBpHQ_jyhhCmaE7g0WChj1MTA9mVNWOTSxCU68ga8PA_E_aKiKRhSyEK2c9DUyzUhyphenhyphenz8Aw3DbQ87RpXpeAAee5m3SM8xmdgVQBv5Qc8y77eS6VWr87AjrZgaHLM/s1200/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="927" data-original-width="1200" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1HLMQ4NY9VnFNx6dLr6HlJgPNf0sl2Ifkxrf3N5z09qot9qmUNYXcteSW8HYE2sAeBpHQ_jyhhCmaE7g0WChj1MTA9mVNWOTSxCU68ga8PA_E_aKiKRhSyEK2c9DUyzUhyphenhyphenz8Aw3DbQ87RpXpeAAee5m3SM8xmdgVQBv5Qc8y77eS6VWr87AjrZgaHLM/w400-h309/1.jpg" width="400" /></a></div><br />A spin-off of the Pebbles series, Highs in the Mid Sixties assembles yet more rare garage rock <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5yo_f_E_Gom8-s4UbSQ8VOehvP4MDwII165MlgbcxEUF4wWfG_mLDKyN3rtYPQUm2e_l9PK0iSsXt0k5xu-Nt5RSExh6eCbvRHPJf4tX_du43P2_wTy24Qb68M8xVmOLciZzWeTG7dB8KBay7B1j3zE9_LhQlBQpPPN8068byHoLMrfLpTzijqaxJSVA/s640/Art%204.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="485" data-original-width="640" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5yo_f_E_Gom8-s4UbSQ8VOehvP4MDwII165MlgbcxEUF4wWfG_mLDKyN3rtYPQUm2e_l9PK0iSsXt0k5xu-Nt5RSExh6eCbvRHPJf4tX_du43P2_wTy24Qb68M8xVmOLciZzWeTG7dB8KBay7B1j3zE9_LhQlBQpPPN8068byHoLMrfLpTzijqaxJSVA/s320/Art%204.jpg" width="320" /></a></div><br />recordings, the difference being that each volume focuses upon a city or region such as Los Angeles, Texas, or Michigan. This does provide a public service of sorts by assembling and reissuing hordes of rare singles that would be impossible for any one individual to acquire on his or her own.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTIcv2xBRzsmEIqz4xUDPX8WWNs6dXyfwxmYqfudxPY_-ZDDXaPWn9aiOsW2o7PPrBaCu1nNqzVpcUBFOYsV7ME_f7g7-s-eMjIT123MT2vtUPLdl9G73G8_7zRqmWqVlkjEDrHbO0W76Tma8BhlIFKvgEIVQlSXOOXGXSssVtKWq9TdPwVsh6RCi7wRU/s640/Art%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTIcv2xBRzsmEIqz4xUDPX8WWNs6dXyfwxmYqfudxPY_-ZDDXaPWn9aiOsW2o7PPrBaCu1nNqzVpcUBFOYsV7ME_f7g7-s-eMjIT123MT2vtUPLdl9G73G8_7zRqmWqVlkjEDrHbO0W76Tma8BhlIFKvgEIVQlSXOOXGXSssVtKWq9TdPwVsh6RCi7wRU/w400-h400/Art%202.jpg" width="400" /></a></div><br />Unlike the Pebbles series – which has been released over an extended period of time by several record <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTIkaclHQJgajhlWmjXv5DjNVEKFTo7erpKpGDBDshn_7g8Sd4TOvsyIU53gCR7FLBL3PTzdgi4nDEoqSESrL6J1rD6hHqgGjdhPUoSUC4lzloJdS578CVI7fhJY0TZ1iCjXHY5gF5CiX6hUepEnjSNo7q3gai1wM-Nwjds2NRWLFhXauY2RTrzYQkY0U/s640/Art%201.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="457" data-original-width="640" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTIkaclHQJgajhlWmjXv5DjNVEKFTo7erpKpGDBDshn_7g8Sd4TOvsyIU53gCR7FLBL3PTzdgi4nDEoqSESrL6J1rD6hHqgGjdhPUoSUC4lzloJdS578CVI7fhJY0TZ1iCjXHY5gF5CiX6hUepEnjSNo7q3gai1wM-Nwjds2NRWLFhXauY2RTrzYQkY0U/s320/Art%201.jpg" width="320" /></a></div><br />labels and in a variety of formats – the 23 albums in the Highs in the Mid-Sixties series were released only as LPs and in a short time span of 1983 to 1986 (in fact, the 23rd album is the only 1986 release). This is one of the fastest series of releases among garage rock compilation albums. By way of example, the 28 LPs in the Pebbles series were released between 1978 and 1988, and the 20 LPs in the Rubble series were released between 1984 and 2002. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC6aH0hVJTKJpSgl-usYggCusrx-HXKlDs8p16ghVJ309mPn0jZ1dEdgY-3RXsRzM6gWVJdASXCFCMz14jgoWR0whqiu55y1NuSyo7FpvpPv0jZEjY0u5aJfd698RretIuY-qzpkf1UVJJzBpaCzHKFOHitYlReSQj3HdRqKuzCLOZXZdp_BPXAKOS_Ow/s800/0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC6aH0hVJTKJpSgl-usYggCusrx-HXKlDs8p16ghVJ309mPn0jZ1dEdgY-3RXsRzM6gWVJdASXCFCMz14jgoWR0whqiu55y1NuSyo7FpvpPv0jZEjY0u5aJfd698RretIuY-qzpkf1UVJJzBpaCzHKFOHitYlReSQj3HdRqKuzCLOZXZdp_BPXAKOS_Ow/w400-h400/0.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="color: red;">I give you this rare collection (Of 23 Albums) in excellent sound quality (60's Original sound), but not at the highest MP3 or FLAC level, due to copyright reasons. If you really want it you can buy it!</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR5WC-YOPgkqFGNpim716PVp4P0d4s3jZhp7pQ97qBUFb60nNDveP6B41t1q3qQ2QFCQbm7NHLebNMZExp16dxt3wWiqJFDn3_tnz9pctTJ-1Dy2ccMdzum2BK0v-OOAYJgcamQzrcys15bU9ssVeZXdhwp6RgaTSEyPLhl_KcGUTYITgpfXV8_Ilk-MU/s800/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%20Front%20Covers.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR5WC-YOPgkqFGNpim716PVp4P0d4s3jZhp7pQ97qBUFb60nNDveP6B41t1q3qQ2QFCQbm7NHLebNMZExp16dxt3wWiqJFDn3_tnz9pctTJ-1Dy2ccMdzum2BK0v-OOAYJgcamQzrcys15bU9ssVeZXdhwp6RgaTSEyPLhl_KcGUTYITgpfXV8_Ilk-MU/w400-h266/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%20Front%20Covers.jpg" width="400" /></a></div> <br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 17 - TEXAS PART 4</span></b></p><p style="text-align: center;"><b><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYKydDUXonk3dZ8zaZqvBGqqxfavkgOLTUmZJo6VZyIPaTspVR9qYu6s8rSN89NzVE7jOTP3cZFocOSw1htxdF4v-ewIEP3fWwlPkqIAyZUW5d-zgklgw1eKmA6xD-kshnA2DCBlo5PkyOc1TpX8LAACDCwTcJDdjeMYsecPKkLJ6cjQShWmU9Q1tzYnQ/s801/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYKydDUXonk3dZ8zaZqvBGqqxfavkgOLTUmZJo6VZyIPaTspVR9qYu6s8rSN89NzVE7jOTP3cZFocOSw1htxdF4v-ewIEP3fWwlPkqIAyZUW5d-zgklgw1eKmA6xD-kshnA2DCBlo5PkyOc1TpX8LAACDCwTcJDdjeMYsecPKkLJ6cjQShWmU9Q1tzYnQ/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Front%20Cover.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span><br /></b><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 17: Texas Part 4</b><br /><b>Label: AIP Records – AIP 10026</b><br /><b>Series: Highs In The Mid Sixties – Volume 17</b><br /><b>Format: Vinyl, LP, Compilation, Unofficial Release</b><br /><b>Country: US</b><br /><b>Released: 1986</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock</b><br /></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3hlgROsmLYq698Jamiqilj9eifxAC_UgrzGDDkIKf9LlLW8k2Wn2WXUDn2vPfwR1gc-RbPD9SKfCIseyh_Mva95ovzJpmS_JEEo3h0_6CIkuHEtibrOcsVll9BrH4NZDZwZeZdlCPe6fGdq8F5lukSgg3jplEk-CiLH0F1Rb8nF1OuS_EZGcTN-tCRQw/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3hlgROsmLYq698Jamiqilj9eifxAC_UgrzGDDkIKf9LlLW8k2Wn2WXUDn2vPfwR1gc-RbPD9SKfCIseyh_Mva95ovzJpmS_JEEo3h0_6CIkuHEtibrOcsVll9BrH4NZDZwZeZdlCPe6fGdq8F5lukSgg3jplEk-CiLH0F1Rb8nF1OuS_EZGcTN-tCRQw/w400-h398/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtxoSju6y6TE5z_kisbkckpTjxQeWJL5Cb334BYmWJd_C4IFHajMSVt8RCPBtPsht-T68dFyKTNjCZ9lNdmrX6v5adl353RN3Dmebd9dovQ7UIXyj-CdYagYe8foWJNtlSihrmGd82gXLQ0tXiaWgXxD2RHKrZfTwYx5-oBIvmp2sOiNxYzD6Gp2QmanE/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtxoSju6y6TE5z_kisbkckpTjxQeWJL5Cb334BYmWJd_C4IFHajMSVt8RCPBtPsht-T68dFyKTNjCZ9lNdmrX6v5adl353RN3Dmebd9dovQ7UIXyj-CdYagYe8foWJNtlSihrmGd82gXLQ0tXiaWgXxD2RHKrZfTwYx5-oBIvmp2sOiNxYzD6Gp2QmanE/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. The Sparkles</b> – The U.T.<br /><b>A2. S.J. & The Crossroads</b> – Ooh Poo Pah Doo<br /><b>A3. S.J. & The Crossroads </b>– Darkest Hour<br /><b>A4. The Souncations</b> – Exit<br /><b>A5. The Visions</b> – Humpty Dumpty<br /><b>A6. The Spectrum </b>– Bald Headed Woman<br /><b>A7. The Gentlemen</b> – Come On (If You Can)<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span><br /></b></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF58BUsKAXlr0N4B3R_GxrkXepiuuAzJakMKqGbhkE0RnLbAuvRHPo_2vDhduJloUO7NsZ10xsepYf6jsXi7f1DKsNX_GSgo-O4jMcER1Xb95Qpkmi3tw9x4M950ZZQc21HHkwBJNC0uEG5IikiP1Th0xRP37ujZA9q7dzsiE4q8xdti8TnQm3e73V6Ts/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF58BUsKAXlr0N4B3R_GxrkXepiuuAzJakMKqGbhkE0RnLbAuvRHPo_2vDhduJloUO7NsZ10xsepYf6jsXi7f1DKsNX_GSgo-O4jMcER1Xb95Qpkmi3tw9x4M950ZZQc21HHkwBJNC0uEG5IikiP1Th0xRP37ujZA9q7dzsiE4q8xdti8TnQm3e73V6Ts/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20B.jpg" width="400" /></a></div><br /><b>B1. Kempy & The Guardians </b>– Love For A Price<br /><b>B2. The Roks</b> – Hey Joe<br /><b>B3. The Lost Generation </b>– They Tell Me<br /><b>B4. The Spades </b>– We Sell Soul<br /><b>B5. Neal Ford & The Fanatics </b>– Bitter Bells<br /><b>B6. The Iguanas </b>– Leaving You Baby<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 17 of 23 regional volumes in the Pebbles series. Fourth of 5 Texas volumes.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/6A5gxT6Q#FdyH8JhiCxYTOHJJUrWPXmeqd0lffAJvBqHO2h_Hutg">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 18 - COLORADO</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuBMPuD7FVjY0g3GR0x2dBsWKcTIE0tdDI9BxTjABaC5-6EB0WGJ2xWh7SkNmzvR47VZv9fW1lu_3ReiOjpiROPJP03UCJxHWeQOXXn3hvyfMVFqDkxLUiOSLsf9T99YlCpywhbWtZAEy8OhSWRLdHZQtL07KxlXD7m_Qbu6W6LbSsk2k1tdkjOWl97Lk/s805/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuBMPuD7FVjY0g3GR0x2dBsWKcTIE0tdDI9BxTjABaC5-6EB0WGJ2xWh7SkNmzvR47VZv9fW1lu_3ReiOjpiROPJP03UCJxHWeQOXXn3hvyfMVFqDkxLUiOSLsf9T99YlCpywhbWtZAEy8OhSWRLdHZQtL07KxlXD7m_Qbu6W6LbSsk2k1tdkjOWl97Lk/w398-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Front%20Cover.jpg" width="398" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 18: Colorado<br />Label: AIP Records – AIP 10027<br />Series: Highs In The Mid Sixties – Volume 18<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1985<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRSj-cK1QRd4KCPb0Nuywwgx-Yzg_4mXvftb24et6Z1yvINvcRiqJpo2fhZHvd8KMqSjagP_SYdYo7pqZGUsdAU1k1IXjDwV9OZAup6wrdZEY8i0G8BdRokpM-hLH2l5Cly9LcE0tkgraDbuy38JaJ5FYOL2MMQDgMZ9j-4MXakCJM7EjAlrBg6wpZEXc/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRSj-cK1QRd4KCPb0Nuywwgx-Yzg_4mXvftb24et6Z1yvINvcRiqJpo2fhZHvd8KMqSjagP_SYdYo7pqZGUsdAU1k1IXjDwV9OZAup6wrdZEY8i0G8BdRokpM-hLH2l5Cly9LcE0tkgraDbuy38JaJ5FYOL2MMQDgMZ9j-4MXakCJM7EjAlrBg6wpZEXc/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiKxApU7w8zHfkp99oek0T-H_YGtMXn8ym0J61eA8VsfPS7wEDVRe2GfaqVOk1agdE1u90bvdR0tUYt6bTZ8tVHrL3Q7EDvm7o857NxkkPSjlsAJWR57dCs2FBJFHLJZwaV2_AxMEJNOaNHkn8nvQ_udI_tmu8PXPe3oNFMGH-0A4lPqkXyN7sf-uMeUw/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Side%20%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiKxApU7w8zHfkp99oek0T-H_YGtMXn8ym0J61eA8VsfPS7wEDVRe2GfaqVOk1agdE1u90bvdR0tUYt6bTZ8tVHrL3Q7EDvm7o857NxkkPSjlsAJWR57dCs2FBJFHLJZwaV2_AxMEJNOaNHkn8nvQ_udI_tmu8PXPe3oNFMGH-0A4lPqkXyN7sf-uMeUw/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Side%20%20A.jpg" width="400" /></a></div><br /><b>A1. The Astronauts</b> – Come Along Baby<br /><b>A2. The Soul </b>– Have It All Your Way<br /><b>A3. The Trolls </b>– I Don't Recall<br /><b>A4. The Trolls</b> – Stupid Girl<br /><b>A5. The Poor</b> – She's Got The Time (She's Got The Changes)<br /><b>A6. The Soothsayers</b> – I Don't Know<br /><b>A7. The Moonrakers </b>– I Don't Believe<br /><b>A8. Sur Royal Da Count </b>– Scream Mother Scream<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAYKZLi3UkABR_2dgYZvNv4TAH1TzBnE7bS3ydezTEH3zg5ePEohy9PBm-XbYjou9870Lps_uTOqJ-vheI-b3aTojS00cxeweUdyht1EW1P6DaeTZI_trajuYLHBt_eEAItyd854DWVScGvlp_i8ogToT9rJMt4oPxqSDhNzJlgOhSqsJPERGyRAPM35o/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Side%20%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAYKZLi3UkABR_2dgYZvNv4TAH1TzBnE7bS3ydezTEH3zg5ePEohy9PBm-XbYjou9870Lps_uTOqJ-vheI-b3aTojS00cxeweUdyht1EW1P6DaeTZI_trajuYLHBt_eEAItyd854DWVScGvlp_i8ogToT9rJMt4oPxqSDhNzJlgOhSqsJPERGyRAPM35o/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2018%20-%20Side%20%20B.jpg" width="400" /></a></div><br /><b>B1. Our Gang</b> – Careless Love<br /><b>B2. The Moonrakers</b> – Baby Please Don't Go<br /><b>B3. The Moonrakers</b> – I'm All Right<br /><b>B4. The Lidos</b> – Since I Last Saw You<br /><b>B5. The Rainy Daze</b> – Fe Fi Fo Fum<br /><b>B6. The Doppler Effect</b> – God Is Alive In Argentina<br /><b>B7. The Monocles </b>– Psychedelic (That's Where It's At)<br /><b>B8. The Elopers </b>– Music To Smoke Bananas By<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 18 of 23 regional volumes in the Pebbles series.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/eMQiiBaI#81G2D0CcjXrGrAU1Z7257K9QbAv1sBcmkkyXNbXSEHE">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 19 - MICHIGAN PART 3</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxxAJBFYpWDWtUfCIZgIcdAa_2g5Nnn8RLvcDfcBPQFE8pPJzUynkvEJfgXiuKReH4t4qQpI8x5eOJm2hggMg0Aa86WMbuNTUz_uz_YZU2cEFQjcnlaBPWiPPnLbZPVdBKSKcBo7RKqVkjxO_xnW4COz99zlFGiabwO5kZWrvE8Wq2LTQhVqPHpOr8o0/s808/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxxAJBFYpWDWtUfCIZgIcdAa_2g5Nnn8RLvcDfcBPQFE8pPJzUynkvEJfgXiuKReH4t4qQpI8x5eOJm2hggMg0Aa86WMbuNTUz_uz_YZU2cEFQjcnlaBPWiPPnLbZPVdBKSKcBo7RKqVkjxO_xnW4COz99zlFGiabwO5kZWrvE8Wq2LTQhVqPHpOr8o0/w396-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Front%20Cover.jpg" width="396" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 19: Michigan Part 3<br />Label: AIP Records – AIP 10028<br />Series: Highs In The Mid Sixties – Volume 19<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1985<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBZDLwuCpybCSqMkKM2pgm_AuTgkryF40Kzx9fKntR-d7Up6bg2x98uE8V5UXjUw-IZ_ATmx3AL1N0QV-E865C9j21AL5ohN0L0DkjE1b490NCaF6DnSd2bz5y4B57-ASG_MLEwG0ibEUWhNSpdwjVGVRT59EO-C5O-gidq9ertGDqMXjvxySMcSZdwho/s807/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBZDLwuCpybCSqMkKM2pgm_AuTgkryF40Kzx9fKntR-d7Up6bg2x98uE8V5UXjUw-IZ_ATmx3AL1N0QV-E865C9j21AL5ohN0L0DkjE1b490NCaF6DnSd2bz5y4B57-ASG_MLEwG0ibEUWhNSpdwjVGVRT59EO-C5O-gidq9ertGDqMXjvxySMcSZdwho/w396-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Back%20Cover.jpg" width="396" /></a></div> <br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxsiSVShRWvSTOuPBlZx_W901vTm7bjlJ0J2HvMWLiiT9S8Rs3LWPm7Yi1Nn4woSdbrooMZ6dbTRnWNHT6y3bekXEOE8P7Mf7Xt_SpIAtFUlUBaKfuVSiOqKKz1ABsVuBHm2ttrIjYE7r1f0-Xue3sTnp0DI_LPzee43UxHO2txpzsEBNVv0Ie-AWK0WU/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Side%20%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxsiSVShRWvSTOuPBlZx_W901vTm7bjlJ0J2HvMWLiiT9S8Rs3LWPm7Yi1Nn4woSdbrooMZ6dbTRnWNHT6y3bekXEOE8P7Mf7Xt_SpIAtFUlUBaKfuVSiOqKKz1ABsVuBHm2ttrIjYE7r1f0-Xue3sTnp0DI_LPzee43UxHO2txpzsEBNVv0Ie-AWK0WU/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Side%20%20A.jpg" width="400" /></a></div> <br /><b>A1. The Tempests</b> – Look Away<br /><b>A2. The Saharas</b> – This Mornin'<br /><b>A3. The Decisions</b> – Tears, Tears<br /><b>A4. The Royal Shandels</b> – Be Careful With Your Carful<br /><b>A5. The Ju Ju's</b> – I'm Really Sorry<br /><b>A6. The French Church</b> – Without Crying<br /><b>A7. The Oxford 5</b> – Gloria<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXkWfsB5uyTSaQS29ieETjkWHfy4BrBftuVeh_gRiszDtz046LbLWIuP14U9AquTx72dp7UmVlP4rKXxVWnr4URi4dln9EnpXd-LQX2A_9x_rUf_sbLI_381Z1C9NhD17UMWbbtBoZ7NOdZmbpUPh2vzLfwXdelf4gBfV0OLfE6A63V1eBUYWl8Yq580/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Side%20%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXkWfsB5uyTSaQS29ieETjkWHfy4BrBftuVeh_gRiszDtz046LbLWIuP14U9AquTx72dp7UmVlP4rKXxVWnr4URi4dln9EnpXd-LQX2A_9x_rUf_sbLI_381Z1C9NhD17UMWbbtBoZ7NOdZmbpUPh2vzLfwXdelf4gBfV0OLfE6A63V1eBUYWl8Yq580/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2019%20-%20Side%20%20B.jpg" width="400" /></a></div><br /><b>B1. The Iguanas</b> – Again And Again<br /><b>B2. The Beaubiens</b> – Times Passed<br /><b>B3. The Bells Of Rhymny</b> – She'll Be Back<br /><b>B4. The Chessmen </b>– You Can't Catch Me<br /><b>B5. The French Church </b>– Slapneck 1943<br /><b>B6. The Assortment </b>– Bless Our Hippy Home<br /><b>B7. The Orange Wedge</b> – From The Womb To The Tomb<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 19 of 23 regional volumes in the Pebbles series.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zMgRyJDA#Nv3HVn9puxNRSxhtWmZIwaPE3nlg6CC-XOOdjyT-tcs">Take It HERE</a><br /><br /><span style="font-size: large;">VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 20 - L.A. PART 4</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrCzivJHNHbEJ_VoiVSjx_G7YvzvmOaRx3bYeFiZHwFdbcTnx08RpyPcTtSkTtIfj1wZxuA9tVc-AeBgc9C8PM8wN42EXueJH18A-ZNh6BCslJh6QvoJNG121L1Ir4WQB5OgJdybXL3OnUHnl3JTZF1StPeFdCZJ_MRAtaxddla5AwZ7ea4Ru4x1bQlJg/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2020%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrCzivJHNHbEJ_VoiVSjx_G7YvzvmOaRx3bYeFiZHwFdbcTnx08RpyPcTtSkTtIfj1wZxuA9tVc-AeBgc9C8PM8wN42EXueJH18A-ZNh6BCslJh6QvoJNG121L1Ir4WQB5OgJdybXL3OnUHnl3JTZF1StPeFdCZJ_MRAtaxddla5AwZ7ea4Ru4x1bQlJg/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2020%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 20: L.A. Part 4<br />Label: AIP Records – AIP 10029<br />Series: Highs In The Mid Sixties – Volume 20<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1985<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2hM47rkdzLSSwv46EVMeJHyXsBsk_NeiKIrqQ-9ihD_mZJ733g5O4LmDqkcom76mKxDPl8oNZN4Rj8CqOgs8eo0_-chrnChoB1fMcURiAVDB6X8NkkYyYqYO2hDSBThw4SV0MvYsyIh7OPpIeMF7N8xWPt00ll3kzOsG1j21aFcMvjxNqBDHNjZiOgLA/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2hM47rkdzLSSwv46EVMeJHyXsBsk_NeiKIrqQ-9ihD_mZJ733g5O4LmDqkcom76mKxDPl8oNZN4Rj8CqOgs8eo0_-chrnChoB1fMcURiAVDB6X8NkkYyYqYO2hDSBThw4SV0MvYsyIh7OPpIeMF7N8xWPt00ll3kzOsG1j21aFcMvjxNqBDHNjZiOgLA/w400-h398/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6CWQdv7UxsYayeXMlez34e7blgejP8s9CjtLt7AUfGfMfIvp3tFYcjEKHQ9SYbsoZvo1usfJ3Ohr81Xk25wybBR01pJfllXdWd4eMm1bsYGRGSt-Tnmnboe3Xh73KGdzVmLnRC9ADRnwYf2MuWBtQ_JATqnoE1Qd7XdIyKo_Y5IbkiSTLuOGu0oteH8/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6CWQdv7UxsYayeXMlez34e7blgejP8s9CjtLt7AUfGfMfIvp3tFYcjEKHQ9SYbsoZvo1usfJ3Ohr81Xk25wybBR01pJfllXdWd4eMm1bsYGRGSt-Tnmnboe3Xh73KGdzVmLnRC9ADRnwYf2MuWBtQ_JATqnoE1Qd7XdIyKo_Y5IbkiSTLuOGu0oteH8/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. Rain </b>– E.S.P.<br /><b>A2. The Mugwumps </b>– Bald Headed Woman<br /><b>A3. The Green Beans</b> – Who Needs You<br /><b>A4. The Gigolos </b>– She's My Baby<br /><b>A5. The Human Expression </b>– Calm Me Down<br /><b>A6. The Rumblers </b>– I Don't Need You No More<br /><b>A7. Aftermath – Gloria<br /><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B</span>.<br /></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz6MTI5e6Kk_EJhDMMA5HJUD9rJsmhto3sC9yaf1YheAWO4DP6LxPbP5uh_TIJiksn9un6ArXNigbd18Zh_EN-0po4KFnF5MNRy2EPdvklKAdaNhYCl3lT5ste8UFbG87ePBqBepJ2Kw8PWGYbPEKjWHBTarn8Wvn3W1UDAvCbIeMdRwSaiPD5C_0P6_A/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz6MTI5e6Kk_EJhDMMA5HJUD9rJsmhto3sC9yaf1YheAWO4DP6LxPbP5uh_TIJiksn9un6ArXNigbd18Zh_EN-0po4KFnF5MNRy2EPdvklKAdaNhYCl3lT5ste8UFbG87ePBqBepJ2Kw8PWGYbPEKjWHBTarn8Wvn3W1UDAvCbIeMdRwSaiPD5C_0P6_A/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2017%20-%20Side%20B.jpg" width="400" /></a></b></div><b><br />B1. The Agents </b>– Gotta Help Me<br /><b>B2. The Avengers </b>– It's Hard To Hide<br /><b>B3. The Avengers</b> – Open Your Eyes<br /><b>B4. The Bees </b>– Forget Me Girl<br /><b>B5. The Dovers</b> – The Third Eye<br /><b>B6. The No-Na-Mees</b> – Just Wanna Be Myself<br /><b>B7. The Last Word</b> – Sleepy Hollow<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 20 of 23 regional volumes in the Pebbles series.<br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/jQJxCCDJ#N_akMiLnfyQ0vMcji0XC2c6OPdlV2aKoKAKht4ruoV8">Take It HERE</a></b><br /><span style="font-size: large;"><br /><b>VARIOUS - HIGHS IN THE NID SIXTIES VOLUME 21 - OHIO PART 2</b></span><br /> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNcnlIoXq_LgLN81_lth2Wn3GVk8RC5wPJME1-C-lx9UyAEnabIGPNzgxfcJPoN06blOBfh4KFb6b7W_Iqc2tB4S8AGihjs_eifpbnUmUTItOLvlwmhqlqhwUhgDQ2QIXyPnfyNDvtNBVfwg26SC-e427dG6cYKP1XR0VGWh_mcDTmPjNAGqhnOCt-Nno/s821/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="821" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNcnlIoXq_LgLN81_lth2Wn3GVk8RC5wPJME1-C-lx9UyAEnabIGPNzgxfcJPoN06blOBfh4KFb6b7W_Iqc2tB4S8AGihjs_eifpbnUmUTItOLvlwmhqlqhwUhgDQ2QIXyPnfyNDvtNBVfwg26SC-e427dG6cYKP1XR0VGWh_mcDTmPjNAGqhnOCt-Nno/w390-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Front%20Cover.jpg" width="390" /></a></div> <br /></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 21: Ohio Part 2</b><br /><b>Label: AIP Records – AIP 10030</b><br /><b>Series: Highs In The Mid Sixties – Volume 21</b><br /><b>Format: Vinyl, LP, Compilation, Unofficial Release</b><br /><b>Country: US</b><br /><b>Released: 1985</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock, Psychedelic Rock</b><br /></div><div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1iJRhK-wlIya7rdt1l-xkLcAw5CEriygLWhkV2geLTyP7KbK_gMW1AOMd0fqbFqGFOTLJlDXTU_K2IaDqlbqey_PTvNYNQI1DQpLcEJc9hZBPDGDLp2RfCSYdChEL6Z7813MxeRvkGITKuH6e_K3zM1pU8d5i20C9ULua_kTvzs-t5GrhTMmUNMENIE/s827/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="827" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1iJRhK-wlIya7rdt1l-xkLcAw5CEriygLWhkV2geLTyP7KbK_gMW1AOMd0fqbFqGFOTLJlDXTU_K2IaDqlbqey_PTvNYNQI1DQpLcEJc9hZBPDGDLp2RfCSYdChEL6Z7813MxeRvkGITKuH6e_K3zM1pU8d5i20C9ULua_kTvzs-t5GrhTMmUNMENIE/w388-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Back%20Cover.jpg" width="388" /></a></div><br /></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4SJoJqDO7mAR4x5qj9Lfa6y8QnAojiWU6QoLOdRtNY0qB89cVceL55WWqHa7DmFoNpCMOta5oCbuMhjyw662KT-4H7z-hQKjyhZu5rLSyPwvioLRGD7P61_R6tv4nzh2i6_a0SPo_0JBMuVH6n_bh4gqTFgmF31KWAlsY8POyVm7vMrs2Kb9COq8BJj0/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Side%20%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4SJoJqDO7mAR4x5qj9Lfa6y8QnAojiWU6QoLOdRtNY0qB89cVceL55WWqHa7DmFoNpCMOta5oCbuMhjyw662KT-4H7z-hQKjyhZu5rLSyPwvioLRGD7P61_R6tv4nzh2i6_a0SPo_0JBMuVH6n_bh4gqTFgmF31KWAlsY8POyVm7vMrs2Kb9COq8BJj0/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Side%20%20A.jpg" width="400" /></a></div><br /><b>A1. The Backdoor Society </b>– I'm The Kind<br /><b>A2. The Unknown Kind </b>– Who Cares<br /><b>A3. It's Them </b>– Baby I Still Want Your Lovin'<br /><b>A4. The Epics</b> – White Collar House<br /><b>A5. The Endless</b> – Prevailing Darkness<br /><b>A6. The Endless</b> – Tomorrow's Song<br /><b>A7. The Beau Denturies</b> – Straight Home<br /><p></p><p style="text-align: left;"><span style="font-size: large;"><br /></span></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><b><br /></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZEuO9FtiLxw5AATrJZ4hYgIqo91FrDsgeGD37YSZSWE798HsSmN9UR-ZahfwD8v7aIwKtN0u1b3ojTinUxCMmotO8SJE7p7IpKSkGkJk9MWcLObUpBllRHK22wXT4exoTRgW6XmMhyi23pxOXOcI6BkqFsdMkht678LR52SMfbnRtlZIERkluKscMwMg/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Side%20%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZEuO9FtiLxw5AATrJZ4hYgIqo91FrDsgeGD37YSZSWE798HsSmN9UR-ZahfwD8v7aIwKtN0u1b3ojTinUxCMmotO8SJE7p7IpKSkGkJk9MWcLObUpBllRHK22wXT4exoTRgW6XmMhyi23pxOXOcI6BkqFsdMkht678LR52SMfbnRtlZIERkluKscMwMg/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2021%20-%20Side%20%20B.jpg" width="400" /></a></b></div><b><br />B1. The Pictorian Skiffuls</b> – In A While<br /><b>B2. Baron Thomas & The Blue Crystals</b> – Tension<br /><b>B3. The Panicks </b>– Treat Me Right<br /><b>B4. The Hazards</b> – Tinted Green<br /><b>B5. The Wild Things</b> – Another Colored Ink Drawing<br /><b>B6. The Four O'Clock Balloon</b> – Dark Cobble Street<br /><b>B7. Thee Young Generation </b>– Paperback Minds<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 21 of 23 regional volumes in the Pebbles series.<br /><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/XMIzWLCI#OFOhp9vDgDTQoFzasgSZqXH-PaNBivvgqgWjUkjyU20">Take It HERE</a><br /><br /><span style="font-size: large;">VARIOUS - HIGHS IN THE NID SIXTIES VOLUME 22 - THE SOUTH PART 2</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMas8XD-mQ2CMdQBMaJ51xECdD3Ltvg2F1Zw1vnAz1jVb_0eK912YyoKdb4or6xE4E1PgvmhVRIZpjBzGy5B1q_E3jRjXUfXfrq7YjFpFvkpJmRMiLnLPPa96dU8befWFvUDcvMvBqBY1oPpeLkMxOqJY5CcjczwXyrl1a7cDoYp_AAWQ3ookJULEDMs/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMas8XD-mQ2CMdQBMaJ51xECdD3Ltvg2F1Zw1vnAz1jVb_0eK912YyoKdb4or6xE4E1PgvmhVRIZpjBzGy5B1q_E3jRjXUfXfrq7YjFpFvkpJmRMiLnLPPa96dU8befWFvUDcvMvBqBY1oPpeLkMxOqJY5CcjczwXyrl1a7cDoYp_AAWQ3ookJULEDMs/w400-h399/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 22: The South Part 2<br />Label: AIP Records – AIP 10031<br />Series: Highs In The Mid Sixties – Volume 22<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1985<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicM7Z6oNVCK-8Xndk8PeR7AiN7xrHYuQYF0vT0Mi5p6JeYCbE14Hbg8HZ-Q-0_tw80-IK6Ajze0BWLiFlFHDzpo_GguJk8YcUxz2Z4v7fh8V1X99nJ4Y0HKvI6iiFGWYifpqG1ATMOUVpPD03uxbI6Vii7P04_SlD90M1u-2R5YnBZjt4Vm4Qzh4c-Atk/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="784" data-original-width="800" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicM7Z6oNVCK-8Xndk8PeR7AiN7xrHYuQYF0vT0Mi5p6JeYCbE14Hbg8HZ-Q-0_tw80-IK6Ajze0BWLiFlFHDzpo_GguJk8YcUxz2Z4v7fh8V1X99nJ4Y0HKvI6iiFGWYifpqG1ATMOUVpPD03uxbI6Vii7P04_SlD90M1u-2R5YnBZjt4Vm4Qzh4c-Atk/w400-h393/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.<br /></span></b></div><div><p></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMd3wLGVXbJ4CPSCbNpFbM5Z_Sv8OnKpboGOtT7Azuoh7tYlMXtUtcRiTXX1YOGVvkU_7Ovaa6yuagXVMRuUWSwlD4pVN_bViDJW3WnSXQLrYj5nd8dYEaROn7TZ2V9cJHYmQ6mRCu5lfIbnfJXeB9EW5iPnPcStTs1zICx9RnSNZ18PrloxLlPiCJZt0/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Side%20%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMd3wLGVXbJ4CPSCbNpFbM5Z_Sv8OnKpboGOtT7Azuoh7tYlMXtUtcRiTXX1YOGVvkU_7Ovaa6yuagXVMRuUWSwlD4pVN_bViDJW3WnSXQLrYj5nd8dYEaROn7TZ2V9cJHYmQ6mRCu5lfIbnfJXeB9EW5iPnPcStTs1zICx9RnSNZ18PrloxLlPiCJZt0/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Side%20%20A.jpg" width="400" /></a></b></div><b> <br />A1. Daze Of The Week</b> – One Night Stand<br /><b>A2. The Dick Watson Five </b>– Cold Clear World<br /><b>A3. The Nomads </b>– Time Remains<br /><b>A4. Creatures, Inc.</b> – Letters Of Love<br /><b>A5. Evil Enc. Group </b>– Hey You<br /><b>A6. Evil Enc. Group</b> – The Point Is<br /><b>A7. The Flys</b> – Reality Composition No. 1<p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFxQOqgKWjU3WWhBAq87NJJkTnJp9Y2KROSqb_iFgndWXRhlHb53GVGVFfC5dWPmtoWubhJXhzQ615YWvR2QsCSvZx3yKvk-WyV2W4NEgG3Jl_DiJAxzoRZnM3Mx__h6p9hyphenhyphenpH7WCPNyS2WdgyM2bbsB_MTYM3B_8WRUtTtrr-4ls5XINNMKZyYRmCTQ/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Side%20%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFxQOqgKWjU3WWhBAq87NJJkTnJp9Y2KROSqb_iFgndWXRhlHb53GVGVFfC5dWPmtoWubhJXhzQ615YWvR2QsCSvZx3yKvk-WyV2W4NEgG3Jl_DiJAxzoRZnM3Mx__h6p9hyphenhyphenpH7WCPNyS2WdgyM2bbsB_MTYM3B_8WRUtTtrr-4ls5XINNMKZyYRmCTQ/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2022%20-%20Side%20%20B.jpg" width="400" /></a></div><br /><b>B1. The Counts IV </b>– Spoonful<br /><b>B2. Jimmy & The Offbeats</b> – Stronger Than Dirt<br /><b>B3. Jimmy & The Offbeats</b> – I Ain't No Miracle Worker<br /><b>B4. The Rondells</b> – One More Chance<br /><b>B5. Rick & Ronnie</b> – Don't Do Me This Way<br /><b>B6. The 5 </b>– I'm No Good<br /><b>B7. The Countdowns</b> – Cover Of Night<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 22 of 23 regional volumes in the Pebbles series.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/bIglxKoB#hYXsbP4u8bGwra351dcacbbFHPDDjJv4ImNNCwOTS-s">Take It HERE</a><br /><br /><span style="font-size: large;">VARIOUS - HIGHS IN THE NID SIXTIES VOLUME 23 - TEXAS PART 5</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6pilckvNeJpS1aW-NyRt58lcfck1-TjLdTMgxkQA90fRQmNfkUolERxHKL66R5tUn_QE1QoNfFFh8xQnU6NyzuV5qiSYlaWLg52x3Njn_khmNl4kBD1jNBCsRShlHWa0cY9OKaV4vK6impn0op9lRkHFd95bi2pNS4HoxyPuYuI-5hzVuByKgldtiZbo/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="800" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6pilckvNeJpS1aW-NyRt58lcfck1-TjLdTMgxkQA90fRQmNfkUolERxHKL66R5tUn_QE1QoNfFFh8xQnU6NyzuV5qiSYlaWLg52x3Njn_khmNl4kBD1jNBCsRShlHWa0cY9OKaV4vK6impn0op9lRkHFd95bi2pNS4HoxyPuYuI-5hzVuByKgldtiZbo/w400-h391/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 23: Texas Part 5</b><br /><b>Label:AIP Records – AIP 10038</b><br /><b>Series: Highs In The Mid Sixties – Volume 23</b><br /><b>Format: Vinyl, LP, Compilation, Unofficial Release</b><br /><b>Country: US</b><br /><b>Released: 1986</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock</b><br /></div></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTIUqW3pu8kxCMnr5IM1LVAAgGUtxoiRnBZEJx2pi_yiQ9EhFsxyQL8qdf9-8iHfbCM8H8LvpjRO15rFpCxqahVo0HnVIzPtOksDAGTAfMMuhnlw1LXk8qhieWiX6R1lCILeN9DziNWmzC4CyQiNDt6x8OVJ5AELyPDBZ1waU8OHt-rtCUq4PpvzRwAhM/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTIUqW3pu8kxCMnr5IM1LVAAgGUtxoiRnBZEJx2pi_yiQ9EhFsxyQL8qdf9-8iHfbCM8H8LvpjRO15rFpCxqahVo0HnVIzPtOksDAGTAfMMuhnlw1LXk8qhieWiX6R1lCILeN9DziNWmzC4CyQiNDt6x8OVJ5AELyPDBZ1waU8OHt-rtCUq4PpvzRwAhM/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHaC32H-oizE6SKMmHUM6Ei10tW1v0tY6hspEPUz55V1jfqvI5G7NWdiNLn8jjSeJ7JFf2he0adnxW3DDvd1ZlwHc_fjkSGHl1mrXtxNARmMgaocCkc4yMnueYh2il72Wb34sU27f2ITzXbGrH-B6aDJEhTLmz8b3NX8M_lTaVJO4s9JAXilp0N5CwUJ4/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Side%20%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHaC32H-oizE6SKMmHUM6Ei10tW1v0tY6hspEPUz55V1jfqvI5G7NWdiNLn8jjSeJ7JFf2he0adnxW3DDvd1ZlwHc_fjkSGHl1mrXtxNARmMgaocCkc4yMnueYh2il72Wb34sU27f2ITzXbGrH-B6aDJEhTLmz8b3NX8M_lTaVJO4s9JAXilp0N5CwUJ4/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Side%20%20A.jpg" width="400" /></a></div><br /><b>A1. The Wind </b>– Don't Take Your Love Away<br /><b>A2. The Lost Generation </b>– Let Me Out<br /><b>A3. Gaylon Ladd</b> – Her Loving Way<br /><b>A4. Kenny Wayne & The Kamotions</b> – A Better Day's A Comin'<br /><b>A5. Larry Mack</b> – Last Day Of The Dragon<br /><b>A6. Wilshire Express</b> – Lose Your Money<br /><b>A7. Jimmy C. & The Chelsea Five</b> – Leave Me Alone<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY_M70IaqMKhHN9iDt7ebAK0hTKdPyrQDnxH0RuY_-gKndHm7L07vQyShtgyTQAhgi_CEr9kiqs9GZiAwBQ9ZGNoCrdUeLETbH1As2d8AgDn4vneDO3xC9dy92q_nCvnQghdy7zWLFMUK0JGOD-QVEhaopYRNWONgxcWGaBHlKybB2fflj6Nb7ENE1Ejg/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Side%20%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY_M70IaqMKhHN9iDt7ebAK0hTKdPyrQDnxH0RuY_-gKndHm7L07vQyShtgyTQAhgi_CEr9kiqs9GZiAwBQ9ZGNoCrdUeLETbH1As2d8AgDn4vneDO3xC9dy92q_nCvnQghdy7zWLFMUK0JGOD-QVEhaopYRNWONgxcWGaBHlKybB2fflj6Nb7ENE1Ejg/w400-h396/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Vol.%2023%20-%20Side%20%20B.jpg" width="400" /></a></div><br /><b>B1. The Blox </b>– Hangin' Out<br /><b>B2. Gaylon Ladd</b> – Repulsive Situation<br /><b>B3. Sterling Damon </b>– Rejected<br /><b>B4. The Shayds </b>– Search The Sun<br /><b>B5. The Children </b>– Enough Of What I Need<br /><b>B6. Sweet Smoke</b> – Morning Dew<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span><br /><br />The final volume in this series of 23 regional volumes in the Pebbles series.<br /><br /><a href="https://mega.nz/file/2NBl1I4A#-5cvBR2ZZT1QCO4ZBWXG08j6_BUYsO5u5WoYTpdqrzQ">Take It HERE</a></b><br /></p><p><br /></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com7tag:blogger.com,1999:blog-8270002232971427483.post-4947470231052954932024-03-15T09:25:00.000+02:002024-03-15T09:25:41.670+02:00Question Mark And The Mysterians: (3 CD)<div><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPX1KQW41ErnirpATqyRWEDJe1-q-Ohlj1j1C8LTp-Z00pNd5H-uUQ_lxMQP5hqnSwFrJNIpP29OLWesw9hLwL6zXqAWJ2LTd0IZwrsU2PgfbDHcyHVMnSDDyqs56Bl9-ABUfFPNtA6G_sBTAuqgFDrETbMZg0CAPVTjnYdueFpyThmtwuXgevwrlbgg/s502/Question%20Mark%20-%20Poster%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="402" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPX1KQW41ErnirpATqyRWEDJe1-q-Ohlj1j1C8LTp-Z00pNd5H-uUQ_lxMQP5hqnSwFrJNIpP29OLWesw9hLwL6zXqAWJ2LTd0IZwrsU2PgfbDHcyHVMnSDDyqs56Bl9-ABUfFPNtA6G_sBTAuqgFDrETbMZg0CAPVTjnYdueFpyThmtwuXgevwrlbgg/w320-h400/Question%20Mark%20-%20Poster%202.jpg" width="320" /></a></div><p></p><p>? and the Mysterians (or Question Mark and the Mysterians) are an American garage rock band from Bay City and Saginaw in Michigan, initially active between 1962 and 1969. Much of the band's music </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrnHG4JyzDezj5KLuiylE9JQXQ-n5PcnUTVtxHEkC92NMGm-a7WGE4D-Ivgnm3F9gLqF1D_hro_wDSbQKKFbbIewrPkK6GTdwfp9iDloNKSKmhN53RXcUo6SHz5314YUls9Y9SMXUA3MZA9sWk6fX08HZPW6y69KTcMftAFB3P26NfIS__P0vNVusrP30/s640/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrnHG4JyzDezj5KLuiylE9JQXQ-n5PcnUTVtxHEkC92NMGm-a7WGE4D-Ivgnm3F9gLqF1D_hro_wDSbQKKFbbIewrPkK6GTdwfp9iDloNKSKmhN53RXcUo6SHz5314YUls9Y9SMXUA3MZA9sWk6fX08HZPW6y69KTcMftAFB3P26NfIS__P0vNVusrP30/s320/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%203.jpg" width="320" /></a></div><br />consisted of electric organ-driven garage rock and an enigmatic image inspired by the 1957 Japanese science fiction film The Mysterians. In addition, the band's sound was also marked by the raw, resonating lead vocals of "?" (Question Mark, the stage name of Rudy Martínez), making Question Mark and the Mysterians one of the earliest groups whose musical style is described as punk rock. Their music and imagery were highly influential on later bands.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz_fsi7vhRIQWslJMulAuElI7RVQsrF3mh2yIbcNtUM449nqMKdVQgE0jNZr88HU9e0XZuQ9YikcNvtExnQ8priE-TK5GWDuI2IOavAsaQKBlHq0YeITHQCPY-9R4yTK58pU7AsH8xLz0LoAOZDsSQA_fxdWMc8EhuxXVmsUNrJZkqQ3IRe2RmbH7mwMI/s628/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz_fsi7vhRIQWslJMulAuElI7RVQsrF3mh2yIbcNtUM449nqMKdVQgE0jNZr88HU9e0XZuQ9YikcNvtExnQ8priE-TK5GWDuI2IOavAsaQKBlHq0YeITHQCPY-9R4yTK58pU7AsH8xLz0LoAOZDsSQA_fxdWMc8EhuxXVmsUNrJZkqQ3IRe2RmbH7mwMI/w319-h400/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%204.jpg" width="319" /></a></div><br />It only took one song, the organ-driven number one smash "96 Tears," to make ? & the Mysterians into <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVpPZLEO9a9oucTqk8614ESUOxMw-v5nwjkovrWHLzsELOy9AY4-nOVCHjZKN1REgAXq8xiYTJzW8OZJBMX_lGPDSPUX1ielnDzg7gmyBxtro6pRPYv6NrSYVyhcAjNhb8p2eqyoNlgbeU7VC6swM6v9njr-8hd-QyZxaji6ltEwAOPEQbrhPawvXu-5o/s800/Question%20Mark%20-%20Poster%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="701" data-original-width="800" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVpPZLEO9a9oucTqk8614ESUOxMw-v5nwjkovrWHLzsELOy9AY4-nOVCHjZKN1REgAXq8xiYTJzW8OZJBMX_lGPDSPUX1ielnDzg7gmyBxtro6pRPYv6NrSYVyhcAjNhb8p2eqyoNlgbeU7VC6swM6v9njr-8hd-QyZxaji6ltEwAOPEQbrhPawvXu-5o/s320/Question%20Mark%20-%20Poster%203.jpg" width="320" /></a></div><br />garage rock legends. Eccentric frontman Question Mark (actually spelled "?," once he had his name legally changed) cultivated an aura of mystery by never appearing in public without a pair of wraparound sunglasses; he frequently claimed he had been born on Mars and lived among the dinosaurs in a past life, and that voices from the future had revealed he would be performing "96 Tears" in the year 10,000. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy1VqLJQ1jM0nie88ovUHO6VU-lpJ2sVk4h1GBf3n1mIHF9QhLkZQCb0Z7t-PnCxBApGD1sAB40kTQdmo56594NQATjqJDUlciHSYBczcSCgAMelplPH2_jS7yvsA2xpUantk6RC2M_FpX1HBrqNrB772Gga35EN-Vh49-L4p87L1Hy4MCqoKfCZ0jUUs/s815/Question%20Mark%20and%20the%20Mysterians%20-%20Photo%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="404" data-original-width="815" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy1VqLJQ1jM0nie88ovUHO6VU-lpJ2sVk4h1GBf3n1mIHF9QhLkZQCb0Z7t-PnCxBApGD1sAB40kTQdmo56594NQATjqJDUlciHSYBczcSCgAMelplPH2_jS7yvsA2xpUantk6RC2M_FpX1HBrqNrB772Gga35EN-Vh49-L4p87L1Hy4MCqoKfCZ0jUUs/w400-h199/Question%20Mark%20and%20the%20Mysterians%20-%20Photo%208.jpg" width="400" /></a></div><br />On a more earthly level, the Mysterians' sound helped lay down an important part of the garage rock <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ-OHGQTymBs5jFva0xJU2aw1mZ6bQB42_Yff7Dk2Nf3UhsnTTXpAWZupLRYsiR5vffjCZMHnQCJJIoa5_0DCQGUHxYcAbFkJVCoFneROAilZgmSqEWPUd7QIe_vgimlFNYM0C9sbBtRPmwM_XVeMS9NsJxzp4vKXZawp-krVXnDT6_15bAAKGkRokGnQ/s797/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%205.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQ-OHGQTymBs5jFva0xJU2aw1mZ6bQB42_Yff7Dk2Nf3UhsnTTXpAWZupLRYsiR5vffjCZMHnQCJJIoa5_0DCQGUHxYcAbFkJVCoFneROAilZgmSqEWPUd7QIe_vgimlFNYM0C9sbBtRPmwM_XVeMS9NsJxzp4vKXZawp-krVXnDT6_15bAAKGkRokGnQ/s320/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%205.jpg" width="257" /></a></div><br />blueprint, namely the low-budget sci-fi feel of the Farfisa and Vox organs (most assumed that "96 Tears" had featured the former, but ? later remembered using the latter). What was more, they were one of the first Latino rock groups to have a major hit, and ?'s sneering attitude made him one of the prime suspects in the evolution of garage rock into early punk. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJve-iSSorOjOnKKS-JQAdTMQVZ6YKuGUpp09FVc6zHmPHcdEkvb7LUHPjTsA2ky1GZ6jXB7-B7-p61ACDb0KQNIXbqCxn6LeaDywLvBl8gQU0lMSlfQP4XIZd4A87bAx7PBUB-waHM7D5fvhNkFEUNRtAL0vXDnHY6PSkbuAl6olKIqOcye37Rw7XW-U/s608/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="546" data-original-width="608" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJve-iSSorOjOnKKS-JQAdTMQVZ6YKuGUpp09FVc6zHmPHcdEkvb7LUHPjTsA2ky1GZ6jXB7-B7-p61ACDb0KQNIXbqCxn6LeaDywLvBl8gQU0lMSlfQP4XIZd4A87bAx7PBUB-waHM7D5fvhNkFEUNRtAL0vXDnHY6PSkbuAl6olKIqOcye37Rw7XW-U/w400-h359/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%206.jpg" width="400" /></a></div><br />The band signed to Pa-Go-Go Records (based in San Antonio, Texas and run by Rudy "Tee" Gonzales) <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7BxRilz49YizH8zphS6kIKbpfzVIcu3ZtDeMZwUrQQVSW0rwkgPAl_87LVTAPBJ9K339CvrycV1HyNQnSQoOjVBxKvpVxMzVL8MNTm5F853DgGBGpIYrGual7JjdBAHFln3kV8FbmxPpID2C-j7NByxr3y_laXgscV5-Y1ALMtUWNu2cOHrRWgp8I6LM/s1024/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%201.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7BxRilz49YizH8zphS6kIKbpfzVIcu3ZtDeMZwUrQQVSW0rwkgPAl_87LVTAPBJ9K339CvrycV1HyNQnSQoOjVBxKvpVxMzVL8MNTm5F853DgGBGpIYrGual7JjdBAHFln3kV8FbmxPpID2C-j7NByxr3y_laXgscV5-Y1ALMtUWNu2cOHrRWgp8I6LM/s320/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%201.jpg" width="320" /></a></div><br />in 1966 and released its first and most acclaimed single, "96 Tears", in the early part of that year. "96 Tears" became a number one hit on the Billboard Hot 100 and propelled the group to a 15-month period of national prominence.[9] Their debut album, 96 Tears, followed. Though Question Mark and the Mysterians were unable to replicate their success with their later recordings, and are thus deemed a "one-hit wonder", they did manage to reach the singles charts on five occasions.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKgsVJZuBpaGNJni3xAe6EpDurQmU7qkCwpPyFwtoVY7463b8T-RsXYrQZdTb-5WB-SVJMB-W-VdqgGhyphenhyphen4UgxhzVf5Lud1Ei5824dk4ssU1psrpf08Oimwj6Oi2ziIfmJVn-iyWhQyNDRzHIOIWYYIRY-JwuSt1BNXrQyTjCP4tFz5LybfjHo2QnFBRss/s1140/Question%20Mark%20-%20Photo%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="1140" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKgsVJZuBpaGNJni3xAe6EpDurQmU7qkCwpPyFwtoVY7463b8T-RsXYrQZdTb-5WB-SVJMB-W-VdqgGhyphenhyphen4UgxhzVf5Lud1Ei5824dk4ssU1psrpf08Oimwj6Oi2ziIfmJVn-iyWhQyNDRzHIOIWYYIRY-JwuSt1BNXrQyTjCP4tFz5LybfjHo2QnFBRss/w400-h166/Question%20Mark%20-%20Photo%202.jpg" width="400" /></a></div><br />Now blessed with national distribution, "96 Tears" raced up the pop charts and went all the way to number one in the fall of 1966, becoming one of garage rock's all-time classics. The band's first album, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53BrjFlX9quQEW3f6jXlCkzvD8z4xSLU9VagT_2AIikw_2eIOQ636s0HZcNbhOq5xtF0mG_bkwVMzaPrt6HHKrv9cL5EuzXwEZbHr3aaGgAZijWsWnHUACaleqFchWiHkbruxmkQ-onfWqK6z4OHBwFfmyF3FGEK9UVFvpE3HUPaZil2nD7DqsLsfM0A/s618/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%2010.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="536" data-original-width="618" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53BrjFlX9quQEW3f6jXlCkzvD8z4xSLU9VagT_2AIikw_2eIOQ636s0HZcNbhOq5xtF0mG_bkwVMzaPrt6HHKrv9cL5EuzXwEZbHr3aaGgAZijWsWnHUACaleqFchWiHkbruxmkQ-onfWqK6z4OHBwFfmyF3FGEK9UVFvpE3HUPaZil2nD7DqsLsfM0A/s320/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%2010.jpg" width="320" /></a></div><br />naturally also titled 96 Tears, was released by the end of the year, as was its follow-up single, "I Need Somebody," which just missed the Top 20. Released in early 1967, "Can't Get Enough of You Baby" was a minor hit, but the group's second album, Action, sold disappointingly; moreover, Cameo-Parkway was experiencing financial difficulties, and was later taken over by ABKCO chief Allen Klein. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfRp6_4DaMDhOHYOV65XqW5Kh_O1QOy-i9_eTSeGztICqfuSYLBxdDGPnVIG2ggnsFsHFzeJKS31gH7ijr9JKJ31L5QQ3GHrlK9tjjOwSYNhQx2rOj8Xzp7_XwUh3j8o30c4Km3oauIUD47a6cM3K8O8XgWEysB4e4PwvbTEV9w-ZsWJTPCTsqM1CV8Q/s714/Question%20Mark%20and%20the%20Mysterians%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="584" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfRp6_4DaMDhOHYOV65XqW5Kh_O1QOy-i9_eTSeGztICqfuSYLBxdDGPnVIG2ggnsFsHFzeJKS31gH7ijr9JKJ31L5QQ3GHrlK9tjjOwSYNhQx2rOj8Xzp7_XwUh3j8o30c4Km3oauIUD47a6cM3K8O8XgWEysB4e4PwvbTEV9w-ZsWJTPCTsqM1CV8Q/w328-h400/Question%20Mark%20and%20the%20Mysterians%20-%20Photo%207.jpg" width="328" /></a></div><br />The Mysterians departed, recording singles for Capitol in 1968 and Tangerine and Super K in 1969, to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjtG3H1ljgXdNvb5cbAfJ5mpujsB9uvykhEeuDJvnKhQjX6YXwu-wd4rkcmafHeX6VCDy3ZojMtzbvqtIM8PDl_G22oEP9EDi_RAQuL-tSx7gixgDxBce-Hv6tdQcFoVuajjIC9BfXQ8bc6m1lPdB21DOBBzGrzg6jNGdbEi8SESovcfiE25gE_spLtVE/s640/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%209.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="490" data-original-width="640" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjtG3H1ljgXdNvb5cbAfJ5mpujsB9uvykhEeuDJvnKhQjX6YXwu-wd4rkcmafHeX6VCDy3ZojMtzbvqtIM8PDl_G22oEP9EDi_RAQuL-tSx7gixgDxBce-Hv6tdQcFoVuajjIC9BfXQ8bc6m1lPdB21DOBBzGrzg6jNGdbEi8SESovcfiE25gE_spLtVE/s320/Question%20Mark%20And%20The%20Mysterians%20-%20Photo%209.jpg" width="320" /></a></div><br />no commercial avail (during this period, bassist Mel Schacher served a short stint in the group prior to joining Grand Funk Railroad). They also cut an album for Ray Charles' TRC label that went unreleased. Though they disbanded in 1969, the band has regrouped and released additional material over the years. "96 Tears" was listed at number 210 on the 2004 Rolling Stone list The 500 Greatest Songs of All Time.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCKyuq2ARxP1oc-2tiGjHqpqqqbDaREblISZfI_rBJ1s-kx6iIsEjZXBI00J6fUh3A5tvupE9nnIzIYy2sTJ12OvzURSGb6ukthMvQUX4NYCAIVhBDRkA4sxqaZ3sTkk75ZUtFFNU4xtAnpN6uvYn_rwy-_T9O0zXcAHGkYiAyvaIq8pRqvqUEmXMhdrs/s947/Question%20Mark%20-%20Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="947" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCKyuq2ARxP1oc-2tiGjHqpqqqbDaREblISZfI_rBJ1s-kx6iIsEjZXBI00J6fUh3A5tvupE9nnIzIYy2sTJ12OvzURSGb6ukthMvQUX4NYCAIVhBDRkA4sxqaZ3sTkk75ZUtFFNU4xtAnpN6uvYn_rwy-_T9O0zXcAHGkYiAyvaIq8pRqvqUEmXMhdrs/w270-h400/Question%20Mark%20-%20Poster%201.jpg" width="270" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">QUESTION MARK AND THE MYSTERIANS + 4 BONUS TRACKS 1966</span></b></p><p style="text-align: center;"><b><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UxGIWuXnBpK_aAub1sOS7IXPG33ZNdYdQVh9BeCkNRZaI0GPUQK29C5wrJqDsY5yByoYD-kBBCzsIIoT_XBQ8TugxThzowNWE11PO7jLorkx-fmQ-6y0e8gde0T3rYENSZ3BJZa96iQSDco7_CvaTUvX0N6Uz2jMXwO7WJSD-4A5AIyHMQ5xDZtXCfM/s809/Question%20Mark%20And%20The%20Mysterians%20-%201966%20-%2096%20Tears%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UxGIWuXnBpK_aAub1sOS7IXPG33ZNdYdQVh9BeCkNRZaI0GPUQK29C5wrJqDsY5yByoYD-kBBCzsIIoT_XBQ8TugxThzowNWE11PO7jLorkx-fmQ-6y0e8gde0T3rYENSZ3BJZa96iQSDco7_CvaTUvX0N6Uz2jMXwO7WJSD-4A5AIyHMQ5xDZtXCfM/w395-h400/Question%20Mark%20And%20The%20Mysterians%20-%201966%20-%2096%20Tears%20-%20Front%20Cover.jpg" width="395" /></a></span></b></div><b><br /><br /></b></div><div style="text-align: center;"><b>Question Mark And The Mysterians – 96 Tears + 4 Bonus Tracks</b><br /><b>Label: Anthology – ANT 30.11</b><br /><b>Format: CD, Album, Reissue, Unofficial Release</b><br /><b>Country: Italy</b><br /><b>Released: 1966 </b><br /><b>Genre: Rock</b><br /><b>Style: Rock & Roll, Psychedelic Rock, Garage Rock</b><br /><br /><b><span style="font-size: large;">TRACKS</span></b><br /></div><div><br /><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__NnakJBbt9bYbsw6qyzlydt94uxYhn0p2fStRRq2ODyyElAYVrAWKwfujHwB7Vo0D_gPP17lXYVCZjTRLS2DLYYq9Tkb2luNGqWuwh9l5xmOID-Bp3BOy2fUd_wleXB9TXvk-B1wvWF2TMWhiVhO-Xfe0pzVgwcBrftTCO8cl6B_qe46KrbcpSuFiQo/s800/Question%20Mark%20And%20The%20Mysterians%20-%201966%20-%2096%20Tears%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="800" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__NnakJBbt9bYbsw6qyzlydt94uxYhn0p2fStRRq2ODyyElAYVrAWKwfujHwB7Vo0D_gPP17lXYVCZjTRLS2DLYYq9Tkb2luNGqWuwh9l5xmOID-Bp3BOy2fUd_wleXB9TXvk-B1wvWF2TMWhiVhO-Xfe0pzVgwcBrftTCO8cl6B_qe46KrbcpSuFiQo/w400-h314/Question%20Mark%20And%20The%20Mysterians%20-%201966%20-%2096%20Tears%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>I Need Somebody 2:12<br /><b>02. </b>Stormy Monday<br />Written-By – Aaron T. Bone Walker 2:26<br /><b>03.</b> You're Telling Me Lies 2:28<br /><b>04.</b> Ten O'Clock 2:10<br /><b>05.</b> Set Aside 2:59<br /><b>06.</b> Up Side 2:49<br /><b>07.</b> "8" Teen 2:45<br /><b>08.</b> Don't Tease Me 1:36<br /><b>09.</b> Don't Break This Heart Of Mine 1:50<br /><b>10.</b> Why Me 1:35<br /><b>11. </b>Midnight Hour 2:32<br /><b>12. </b>96 Tears 2:55<br /><b>13. </b>Do Something To Me 2:32<br />Written-By – Calvert, Marzano, Neumann<br /><b>14.</b> Love Me Baby 2:57<br /><b>15.</b> Ain't It A Shame 2:15<br /><b>16. </b>Turn Around Baby 2:09<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass Guitar – <b>Frank Lugo</b><br />Drums – <b>Eddie Serrato</b><br />Lead Guitar – <b>Bobby Balderrama</b><br />Lead Vocals – <b>? (Question Mark)</b><br />Organ – <b>Frank Rodriguez </b><br />Written-By – Robert Martinez (tracks: 1, 3 to 12, 14 to 16)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/nApEwAJQ#8X1FZ-MSCywdm2yW4JwzNKIIZhZ-1gxrHjA-0K99b1Y">Flac Size: 210 MB</a><br /><br /><span style="font-size: large;">QUESTION MARK AND THE MYSTERIANS - ACTION 1967</span></b></p><p style="text-align: center;"><b><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYIcA0J7P2K_6qPfbvCkwgsBUrDc32b0xIo8nz-1kAEJ6xKeRsscBnXHWBrNarr4fBxzps7mfF_4WaYfSaOKSzLtBQSXgFn624JeS5E3V185rKqvSEkJRz-nR5Y-o4YIhXt1cnoP7lYpOzdfNGHZOa6aUQt5Bis3uxoNA0Vsf6Zv6uiHW_2yVg5bD9yb4/s800/Question%20Mark%20And%20The%20Mysterians%20-%201967%20-%20Action%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="777" data-original-width="800" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYIcA0J7P2K_6qPfbvCkwgsBUrDc32b0xIo8nz-1kAEJ6xKeRsscBnXHWBrNarr4fBxzps7mfF_4WaYfSaOKSzLtBQSXgFn624JeS5E3V185rKqvSEkJRz-nR5Y-o4YIhXt1cnoP7lYpOzdfNGHZOa6aUQt5Bis3uxoNA0Vsf6Zv6uiHW_2yVg5bD9yb4/w400-h389/Question%20Mark%20And%20The%20Mysterians%20-%201967%20-%20Action%20-%20Front%20Cover.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span><br /><br /></b></div><div style="text-align: center;"><b>? & The Mysterians – Action<br />Label: Move – MOVE 3001<br />Format: CD, Album, Reissue, Unofficial Release 1994<br />Country: US<br />Released: 1967 <br />Genre: Rock<br />Style: Garage Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2B4aV9SmZkMHz7pBYnGdW-MwbiciDYRAq8DyG7d9qEaj8MIqs_NjGSTSbD36-QhDCfwpWKE-4kW1gMM2lAXhshI4fKZjOPev6jFycpvE0Qr-HnuutXyGvp_03MVjZNK6g27H8WH9q178pAvD0l3jf3eu0Q-8vqCRM4yPdjp8tMxw2I8mDAeRGjqaNBC0/s800/Question%20Mark%20And%20The%20Mysterians%20-%201967%20-%20Action%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="629" data-original-width="800" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2B4aV9SmZkMHz7pBYnGdW-MwbiciDYRAq8DyG7d9qEaj8MIqs_NjGSTSbD36-QhDCfwpWKE-4kW1gMM2lAXhshI4fKZjOPev6jFycpvE0Qr-HnuutXyGvp_03MVjZNK6g27H8WH9q178pAvD0l3jf3eu0Q-8vqCRM4yPdjp8tMxw2I8mDAeRGjqaNBC0/w400-h315/Question%20Mark%20And%20The%20Mysterians%20-%201967%20-%20Action%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Girl (You Captivate Me) 2:19<br /><b>02.</b> Can't Get Enough Of You Baby 1:57<br /><b>03.</b> Got To 2:23<br /><b>04.</b> I'll Be Back 2:02<br /><b>05.</b> Shout (Part 1 And 2) 5:28<br /><b>06. </b>Hangin' On A String 2:14<br /><b>07.</b> Smokes 1:52<br /><b>08.</b> It's Not Easy 2:44<br /><b>09. </b>Don't Hold It Against Me 1:59<br /><b>10.</b> Just Like A Rose 2:12<br /><b>11.</b> Do You Feel It 2:24<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS</span></b><br /></p><p><br /><b>13.</b> Midnight Hour (Unrelease Version) 2:30<br /><b>14.</b> 96 Tears (Unrelease Version) 3:03<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass –<b> Frank Lugo</b><br />Drums – <b>Edward Serrato</b><br />Guitar – <b>Robert Balderrama</b><br />Keyboards –<b> Frankie Rodriguez</b><br />Vocals – <b>Rudy "?" Martinez</b><br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/TAhHyJwa#AzKo0Ubhsq-flh3nJMKuK0OmCl5SoqWdcTQXtqhL8Ug">Flac Size: 212 MB</a></b><br /><br /><b><span style="font-size: large;">QUESTION MARK AND THE MYSTERIANS - MORE ACTION 1999</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNPe_10Csg5JusMx-hiYTeILMfCkwr9SF1xatvR9wXPAEr-hxkX0fFqllnn7N7CP3OjE633eYMHqWQo2PsJQBb_i5sEiGYos9enqUUsLTr-8OOSSaXEKYGiahoXKcK1k3hqjGyetIPXBKpZRKBdzYUkxHsdkhHNyOINvQ95F1Xr8t_JRvKXUERhFJG5cY/s800/Question%20Mark%20And%20The%20Mysterians%20-%201999%20-%20More%20Action%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNPe_10Csg5JusMx-hiYTeILMfCkwr9SF1xatvR9wXPAEr-hxkX0fFqllnn7N7CP3OjE633eYMHqWQo2PsJQBb_i5sEiGYos9enqUUsLTr-8OOSSaXEKYGiahoXKcK1k3hqjGyetIPXBKpZRKBdzYUkxHsdkhHNyOINvQ95F1Xr8t_JRvKXUERhFJG5cY/w400-h398/Question%20Mark%20And%20The%20Mysterians%20-%201999%20-%20More%20Action%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The year 1999 brought the release of another, somewhat better-produced two-disc set of re-recordings, More Action, this time released on Cavestomp! (it was later condensed into the 2001 single-disc release Feel It!: The Very Best of Question Mark & the Mysterians).<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Backing Vocals – <b>Robert Lee Balderrama, Frank Rodriguez </b><br />Bass – <b>Big Frank Lugo</b><br />Drums – <b>Robert Martinez</b><br />Guitar – <b>Robert Lee Balderrama</b><br />Keyboards –<b> Little Frank Rodriguez Jr.</b><br />Vocals –<b> ?</b> <br /><br /></p><p style="text-align: center;"><b>Question Mark & The Mysterians – More Action<br />Label: Cavestomp! Records – CS! 5002-2<br />Format: 2 x CD, Album, Enhanced<br />Country: US<br />Released: May 25, 1999<br />Genre: Rock, Pop<br />Style: Garage Rock, Power Pop<br /><br /><span style="font-size: large;">DISC 1.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZr0alhiHl0iwki28k4LxPlKoHCTAkHch0ezkyoBxREIlphgVupq0uKyCUfvhyphenhyphenRubVZuGutHuxb2jArfis4pUpzI33TP8L9Z4vi_kdsTrC1QGk4G09qv25jojvihR4Hao31LuaBUYAQZaQgsmxwcjYQKgHuvdV7-htsd5etHdtvgkuVqO6fkZ9d2cDH0/s800/Question%20Mark%20And%20The%20Mysterians%20-%201999%20-%20More%20Action%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZr0alhiHl0iwki28k4LxPlKoHCTAkHch0ezkyoBxREIlphgVupq0uKyCUfvhyphenhyphenRubVZuGutHuxb2jArfis4pUpzI33TP8L9Z4vi_kdsTrC1QGk4G09qv25jojvihR4Hao31LuaBUYAQZaQgsmxwcjYQKgHuvdV7-htsd5etHdtvgkuVqO6fkZ9d2cDH0/w400-h313/Question%20Mark%20And%20The%20Mysterians%20-%201999%20-%20More%20Action%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Don't Give It Up Now 3:36<br /><b>02. </b>Feel It 3:27<br /><b>03.</b> Hangin' On A String 2:22<br /><b>04.</b> 96 Tears 3:09<br /><b>05. </b>Girl (You Captivate Me) 2:20<br /><b>06.</b> Can't Get Enough Of You Baby 2:13<br /><b>07.</b> Ain't It A Shame? 3:02<br /><b>08.</b> Cheree 3:46<br /><b>09.</b> Beachcomber 1:52<br /><b>10.</b> It's Not Easy 2:58<br /><b>11. </b>I'll Be Back 2:29<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/DUxnGJTY#kjvQLMzW6cgK54lIR45XYYtUOPY9VVxn6mgdHgPrDv8">Flac Size: 225 MB</a><br /><br /><span style="font-size: large;">DISC 2.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjdQF1zPujqXxa_U8J_CdME-2TneZqiKrpQsMNECX_gqWmk_2xdC6AUGocAfSikeKRaZG5N_2UlZLfjhKVfdKXrfqnuC92V1_97mGidqa8Q3HmyK1RwAfGgpCpwE6LVOUMmogN386-7xdm-mHwUO9LuGih9-c6TaW2AtYfI8qwhoiVUOXhrtWvQHu48c8/s518/Question%20Mark%20-%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="388" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjdQF1zPujqXxa_U8J_CdME-2TneZqiKrpQsMNECX_gqWmk_2xdC6AUGocAfSikeKRaZG5N_2UlZLfjhKVfdKXrfqnuC92V1_97mGidqa8Q3HmyK1RwAfGgpCpwE6LVOUMmogN386-7xdm-mHwUO9LuGih9-c6TaW2AtYfI8qwhoiVUOXhrtWvQHu48c8/w300-h400/Question%20Mark%20-%20Photo%203.jpg" width="300" /></a></div><br /><b>01. </b>That's How Strong My Love Is 3:31<br /><b>02.</b> Love Me Baby (Cherry July) 2:40<br /><b>03. </b>Sally Go Round The Roses 3:57<br /><b>04.</b> Don't Hold It Against Me 2:03<br /><b>05. </b>Do You Feel It? 2:56<br /><b>06. </b>Satisfaction 3:52<br /><b>07.</b> Strollin' With The Mysterians 2:42<br /><b>08.</b> Are You For Real? 2:45<br /><b>09.</b> I'll Be Back 2:24<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK</span></b> <br /></p><p> <br /><b>10. </b>96 Tears (En Espanol) 5:18<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/WdIQRaQZ#OiO2HGdCaWpZqroYUdk0ZOqXnJ_w49788BDfRsMM72c">Flac Size: 222 MB</a></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com5tag:blogger.com,1999:blog-8270002232971427483.post-58217982500203053422024-03-13T09:21:00.001+02:002024-03-13T09:26:23.640+02:00The Velvet Underground & Nico: The Velvet Underground & Nico 45th Anniversary Super Deluxe Edition 2012<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivBu9A0eX9yfs-JzHNqimUZiQFqo9_zsr6Ay7tWb8fWPxYQsnKsrK8qur55tk-KGF2aFs4jrj8PWF7iQxyMHXNx78o5z7vtJg4kz_UpjaZ2j3WxcPqOm2JkA_3OqAt6FzP-02uwSKWV0DssbPTIpM-Oi3hE7dC7VgghM-zq85o3TrgSO84clVD1iZ2LXI/s600/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Front%20Cover%20+%20Sticker.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivBu9A0eX9yfs-JzHNqimUZiQFqo9_zsr6Ay7tWb8fWPxYQsnKsrK8qur55tk-KGF2aFs4jrj8PWF7iQxyMHXNx78o5z7vtJg4kz_UpjaZ2j3WxcPqOm2JkA_3OqAt6FzP-02uwSKWV0DssbPTIpM-Oi3hE7dC7VgghM-zq85o3TrgSO84clVD1iZ2LXI/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Front%20Cover%20+%20Sticker.jpg" width="400" /></a></div> <p></p><p>The Velvet Underground was an American rock band formed in New York City in 1964. It originally </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM-ovqORrl5ws3AzdDjORKowJ9xqtzwbwpqsXIiCA6-ZFXM6iv8sfv5riX-F_ZJeh9QSV3vi_dSqdYwjLOTaVvZ7cBD1_lcj5Gzo9qT7tOn9MxdrhyDV4UG13PLnJ1acWMYYZ512CC-PMU1q-UpXxMylieA5dAxYT9ExmY2Sx0YD3ts8JqYHffXt_spPk/s1000/The%20Velvet%20Underground%20-%20Photo%201.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="663" data-original-width="1000" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM-ovqORrl5ws3AzdDjORKowJ9xqtzwbwpqsXIiCA6-ZFXM6iv8sfv5riX-F_ZJeh9QSV3vi_dSqdYwjLOTaVvZ7cBD1_lcj5Gzo9qT7tOn9MxdrhyDV4UG13PLnJ1acWMYYZ512CC-PMU1q-UpXxMylieA5dAxYT9ExmY2Sx0YD3ts8JqYHffXt_spPk/s320/The%20Velvet%20Underground%20-%20Photo%201.jpg" width="320" /></a></div><br />comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Too far ahead of their time for pop music's mainstream, the VU made a profound impression on thoughtful listeners, many of whom would go on to make groundbreaking music of their own, and they would belatedly be acknowledged as one of rock's most important groups.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZEgB8zaCoC_gIX7G33f75AcW5EZsEe-AofdbFP6jKuGlAZWTPKOeZ_ZNVekUTNnhlxI5QxDE_qkZ-R9_AExNC4XXtX2ay1R6XV0IrNb9HJpa_0iA2zQ_DwKvgDCok4VWjc8_vVT-umpZUGkQ3PHNHtCm_giBj_qnwg3CyR2NTStmg33bnfLDLkp__B5A/s1067/The%20Velvet%20Underground%20-%20Poster%2010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZEgB8zaCoC_gIX7G33f75AcW5EZsEe-AofdbFP6jKuGlAZWTPKOeZ_ZNVekUTNnhlxI5QxDE_qkZ-R9_AExNC4XXtX2ay1R6XV0IrNb9HJpa_0iA2zQ_DwKvgDCok4VWjc8_vVT-umpZUGkQ3PHNHtCm_giBj_qnwg3CyR2NTStmg33bnfLDLkp__B5A/w300-h400/The%20Velvet%20Underground%20-%20Poster%2010.jpg" width="300" /></a></div><br />The Velvet Underground were largely ignored during heir original run from the mid-'60s into the early '70s, but few bands would cast as long a shadow in terms of innovation and influence. Though their <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGWnIV3oZM7FeuAwpiyivkfmQBjvPGcReveRAf6f9a3GYHlAKASfNbsWSpDE5_obtLu2epkpaVnVLdSsNfp8qAm31ozDdDTxX0yddjEJpCi9pxQlcZFfA1c44grWo_FciTdBxMDSvELckhWIcYpXxVGTIPidcpIseOGiVC2sA7w3CKYXjFlHu4kJo8EAw/s800/The%20Velvet%20Underground%20-%20Photo%202.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="692" data-original-width="800" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGWnIV3oZM7FeuAwpiyivkfmQBjvPGcReveRAf6f9a3GYHlAKASfNbsWSpDE5_obtLu2epkpaVnVLdSsNfp8qAm31ozDdDTxX0yddjEJpCi9pxQlcZFfA1c44grWo_FciTdBxMDSvELckhWIcYpXxVGTIPidcpIseOGiVC2sA7w3CKYXjFlHu4kJo8EAw/s320/The%20Velvet%20Underground%20-%20Photo%202.jpg" width="320" /></a></div><br />integration of rock and the avant-garde resulted in little commercial success, they became one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNJwbDaYNm-4l2kRA4DacUXTWt0ysuXJ-_10kD3ibxUvrGQQDtQ79Pgt5UHMvAh2PeLbIR5vn_ygBHOf0PMa3fxhsNfZPIdTl0HFvXM6kzUxsi9CEYDkrHlZzWaRVOyVvxPRuPAHQvOdQpv5N7mo_mvCbMnlgBzHSTR1Qomlt5Tqc-L9TU7EGHisxIEis/s800/The%20Velvet%20Underground%20-%20Photo%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNJwbDaYNm-4l2kRA4DacUXTWt0ysuXJ-_10kD3ibxUvrGQQDtQ79Pgt5UHMvAh2PeLbIR5vn_ygBHOf0PMa3fxhsNfZPIdTl0HFvXM6kzUxsi9CEYDkrHlZzWaRVOyVvxPRuPAHQvOdQpv5N7mo_mvCbMnlgBzHSTR1Qomlt5Tqc-L9TU7EGHisxIEis/w400-h313/The%20Velvet%20Underground%20-%20Photo%206.jpg" width="400" /></a></div> <br />The group performed under several names before settling on the Velvet Underground in 1965, taken <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnx_-a4npY78_4BPtsP_666lfELpl_Ia8QkNPMia2NYb1wD5H49St1CwrQcmucsRyJw33cXEFrzN9oI2y5XZGx2R5F7cHWMsfDfnFQ_prB095S17SY_sTTETSJ9tOttQm-zd5TJmNYYXg9is4WP-3xXuje-LvvYHz1g5IdcmsN3k23Q0A0hSD6CRlOfEc/s800/The%20Velvet%20Underground%20-%20Photo%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="800" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnx_-a4npY78_4BPtsP_666lfELpl_Ia8QkNPMia2NYb1wD5H49St1CwrQcmucsRyJw33cXEFrzN9oI2y5XZGx2R5F7cHWMsfDfnFQ_prB095S17SY_sTTETSJ9tOttQm-zd5TJmNYYXg9is4WP-3xXuje-LvvYHz1g5IdcmsN3k23Q0A0hSD6CRlOfEc/s320/The%20Velvet%20Underground%20-%20Photo%203.jpg" width="320" /></a></div><br />from the title of a 1963 book on atypical sexual behavior. In 1966, the pop artist Andy Warhol became their manager. They served as the house band at Warhol's studio, the Factory, and his traveling multimedia show, the Exploding Plastic Inevitable, from 1966 to 1967. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxIHxaE7JuhmaHLJvhXA2njLhLBvrMbftdNkjhlwoOUUG9j8kmisSXO_PnCze-LYAejQPUc7p41-P7TN8umEM_PwxkZDEG1Hnr4LYGxFo79BMEbFxrb1gK_UdswNrrk7mfL8D-c0AqI2_zBI7b8or-q9fHsEi-XKTuZxyNjQF4__mpKSQguUSLG5Uxd6U/s1106/The%20Velvet%20Underground%20-%20Poster%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1106" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxIHxaE7JuhmaHLJvhXA2njLhLBvrMbftdNkjhlwoOUUG9j8kmisSXO_PnCze-LYAejQPUc7p41-P7TN8umEM_PwxkZDEG1Hnr4LYGxFo79BMEbFxrb1gK_UdswNrrk7mfL8D-c0AqI2_zBI7b8or-q9fHsEi-XKTuZxyNjQF4__mpKSQguUSLG5Uxd6U/w289-h400/The%20Velvet%20Underground%20-%20Poster%209.jpg" width="289" /></a></div><br />Their debut album, The Velvet Underground & Nico, featuring the German singer and model Nico, was released in 1967 to critical indifference and poor sales but later drew widespread acclaim. They <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ7DXmXKwUJHBdCJ6pwtBA-EYeWN5yrCrpCqVYvHiQ5j1BgdioL6Yt6voAcgsuP1B5BdTTKYPF2BJvHaL8tYmVfFOnAOCLLc8HUDo0mdpbEdQWKlW3tweBw5V9GQjKYGTqs25iy12f9P2-Rf4JIa0nsuJUWO1dWoHgTD8Bz5YSOjr0GxVmhl7m5-P548E/s540/The%20Velvet%20Underground%20-%20Photo%204.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="540" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ7DXmXKwUJHBdCJ6pwtBA-EYeWN5yrCrpCqVYvHiQ5j1BgdioL6Yt6voAcgsuP1B5BdTTKYPF2BJvHaL8tYmVfFOnAOCLLc8HUDo0mdpbEdQWKlW3tweBw5V9GQjKYGTqs25iy12f9P2-Rf4JIa0nsuJUWO1dWoHgTD8Bz5YSOjr0GxVmhl7m5-P548E/s320/The%20Velvet%20Underground%20-%20Photo%204.jpg" width="296" /></a></div><br />released three more albums: the abrasive White Light/White Heat (1968), and the more accessible albums The Velvet Underground (1969) and Loaded (1970), with Doug Yule replacing Cale for the latter two. None performed to the expectations of record labels or Reed, the band's leader. However, like the band's debut, all albums later achieved critical acclaim. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigbvg3Eovh0c-Z22JO_pAUEUUq9xD4vQ1bK7vHnWMKnByA8Jb45gxc-DkQUQUF-2WMb5FgAwUeJId0dZebIQRaieyhqdkiTeuaS70tsnGdTDu8RK3cOIP9qmXW9m8Ym-8KrW_Ba5hKQDz_aSEpgK6JJrcv7dSaD0bqw6w31DiZ1sZs6fyRmzFblNR8Jps/s556/The%20Velvet%20Underground%20-%20Photo%2013.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="362" data-original-width="556" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigbvg3Eovh0c-Z22JO_pAUEUUq9xD4vQ1bK7vHnWMKnByA8Jb45gxc-DkQUQUF-2WMb5FgAwUeJId0dZebIQRaieyhqdkiTeuaS70tsnGdTDu8RK3cOIP9qmXW9m8Ym-8KrW_Ba5hKQDz_aSEpgK6JJrcv7dSaD0bqw6w31DiZ1sZs6fyRmzFblNR8Jps/w400-h260/The%20Velvet%20Underground%20-%20Photo%2013.jpg" width="400" /></a></div><br />One would be hard-pressed to name a rock album whose influence has been as broad and pervasive as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy_AHVjV7cCZq5b1SZxkGjjzHp8x4cN7bGVj8T4qb50YC7eZHQGOS_pJA3IDFgzAmLllwbe4FXeasMUUhd8XyE9aesKFjf7B8HwHVFIwsfoNp5jRqLv8YzJf-93ryxwcACpSR8KfnBP8Tf84FyCoDiqLxclsSl25YFd0nyBcBNBd5_4SOwb5XmOaPseb0/s856/The%20Velvet%20Underground%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="856" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy_AHVjV7cCZq5b1SZxkGjjzHp8x4cN7bGVj8T4qb50YC7eZHQGOS_pJA3IDFgzAmLllwbe4FXeasMUUhd8XyE9aesKFjf7B8HwHVFIwsfoNp5jRqLv8YzJf-93ryxwcACpSR8KfnBP8Tf84FyCoDiqLxclsSl25YFd0nyBcBNBd5_4SOwb5XmOaPseb0/s320/The%20Velvet%20Underground%20-%20Photo%2011.jpg" width="299" /></a></div><br />owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, what's most surprising about this album is its diversity. Here, the Velvets dipped their toes into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"), stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror") when they weren't busy creating sounds without pop precedent. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipDIAiyPhTvvowbCaH6F28FpMampfeN286YZDLBX0-fgqHVEPyP3b7mUkyp8nlwES3wBOsg7elGJc5vChQ5Al15JepsS0oOZ_WcUAqmGD5YMKNOHabvOFHSwI4ihfxorMpUrLHiIp8ksYVLzdwe8tZgGRR-aah1sR_s8SjShhur9dWavxwE-vf6dZIaUY/s946/The%20Velvet%20Underground%20-%20Poster%2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipDIAiyPhTvvowbCaH6F28FpMampfeN286YZDLBX0-fgqHVEPyP3b7mUkyp8nlwES3wBOsg7elGJc5vChQ5Al15JepsS0oOZ_WcUAqmGD5YMKNOHabvOFHSwI4ihfxorMpUrLHiIp8ksYVLzdwe8tZgGRR-aah1sR_s8SjShhur9dWavxwE-vf6dZIaUY/w270-h400/The%20Velvet%20Underground%20-%20Poster%2012.jpg" width="270" /></a></div><br />Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipmTWVKalNy6Ct77oW6sJ6gHd1EJwAczZuMwK_Xa5W43NBiYKHPvIWc8CQJF-uhlIFyj0A2Ux7qVqAsDI_Mx8AijiNYQlHpsLXF8eOUX8ZBQrzt3dT1AM9JqQw5vS0PDxQiNFfzXRAwShYBHwTCCuHVRiEUpPFQ1mZC-D2bZ0S2AtfnCAsyBjcpgRO8I/s896/The%20Velvet%20Underground%20-%20Photo%207.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="896" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipmTWVKalNy6Ct77oW6sJ6gHd1EJwAczZuMwK_Xa5W43NBiYKHPvIWc8CQJF-uhlIFyj0A2Ux7qVqAsDI_Mx8AijiNYQlHpsLXF8eOUX8ZBQrzt3dT1AM9JqQw5vS0PDxQiNFfzXRAwShYBHwTCCuHVRiEUpPFQ1mZC-D2bZ0S2AtfnCAsyBjcpgRO8I/s320/The%20Velvet%20Underground%20-%20Photo%207.jpg" width="229" /></a></div><br />"teen music") always received the most press attention, but the music Reed, John Cale, Sterling Morrison, and Maureen Tucker played was as radical as the words they accompanied. The bracing discord of "European Son," the troubling beauty of "All Tomorrow's Parties," and the expressive dynamics of "Heroin" all remain as compelling as the day they were recorded. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilUSwPEmf1pPi-6eUxS-asdfCNetJAXctT0djnJFnhjnWhrmjY9djbFmlrmuXsTJ-f1mmE_PMKkLSkRZjAw97b62aQ-Nxx9b339s-1Nse_GvWOq9jo6F84kZ2G654mFpJh0pbV5EDqvmTZxjmYopRCKMt6Wyg1kwDbRaTcjeW6TTHydOwupDFhxPxVe_8/s1024/The%20Velvet%20Underground%20-%20Photo%2010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilUSwPEmf1pPi-6eUxS-asdfCNetJAXctT0djnJFnhjnWhrmjY9djbFmlrmuXsTJ-f1mmE_PMKkLSkRZjAw97b62aQ-Nxx9b339s-1Nse_GvWOq9jo6F84kZ2G654mFpJh0pbV5EDqvmTZxjmYopRCKMt6Wyg1kwDbRaTcjeW6TTHydOwupDFhxPxVe_8/w400-h225/The%20Velvet%20Underground%20-%20Photo%2010.jpg" width="400" /></a></div><br />While the significance of Nico's contributions have been debated over the years, she meshes with the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBSynUoZKAP0Aaunv88PskDhBijF6AuvlZz6Y_SJKXjAtLEUFmChJu4YViuCAfafBkmp_wc2Zk0c3iqduuqwwpXBNcEKySBzR7hCwFqH11Ak9zqbg3_dgjzP3hN0Lxx-jtg-zKhY_c6SN9qHjWR7tQ01KlF0mm669drokxe7bWOuSlJNpKZAfjfG1maA8/s807/The%20Velvet%20Underground%20-%20Photo%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBSynUoZKAP0Aaunv88PskDhBijF6AuvlZz6Y_SJKXjAtLEUFmChJu4YViuCAfafBkmp_wc2Zk0c3iqduuqwwpXBNcEKySBzR7hCwFqH11Ak9zqbg3_dgjzP3hN0Lxx-jtg-zKhY_c6SN9qHjWR7tQ01KlF0mm669drokxe7bWOuSlJNpKZAfjfG1maA8/s320/The%20Velvet%20Underground%20-%20Photo%208.jpg" width="254" /></a></div><br />band's outlook in that she hardly sounds like a typical rock vocalist, and if Andy Warhol's presence as producer was primarily a matter of signing the checks, his notoriety allowed The Velvet Underground to record their material without compromise, which would have been impossible under most other circumstances. Few rock albums are as important as The Velvet Underground & Nico, and fewer still have lost so little of their power to surprise and intrigue more 50 years after first hitting the racks.<p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizZ2vO6ggLvZ4ssS0qWE-bymQoUSD2KJc8F6mYOCjCTz_9TzKU4kbY62LaBd0HLI1mI3Tbu-7BUNYm5R2r49z-YcmnN235V3P8tBEvRgGuwyFrn8jNMLyogwBfOAFWth1Y_tWjxzMM0VQBdVkRQlUD7JeKQcfX9BVwAUAEL2I7K7_jC4kKX9spSi4i8uY/s874/The%20Velvet%20Underground%20-%20Poster%2011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="874" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizZ2vO6ggLvZ4ssS0qWE-bymQoUSD2KJc8F6mYOCjCTz_9TzKU4kbY62LaBd0HLI1mI3Tbu-7BUNYm5R2r49z-YcmnN235V3P8tBEvRgGuwyFrn8jNMLyogwBfOAFWth1Y_tWjxzMM0VQBdVkRQlUD7JeKQcfX9BVwAUAEL2I7K7_jC4kKX9spSi4i8uY/w293-h400/The%20Velvet%20Underground%20-%20Poster%2011.jpg" width="293" /></a></div><br /><p></p><p>The Velvet Underground is regarded as one of the most influential bands in rock history. In 1996 they </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8DUsNy39bNtTqvf3VN7Um5bT1biljB7V2mJU5K_OZ1_xuZhf486ZW28PimAs_80dqxFFF4PoPAAGDJoLQ5kzhf6hPAanpfcTzY7IG4pmho3SFHSWFIlBAqm2hsPoOL_XL1oHlJyCVgH5IkAMaN4u1wjLU70_-f4VyAASZRF_mgEgf5cN6tuWyxZdAoto/s800/The%20Velvet%20Underground%20-%20Photo%209.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="596" data-original-width="800" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8DUsNy39bNtTqvf3VN7Um5bT1biljB7V2mJU5K_OZ1_xuZhf486ZW28PimAs_80dqxFFF4PoPAAGDJoLQ5kzhf6hPAanpfcTzY7IG4pmho3SFHSWFIlBAqm2hsPoOL_XL1oHlJyCVgH5IkAMaN4u1wjLU70_-f4VyAASZRF_mgEgf5cN6tuWyxZdAoto/s320/The%20Velvet%20Underground%20-%20Photo%209.jpg" width="320" /></a></div><br />were inducted into the Rock and Roll Hall of Fame. Critic Robert Christgau considers them to be "the number three band of the '60s, after the Beatles and James Brown and His Famous Flames". AllMusic wrote that "Few rock groups can claim to have broken so much new territory, and maintain such consistent brilliance on record, as the Velvet Underground during their brief lifespan. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5O1yQfYzyp8gpScUKPQRZ70OpkSXIqr8jglhWHQvLwLMTjB2urms2PAz55rG_fW9OawTNpSvDBuaUu0Nv7wc-iRQupql1xF2zhSt7YIcINhZdp3Iua4Th5Faqc1Pzsc_eksynvAUr7sx0ukpdLsOKR9ilBtGWoRaX_PxgEdIMbA6VxuC2O7H3XU6tvRo/s1031/The%20Velvet%20Underground%20-%20Poster%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1031" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5O1yQfYzyp8gpScUKPQRZ70OpkSXIqr8jglhWHQvLwLMTjB2urms2PAz55rG_fW9OawTNpSvDBuaUu0Nv7wc-iRQupql1xF2zhSt7YIcINhZdp3Iua4Th5Faqc1Pzsc_eksynvAUr7sx0ukpdLsOKR9ilBtGWoRaX_PxgEdIMbA6VxuC2O7H3XU6tvRo/w310-h400/The%20Velvet%20Underground%20-%20Poster%204.jpg" width="310" /></a></div><br />On August 30, 1995, Sterling Morrison died of non-Hodgkin lymphoma after returning to his <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5IW4yzATnoXB3Ge8TNg7LZ2suNMwMvQ0Ge1eAAOTum1Wgb7LojHONXsgMwS1Qrh-BnuwS8AJQKDikR-_KvF5k09sa8qdkxU4LosgSuST1eHch1JeEtTa63i5SDz1clLdb0lxkQNqMx0WybBysylS3hen_-PREa3_9ENqm4meXeXfiVA6WniaNbYUz5t8/s1318/The%20Velvet%20Underground%20-%20Poster%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1318" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5IW4yzATnoXB3Ge8TNg7LZ2suNMwMvQ0Ge1eAAOTum1Wgb7LojHONXsgMwS1Qrh-BnuwS8AJQKDikR-_KvF5k09sa8qdkxU4LosgSuST1eHch1JeEtTa63i5SDz1clLdb0lxkQNqMx0WybBysylS3hen_-PREa3_9ENqm4meXeXfiVA6WniaNbYUz5t8/s320/The%20Velvet%20Underground%20-%20Poster%208.jpg" width="194" /></a></div><br />hometown of Poughkeepsie, New York, at age 53. On October 27, 2013, Lou Reed died at his home in Southampton, New York, aged 71. He had undergone a liver transplant earlier in the year. John Cale responded to Reed's passing by saying, "The world has lost a fine songwriter and poet…I've lost my 'school-yard buddy'"<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKRLI5jGUkBB-igX5eVUdGmmFYNt4STR7T32hfgfNfI8F9WLEVJHVu-s92c9ZGwz6ZJgCx9-hoqpUY1mgGxycaS0qVFqiuqQmAD_uotBcATGSHt2zXXtkzOV3eNddGl_BYO_gyjH4PV4tZG4mtpVodDTNCUvMMg0B6wVu_L-W-aiFQ2vgrL04YfyEINDA/s759/The%20Velvet%20Underground%20-%20Poster%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="759" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKRLI5jGUkBB-igX5eVUdGmmFYNt4STR7T32hfgfNfI8F9WLEVJHVu-s92c9ZGwz6ZJgCx9-hoqpUY1mgGxycaS0qVFqiuqQmAD_uotBcATGSHt2zXXtkzOV3eNddGl_BYO_gyjH4PV4tZG4mtpVodDTNCUvMMg0B6wVu_L-W-aiFQ2vgrL04YfyEINDA/w338-h400/The%20Velvet%20Underground%20-%20Poster%205.jpg" width="338" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">VENUS IN FURS LYRICS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzy_QVihW-ffp58y2714l39VqDmttRMM-R6oE6RDcvKYs9obnO5OPMGbzwEZZHWHEtmx1lCKVE9XvyhJa4tdKKkJ41JbiWBLECsUmiME3xj13AqeulZHOvVmhrX7bvGvmaE3Z1Hi0T03s6Ss0oVkUtZSmlWUQqaepYkeSChKG3GISo_hX8qcMqst3ZJ70/s819/The%20Velvet%20Underground%20&%20Nico.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzy_QVihW-ffp58y2714l39VqDmttRMM-R6oE6RDcvKYs9obnO5OPMGbzwEZZHWHEtmx1lCKVE9XvyhJa4tdKKkJ41JbiWBLECsUmiME3xj13AqeulZHOvVmhrX7bvGvmaE3Z1Hi0T03s6Ss0oVkUtZSmlWUQqaepYkeSChKG3GISo_hX8qcMqst3ZJ70/w391-h400/The%20Velvet%20Underground%20&%20Nico.jpg" width="391" /></a></div><br />"Venus in Furs" is a song by the Velvet Underground, written by Lou Reed and originally released on the band's 1967 debut album The Velvet Underground & Nico. Inspired by the book of the same name by LEOPOLD VON SACHER-MASOCH, the song includes sexual themes of sadomasochism and bondage. <br /><br /><p></p><p style="text-align: center;">Shiny, shiny, shiny boots of leather<br />Whiplash girl child in the dark<br />Comes in bells, your servant, don't forsake him<br />Strike, dear mistress, and cure his heart<br /><br />Downy sins of streetlight fancies<br />Chase the costumes she shall wear<br />Ermine furs adorn the imperious<br />Severin, Severin awaits you there<br /><br />I am tired, I am weary<br />I could sleep for a thousand years<br />A thousand dreams that would awake me<br />Different colors made of tears<br /><br />Kiss the boot of shiny, shiny leather<br />Shiny leather in the dark<br />Tongue of thongs, the belt that does await you<br />Strike, dear mistress, and cure his heart<br /><br />Severin, Severin, speak so slightly<br />Severin, down on your bended knee<br />Taste the whip, in love not given lightly<br />Taste the whip, now bleed for me<br /><br />I am tired, I am weary<br />I could sleep for a thousand years<br />A thousand dreams that would awake me<br />Different colors made of tears<br /><br />Shiny, shiny, shiny boots of leather<br />Whiplash girl child in the dark<br />Severin, your servant comes in bells, please don't forsake him<br />Strike, dear mistress, and cure his heart.<br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5IGHEJeQYpzl1_chd1a64tyHFRkmHOtsAJZhOle9UQYMIJxwtveIcmtuw33tX7jdtfGlswqEUTixeC_vPKb7L92pwrnGUaBuYMU1hbJAs3I-xG255xBzoUvGMO4X045PGMD8_zEz_sfY6sOHE_bJLM_AX8k4UqMgiyft6p6pr_RCNPQ1nD1ORHFUO5O8/s800/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20The%20Factory%20Rehearsals.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5IGHEJeQYpzl1_chd1a64tyHFRkmHOtsAJZhOle9UQYMIJxwtveIcmtuw33tX7jdtfGlswqEUTixeC_vPKb7L92pwrnGUaBuYMU1hbJAs3I-xG255xBzoUvGMO4X045PGMD8_zEz_sfY6sOHE_bJLM_AX8k4UqMgiyft6p6pr_RCNPQ1nD1ORHFUO5O8/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20The%20Factory%20Rehearsals.jpg" width="400" /></a></div><b><br /></b><p></p><p style="text-align: center;"><b>The Velvet Underground & Nico – The Velvet Underground & Nico<br />Label: UMe – B0016946-02, Polydor – B0016946-02<br />Series: 45th Anniversary Edition<br />Format: Box Set, Limited Edition, 45th Anniversary Super Deluxe Edition<br />Country: UK, Europe & US<br />Released: Oct 30, 2012<br />Genre: Rock<br />Style: Art Rock, Avantgarde,Rock & Roll<br /><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE78RF1l1m7OwF1xKzP0YtF3ax6qisKuJ-PpnLbR_PDzSDR6Ny4JXCsfr2EidTVXwU5o7JtC2HpExs30ApFdt2-ktKG_EBM4Sy7rgqX8BqdcNBFgZpoTgpRt2vFEPH3f4VqBez2FrH0R7vG0zfwCofRC58SYntQKMbfr3wUpOvGZhc_zKKc9mqCQJxkvk/s800/The%20Velvet%20Underground%20&%20Nico%2045th%20Anniversary%20(Super%20Deluxe%20Box%20Set)%20The%20Velvet%20Underground%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="650" data-original-width="800" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE78RF1l1m7OwF1xKzP0YtF3ax6qisKuJ-PpnLbR_PDzSDR6Ny4JXCsfr2EidTVXwU5o7JtC2HpExs30ApFdt2-ktKG_EBM4Sy7rgqX8BqdcNBFgZpoTgpRt2vFEPH3f4VqBez2FrH0R7vG0zfwCofRC58SYntQKMbfr3wUpOvGZhc_zKKc9mqCQJxkvk/w400-h325/The%20Velvet%20Underground%20&%20Nico%2045th%20Anniversary%20(Super%20Deluxe%20Box%20Set)%20The%20Velvet%20Underground%20-%20Back%20Cover.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span></b></div><div style="text-align: center;"><b><span style="font-size: large;">THE VELVET UNDERGROUND & NICO (STEREO VERSION) </span></b><span style="font-size: large;"> </span> <br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvm5mFyOSc8MLCtG_TJsFJfvvBNJKYLZtJ-Q957bSS050QJWiJDXUOiRLRZFJrW0uHR-a3F7gRsZiZ2T3_p3GbbP97QKZaR3Y_FiEm5W43U3C-AtWNo5963sDqwI8-ZiVZ0mGeawyRjBQHRCzXygkVNJpPXv8rpi-JS0f_-rZW8Q5hkq7BLeR6JiUNYZA/s800/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvm5mFyOSc8MLCtG_TJsFJfvvBNJKYLZtJ-Q957bSS050QJWiJDXUOiRLRZFJrW0uHR-a3F7gRsZiZ2T3_p3GbbP97QKZaR3Y_FiEm5W43U3C-AtWNo5963sDqwI8-ZiVZ0mGeawyRjBQHRCzXygkVNJpPXv8rpi-JS0f_-rZW8Q5hkq7BLeR6JiUNYZA/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Front%20Cover.jpg" width="400" /></a></div> <b><br />01. The Velvet Underground & Nico – Sunday Morning 2:55</b><br />Written-By – John Cale, Lou Reed<br /><b>02. The Velvet Underground & Nico – I'm Waiting For The Man 4:39</b><br />Written-By – Lou Reed<br /><b>03. The Velvet Underground & Nico – Femme Fatale 2:38</b><br />Written-By – Lou Reed<br /><b>04. The Velvet Underground & Nico – Venus In Furs 5:12</b><br />Written-By – Lou Reed<br /><b>05. The Velvet Underground & Nico – Run Run Run 4:23</b><br />Written-By – Lou Reed<br /><b>06. The Velvet Underground & Nico – All Tomorrow's Parties 5:59</b><br />Written-By – Lou Reed<br /><b>07. The Velvet Underground & Nico – Heroin 7:13</b><br />Written-By – Lou Reed<br /><b>08. The Velvet Underground & Nico – There She Goes Again 2:41</b><br />Written-By – Lou Reed<br /><b>09. The Velvet Underground & Nico – I'll Be Your Mirror 2:14</b><br />Written-By – Lou Reed<br /><b>10. The Velvet Underground & Nico – The Black Angel's Death Song 3:12</b><br />Written-By – John Cale, Lou Reed<br /><b>11. The Velvet Underground & Nico – European Son 7:47</b><br />Written-By – John Cale, Lou Reed, Maureen Tucker, Sterling Morrison<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">ALTERNATE VERSIONS </span></b> <br /></p><p> <br /><b>12. The Velvet Underground & Nico – All Tomorrow's Parties (Alternate Single Voice Version) 5:57</b><br />Written-By – Lou Reed<br /><b>13. The Velvet Underground & Nico – European Son (Alternate Version) 9:06</b><br />Written-By – John Cale, Lou Reed, Maureen Tucker, Sterling Morrison<br /><b>14. The Velvet Underground & Nico – Heroin (Alternate Version) 6:17</b><br />Written-By – Lou Reed<br /><b>15. The Velvet Underground & Nico – All Tomorrow's Parties (Alternate Instrumental Mix) 5:51</b><br />Written-By – Lou Reed<br /><b>16. The Velvet Underground & Nico – I'll Be Your Mirror (Alternate Mix) 2:20</b><br />Written-By – Lou Reed<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/mAAXULZC#YSKpcX2JJFSHC4juGKIXCi2t6vRFvSX6ANE5g8EfqUc">Flac Size: 434 MB</a><br /><span style="font-size: large;"><br />THE VELVET UNDERGROUND & NICO (MONO VERSION) </span> </b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9Td0i0bCXkLcoxKBFNS1I1UbENTxBCs72rPeC-lM64Lhd2jGpfEzB2W0-MMpxA_6jH_kaYGlXhkN7zT4F7HP5otKoM-TT5usafOgoSSHIwsY6a1CETyryN_8bJp3UESh-3Yl1ZEBz0GMEvnx4p27IYpNyKMvrsxHyhijR3AwlZQQ8iP-TZg9QoF0qn8/s800/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Scepter%20Studios%20Sessions%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9Td0i0bCXkLcoxKBFNS1I1UbENTxBCs72rPeC-lM64Lhd2jGpfEzB2W0-MMpxA_6jH_kaYGlXhkN7zT4F7HP5otKoM-TT5usafOgoSSHIwsY6a1CETyryN_8bJp3UESh-3Yl1ZEBz0GMEvnx4p27IYpNyKMvrsxHyhijR3AwlZQQ8iP-TZg9QoF0qn8/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Scepter%20Studios%20Sessions%202.jpg" width="400" /></a></div> <br /><b>01. The Velvet Underground & Nico – Sunday Morning 2:55</b><br />Written-By – John Cale, Lou Reed<br /><b>02. The Velvet Underground & Nico – I'm Waiting For The Man 4:46</b><br />Written-By – Lou Reed<br /><b>03. The Velvet Underground & Nico – Femme Fatale 2:38</b><br />Written-By – Lou Reed<br /><b>04. The Velvet Underground & Nico – Venus In Furs 5:13</b><br />Written-By – Lou Reed<br /><b>05. The Velvet Underground & Nico – Run Run Run 4:24</b><br />Written-By – Lou Reed<br /><b>06. The Velvet Underground & Nico – All Tomorrow's Parties 5:59</b><br />Written-By – Lou Reed<br /><b>07. The Velvet Underground & Nico – Heroin 7:14</b><br />Written-By – Lou Reed<br /><b>08. The Velvet Underground & Nico – There She Goes Again 2:41</b><br />Written-By – Lou Reed<br /><b>09. The Velvet Underground & Nico – I'll Be Your Mirror 2:14</b><br />Written-By – Lou Reed<br /><b>10. The Velvet Underground & Nico – The Black Angel's Death Song 3:12</b><br />Written-By – John Cale, Lou Reed<br /><b>11. The Velvet Underground & Nico – European Son 7:57</b><br />Written-By – John Cale, Lou Reed, Maureen Tucker, Sterling Morrison<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">THE SINGLES:</span></b> <br /></p><p> <br /><b>12. The Velvet Underground & Nico – All Tomorrow's Parties 2:49</b><br />Written-By – Lou Reed<b><br />13. The Velvet Underground & Nico – I'll Be Your Mirror (Alternate Ending) 2:17</b><br />Written-By – Lou Reed<b><br />14. The Velvet Underground & Nico – Sunday Morning (Alternate Mix) 2:56</b><br />Written-By – Lou Reed<b><br />15. The Velvet Underground & Nico – Femme Fatale 2:37</b><br />Written-By – Lou Reed<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/Xc4CTLTL#BLPPYubsRcxkEBJgCyzBDUF0cMSVFibJZNybLM5uy6E">Flac Size: 202 MB</a><br /><br /><span style="font-size: large;">NICO - CHELSEA GIRL </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-ODTHNwv6GFXsXWgRZz_AHv_Qj3Dn_g18SmDL6jDVoyCLQb5966v5le8k6LaZh-4v5g5VEOu82x_266Zl89EfNIe84z2lwKSYWD4o0AvNQE6CC0CGaOaDG5XqmUcnd9zn1wQLKXAWB-ngANv_nG_5UZQ2aj2QS-4fAtVPpMssLwUSur_5Q0snutwQws/s800/Nico%20-%20Chelsea%20Girl%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-ODTHNwv6GFXsXWgRZz_AHv_Qj3Dn_g18SmDL6jDVoyCLQb5966v5le8k6LaZh-4v5g5VEOu82x_266Zl89EfNIe84z2lwKSYWD4o0AvNQE6CC0CGaOaDG5XqmUcnd9zn1wQLKXAWB-ngANv_nG_5UZQ2aj2QS-4fAtVPpMssLwUSur_5Q0snutwQws/w400-h400/Nico%20-%20Chelsea%20Girl%20-%20Front%20Cover.jpg" width="400" /></a></div> <b><br />01. Nico – The Fairest Of The Seasons 4:10</b><br />Written-By – Gregory Copeland, Jackson Browne<br /><b>02. Nico – These Days 3:34</b><br />Written-By – Jackson Browne<br /><b>03. Nico – Little Sister 4:27</b><br />Written-By – John Cale, Lou Reed<br /><b>04. Nico – Winter Song 3:20</b><br />Written-By – John Cale<br /><b>05. Nico – It Was A Pleasure Then 8:06</b><br />Written-By – Christa Paeffgen, John Cale, Lou Reed<br /><b>06. Nico – Chelsea Girls 7:27</b><br />Written-By – Lou Reed, Sterling Morrison<br /><b>07. Nico – I'll Keep It With Mine 3:21</b><br />Written-By – Bob Dylan<br /><b>08. Nico – Somewhere There's A Feather 2:20</b><br />Written-By – Jackson Browne<b><br />09. Nico – Wrap Your Troubles In Dreams 5:10</b><br />Written-By – Lou Reed<b><br />10. Nico – Eulogy To Lenny Bruce 3:46</b><br />Written-By – Tim Hardin<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/qIBkxIyJ#Btsz1_NK4GzKrGUrwoL9CrKzVkmxfrelivn99Gh-SW4">Flac Size: 244 MB</a><br /><br /><span style="font-size: large;">DISC 4. SCEPTER STUDIOS SESSIONS</span></b><span style="font-size: large;"> </span> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWlYfU7ArK6GxWaSrdWkeIZCQDSXuIMrVzrqKpogBURHYs93C4DQBzBiHS57caRb5Rzkm-lgrQIj1FBge-sYwkj1P88QW0wOvuv-5Ck0hAD0zuBykC7-QRbokdAIzG9Z2HZjAdrMeJ60S2v-XcsiL4CnKpJOnvgNEusoC3477kglhTcYErZz4JblvHcSE/s640/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20The%20Factory%20Rehearsals%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWlYfU7ArK6GxWaSrdWkeIZCQDSXuIMrVzrqKpogBURHYs93C4DQBzBiHS57caRb5Rzkm-lgrQIj1FBge-sYwkj1P88QW0wOvuv-5Ck0hAD0zuBykC7-QRbokdAIzG9Z2HZjAdrMeJ60S2v-XcsiL4CnKpJOnvgNEusoC3477kglhTcYErZz4JblvHcSE/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20The%20Factory%20Rehearsals%20-%20Front%20Cover.jpg" width="400" /></a></div> <b><br />01. The Velvet Underground & Nico – European Son (Alternate Version) 9:02</b><br />Written-By – John Cale, Lou Reed, Maureen Tucker, Sterling Morrison<b><br />02. The Velvet Underground & Nico – The Black Angel's Death Song (Alternate Mix) 3:16</b><br />Written-By – John Cale, Lou Reed<b><br />03. The Velvet Underground & Nico – All Tomorrow's Parties (Alternate Version) 5:53</b><br />Written-By – Lou Reed<b><br />04. The Velvet Underground & Nico – I'll Be Your Mirror (Alternate Version) 2:11</b><br />Written-By – Lou Reed<b><br />05. The Velvet Underground & Nico – Heroin (Alternate Version) 6:16</b><br />Written-By – Lou Reed<b><br />06. The Velvet Underground & Nico – Femme Fatale (Alternate Mix) 2:36</b><br />Written-By – Lou Reed<b><br />07. The Velvet Underground & Nico – Venus In Furs (Alternate Version) 4:29 </b><br />Written-By – Lou Reed<b><br />08. The Velvet Underground & Nico – Waiting For The Man (Alternate Version) 4:10</b><br />Written-By – Lou Reed<b><br />09. The Velvet Underground & Nico – Run Run Run (Alternate Mix) 4:23</b><br />Written-By – Lou Reed<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">THE FACTORY REHEARSALS</span></b> <br /></p><p> <b><br />10. The Velvet Underground & Nico – Walk Alone 3:27</b><br />Written-By – James N. Smith*, Jerry Pellegrino, Jr., Lou Reed, Terry Philips<br /><b>11. The Velvet Underground & Nico – Crackin' Up / Venus In Furs 3:52</b><br />Written-By [Crackin' Up] – Bo Diddley<br />Written-By [Venus In Furs] – Lou Reed<b><br />12. The Velvet Underground & Nico – Miss Joanie Lee 11:49</b><br />Written-By – Lou Reed<b><br />13. The Velvet Underground & Nico – Heroin 6:14</b><br />Written-By – Lou Reed<b><br />14. The Velvet Underground & Nico – There She Goes Again 2:09</b><br />Performer [With] – Nico <br />Written-By – Lou Reed<b><br />15. The Velvet Underground & Nico – There She Goes Again 2:56</b><br />Written-By – Lou Reed<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/SAYlQAbD#YV_kkMuU45ebagNT-A78zQdvTUy7U8uI6dWIKQZHTKc">Flac Size: 372 MB</a><br /><span style="font-size: large;"><br />DISC 5. LIVE AT VALLEYDALE BALLROOM, COLUMBUS, OHIO, NOVEMBER 4, 1966 </span></b><span style="font-size: large;"> </span> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1BHDDqkqSrUNCQT2z8sMDvOQvQh8n63p4mk5nyXOPbg2233ugVB3SbKeKgXX6e3z51WnJrvgr29ocHeQh9ztKkmJTsNc_x0iRtkKS51lpZN5jc02epSYeY2lF5U-XzTTsXwSSm6J3I7jEotD6rqO546cc2LOK9Iz6oGEw7bUUcLi0c2uWig9Usg443E/s800/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Live%20At%20Valleydale%20Ballroom,%20Columbus,%20Ohio,%20November%204,%201966%20-%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1BHDDqkqSrUNCQT2z8sMDvOQvQh8n63p4mk5nyXOPbg2233ugVB3SbKeKgXX6e3z51WnJrvgr29ocHeQh9ztKkmJTsNc_x0iRtkKS51lpZN5jc02epSYeY2lF5U-XzTTsXwSSm6J3I7jEotD6rqO546cc2LOK9Iz6oGEw7bUUcLi0c2uWig9Usg443E/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Live%20At%20Valleydale%20Ballroom,%20Columbus,%20Ohio,%20November%204,%201966%20-%201.jpg" width="400" /></a></div> <b><br />01. The Velvet Underground & Nico – Melody Laughter 28:26</b><br />Written-By – Christa Päeffgen, John Cale, Lou Reed, Maureen Tucker<br /><b>02. The Velvet Underground & Nico – Femme Fatale 2:37</b><br />Written-By – Lou Reed<b><br />03. The Velvet Underground & Nico – Venus In Furs 4:45</b><br />Written-By – Lou Reed<b><br />04. The Velvet Underground & Nico – The Black Angel's Death Song 4:49</b><br />Written-By – John Cale, Lou Reed<b><br />05. The Velvet Underground & Nico – All Tomorrow's Parties 5:03</b><br />Written-By – Lou Reed<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/WYB3BKbB#6J7eAX4zGuPcDSRSBSlcA257NoINOoOjKJGu-CsXA10">Flac Size: 154 MB</a><br /><br /><span style="font-size: large;">DISC 6. LIVE AT VALLEYDALE BALLROOM, COLUMBUS, OHIO, NOVEMBER 4, 1966</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3gO0Rs8c2qLCooGK4iwWyAsGvCLgXHH3pkswGhlZUrqzZbKaNiuvhN4NcWnthBNa4dqlhzUnnmRJkThCWQexApXKzYeh-BwN5wwAewkW6TEh_nm7n11LoEJEfZvYKtCiPM72tEZf2a0mCJDSPwvUDdkqBssGZq7UWviZ_4vLgSH5CfdphvTz-EQ0v2LY/s800/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Live%20At%20Valleydale%20Ballroom,%20Columbus,%20Ohio,%20November%204,%201966%20-%20Part%20II.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3gO0Rs8c2qLCooGK4iwWyAsGvCLgXHH3pkswGhlZUrqzZbKaNiuvhN4NcWnthBNa4dqlhzUnnmRJkThCWQexApXKzYeh-BwN5wwAewkW6TEh_nm7n11LoEJEfZvYKtCiPM72tEZf2a0mCJDSPwvUDdkqBssGZq7UWviZ_4vLgSH5CfdphvTz-EQ0v2LY/w400-h400/The%20Velvet%20Underground%20-%2045th%20Anniversary%20Super%20Deluxe%20Edition%20-%20Live%20At%20Valleydale%20Ballroom,%20Columbus,%20Ohio,%20November%204,%201966%20-%20Part%20II.jpg" width="400" /></a></b></div><b><br />01. The Velvet Underground & Nico – Waiting For The Man 4:50</b><br />Written-By – Lou Reed<b><br />02. The Velvet Underground & Nico – Heroin 6:42</b><br />Written-By – Lou Reed<b><br />03. The Velvet Underground & Nico – Run Run Run 8:43</b><br />Written-By – Lou Reed<b><br />04. The Velvet Underground & Nico – The Nothing Song 27:56</b><br />Written-By – Christa Päeffgen, John Cale, Lou Reed, Maureen Tucker<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/7BQzxAwQ#I_75OI8Zt-mBEwN13T4IFvuUayFdYzE-6eFPCQj7ALU">Flac Size: 152 MB</a><br /><br />Velvet Underground - Loaded Deluxe Edition on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/The%20Velvet%20Underground">HERE</a><br />Nico - Drama On Exile on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/Nico">HERE</a></b><br /></p><p><br /></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com7tag:blogger.com,1999:blog-8270002232971427483.post-63278811839233814022024-03-11T10:03:00.003+02:002024-03-11T10:03:45.102+02:00The Sonic Dawn: Into The Long Night 2017 + Eclipse 2019<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOjoQjg1JwTy4rxHhWCS6T5RziSjlOXF_oSbTHgMiswGR3tl6Y18FvLm4T7VwwdipF0CIj7wDdzY2uyMu2c5ib9yu2YCylx8d9YETrbPuXNnxA9vQtMHMhoVsyICdRLGeEniRjwnVaQgPZ9b17lrT01fGrVLj7vTUpLZ7bEN2xWPMUJeU1BeYP07ghmw/s800/The%20Sonic%20Dawn%20-%20Main%20Photo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="673" data-original-width="800" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKOjoQjg1JwTy4rxHhWCS6T5RziSjlOXF_oSbTHgMiswGR3tl6Y18FvLm4T7VwwdipF0CIj7wDdzY2uyMu2c5ib9yu2YCylx8d9YETrbPuXNnxA9vQtMHMhoVsyICdRLGeEniRjwnVaQgPZ9b17lrT01fGrVLj7vTUpLZ7bEN2xWPMUJeU1BeYP07ghmw/w400-h336/The%20Sonic%20Dawn%20-%20Main%20Photo.jpg" width="400" /></a></div> <br /><p></p><p>Formed in 2013 by childhood friends Emil Bureau, Jonas Waaben, and Niels ‘Bird’ Fuglede, the trio </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZTt_P1jET4TFa0EeghSKEybpdpUhXLtWvaWD-oF1_W9McAp6N-Lm25Ghh2-eG_zMiVuXkbImOsWKz6BQN9_mcg5tGzoeTHFInTFjWaqt9AwnYCrtYVDfH3787bL0uomkvOUtgho9Dc1lD_Dh-xQNmJErjBdr9pdcaw5yJPyNiYJWoX6qK4IHPorbYkY/s800/The%20Sonic%20Dawn%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="453" data-original-width="800" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZTt_P1jET4TFa0EeghSKEybpdpUhXLtWvaWD-oF1_W9McAp6N-Lm25Ghh2-eG_zMiVuXkbImOsWKz6BQN9_mcg5tGzoeTHFInTFjWaqt9AwnYCrtYVDfH3787bL0uomkvOUtgho9Dc1lD_Dh-xQNmJErjBdr9pdcaw5yJPyNiYJWoX6qK4IHPorbYkY/s320/The%20Sonic%20Dawn%20-%20Photo%202.jpg" width="320" /></a></div><br />has delivered four albums, celebrated for their dynamic fusion of genres from sitar pop to heavy psych. Their highly anticipated fifth LP is slated for release this spring via Heavy Psych Sounds.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwR77EVk1RjdF9RZ5-8lBbLzO_fzP9rccjJAFefcVJPq0tNQ1BpjUoBcZwVL9irAQUeZLXbqlW5omBr5I3WqHtGgBNg2BEQkFvVRA-riWbPVuHB_wRhkgV8MVvzljr2uXBPrEqfae66I9Q1BZN4PU1sFlgrUHJKH3YBxb45gMqIua94sK9zvlOkWwb0jw/s800/The%20Sonic%20Dawn%20-%20Photo%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwR77EVk1RjdF9RZ5-8lBbLzO_fzP9rccjJAFefcVJPq0tNQ1BpjUoBcZwVL9irAQUeZLXbqlW5omBr5I3WqHtGgBNg2BEQkFvVRA-riWbPVuHB_wRhkgV8MVvzljr2uXBPrEqfae66I9Q1BZN4PU1sFlgrUHJKH3YBxb45gMqIua94sK9zvlOkWwb0jw/w400-h266/The%20Sonic%20Dawn%20-%20Photo%203.jpg" width="400" /></a></div><b><br />The Sonic Dawn is a psychedelic rock band, based in Copenhagen, Denmark. </b>They are known as a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip1QMIIqmkuyRKXBrya8YOpxMUmxOuSYiCpc7fyUtVZzKBIYB8N_kee9WPqiw5y4FcnZGkIv94lst0JYV3WEmJd3qf7-OAeK1BhuQP7N53rko4sWu6F-g1dB2TiZB93RO94sj4wSCM2UhJLToHS8coNa2SODuTsaux3mBJ5cUbk4r3N6wHGOsXHatJTks/s440/The%20Sonic%20Dawn%20-%20Photo%2013.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="440" data-original-width="440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip1QMIIqmkuyRKXBrya8YOpxMUmxOuSYiCpc7fyUtVZzKBIYB8N_kee9WPqiw5y4FcnZGkIv94lst0JYV3WEmJd3qf7-OAeK1BhuQP7N53rko4sWu6F-g1dB2TiZB93RO94sj4wSCM2UhJLToHS8coNa2SODuTsaux3mBJ5cUbk4r3N6wHGOsXHatJTks/s320/The%20Sonic%20Dawn%20-%20Photo%2013.jpg" width="320" /></a></div><br />prolific live act, having toured the European continent numerous times, and have released four full-length albums internationally. The Sonic Dawn describe their sound as "a psychedelic mixture of styles, from jazzy sitar pop to heavy acid rock." They have recently appeared alongside artists such as Graveyard and Brant Bjork.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAn7kb_ULfduYjjbYX-3uuiGZMo06-fe0IwaYfue9k15dgwjLGnPzIEnx4mCc1SpylN-0OtlyyecTSlPEPM_B8qaDftbaQaJkfTm1jx93j8RVjgnL1zm3czOzlz7xWbNwP4TilTond6uX0SuPuCgDkcFqP1arBgw8pRpbWl0e4DQx6Tb6Q6jxu998Pyww/s768/The%20Sonic%20Dawn%20-%20Art%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAn7kb_ULfduYjjbYX-3uuiGZMo06-fe0IwaYfue9k15dgwjLGnPzIEnx4mCc1SpylN-0OtlyyecTSlPEPM_B8qaDftbaQaJkfTm1jx93j8RVjgnL1zm3czOzlz7xWbNwP4TilTond6uX0SuPuCgDkcFqP1arBgw8pRpbWl0e4DQx6Tb6Q6jxu998Pyww/w400-h400/The%20Sonic%20Dawn%20-%20Art%202.jpg" width="400" /></a></div><br />In 2015, The Sonic Dawn expanded to Europe, with tour dates abroad in Germany, France, The Netherlands, Norway and Sweden. Via these touring efforts The Sonic Dawn landed their first <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlwDCsXfPGjEOllfG-f9VA7fIdO5WlLphx3MWMy7GxmnQMsf_ySLPnLiKFPgMtoh7-68Ka2tXWtxe8nDBDUaB2BoI3SlbCNYuKcAYgfU7FZVnqo6yo4iBWdms_uO0p7mbEA1PgT7HVO11j7o1g0QPemzY0O20JH5EeRvQ8f6aN4jXbFnfQdCSTG91Ne0M/s960/The%20Sonic%20Dawn%20-%20Photo%2018.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlwDCsXfPGjEOllfG-f9VA7fIdO5WlLphx3MWMy7GxmnQMsf_ySLPnLiKFPgMtoh7-68Ka2tXWtxe8nDBDUaB2BoI3SlbCNYuKcAYgfU7FZVnqo6yo4iBWdms_uO0p7mbEA1PgT7HVO11j7o1g0QPemzY0O20JH5EeRvQ8f6aN4jXbFnfQdCSTG91Ne0M/s320/The%20Sonic%20Dawn%20-%20Photo%2018.jpg" width="320" /></a></div><br />international record deal with German Nasoni Records, known for releasing Colour Haze among others, who released Perception on 31 October 2015. Musically, the album can be described as a mix of rock and blues songwriting, with a psychedelic sound. It prominently features the Swedish organist Erik 'Errka' Petersson on keys, a studio collaboration that continued on the group's next album as well. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWFcULaxxVHSqbHAgdcgb4qITQcd18NZfywdqBwKdMBH1zBcgPJpXI1y20j7kQOKdHSnGbkRGXCxXzMSTJ2DkapGSMTDpXyKkysqIKSm-eCVo5HObrEOu_4GfF9lIZbJTcSv8EYquzqblskYiejS4uKpZkIdReHbCRUYZGnJm-WN5TZFh5dtskIL7fJvg/s960/The%20Sonic%20Dawn%20-%20Photo%2016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWFcULaxxVHSqbHAgdcgb4qITQcd18NZfywdqBwKdMBH1zBcgPJpXI1y20j7kQOKdHSnGbkRGXCxXzMSTJ2DkapGSMTDpXyKkysqIKSm-eCVo5HObrEOu_4GfF9lIZbJTcSv8EYquzqblskYiejS4uKpZkIdReHbCRUYZGnJm-WN5TZFh5dtskIL7fJvg/w400-h400/The%20Sonic%20Dawn%20-%20Photo%2016.jpg" width="400" /></a></div><br />While Perception did not gain the interest of mainstream media, it established The Sonic Dawn as a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIW6JywFSYY78tpExiKLsOwIr03JjZyzW3_tYzmOoUBe2b2Pm9CemusOybsOUYmuSfiHxWWgD6lbni8PQgrcflGs4TkPFZ1B6dVP11fhNbrX-oW_ueTCl1rU1ZvYlhEh3yHRrGFk94i0N6jISjFuxf8k3PAtrnTQY4Eq46tnszuFYAvXH8gR0KEnC43PE/s800/The%20Sonic%20Dawn%20-%20Photo%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIW6JywFSYY78tpExiKLsOwIr03JjZyzW3_tYzmOoUBe2b2Pm9CemusOybsOUYmuSfiHxWWgD6lbni8PQgrcflGs4TkPFZ1B6dVP11fhNbrX-oW_ueTCl1rU1ZvYlhEh3yHRrGFk94i0N6jISjFuxf8k3PAtrnTQY4Eq46tnszuFYAvXH8gR0KEnC43PE/s320/The%20Sonic%20Dawn%20-%20Photo%205.jpg" width="320" /></a></div><br />name in the underground, one such critic speculating that The Sonic Dawn might be "the next big band of the current retro rock wave" (Eclipsed Rock Magazine, March 2016). Nasoni printed two limited editions of the LP on colored vinyl, which are both sold out. A remastered audiophile edition, cut at Abbey Road Studios in London, was released in late 2017.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMO1iHMZNj1Nh1EI_zSdG3Lks4ovsymuwa8awn8xUfW58LPCzWZVcwDaZhfhW4e-DZENjAuW2XSMxxjOfMsWDZavu9cHa_dbkQgafwj9s26uvqYVOHOA3zP4f86-ZOIbRmC1ld41k3GzJGH55TUgYq336oW5rJgYGix2nejsXWKzb9ZKP40wck5hggwl0/s450/The%20Sonic%20Dawn%20-%20Photo%2015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="450" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMO1iHMZNj1Nh1EI_zSdG3Lks4ovsymuwa8awn8xUfW58LPCzWZVcwDaZhfhW4e-DZENjAuW2XSMxxjOfMsWDZavu9cHa_dbkQgafwj9s26uvqYVOHOA3zP4f86-ZOIbRmC1ld41k3GzJGH55TUgYq336oW5rJgYGix2nejsXWKzb9ZKP40wck5hggwl0/w400-h400/The%20Sonic%20Dawn%20-%20Photo%2015.jpg" width="400" /></a></div><br />The debut album, Perception (2015), marked their international breakthrough with Berlin-based Nasoni <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW7sOApiCuVsLQc3uFYBpvTzElOhm64IPEOo9QkP1jodvMwh8ZtCp1RNtrNI9M_keaXMNvFpsHSgFI6VUjMdlhAuZS9GaF5qYYCLsl-rbSYzPO9V5hAavsuTeOy3OgJTUjBHZs2o3TXe23NIzsUwFiFTgZBBxhYpD7fuWOk3O0mclV1X6C4c2DQM3UQcA/s550/The%20Sonic%20Dawn%20-%20Photo%207.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW7sOApiCuVsLQc3uFYBpvTzElOhm64IPEOo9QkP1jodvMwh8ZtCp1RNtrNI9M_keaXMNvFpsHSgFI6VUjMdlhAuZS9GaF5qYYCLsl-rbSYzPO9V5hAavsuTeOy3OgJTUjBHZs2o3TXe23NIzsUwFiFTgZBBxhYpD7fuWOk3O0mclV1X6C4c2DQM3UQcA/s320/The%20Sonic%20Dawn%20-%20Photo%207.jpg" width="320" /></a></div><br />Records. The sophomore release, Into the Long Night (2017), launched on Heavy Psych Sounds, accompanied by an extensive European album tour—some 60 shows, including two weeks with Brant Bjork (US)—solidifying their presence. The subsequent album, Eclipse (2019), earned acclaim as "easily one of the best psychedelic pop albums of the decade," and once again the group hit the road hard, playing in 11 different countries.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqBE2rv40-ESagu3GOyPuqVDpbEcrYiOMZ1AqcjYmHmPiKYa2Nm_8xN-NNuI9GbEA0weJOMKFKVJsyKjHUXyz4kICkDfEqwgP_cavL7wRHJWAbz10G964PcXg0ww1eaGAimgWn3k2h3wgn0BIThyphenhyphenrqOjRWIiQDeD5bT6MEK2KNcuHysxx0ohyXpPTJkZE/s700/The%20Sonic%20Dawn%20-%20Art%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="700" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqBE2rv40-ESagu3GOyPuqVDpbEcrYiOMZ1AqcjYmHmPiKYa2Nm_8xN-NNuI9GbEA0weJOMKFKVJsyKjHUXyz4kICkDfEqwgP_cavL7wRHJWAbz10G964PcXg0ww1eaGAimgWn3k2h3wgn0BIThyphenhyphenrqOjRWIiQDeD5bT6MEK2KNcuHysxx0ohyXpPTJkZE/w400-h400/The%20Sonic%20Dawn%20-%20Art%201.jpg" width="400" /></a></div><br />On 1 February 2019, The Sonic Dawn's third album, Eclipse, was released on Heavy Psych Sounds Records. Their biggest work to date, with the album's 13 tracks picked among over 40 candidates, according to the group itself. Reviewers called it "one of the best psychedelic pop albums of the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguV8O8dIjmV3GBj_7haJV3pT2qMT1Q4LjC-SdbuChJ31fabfPUjFX-Rmh4L4Al_D_DAjRqfDOZrsUtYSTXNUmQQtYYbuC0HTx9yKuH8OSmjTW1q2BgBTUbOpOPgNFCnDoNvJRQ-PwH1ixmfxOXUixCEiB7kViY36Xud0CBP23qgUHOnchRsUajuGtY9NU/s550/The%20Sonic%20Dawn%20-%20Photo%204.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguV8O8dIjmV3GBj_7haJV3pT2qMT1Q4LjC-SdbuChJ31fabfPUjFX-Rmh4L4Al_D_DAjRqfDOZrsUtYSTXNUmQQtYYbuC0HTx9yKuH8OSmjTW1q2BgBTUbOpOPgNFCnDoNvJRQ-PwH1ixmfxOXUixCEiB7kViY36Xud0CBP23qgUHOnchRsUajuGtY9NU/s320/The%20Sonic%20Dawn%20-%20Photo%204.jpg" width="320" /></a></div><br />decade" and "The Sonic Dawn’s preliminary masterpiece". The album was recorded to tape at The Village Recording in Copenhagen with producer, Thomas Vang, known for his work with Roger Waters. The album singles Forever 1969 and Psychedelic Ranger received moderate national airplay across Europe. The Sonic Dawn toured Europe for five weeks in the spring 2019 and has announced two weeks of fall/winter tour, in support of Eclipse.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEzvdvHIljUQ4ycd8fUgXYSPyiBaf9MVeXAmMhCU4Q2-UoGdWPH1jsOY9vZCsjmX-leQh9_voUpdYGDg5aptytTCvG5bmifhBkmHlMFGZO1wVdtls4QwMkozQUQvi0qYBNyY4Vmz-Miznj2-uLIaccmcz-8dw5WLuhFQXcnPWB3E138l3tJ1e28OtwuVE/s800/The%20Sonic%20Dawn%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEzvdvHIljUQ4ycd8fUgXYSPyiBaf9MVeXAmMhCU4Q2-UoGdWPH1jsOY9vZCsjmX-leQh9_voUpdYGDg5aptytTCvG5bmifhBkmHlMFGZO1wVdtls4QwMkozQUQvi0qYBNyY4Vmz-Miznj2-uLIaccmcz-8dw5WLuhFQXcnPWB3E138l3tJ1e28OtwuVE/w400-h266/The%20Sonic%20Dawn%20-%20Photo%206.jpg" width="400" /></a></div><br />In 2020, The Sonic Dawn unveiled Enter the Mirage, recognized as "a modern psych classic" by <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVewkhsBjwbiWQgZUEjlQNBVO6qcxrDcf-akWp_gaACSvSKzE52Uf6tOsvWcB2dNr5VP06EGQaypXT2KXT0NleR9x9K73XR_O7UXAi92c5YZnoCgqrFOKktVya41jG6LXmgqvMBzTkJZkZfVF7t2nQCN_l8Ep7d6-BVqxpqHKDOj_Yx2LDSQTKw-GE_74/s1024/The%20Sonic%20Dawn%20-%20Photo%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVewkhsBjwbiWQgZUEjlQNBVO6qcxrDcf-akWp_gaACSvSKzE52Uf6tOsvWcB2dNr5VP06EGQaypXT2KXT0NleR9x9K73XR_O7UXAi92c5YZnoCgqrFOKktVya41jG6LXmgqvMBzTkJZkZfVF7t2nQCN_l8Ep7d6-BVqxpqHKDOj_Yx2LDSQTKw-GE_74/s320/The%20Sonic%20Dawn%20-%20Photo%208.jpg" width="320" /></a></div><br />Shindig Magazine. While the planned album tour was cut short, it was possible to play on WDR’s legendary TV show Rockpalast, which has featured David Bowie, the Grateful Dead, and many more through the years.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp_E8fkvWZPetGVnIBG11CaUHrYJMeFjNScBFhEf8th5lA18FsAaW5Fai8QdaZvmoST-jBCbX625kwugTDw9MbqBa_dj5Jop7vULvB8djKIot2_Yam5aOq7rnb5eggydlfn5xGi8tSyw13MyKIJbtnA5D47JPMf10dvcI6vacvRA2XSBBSvW_zsuAN77Y/s550/The%20Sonic%20Dawn%20-%20Photo%2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp_E8fkvWZPetGVnIBG11CaUHrYJMeFjNScBFhEf8th5lA18FsAaW5Fai8QdaZvmoST-jBCbX625kwugTDw9MbqBa_dj5Jop7vULvB8djKIot2_Yam5aOq7rnb5eggydlfn5xGi8tSyw13MyKIJbtnA5D47JPMf10dvcI6vacvRA2XSBBSvW_zsuAN77Y/w400-h266/The%20Sonic%20Dawn%20-%20Photo%2010.jpg" width="400" /></a></div><br />Now, their highly anticipated fifth album, Phantom (2024), is set for a worldwide release on May 10th, 2024. Formally welcoming long-time collaborator Erik ‘Errka’ Petersson as a new studio band member <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLnoETBOksESXKKRxN8XFwyozHgyP6pInmIpUyBIEFYuUd9ZBEX1m-stmioqUo9jsYiBRq2GqDK-nj6hFI4Qo3UXnRupw0-F6vJaXCEx1KdLOK1pSYN30E-2wt7utkbTdb-U-eS_TSuRCq7dA7d9hFU6F1znm4mpDwwbCCr9o6T2l_Mo6JHgrELFxm2Lc/s1000/The%20Sonic%20Dawn%20-%20Photo%2017.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="308" data-original-width="1000" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLnoETBOksESXKKRxN8XFwyozHgyP6pInmIpUyBIEFYuUd9ZBEX1m-stmioqUo9jsYiBRq2GqDK-nj6hFI4Qo3UXnRupw0-F6vJaXCEx1KdLOK1pSYN30E-2wt7utkbTdb-U-eS_TSuRCq7dA7d9hFU6F1znm4mpDwwbCCr9o6T2l_Mo6JHgrELFxm2Lc/s320/The%20Sonic%20Dawn%20-%20Photo%2017.jpg" width="320" /></a></div><br />on organ/keys, The Sonic Dawn continues its sonic journey. Culminating from four years of creating music, the album showcases a raw and heavy musical style blended with the melodic psychedelia for which the band is renowned. The band is gearing up for an extensive European tour in 2024-2025, promising a further development of their mind-altering exploration. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1NEt8dEp_sx83S49Tg0MbCldw6YrqJqly2VqL6dv2hN7LwgfOIN-NQvAO6gcwN6pML5UIv-xxpYua7ODEauxneDPImbbtpJ0AsO-rkEvkFjETayL4GlMKFxiIaAYEQYSCNMTlVe0-ANxtEYtGWKLvKeuZ9WVp6fycjD3lvnGLTuDmrndkkHGGPWlACS8/s1024/The%20Sonic%20Dawn%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="682" data-original-width="1024" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1NEt8dEp_sx83S49Tg0MbCldw6YrqJqly2VqL6dv2hN7LwgfOIN-NQvAO6gcwN6pML5UIv-xxpYua7ODEauxneDPImbbtpJ0AsO-rkEvkFjETayL4GlMKFxiIaAYEQYSCNMTlVe0-ANxtEYtGWKLvKeuZ9WVp6fycjD3lvnGLTuDmrndkkHGGPWlACS8/w400-h266/The%20Sonic%20Dawn%20-%20Photo%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">DISCOGRAPHY</span><br /><br />Down the Line b/w "Blue Jay" (7-inch split with The Roaring 420s). Levitation Records, 2014.<br />Perception (CD/LP). Nasoni Records, 2015.<br />Into the Long Night (CD/LP). Heavy Psych Sounds, 2017.<br />Eclipse (CD/LP). Heavy Psych Sounds, 2019.<br />Enter the Mirage (CD/LP). Heavy Psych Sounds, 2020.<br /><br /><span style="font-size: large;">THE SONIC DAWN - INTO THE LONG NIGHT 2017</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHaoQniRQ5yZ33ccM2L_-738IIp7dZWY775GcRGtNXPgB7z3lpTrDFZOMndXdeekm9FXc8bFouqZ3HLApPPdA6IExOXPhoFm_9TexobUjx4BmD6-IzXvVmrpM1MWwr9F31ZexakPCjGt-HfWw17ON5P-eatjHvW-WryMxU1CToICcp345Od8PBIlAKxg/s800/The%20Sonic%20Dawn%20-%202017%20-%20IntoThe%20Long%20Night%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHaoQniRQ5yZ33ccM2L_-738IIp7dZWY775GcRGtNXPgB7z3lpTrDFZOMndXdeekm9FXc8bFouqZ3HLApPPdA6IExOXPhoFm_9TexobUjx4BmD6-IzXvVmrpM1MWwr9F31ZexakPCjGt-HfWw17ON5P-eatjHvW-WryMxU1CToICcp345Od8PBIlAKxg/w400-h400/The%20Sonic%20Dawn%20-%202017%20-%20IntoThe%20Long%20Night%20-%20Front%20Cover.jpg" width="400" /></a></div><br />2nd album from Danish psychedelic rock trio who move through 60s style retro garage-psych, trippy laid-back & bluesy wah-wah riffs, flowing prog-rock keyboards, jazzy acid-folk grooves, and West Coast hippy pop. Periodically recalls bands like Quicksilver Messenger Service, Climax Blues Band, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2nJm5b9U_zFk-7lV3tcbnMwj9_WtdqRhvRoxZ2azb6nkdRScqwyKc9PuqWqe7rRm82TDTKwC1oQpbBVRoXzOi3k4-hA_JyHeP2xkP3Ud7A_ie2RzAqOL1cSPq21CgUMFh5bHMMhEvC_xvPU2qz2mIZfiMEf-gn0qrRfYqCTMpd3hm8T6x48V1j-bMDLI/s812/The%20Sonic%20Dawn%20-%20Art%2003.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="576" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2nJm5b9U_zFk-7lV3tcbnMwj9_WtdqRhvRoxZ2azb6nkdRScqwyKc9PuqWqe7rRm82TDTKwC1oQpbBVRoXzOi3k4-hA_JyHeP2xkP3Ud7A_ie2RzAqOL1cSPq21CgUMFh5bHMMhEvC_xvPU2qz2mIZfiMEf-gn0qrRfYqCTMpd3hm8T6x48V1j-bMDLI/s320/The%20Sonic%20Dawn%20-%20Art%2003.jpg" width="227" /></a></div><br />The Beginner’s Mynd, The Doors, The Byrds, Cream, Moby Grape. “Into the Long Night” faithfully recreates a 60s San Francisco vibe of wafting bong smoke, free love & leather-fringed vests, and glassy-eyed blissed-out grins. Recommended for 60s revivalist rockers. A heaping handful of west coast psychedelia, touch of Hendrix, pinch of Cream, a full serving of awesomeness! Your daily recommended allowance of guitar, bass and drums. They baked this one just right, this recipe is a true masterpiece.<br /><p></p><p style="text-align: left;"><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5v_CUuf-OY2wz09UPMvpOd7Fw9VLYoHZfho3XNgITB7Xu48_Sig0hL8qB-ZgrZA_h_6PkbfPdTt6DrnLKYxRXzAYndYcWXeIgvCZp3KJg1HYqVUfjJW4c6B4zry1CjmktyUtGm2rgUSV4Q-tRldvV8fm8pQD7wEQ-DHnjKVXx5keBd2PEEvNoBRkEObc/s800/The%20Sonic%20Dawn%20-%202017%20-%20Into%20The%20Long%20Night%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="742" data-original-width="800" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5v_CUuf-OY2wz09UPMvpOd7Fw9VLYoHZfho3XNgITB7Xu48_Sig0hL8qB-ZgrZA_h_6PkbfPdTt6DrnLKYxRXzAYndYcWXeIgvCZp3KJg1HYqVUfjJW4c6B4zry1CjmktyUtGm2rgUSV4Q-tRldvV8fm8pQD7wEQ-DHnjKVXx5keBd2PEEvNoBRkEObc/w400-h371/The%20Sonic%20Dawn%20-%202017%20-%20Into%20The%20Long%20Night%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b>The Sonic Dawn – Into The Long Night</b><br /><b>Label: Heavy Psych Sounds – HPS053</b><br /><b>Format: CD, Album</b><br /><b>Country: Italy</b><br /><b>Released: Apr 21, 2017</b><br /><b>Genre: Rock</b><br /><b>Style: Psychedelic Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></p><p><br /><b>01.</b> Intro 00:33<br /><b>02.</b> Emily Lemon 04:54<br /><b>03.</b> On The Shore 03: 56<br /><b>04. </b>As Of Lately 02:45<br /><b>05.</b> Six Seven 05:07<br /><b>06. </b>Numbers Blue 04:26<br /><b>07.</b> Lights Left On 03:08<br /><b>08.</b> l'Espion 04:15<br /><b>09. </b>Summer Voyage 07:17<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br /><b>Emil Bureau</b> - Vocals, Guitar, Sitar, Recorder;<br /><b>Jonas Waaben</b> - Drums, Perc., Backing Vocals;<br /><b>Niels 'Bird' Fuglede</b> - Bass Guitar.<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">FEATURING:</span></b><br /></p><p><br /><b>Erik 'Errka' Petersson</b> - Keys;<br /><b>Morten Grønvad </b>- Vibraphone, Perc. <br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/WJBCiJaK#OXb7j-WIolkwyvGtIb6B3NfCS-j3tBFAZRTKDhs12GM">FLAC </a><br /><br /><span style="font-size: large;">THE SONIC DAWN - ECLIPSE 2019</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwb0bfn07mXThbJqEE86muxIeVWH6s8EsiTca3oi0xtX90QwnPL45dBOw0G45fUii9uCPngXJfm7bwqlOv_ZXbD01dtz6q1etRoOvP9uxQeWQWJCA-6L14oXcCQbpVwPfXSf5G-H9rLSvEHItCekHYdYImaM2A3kr3R3dSLn9LALAPgS9_ZhxwB80W6v8/s800/The%20Sonic%20Dawn%20-%202019%20-%20Eclipse%20%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwb0bfn07mXThbJqEE86muxIeVWH6s8EsiTca3oi0xtX90QwnPL45dBOw0G45fUii9uCPngXJfm7bwqlOv_ZXbD01dtz6q1etRoOvP9uxQeWQWJCA-6L14oXcCQbpVwPfXSf5G-H9rLSvEHItCekHYdYImaM2A3kr3R3dSLn9LALAPgS9_ZhxwB80W6v8/w400-h400/The%20Sonic%20Dawn%20-%202019%20-%20Eclipse%20%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The Danish psych-pop combo's third studio long-player Eclipse wastes no time delivering its mission <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj6MdQfV34qdsj1lzX1RJwLKczv0kjNzA8KN4_USNRN2sVvYvmG1VxysqAU6vQyMCyugX9Mfz7cMLPSYR8Oj6NnutLy3UZCSPdGjRe7mree02GRtUL8Uugq0IXV8-JEknSPRVuyQjkQ6OFyYPtkqeA4gdIlCRH0AJ4-DSREWbg4oksa84zR6QbBeXlz58/s812/The%20Sonic%20Dawn%20-%20Art%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="576" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj6MdQfV34qdsj1lzX1RJwLKczv0kjNzA8KN4_USNRN2sVvYvmG1VxysqAU6vQyMCyugX9Mfz7cMLPSYR8Oj6NnutLy3UZCSPdGjRe7mree02GRtUL8Uugq0IXV8-JEknSPRVuyQjkQ6OFyYPtkqeA4gdIlCRH0AJ4-DSREWbg4oksa84zR6QbBeXlz58/s320/The%20Sonic%20Dawn%20-%20Art%204.jpg" width="227" /></a></div><br />statement via the willfully '60s-fetish. Frontman Emil Bureau may not have the dark charisma of Jim Morrison or the stately, distinctive croon of Jack Bruce (his warbly tenor actually hews closer to American Beauty-era Jerry Garcia), but he and childhood friends Jonas Waaben (drums) and Niels Fuglede (bass) have managed to evoke the hazy, smoke-stained patina of the era, specifically the aural emissions of the California counterculture scene, without resorting to 15-minute exploratory guitar solos or the use of a gong. By keeping things on the perfunctory end of the classic rock spectrum, Sonic Dawn's bluesy blend of grimy, neo-psychedelia and pastoral, Laurel Canyon-esque acid-folk feels a little less contrived and more in line with the flower power movement's early predilection for singles. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsOaxyW3VcUkfTlQh-766P2mY9CktGRaxbckFXe6tBDks-Yjb6zY8EWMT8ezeWH9g4zIl6hgcf5LgL-KsTp39nzR61c9gJlWwG7Nh25s_-9e7e9NvP9hySyay3GgHpVvp_imNZbKbWlLGLCnnNL2sSSG0zrmPZZbFKO78hTce7eiOggHVcdRjeEH8UdgA/s2000/The%20Sonic%20Dawn%20-%20Eclipse%20-%20Poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="761" data-original-width="2000" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsOaxyW3VcUkfTlQh-766P2mY9CktGRaxbckFXe6tBDks-Yjb6zY8EWMT8ezeWH9g4zIl6hgcf5LgL-KsTp39nzR61c9gJlWwG7Nh25s_-9e7e9NvP9hySyay3GgHpVvp_imNZbKbWlLGLCnnNL2sSSG0zrmPZZbFKO78hTce7eiOggHVcdRjeEH8UdgA/s320/The%20Sonic%20Dawn%20-%20Eclipse%20-%20Poster.jpg" width="320" /></a></div><br />Still, it can be hard to separate the actual songs from the source material, especially since the band has gone to such pains to emulate the recording process of their heroes. "The Stranger," with its immersive, melancholic main melody (a bit of a dead ringer for Chris Isaak's "Wicked Game"), the lovely and ramshackle, jazz kit-led "Opening Night," and the summer of love-worthy "Circle of Things" all have their merits, but like the band itself, they're hopelessly trapped in amber. <br /><p></p><p style="text-align: left;"><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixX1ywJvrIJ3w4yjlXIeXPzdQN6yYHqQamdn_exwT3X2iy9a45BIMsVwLL7yLE3UouP_lCCiVM5k0bm8yJFpXu9bA7JM-UBjTJHUJebC4SQg4aUm0Em-l9woBSjBWyJrNJ3EDu_20AN8TP-vCIwN1MTUjtCDASig7Eppisc1uI0jiLXxmdfVQIv80dd2s/s800/The%20Sonic%20Dawn%20-%202019%20-%20Eclipse%20%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="779" data-original-width="800" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixX1ywJvrIJ3w4yjlXIeXPzdQN6yYHqQamdn_exwT3X2iy9a45BIMsVwLL7yLE3UouP_lCCiVM5k0bm8yJFpXu9bA7JM-UBjTJHUJebC4SQg4aUm0Em-l9woBSjBWyJrNJ3EDu_20AN8TP-vCIwN1MTUjtCDASig7Eppisc1uI0jiLXxmdfVQIv80dd2s/w400-h390/The%20Sonic%20Dawn%20-%202019%20-%20Eclipse%20%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b>The Sonic Dawn – Eclipse</b><br /><b>Label: Heavy Psych Sounds – HPS090CD</b><br /><b>Format: CD, Album</b><br /><b>Country: Italy</b><br /><b>Released: 2019</b><br /><b>Genre: Rock</b><br /><b>Style: Psychedelic Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></p><p><br /><b>01.</b> Forever 1969<br /><b>02. </b>Psychedelic Ranger<br /><b>03. </b>The Stranger<br /><b>04. </b>No Chaser<br /><b>05.</b> Opening Night<br /><b>06.</b> Circle Of Things<br /><b>07. </b>On The Edge Of Our Time<br /><b>08. </b>Christiania<br /><b>09. </b>The Last Page<br /><b>10. </b>Love Bird<br /><b>11.</b> To Change Who We Are<br /><b>12.</b> Islands In Time<br /><b>13. </b>Towards The End<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLXhK8tZlXfX2bfuRxkXPtgFQ0Nx8IArEM2c1pXu1K_eyl8RSchJVlsE7rhxBk5BnFxSaa4czU9CqrWA_ySGUCqH6elkemgp4o775vSaPj-DH-NzdGv6h9_6ZfqJ7fPtYXqkDr2NRHQyFfJUea8LnQF1dvSU4q5X4ushpBNatFrq4xfqiu3QRZyy1N-WU/s358/Poster%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="358" data-original-width="356" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLXhK8tZlXfX2bfuRxkXPtgFQ0Nx8IArEM2c1pXu1K_eyl8RSchJVlsE7rhxBk5BnFxSaa4czU9CqrWA_ySGUCqH6elkemgp4o775vSaPj-DH-NzdGv6h9_6ZfqJ7fPtYXqkDr2NRHQyFfJUea8LnQF1dvSU4q5X4ushpBNatFrq4xfqiu3QRZyy1N-WU/w398-h400/Poster%201.jpg" width="398" /></a></div> <br />Bass Guitar – <b>Niels Bird Fuglede</b><br />Drums, Backing Vocals, Percussion –<b> Jonas Waaben</b><br />Maracas, Performer [Featuring] – <b>Uffe Lorenzen</b> (tracks: A1)<br />Mellotron, Organ, Electric Piano, Performer [Featuring] – <b>Errka Petersson</b><br />Vocals, Guitar, Organ, Bells – <b>Emil Bureau</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/adQRSDRD#u9pkgGA-_1X1ujj-F4jYh-N98sSzvAxsCJnKUrGRusY">FLAC</a></b><br /></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com3tag:blogger.com,1999:blog-8270002232971427483.post-50400496600751960912024-03-09T10:47:00.000+02:002024-03-09T10:47:02.327+02:00The Avengers<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLmysy16P5jXdCjCp6Oo9MTG_ikLXliNxnOEmPNv7mmGVjKA2ZjAyB-Ek9jAVjq0XWnNgDUg6XjDVBxCzFOVyhGaqrSahnS9n8uwnY0vWZ2M4xCgWE_tUGvnr9-o_2nTaRslXTC6hbPE7p0sIrV_BO1N_7_0LTDoJkvSFxevslV0nH2UrLWx79JJ8Di6c/s1270/Avengers%20-%20Poster%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1270" data-original-width="900" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLmysy16P5jXdCjCp6Oo9MTG_ikLXliNxnOEmPNv7mmGVjKA2ZjAyB-Ek9jAVjq0XWnNgDUg6XjDVBxCzFOVyhGaqrSahnS9n8uwnY0vWZ2M4xCgWE_tUGvnr9-o_2nTaRslXTC6hbPE7p0sIrV_BO1N_7_0LTDoJkvSFxevslV0nH2UrLWx79JJ8Di6c/w284-h400/Avengers%20-%20Poster%202.jpg" width="284" /></a></div> <p></p><p>The Avengers are an American punk rock band formed in 1977 in San Francisco, California, United </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_OButavcirxI6JgFvNVwnk_NlFyI2x9-DahHp8_CKWcL5FrisyQ3nAfEmd4WSDX1CBCrZHHQcu2RE2TerMzBwqoOlDLVQ1zr15zpYZWutQNOhGWWlJB5t37lICbL1yF1gMtrvEPBkPzZYu5utkg09bt60gKqJJthWuCeY6oZ7rT5pMr83WvEQFXfExjw/s640/Avengers%20-%20Photo%205.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_OButavcirxI6JgFvNVwnk_NlFyI2x9-DahHp8_CKWcL5FrisyQ3nAfEmd4WSDX1CBCrZHHQcu2RE2TerMzBwqoOlDLVQ1zr15zpYZWutQNOhGWWlJB5t37lICbL1yF1gMtrvEPBkPzZYu5utkg09bt60gKqJJthWuCeY6oZ7rT5pMr83WvEQFXfExjw/s320/Avengers%20-%20Photo%205.jpg" width="320" /></a></div><br />States. The band recorded an EP, We Are the One (1977), and after opening for the Sex Pistols worked with Steve Jones, but had not released an album before breaking up in 1979. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuJ3eyxZ_qBC2rdbBOlHbau-oCp9iL_P8jgLHTFhT7q3vn6KVMTGvjjJ036k3y_vDkwtgoSRuJgSMMJ0mfbnagtYn4cbj19Z5mzSb5SzJ9Gkfs7Hs3MG-_E3a8Rd0FOO-uCzpbQVXXUPlFB_VIpw63n4FNbi1Y3-khxcQc7lfA4hlE3inE-clrYe1dwSU/s952/Avengers%20-%20Poster%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="736" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuJ3eyxZ_qBC2rdbBOlHbau-oCp9iL_P8jgLHTFhT7q3vn6KVMTGvjjJ036k3y_vDkwtgoSRuJgSMMJ0mfbnagtYn4cbj19Z5mzSb5SzJ9Gkfs7Hs3MG-_E3a8Rd0FOO-uCzpbQVXXUPlFB_VIpw63n4FNbi1Y3-khxcQc7lfA4hlE3inE-clrYe1dwSU/w309-h400/Avengers%20-%20Poster%208.jpg" width="309" /></a></div><br />After the breakup an EP with the Steve Jones-produced songs was released (The Avengers), and later an <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCzbnRpkAe7QXWQl_GfTWIcx9y5hLpRvpvBV37fIqc7xxHJcDs1IuNeAwceNHOgUWmNfRfveUa8NmFVwLShEAJl5-arb45XWk5S-sObq4qkXGQwT2NtXQM_w918Awnqe3l780B2cfstOyBNmL9UC42tA1vkB8NNQDob07dtIqpShJaAnSxY7DcH_7-MUk/s1326/Avengers%20-%20Photo%208.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1326" data-original-width="1008" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCzbnRpkAe7QXWQl_GfTWIcx9y5hLpRvpvBV37fIqc7xxHJcDs1IuNeAwceNHOgUWmNfRfveUa8NmFVwLShEAJl5-arb45XWk5S-sObq4qkXGQwT2NtXQM_w918Awnqe3l780B2cfstOyBNmL9UC42tA1vkB8NNQDob07dtIqpShJaAnSxY7DcH_7-MUk/s320/Avengers%20-%20Photo%208.jpg" width="243" /></a></div><br />album, Avengers, in 1983. Their lead singer, Penelope Houston, is also a folk singer who has a solo career. Since 1999 a number of other albums were released with studio and live tracks, and the band has come together for various occasions.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg08ogexZSPqByQDgeoteF3lxP7xCFJy-C_0tAJKek2kSpulJMNnA1qIXHoFjVP7NZRIH6S43hAWK3ySx-2dWIKtUbG994tqqbdDYgDlnwfwrsqajZ_9E_B3X0lKuTWS2BbVOiM1BrMV2a8CyRJ_uVvCqXrLxOvbmTtsT3ChUZnXHIBERRJ50h4D41o4I/s640/Avengers%20-%20Poster%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="640" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg08ogexZSPqByQDgeoteF3lxP7xCFJy-C_0tAJKek2kSpulJMNnA1qIXHoFjVP7NZRIH6S43hAWK3ySx-2dWIKtUbG994tqqbdDYgDlnwfwrsqajZ_9E_B3X0lKuTWS2BbVOiM1BrMV2a8CyRJ_uVvCqXrLxOvbmTtsT3ChUZnXHIBERRJ50h4D41o4I/w400-h384/Avengers%20-%20Poster%209.jpg" width="400" /></a></div><br />One of the first and finest bands to emerge from San Francisco's punk scene, the Avengers were originally together for only two years, and they didn't release an album during that period. But their <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig7n3T_5_N2hVuYooe3-phLSzirKycbHVL7uE2EuY4OLf2QNEmeURZfXJPgmFW4AX7W0SAdLlw2VO_V_ZB_ju0iXUFkyUhOojG7z28r10BppipQYJ393UBTq5WOYEpaPIFq_YyNhafeSqNr8O8VUNqLb_DGgjhbAT3xyDCeSYTs5Rgpf0E1UzHM_uBMTA/s1024/Avengers%20-%20Photo%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1024" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig7n3T_5_N2hVuYooe3-phLSzirKycbHVL7uE2EuY4OLf2QNEmeURZfXJPgmFW4AX7W0SAdLlw2VO_V_ZB_ju0iXUFkyUhOojG7z28r10BppipQYJ393UBTq5WOYEpaPIFq_YyNhafeSqNr8O8VUNqLb_DGgjhbAT3xyDCeSYTs5Rgpf0E1UzHM_uBMTA/s320/Avengers%20-%20Photo%203.jpg" width="320" /></a></div><br />passionate music and uncompromising viewpoints proved to be a major inspiration in a scene that would grow and flourish long after they broke up, and the handful of singles they left behind documented a band of uncommon power and force. Just as importantly, lead singer Penelope Houston was one of the pioneering women of American punk, proving there was a place for female artists in the new music. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7PInQ6iiW43yLsWfD2YItyBpzHWBCbwl-He5JSKkpduT-UxDrlOqb4DATCSD01eNaVwxJ_wjLg1bIRt3o71fq04DNJfciJ_GxG2OtBXudfGqrxgjSfdQdGJSBIHQ3eUWM1nOo3t_KS_cBvGgncgS_XR-q2BItCVwGUhwlLdMKmRoNlfbs8QjfXE1zJo/s930/Avengers%20-%20Poster%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="930" data-original-width="750" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7PInQ6iiW43yLsWfD2YItyBpzHWBCbwl-He5JSKkpduT-UxDrlOqb4DATCSD01eNaVwxJ_wjLg1bIRt3o71fq04DNJfciJ_GxG2OtBXudfGqrxgjSfdQdGJSBIHQ3eUWM1nOo3t_KS_cBvGgncgS_XR-q2BItCVwGUhwlLdMKmRoNlfbs8QjfXE1zJo/w323-h400/Avengers%20-%20Poster%203.jpg" width="323" /></a></div><br />The Avengers came together in early 1977, not long after Penelope Houston arrived in San Francisco <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCRbkYfw1hI-vZeYRjYJ9gDbto53J3CnQiLPcI7ppitneuJN6Fm8733ZRGPGqeSzpUpkNYI7a72uf0VQSov6RrM0ZRpfsSvtqt5NLmUs28biLqi6ltIBK2L8X18zvXZ9grb1VpqJ5tWuDuFZ1Mpeiqte04FdpLDSwhgxWrpd_uvyh_nxZYM2wFerEWQvw/s800/Avengers%20-%20Photo%204.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="500" data-original-width="800" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCRbkYfw1hI-vZeYRjYJ9gDbto53J3CnQiLPcI7ppitneuJN6Fm8733ZRGPGqeSzpUpkNYI7a72uf0VQSov6RrM0ZRpfsSvtqt5NLmUs28biLqi6ltIBK2L8X18zvXZ9grb1VpqJ5tWuDuFZ1Mpeiqte04FdpLDSwhgxWrpd_uvyh_nxZYM2wFerEWQvw/s320/Avengers%20-%20Photo%204.jpg" width="320" /></a></div><br />from her hometown of Seattle, Washington. Houston was a new student at San Francisco Art Institute when she met Danny Furious, a recent SFAI graduate who was still a common sight on the campus. Houston was a fan of musicians like Lou Reed and Patti Smith, and she soon discovered that Furious had similar tastes. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZKw9Dng35SRXcr6VcxxVwXreTq7Vg-QAA9wMgYjbq1JQ52Yc8gE28oe-G8a2g6jaTSBhSDljYf0gep_K6D5ge5JW8AJ4_Ccd1cKhczpC_QxxZRC2HGAmkCBahBaygSxdmcoc_OljMrUhyF6nRvVRaFaGihUPQCSukPbuTZJ7s9dz6I-qOnXsz5hR9AVE/s782/Avengers%20-%20Poster%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="782" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZKw9Dng35SRXcr6VcxxVwXreTq7Vg-QAA9wMgYjbq1JQ52Yc8gE28oe-G8a2g6jaTSBhSDljYf0gep_K6D5ge5JW8AJ4_Ccd1cKhczpC_QxxZRC2HGAmkCBahBaygSxdmcoc_OljMrUhyF6nRvVRaFaGihUPQCSukPbuTZJ7s9dz6I-qOnXsz5hR9AVE/w328-h400/Avengers%20-%20Poster%204.jpg" width="328" /></a></div><br />In June, the Avengers played their first show, opening for the Nuns at San Francisco's pioneering punk <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5NZZdnI1Oc6VlEvT601gOm6aeh7GReUXphDKsVi0rhjPtMmpNddDS-ObseMnKuq7lRC6xHXoXCr2w_JsAeCKQNRwXtYUl40e2Du81j77TvBCARuUnZKFORA5L9mqn92OcvYlRFYAmXqBqFheJuwwbkHJn8cwcFqG3-VGdqUZBh2QyLqtx15B2WUyLhYo/s640/Avengers%20-%20Photo%207.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="428" data-original-width="640" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5NZZdnI1Oc6VlEvT601gOm6aeh7GReUXphDKsVi0rhjPtMmpNddDS-ObseMnKuq7lRC6xHXoXCr2w_JsAeCKQNRwXtYUl40e2Du81j77TvBCARuUnZKFORA5L9mqn92OcvYlRFYAmXqBqFheJuwwbkHJn8cwcFqG3-VGdqUZBh2QyLqtx15B2WUyLhYo/s320/Avengers%20-%20Photo%207.jpg" width="320" /></a></div><br />venue the Mabuhay Gardens. In August, Jimmy Wisley joined the band as bassist (replacing Jonathan Postal, who went on to form the Readymades), and the Avengers' classic lineup was complete. The band soon became one of the most popular bands on California's budding punk rock scene, though at that time this limited the band to a handful of clubs in San Francisco and Los Angeles. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWcMRo33Lsqf-VTTKTgOyEkLok8QsyfEOtEHOfdHnkt6pWdK0JVbU641CS4NcO_DMQhrvo21qi581f0awEiD-og0YB8bMKLImEUL7pfdkpH7U-Nx_bUsVYMwLx72G5s53Vf0kXAYvgFg8SkVQJqC4ey0RVpgCI1MwZvIIVpjwh-AkQY3ppHcgLAqYBFg/s1024/Avengers%20-%20Poster%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="724" data-original-width="1024" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWcMRo33Lsqf-VTTKTgOyEkLok8QsyfEOtEHOfdHnkt6pWdK0JVbU641CS4NcO_DMQhrvo21qi581f0awEiD-og0YB8bMKLImEUL7pfdkpH7U-Nx_bUsVYMwLx72G5s53Vf0kXAYvgFg8SkVQJqC4ey0RVpgCI1MwZvIIVpjwh-AkQY3ppHcgLAqYBFg/w400-h283/Avengers%20-%20Poster%205.jpg" width="400" /></a></div><br />In 1977, L.A.'s premier punk label Dangerhouse Records released a three-song EP from the group, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid0NWA-wdb20pVwzUamqDYJDdbBYwLmxSrLKsd8XZm8OgNOBZTLOPZ5kDgFhbLF-DD1EZFZ9IU-jkoy-ATc7Inadkc0imJvPcT3xfXOg9Hbhlhn7mkRVrmxFVcWDb48kkyMu4Z34n-Mvid6O7UfBxIUoEDq45ZsTo9peqeKaLEyfEG4nFoW1RjozedojU/s813/Avengers%20-%20Photo%206.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="813" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid0NWA-wdb20pVwzUamqDYJDdbBYwLmxSrLKsd8XZm8OgNOBZTLOPZ5kDgFhbLF-DD1EZFZ9IU-jkoy-ATc7Inadkc0imJvPcT3xfXOg9Hbhlhn7mkRVrmxFVcWDb48kkyMu4Z34n-Mvid6O7UfBxIUoEDq45ZsTo9peqeKaLEyfEG4nFoW1RjozedojU/s320/Avengers%20-%20Photo%206.jpg" width="252" /></a></div><br />featuring "We Are the One," "Car Crash," and "I Believe in Me." In early 1978, the group scored what seemed like a golden opportunity: opening for Sex Pistols at San Francisco's Winterland on the final date of the notorious British punk band's first American tour.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pWiga-EeCZ5SGmUuhktkKEECcDmQqZc1Y1FtwF6Gztl4KkUhUqU2M2jSSNGTDYwsoi69rcDKOu1PXoJlRXoJbWFJAREQSpf0Zk_UbJ4ynwXVouNysmz9qgUNXZPnyCrWVB7Z6r38K9YTIrfJqABnydNfN6owx4Nm4PGnvsF5IgqiofgkZevBm5w-KPQ/s1236/Avengers%20-%20Poster%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1236" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3pWiga-EeCZ5SGmUuhktkKEECcDmQqZc1Y1FtwF6Gztl4KkUhUqU2M2jSSNGTDYwsoi69rcDKOu1PXoJlRXoJbWFJAREQSpf0Zk_UbJ4ynwXVouNysmz9qgUNXZPnyCrWVB7Z6r38K9YTIrfJqABnydNfN6owx4Nm4PGnvsF5IgqiofgkZevBm5w-KPQ/w259-h400/Avengers%20-%20Poster%207.jpg" width="259" /></a></div><br />In 1983, a San Francisco-based indie label, CD Presents, bought the rights to the Avengers' material, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcHqlavKZagg75iO5AaBVkfmyoaSX4Tj18YK02-ocy_r_KUy0DFRdyhrOVidyPCP9uj0_6oQGS8Fpgk7Gco1Pghx6HRhUx9Y5sfmUf-izOCMtKeEsmAhHuTZyylQP91-Zsyy93fDz-dt3BcC0DwG6jpuEoH_QGFF4ocF7T5aW3d5Tg0rgMwHSRTXHH2zU/s640/Avengers%20-%20Photo%209.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="640" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcHqlavKZagg75iO5AaBVkfmyoaSX4Tj18YK02-ocy_r_KUy0DFRdyhrOVidyPCP9uj0_6oQGS8Fpgk7Gco1Pghx6HRhUx9Y5sfmUf-izOCMtKeEsmAhHuTZyylQP91-Zsyy93fDz-dt3BcC0DwG6jpuEoH_QGFF4ocF7T5aW3d5Tg0rgMwHSRTXHH2zU/s320/Avengers%20-%20Photo%209.jpg" width="320" /></a></div><br />and released a superb 16-song compilation (the self-titled Avengers) that collected their vinyl releases to date, along with some unreleased studio material. However, when CD Presents went out of business, the group's recorded legacy went into limbo, and for the next ten years Houston found herself questioned by fans who were eager to obtain Avengers' recordings.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzKhXXXdIZQ1WFoDrPOr4hr3smA2oUNXyBBr4U53A5Zm76NDR7sbXnJfAGN6qPsyRb-lF1lKcdH9WM6UAmb_pmEJPQHhDifyj5M-K0GHcekKfhil6ddw0H7D0gi71QkvwafgYek8tztsAkiPOKMLl903T9QPKakqY4v75g6Sh7tqeSXZkEBqISgDXDT4o/s989/Avengers%20-%20Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzKhXXXdIZQ1WFoDrPOr4hr3smA2oUNXyBBr4U53A5Zm76NDR7sbXnJfAGN6qPsyRb-lF1lKcdH9WM6UAmb_pmEJPQHhDifyj5M-K0GHcekKfhil6ddw0H7D0gi71QkvwafgYek8tztsAkiPOKMLl903T9QPKakqY4v75g6Sh7tqeSXZkEBqISgDXDT4o/w259-h400/Avengers%20-%20Poster%201.jpg" width="259" /></a></div><br />An album called Avengers (sometimes referred to as the Pink Album, including by Houston herself) <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcSUEXsH8iyfdP1RAFgRkCMhWeV6uGDcW8ZZXMhSftswtZbySr0G-blRvkoON5Zg1pia3ZEfAYxuK72f6gcZPXnBcCf0nGFLQCV55_TmUX36WPqCgq_D9rn8VWsfpyo67cnG2HnQmolu5kpF0BjNThnYlqdHQ75hTX9GUy9ZM3tJkY4pMGxC3EYQdNcNs/s953/Avengers%20-%20Photo%202.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="953" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcSUEXsH8iyfdP1RAFgRkCMhWeV6uGDcW8ZZXMhSftswtZbySr0G-blRvkoON5Zg1pia3ZEfAYxuK72f6gcZPXnBcCf0nGFLQCV55_TmUX36WPqCgq_D9rn8VWsfpyo67cnG2HnQmolu5kpF0BjNThnYlqdHQ75hTX9GUy9ZM3tJkY4pMGxC3EYQdNcNs/s320/Avengers%20-%20Photo%202.jpg" width="215" /></a></div><br />was released in 1983. It featured tracks recorded through the band's whole time together, and was compiled by drummer Danny Furious. The album was out-of-print for a long time due to being in "legal limbo", during which time Houston sold the album in CD-R format directly through her website. The album was re-released in 2010.<br /> <br /> <br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJJWNHSMM0cU7nKRru0LvzmBswXIt7RCImOj0GK8LreGvCQdCcXGTbgBKLozoGDOIS7NrQyueHlttEmBlMc1R-hntcptdtXoCstFmdlLUWUfajn_A5TTspGp4L54Cfe6UWlQxvJLjtFix4OLGhe7IiGkoFQ2uTC7r_PysYHQS12cpwNNE3l8UbOZiAU0/s600/Avengers%20-%20Photo%2015.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJJWNHSMM0cU7nKRru0LvzmBswXIt7RCImOj0GK8LreGvCQdCcXGTbgBKLozoGDOIS7NrQyueHlttEmBlMc1R-hntcptdtXoCstFmdlLUWUfajn_A5TTspGp4L54Cfe6UWlQxvJLjtFix4OLGhe7IiGkoFQ2uTC7r_PysYHQS12cpwNNE3l8UbOZiAU0/w400-h400/Avengers%20-%20Photo%2015.jpg" width="400" /></a></div><br /><p style="text-align: center;"><b><span style="font-size: large;">THE AVENGERS - TEENAGE REBEL b/w FRIENDS OF MINE </span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM1Yoql-FR38xrB-R32Hsr5VVoOaBYTG49umTYhv7IvfBx9PfoQYgE29QFSoonsayPl_KDd8nd_xOXIOpdchYFuXAWbtkHvSAIapKsnOswlTHJ_wvCjt1MenvgIkB-ZxMSzeS2AmJ_kbYHXb930flW1IY5CCcQs-UM3dz1i28u2bwgVtozcB-MKSsF3QU/s800/The%20Avengers%20-%20Teenage%20Rebel%20(Single)%20%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM1Yoql-FR38xrB-R32Hsr5VVoOaBYTG49umTYhv7IvfBx9PfoQYgE29QFSoonsayPl_KDd8nd_xOXIOpdchYFuXAWbtkHvSAIapKsnOswlTHJ_wvCjt1MenvgIkB-ZxMSzeS2AmJ_kbYHXb930flW1IY5CCcQs-UM3dz1i28u2bwgVtozcB-MKSsF3QU/w400-h400/The%20Avengers%20-%20Teenage%20Rebel%20(Single)%20%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>The Avengers – Teenage Rebel b/w Friends</b><br /><b>Label: Superior Viaduct – SV7</b><br /><b>Format: Vinyl, 7", 45 RPM, Limited Edition, Reissue, Orange</b><br /><b>Country: US</b><br /><b>Released: Apr 21, 2012</b><br /><b>Genre: Rock</b><br /><b>Style: Punk</b><br /></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeB3yoR0L4Di2PZi6KfcIipq2fIDQm2FwUDFMROvugWVdXAXZA8PYvkm2JU0ULm1r-nuwbRtKOm914zwENIv4LnVU8ue7fEcXfBdX_2ajY_5XZE4IyizdDRr_xAZCXD7QZOEZ8K8FAa_lcfS3FV8K5ASBo2CPmMxfggT6zkNqfBTJrFOCcYZhONwaqt2g/s800/The%20Avengers%20-%20Teenage%20Rebel%20(Single)%20%20-%20Front%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeB3yoR0L4Di2PZi6KfcIipq2fIDQm2FwUDFMROvugWVdXAXZA8PYvkm2JU0ULm1r-nuwbRtKOm914zwENIv4LnVU8ue7fEcXfBdX_2ajY_5XZE4IyizdDRr_xAZCXD7QZOEZ8K8FAa_lcfS3FV8K5ASBo2CPmMxfggT6zkNqfBTJrFOCcYZhONwaqt2g/w400-h400/The%20Avengers%20-%20Teenage%20Rebel%20(Single)%20%20-%20Front%20Cover%201.jpg" width="400" /></a></div> <br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Ly4g5QrddFivvFFVOgHeFwJydlXHO9vSLKqVPEEZSjjiuf340yVAE2bBUT7aOG17T0t9FbpeRqo5Jz1V1rAIolYIhU2xbNs9JZIb9pgF_SoGBacm4eyj6-EOUdr5_zxhynXJYskKCYvi7t6mdL_wEUgsnLGp8QhwN9K4YUuyfquIO8HDZ4bIWnZpARU/s894/The%20Avengers%20-%201978%20-%20Teenage%20Rebel%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="894" data-original-width="894" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Ly4g5QrddFivvFFVOgHeFwJydlXHO9vSLKqVPEEZSjjiuf340yVAE2bBUT7aOG17T0t9FbpeRqo5Jz1V1rAIolYIhU2xbNs9JZIb9pgF_SoGBacm4eyj6-EOUdr5_zxhynXJYskKCYvi7t6mdL_wEUgsnLGp8QhwN9K4YUuyfquIO8HDZ4bIWnZpARU/w400-h400/The%20Avengers%20-%201978%20-%20Teenage%20Rebel%20-%20Side%20A.jpg" width="400" /></a></div><br /> <br /><p></p><p style="text-align: center;"><b>A. </b>Teenage Rebel<br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEw1YBxY5ftPfFWW29un5byLdtHnp2Iq41zAyXWQmyHWqlqJNIc6R2YjfHlK01YOacVUHvNnotsY7QQvmElqWHAYzL_HjB0GXTuzjYfYhhNCaWH8FGSKJRh2p0jPyosI_wJltYNaa1q7FUzTgxB7KBuIpPuvyDhN0nXtxwQ-I1XuodfFwYXr2r0AK8Zqc/s842/The%20Advengers%20-%20Teenage%20Rebel%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="842" data-original-width="842" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEw1YBxY5ftPfFWW29un5byLdtHnp2Iq41zAyXWQmyHWqlqJNIc6R2YjfHlK01YOacVUHvNnotsY7QQvmElqWHAYzL_HjB0GXTuzjYfYhhNCaWH8FGSKJRh2p0jPyosI_wJltYNaa1q7FUzTgxB7KBuIpPuvyDhN0nXtxwQ-I1XuodfFwYXr2r0AK8Zqc/w400-h400/The%20Advengers%20-%20Teenage%20Rebel%20-%20Side%20B.jpg" width="400" /></a></div><br /><br /><p></p><p style="text-align: center;"><b>B.</b> Friends Of Mine<br /></p><p><b><br /></b></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass, Vocals – <b>Jimmy Wilsey</b><br />Drums, Vocals – <b>Danny Furious</b><br />Guitar, Vocals – <b>Greg Ingraham</b><br />Vocals –<b> Penelope Houston</b><br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Recorded live to 2-track reel-to-reel 1978.<br />Mixed By [Remixed 1995] – Danny Furious, Daryl T.<br />Recorded By – Joey Swails<br />Limited edition colored vinyl. 1,000 copies only.<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">TEENAGE REBEL LYRICS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj07cZKnWpm5m_hn_VZr3d4W5pnApZBKlmBuSvbYxkfybQJis3B33lR0Xp_44reeTCJkj2_RY9JVUTivGmj3jtX7doUXfKZjZU6O5K3qURGt8T-a_4jdEEzKBuUP2eDpWF52nOMH20GDbek4tCnZyQaYslqQnFJkVDfyE8yagMRhyOMoJinb83_eK6u5wY/s400/Teenage%20Rebel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj07cZKnWpm5m_hn_VZr3d4W5pnApZBKlmBuSvbYxkfybQJis3B33lR0Xp_44reeTCJkj2_RY9JVUTivGmj3jtX7doUXfKZjZU6O5K3qURGt8T-a_4jdEEzKBuUP2eDpWF52nOMH20GDbek4tCnZyQaYslqQnFJkVDfyE8yagMRhyOMoJinb83_eK6u5wY/w400-h400/Teenage%20Rebel.jpg" width="400" /></a></div><br /> <br /><p></p><p style="text-align: center;">Everywhere I go people stare<br />They put me down but I don't care<br />(They put me down they put me down)<br /><br />My mirror's telling me my face is a mess<br />And all my friends<br />They hate the way I dress<br /><br />Cause I'm a rebel<br />Rebel, rebel, rebel, rebel, rebel, rebel<br />Rebel, rebel, rebel, rebel, rebel, rebel<br />A teenage rebel<br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLWgWtvAmTP4CLCMLw3Eya2RWDsmWxjKzZcXdVSj-uwgNY_kWdjQ719B1IahtNH5SI8NNtyu6BQprHtbCam6blbBLaPQzK8_GUW81OIK6ZSrL22CnY_em1b2uRYdQLJ69Gt64hYYMTTZmzvvi_Ww2nP7pjy8BjVodmjUIg3z-pmHt5OA0lWzBvYLKOXDI/s220/REBEL.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="220" data-original-width="220" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLWgWtvAmTP4CLCMLw3Eya2RWDsmWxjKzZcXdVSj-uwgNY_kWdjQ719B1IahtNH5SI8NNtyu6BQprHtbCam6blbBLaPQzK8_GUW81OIK6ZSrL22CnY_em1b2uRYdQLJ69Gt64hYYMTTZmzvvi_Ww2nP7pjy8BjVodmjUIg3z-pmHt5OA0lWzBvYLKOXDI/w400-h400/REBEL.gif" width="400" /></a></div><br /><p></p><p style="text-align: center;">Well I'm not in school and I hate work<br />I break all their rules and they call me a jerk<br />Everybody's trying to tell me how to live my life<br />If I hear it one more time from you baby<br />Gonna slit your gut with a knife<br /><br />Cause I'm a rebel<br />Rebel, rebel, rebel, rebel, rebel, rebel<br />Rebel, rebel, rebel, rebel, rebel, rebel<br />A teenage rebel<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/rJpwXb6Y#SSY30wAd0eou0Ik58Nr4NHsdwsQvMX0zpg1LgeeJgW8">Flac Size: 35 MB</a><br /><br /><span style="font-size: large;">AVENGERS - AVENGERS 1983</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiniwFJBW6TF_B36N3LYVIT4YfXMup0xZcTXfYZMTAkGyr11jJBk0NBOqv_vdAjRZ2jLmgrpxDL0lKFTqx5YFIATW8NFp0BqTnC2pdcpjYUtXYOWzcYCeVggoeZZ1U22BNZEuah6qltYTgWFPttUdf83jvWcbljnmnjcA9TkqolMIyNystKSji0Ctw04cA/s600/Avengers%20-%20Avengers%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiniwFJBW6TF_B36N3LYVIT4YfXMup0xZcTXfYZMTAkGyr11jJBk0NBOqv_vdAjRZ2jLmgrpxDL0lKFTqx5YFIATW8NFp0BqTnC2pdcpjYUtXYOWzcYCeVggoeZZ1U22BNZEuah6qltYTgWFPttUdf83jvWcbljnmnjcA9TkqolMIyNystKSji0Ctw04cA/w400-h400/Avengers%20-%20Avengers%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Although it was released in 1983, this collection represents just about everything San Francisco's late, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrD4lZssf5aCNvv3FOBSrpBCYMMZFACF5NN5auDU0Ntor4fGKWB3BnweM6I9MPEp8SQnBbCeC-6vnjnbgfB3hBsQ9LYRyTbWz2pskp_bBlDfU_1JJUn1YL9uDG93opzfu8KS33EoXQCtfpqu4T7JD5cN429-zp003cJ6wSlfNA-JWscfRuLhbRL7wl1WU/s1024/Avengers%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="653" data-original-width="1024" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrD4lZssf5aCNvv3FOBSrpBCYMMZFACF5NN5auDU0Ntor4fGKWB3BnweM6I9MPEp8SQnBbCeC-6vnjnbgfB3hBsQ9LYRyTbWz2pskp_bBlDfU_1JJUn1YL9uDG93opzfu8KS33EoXQCtfpqu4T7JD5cN429-zp003cJ6wSlfNA-JWscfRuLhbRL7wl1WU/s320/Avengers%20-%20Photo%2011.jpg" width="320" /></a></div><br />great Avengers recorded from 1977-1978. By contemporary standards, it's by-the-book punk thrash: Greg Ingraham's guitar spews up hairball after hairball of distortion, while Penelope Houston snarls in her best impression of Johnny Rotten. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn3Ut0-TaPbAjcpVUqjfQH5Ri5d29oBUEpbQRPOvS8MYAkaiqI32q42Df10GuxYD8xS1-ZpnamG87wFVeroBUSedrSZTb6OPTQ9D0cDJc_k_bZ43aKyjphPeFAU1JVAIVyTP29xxRwaMMUS6HKAMCWlYXOuuDqLR54_7eIvbFML9ZImVOFM5QEIRvI-s4/s800/Avengers%20-%20Photo%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn3Ut0-TaPbAjcpVUqjfQH5Ri5d29oBUEpbQRPOvS8MYAkaiqI32q42Df10GuxYD8xS1-ZpnamG87wFVeroBUSedrSZTb6OPTQ9D0cDJc_k_bZ43aKyjphPeFAU1JVAIVyTP29xxRwaMMUS6HKAMCWlYXOuuDqLR54_7eIvbFML9ZImVOFM5QEIRvI-s4/w400-h400/Avengers%20-%20Photo%201.jpg" width="400" /></a></div><br />However, contemporary standards diminish what great music this was and what a great band the Avengers were. Dozens of bands came in their wake, but few could recapture the excitement and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sF-2FZZl36HtomLLRAefSvT-yHWfp-52OfMxFhr_I0llwGZhPcrcjxl5KXfKJ90qoR7Cvv_pE5cF2hBy6y-iYCBYbZWUh20gGSSnOLnkFB6uLXcRzqzRcbbfYSoCbUVRJ0P1qFPzm7VH0iQPotJN9l9SmBOQP8wuybTOYy646_FXJgikyrm7Vm1_q2E/s576/Avengers%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="350" data-original-width="576" height="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0sF-2FZZl36HtomLLRAefSvT-yHWfp-52OfMxFhr_I0llwGZhPcrcjxl5KXfKJ90qoR7Cvv_pE5cF2hBy6y-iYCBYbZWUh20gGSSnOLnkFB6uLXcRzqzRcbbfYSoCbUVRJ0P1qFPzm7VH0iQPotJN9l9SmBOQP8wuybTOYy646_FXJgikyrm7Vm1_q2E/s320/Avengers%20-%20Photo%2010.jpg" width="320" /></a></div><br />ferocity of their sound. Houston, who re-emerged years later as a folk-rocker, is in full fury on these 14 tracks, especially the youth culture solidarity anthem "We Are the One" and the tale of desperation "Thin White Line." A few spins of this and you'll hear how the Avengers influenced everyone from Black Flag to X. Yes, they were that good. A forgotten classic. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4igb-Mq77OylBWIsrzOgKy4c35MQ0qzQ3DzqzBJ55eDAdccstWL49jf2SKYDHuFtRXuzoePzMddTssISrZos85slVGHS5uy_hDVGxMREyv1V32wtNzbtdsYqhpvKlv3V_5X9tzjj6rIOVAiVBHjpzRRV8qxpn-xUyD93otNwkpTGPv3qAlfcEnFJ2iI/s833/Avengers%20-%20Poster%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="833" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4igb-Mq77OylBWIsrzOgKy4c35MQ0qzQ3DzqzBJ55eDAdccstWL49jf2SKYDHuFtRXuzoePzMddTssISrZos85slVGHS5uy_hDVGxMREyv1V32wtNzbtdsYqhpvKlv3V_5X9tzjj6rIOVAiVBHjpzRRV8qxpn-xUyD93otNwkpTGPv3qAlfcEnFJ2iI/w308-h400/Avengers%20-%20Poster%206.jpg" width="308" /></a></div><br /><p></p><p style="text-align: center;"><b>Avengers – Avengers<br />Label: CD Presents, Ltd. – CD007CD<br />Format: CD, Compilation, Reissue 1989<br />Country: US<br />Released: 1983<br />Genre: Rock<br />Style: Punk<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgny0fGT9IMeWh_l_WefZvAVt_rJMAXINu1DwiIqYh-aI6EiwtNIMYzh50YQ-Sc4TB7Yxb4KwD1fVOLAfYP2X_su7ZpziH7KR871LSlpRfg-yipO-tXz53P_mWgYiRS0dwEA_jwBMLlvGTx3iXWLR_7sPJzbYbtgRHzom6Ywvhra6z3lcGhQHNbfQugY5Q/s800/Avengers%20-%20Avengers%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgny0fGT9IMeWh_l_WefZvAVt_rJMAXINu1DwiIqYh-aI6EiwtNIMYzh50YQ-Sc4TB7Yxb4KwD1fVOLAfYP2X_su7ZpziH7KR871LSlpRfg-yipO-tXz53P_mWgYiRS0dwEA_jwBMLlvGTx3iXWLR_7sPJzbYbtgRHzom6Ywvhra6z3lcGhQHNbfQugY5Q/w400-h313/Avengers%20-%20Avengers%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>We Are The One 2:38<br /><b>02. </b>Car Crash 4:17<br /><b>03. </b>I Believe In Me 2:52<br /><b>04.</b> Open Your Eyes 2:37<br /><b>05.</b> No Martyr 3:01<br /><b>06. </b>Desperation 2:30<br /><b>07. </b>Thin White Line 3:08<br /><b>08.</b> Money, Money 2:25<br /><b>09.</b> Paint It Black (Written-By – Jagger/Richards) 2:13<br /><b>10.</b> The Amerikan In Me 3:04<br /><b>11. </b>White Nigger 3:32<br /><b>12.</b> Uh-Oh 3:04<br /><b>13.</b> Second To None 2:27<br /><b>14. </b>Cheap Tragedies 3:05<br /><b>15.</b> Corpus Christi (Guitar – Brad Kent) 3:20<br /><b>16. </b>Fuck You-Live 2:43<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass, Vocals – <b>James Wilsey</b><br />Drums, Vocals – <b>Danny Furious</b><br />Guitar, Vocals –<b> Greg Ingraham</b><br />Songwriter [Songs By] – Avengers (tracks: 1 to 8, 10 to 16)<br />Vocals – <b>Penelope Houston</b><br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />1 to 3: 10/23/77<br />4, 7, 8: 3/28/78<br />5, 6: 2/9/78<br />9 to 13: 10/12/78 (re-recorded at Secret Studios)<br />14: 5/13/79<br />15: 10/18/77<br />Mastered at Fantasy Studios, Berkeley, CA. <br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">WE ARE THE ONE</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ag7Wcw68HNoZjVs9NFmONyLE0mQ427Nw00h5kWLuYlep4zci57U8UEaQzwgPWmjHQTcHcBlJeDvlDneSdwVYkpWXSzCy69wQ6PN-uuW4d7Qmn1GY5UMdN7l6dQBITCqbVoO0OCzc15xwVEIWSSnhSkn87GmY7T2Avc7eYKzl1fjdjq2dW9koHaigdyk/s500/Leader.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="350" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ag7Wcw68HNoZjVs9NFmONyLE0mQ427Nw00h5kWLuYlep4zci57U8UEaQzwgPWmjHQTcHcBlJeDvlDneSdwVYkpWXSzCy69wQ6PN-uuW4d7Qmn1GY5UMdN7l6dQBITCqbVoO0OCzc15xwVEIWSSnhSkn87GmY7T2Avc7eYKzl1fjdjq2dW9koHaigdyk/w280-h400/Leader.gif" width="280" /></a></div><br /><br /></div><div style="text-align: center;">We are the leaders of tomorrow.<br />We are the ones to have the fun.<br />We want control. We want the power.<br />Not gonna stop until it comes.<br /><br />(Chorus)<br />We are not Jesus Christ.<br />We are not fascist pigs.<br /><b><span style="font-size: medium;">We are not capitalist industrialists.</span></b><br /></div><div> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl2pWfasmVaL4XMR5ufeSeDd2AMjLy64zXjtYsSjvz77dKDwOymmXacY4XMsqAV0H-D2ZUahMxS_dQc66lSEnPd4t2dXC9I4_cUAxfIC-wlFXb2ztOFUwl4m1h4ZJb1PBTSg1bWGNQhC-r6EFus9-nxO37RdLhWTxZ4di7l0PL1CFuSYZ5AOV0l_9pmW4/s220/Capitalist%20Industrialists.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="220" data-original-width="220" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl2pWfasmVaL4XMR5ufeSeDd2AMjLy64zXjtYsSjvz77dKDwOymmXacY4XMsqAV0H-D2ZUahMxS_dQc66lSEnPd4t2dXC9I4_cUAxfIC-wlFXb2ztOFUwl4m1h4ZJb1PBTSg1bWGNQhC-r6EFus9-nxO37RdLhWTxZ4di7l0PL1CFuSYZ5AOV0l_9pmW4/w400-h400/Capitalist%20Industrialists.gif" width="400" /></a></div><br /><p></p><p style="text-align: center;">We are not communists. We are the one.<br />We will build a better tomorrow.<br />The youth of today will be the tool.<br />American children made for survival.<br />Fate and our destiny we shall rule.<br /><br />(Chorus)<br />I am the one who brings you the future.<br />I am the one who buries the past.<br />A new species rises up from the ruins.<br />I am the one who is made to last<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/PBgxmDJY#vknuMHBvyN2KwG9sD5wcfAj9q7lBw1E_eRLhUZjRtTw">Flac Size: 317 MB</a><br /><span style="font-size: large;"><br />AVENGERS - DIE FOR YOUR SINS 1999</span></b></p><p style="text-align: center;"><b><span style="font-size: large;"> </span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrEisPVUovTNdoeTJKf1zKRoezc03a0ar9fwP78SfDNkxsdmuqC116Wmcj-rW-reHKVGk8KYjK6DrdZFVakLX2yF4bw4CAz_cuUJuvjc_8GrpmXzFheY1F9OFa0BXEkt2Za8Yl7qGNaGGBwgqQk0zPeRCi181rf8KmOoa5hKjfS3Nn9MHvVfNmclSqikY/s800/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrEisPVUovTNdoeTJKf1zKRoezc03a0ar9fwP78SfDNkxsdmuqC116Wmcj-rW-reHKVGk8KYjK6DrdZFVakLX2yF4bw4CAz_cuUJuvjc_8GrpmXzFheY1F9OFa0BXEkt2Za8Yl7qGNaGGBwgqQk0zPeRCi181rf8KmOoa5hKjfS3Nn9MHvVfNmclSqikY/w400-h400/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>THE SCAVENGERS</b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxC5EE_VU_33EkEq3rDSMbNeGbXTc3-SpWnRqTO5nQIeM025P30BvsqYVaoBbDIxr52wURg3vo50ec1XHUcfh0TmMUBF7Zn0uRnss7YOx4m-sszfFOGrf_uBdXBYldyK_DY-ro2F_HI8V6M6OLl4M1tqiAQfHrHbbUNBwUHAC1t7OHWl-vLLYJC3cE82c/s800/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="615" data-original-width="800" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxC5EE_VU_33EkEq3rDSMbNeGbXTc3-SpWnRqTO5nQIeM025P30BvsqYVaoBbDIxr52wURg3vo50ec1XHUcfh0TmMUBF7Zn0uRnss7YOx4m-sszfFOGrf_uBdXBYldyK_DY-ro2F_HI8V6M6OLl4M1tqiAQfHrHbbUNBwUHAC1t7OHWl-vLLYJC3cE82c/w400-h308/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br />When Penelope Houston wanted to newly record some old Avengers songs in 1998, she only got Greg Ingraham from the original lineup. So she recruited California-based musicians Dan Panic and Joel <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_s4zmi4rFnADGZn56M9cEfN4PANnlBN17ccvKUqdbI4XHLOGU4CCbjhGZFGR30KENysdYPMYt33n0Bs-gEUjKXMIGgJlebhisJE2ve1z9v8ij_BBxw_h5dLw3qv6tobJUYTyLDVKdlYomX7m1ArRoyN6PRtWD_PKaV3Bf0UQuepGRQT62CQ0ozdfh2kQ/s800/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20CD.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_s4zmi4rFnADGZn56M9cEfN4PANnlBN17ccvKUqdbI4XHLOGU4CCbjhGZFGR30KENysdYPMYt33n0Bs-gEUjKXMIGgJlebhisJE2ve1z9v8ij_BBxw_h5dLw3qv6tobJUYTyLDVKdlYomX7m1ArRoyN6PRtWD_PKaV3Bf0UQuepGRQT62CQ0ozdfh2kQ/s320/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20CD.jpg" width="320" /></a></div><br />Reader to fill the lineup and called them The Scavengers. After the release of Died For Your Sins, they performed a few shows and then stopped activity so Houston could resume her solo career. A few years later, the band started up again, with Luis Illades replacing Panic, and this time went on as the Avengers.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCQiIUdpfxFs886HhiCOZy2oyCeg6bdy-0sCgbj0lFQW5EzlwA66uCmwNiCUibw1C4uFUV8KZwlNoV5q6QK6eOIrYCETmk03X4HbUc22j9W0FaBrUQxRT7ZFD9FOIqagViKdHHkZWSeb0u_qRH7zCCLvPC3gz9sxsHiG9aBACl0VItmo_UOLGoZ4IXYYU/s800/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Inside%20Cover%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCQiIUdpfxFs886HhiCOZy2oyCeg6bdy-0sCgbj0lFQW5EzlwA66uCmwNiCUibw1C4uFUV8KZwlNoV5q6QK6eOIrYCETmk03X4HbUc22j9W0FaBrUQxRT7ZFD9FOIqagViKdHHkZWSeb0u_qRH7zCCLvPC3gz9sxsHiG9aBACl0VItmo_UOLGoZ4IXYYU/w400-h400/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Inside%20Cover%207.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Avengers – Died For Your Sins<br />Label: Lookout! Records – LK217CD<br />Format: CD, Compilation, Reissue<br />Country: US<br />Released: Feb 23, 1999 <br />Genre: Rock<br />Style: Punk<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgts0JRFdHyLLdUDj2i4s8VaeYdH20u6NZUNwu_R2xHU0TxhI2azcKuXRZD_NaU5c-xit7KmbL1icpdohKyQV7rswMmcmgig1P_aoD4_mVGYtCxYCt55B9sULzHT-2wDXD1XNR_i7yzXaHET8_BBZyK0qBPdeQE2l7Ab2zUbGH4Z-C8IKf32JnS3cKce5g/s800/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgts0JRFdHyLLdUDj2i4s8VaeYdH20u6NZUNwu_R2xHU0TxhI2azcKuXRZD_NaU5c-xit7KmbL1icpdohKyQV7rswMmcmgig1P_aoD4_mVGYtCxYCt55B9sULzHT-2wDXD1XNR_i7yzXaHET8_BBZyK0qBPdeQE2l7Ab2zUbGH4Z-C8IKf32JnS3cKce5g/w400-h313/The%20Avengers%20-%201993%20-%20Die%20For%20Your%20Sins%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. Avengers</b> –Teenage Rebel 1:55<br /><b>02. Avengers</b> – Friends Of Mine 2:13<br /><b>03. Avengers </b>– White Nigger 3:24<br /><b>04. Avengers</b> – The Good And The Bad And The Kowalskis 5:01<br /><b>05. The Scavengers </b>– I Want In 2:37<br /><b>06. The Scavengers</b> – Crazy Homicide 2:02<br /><b>07. The Scavengers</b> – The End Of The World 3:35<br /><b>08. Avengers</b> – ("Fools Or Hippies" Spoken Intro) 0:29<br /><b>09. Avengers</b> – The American In Me 1:41<br /><b>10. Avengers </b>– ("Get Up!" Spoken Intro) 0:15<br /><b>11. Avengers </b>– Open Your Eyes 2:17<br /><b>12. Avengers </b>– Car Crash 3:39<br /><b>13. Avengers </b>– Tiny Pink Noise 0:23<br /><b>14. Avengers </b>– Fuck You 2:15<br /><b>15. Avengers</b> – Joker's Wild (Written-By – Wilson, Taylor, Edwards, Bogle) 2:14<br /><b>16. Avengers</b> – Something's Wrong 2:43<br /><b>17. Avengers </b>– ("Wrong Town" Spoken Intro) 0:29<br /><b>18. Avengers </b>– Desperation 2:26<br /><b>19. Avengers </b>– I Believe In Me (Recorded By – Jerry Harrison) 2:56<br /><b>20. Avengers </b>– Money (Written-By – Gordy, Bradford) 2:10<br /><b>21. Avengers</b> – We Are The One 2:35<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Jimmy Wilsey</b> (tracks: 1 to 4, 9, 11 to 16, 18 to 21), Joel Reader (tracks: 5 to 7)<br />Drums – <b>Danny Furious</b> (tracks: 1 to 4, 9, 11 to 16, 18 to 21), <b>Danny "Panic" Sullivan </b>(tracks: 5 to 7)<br />Guitar – <b>Greg Ingraham</b><br />Songwriter [Songs Written By] – O'Brien, Ingraham, Wilsey, Houston (tracks: 1 to 7, 9, 11 to 14, 16, 18, 19, 21)<br />Vocals, Liner Notes – <b>Penelope Houston</b><br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />1,2+4 rehearsal recorded at Iguana Studios 1978<br />3 recorded at Wally Heider Studios 1978<br />5-7 recorded at The Roof Brothers Studio 1998<br />8-12 recorded live at Mabuhay Gardens 1978<br />13+14 live at The Keystone, Berkeley 1977<br />15-18 live in Santa Cruz 1978<br />19 recorded live at The Keystone, Palo Alto 1977<br />20+21 recorded live at The Whiskey A-Go-Go, 1978<br />Tracks 15 to 17 are CD bonus tracks <br /><b><br /></b></p><p style="text-align: center;"><b><span style="font-size: large;">THE AMERICAN IN ME LYRICS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ-W8qI6iYgbiZpsY0_QMnlK9hC9xv4JC5TXbgFvyyQU915uPdG7sCsIIbQjOA8NJlTy0hyP6VCAULfs5oY9sFnksqJXX_R_rWYZsp8o_D1qRZKYVOVFeNK_8XmW5SlNlEE0eJDqQCYirxq5vVeemekXbQN6bOgYW8Bj7_7f6_ovbdZjFxHKy2V6mgNTY/s612/American%20In%20Me%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="612" data-original-width="587" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ-W8qI6iYgbiZpsY0_QMnlK9hC9xv4JC5TXbgFvyyQU915uPdG7sCsIIbQjOA8NJlTy0hyP6VCAULfs5oY9sFnksqJXX_R_rWYZsp8o_D1qRZKYVOVFeNK_8XmW5SlNlEE0eJDqQCYirxq5vVeemekXbQN6bOgYW8Bj7_7f6_ovbdZjFxHKy2V6mgNTY/w384-h400/American%20In%20Me%201.jpg" width="384" /></a></div><br /> <br /><p></p><p style="text-align: center;">It's the american in me that makes me watch the blood<br />Running out of the bullethole in his head<br />It's the american in me that makes me watch tv<br />See on the news, listen what the man said. <br /><br />He said "ask not what you can do for your country<br />What's your country been doing to you<br />Ask not what you can do for your country<br />What's your country been doing to your mind?"<br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYFpyBnEj3QQjWWuJm44Y-EdfsbOLyGb7b17Al88-GKjecTKfYAyGWVRql0bGQdP0d2bnnvIp0_WULDu6Ewp33iDGjVQzUkwQqQV_Uyo4Uo1C-1stIP3Ab1uCfSpHze9dF7nilc6ku_GzqBYBjF4hErv1kATkktC9BGElsgheOjQFZP7ZLqG4Bc2SZKko/s640/WAR.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="368" data-original-width="640" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYFpyBnEj3QQjWWuJm44Y-EdfsbOLyGb7b17Al88-GKjecTKfYAyGWVRql0bGQdP0d2bnnvIp0_WULDu6Ewp33iDGjVQzUkwQqQV_Uyo4Uo1C-1stIP3Ab1uCfSpHze9dF7nilc6ku_GzqBYBjF4hErv1kATkktC9BGElsgheOjQFZP7ZLqG4Bc2SZKko/w400-h230/WAR.gif" width="400" /></a></div><br /><br /><p></p><p style="text-align: center;">It's the american in me that says<br /><b>"<span style="font-size: medium;">it an honor to die in a war</span> that's just a politicians lie"</b><br />It's the american in me that makes me watch tv<br />See how they burn the sla they say<br /><br />"ask not what you can do for your country<br />What's your country been doing to you?<br />Ask not what you can do for your country<br />What's your country been doing to you?"<br /><br />In the usa!<br />In the usa!<br />In the usa!<br /><br />It's the american in me that makes me watch the blood<br />Running out of the bullethole in his head<br />It's the american in me that never wonders why<br />Kennedy was murdered by the fbi (said)<br /><br />"ask not what you can do for your country<br />What's your country been doing to you?<br />Ask not what you can do for your country<br />What's your country been doing to you?...<br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/aJBmSTbS#EIn5xEoXfel9gDqNDucZQHNVVYm0uZuOm-xHfW1EcY4">Flac Size: 335 MB</a></b><br /><br /><b><span style="font-size: medium;">I posted all I have of The Avengers. You can choose what you want.</span></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com13tag:blogger.com,1999:blog-8270002232971427483.post-64996759014093870372024-03-07T09:56:00.002+02:002024-03-07T10:02:56.783+02:00Human Sexual Response: Fig. 14 1980 + In A Roman Mood 1981<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6HKbiilchzFDh5KRAlLucaSS-ud701WHt2yw4Wlwhn5rlwB4-DeL1L4Id0ctGdce8UykuDNe-ew0U4-ItKW9JhOeH1EXoQe2gAf7rEk0qTGYweMSlnK2MCfxevGRJhEvj0a0GrmFqU3OlR732mA8DqLFZuhDRlZ1Orz1Lb2yHNTzUhX3m8-lMosxA08/s558/Human%20Sexual%20Response%20-%20Photo%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="558" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6HKbiilchzFDh5KRAlLucaSS-ud701WHt2yw4Wlwhn5rlwB4-DeL1L4Id0ctGdce8UykuDNe-ew0U4-ItKW9JhOeH1EXoQe2gAf7rEk0qTGYweMSlnK2MCfxevGRJhEvj0a0GrmFqU3OlR732mA8DqLFZuhDRlZ1Orz1Lb2yHNTzUhX3m8-lMosxA08/w400-h365/Human%20Sexual%20Response%20-%20Photo%2014.jpg" width="400" /></a></div> <p></p><p><b>Human Sexual Response — six men and one woman, a mix of gay and straight musicians, who </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF4H721dPZAUUpCq4vcrEHgqD7HjBVCeReAe57LGt1txdaTvc7GSDOQoqlb8AncefyOqLYlclUwutAeznAmgmGwFUCt4Nj7V6SVY2xgN1BEPVUmZq4EFZhFZNaOF92Fqan_9fSGzD_OpkNCWl1kvQ8ItxjxUrAsYnyChxghOUCHwIHRWYKXBlSA9DyQqg/s1024/Human%20Sexual%20Response%20-%20Photo%205.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF4H721dPZAUUpCq4vcrEHgqD7HjBVCeReAe57LGt1txdaTvc7GSDOQoqlb8AncefyOqLYlclUwutAeznAmgmGwFUCt4Nj7V6SVY2xgN1BEPVUmZq4EFZhFZNaOF92Fqan_9fSGzD_OpkNCWl1kvQ8ItxjxUrAsYnyChxghOUCHwIHRWYKXBlSA9DyQqg/s320/Human%20Sexual%20Response%20-%20Photo%205.jpg" width="320" /></a></b></div><b><br />became a key part of the Boston new wave scene from 1978 to 1982.</b> Although they were pegged to be the post-punk era's next big thing, Boston's Human Sexual Response did the opposite, and crashed and burned after four years and two albums. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB8un9b0EAg0mJX5chyphenhyphenXNyOAqAgxYQuuuzONuUZbkiG6sLiiZ7b830jSBnBouF0vj62De14Ox7QEFQZalRfL9US_uSauK-p9_B7L4McFTBUsTwQRISqpsp2JMnJobqpdfc1-8cU8xUTYB3Zqf9HI85EXAuGx5CzAj0bA0blE8M0YeABPnZpb2vvquWtOQ/s640/Human%20Sexual%20Response%20-%20Photo%2020.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="425" data-original-width="640" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB8un9b0EAg0mJX5chyphenhyphenXNyOAqAgxYQuuuzONuUZbkiG6sLiiZ7b830jSBnBouF0vj62De14Ox7QEFQZalRfL9US_uSauK-p9_B7L4McFTBUsTwQRISqpsp2JMnJobqpdfc1-8cU8xUTYB3Zqf9HI85EXAuGx5CzAj0bA0blE8M0YeABPnZpb2vvquWtOQ/w400-h266/Human%20Sexual%20Response%20-%20Photo%2020.jpg" width="400" /></a></div><br /><b>No band had a lineup like the Humans. There were four singers: A main singer (Bangor) and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhibCh-7Hq3WbuhL9VsvZG8ggSfQxoiu9xwiw5NhI6T3IJThsIcWdwQKngcriHMq044BKGdVicMyYf0RVgYXCQ6RmoiCOnbKggNSDG0SiAE5mwW6HBVCZPLloFjPRYba64IUz7yhSBOSwQofU_b25iGJDZoSdUR1q5nwCF1iWGHSyAD35rm9lzEqFd3zPE/s1000/Human%20Sexual%20Response%20-%20Photo%2012.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="719" data-original-width="1000" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhibCh-7Hq3WbuhL9VsvZG8ggSfQxoiu9xwiw5NhI6T3IJThsIcWdwQKngcriHMq044BKGdVicMyYf0RVgYXCQ6RmoiCOnbKggNSDG0SiAE5mwW6HBVCZPLloFjPRYba64IUz7yhSBOSwQofU_b25iGJDZoSdUR1q5nwCF1iWGHSyAD35rm9lzEqFd3zPE/s320/Human%20Sexual%20Response%20-%20Photo%2012.jpg" width="320" /></a></div><br />three backup/occasional lead singers (Cameron, Bangor’s younger brother Dini Lamot and his then-boyfriend/now husband Windle Davis). </b>Gilbert was joined by a rhythm section comprising drummer Malcolm Travis and bassist Chris Maclachlan (who replaced original bassist Rolfe Anderson).<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5kYf2MBzZRrxN0WPdsjO-W5O_6UduNi7_mlJlLH0UGAolKRq6-8TkfWPZ02YNLSzl-XBVJ-xNnZZxsukZClkGj1c798ZR6XHnECcwpsTgZhQwELsoZ5VR2x350aL-bwPhdw-H7ruTf2b-WaR1iUs8luCeMBiT2iIo6uHj3_ySzOG1YGvlGbh8UzU6Bw/s1280/Human%20Sexual%20Response%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5kYf2MBzZRrxN0WPdsjO-W5O_6UduNi7_mlJlLH0UGAolKRq6-8TkfWPZ02YNLSzl-XBVJ-xNnZZxsukZClkGj1c798ZR6XHnECcwpsTgZhQwELsoZ5VR2x350aL-bwPhdw-H7ruTf2b-WaR1iUs8luCeMBiT2iIo6uHj3_ySzOG1YGvlGbh8UzU6Bw/w400-h225/Human%20Sexual%20Response%20-%20Photo%206.jpg" width="400" /></a></div> <br />But during their short existence, they created a substantial buzz in their hometown and on the East <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGGmNUazGX1uRG8FvbEV9rvO2hRTEntnpaZqVHAtLOXrDg0jJSf4H4ZwLtU7o4HUM56NL1x_EWvN8duOEua-iFGlP2Aao2F_evYDaTKFSBciZij3q54-R-ieQyXdvAuI-ly2X7AumW-0WXAJRht5n64CvAOwPyh3Ruo53TcdSh0P0qnjehpr26PvoZllo/s1000/Human%20Sexual%20Response%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="644" data-original-width="1000" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGGmNUazGX1uRG8FvbEV9rvO2hRTEntnpaZqVHAtLOXrDg0jJSf4H4ZwLtU7o4HUM56NL1x_EWvN8duOEua-iFGlP2Aao2F_evYDaTKFSBciZij3q54-R-ieQyXdvAuI-ly2X7AumW-0WXAJRht5n64CvAOwPyh3Ruo53TcdSh0P0qnjehpr26PvoZllo/s320/Human%20Sexual%20Response%20-%20Photo%2011.jpg" width="320" /></a></div><br />Coast for their arty and energetic live shows and their sophisticated postmodern pop. Fronted by four singers and backed by a power trio that featured the excellent guitar work of Rich Gilbert, HSR combined a punk rock ethos with a camp sensibility reminiscent of early Blondie. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirFTSjwJWnFYNUCABgJ3FAYGvLyT-ML7uzOyscIIF6cTllFaqVBmDuzrjJrF5V-a4Mx9E62E4uj10JOSGYz8F1YxAr4Mq4M1yxTOebjkidFhG5X9Z95qAwmlYjqTjlO2A0ZF3YcxDKpxCKMmgX2zh89w0wgx7Kpr5DRwH8os1vAhEYOAt1BDjVLWzH09M/s578/Human%20Sexual%20Response%20-%20Poster%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="350" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirFTSjwJWnFYNUCABgJ3FAYGvLyT-ML7uzOyscIIF6cTllFaqVBmDuzrjJrF5V-a4Mx9E62E4uj10JOSGYz8F1YxAr4Mq4M1yxTOebjkidFhG5X9Z95qAwmlYjqTjlO2A0ZF3YcxDKpxCKMmgX2zh89w0wgx7Kpr5DRwH8os1vAhEYOAt1BDjVLWzH09M/w242-h400/Human%20Sexual%20Response%20-%20Poster%204.jpg" width="242" /></a></div><br />Prominent vocalist Larry Bangor offered songs like "What Does Sex Mean to Me" and the irreverent <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9-NH6mwv9B4zB383pv4GMjXupKqids0hYM-yK1jz6kq18xEfQESL82ajjPUzBLFwEbtml2eQ02P3ILT8eaSmfgzaS2ZSoa5pJGln-AZcLEA52sTEmnGulQHvn2-pneOUfyxw5hMBXeAnwdGc2ACvwoBsm0FxeaJCnLBxxO0Fw484Z1YmZwewPvW3nhMs/s1000/Human%20Sexual%20Response%20-%20Photo%2013.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="630" data-original-width="1000" height="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9-NH6mwv9B4zB383pv4GMjXupKqids0hYM-yK1jz6kq18xEfQESL82ajjPUzBLFwEbtml2eQ02P3ILT8eaSmfgzaS2ZSoa5pJGln-AZcLEA52sTEmnGulQHvn2-pneOUfyxw5hMBXeAnwdGc2ACvwoBsm0FxeaJCnLBxxO0Fw484Z1YmZwewPvW3nhMs/s320/Human%20Sexual%20Response%20-%20Photo%2013.jpg" width="320" /></a></div><br />"Jackie Onassis" in a jittery tenor voice that conjured up sex, outrage, and comedy in one neat package. Never eschewing controversy (Bangor was refreshingly outspoken about his homosexuality), HSR is the only band in the annals of American rock & roll to perform a song entitled "Buttfuck" on television. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL54E4AiSO0cNUAR_UOcXRZuB_1q6rxOJdb4F2k-AEtctb1cLBpEltWfqG3DILB3fjNGa8v1msAuJBmAKIX-XrRkll216PGIC2TMM64rIxLX4CKElIjXYE07P6kRBPzwW0acqyTN1OWSo-vqUqLYljX-t5WuGT7ALe-vDxlSVY91m8AJcf_ZMdMhAIZCY/s640/Human%20Sexual%20Response%20-%20Photo%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL54E4AiSO0cNUAR_UOcXRZuB_1q6rxOJdb4F2k-AEtctb1cLBpEltWfqG3DILB3fjNGa8v1msAuJBmAKIX-XrRkll216PGIC2TMM64rIxLX4CKElIjXYE07P6kRBPzwW0acqyTN1OWSo-vqUqLYljX-t5WuGT7ALe-vDxlSVY91m8AJcf_ZMdMhAIZCY/w400-h300/Human%20Sexual%20Response%20-%20Photo%202.jpg" width="400" /></a></div><br />HSR played the New England circuit for another year and split in 1982. Rich Gilbert formed the cool <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCf1AvL9uqQ41PNq1z9IBCcTfmyn8FGcIPaQEDP0cSO-Y5r0m649Uo1HfJn5H2h4xDpw4PDQdmXAFJe1aEbMQUvM3qCLJORkrz8SkNuNug_ngabM4jeVn4q-c5ZCnAz6v3ODxZvovcE0R-otqtGezSmLwInGB1GIutxbuTuSuqd0g9zIIa95HITyLm7o0/s912/Human%20Sexual%20Response%20-%20Photo%2017.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="912" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCf1AvL9uqQ41PNq1z9IBCcTfmyn8FGcIPaQEDP0cSO-Y5r0m649Uo1HfJn5H2h4xDpw4PDQdmXAFJe1aEbMQUvM3qCLJORkrz8SkNuNug_ngabM4jeVn4q-c5ZCnAz6v3ODxZvovcE0R-otqtGezSmLwInGB1GIutxbuTuSuqd0g9zIIa95HITyLm7o0/s320/Human%20Sexual%20Response%20-%20Photo%2017.jpg" width="320" /></a></div><br />(and loud) combo the Zulus, while drummer Malcolm Travis went on to beats skins for Bob Mould in Sugar. The ensuing decades spawned the occasional reunion, resulting in sporadic, yet well attended live shows that found the group's fan base, both the seasoned and the newly smitten, largely intact.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjlXL_zPnQY-Qd4-i_5CoUEHZdA7_4HWAH9JpKPZ-FKvKgujtI9jenYMup22FUmc0hk0CGHLCguNVvNaFpYB-ThepFlqzxEgTrZpYg61-E7CSW_6lPK5BTTEb_7YI5DC9_R4gLoBayatPv0sGIYP2W8gCVQ7uWw1Rs7P7qvkT7MefZB65oAxVqj4VA56Y/s1284/Human%20Sexual%20Response%20-%20Poster%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1284" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjlXL_zPnQY-Qd4-i_5CoUEHZdA7_4HWAH9JpKPZ-FKvKgujtI9jenYMup22FUmc0hk0CGHLCguNVvNaFpYB-ThepFlqzxEgTrZpYg61-E7CSW_6lPK5BTTEb_7YI5DC9_R4gLoBayatPv0sGIYP2W8gCVQ7uWw1Rs7P7qvkT7MefZB65oAxVqj4VA56Y/w249-h400/Human%20Sexual%20Response%20-%20Poster%203.jpg" width="249" /></a></div><br />Members of this band branched off to become the Zulus, while Dini Lamot re-emerged as the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZkyBaGQdEHWOyXf-wU8EW3RFG0YpwPEYA-jjPwh_rUylbHb57F5sXSZBor_xbFcuukK2S0QFeGiR2gnDkQJPhwo7TIWgLJhaKk23Gf2XGhyHAkmzbehew84o_z3RRZngROCJPk7lx-_EaLLp8YqZ4sIivsXjWZgDOav1i1DEQtYk5DFqwxUthDSaXXHM/s640/Human%20Sexual%20Response%20-%20Photo%2018.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="424" data-original-width="640" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZkyBaGQdEHWOyXf-wU8EW3RFG0YpwPEYA-jjPwh_rUylbHb57F5sXSZBor_xbFcuukK2S0QFeGiR2gnDkQJPhwo7TIWgLJhaKk23Gf2XGhyHAkmzbehew84o_z3RRZngROCJPk7lx-_EaLLp8YqZ4sIivsXjWZgDOav1i1DEQtYk5DFqwxUthDSaXXHM/s320/Human%20Sexual%20Response%20-%20Photo%2018.jpg" width="320" /></a></div><br />successful and highly notorious drag queen Musty Chiffon, who includes "Jackie O'Nassis" in his stage act. Outside of a few "reunion" gigs, this essential act is no more. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUzKWyVBR5Flw4KRZXFL_lC6Axxx8LmueqeHQ0mC2svEf27MPgk8eFCTtcvkQD99fEcjjrN-jbbrLEOD-UOuxsowULMf9eEYcFdcR-oM3aossA9eVE12mMAPVa6A-y1LN3gKW-EVlTDlQcXSsX7cFBxwVYnLj62tn1GkRrMnz-bdrym9oD0I7r9KJr57U/s1138/Human%20Sexual%20Response%20-%20Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="687" data-original-width="1138" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUzKWyVBR5Flw4KRZXFL_lC6Axxx8LmueqeHQ0mC2svEf27MPgk8eFCTtcvkQD99fEcjjrN-jbbrLEOD-UOuxsowULMf9eEYcFdcR-oM3aossA9eVE12mMAPVa6A-y1LN3gKW-EVlTDlQcXSsX7cFBxwVYnLj62tn1GkRrMnz-bdrym9oD0I7r9KJr57U/w400-h241/Human%20Sexual%20Response%20-%20Poster%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">HUMAN SEXUAL RESPONSE - FIG. 15 1980</span></b><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzHPIEmLn9W2XH9p5eXNtlfV7yZ4Y0hLF1m0Mklux5EI-0zZnqESX7tlZxIUYXnKEI6iD8yo3ZhLLYo4oeWVzUM_6ohgr7Mx8LIYNEbI4AIvh5toIsHEaUVmtqy7nYX92mv4464plnTm3eX2iG7jKvXUMUVzkAuEMR67NzKXChkchSMGD4g2aWpTQRNI8/s800/Human%20Sexual%20Response%20-%20Fig.%2015%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzHPIEmLn9W2XH9p5eXNtlfV7yZ4Y0hLF1m0Mklux5EI-0zZnqESX7tlZxIUYXnKEI6iD8yo3ZhLLYo4oeWVzUM_6ohgr7Mx8LIYNEbI4AIvh5toIsHEaUVmtqy7nYX92mv4464plnTm3eX2iG7jKvXUMUVzkAuEMR67NzKXChkchSMGD4g2aWpTQRNI8/w400-h398/Human%20Sexual%20Response%20-%20Fig.%2015%20-%20Front%20Cover.jpg" width="400" /></a></div><br /><p>The best record made by this promising band, Fig. 14 has the comic, campy qualities that made Human </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcIFK0nvnFhAgEdd2G9jcYofIa87HV7wVuzadaVEku2FZJYU3qe_0Gvtm9Mb4vCfmnHGseGKfrYtPpoL_BKT-jghtdKAm_LzYNxgJulcn_3_Pp6pXK9DLNBs5LJtN_iurmzeit9Fa8tClaenw0bu8lQh9lq-5hPM94x_GIRmIL1cgOrUF4F-qKSi1gWDk/s542/Human%20Sexual%20Response%20-%20Poster%205.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="542" data-original-width="372" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcIFK0nvnFhAgEdd2G9jcYofIa87HV7wVuzadaVEku2FZJYU3qe_0Gvtm9Mb4vCfmnHGseGKfrYtPpoL_BKT-jghtdKAm_LzYNxgJulcn_3_Pp6pXK9DLNBs5LJtN_iurmzeit9Fa8tClaenw0bu8lQh9lq-5hPM94x_GIRmIL1cgOrUF4F-qKSi1gWDk/s320/Human%20Sexual%20Response%20-%20Poster%205.jpg" width="220" /></a></div><br />Sexual Response such a fun band, including "Jackie Onassis" and a screwy cover of "Cool Jerk." Bangor's singing might get a little irritating, but Rich Gilbert's big guitar always saves the day. In many ways, Fig. 14 is a classic piece of early-'80s new wave rock.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEharxNhonna5UohRjcJiyKWk5LyHykBplVGII7LzWaOxRp1t3UAowglanH-jR6e8G6O5nC-rl_paIgBHniHktSA6B02W_xPV7qi5PmZThjg6QONw-O8wbmy3SE4f0XVYLlRVPehJ3JZbQeBvtbaTGD3AMzIfSPDZjxkaQhxq0gUFIAHGCaiRLgGtBhFRNM/s524/Human%20Sexual%20Response%20-%20Photo%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="386" data-original-width="524" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEharxNhonna5UohRjcJiyKWk5LyHykBplVGII7LzWaOxRp1t3UAowglanH-jR6e8G6O5nC-rl_paIgBHniHktSA6B02W_xPV7qi5PmZThjg6QONw-O8wbmy3SE4f0XVYLlRVPehJ3JZbQeBvtbaTGD3AMzIfSPDZjxkaQhxq0gUFIAHGCaiRLgGtBhFRNM/w400-h295/Human%20Sexual%20Response%20-%20Photo%208.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Human Sexual Response – Fig. 15<br />Label: Eat Records – EAT CD2<br />Format: CD, Reissue, Remastered 1991<br />Country: US<br />Released: 1980<br />Genre: Rock<br />Style: New Wave, Post-Punk<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih2-jOiKQ6ghTLJDAzZJuT2mj99Hh7y_eTePn61zgWozoYNvxOn6GEgymxlEhqeA-ZMgnCwGup_aNwNzV53hEN2AJKMmV4gyQFV3PmbImJxI-dRXTQ2Rn4BuSSaWxMJnq856hkUpyAuoUzaDXREBN4A0Pd1fDd10Gtu6ue6s9_9lopYhskeTK9XvQj_vY/s800/Human%20Sexual%20Response%20-%20Fig.%2015%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="800" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih2-jOiKQ6ghTLJDAzZJuT2mj99Hh7y_eTePn61zgWozoYNvxOn6GEgymxlEhqeA-ZMgnCwGup_aNwNzV53hEN2AJKMmV4gyQFV3PmbImJxI-dRXTQ2Rn4BuSSaWxMJnq856hkUpyAuoUzaDXREBN4A0Pd1fDd10Gtu6ue6s9_9lopYhskeTK9XvQj_vY/w400-h306/Human%20Sexual%20Response%20-%20Fig.%2015%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Guardian Angel<br /><b>02. </b>Dick And Jane<br /><b>03.</b> Jackie Onassis<br /><b>04.</b> Cool Jerk<br /><b>05.</b> Butt Fuck<br /><b>06.</b> Dolls<br /><b>07.</b> What Does Sex Mean To Me?<br /><b>08.</b> Marone Moan<br /><b>09. </b>Unba Unba<br /><b>10.</b> Anne Frank Story<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr21NSgHa2G0cA40o6QZpwnsiXOYnoX2FRVtsotRcXjVekfvcGARzu98y8W2tAyPCc0RqIo7-96fPF9Y4n2zfmiqK8Eoat5KAN3vekqX-QBIgv6yJcjP28A0XSGa6mZxAbvddCHYH5YUQXyUPaFaAUqIHgyszvN1Wi7VXFDtkjLxz3QkoKQt1AXxo284E/s1446/Human%20Sexual%20Response%20-%20Photo%2010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1446" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr21NSgHa2G0cA40o6QZpwnsiXOYnoX2FRVtsotRcXjVekfvcGARzu98y8W2tAyPCc0RqIo7-96fPF9Y4n2zfmiqK8Eoat5KAN3vekqX-QBIgv6yJcjP28A0XSGa6mZxAbvddCHYH5YUQXyUPaFaAUqIHgyszvN1Wi7VXFDtkjLxz3QkoKQt1AXxo284E/w265-h400/Human%20Sexual%20Response%20-%20Photo%2010.jpg" width="265" /></a></div><br />Bass – <b>Chris Maclachlan</b><br />Drums –<b> Malcolm Travis</b><br />Guitar – <b>Rich Gilbert</b><br />Lacquer Cut By –<b> HW</b><br />Lyrics By –<b> Lamot </b>(tracks: A3), <b>Bangor </b>(tracks: A1 to A3, A5 to B4)<br />Vocals – <b>Casey Cameron, Larry Bangor, Windle Davis</b><br />Vocals, Tambourine – <b>Dini Lamot</b><br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">JACKIE ONASSIS LYRICS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzBfXtLVXo3BkefpxoT3HIvRhmiltGWm_Hg0X7C29MxfnhUC2TCqKLzmsxt_0ODdOQYvydlKpAbWtR11eOn2kNx9jxrYf29jsr4slSNLRI6uPkOLj4X7N2XG-PPVFaad0A8fMgmH-JFTmKglYXy2krRWUutgxul-NGCMId2kdLmu21zawruiLClyeTAOA/s800/Human%20Sexual%20Response%20-%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzBfXtLVXo3BkefpxoT3HIvRhmiltGWm_Hg0X7C29MxfnhUC2TCqKLzmsxt_0ODdOQYvydlKpAbWtR11eOn2kNx9jxrYf29jsr4slSNLRI6uPkOLj4X7N2XG-PPVFaad0A8fMgmH-JFTmKglYXy2krRWUutgxul-NGCMId2kdLmu21zawruiLClyeTAOA/w400-h398/Human%20Sexual%20Response%20-%20Photo%203.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;">I want to be Jackie Onassis<br />I want to wear a pair of dark sunglasses<br /><br />I want to be Jackie Onassis, oh yeah<br />Oh yeah<br /><br />I want bodyguards all around<br />I'm anxious to avoid an autograph hound<br /><br />I want to be Jackie Onassis, oh yeah<br />Oh yeah<br /><br />I'm ready for the world to take a good look at me<br />Photographers can snap my picture, I'll pose for free<br />Tabloids can make my name a household word<br />I'll belong to millions but be free as a bird<br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZRDu_q8Zew-uSek_sl_NKwzpJn-Sw4tgoSTr7NzDhUGKHhjPvlh2m22bOx3UhCWCZ7UFkd-6kwLqEkxs3kj_ppFXeQf2ebnRQFG8St0RS6BXAAVVAL9DCLZi4-2WYVZQ45rNSwNuEPF2ndSGJ9MzY2rCiCZWxHRl2s89NVM1uEXKXIbChFWHpyvbiIWM/s640/Jackie%20O.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZRDu_q8Zew-uSek_sl_NKwzpJn-Sw4tgoSTr7NzDhUGKHhjPvlh2m22bOx3UhCWCZ7UFkd-6kwLqEkxs3kj_ppFXeQf2ebnRQFG8St0RS6BXAAVVAL9DCLZi4-2WYVZQ45rNSwNuEPF2ndSGJ9MzY2rCiCZWxHRl2s89NVM1uEXKXIbChFWHpyvbiIWM/w400-h400/Jackie%20O.jpg" width="400" /></a></div><br /><br /><p></p><p style="text-align: center;"><b>I want my portrait done by Andy Warhol</b><br />I'll let them market a Jackie O doll<br /><br />Just let me be Jackie Onassis, oh yeah<br />Oh yeah<br />Oh yeah<br />Oh yeah<br /><br />First the world will call me Bouvier, hey<br />Then I'll change to Jackie K<br />After my date with tragedy<br />I'll let Aristotle take care of me<br /><br />I want to be Jackie Onassis, oh yeah<br />I said, I'd be happy to be Jackie<br />I'd be happy to be Jackie<br />(I'd be happy to be Jackie)<br />(I'd be happy to be Jackie)<br />I want to be Jackie Onassis (I'd be happy to be Jackie)<br />I want to be Jackie Onassis (I'd be happy to be Jackie)<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/bcBlRRiA#PluTAcgNhuZ0DluA0hQLM4gjWx3xhmY90G7Ddx2XjuM">Flac Size: 281 MB</a><br /><br /><span style="font-size: large;">IN A ROMAN MOOD 1981</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_3Uo7a-SPWs5Lj6u1z4EGtAIMwUlPpSeCmR3CtefTTe08VuhR4kVImx2GnY3JqjUc_OzKT9ffeFCNyapQcTl0oMZFysJ7MU6u5ePUSt3A6XTJeNnEk0qzOGSY2C9jY8LgWqzteL2DqRBNgHFuiXrLDFiNyBK33YcrGmaidKMKbi7OwwPVDYva8QthJ2Y/s800/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_3Uo7a-SPWs5Lj6u1z4EGtAIMwUlPpSeCmR3CtefTTe08VuhR4kVImx2GnY3JqjUc_OzKT9ffeFCNyapQcTl0oMZFysJ7MU6u5ePUSt3A6XTJeNnEk0qzOGSY2C9jY8LgWqzteL2DqRBNgHFuiXrLDFiNyBK33YcrGmaidKMKbi7OwwPVDYva8QthJ2Y/w400-h400/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Front%20Cover.jpg" width="400" /></a></div><br />"Andy Fell," "Pound," and "Land of the Glass Pinecones" are three extraordinary pieces of music on an <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6lcgsJYBJQAkwXXjQyjRQ0hipeZDpMCK-Sa_c5DR42-0SIJtHtSqPvgEfOrRCsFfsqyjUPVm7ffzivyY8iIWI7BW2N7rQWfxaNw0Q4jidBQxCOjVKLCEAk9R63rhxY3OpYhU-D_vZSvtdIHjomeYFb8NBx5N456LkyoOUE8qKep5yflwjWI4ND1jvV_Q/s640/Human%20Sexual%20Response%20-%20Photo%204.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6lcgsJYBJQAkwXXjQyjRQ0hipeZDpMCK-Sa_c5DR42-0SIJtHtSqPvgEfOrRCsFfsqyjUPVm7ffzivyY8iIWI7BW2N7rQWfxaNw0Q4jidBQxCOjVKLCEAk9R63rhxY3OpYhU-D_vZSvtdIHjomeYFb8NBx5N456LkyoOUE8qKep5yflwjWI4ND1jvV_Q/s320/Human%20Sexual%20Response%20-%20Photo%204.jpg" width="320" /></a></div><br />equally extraordinary album. For those who felt producer Mike Thorne missed the mark with 'Til Tuesday and some of the Shirts' Street Light Shine album, he redeems himself here recording this essential Boston band with both accuracy -- something many of the contemporaries of Human Sexual Response failed to get -- and great production. Andy didn't fall in "Andy Fell," nor was he pushed. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXEqwnDxyozEnCzVRG_0Gu1-wlf_wHRSHGz9mjkHG6n112e7IDNsxmsECeZtYL63f_8epRaOBzxyN4b2-2feCK_ZOVp5mNnlbgDR-6ibxmkJv6P61ZWeVxncnITRwpK-UfYkW7Dq79o2JE4928wtS41LUezj_6wm8JJ7CfmGyeUYDvOO8ip_sWq9R-0OA/s540/Human%20Sexual%20Response%20-%20Photo%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="540" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXEqwnDxyozEnCzVRG_0Gu1-wlf_wHRSHGz9mjkHG6n112e7IDNsxmsECeZtYL63f_8epRaOBzxyN4b2-2feCK_ZOVp5mNnlbgDR-6ibxmkJv6P61ZWeVxncnITRwpK-UfYkW7Dq79o2JE4928wtS41LUezj_6wm8JJ7CfmGyeUYDvOO8ip_sWq9R-0OA/w400-h275/Human%20Sexual%20Response%20-%20Photo%209.jpg" width="400" /></a></div><br />He jumped. It's a song about suicide at a dormitory, a frightening and haunting prophecy, since this <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OReu47y6pdpZ0646u378dM-uxoFW6qXGKGlTucZzuqwBVCEs_oh9RhdK_LV8Slb2TNRR4Pgf30WLxQxQuqyOf7XF4mjNyv4X0DyHJvvyLzDMRlGA0RcKnZ9Nq13jTXwWVsCwUqZUyU4S0hk2Lc2x4HdBvSW8LnOADNa2pzgS3nNubeJSMsMkW2fSALU/s1000/Human%20Sexual%20Response%20-%20Photo%201.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OReu47y6pdpZ0646u378dM-uxoFW6qXGKGlTucZzuqwBVCEs_oh9RhdK_LV8Slb2TNRR4Pgf30WLxQxQuqyOf7XF4mjNyv4X0DyHJvvyLzDMRlGA0RcKnZ9Nq13jTXwWVsCwUqZUyU4S0hk2Lc2x4HdBvSW8LnOADNa2pzgS3nNubeJSMsMkW2fSALU/s320/Human%20Sexual%20Response%20-%20Photo%201.jpg" width="320" /></a></div><br />practice had come into vogue at campuses around Boston in the late '90s. The drums on "Marone Offering" kick right in, as does Rich Gilbert's incessant guitar. The band's genius was generated by the multiple vocalists fronting a perfect rock unit. Imagine a hard rock Temptations during their experimental period fronted by the B-52's. It's a strange mixture that worked, thanks to a combination of talents, all who contributed mightily. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Ic1HKDQ2siVRsfoj1FBKhq6PXz0NAtE-yunh6at754NcnZgygjI5JDbRGTvFtXQlyirQOx_OOVKlbwX3pNS3qH8WYUMD86-heZkTdNDKYXm9B_uJ3DNPae_QSRcRsrOWQaz0Qy1fyH_GDxGTD40n-sug1ZIG1f5vFkBS3QOKM9xXTSBvq0L-HhgCr6g/s1000/Human%20Sexual%20Response%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="1000" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Ic1HKDQ2siVRsfoj1FBKhq6PXz0NAtE-yunh6at754NcnZgygjI5JDbRGTvFtXQlyirQOx_OOVKlbwX3pNS3qH8WYUMD86-heZkTdNDKYXm9B_uJ3DNPae_QSRcRsrOWQaz0Qy1fyH_GDxGTD40n-sug1ZIG1f5vFkBS3QOKM9xXTSBvq0L-HhgCr6g/w400-h271/Human%20Sexual%20Response%20-%20Photo%207.jpg" width="400" /></a></div><br />"Keep a Southern Exposure" is not one of the band's more well-known tunes, but it provides insight <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDevuekQPSRBPuURn2e4voQ6N4JDA482tnvjb4_KuOO5VLV5WC-KsTjpu_3Ac61_LYd6gczTLppyxlh3p36t0I_Sj36tWZ0Dm-tuA-qhY24P8aV8PKErti4xepR0qn9V8r-eb9OoaLU5pTwIWLZErBeDq1JM0k9Lx2ryMZujCnFN3dA9ToD9zk_XY4Bxc/s1024/Human%20Sexual%20Response%20-%20Photo%2016.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDevuekQPSRBPuURn2e4voQ6N4JDA482tnvjb4_KuOO5VLV5WC-KsTjpu_3Ac61_LYd6gczTLppyxlh3p36t0I_Sj36tWZ0Dm-tuA-qhY24P8aV8PKErti4xepR0qn9V8r-eb9OoaLU5pTwIWLZErBeDq1JM0k9Lx2ryMZujCnFN3dA9ToD9zk_XY4Bxc/s320/Human%20Sexual%20Response%20-%20Photo%2016.jpg" width="320" /></a></div><br />towards their unlimited creativity and ability to execute. Discovered by Don Rose, who went on to form the legendary Rykodisc label before it was purchased by Chris Blackwell, the two HSR Passport Audio albums were re-released on Eat Records, distributed by Rykodisc. Eat was Don Rose's imprint prior to the creation of Rykodisc. In a Roman Mood remains a tremendous work of art just waiting to be rediscovered.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPKJg1CjP6iBgB6R-a0NRvlnacg29600PX5qGIC0NX_m-KzC-JJfUO57aADrOnygqV2aoU2yS0l7VavgFGGXBQ3WIFStKS0tdQH_ab3gHz2FDsAlPsQWIw5WiFmIsJaWT_hHjawAzwQzKzSa01j822UB8jT7RdyX74nFqjtbn9ewOppIUsYNa1fblz4e8/s1294/Human%20Sexual%20Response%20-%20Poster%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1294" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPKJg1CjP6iBgB6R-a0NRvlnacg29600PX5qGIC0NX_m-KzC-JJfUO57aADrOnygqV2aoU2yS0l7VavgFGGXBQ3WIFStKS0tdQH_ab3gHz2FDsAlPsQWIw5WiFmIsJaWT_hHjawAzwQzKzSa01j822UB8jT7RdyX74nFqjtbn9ewOppIUsYNa1fblz4e8/w248-h400/Human%20Sexual%20Response%20-%20Poster%202.jpg" width="248" /></a></div><br /><p></p><p style="text-align: center;"><b>Human Sexual Response – In A Roman Mood<br />Label: Don't Fall Off The Mountain – X11<br />Format: Vinyl, LP, Album<br />Country: UK<br />Released: 1981<br />Genre: Rock<br />Style: New Wave<br /><br /><span style="font-size: large;">TRAXS<br /> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Si0FrB-mXdDG5uEpRApOEwFItvK3ooEd-c4FSOI69upezkfQ4JvGQ_H4GJS8dpag3i7mEMkDjUo0Lm2kB_8DH271uc2-4h74afYwhXXWcOutit7Z3b_tjZl0jtlkMFwD8mRGU1Q1OhmBiZ-284KKjAUjGmFhD8Ow7bY-F3TXzkf9mckkWEdu3HQhOEM/s800/Human%20Sexual%20Response%20-%20In%20A%20Roman%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Si0FrB-mXdDG5uEpRApOEwFItvK3ooEd-c4FSOI69upezkfQ4JvGQ_H4GJS8dpag3i7mEMkDjUo0Lm2kB_8DH271uc2-4h74afYwhXXWcOutit7Z3b_tjZl0jtlkMFwD8mRGU1Q1OhmBiZ-284KKjAUjGmFhD8Ow7bY-F3TXzkf9mckkWEdu3HQhOEM/w400-h399/Human%20Sexual%20Response%20-%20In%20A%20Roman%20-%20Back%20Cover.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span></b></div><br /><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Ln2b24jcQU6BKx2vxx6biG1RlLoRBJ2elaXwnL9Z8U9giwHMFT0lu0yTxPEpag5dC-Qn5FHpfZOnVxaXhDo5bcu8pkjOie1eei2eJeP-WEcZWvCIea1uF_EdXZvlY5awIA1ey37mavPCsSSAFTKeExnco6luleO5d8MLUcCP9QUnnCZAa80R-5aII4I/s812/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Ln2b24jcQU6BKx2vxx6biG1RlLoRBJ2elaXwnL9Z8U9giwHMFT0lu0yTxPEpag5dC-Qn5FHpfZOnVxaXhDo5bcu8pkjOie1eei2eJeP-WEcZWvCIea1uF_EdXZvlY5awIA1ey37mavPCsSSAFTKeExnco6luleO5d8MLUcCP9QUnnCZAa80R-5aII4I/w394-h400/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Side%20A.jpg" width="394" /></a></div><br /><b>A1.</b> Andy Fell 3:24<br />Written By – Bangor - Gilbert - Anderson - Hild<br /><b>A2.</b> Marone Offering 3:31<br /><b>A3. </b>Pound 3:25<br /><b>A4.</b> Public Alley 909 4:27<br />Written By – Bangor - Gilbert - Anderson<br /><b>A5.</b> 12345678910 3:57<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ0I6n4ypyQCNLPtmf64-klal-wRx0zos3Q1jS-vjaAYODYccBHvHl2smcEJN6IOuRHeIotPhTTspHU1juTnTdz1VqIFJaOgF195A6JYrCrpDGASWxt1sv1HBKev68nID6mlDKgZWVThpwjhnsobNf1g0oNF6DZ6BH0baI72Stb2KOI2IJYAu7SIMMGM8/s819/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ0I6n4ypyQCNLPtmf64-klal-wRx0zos3Q1jS-vjaAYODYccBHvHl2smcEJN6IOuRHeIotPhTTspHU1juTnTdz1VqIFJaOgF195A6JYrCrpDGASWxt1sv1HBKev68nID6mlDKgZWVThpwjhnsobNf1g0oNF6DZ6BH0baI72Stb2KOI2IJYAu7SIMMGM8/w391-h400/Human%20Sexual%20Response%20-%20In%20A%20Roman%20Mood%20-%20Side%20B.jpg" width="391" /></a></div><br /><b>B1. </b>A Question Of Temperature 2:41<br /><b>B2.</b> Keep A Southern Exposure 3:08<br /><b>B3. </b>Blow Up 2:05<br />Written By – Bangor - Gilbert - Anderson - Hild<br /><b>B4.</b> House Of Atreus 4:31<br /><b>B5.</b> Land Of The Glass Pinecones 4:12<br /><b>B6.</b> Bodyguard 4:35<br />Written By – Bangor - Gilbert - Anderson<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaG7jx__0H6cvl7T9-bTXhapLI6GYohHBHwux83eOlQDf_EQ2ClZdX6k4tMsdxGZ6u7Do34ZLEEK7LWlfLAs7PBiExNtTcyyA7sWyMZb2agEecQnk4JZcgPFAUA4rvyKy-Z4S5pipsww1CgjDma4w8IRYCtniEFpTp-XLq2N0VAdrPj9Gu-oqEFAyHpaE/s895/Human%20Sexual%20Response%20-%20Photo%2015.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="895" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaG7jx__0H6cvl7T9-bTXhapLI6GYohHBHwux83eOlQDf_EQ2ClZdX6k4tMsdxGZ6u7Do34ZLEEK7LWlfLAs7PBiExNtTcyyA7sWyMZb2agEecQnk4JZcgPFAUA4rvyKy-Z4S5pipsww1CgjDma4w8IRYCtniEFpTp-XLq2N0VAdrPj9Gu-oqEFAyHpaE/w400-h272/Human%20Sexual%20Response%20-%20Photo%2015.jpg" width="400" /></a></div><br />Bass –<b> Chris Maclachlan</b><br />Drums – <b>Malcolm Travis</b><br />Guitar –<b> Rich Gilbert</b><br />Synthesizer – <b>Mike Thorne </b>(tracks: B5)<br />Vocals – <b>Casey Cameron, Larry Bangor, Windle Davis</b><br />Vocals, Tambourine – <b>Dini Lamot</b><br />Written-By – <b>Maclachlan</b> (tracks: A2 to A4, B2 to B5), <b>Hild</b> (tracks: A1, B2), <b>Henny </b>(tracks: B1), <b>Schnug </b>(tracks: B1), <b>Bangor</b> (tracks: A1 to A5, B2 to B6), <b>Travis</b> (tracks: B4), <b>Appel</b> (tracks: B1), <b>Gilbert </b>(tracks: A1 to A5, B2, B4, to B6),<b> Weiss</b> (tracks: B2)<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/LVI2kQpA#83SKELRtjwSiCvW73LFVRYU2mh5ulOIJZ2Q1SfHlsAI">Flac Size: 213 MB</a></b><br /></p><p><br /></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com3tag:blogger.com,1999:blog-8270002232971427483.post-40839272770969077082024-03-05T09:25:00.002+02:002024-03-05T09:25:36.115+02:00Blackfield: Blackfield 2004 + Blackfield II 2007<p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht_tS7cxWUXCJ4ZhlKtGbtRKBW_iygYChFxmGESy5yHECT_FskOn7Yy9bD_t8DWDiIzpVX-XFMpPUN_xcBOMcEu87AHKrwjSszk36VyIm2LuodQc-195JK8m1hzgRrW8CsyDgn83Lj0-iarGgiu4868QgTW_QXNSvQ74XxapdGWKwdl8KdnV8UwfX43Aw/s600/Blackfield%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht_tS7cxWUXCJ4ZhlKtGbtRKBW_iygYChFxmGESy5yHECT_FskOn7Yy9bD_t8DWDiIzpVX-XFMpPUN_xcBOMcEu87AHKrwjSszk36VyIm2LuodQc-195JK8m1hzgRrW8CsyDgn83Lj0-iarGgiu4868QgTW_QXNSvQ74XxapdGWKwdl8KdnV8UwfX43Aw/w400-h400/Blackfield%20-%20Photo%201.jpg" width="400" /></a></b></div><b> </b><p></p><p><b>Blackfield is a collaborative music project by the English musician and founder of Porcupine </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimTiIsLkDL2G3nTBzPvr35aAiwg9a6PmmBh3r0smqYf1Ii3bJ-H_3ORxZ-NhubcHyp2C0m9qgtbF0AskrJiybER5AwjQry7jIQppOrLvQVaqIlIsOIVjG6Uvx_4nhEraQd629Fs8c6yik9VtIJhTvQoPJipRS7FNU3hzSWnKf_PEVMGx3dcp5Z0-yfRio/s640/Blackfield%20-%20Photo%207.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="421" data-original-width="640" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimTiIsLkDL2G3nTBzPvr35aAiwg9a6PmmBh3r0smqYf1Ii3bJ-H_3ORxZ-NhubcHyp2C0m9qgtbF0AskrJiybER5AwjQry7jIQppOrLvQVaqIlIsOIVjG6Uvx_4nhEraQd629Fs8c6yik9VtIJhTvQoPJipRS7FNU3hzSWnKf_PEVMGx3dcp5Z0-yfRio/s320/Blackfield%20-%20Photo%207.jpg" width="320" /></a></b></div><b><br />Tree, Steven Wilson, and Israeli rock singer Aviv Geffen. </b>Together, six albums have been released under the moniker. After years of mutual admiration, the pair met to discuss a set of concert appearances in 2000 and, further drawn together by their similar interests in the classic rock albums of the '60s and '70s, wound up composing their first song under the Blackfield moniker. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL4xNAceudfd41VfTbWHMlFC7UFjg0S0-VHhAHA7Sdkr8xZKyakjkGkTIfbJzBYhPNi6QRr1wtZ0CzCwN5diXMPgKHrdghJES-_IjgH8mHGf57Zb02w0U6umPirfyufL7CuhzBpUoPXavc4GLth6QQx__WT683X6zh0K1m97CFok-bv55gV4PI4BOB8w8/s931/Blackfield%20-%20Photo%2013.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="607" data-original-width="931" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL4xNAceudfd41VfTbWHMlFC7UFjg0S0-VHhAHA7Sdkr8xZKyakjkGkTIfbJzBYhPNi6QRr1wtZ0CzCwN5diXMPgKHrdghJES-_IjgH8mHGf57Zb02w0U6umPirfyufL7CuhzBpUoPXavc4GLth6QQx__WT683X6zh0K1m97CFok-bv55gV4PI4BOB8w8/w400-h261/Blackfield%20-%20Photo%2013.jpg" width="400" /></a></div><br />It would be another year before they reconvened in a Tel Aviv studio, and their plans to cut an EP soon ballooned into an 18-month period of sporadic writing and recording sessions, finally capped off, after <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-WeqKGOeSXO78creBPjfM3y2PEA8koW7ZZqvNCqQ_K0OHmX2lzWHRjbymONIrlvmfab3r5gw8-ayYAnNOPa8FCxMWBsg76QYvzV2fOYo3CoBsWdAKS5IjbNeh3d8uoKBMl9RLiGgzDETmUcZYJF-XlJm4nnzFkDZTpQktg1KV6oMjkylBPWuwtVuSuRQ/s800/Blackfield%20-%20Photo%204.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-WeqKGOeSXO78creBPjfM3y2PEA8koW7ZZqvNCqQ_K0OHmX2lzWHRjbymONIrlvmfab3r5gw8-ayYAnNOPa8FCxMWBsg76QYvzV2fOYo3CoBsWdAKS5IjbNeh3d8uoKBMl9RLiGgzDETmUcZYJF-XlJm4nnzFkDZTpQktg1KV6oMjkylBPWuwtVuSuRQ/s320/Blackfield%20-%20Photo%204.jpg" width="320" /></a></div><br />further delays, by the release of Blackfield's eponymous debut by Koch Records in early 2005. The first two records, Blackfield and Blackfield II, saw Geffen and Wilson working together as equal partners, while the third and fourth, Welcome to my DNA and Blackfield IV, saw Geffen take on a leading role, writing all but one track across both albums and providing a significantly increased share of lead vocals. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWndMh_aCfwNQM_edFsWfZG1SKobmtUniXVCavyDoQVe-zEd12CZaAbirfGgKDm5h93qZmNsN2-DAYmSjj_XwleI4Q7zHxfwqRAnO7hVVBSGAvgSzQZbvn6qMsA4def0oApJ2E6O2Wh52Ty5mQGRVRIaOUwcW4UkX7v-sR-gD2pkNvgiJo-v1gBAIdKqU/s800/Blackfield%20-%20Photo%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWndMh_aCfwNQM_edFsWfZG1SKobmtUniXVCavyDoQVe-zEd12CZaAbirfGgKDm5h93qZmNsN2-DAYmSjj_XwleI4Q7zHxfwqRAnO7hVVBSGAvgSzQZbvn6qMsA4def0oApJ2E6O2Wh52Ty5mQGRVRIaOUwcW4UkX7v-sR-gD2pkNvgiJo-v1gBAIdKqU/w400-h266/Blackfield%20-%20Photo%209.jpg" width="400" /></a></div><br />Wilson's other commitments began to take precedence, and more of the songwriting duties were handed <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ALuf9ZwaUMDg1ChbuAL2wd10EEncvCPgTAQGWrMYzgXwar5Og52Fgdzh51V49Wmbf7IeSO6kfEpQtYQptG0_hbTKafrkAQMKesWRB8gm6YvmX6U3ktlj3AwRdLyI4N5867CaUm7jKytOwGuhLWyKKGureyjKObPK97d4CtT-oUTvPxFfhnTv30VOmyk/s1024/Blackfield%20-%20Photo%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ALuf9ZwaUMDg1ChbuAL2wd10EEncvCPgTAQGWrMYzgXwar5Og52Fgdzh51V49Wmbf7IeSO6kfEpQtYQptG0_hbTKafrkAQMKesWRB8gm6YvmX6U3ktlj3AwRdLyI4N5867CaUm7jKytOwGuhLWyKKGureyjKObPK97d4CtT-oUTvPxFfhnTv30VOmyk/s320/Blackfield%20-%20Photo%208.jpg" width="320" /></a></div><br />over to Geffen, as reflected in the title of the third album, Welcome to My DNA, released in 2011. With Wilson's decision to focus on his solo career, his input was reduced to that of contributor rather than full collaborator for the band's fourth album, Blackfield IV. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6GQtLQYHp4Ia_5ryj4vyrbwJn40hORGNOB_lbQ8cAwstCJrF_af8wPJWS2UCaIMa9otrqMevKzexCca2iPOnlm-T5aQAByIPVdw8-DUW_MSoKFE-foXDbhPlG8iHLd0csyPHTM71HvwD4l9-Nosi_FkHE3CGHxEcojcsPr3Kh_0PHs9y5yXGgZt2vOzc/s904/Blackfield%20-%20Photo%2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="611" data-original-width="904" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6GQtLQYHp4Ia_5ryj4vyrbwJn40hORGNOB_lbQ8cAwstCJrF_af8wPJWS2UCaIMa9otrqMevKzexCca2iPOnlm-T5aQAByIPVdw8-DUW_MSoKFE-foXDbhPlG8iHLd0csyPHTM71HvwD4l9-Nosi_FkHE3CGHxEcojcsPr3Kh_0PHs9y5yXGgZt2vOzc/w400-h270/Blackfield%20-%20Photo%2012.jpg" width="400" /></a></div><br />Released in August 2013, the album -- which featured vocal contributions from ex-Mercury Rev <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpsWlhHyVLntxul3stCD2by1TkZUFiYL6va7IUbD7Rd75rybWhLIw-f6vLjKw7nk0zmEGjjjXOd1KdIiVOOHMt_MasU0HfQoHSKq6kjA8Yp56v0NbCqfmnZ3Bin1fqcUeo4-E-mwd5pGuF528GI1OvEQruj9wv23RZFEfllNehhVWLkVV6qP3e7fwF8I/s800/Blackfield%20-%20Photo%2016.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="784" data-original-width="800" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpsWlhHyVLntxul3stCD2by1TkZUFiYL6va7IUbD7Rd75rybWhLIw-f6vLjKw7nk0zmEGjjjXOd1KdIiVOOHMt_MasU0HfQoHSKq6kjA8Yp56v0NbCqfmnZ3Bin1fqcUeo4-E-mwd5pGuF528GI1OvEQruj9wv23RZFEfllNehhVWLkVV6qP3e7fwF8I/s320/Blackfield%20-%20Photo%2016.jpg" width="320" /></a></div><br />frontman Jonathan Donahue and Brett Anderson of Suede -- more closely resembled Geffen's poppy solo output, but with its epic string arrangements, it never entirely lost sight of the '60s psychedelia that had so influenced Wilson's progressive work. Wilson was present for Blackfield's 2014 European tour, but he quit the project after the tour's conclusion. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tZNIJWW2LsKHE0C0DTvImkqrxgukWrlLER6djebGeId0InX3loywmzdRxaIojm30XWb2eyqnrFvgo4DyKZyHd9OL6Y47DHdg73mQQvc3oSg8vNv4WJIbRka_gOqhNQS0tm81bwRPih1WCegJtU8OmnvLlgtKa0hV3j4uYDibVs8GPkni3P0NlWsOSn0/s1024/Blackfield%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="1024" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tZNIJWW2LsKHE0C0DTvImkqrxgukWrlLER6djebGeId0InX3loywmzdRxaIojm30XWb2eyqnrFvgo4DyKZyHd9OL6Y47DHdg73mQQvc3oSg8vNv4WJIbRka_gOqhNQS0tm81bwRPih1WCegJtU8OmnvLlgtKa0hV3j4uYDibVs8GPkni3P0NlWsOSn0/w400-h225/Blackfield%20-%20Photo%206.jpg" width="400" /></a></div><br />However, in 2015 it was announced that Geffen and Wilson -- along with producer Alan Parsons -- <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4fRuJnthY9pLMOJZUCnhWrgg4qjrfIhkRnQxX02HB6TIpMDhDGj3X-1r3Ez7yQrmduv6eCB8aZA5acWE4TfcaIaUA3ertsiunFBF64ftgiG9KPhGtS5QROK50fxj5hOL1YAyOdY7p-9nglRkZlJKblESDsiIImtRuoZgI2G9dk2gw1AmBEC_KZDylF2w/s1024/Blackfield%20-%20Photo%2015.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="584" data-original-width="1024" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4fRuJnthY9pLMOJZUCnhWrgg4qjrfIhkRnQxX02HB6TIpMDhDGj3X-1r3Ez7yQrmduv6eCB8aZA5acWE4TfcaIaUA3ertsiunFBF64ftgiG9KPhGtS5QROK50fxj5hOL1YAyOdY7p-9nglRkZlJKblESDsiIImtRuoZgI2G9dk2gw1AmBEC_KZDylF2w/s320/Blackfield%20-%20Photo%2015.jpg" width="320" /></a></div><br />were working on material for Blackfield V. Initially intended for a December release the following year, it actually appeared in January 2017. A sixth record, For the Music, was released on 4 December 2020, with Geffen again taking a leading role. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_1aVHUktEO_J-SjOxWMbDvW5qgDXB3bZCyTgX-ssCIOJEFiwQX7TOn2T-EMZMJ51Hdxn2FBZHzFwfep34apJbNvbOEtGQf9vVkrV67qTKuy6gwZw7OUk4_JpWjH_LP8Dqro9psszTgyA9l5Fb0x43neECLq11jGZUpmi-ielUQ_DdvAVhHcq3oMX7Qko/s800/Blackfield%20-%20Photo%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_1aVHUktEO_J-SjOxWMbDvW5qgDXB3bZCyTgX-ssCIOJEFiwQX7TOn2T-EMZMJ51Hdxn2FBZHzFwfep34apJbNvbOEtGQf9vVkrV67qTKuy6gwZw7OUk4_JpWjH_LP8Dqro9psszTgyA9l5Fb0x43neECLq11jGZUpmi-ielUQ_DdvAVhHcq3oMX7Qko/w400-h300/Blackfield%20-%20Photo%205.jpg" width="400" /></a></div><br />Band members are drummer Tomer Z, bassist Seffy Efrati, and keyboardist Eran Mitelman. Former <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjImSN1Okf54zQYOUf8GiMowFk0b9PgrSMpeZ19CzoPOpKDkd8qIJUhO08SltgiXV_HKtK0TbYOCNTmOd0qKtEgZ3d2XWfNcniESnceDtFd_ZGtXEtpsEak3gfB8gEtJu2L8r-JrXx86xaTJWDpJam53TUt-XdZOqmp3q8-9QMVtRlmOuZHM_Sf7l8w_gw/s860/Blackfield%20-%20Photo%2011.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="860" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjImSN1Okf54zQYOUf8GiMowFk0b9PgrSMpeZ19CzoPOpKDkd8qIJUhO08SltgiXV_HKtK0TbYOCNTmOd0qKtEgZ3d2XWfNcniESnceDtFd_ZGtXEtpsEak3gfB8gEtJu2L8r-JrXx86xaTJWDpJam53TUt-XdZOqmp3q8-9QMVtRlmOuZHM_Sf7l8w_gw/s320/Blackfield%20-%20Photo%2011.jpg" width="238" /></a></div><br />band members include Chris Maitland (replaced by Tomer Z, 2004) and Daniel Salomon (replaced by Eran Mitelman, 2007)<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht03rLxKZyFDyiimhyG4jVOF1wx3Ke5erJH68xEHN0hXtNbWuhtDLgIRVQS-ODi91ZFl6o1hOScQrliRiACpR6mmJNxdCu-PZaFpOkFjuD2TCwVKYIbT01B6ObqGbahqr2wcdDxSKwx5Q-qX19qVyyYse1KGwI-FgPQCTS7MfHn2sCwLZXRYPWYrCHNyI/s1280/Blackfield%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1280" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht03rLxKZyFDyiimhyG4jVOF1wx3Ke5erJH68xEHN0hXtNbWuhtDLgIRVQS-ODi91ZFl6o1hOScQrliRiACpR6mmJNxdCu-PZaFpOkFjuD2TCwVKYIbT01B6ObqGbahqr2wcdDxSKwx5Q-qX19qVyyYse1KGwI-FgPQCTS7MfHn2sCwLZXRYPWYrCHNyI/w400-h300/Blackfield%20-%20Photo%202.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BLACKFIELD - BLACKFIELD 2004</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPaux4tk3hV2Et9rsQyknxBXo7pZ40gaFrS-Z_ps8TwDOlE2V2aoPo_J69-kHdHACoRRuK17cj3MbiRC59QfQdCyORXLAZsWGeTIqc5Oy6M9ZQIUwWqpbcMARebIOCvIT1p19eUCSFEmfKoWS9wlSQ3MCk925dCdvEBm5Srkr5Dq1UEPDO3KB88nSm9mA/s1000/Blackfield%20-%202004%20-%20Blackfield%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPaux4tk3hV2Et9rsQyknxBXo7pZ40gaFrS-Z_ps8TwDOlE2V2aoPo_J69-kHdHACoRRuK17cj3MbiRC59QfQdCyORXLAZsWGeTIqc5Oy6M9ZQIUwWqpbcMARebIOCvIT1p19eUCSFEmfKoWS9wlSQ3MCk925dCdvEBm5Srkr5Dq1UEPDO3KB88nSm9mA/w400-h400/Blackfield%20-%202004%20-%20Blackfield%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Their first album as a duo, recording under the name Blackfield, does betray their mutual love of 1960s <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDnX7vghr4HvTF9s_gRwwmg7lWGGJx2YQV5qjmE9DBXRhw3wXFgeLJnQLJxSXhugMPXz1E3_90GqKhvI4k992AvdzZ9qh45p6yxEZxu8DYPlGAJN8WS7RbgjMZazOEMRjr8n5aGZF570MsJek6xSuDvt0utgwVwpPs_O6LLAaOfOX416Z3di7QdaDdRDc/s805/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%207.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDnX7vghr4HvTF9s_gRwwmg7lWGGJx2YQV5qjmE9DBXRhw3wXFgeLJnQLJxSXhugMPXz1E3_90GqKhvI4k992AvdzZ9qh45p6yxEZxu8DYPlGAJN8WS7RbgjMZazOEMRjr8n5aGZF570MsJek6xSuDvt0utgwVwpPs_O6LLAaOfOX416Z3di7QdaDdRDc/s320/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%207.jpg" width="318" /></a></div><br />and 1970s classic rock, but it also contains more than a hint of an '80s influence the first line of the first song goes "Here's a song from an open mind." Everything else is no big surprise: scars are mentioned more than once, as are nightmares, pain, death and sorrow. But Blackfield's sound is anything but morose.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXQMSkUC_JdVBDS4otHUpY5puea-LVSS_5Fjkc4RtWds9BkwbpIyyPQ9KI2iYtsLVwSXLD4IbbqRFPGpQxh7k6pOO1762ymrrPhrNuAyxPVf6Fqf4D8WH6sgtVV7115KPygW2CR_Th1TRwRseV-eqiUiAvEmz-ptr9nBA4awyIgqKusqEPjyV9Zi2LDY/s819/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqXQMSkUC_JdVBDS4otHUpY5puea-LVSS_5Fjkc4RtWds9BkwbpIyyPQ9KI2iYtsLVwSXLD4IbbqRFPGpQxh7k6pOO1762ymrrPhrNuAyxPVf6Fqf4D8WH6sgtVV7115KPygW2CR_Th1TRwRseV-eqiUiAvEmz-ptr9nBA4awyIgqKusqEPjyV9Zi2LDY/w391-h400/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%201.jpg" width="391" /></a></div><br />The music isn't exactly chipper, but it's always rich and pretty, and at times (as on the album-ending <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsU4IJMbWz-Gh0ZNj2jjqjBVuv-VjBAxhicBcBIhZsgqJ7oAXibYU6-M4T4jyJjmm7L64PrSNX7MNt3QOvZSjK6uVD2smRbAX2fVcG47z-bUnHRewWe1dxbSYGfou9FrQjVAVwuI2xyub7gE0xUsAQUI4hMNTrdTg-YKRO19yReAhM0Jmi7sVMYpNIJE/s800/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%2014.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="731" data-original-width="800" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsU4IJMbWz-Gh0ZNj2jjqjBVuv-VjBAxhicBcBIhZsgqJ7oAXibYU6-M4T4jyJjmm7L64PrSNX7MNt3QOvZSjK6uVD2smRbAX2fVcG47z-bUnHRewWe1dxbSYGfou9FrQjVAVwuI2xyub7gE0xUsAQUI4hMNTrdTg-YKRO19yReAhM0Jmi7sVMYpNIJE/s320/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%2014.jpg" width="320" /></a></div><br />"Hello") it's downright grandiose. There are also quite a few sonic surprises thrown into the mix, such as the almost subliminal found-sound experimentation on "Lullaby" and the sudden incursion of Middle Eastern reeds and a drum'n'bass breakbeat in the middle of the otherwise sweet and dreamy "Scars." Recommended. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0URtuJ7AH9QWUVJIjINmThoHcDNFeR37lj6FIX5UL-34UcnFJe47Fu3Ns7vuIe2aKA1NIkd6JnqbXzM-9qUVR5dDOI0yEQEBRILDBDsjzhGVOnmT1fZg4fpdxtOEtE3WgwLQbMOjz6a81RiS8ikQ285Ne-xrw-ttWCUQ_lnNuC8mwFUWlpi0VQc-Td_Q/s800/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="800" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0URtuJ7AH9QWUVJIjINmThoHcDNFeR37lj6FIX5UL-34UcnFJe47Fu3Ns7vuIe2aKA1NIkd6JnqbXzM-9qUVR5dDOI0yEQEBRILDBDsjzhGVOnmT1fZg4fpdxtOEtE3WgwLQbMOjz6a81RiS8ikQ285Ne-xrw-ttWCUQ_lnNuC8mwFUWlpi0VQc-Td_Q/w400-h198/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%2010.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Blackfield – Blackfield<br />Label:Snapper Music – SMACD880, ROC-CD-9685<br />Format: CD, Album<br />Country: UK<br />Released: 2004<br />Genre: Rock<br />Style: Pop Rock, Art Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmGEox8UnEt4UoAenAu9Ehpz8dshLB7T1VOuEdOIFm_2r_1VVll44rcp6xomIDnDFj0rP997JgH1Z7vFQNE1Aeky9_6mPr71FYfVWjal5Wvsnxrg3H9vG9UWyhnT0xmtZ56nBJpMvdbSVhqG15lp8eFMSLdvnnw3HOzJl7S10bCci-saw8BWtA6k2s_7A/s800/Blackfield%20-%202004%20-%20Blackfield%20-%20Back%20Cover%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="800" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmGEox8UnEt4UoAenAu9Ehpz8dshLB7T1VOuEdOIFm_2r_1VVll44rcp6xomIDnDFj0rP997JgH1Z7vFQNE1Aeky9_6mPr71FYfVWjal5Wvsnxrg3H9vG9UWyhnT0xmtZ56nBJpMvdbSVhqG15lp8eFMSLdvnnw3HOzJl7S10bCci-saw8BWtA6k2s_7A/w400-h310/Blackfield%20-%202004%20-%20Blackfield%20-%20Back%20Cover%202.jpg" width="400" /></a></div><br /><b>01.</b> Open Mind 3:49<br /><b>02.</b> Blackfield 4:06<br /><b>03.</b> Glow 4:00<br /><b>04.</b> Scars 3:57<br />Performer [Music] – The Mistakes<br /><b>05.</b> Lullaby 3:29<br /><b>06.</b> Pain 3:47<br /><b>07.</b> Summer 4:12<br /><b>08. </b>Cloudy Now 3:34<br /><b>09.</b> The Hole In Me 2:47<br /><b>10.</b> Hello 3:09<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS DISC </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qNanlrRCI5vVr85teUptwkcJryJkphFK2lpzCD4YAP5xlH3G9_8xz_sXj-N2IIW_N_gWMC5EEZzWGvoZ0RZMsx7VtAzSD47QM8Peiiy0Oo03KPya7_gFqwcPZeEhKiHVeAZF40LR7x80YZf0fiw71P7RyyJlPhc4ox6PKxKfGmg9SBB2TMqyp4FoU2s/s800/Blackfield%20-%202004%20-%20Blackfield%20-%20CD%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2qNanlrRCI5vVr85teUptwkcJryJkphFK2lpzCD4YAP5xlH3G9_8xz_sXj-N2IIW_N_gWMC5EEZzWGvoZ0RZMsx7VtAzSD47QM8Peiiy0Oo03KPya7_gFqwcPZeEhKiHVeAZF40LR7x80YZf0fiw71P7RyyJlPhc4ox6PKxKfGmg9SBB2TMqyp4FoU2s/w400-h398/Blackfield%20-%202004%20-%20Blackfield%20-%20CD%202.jpg" width="400" /></a></div> <br /><b>01.</b> Perfect World 3:53<br /><b>02.</b> Where Is My Love? 3:01<br /><b>03. </b>Cloudy Now (Live) 3:44 <br />Bass Guitar – Seffy Efrati<br />Drums, Backing Vocals – Chris Maitland<br />Keyboards, Backing Vocals – Daniel Salomon<br />Vocals, Guitar – Aviv Geffen, Steven Wilson<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Drums – <b>Chris Maitland </b>(tracks: 1-2, 1-9, 1-10), <b>Gavin Harrison</b> (tracks: 1-1, 1-6, 2-1), <b>Jeremy</b> <b>Kaplan</b> (tracks: 1-3, 1-7)<br />Strings – <b>The Illusion Quartet</b> (tracks: 1-1, 1-5, 1-7, 1-10)<br />Written-By – <b>Aviv Geffen</b> (tracks: 1-1, 1-3, 1-4, 1-6 to 1-10 to 2-3), <b>Steven Wilson</b> (tracks: 1-1 to 1-5, 1-7, 1-8, 1-10, 2-1, 2-3)<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT0h3oAc9dtRJBO8rI_nknoPGB9aC1UipV5YYCT2yXXdn3vAKyBJI7B3S38bzPCS6pouH_88kOcttMZrkpL_2kV2yRVWrPs-Ywdh4Haq3FdjMd5D_Vg2-wgmIdj87AQCSyOXDFqtyskr9GJiTGvOwCNrTxzlCGob5RTEwC3M_9tBvqVIi_AtLf740pTSM/s800/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="398" data-original-width="800" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT0h3oAc9dtRJBO8rI_nknoPGB9aC1UipV5YYCT2yXXdn3vAKyBJI7B3S38bzPCS6pouH_88kOcttMZrkpL_2kV2yRVWrPs-Ywdh4Haq3FdjMd5D_Vg2-wgmIdj87AQCSyOXDFqtyskr9GJiTGvOwCNrTxzlCGob5RTEwC3M_9tBvqVIi_AtLf740pTSM/w400-h199/Blackfield%20-%202004%20-%20Blackfield%20-%20Inside%20Cover%203.jpg" width="400" /></a></div><br />European edition comes in a 3-panel Digipak with Bonus CD.<br />Recorded at various times between 2001-2003.<br />Studios: ZaZa - Tel Aviv, Israel; Hamon - Tel Aviv, Israel; New Rising - Colchester, UK; No Man's Land - Hemel Hempstead, UK.<br />Final mixes at No Man's Land, UK, September 2003.<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/DUIEwBaS#B2-AkPL2lVabL1q4RUrc-iwRtU6SwqFN6u4enNBjiog">Flac Size: 304 MB</a><br /><br /><span style="font-size: large;">BLACKFIELD - BLACKFIELD II 2007</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtMqiGfCyrcux7gHTbAClb0jE0-ffBdFB3rMlLIACel1cJlyRCASba0mIVXrLKiLzWBu-PGMRWmu7pEpAZjLu6qIZZqge007fONZTWZ2GwEQE9V-Cy2UsPIj5XEe4MpJkZBHlAo-3TdZzVDWuPBR9s9pGj4hLVF9fVoTHj_V2aafjXoaDe1kAq2GfJ0pY/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="688" data-original-width="800" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtMqiGfCyrcux7gHTbAClb0jE0-ffBdFB3rMlLIACel1cJlyRCASba0mIVXrLKiLzWBu-PGMRWmu7pEpAZjLu6qIZZqge007fONZTWZ2GwEQE9V-Cy2UsPIj5XEe4MpJkZBHlAo-3TdZzVDWuPBR9s9pGj4hLVF9fVoTHj_V2aafjXoaDe1kAq2GfJ0pY/w400-h344/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The sophomore release for this melodic duo (actually a five-piece band, but the leads are Steven Wilson <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpUxzNTvrhyphenhyphengHX-A7khrq-mknAVbQ3womt7-0HWGqhuSlMIZgub0PfQmpNWJ5fQ2FBrkyc5xbfVmVacu7m_Yp9jRbYnX44qIWokEg2cOg3ZZgaE-SYs_OgTz5mMrFGYlzKJyP5EINimpxHsROSNG4iaEPicedtBP8BwEH45Rx_ut9uvGSDmJ6Cb51XwEg/s793/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="427" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpUxzNTvrhyphenhyphengHX-A7khrq-mknAVbQ3womt7-0HWGqhuSlMIZgub0PfQmpNWJ5fQ2FBrkyc5xbfVmVacu7m_Yp9jRbYnX44qIWokEg2cOg3ZZgaE-SYs_OgTz5mMrFGYlzKJyP5EINimpxHsROSNG4iaEPicedtBP8BwEH45Rx_ut9uvGSDmJ6Cb51XwEg/s320/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%208.jpg" width="172" /></a></div><br />and Aviv Geffen) based to some degree on the progressive bent of Porcupine Tree covers much of the same ground as their debut. The sound is still firmly in the realm of progressive rock, with hints of Radiohead and Oasis. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFZgEfWhXL9fyavwqPQu9T2Gi9TrOjN1tmiAyLdZ1yV2mffJxyBAt062A7YeOfBCDd58gP-33SGVVPZr7Ei7s872bkalnkYw4jcApG5REVpcPDUJY1F8yt84Mt0DT_JCbQzILcCzc11GLaWgw55I8eob-zLJMFoxfIHjS7jVHiXBbdHSDDtXDEdlK1DII/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="800" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFZgEfWhXL9fyavwqPQu9T2Gi9TrOjN1tmiAyLdZ1yV2mffJxyBAt062A7YeOfBCDd58gP-33SGVVPZr7Ei7s872bkalnkYw4jcApG5REVpcPDUJY1F8yt84Mt0DT_JCbQzILcCzc11GLaWgw55I8eob-zLJMFoxfIHjS7jVHiXBbdHSDDtXDEdlK1DII/w400-h358/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%203.jpg" width="400" /></a></div><br />Unlike Blackfield's previous album which was recorded off and on over a two-year span, this one was recorded in one short stretch, and shows somewhat more consistency in tone as a result. The album-<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimeOO5AOX657POc3buZNE0LTOdhUoODGvSLkXwUeoEXO3ODsgZMBJMVbwOTfA40gkfVwaWWXjf20qvojE207yAmj2-h3R1gykLqnqwcc9m8xzO9T3aOxE0omqMMR29ZIaXoJb0hGF4RqEOvlrGzlAANNX1Yb0xMPSssZRdh42CgFtBPDBRCrzCoo_2FFY/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%202.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="716" data-original-width="800" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimeOO5AOX657POc3buZNE0LTOdhUoODGvSLkXwUeoEXO3ODsgZMBJMVbwOTfA40gkfVwaWWXjf20qvojE207yAmj2-h3R1gykLqnqwcc9m8xzO9T3aOxE0omqMMR29ZIaXoJb0hGF4RqEOvlrGzlAANNX1Yb0xMPSssZRdh42CgFtBPDBRCrzCoo_2FFY/s320/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%202.jpg" width="320" /></a></div><br />opening "Once" has a particularly Radiohead-like vibe and a bit of heaviness, but the development of the album works into other veins as well, with large string movements, light piano accompaniment, and a generally melodic guitar approach. Somewhat '80s-influenced sounds come and go slightly, a touch of Pink Floyd comes through now and then (particularly on "Christenings"), and a general melancholy hangs over the album as a whole. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy7dAVImLUQ7doP0ecDZ6jkau97MeH0DpdVplPYYe9Ts6OJwfeiX1gvKweJADH_Kcu8-9-q5S8mcHFyUBX9Qh9M0GmzzbByRkdfxKCai8BuHNLiadjweFvgJlv32LnkvhfMGa1woBAii2Wcm28Vy3FV68W-6Zayp600rsSytii4fG25a1vUADqkFB8_no/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="705" data-original-width="800" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy7dAVImLUQ7doP0ecDZ6jkau97MeH0DpdVplPYYe9Ts6OJwfeiX1gvKweJADH_Kcu8-9-q5S8mcHFyUBX9Qh9M0GmzzbByRkdfxKCai8BuHNLiadjweFvgJlv32LnkvhfMGa1woBAii2Wcm28Vy3FV68W-6Zayp600rsSytii4fG25a1vUADqkFB8_no/w400-h353/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br />Aviv Geffen has taken a larger role in lead vocals here with good effect (particularly in a handful of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYqTJTOFpUVyupf_SGf1uhaeoS91ArJtG2fjoxRVxLtCw5xqeLeCcKAYHtQhaOVpkhH_tK6hPXn3Z7QlJuToFP6ac7Xt0dFU7stwiay7_EphLeyESJE9EjM0CMkoU0oMgRE5aEzGyHXpxPyBvda8p7wj6zlvJSj1kdI4ASwfpeujIPunYEnRm016EScYY/s800/Blackfield%20-%20Photo%2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="741" data-original-width="800" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYqTJTOFpUVyupf_SGf1uhaeoS91ArJtG2fjoxRVxLtCw5xqeLeCcKAYHtQhaOVpkhH_tK6hPXn3Z7QlJuToFP6ac7Xt0dFU7stwiay7_EphLeyESJE9EjM0CMkoU0oMgRE5aEzGyHXpxPyBvda8p7wj6zlvJSj1kdI4ASwfpeujIPunYEnRm016EScYY/s320/Blackfield%20-%20Photo%2010.jpg" width="320" /></a></div><br />tracks he had composed, eventually translated from Hebrew). The overall effect is a fine one -- Blackfield II has more of what fans of the duo will enjoy and makes a fair introduction for newcomers, although debut album would serve them better as a first listen. The short nature of Blackfield II (coming in around 42 minutes) will almost certainly have some of the fans wishing for more. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5BxVu4zAI8VGvrq1-bcEwq2i6rO11Kc2EDk4Jm-h4GNY4yBBwgzIk8NrzyPjmGV5NxpShmwmLATxHE8vmqPthkh7ZH3hcraPd1kXkSO7B1kxl9TymNhfpuQwFybt6pwlZrSrgLQtF0xjOt3ymBTg8V7-hk0oApfc_jFswNyehT3CMZo4zq4pVZb3UupI/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="783" data-original-width="800" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5BxVu4zAI8VGvrq1-bcEwq2i6rO11Kc2EDk4Jm-h4GNY4yBBwgzIk8NrzyPjmGV5NxpShmwmLATxHE8vmqPthkh7ZH3hcraPd1kXkSO7B1kxl9TymNhfpuQwFybt6pwlZrSrgLQtF0xjOt3ymBTg8V7-hk0oApfc_jFswNyehT3CMZo4zq4pVZb3UupI/w400-h391/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Inside%20Cover%2011.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Blackfield – Blackfield II<br />Label:We Put Out Records – 100360, Atlantic – 0 75678 9999 6<br />Format:CD, Album, Digipak<br />Country:USA & Canada<br />Released:Mar 6, 2007<br />Genre:Rock<br />Style:Alternative Rock, Prog Rock, Art Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2z1q_9CyngL6oC3q-ehSbSfYGxovTyLYmEZ_awOwU86s-mdIvJXdPjD-43AQjOw1EA_xyh0kf1284mr1_KY_UBcTTmNbELbyZOBxqJFWzfkLbKqmOax_TgIzmz3HemR9bo8XGSEPKOa2s4IHfd2jqr2TgYgZIKyurrJEv6fal1uTkDFQhgx59FES6Xw/s800/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="632" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip2z1q_9CyngL6oC3q-ehSbSfYGxovTyLYmEZ_awOwU86s-mdIvJXdPjD-43AQjOw1EA_xyh0kf1284mr1_KY_UBcTTmNbELbyZOBxqJFWzfkLbKqmOax_TgIzmz3HemR9bo8XGSEPKOa2s4IHfd2jqr2TgYgZIKyurrJEv6fal1uTkDFQhgx59FES6Xw/w400-h316/Blackfield%20-%202007%20-%20Blackfield%20II%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Once 4:03<br /><b>02.</b> 1,000 People 3:54<br />Electric Guitar, Acoustic Guitar – Harel Ben-Ami<br />French Horn – Itamar Leshem<br />Keyboards [Additional], Programmed By – Ofer Meiri<br /><b>03.</b> Miss U 4:13<br /><b>04.</b> Christenings 4:37<br />Drums – Gavin Harrison<br />Electric Piano, Synthesizer [Stylophone] – Richard Barbieri<br /><b>05.</b> This Killer 4:06<br /><b>06.</b> Epidemic 4:59<br />Backing Vocals – Daniella Pick<br /><b>07.</b> My Gift Of Silence 4:05<br />Electric Piano – Eran Mitelman<br /><b>08. </b>Some Day 4:22<br /><b>09.</b> Where Is My Love? 2:59<br /><b>10. </b>End Of The World 5:13<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass Guitar – <b>Seffy Efrati</b><br />Drums, Percussion – <b>Tomer Z</b><br />Guitar, Keyboards [Additional], Vocals – <b>Steven Wilson</b><br />Keyboards, Guitar [Additional], Vocals – <b>Aviv Geffen</b><br />Lead Vocals – <b>Aviv Geffen</b> (tracks: 3, 6, 9, 10), <b>Steven Wilson </b>(tracks: 1, 2, 4 to 10)<br />Lyrics By – <b>Steven Wilson </b>(tracks: 1, 2, 4, 6, 7)<br />Piano – <b>Daniel Salomon</b><br />Strings – <b>The Downtown Session Orchestra</b><br />Music By – <b>Steven Wilson </b>(tracks: 1, 4, 7)<br />Music By, Lyrics By – <b>Aviv Geffen</b> (tracks: 2, 3, 5, 6, 8 to 10)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/jNwCDSCb#ZdPeVtIe1Uun2YswG0u4bKov8gs91vm6kZqG8beFQ8A">Flac Size: 283 MB</a></b><br /></p><p><br /></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com5tag:blogger.com,1999:blog-8270002232971427483.post-76210381151329304652024-03-03T09:54:00.000+02:002024-03-03T09:54:59.635+02:00DMZ: DMZ 1978 + Lift Up Your Hood (EP) 1977 + DMZ: Radio Demos 1976 + Lyres: Live At Cantones Boston 1982<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1JonxFshPhpvGPeRel_DHPvhaleDXDssHAsBTLMbO1yV0Ag1aN6uad-AvJybzUQl9XNKhaPejOq5lzuQrZUYrANFhBQVvvw-dGXYmKpzw8_AvLbzQbN7OSd1k2Q765JA3vMYcoYYddR4512_wbzCDQNA6WNOQyxbp_zghMpOT6GplczKGfLJFl0RUGwY/s800/DMZ%20-%20Photo%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="800" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1JonxFshPhpvGPeRel_DHPvhaleDXDssHAsBTLMbO1yV0Ag1aN6uad-AvJybzUQl9XNKhaPejOq5lzuQrZUYrANFhBQVvvw-dGXYmKpzw8_AvLbzQbN7OSd1k2Q765JA3vMYcoYYddR4512_wbzCDQNA6WNOQyxbp_zghMpOT6GplczKGfLJFl0RUGwY/w400-h365/DMZ%20-%20Photo%202.jpg" width="400" /></a></div><br /><p></p><p><b>Before Jeff "Monoman" Connolly formed Boston's seminal garage rock terrorists the Lyres, he was in a </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaqZJDVTfIefw0XS19AhZN1PJF_sEs1lwa6S_Ks9imjJGT3tRwvo-_DByaaOEmm7-KGzcvJ-ZveT8sp0rtM-FGFdq9h0AX5AR9y5CH5NLRiGwvR88OLoTGYIPIFtlKuSVHuDxHxZvLaMoZcuC7wnv6oQ_JBUypDts_ZyhX76ZGDQshbsOCWDrYk2YeuPM/s800/DMZ%20-%20Photo%207.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="800" height="163" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaqZJDVTfIefw0XS19AhZN1PJF_sEs1lwa6S_Ks9imjJGT3tRwvo-_DByaaOEmm7-KGzcvJ-ZveT8sp0rtM-FGFdq9h0AX5AR9y5CH5NLRiGwvR88OLoTGYIPIFtlKuSVHuDxHxZvLaMoZcuC7wnv6oQ_JBUypDts_ZyhX76ZGDQshbsOCWDrYk2YeuPM/s320/DMZ%20-%20Photo%207.jpg" width="320" /></a></b></div><b><br />late-'70s prototype known as DMZ.</b> With the exception of a few musicians, DMZ and the Lyres were essentially same-sounding bands; DMZ just played with a little more speed and punk verve. Oddly enough, during the late-'70s signing frenzy of any band even remotely associated with the punk scenes in Boston and New York City, DMZ got a shot with Sire Records. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaauqGJCNVh83VZQdzupDgwjF5TcZwhqUa1Z3U-gWUpznJrRj2LcN48GHQ7k72cjnBnKaVAxt5uBMiCZHnMNenLFkeqS1tHIXo_zyfsaXuaiogX9THzRu_DkM9i2UjR1K5iPYBsaMzeV_X9g6vvAwP1NX8xzbVslYrXLJwIw1Ed_51mqxhSoXrraYYtWY/s800/DMZ%20-%20Photo%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="597" data-original-width="800" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaauqGJCNVh83VZQdzupDgwjF5TcZwhqUa1Z3U-gWUpznJrRj2LcN48GHQ7k72cjnBnKaVAxt5uBMiCZHnMNenLFkeqS1tHIXo_zyfsaXuaiogX9THzRu_DkM9i2UjR1K5iPYBsaMzeV_X9g6vvAwP1NX8xzbVslYrXLJwIw1Ed_51mqxhSoXrraYYtWY/w400-h299/DMZ%20-%20Photo%201.jpg" width="400" /></a></div><br />The label, exhibiting near-total artistic myopia, teamed the band up with goofball has-beens Flo and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZM4O4BIUZtUiW29xUgo-661k0r6yu_8T1JAg1_Ai-0SLUfmxpaJzphKABYZZ9DZj43WPewjqaMVpQk0R0NrRVmtfaU0VRmkCo1F0u3m0xamCaT7iPCBoBLUOMKEBAGMWvyRFzityB9ZMk10aA6sD_6usd5FMnoALN_eeZVrVVBXKTQ1xogH9F3Mqvawc/s800/DMZ%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZM4O4BIUZtUiW29xUgo-661k0r6yu_8T1JAg1_Ai-0SLUfmxpaJzphKABYZZ9DZj43WPewjqaMVpQk0R0NrRVmtfaU0VRmkCo1F0u3m0xamCaT7iPCBoBLUOMKEBAGMWvyRFzityB9ZMk10aA6sD_6usd5FMnoALN_eeZVrVVBXKTQ1xogH9F3Mqvawc/s320/DMZ%20-%20Photo%2010.jpg" width="320" /></a></div><br />Eddie as producers. While the resulting record was panned, it's far from a disaster, due mainly to DMZ's ferocity and trashy ebullience. Fans of mid-'60s rock such as the Seeds, ? and the Mysterians, and the Kinks, and who have an unending jones for speedy trash-rock and whiny Farfisa organs, will love DMZ. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6VM-dNmUWlerJqiBperkwzJYXd3qU7dRvhlk-2Ov6zaFP1hRXPEg9JYfpRXRzOR4yXY9KXDYCcDhDKMV5TBDSuaUi-Uuav3mmeGgM7FBWO5nz_OhYq9KNJ7tnCbpU1kqpzAiiXHthP9We3pXCeW7K_l4ZNkwDHRuQDjK95nc-tqp0CqOqvFd2K4W0mHg/s800/DMZ%20-%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="800" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6VM-dNmUWlerJqiBperkwzJYXd3qU7dRvhlk-2Ov6zaFP1hRXPEg9JYfpRXRzOR4yXY9KXDYCcDhDKMV5TBDSuaUi-Uuav3mmeGgM7FBWO5nz_OhYq9KNJ7tnCbpU1kqpzAiiXHthP9We3pXCeW7K_l4ZNkwDHRuQDjK95nc-tqp0CqOqvFd2K4W0mHg/w400-h200/DMZ%20-%20Photo%203.jpg" width="400" /></a></div><br />DMZ was a first-wave American punk rock/garage rock bands from Boston, Massachusetts, strongly <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjkDdUExB4g8opq4-h3QWRhk4_C0NGc-oVqKZH4MppYelpdliJlFSfhgWsHi-VDvmKLX3ZbrNaV0DVS92qTkogop38PQaLfi2C8779hNFU15Vr64NioFTlf1UL1hOmTsgwPqgkZpE2SlLJ1aFFk9BTAopJZ5Gc2MPKCyxvUAo9PlSf0HUYssVDEEqxksI/s800/DMZ%20-%20Photo%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="800" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjkDdUExB4g8opq4-h3QWRhk4_C0NGc-oVqKZH4MppYelpdliJlFSfhgWsHi-VDvmKLX3ZbrNaV0DVS92qTkogop38PQaLfi2C8779hNFU15Vr64NioFTlf1UL1hOmTsgwPqgkZpE2SlLJ1aFFk9BTAopJZ5Gc2MPKCyxvUAo9PlSf0HUYssVDEEqxksI/s320/DMZ%20-%20Photo%208.jpg" width="320" /></a></div><br />influenced by 1960s garage rock. In early 1976, Jeff Conolly (sometimes credited as J. Connally, Mono Mann, Monoman, Pokemonoman, etc.) stole the lead vocalist position in the nascent band by out-performing their singer at one of the band's practices. Along with his vocals he brought two things the band lacked: keyboards (an electric piano) and original songs. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVI4_L37i4a89ZLp0Dj6hxngOj4-6ejAVv-1Hvox-KX_82lFmaYgVPWPnRZlpC-kIevTYqj9Yh9IhlEDIa290oICBM5XhA87nWbL3ehMI5dehO65ZQJ_nhN3KeWyPh3MrLWA9Iwl9ix3XUiLFQwIx1Vs-vgs_mBaUZgPf7jm3vsx4Ol6ipi4aCHFCj90s/s581/DMZ%20-%20Photo%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="581" data-original-width="354" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVI4_L37i4a89ZLp0Dj6hxngOj4-6ejAVv-1Hvox-KX_82lFmaYgVPWPnRZlpC-kIevTYqj9Yh9IhlEDIa290oICBM5XhA87nWbL3ehMI5dehO65ZQJ_nhN3KeWyPh3MrLWA9Iwl9ix3XUiLFQwIx1Vs-vgs_mBaUZgPf7jm3vsx4Ol6ipi4aCHFCj90s/w244-h400/DMZ%20-%20Photo%206.jpg" width="244" /></a></div><br />Just over one year later, in April 1977, the band went into the recording studio with Craig Leon (who <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJliKb1PytuFCneiOMPvmQapa0F81pBYo1mlx3uctxA3kb6WxL6501wyJMm-bGOqFi5arFfeZvT7UKRwTumIT99NWuqcxQdBveIWD5nOPZGzIwD9eaqZYPJ4gAbgpvCQSgqMsZrfKGTwHmXVp7SunYGuAhu3GlkH38ayofexfoBiM-ym5zixRGzqjFEK8/s848/DMZ%20-%20Photo%205.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="848" data-original-width="786" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJliKb1PytuFCneiOMPvmQapa0F81pBYo1mlx3uctxA3kb6WxL6501wyJMm-bGOqFi5arFfeZvT7UKRwTumIT99NWuqcxQdBveIWD5nOPZGzIwD9eaqZYPJ4gAbgpvCQSgqMsZrfKGTwHmXVp7SunYGuAhu3GlkH38ayofexfoBiM-ym5zixRGzqjFEK8/s320/DMZ%20-%20Photo%205.jpg" width="297" /></a></div><br />had produced the Ramones' first album). Four songs from that session were released by Bomp! on a seven-inch vinyl EP. One of the best known photographs of Bomp! founder Greg Shaw shows him holding this disc. DMZ was later signed by Sire Records and went to New York City to record their debut album, produced by Flo & Eddie.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCvklnJYpgHvu6Gh5luzoK7-MlywJRZkEh9R808h9wO_R1T5xp5wNlYvzScoeAkCcF9sY24V2zEKasbYrLIqaDclq_1OnvjPsPuQkgoSoMJYlIq9BvO6By3Ny65OVSIWJKbEo9qWcXMEjRmcI2_BLooDwGqTqGIAdLhfFV-ODC-xYxDgw30rFPnBRmCE/s800/DMZ%20-%20Photo%2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="428" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjCvklnJYpgHvu6Gh5luzoK7-MlywJRZkEh9R808h9wO_R1T5xp5wNlYvzScoeAkCcF9sY24V2zEKasbYrLIqaDclq_1OnvjPsPuQkgoSoMJYlIq9BvO6By3Ny65OVSIWJKbEo9qWcXMEjRmcI2_BLooDwGqTqGIAdLhfFV-ODC-xYxDgw30rFPnBRmCE/w400-h214/DMZ%20-%20Photo%2012.jpg" width="400" /></a></div><br />The album was released in 1978 without much success and by the end of the year the group had splintered. Guitarists J. J. Rassler and Preston Wayne left to start the Odds, and Conolly, bassist Rick <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8pY5oZphPi0ZYdMpLck8IfjvZRgp85atutJAwdyOjmZaJz0TqmK6Bu8bmcUFk2K5jeuoi35Ea41I-zMDr59sGNEGUFHvx7p9r67Afu0KhRta1JCC1Y1EuasLEw9TRujFdGKcJDZJKxDl63Cmgbu6nq6MWvuIjcDtfym7homwA2ONKWnv_gz5_bywVyXk/s640/DMZ%20-%20Photo%209.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="406" data-original-width="640" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8pY5oZphPi0ZYdMpLck8IfjvZRgp85atutJAwdyOjmZaJz0TqmK6Bu8bmcUFk2K5jeuoi35Ea41I-zMDr59sGNEGUFHvx7p9r67Afu0KhRta1JCC1Y1EuasLEw9TRujFdGKcJDZJKxDl63Cmgbu6nq6MWvuIjcDtfym7homwA2ONKWnv_gz5_bywVyXk/s320/DMZ%20-%20Photo%209.jpg" width="320" /></a></div><br />Coraccio and drummer Paul Murphy formed Lyres. DMZ has re-formed periodically; a 1993 set appears on the Live at the Rat album (along with eight tracks from a 1976 show). Early drummer David Robinson (who had previously been in The Modern Lovers) left DMZ to join The Cars. Bassist Mike Lewis later joined the Lyres and later recorded with The A-Bones and Yo La Tengo. Guitarist Peter Greenberg later joined Lyres and went on to found Barrence Whitfield and the Savages.<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">DMZ - DMZ 1978</span></b><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPla8_9v5joofGoIbSuBEM-1M4eLKhAqca4OeqSH_DpHrlZf4-gBG4n14obInJAlkPceMHMZSGP-k9bRaRhdzyTSONYJPdGEXYC_thyL_TOUHoM5q242wcfr3YnMm_Po69E9z7ifB4zNyRZp3dh92dPPliNAW6Q9E4C4PixCcE83pE4piOAvJ4IeT93BM/s801/DMZ%20-%201978%20-%20DMZ%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPla8_9v5joofGoIbSuBEM-1M4eLKhAqca4OeqSH_DpHrlZf4-gBG4n14obInJAlkPceMHMZSGP-k9bRaRhdzyTSONYJPdGEXYC_thyL_TOUHoM5q242wcfr3YnMm_Po69E9z7ifB4zNyRZp3dh92dPPliNAW6Q9E4C4PixCcE83pE4piOAvJ4IeT93BM/w400-h400/DMZ%20-%201978%20-%20DMZ%20-%20Front%20Cover.jpg" width="400" /></a></div><br /><p style="text-align: center;"><b>DMZ – DMZ<br />Label: Sepia Tone – STONE 12<br />Format: CD, Album, Reissue 2004<br />Country: US<br />Released: 1978 <br />Genre: Rock<br />Style: Garage Rock, Rock & Roll, Punk<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p style="text-align: left;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRsLH0hcPQjg3oHml8ay1frdgj2ZchktDF3DwR0OCvUdTFrYh_rCARxlIDoCFm84pa-H6VQczdlJrJd2nPUGGdrpOmHiyMZ89PtmJ8AZvMbGSXaHyD1N8Mc55g7FUM3650qvl6QH2-mMU3L9Cf019R2OQTFX0zh5PZLCFWC4O085HKJVtu6oNf4UhehKk/s800/DMZ%20-%201978%20-%20DMZ%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="800" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRsLH0hcPQjg3oHml8ay1frdgj2ZchktDF3DwR0OCvUdTFrYh_rCARxlIDoCFm84pa-H6VQczdlJrJd2nPUGGdrpOmHiyMZ89PtmJ8AZvMbGSXaHyD1N8Mc55g7FUM3650qvl6QH2-mMU3L9Cf019R2OQTFX0zh5PZLCFWC4O085HKJVtu6oNf4UhehKk/w400-h348/DMZ%20-%201978%20-%20DMZ%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Mighty Idy 2:28<br /><b>02.</b> Bad Attitude 3:00<br /><b>03.</b> Watch For Me Girl 2:22<br /><b>04.</b> Cinderella 2:43<br /><b>05.</b> Don't Jump Me Mother 3:22<br /><b>06. </b>Destroyer 2:16<br /><b>07.</b> Baby Boom 2:19<br /><b>08. </b>Out Of Our Tree 3:00<br /><b>09.</b> Border Line 2:37<br /><b>10.</b> Do Not Enter 2:15<br /><b>11.</b> From Home 1:35 <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p style="text-align: left;"><br /></p><p style="text-align: center;">Bass – <b>Rick Corraccio</b><br />Drums –<b> Paul Murphy </b><br />Guitar –<b> JJ Rassler</b> <br />Guitar - <b>Peter Greenberg</b><br />Vocals, Organ – <b>Mono Mann</b><br /></p><p style="text-align: left;"><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p style="text-align: left;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1iS7XDfauchcNfSeSGsnFrsl_Tl-DOwr57HzfsARTzauNY2dHh3_zm6g3rqoLbJgcllWCYcbgL9IxQiMb3lMRTqn-1hv4XgBKhDWNVe0B8PeLD2PY8Icdd79mRdWyyUoppIofnSAJSUICEMxZihQJpfSoLVNgTrnoSyI-b6K8BG-g9I_KK06ffzwWF4/s800/DMZ%20-%201978%20-%20DMZ%20-%20CD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1iS7XDfauchcNfSeSGsnFrsl_Tl-DOwr57HzfsARTzauNY2dHh3_zm6g3rqoLbJgcllWCYcbgL9IxQiMb3lMRTqn-1hv4XgBKhDWNVe0B8PeLD2PY8Icdd79mRdWyyUoppIofnSAJSUICEMxZihQJpfSoLVNgTrnoSyI-b6K8BG-g9I_KK06ffzwWF4/w400-h400/DMZ%20-%201978%20-%20DMZ%20-%20CD.jpg" width="400" /></a></div><br />Originally released as Sire LP SRK6051.<br />Recorded and mixed at Kingston Sound Studios, Syosset, Long Island, N.Y.<br />Mastered at Masterdisk, N.Y.C.<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/HBYCiKrC#6-Xob44wr9ibbPS8or1RInLcW2D3Jfu0mmUPs8Uc3JU">Flac Size: 189 MB</a></b><br /><br /><b><span style="font-size: large;">DMZ - LIFT UP YOUR HOOD 1977</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoJn8ShYdFLkusJ11-L7prf3c5dZ7iTRtxBXCM9RGKkDHqBoDkmJLKxKwfCWVZoMVAn_W_vajEHnKPy6qTXSsF3d7_2MezCZmOuB_OBew5vC3gITcZ8YrpMbJb601BXh-ZgbmDtLoXH3TAbAq_Jh-g8nKCNg8qtgK_QBLyYtz5EJRxIzP0je_JKzR4PKo/s800/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="800" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoJn8ShYdFLkusJ11-L7prf3c5dZ7iTRtxBXCM9RGKkDHqBoDkmJLKxKwfCWVZoMVAn_W_vajEHnKPy6qTXSsF3d7_2MezCZmOuB_OBew5vC3gITcZ8YrpMbJb601BXh-ZgbmDtLoXH3TAbAq_Jh-g8nKCNg8qtgK_QBLyYtz5EJRxIzP0je_JKzR4PKo/w400-h380/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>DMZ – Lift Up Your Hood</b><br /><b>Label: Bomp 111-EP</b><br /><b>Format: Vinyl, 7", 33 ⅓ RPM, EP</b><br /><b>Country: USA</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock, Punk</b><br /><b>Year: 1977</b><br /></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6RI75hbcRP7tm7kQyuvrvwj4s9DPnogvKjpQ84CafTy-zUUzUVrLKx0I4JyKeCnFH5Zq4c9aqsxOAKjwQt6mQA3wiOUd9Yek2Q4YoXL6e9dFtySyA1vUNMG1sjKmNCYSdlM2AHH6fJwdiCbs3LLnlSs4K9aUU1KF45pgH6Y21EOlcw1vuh7htV9iO7yM/s800/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="800" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6RI75hbcRP7tm7kQyuvrvwj4s9DPnogvKjpQ84CafTy-zUUzUVrLKx0I4JyKeCnFH5Zq4c9aqsxOAKjwQt6mQA3wiOUd9Yek2Q4YoXL6e9dFtySyA1vUNMG1sjKmNCYSdlM2AHH6fJwdiCbs3LLnlSs4K9aUU1KF45pgH6Y21EOlcw1vuh7htV9iO7yM/w400-h380/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgePizb-iThY14F6wv4ULUPXIYwTQlFEGN3-OfRTbUfJv_7YU8QCebLuRzS9xrilgHLxC0CIjAs0unrJE6FMHxIpm0tJczKMD-ML7cWTyE-r2SGflDr9yTYF2avPImfIAelk-6R01maVghrdbo0X47o9t7NPRpi4nG80rUdR16Tna8mYGAIo5C_kJPNO8U/s800/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgePizb-iThY14F6wv4ULUPXIYwTQlFEGN3-OfRTbUfJv_7YU8QCebLuRzS9xrilgHLxC0CIjAs0unrJE6FMHxIpm0tJczKMD-ML7cWTyE-r2SGflDr9yTYF2avPImfIAelk-6R01maVghrdbo0X47o9t7NPRpi4nG80rUdR16Tna8mYGAIo5C_kJPNO8U/w400-h400/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. </b> Lift Up Your Hood 1:40<br /><b>A2. </b> Busy Man 3:13<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1haO2RM9tD4JlSMid7PrviYvu1S3u3S60AgfHcs6CbHgmtC6VxxBAFDWV4btf1v6LWvIwx9GZ9qLKz6euQpn6nT8H3JzsaP38-dDO8kdAn2TqRx-OaKlJDrRaPGXKzPy8yHsgfjYt7otxPCglMPuusLupCc8y9SK3LNRcdq0cAuhspQ86LxMHAO7M3yg/s800/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1haO2RM9tD4JlSMid7PrviYvu1S3u3S60AgfHcs6CbHgmtC6VxxBAFDWV4btf1v6LWvIwx9GZ9qLKz6euQpn6nT8H3JzsaP38-dDO8kdAn2TqRx-OaKlJDrRaPGXKzPy8yHsgfjYt7otxPCglMPuusLupCc8y9SK3LNRcdq0cAuhspQ86LxMHAO7M3yg/w400-h400/DMZ%20-%201977%20-%20Lift%20Up%20Your%20Hood%20-%20Side%20B.jpg" width="400" /></a></div><br /><b>B1. </b> You're Gonna Miss Me<br />Written-By – Roky Erickson<br />2:27<br /><b>B2. </b> When I Get Off<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Rick Corraccio</b><br />Drums – <b>Paul Murphy</b> <br />Guitar, Vocals – <b>J.J. Rassler</b><br />Lead Guitar – <b>Peter Greenberg</b><br />Lead Vocals, Keyboards, Percussion [Misc.] – <b>Mono Mann</b><br />Other [Wires, Plugs, Speakers, Flat Tires & Cheeseburgers] –<b> Eric Smith</b><br />Written-By – <b>J. Connally</b> (tracks: A1, A2, B2)<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />"You're Gonna Miss Me" originally performed by 13th Floor Elevators and published by Tapier Music Corporation (BMI).<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zBJ0DJxL#u_bb_BjUXCz9BeLqSDC3_kIf0wlR5DwmeOs2uOrvioA">Flac (24/96) Size: 301 MB</a><br /><span style="font-size: large;"><br />DMZ - RADIO DEMOS 1976 + LYRES LIVE AT CANTONES BOSTON MASSACHUSETTS MARCH 26, 1982 </span></b> <br /></p><p style="text-align: left;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCg5W271JTEuFw93HV8Kr4JNWr8If9pB0H0K6p1sHwoqzbP0fpzFMIN-PwS3CGWMNVPpMzOfAexwlffKSYwtGt6iCEcW_A3NMqXsChRrnGnMVvfBP6gC03J0vyEY09_CBYDshREbGAY1GIQ-pHd3QEyGVREzGsys43gNRNrNamXsNlWoy5rLuPac2G7hA/s800/DMZ%20+%20Lyres%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="776" data-original-width="800" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCg5W271JTEuFw93HV8Kr4JNWr8If9pB0H0K6p1sHwoqzbP0fpzFMIN-PwS3CGWMNVPpMzOfAexwlffKSYwtGt6iCEcW_A3NMqXsChRrnGnMVvfBP6gC03J0vyEY09_CBYDshREbGAY1GIQ-pHd3QEyGVREzGsys43gNRNrNamXsNlWoy5rLuPac2G7hA/w400-h388/DMZ%20+%20Lyres%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Two essential documents of Boston's underground compiled on one CD. First, an incredible collection of tapes recently discovered in Peter Greenberg's garage, featuring radio station recordings from 1976. A great example of Boston rock & roll that sees the light of day after 35 years! As if that wasn't enough, <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd0RuD95pH9KpH7XGBGjB5-eYWQKpEv6jt1U6fMPO-4BnpvYcct8ywckbHfXL6WiIC0mH1qM4pez-3XsDtdBrbsOV6hoGW9ahg9QV1KvSHL69jP443M59LmKDlwTbS32Zh3oXrVOHwqAJP9UxOjOvGsLkC9mF0rDwOHROwxM4G2kSTh6wSz59H5HF4xh4/s805/DMZ%20-%201978%20-%20DMZ%20-%20Inside%20Cover%209.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="805" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd0RuD95pH9KpH7XGBGjB5-eYWQKpEv6jt1U6fMPO-4BnpvYcct8ywckbHfXL6WiIC0mH1qM4pez-3XsDtdBrbsOV6hoGW9ahg9QV1KvSHL69jP443M59LmKDlwTbS32Zh3oXrVOHwqAJP9UxOjOvGsLkC9mF0rDwOHROwxM4G2kSTh6wSz59H5HF4xh4/s320/DMZ%20-%201978%20-%20DMZ%20-%20Inside%20Cover%209.jpg" width="318" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">DMZ</span></b></td></tr></tbody></table><br />a furious live set by Lyres at a tiny Italian restaurant that became the home of Boston's underground punk and rock & roll movement. The 1970s garage punk band from Boston, DMZ, had dissolved in a 1978 train wreck. Jeff "Mono Mann" Conolly, DMZ's inspired singer and songwriter, decided to take a Vox organ-driven direction next in his Lyres. Lyres evolved into an amorphous group of players moving in and out of the band over the years with certain mainstays like Paul Murphy and Ricky Coraccio, DMZ's drummer and bass player respectively, hanging in longer than most. <br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYjKzyoieTHYr3YIFK_oT9SDz-uoFOt84oaqMFicELYr8XOYPJa5M_p2LLGCiHOpkh64y-H9kVPf6u2eav0FuVJud7FRuT8GZWPKcWVvKq9LmxZEiX5GgLx7JJbdHSkX_fuWde6hzRPCxtDLPReDNiNdHUC3aPBJAX07HxAAUlN0__5IxSwmTZ5MPtCyY/s757/DMZ%20-%20Photo%204.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="757" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYjKzyoieTHYr3YIFK_oT9SDz-uoFOt84oaqMFicELYr8XOYPJa5M_p2LLGCiHOpkh64y-H9kVPf6u2eav0FuVJud7FRuT8GZWPKcWVvKq9LmxZEiX5GgLx7JJbdHSkX_fuWde6hzRPCxtDLPReDNiNdHUC3aPBJAX07HxAAUlN0__5IxSwmTZ5MPtCyY/w339-h400/DMZ%20-%20Photo%204.jpg" width="339" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">DMZ</span></b></td></tr></tbody></table><br />Ricky "Little Man" Carmel was the original guitarist for Lyres and was with Conolly, Murphy and Coraccio when they recorded the classic 1979 45 Don't Give It Up Now/How Do You Know? By the <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnGWKhrb-ZyQ4t2K3-P-9Sz_L3ynl6UT3k0WJo9EFeru6mYfl98bX7THB2Sm_1s1MIuLWJc2R_XEmrcDFsjksZsis7jQYouTMSNswGABU49Sra5-Q2BIlDllnJskbxpNMOs3BJtgHf80GFgBsASEI278pzBsseF6LaR6oxzODUFlYj8cKvQatqLR3L2M/s877/Lyres%20-%20Photo%203.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="877" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghnGWKhrb-ZyQ4t2K3-P-9Sz_L3ynl6UT3k0WJo9EFeru6mYfl98bX7THB2Sm_1s1MIuLWJc2R_XEmrcDFsjksZsis7jQYouTMSNswGABU49Sra5-Q2BIlDllnJskbxpNMOs3BJtgHf80GFgBsASEI278pzBsseF6LaR6oxzODUFlYj8cKvQatqLR3L2M/s320/Lyres%20-%20Photo%203.jpg" width="234" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">LYRES</span></b></td></tr></tbody></table><br />time Peter Greenberg, DMZ's lead guitarist, returned to Boston from Cincinnati in the summer of 1980 to join Lyres, the original line-up had also dissolved and Conolly was filling in players on an ad hoc basis. The next iteration of Lyres had some staying power and included, along with Conolly and Greenberg, Michael Lewis, DMZ's original bass player, and Howie Ferguson, who had been the drummer for the Real Kids. <br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxRBTu_0WFRv7VZTB0nK4CAZWLyjEtaS1Mu0UoFo5WQ0tZaW4btrocmBoZyzotOvLnTjx4jClYnLM3o2niePsmC-xg9dp5pHI-KKHsrq7yYi84DDCjPWQ-DW3sbLFHDlIuypi9ujIVXpFMZIfww8Dl1H66F3hd_ywvXF_tuDLfuPUAqxABjzcg9j8wT6A/s800/Lyres%20-%20Photo%201.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="445" data-original-width="800" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxRBTu_0WFRv7VZTB0nK4CAZWLyjEtaS1Mu0UoFo5WQ0tZaW4btrocmBoZyzotOvLnTjx4jClYnLM3o2niePsmC-xg9dp5pHI-KKHsrq7yYi84DDCjPWQ-DW3sbLFHDlIuypi9ujIVXpFMZIfww8Dl1H66F3hd_ywvXF_tuDLfuPUAqxABjzcg9j8wT6A/w400-h223/Lyres%20-%20Photo%201.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">LYRES</span></b></td></tr></tbody></table><br />This band recorded Lyres' first two releases for Ace of Hearts Records, the EP AHS1005 and the 45 Help You Ann/I Really Want You Right Now. This batch of Lyres collapsed at the end of 1981. Conolly <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqT5bEtGKz1PVT2nzJ149va90RcI_Aq2s-kUxMiL3n2RLjfl4Q6Xh8HEHfnZXnkciBgjA7MRpGrJXWc-3-FmWUmW7odqVzq0RIjbtCrBqQTe5cxfTbGcsS72dNVHj4nPceniBS-QYAeBoDyapqoZOh-9CD6ecywTOpZU1JxH976H25ir4t4hls1Jt4h7E/s610/Lyres%20-%20Photo%202.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="406" data-original-width="610" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqT5bEtGKz1PVT2nzJ149va90RcI_Aq2s-kUxMiL3n2RLjfl4Q6Xh8HEHfnZXnkciBgjA7MRpGrJXWc-3-FmWUmW7odqVzq0RIjbtCrBqQTe5cxfTbGcsS72dNVHj4nPceniBS-QYAeBoDyapqoZOh-9CD6ecywTOpZU1JxH976H25ir4t4hls1Jt4h7E/s320/Lyres%20-%20Photo%202.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">LYRES</span></b></td></tr></tbody></table><br />re-recruited Murphy and Phil Lenker (ex-21-645) and kept Greenberg for the 1982 Lyres after Mike Lewis split. However, for the recording at hand, Live At Cantone, Boston 1982, Coraccio got "the call" from Conolly to fill in the night of the show. From a historical perspective, this night at Cantone's is reported to be the only night where Conolly, Murphy, Coraccio, and Greenberg -- four-fifths of DMZ -- played together as Lyres -- except for a much later Spanish tour in 2009. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjng6rRiV1w1ylfOm6J6a9v3Rij93_o8j7g_yJFFlrvomsnmmvmsys7WcM9dsfEzleoQM_VM09oocELF3BYIzzghm7zlri7h58L6AbVm9dV99M0VL9FUQTfn79GXbGuP786Dq-kncEc_Clkkjz3MQZh77YqW5ro4AppF5cLhxhVZ64dJR5bn9t_BZV_mmY/s800/DMZ%20-%20Photo%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="449" data-original-width="800" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjng6rRiV1w1ylfOm6J6a9v3Rij93_o8j7g_yJFFlrvomsnmmvmsys7WcM9dsfEzleoQM_VM09oocELF3BYIzzghm7zlri7h58L6AbVm9dV99M0VL9FUQTfn79GXbGuP786Dq-kncEc_Clkkjz3MQZh77YqW5ro4AppF5cLhxhVZ64dJR5bn9t_BZV_mmY/w400-h225/DMZ%20-%20Photo%2014.jpg" width="400" /></a></div><br />Cantones was an Italian restaurant in Boston's financial district by day. By night, the suits were gone <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIa86WMaRS1QVjRYkjRV1dfZXYZG9PcovInBMWy1iQN8gHEaB12XEI7P6XMqigSPbK5O9oxemy_P5IZnBFTBtbt2pQIKMoRNzHzm0ZsuXsaZtGfLwGO0rllDB7K0OBW9lgxeE9Xg5vWYO38jR8WhQBtgMvMrsN2w5nMhyphenhyphenfzxXM0YkYafhAxA0nXfQTvvg/s800/DMZ%20-%20Photo%2013.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="619" data-original-width="800" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIa86WMaRS1QVjRYkjRV1dfZXYZG9PcovInBMWy1iQN8gHEaB12XEI7P6XMqigSPbK5O9oxemy_P5IZnBFTBtbt2pQIKMoRNzHzm0ZsuXsaZtGfLwGO0rllDB7K0OBW9lgxeE9Xg5vWYO38jR8WhQBtgMvMrsN2w5nMhyphenhyphenfzxXM0YkYafhAxA0nXfQTvvg/s320/DMZ%20-%20Photo%2013.jpg" width="320" /></a></div><br />and left those cold and empty streets to the kids. This particular show is an energetic and raucous representation of the many, many nights Lyres cranked it out at Cantones. It was commonplace for the night to end at 2:30am with brawls that spilled out through broken windows into the street.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN0bar5qoyBcUsJytcMLqD2pgloK12ptQSNJzIEfum4qKTscoTS_hGwEpX9e7ubdtWrH5OTw-pGfPfJrEuXfSn8eCRO7GWEuNROV_8KDwU6ouGnEROnK784l2mpdxicHYS5F0CXk8H7H80l7sfs0dp0LTXqqRFUxLQnEW6mZucNX04Rjn27VS6J143Zwo/s800/DMZ%20+%20Lyres%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="689" data-original-width="800" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN0bar5qoyBcUsJytcMLqD2pgloK12ptQSNJzIEfum4qKTscoTS_hGwEpX9e7ubdtWrH5OTw-pGfPfJrEuXfSn8eCRO7GWEuNROV_8KDwU6ouGnEROnK784l2mpdxicHYS5F0CXk8H7H80l7sfs0dp0LTXqqRFUxLQnEW6mZucNX04Rjn27VS6J143Zwo/w400-h345/DMZ%20+%20Lyres%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>DMZ / Lyres – Radio Demos + Lyres Live At Cantones</b><br /><b>Label: Munster Records – MR CD 313</b><br /><b>Format: CD, Compilation</b><br /><b>Country: Spain</b><br /><b>Released: 8/2/2011</b><br /><b>Genre: Rock</b><br /><b>Style: Rock & Roll, Punk, Garage Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></p><p><br /><b>01. DMZ </b>– Somebody's Gonna Get Their Head Kicked In Tonight<br /><b>02. DMZ </b>– Til The Ebd Of The Day<br /><b>03. DMZ</b> – Lift Up Your Hood<br /><b>04. DMZ</b> – Glad All Over<br /><b>05. DMZ</b> – Ball Me Out<br /><b>06. DMZ</b> – Heart Of Stone<br /><b>07. DMZ</b> – First Time<br /><b>08. DMZ </b>– Teenage Head<br /><b>09. DMZ</b> – Go To School<br /><b>10. DMZ </b>– Are You Gonna Be There?<br /><b>11. DMZ</b> – Boy From Nowhere<br /><b>12. DMZ</b> – Search And Destroy<br /><b>13. Lyres</b> – I Really Want You Right Now<br /><b>14. Lyres</b> – Lily<br /><b>15. Lyres </b>– Help You Ann<br /><b>16. Lyres</b> – Come On Up<br /><b>17. Lyres</b> – Don't Give It Up Now<br /><b>18. Lyres </b>– Mighty Idy<br /><b>19. Lyres </b>– Let's Have A Party<br /><b>20. Lyres</b> – 100 CCs<br /><b>21. Lyres</b> – Since You've Been Gone<br /><b>22. Lyres</b> – Hang Up<br /><b>23. Lyres </b>– Cinderella<br /><b>24. Lyres </b>– Dirty Robber<br /><b>25. Lyres </b>– Journey To Thyme<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br />Bass – <b>Michael Lewis</b> (tracks: 1 to 12), <b>Rick Coraccio</b> (tracks: 13 to 25)<br />Drums – <b>David Robinson</b> (tracks: 1 to 7, 9 to 12),<b> Michael Lewis</b> (tracks: 8), <b>Paul Murphy</b> (tracks: 13 to 25)<br />Guitar – <b>JJ Rassler</b> (tracks: 1 to 12),<b> Peter Greenberg </b>(tracks: 13 to 25)<br />Lead Guitar – <b>Peter Greenberg </b>(tracks: 1 to 12)<br />Organ [Vox] – <b>Jeff Conolly</b> (tracks: 13 to 25)<br />Piano – <b>Jeff Conolly</b> (tracks: 1 to 12)<br />Vocals – <b>Jeff Conolly</b><br /><b><br /></b></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br /><b>DMZ:</b> All songs were recorded summer of '76 at WTBS/Cambridge, Massachusetts except for Teenage Head, which was recorded in March '76 at Intermedia Studio, Boston, Massachusetts. <br /><b>LYRES:</b> Recorded March 26, 1982 at Cantones, Boston, Massachusetts.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/TBwBXbrQ#6IJQItAfTSr3PyS1tBMm2Y8I-099j8oh-ZUIa9cZ7j4">Flac Size: 527 MB</a></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com3tag:blogger.com,1999:blog-8270002232971427483.post-8863099771537615222024-03-01T09:43:00.000+02:002024-03-01T09:43:51.244+02:00Lyres: Garage Nightmares 1979 - 1993<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA9ABvhubTQnymR6zwF97hr3Y-8Bo5Ree9B1fu3XiN_WR3s9KtAM_I8HMLkvs_qCVyrQcMB5Ak7-X2O5wfcSnC-ExgTedbiBvdo-5-jkZN06GYYyjQMsv7B3wUt5W-dSFC7zgiP2WYbER6tjPLoaSKL0Aw4_s2ewnUrHnAAJQqcnEnvXBCQ0Jz1PgW-UA/s808/Lyres%20-%20Main%20Photo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA9ABvhubTQnymR6zwF97hr3Y-8Bo5Ree9B1fu3XiN_WR3s9KtAM_I8HMLkvs_qCVyrQcMB5Ak7-X2O5wfcSnC-ExgTedbiBvdo-5-jkZN06GYYyjQMsv7B3wUt5W-dSFC7zgiP2WYbER6tjPLoaSKL0Aw4_s2ewnUrHnAAJQqcnEnvXBCQ0Jz1PgW-UA/w396-h400/Lyres%20-%20Main%20Photo.jpg" width="396" /></a></div> <p></p><p>The Lyres were and are a band basically comprised of<b> Jeff Conolly</b> and anybody else he felt like </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQ_XhChD83tkpiJ3RNLZJ0HPzIDDC_lmnr-X3KHMgjfSX1DI5cZaJnAia_MejecULBgm_iKMCRZhs9mPZpWUWiqE93AtS5mcjLIplYvRGFNF0Jsw6iBI3AjP9c7fKz8RwCsoxe_r63A0rTiSIsXcpe7tG0vz8-IwzlcEpihLKcgaX_ubAyI_75keUsAw/s811/Lyres%20-%20Photo%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="811" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQ_XhChD83tkpiJ3RNLZJ0HPzIDDC_lmnr-X3KHMgjfSX1DI5cZaJnAia_MejecULBgm_iKMCRZhs9mPZpWUWiqE93AtS5mcjLIplYvRGFNF0Jsw6iBI3AjP9c7fKz8RwCsoxe_r63A0rTiSIsXcpe7tG0vz8-IwzlcEpihLKcgaX_ubAyI_75keUsAw/s320/Lyres%20-%20Photo%208.jpg" width="316" /></a></div><br />playing music with for a while and then firing. <b>He started out in Boston singing with punk/60's band DMZ in the mid-to-late '70's while working at local rib house Buzzy's Bar-B-Q.</b> <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht4YXf4XBFxsG1qTEgzf7UrZi62ZJi8dJRv6tHELpfHDKHkdkQDNL001DMBoQmcU4OOfaxAxvSAITVvT3aXAGRNLF-YXwtms7OGGQtWZ1vJzycZCFHJ_-Fbd9c4mgUW8NW-e5aYlT95wxcndZ4zc1z6cdER9OYClOzvfEukqdPlCkUmmgw58b6tc20A98/s640/Lyres%20-%20LOGO.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="640" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht4YXf4XBFxsG1qTEgzf7UrZi62ZJi8dJRv6tHELpfHDKHkdkQDNL001DMBoQmcU4OOfaxAxvSAITVvT3aXAGRNLF-YXwtms7OGGQtWZ1vJzycZCFHJ_-Fbd9c4mgUW8NW-e5aYlT95wxcndZ4zc1z6cdER9OYClOzvfEukqdPlCkUmmgw58b6tc20A98/w400-h169/Lyres%20-%20LOGO.jpg" width="400" /></a></div><br />The band got signed to Sire Records during the initial post-punk/new wave upheavel, but their first and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqemSbaBwcXuaoLQWo3v233utWLD4stxOoDftuQrAlE2frC2j0QwyPzqvdQRf_ych_PSJgceJk_iDs1NPR6O6NvpQ2Osn7d92zpJgrg-NCf3RivoCh-SjwDRTE-2akowO1AjyRzPXWSUU-Jcb9j30fTAk8ph4yz_pF4CVIfHzz9IrbHUrihV94E_9zLMM/s800/Lyres%20-%20Photo%201.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="534" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqemSbaBwcXuaoLQWo3v233utWLD4stxOoDftuQrAlE2frC2j0QwyPzqvdQRf_ych_PSJgceJk_iDs1NPR6O6NvpQ2Osn7d92zpJgrg-NCf3RivoCh-SjwDRTE-2akowO1AjyRzPXWSUU-Jcb9j30fTAk8ph4yz_pF4CVIfHzz9IrbHUrihV94E_9zLMM/s320/Lyres%20-%20Photo%201.jpg" width="320" /></a></div><br />only release was horribly produced by Flo and Eddie of the Turtles(!) ("it sounded like their bellys were pushing up the bass drum faders and nothing else") and the band disintegrated shortly afterward.<b> Jeff recruited a couple of the guys from DMZ and recorded a break-out single on Ace of Hearts Records, a local label founded by Richard W. Harte." </b><p></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0hadnJuN_p_Q86CUjVWlKlDdRAfuARxe16IuO6yflegFcptg5LZIkmZToL1y2Qc7f14Uf5Uva7Kg789huJvFRHhBtC8DNt_9-ENjJIwouy_T9rhwad9tgZBVvv-_PhW0L_CQrt6nqIrVIKxnUgruQu7XSfgGSHny-WdlOEI4K1V9Skji3iiFYk_U9BZQ/s962/Lyres%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="962" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0hadnJuN_p_Q86CUjVWlKlDdRAfuARxe16IuO6yflegFcptg5LZIkmZToL1y2Qc7f14Uf5Uva7Kg789huJvFRHhBtC8DNt_9-ENjJIwouy_T9rhwad9tgZBVvv-_PhW0L_CQrt6nqIrVIKxnUgruQu7XSfgGSHny-WdlOEI4K1V9Skji3iiFYk_U9BZQ/w266-h400/Lyres%20-%20Photo%207.jpg" width="266" /></a></b></div><br />The LYRES is a Boston-based band, lead by Jeff Conolly. DMZ was the pre-Lyres line-up, with some <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1HJ4knvzNoEY2IoxtUKi7IxXfaH1ZbHlk0rA0vVVN1jw7YxpniujZwGzoVFLu3u5s7LetMlLic9UchjkcMpK6UxNirFM0On1ufJNUfyOOSWh4a2FHeyY4fgGJRkWA0fD-9y32r_VHl7oeO4fApLXRshwujhMZciHSdGT6-tMaqvIuBMTSFXwcAttdmW8/s800/Lyres%20-%20Photo%209.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="456" data-original-width="800" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1HJ4knvzNoEY2IoxtUKi7IxXfaH1ZbHlk0rA0vVVN1jw7YxpniujZwGzoVFLu3u5s7LetMlLic9UchjkcMpK6UxNirFM0On1ufJNUfyOOSWh4a2FHeyY4fgGJRkWA0fD-9y32r_VHl7oeO4fApLXRshwujhMZciHSdGT6-tMaqvIuBMTSFXwcAttdmW8/s320/Lyres%20-%20Photo%209.jpg" width="320" /></a></div><br />musicians playing in Lyres. As plenty of Boston bands, the story is quite complicated, and going to side-bands and linked bands drive more to a real web than a tree.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKrbEbM7SzjC5P0pOnzYEcB9R5wQmkEdrrz7iraFlhICXjxZg-l2gmda5UbzNkz4Pd3y2n7x2cD7B-beyXDidx3eJIyKohsVvJCLww4-4T-vY1_oN3fZNS_S3mhETJFGLEE6VcddrM4PudtRYDzsnTAd_oOct2zQ1N44u5G5vEF2w75e7bzqp8UmZzMXQ/s800/Lyres%20-%20Art%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="800" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKrbEbM7SzjC5P0pOnzYEcB9R5wQmkEdrrz7iraFlhICXjxZg-l2gmda5UbzNkz4Pd3y2n7x2cD7B-beyXDidx3eJIyKohsVvJCLww4-4T-vY1_oN3fZNS_S3mhETJFGLEE6VcddrM4PudtRYDzsnTAd_oOct2zQ1N44u5G5vEF2w75e7bzqp8UmZzMXQ/w400-h309/Lyres%20-%20Art%205.jpg" width="400" /></a></div><br />One source was Pete Frame's band tree as reprinted in A Promise Is A Promise (scanned hereafter), the other from Joe Harvard's Rock in Boston : "Luckily, Lyres veteran Dan McCormack took pity on my <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusLFuTzZ2nQl6Kdzo_Vf6GYYzAymvxtsiGy6gkfkcNaTKfHETrb8iFfdczOZWH3vAsIQ2UfRIAiMfx0b0P-p8OuI__MY__gfo-XKtAtpbnMpRQnMgDfJCoSSvdxfxf5SOAn4LpBp0TfXcLXGOULIP5Ij6SqBTfnQatWJXWfDn7pVmdJkHxsupxPDfays/s600/Lyres%20-%20Photo%2013.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="600" data-original-width="594" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusLFuTzZ2nQl6Kdzo_Vf6GYYzAymvxtsiGy6gkfkcNaTKfHETrb8iFfdczOZWH3vAsIQ2UfRIAiMfx0b0P-p8OuI__MY__gfo-XKtAtpbnMpRQnMgDfJCoSSvdxfxf5SOAn4LpBp0TfXcLXGOULIP5Ij6SqBTfnQatWJXWfDn7pVmdJkHxsupxPDfays/s320/Lyres%20-%20Photo%2013.jpg" width="317" /></a></div><br />pathetically inadequate archival efforts, and sent me the following list of Lyres line-ups. It contradicts the family tree in the A Promise Is A Promise LP, compiled by Rock Family Tree guy Pete Frame, which Danny figures "may be approx 70% correct". Former band members have pointed out that Frame garnered 100% of his data straight from Jeff'- and they cite this as the primary reason that it's not quite all there.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_nURJfy976L-exkughHSF9O34kQJuwnQ4At6uy2NBT9iR1-lJbCbTaIZ8DfuHnwuUY20vayfemTeSEc1Z58iq8QGMR15C5LoRTRiZCVlsbnMPfP7c74ctJ2Wf5OdazmtirZ7x5l_lnrrOcqld3R_uncYxGDT4kJbl27RmCzcaRaHHAb6SqzJLmDHp5Xc/s800/Lyres%20-%20Art%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_nURJfy976L-exkughHSF9O34kQJuwnQ4At6uy2NBT9iR1-lJbCbTaIZ8DfuHnwuUY20vayfemTeSEc1Z58iq8QGMR15C5LoRTRiZCVlsbnMPfP7c74ctJ2Wf5OdazmtirZ7x5l_lnrrOcqld3R_uncYxGDT4kJbl27RmCzcaRaHHAb6SqzJLmDHp5Xc/w400-h400/Lyres%20-%20Art%201.jpg" width="400" /></a></div><br />Their most popular songs included "Don't Give It Up Now," 'She Pays The Rent' and "Help You Ann". <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxg4aInjRM2UidO3Urb_2aZsyxyCdGrfRjkARVZywSgTxHTEHGf7ERBKywn8x2L9HwZyIduM23LPwczGLTZrQ_ayBrCA4e6kbbZlx7_bl9ky0-_NeMPy3O16sw_abj8tdSnKoDSupS1mGqzUNhISDTZ4SPzdQicSahx_iXkTOYE5Wdt3EzLJezmpImFw/s800/Lyres%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="610" data-original-width="800" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxg4aInjRM2UidO3Urb_2aZsyxyCdGrfRjkARVZywSgTxHTEHGf7ERBKywn8x2L9HwZyIduM23LPwczGLTZrQ_ayBrCA4e6kbbZlx7_bl9ky0-_NeMPy3O16sw_abj8tdSnKoDSupS1mGqzUNhISDTZ4SPzdQicSahx_iXkTOYE5Wdt3EzLJezmpImFw/s320/Lyres%20-%20Photo%2011.jpg" width="320" /></a></div><br />The original lineup of the band featured Conolly, Rick Coraccio (bass), Ricky Carmel (guitar), and Paul Murphy (drums).<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGnVmVEsnDvIc07M4QqdKGzKWAl55-v6qI1rt0vUzuWX0247ItTzYhUwkT0gIbM_T14sxPE4EclwtjM81Q5zMLjwBB8AhiJ0_NPD9f-joQvdej0cRIDzakGwXvtOjjgJ_aVojntWA-ARVZyow7xEinvzjDqNbE2QmVrJJWdGCFdlfynPLJfHix6-_kIjI/s960/Lyres%20-%20Art%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="621" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGnVmVEsnDvIc07M4QqdKGzKWAl55-v6qI1rt0vUzuWX0247ItTzYhUwkT0gIbM_T14sxPE4EclwtjM81Q5zMLjwBB8AhiJ0_NPD9f-joQvdej0cRIDzakGwXvtOjjgJ_aVojntWA-ARVZyow7xEinvzjDqNbE2QmVrJJWdGCFdlfynPLJfHix6-_kIjI/w259-h400/Lyres%20-%20Art%203.jpg" width="259" /></a></div><br />Former DMZ members Coraccio, Murphy, Peter Greenberg, and Mike Lewis all rejoined Conolly in <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpTbNsqJRyJAHENBtESTby2zM4QV_J7IKzAeBB1EtgGTpcfm02Ag2ulZUio45SQnb7k1EoZpzSwcUXAXfd2u8uTiLJBzzUldCbyMM5iizpHfbvMwQO1f73QdYKsNVSXGopilggcpwBKqUb8CFGsQgNuBbyQAEzzS5rCkUAjLEzGLQqVMtLbpMlKrrBLas/s960/Lyres%20-%20Photo%2012.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpTbNsqJRyJAHENBtESTby2zM4QV_J7IKzAeBB1EtgGTpcfm02Ag2ulZUio45SQnb7k1EoZpzSwcUXAXfd2u8uTiLJBzzUldCbyMM5iizpHfbvMwQO1f73QdYKsNVSXGopilggcpwBKqUb8CFGsQgNuBbyQAEzzS5rCkUAjLEzGLQqVMtLbpMlKrrBLas/s320/Lyres%20-%20Photo%2012.jpg" width="320" /></a></div><br />Lyres at some point from 1979 to the early 2000s. The A-Bones drummer Miriam Linna, (a former drummer for The Cramps) and then A-Bones, Yo La Tengo and former Lyres bass player Mike Lewis filled-in with Lyres for a show in 1986. Stiv Bators of The Dead Boys and Lords of the New Church, and Wally Tax of The Outsiders also recorded with Lyres in the late 1980s.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCJY3yVtC-VC9H08XCRiUs7nLa8Cpuy5t4KBXiKQOiQI1zlkMjKRLl2eb2W5v1TXHWhXgNYBqGAGlMg3SBAmEgM8ihUb0FWnb_W-SjbZsoOu1bDcGZbJjcuTSEvhaDb3Aj2n7sHkw3fZS4tgNz2rHE2hNOF5aEQjeWMwNge7hgQo3tFvm5933Ha7Y8Yig/s750/Lyres%20-%20Photo%2016.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="576" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCJY3yVtC-VC9H08XCRiUs7nLa8Cpuy5t4KBXiKQOiQI1zlkMjKRLl2eb2W5v1TXHWhXgNYBqGAGlMg3SBAmEgM8ihUb0FWnb_W-SjbZsoOu1bDcGZbJjcuTSEvhaDb3Aj2n7sHkw3fZS4tgNz2rHE2hNOF5aEQjeWMwNge7hgQo3tFvm5933Ha7Y8Yig/w308-h400/Lyres%20-%20Photo%2016.jpg" width="308" /></a></div><br />Lyres were less active in 1989, due to Conolly living in California for a brief period. After a renewed <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkk0pntpRCV_gzKGAgVXQOzmwNBP5d1Pb4V3mFS6eRVadSOtWU4hMC5OI-Mq1xJk4vSjMGhkKexz9SBOAIgpPvMQEK0CvCZUak2FZUYPzH69uMygxIH0RYm4sp306keoDpX60awQIU3yM3exkdntxkC6Mwiman8l_utnF2C2TpJ8ltt21ph4RCNMjBlYY/s640/Lyres%20-%20Photo%2014.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="501" data-original-width="640" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkk0pntpRCV_gzKGAgVXQOzmwNBP5d1Pb4V3mFS6eRVadSOtWU4hMC5OI-Mq1xJk4vSjMGhkKexz9SBOAIgpPvMQEK0CvCZUak2FZUYPzH69uMygxIH0RYm4sp306keoDpX60awQIU3yM3exkdntxkC6Mwiman8l_utnF2C2TpJ8ltt21ph4RCNMjBlYY/s320/Lyres%20-%20Photo%2014.jpg" width="320" /></a></div><br />period of activity in the early 1990s, the band went through a dormant period until 1999. Conolly is the one member who has been in every lineup during the large number of Lyres personnel changes. In 2009, Lyres played at the Go Sinner So festival in Madrid and an additional date in Porto Nuovo. This line-up included a fill-in Peter Greenberg on guitar. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYj1b07jr3Q3keTx0-8Q6oTa1PIxc3JYqGKGvHOsHg9DNaIwY43x4Kbs8KHUipGJX1SVfFnIHIEJPIqNqoCuMtL4NVVj4UU-fr6eqpLz9mOcLx242fY_SxIGV1gKKI2Tw_MS76y0NbemM7sautDkDWyRpSSHJbtsnOfVj3uU_9DeCBmoLunxjNpEHBOPY/s824/Lyres%20-%20Art%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYj1b07jr3Q3keTx0-8Q6oTa1PIxc3JYqGKGvHOsHg9DNaIwY43x4Kbs8KHUipGJX1SVfFnIHIEJPIqNqoCuMtL4NVVj4UU-fr6eqpLz9mOcLx242fY_SxIGV1gKKI2Tw_MS76y0NbemM7sautDkDWyRpSSHJbtsnOfVj3uU_9DeCBmoLunxjNpEHBOPY/w311-h400/Lyres%20-%20Art%204.jpg" width="311" /></a></div><br />Led by garage rock obsessive record collector, Farfisa organ king, and world-class megalomaniac Jeff <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEpz7PZ6Nc3VvsRkd4u1Wycx4b6E9Z7U_iXp2IlQYOBpVRFQmWLhHcCn2BcljVU-leXSVa8v8M7l2xBsxgBaPfPqw9z6vN11lCXpOhIvLUJwPMD4YY_rw_kvzJNjygufgfZh3q9zmcwr63FSR8GUlLt6JFlKhDgz2waHMqq70vl4Lm77pZJ-G9WYJatB8/s800/Lyres%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="679" data-original-width="800" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEpz7PZ6Nc3VvsRkd4u1Wycx4b6E9Z7U_iXp2IlQYOBpVRFQmWLhHcCn2BcljVU-leXSVa8v8M7l2xBsxgBaPfPqw9z6vN11lCXpOhIvLUJwPMD4YY_rw_kvzJNjygufgfZh3q9zmcwr63FSR8GUlLt6JFlKhDgz2waHMqq70vl4Lm77pZJ-G9WYJatB8/s320/Lyres%20-%20Photo%2010.jpg" width="320" /></a></div><br />“Monoman” Conolly, Lyres rose from the ashes of Conolly’s first band, DMZ. Sporting a similar high-energy trash-rock sound indebted to the Seeds, ? & the Mysterians, the Stooges, and the early British Invasion (especially early Kinks), Lyres, for a brief, shining moment, were the kingpins of Boston’s punk rock scene. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuCqFJ7XpDf74T_eqVbYmfldfE9THQsZo2yMPkMXmd0i6eTuHkqfZAAp6bQDjP3TJPaUXQ7dHfCdWB1qZV8ZJToyvWh-QtE6iji1aFxIt_gHqJehF9hVPnTGF3VHySt0Dt45PiSE2UsgCza9Ne48_7sjPZDSEH-K4Sn7ZnMRB02gM92SbeUZnbVTXK_Bg/s941/Lyres%20-%20Art%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="941" data-original-width="834" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuCqFJ7XpDf74T_eqVbYmfldfE9THQsZo2yMPkMXmd0i6eTuHkqfZAAp6bQDjP3TJPaUXQ7dHfCdWB1qZV8ZJToyvWh-QtE6iji1aFxIt_gHqJehF9hVPnTGF3VHySt0Dt45PiSE2UsgCza9Ne48_7sjPZDSEH-K4Sn7ZnMRB02gM92SbeUZnbVTXK_Bg/w355-h400/Lyres%20-%20Art%202.jpg" width="355" /></a></div><br />Resembling venerable British blues-rockers Savoy Brown because of a constantly changing lineup <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj15fUCvubJ-Qypj_O6Y7GWP7DUNTctEUlbO98baXCDMoHMGrC8cvR_6_1FTeUBm9XDUawsh8yTHUayyEkHEYtNcz8rn9N5ilCGj0yfSudqNuysluEhZo6M0HFkgOK4RZudpDJOPKQ8yLHuv0mWCtq5gYXUxEeBdaPZuf5Q0DzXJU0Y5wz1mj9GcN1Y8D0/s640/Lyres%20-%20Photo%204.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj15fUCvubJ-Qypj_O6Y7GWP7DUNTctEUlbO98baXCDMoHMGrC8cvR_6_1FTeUBm9XDUawsh8yTHUayyEkHEYtNcz8rn9N5ilCGj0yfSudqNuysluEhZo6M0HFkgOK4RZudpDJOPKQ8yLHuv0mWCtq5gYXUxEeBdaPZuf5Q0DzXJU0Y5wz1mj9GcN1Y8D0/s320/Lyres%20-%20Photo%204.jpg" width="320" /></a></div><br />(something like 40 musicians have passed through the ranks), Lyres (or more specifically, Monoman) gleefully party on oblivious of trends. A dinosaur in his own right? Perhaps, but as long as Jeff Conolly has his organ, a few guys behind him, and a place to play, the simple joy that can only be had through rock & roll will exist in this world — hipness be damned! <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVR4oFLQCXvqOca_SGwXkPu_V78BokJJI9Lw4PrQLNNFq_2svVNt41J6Vyn04xXSrwJ4lIUWZIJaEpVpoW4eW1PJRAQCYJYIi97Upf5pR1YCfHrzakj5OnWpwnzwTpDjqB7jv8Lnn7Nv556TprVlh3WkHe8j5F3PedVdqbF3YYvX5w10fJYIIRzat6vvk/s538/Lyres%20-%20Photo%2015.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="382" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVR4oFLQCXvqOca_SGwXkPu_V78BokJJI9Lw4PrQLNNFq_2svVNt41J6Vyn04xXSrwJ4lIUWZIJaEpVpoW4eW1PJRAQCYJYIi97Upf5pR1YCfHrzakj5OnWpwnzwTpDjqB7jv8Lnn7Nv556TprVlh3WkHe8j5F3PedVdqbF3YYvX5w10fJYIIRzat6vvk/w284-h400/Lyres%20-%20Photo%2015.jpg" width="284" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">CURRENT LINE - UP</span><br /><br />Jeff Conolly (organ, vocals)<br />Steve Aquino (guitar)<br />Paul Murphy (drums)<br />Dave Szczepaniak (bass)<br /><span style="font-size: large;"><br />LYRES - THE EARLY YEARS - 1979 TO 1983 (LIVE AT CANTONES AND WERS-FM)</span></b></p><p style="text-align: center;"><b><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98XzF9qqm_Uhqme4lxPaoz3TpfHOxWnhGUkyOPBnGQ62GrgJ-84tFQ1E2PDuUiukmQsr3ea33mFwYh7NPdBmD4e20ajLAuowCjyB2jxCIB4yja13b3I9EG-cA70pMWu-4DHoWCTrNW-ghnMS4vah3heSjOMbEw4-eJCfq8SF_zWktAWMrKy4pWc9F_Po/s800/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98XzF9qqm_Uhqme4lxPaoz3TpfHOxWnhGUkyOPBnGQ62GrgJ-84tFQ1E2PDuUiukmQsr3ea33mFwYh7NPdBmD4e20ajLAuowCjyB2jxCIB4yja13b3I9EG-cA70pMWu-4DHoWCTrNW-ghnMS4vah3heSjOMbEw4-eJCfq8SF_zWktAWMrKy4pWc9F_Po/w400-h396/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Front%20Cover.jpg" width="400" /></a></span></b></div><b><br /><br /></b></div><div style="text-align: center;"><b>Lyres – The Early Years - 1979 To 1983 (Live At Cantones And WERS-FM)</b><br /><b>Label: Crypt Records – CRYPT CD 057, Crypt Records – CR-057</b><br /><b>Format: CD, Compilation</b><br /><b>Country: US</b><br /><b>Released: Apr 15, 1994</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock, Punk, Rock & Roll</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /><br /><b><span style="font-size: large;">WERS-FM BROADCAST, 3/20/83</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUuHsmjMDbNJssUJlp8qXHRvZ6nIy9A4P6QOw0GLoigvhqtFttBksQCcYI-GsaYUGvgylHM2Mr76Z7lbr_mL8FEiN6dcAlUw7bsxAN2ehDXoQ5dtBqiwF_v67d7zHuY2f6H8ty4exBW01UHQFt6uNTyJXK8EWNm222iCKIYTQ6E2IcipLF67CfXrpfM5o/s800/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="800" height="339" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUuHsmjMDbNJssUJlp8qXHRvZ6nIy9A4P6QOw0GLoigvhqtFttBksQCcYI-GsaYUGvgylHM2Mr76Z7lbr_mL8FEiN6dcAlUw7bsxAN2ehDXoQ5dtBqiwF_v67d7zHuY2f6H8ty4exBW01UHQFt6uNTyJXK8EWNm222iCKIYTQ6E2IcipLF67CfXrpfM5o/w400-h339/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /><b>01.</b> Never Met A Girl Like You Before<br /><b>02.</b> Soapy<br /><b>03.</b> Gonna Find A New Love<br /><b>04.</b> I Really Want You Right Now<br /><b>05.</b> Swing Shift<br /><b>06.</b> Take A Look At Me<br /><b>07.</b> Buried Alive<br /><b>08.</b> Tryin' Just To Please You<br /><b>09. </b>The Way I Feel About You<br /><b>10. </b>Nobody But Me<br /><b>11.</b> Busy Body<br /><b>12. </b>What A Girl Can Do<br /><b>13.</b> Let's Have A Party<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">2nd GIG EVER, JAN 1979 </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9BljWlChtuC6Cv3tx7MJ4nEhjQzgiMrLZIod7kevdg_afNQw3md7zOxotCoK0UMp9S4EKjiYzOowpPPpVaEZdYL11HV_Pylz1qIE4ri7dvO2AZdCRiKjDl7oLkFQDkg2kXus6gHK6NOrSaLM30RkbIahFn8WmP9E0PPhGcuAa8d795720_ihRHay-HYw/s800/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Inside%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="786" data-original-width="800" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9BljWlChtuC6Cv3tx7MJ4nEhjQzgiMrLZIod7kevdg_afNQw3md7zOxotCoK0UMp9S4EKjiYzOowpPPpVaEZdYL11HV_Pylz1qIE4ri7dvO2AZdCRiKjDl7oLkFQDkg2kXus6gHK6NOrSaLM30RkbIahFn8WmP9E0PPhGcuAa8d795720_ihRHay-HYw/w400-h393/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Inside%20Cover%202.jpg" width="400" /></a></div> <br /><b>14. </b>100 CC<br /><b>15.</b> Little Sally Tease<br /><b>16.</b> Let's Talk About Girls<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LIVE IN WBCN STUDIO, 1979 </span></b> <br /></p><p> <br /><b>17.</b> How Do You Know<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">PORTLAND, MAINE MAY 1980 </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV7RBrDQbAiwyWCp69z40UsnALk-qe16cQmLcIT2Y2rVL9IRhOGerh2KSfWN_ZnLgshVCrxWefM4d4ruu35e5KefoxkO2YKHoQADx7L2N2FLIKiSn0tBl8cDUZwdeM1UFf30cnRfcpOgRPk1neXy4c6OwSDtQpewvsbli08gtJBTDn2ww-_KBLKVeuvI/s800/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20CD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV7RBrDQbAiwyWCp69z40UsnALk-qe16cQmLcIT2Y2rVL9IRhOGerh2KSfWN_ZnLgshVCrxWefM4d4ruu35e5KefoxkO2YKHoQADx7L2N2FLIKiSn0tBl8cDUZwdeM1UFf30cnRfcpOgRPk1neXy4c6OwSDtQpewvsbli08gtJBTDn2ww-_KBLKVeuvI/w400-h398/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20CD.jpg" width="400" /></a></div> <br /><b>18.</b> Ain't That Lovin' You Baby<br /><b>19.</b> Geraldine<br /><b>20.</b> Love Man<br /><br /><b><span style="font-size: large;">BOSTON, JULY 1981 </span></b> <br /> <br /><b>21. </b>Lily<br /><b>22.</b> Skinny Minnie<br /><b>23. </b>Since You've Been Gone<br /><b>24.</b> Long Gone<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiUHDDow1GZ_7ypMJ9g5yZklXiTmXwX54LeD4PeOpzTyuC51D6tP1PmZ3yrOoxJKadH_QVELS8y9kZAaUVx6bm8f3L_1HpckZxXAv93ALJLAEZjwPsdySLt2Z4teM-pCCEj3mohHXDDGDylj9gxjnCiaWC-gBgawlzBz3P19eBlqdmGjhx4t1f0jTlv8c/s800/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="648" data-original-width="800" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiUHDDow1GZ_7ypMJ9g5yZklXiTmXwX54LeD4PeOpzTyuC51D6tP1PmZ3yrOoxJKadH_QVELS8y9kZAaUVx6bm8f3L_1HpckZxXAv93ALJLAEZjwPsdySLt2Z4teM-pCCEj3mohHXDDGDylj9gxjnCiaWC-gBgawlzBz3P19eBlqdmGjhx4t1f0jTlv8c/w400-h324/Lyres%20%E2%80%93%20The%20Early%20Years%20-%201979%20To%201983%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /></div><div style="text-align: center;">Bass – <b>Rick Coraccio</b><br />Drums – <b>Paul Murphy </b><br />Guitar –<b> Danny McCormick (tracks: 1 to 13), </b><br /><b>Peter Greenberg (tracks: 21 to 24), </b><br /><b>Little Man (tracks: 14 to 20)</b><br /><b>Jeff Conolly</b> - organ, vocals<br /></div><div><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/idhm0R6I#6-v8pirvKgC_QmHNvlb56qdnRuPb03TioHx0Ssdt6Bw">Flac Size: 525 MB</a><br /><br /><span style="font-size: large;">LYRES - ON FYRE 1984</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitX82paPVQDy5ezrHx5sZLTlyiqV_lWW7g_5KlOsjiIu8NmPObiOM9iYL7mUzUdJBVyhqfsz6Lom8CgZeOwZp1lUwuCttQKkGET6TGdMYLwV-MYAJUcRq_Dyk9juYKuNNmdoDs74ElYOZv6XROlGbpnQ08NQdFKg95RPH5_far25b-CDEKGAJ7jR5gr6w/s812/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="812" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitX82paPVQDy5ezrHx5sZLTlyiqV_lWW7g_5KlOsjiIu8NmPObiOM9iYL7mUzUdJBVyhqfsz6Lom8CgZeOwZp1lUwuCttQKkGET6TGdMYLwV-MYAJUcRq_Dyk9juYKuNNmdoDs74ElYOZv6XROlGbpnQ08NQdFKg95RPH5_far25b-CDEKGAJ7jR5gr6w/w394-h400/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Front%20Cover.jpg" width="394" /></a></b></div><b><br /></b><div style="margin-left: 80px; text-align: center;"><b>Lyres – On Fyre</b><br /><b>Label: Matador – OLE 302-2</b><br /><b>Format: CD, Album, Reissue, Remastered, Repress 1998</b><br /><b>Country: US</b><br /><b>Released: 1984</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock, Rock & Roll</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /><br /><b><span style="font-size: large;">THE ORIGINAL ALBUM </span></b><span style="font-size: large;"> </span> <br /></div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQX1_Z_70IDlmM73Wx0U_DD19H8LLONPuBwGi4wDB52_3CvLo1dR0UEjwQwsKS-DbzqxGaLvVpSSSwZtQwDCRBKHzGdbtxgilLa3X6mimuDW2I10tGx1W0Ru4HSpO_SUDY3HstJZtOdGhuDhQPB2JvvVLP7OhVjc2fbUtl7wO5sDz4H_WRwlOOHVxUgx4/s800/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="800" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQX1_Z_70IDlmM73Wx0U_DD19H8LLONPuBwGi4wDB52_3CvLo1dR0UEjwQwsKS-DbzqxGaLvVpSSSwZtQwDCRBKHzGdbtxgilLa3X6mimuDW2I10tGx1W0Ru4HSpO_SUDY3HstJZtOdGhuDhQPB2JvvVLP7OhVjc2fbUtl7wO5sDz4H_WRwlOOHVxUgx4/w400-h309/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /><b>01.</b> Don't Give It Up Now<br /><b>02. </b>Help You Ann<br /><b>03.</b> I Confess (Written-By – J. Kollenberg, R. Graffia)<br /><b>04.</b> I'm Tellin' You Girl<br /><b>05.</b> Love Me Till The Sun Shines (Written-By – D. Davies)<br /><b>06.</b> I Really Want You Right Now<br /><b>07.</b> Tired Of Waiting (Written-By – R. Davies)<br /><b>08.</b> Dolly<br /><b>09.</b> Soapy (Written-By – M. Ward)<br /><b>10. </b>The Way I Feel About You (Written-By – T. Waddington)<br /><b>11. </b>Not Like The Other One<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">PREVIOUSLY UNRELEASED TRACKS </span></b> <br /></p><p> <br /><b>12.</b> Never Met A Girl Like You (Written-By – R. Davies)<br /><b>13. </b>How Could Have I Done All Of These Things<br /><b>14. </b>Swing Shift (Written-By – J.L. Greek, R. Dangle)<br /><b>15.</b> Trying Just To Please You<br /><b>16.</b> Busy Body (Written-By – L. P. Johnson)<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">SHE PAYS THE RENT 12" </span></b> <br /></p><p> <br /><b>17. </b>Someone Who'll Treat You Right Now<br /><b>18.</b> She Pays The Rent<br /><b>19. </b>You've Been Wrong<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">SHE PAYS THE RENT 12" PROMO BONUS </span></b> <br /></p><p> <br /><b>20.</b> I'll Try Anyway (Written-By – Gallo, Waddington)<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh0vIhh1zfQX-aK31aDs9O7NAjyjlhZYLX3hxTq-7UqlXGX-Qq7s9K-1nprdV0Jb5wb5LBdwajqI7XRX1OUEF3ZlOBwN7Q-y-PCiNcOV5Kqj5Xwuoon3IbaXr1_W4Annvt9uC283m2aLB3i8Vp38uZYV9-ngiZVwHJPf7ByiDneheFPFbzEKQOLkkFJAk/s800/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="384" data-original-width="800" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh0vIhh1zfQX-aK31aDs9O7NAjyjlhZYLX3hxTq-7UqlXGX-Qq7s9K-1nprdV0Jb5wb5LBdwajqI7XRX1OUEF3ZlOBwN7Q-y-PCiNcOV5Kqj5Xwuoon3IbaXr1_W4Annvt9uC283m2aLB3i8Vp38uZYV9-ngiZVwHJPf7ByiDneheFPFbzEKQOLkkFJAk/w400-h193/The%20Lyres%20-%201984%20-%20On%20Fyre%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /></div><div style="text-align: center;">Bass – <b>Rick Coraccio</b><br />Drums – <b>Paul Murphy </b><br />Guitar – <b>Danny McCormack</b><br />Vocals, Organ – <b>Jeff Conolly</b><br />Written-By – Jeff Conolly (tracks: 1, 2, 4, 6, 8, 11, 13, 15, 17 to 19)<br /></div><div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />The Original album, released on Ace of Hearts 1984. Track #6, I Really Want You Right Now, was only released on the New Rose version of the album, and the US promo version.<br />Previously unreleased tracks recorded at the same time as the album. Mixed in 1997.<br />Originally released as the She Pays The Rent 12", Ace oh Hearts 1985.<br />Only released on the She Pays The Rent promo 12"<br />Glass Mastered At – EMI MFG.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/acwRzbaJ#qo9QRsOTSi-hSTFGOBdQIPLHu0btNYXvdk8hi-3XHEA">Flac Size: 484 MB</a><br /><br /><span style="font-size: large;">LYRES - ORANGE (BOOTLEG LIVE) 1985</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJZCLBh32XPq1FY7ye0HoSXNxyjVMpiVetmbc4eqr3raLWKsxMVuuioHfAXpDZ8GKV92y6hG1UXzchNtRHg8pxu-ssiyPrHk6MakeNy5Cl29skdvVnOQMI4FZrKavL55lBZj538D7LWCGakV3XSgyuudQGW01I9VyuEEm7EP3TslSF_kaIAWO4Ho45_w/s805/Lyres%20Orange%20Live%20(Bootleg)%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJZCLBh32XPq1FY7ye0HoSXNxyjVMpiVetmbc4eqr3raLWKsxMVuuioHfAXpDZ8GKV92y6hG1UXzchNtRHg8pxu-ssiyPrHk6MakeNy5Cl29skdvVnOQMI4FZrKavL55lBZj538D7LWCGakV3XSgyuudQGW01I9VyuEEm7EP3TslSF_kaIAWO4Ho45_w/w398-h400/Lyres%20Orange%20Live%20(Bootleg)%20-%20Front%20Cover.jpg" width="398" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Unknown place, unknown locale<br />somewhere, in 1985<br />“Live" vinyl LP bootleg (orange cover)<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></div><div><p></p><p><br /><b>01.</b> Stacy<br /><b>02.</b> Stop and Take a Look at Me <br /><b>03.</b> Help You Ann<br /><b>04. </b>Soapy<br /><b>05.</b> Nobody But Me<br /><b>06.</b> Cinderella<br /><b>07.</b> Swing Shift<br /><b>08.</b> What a Girl Can't Do<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/jAIijI7b#ZWzlEvldmg4J_dpUaj1ay7u6g43VL7sI3knobF4xoWQ">Flac Size: 196 MB</a><br /><br /><span style="font-size: large;">LYRES - LYRES LYRES 1986</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipjk19EXC-4xAOGjsNYEZ9OBnIj2NEDJ0HPZ4Mr9eKWm6eXmiVuLPKB2CBMfx2UGxt7e2qkuVBYRpSVtY9L8nuSmRXERuCZA-jiOr7v79-w6wofgdLIlwurAnWxfiP_RxAmf9MOTxhW7Ss-CxXr6ULhn5-nO-zXQTAsM2tF3CuhbePhu0-UcI-gGlko64/s800/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipjk19EXC-4xAOGjsNYEZ9OBnIj2NEDJ0HPZ4Mr9eKWm6eXmiVuLPKB2CBMfx2UGxt7e2qkuVBYRpSVtY9L8nuSmRXERuCZA-jiOr7v79-w6wofgdLIlwurAnWxfiP_RxAmf9MOTxhW7Ss-CxXr6ULhn5-nO-zXQTAsM2tF3CuhbePhu0-UcI-gGlko64/w400-h398/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Lyres – Lyres Lyres<br />Label: New Rose Records – ROSE 103 CD<br />Format: CD, Album<br />Country: France<br />Released: 1986<br />Genre: Rock<br />Style: Garage Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-CAgDK5ZbtDAqR7pErFpxl9S1xjDPwpBATIPRu-QB1lT1eJ3C969eLJak10yrqdppojdNUrxXMm_XOeh208lq2lOkMLu9tgbE2bOIbWrW0AFLwzxeK2DdaUxpLHGlX1g3HY-LkfFs8n9fwrVLirRxG993DIO5185F5i3Z7zKDe4DtakLOGuklc3gN3E/s800/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="800" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-CAgDK5ZbtDAqR7pErFpxl9S1xjDPwpBATIPRu-QB1lT1eJ3C969eLJak10yrqdppojdNUrxXMm_XOeh208lq2lOkMLu9tgbE2bOIbWrW0AFLwzxeK2DdaUxpLHGlX1g3HY-LkfFs8n9fwrVLirRxG993DIO5185F5i3Z7zKDe4DtakLOGuklc3gN3E/w400-h310/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Not Looking Back 4:18<br /><b>02. </b>She Pays The Rent 4:45<br /><b>03. </b>You'll Never Do It Baby 3:20<br /><b>04.</b> I Love Her Still, I Always Will 3:27<br /><b>05.</b> No Reasons To Complain 3:17<br /><b>06.</b> The Only Thing 3:10<br /><b>07.</b> Stacey 2:34<br /><b>08.</b> How Do You Know? 3:12<br /><b>09.</b> You Won't Be Sad Anymore 2:47<br /><b>10.</b> If You Want My Love 3:28<br /><b>11.</b> Busy Men 4:40<br /><b>12.</b> Teach Me To Forget You 3:10<br /><b>13.</b> Stormy 3:18<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC0jlo0HL6KwBVjJOAN7stf8Lpj8c_2mUdOpsIeIWRmqT2R7WQeccVYDmyL3aK1E1Y-OQGL1tmI-2FPWPPxfCgpqW2sT2Pe8a8M77gajqSboOXO9mS1VxszyF5SjpByVdQe61DKdBhPnx7cll31t5_eP0M93YEyCXSlhZ0Q9lEE2yBTgOhtp1b_zjqEFw/s800/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Front%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC0jlo0HL6KwBVjJOAN7stf8Lpj8c_2mUdOpsIeIWRmqT2R7WQeccVYDmyL3aK1E1Y-OQGL1tmI-2FPWPPxfCgpqW2sT2Pe8a8M77gajqSboOXO9mS1VxszyF5SjpByVdQe61DKdBhPnx7cll31t5_eP0M93YEyCXSlhZ0Q9lEE2yBTgOhtp1b_zjqEFw/w400-h400/Lyres%20-%201986%20-%20Lyres%20Lyres%20-%20Front%20Cover%202.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;">Bass – <b>Rick Coraccio</b><br />Cymbal, Organ [Farfisa, Vox Continental], Tambourine, Vocals – <b>Jeff Conolly</b><br />Drums –<b> John Bernardo</b><br />Guitar –<b> Danny McCormack</b><br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/DRY3iSjT#ZFVESE03oZzPyrtYLPWS7_6wpJntQQRNY0ObmE4wBzk">Flac Size: 344 MB</a><br /><br /><span style="font-size: large;">LYRES - A PROMISE IS A PROMISE + (9 BONUS TRAXS LIVE IN EUROPE) 1988</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaxPy-nD3QTy858GqXrBY2vXoylN3veOmc1dOnIZBY0vahSNmJxJZMPAx-7NLCPfeop1hSHQSAyVfPLK0xYZI5150Rmal8OPXhgOdd4w2A_bHfCDxGG-rkjwSZK8E9JQ5ZYk1t780vactREvpZRMeTZS21MvNOZwnTdufSUV7jRjQ4GJb8FIjAFGFJorQ/s803/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaxPy-nD3QTy858GqXrBY2vXoylN3veOmc1dOnIZBY0vahSNmJxJZMPAx-7NLCPfeop1hSHQSAyVfPLK0xYZI5150Rmal8OPXhgOdd4w2A_bHfCDxGG-rkjwSZK8E9JQ5ZYk1t780vactREvpZRMeTZS21MvNOZwnTdufSUV7jRjQ4GJb8FIjAFGFJorQ/w399-h400/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Front%20Cover.jpg" width="399" /></a></b></div><b><br /></b><div style="text-align: center;"><b>Lyres – A Promise Is A Promise</b><br /><b>Label: New Rose Records – ROSE 153 CD</b><br /><b>Format: CD, Album</b><br /><b>Country: France</b><br /><b>Released: 1988</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></div></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaeLy9zBa8n4Y1kk9HXYnNsIokqRRmLmZXQ5Iepj-QZ_XFXZ0dwXhesC5RjjVwf4tl1DlpW1PmiGWFG-_RywaDje9_kErLTh4XIDbfDi17BXB_DxQQ3pNMkhrsiXhnfUDJVPPHUvNYkmIVt2hFQ02VZQ9gLKxRpL4zyWeBj6HavYp7bgFANVE-kH7pbzI/s809/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaeLy9zBa8n4Y1kk9HXYnNsIokqRRmLmZXQ5Iepj-QZ_XFXZ0dwXhesC5RjjVwf4tl1DlpW1PmiGWFG-_RywaDje9_kErLTh4XIDbfDi17BXB_DxQQ3pNMkhrsiXhnfUDJVPPHUvNYkmIVt2hFQ02VZQ9gLKxRpL4zyWeBj6HavYp7bgFANVE-kH7pbzI/w395-h400/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%202.jpg" width="395" /></a></div><br /><b>01.</b> Here's A Heart 3:30<br />Vocals [Uncredited] – Stiv Bators<br />Written-By – L. Regal, P. Tubbs<br /><b>02.</b> On Fyre 2:20<br /><b>03. </b>Everyman For Himself 3:14<br /><b>04.</b> Feel Good 3:49<br /><b>05.</b> I'll Try You Anyway 4:01<br /><b>06. </b>Worried About Nothing 3:04<br /><b>07.</b> Running Through The Night 2:28<br />Written-By – Joe Docko<br /><b>08. </b>She's Got Eyes That Tell Lies 3:17<br />Written-By – Mealey & Costello<br /><b>09.</b> Jagged Time Lapse 4:27<br />Written-By – McCleland, Hewlett<br /><b>10.</b> Knock My Socks Off 3:43<br /><b>11.</b> Sick And Tired 3:12<br />Written-By – C. Kenner, D. Bartholomew<br /><b>12. </b>Trying Just To Please You 4:36<br /><b>13.</b> She Pays The Rent 4:12<br /><b>14.</b> She's Got Eyes That Tell Lies (Live) 3:02<br />Written-By – Mealey & Costello<br /><b>15. </b>Touch 3:41<br />Vocals [Uncredited] – Wally Tax<br />Written-By – R. Spinter, W. Tax<br /><b>16. </b>Witch (Live/Rennes) 2:54<br />Written-By – G. Roslie<br /><b>17.</b> Jezebel 2:57<br />Written-By – W. Shanklin<br /><b>18. </b>Go-Go-Girl 1:55<br />Written-By – Bolan<br /><b>19. </b>Help You Ann 2:12<br /><b>20.</b> Don't Give It Up Now 4:19<br /><b>21.</b> Cinderella 2:58<br />Written-By – G. Roslie<br /><br /><p></p><p style="text-align: center;"><b>Total Time: 69'55<br /><br /><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu-yBAOLMIkwk3qBXFrizQDLfdWdXXOSOX4VopL4hg6w746NfdMURqQ4avwTyt_Cm-Yi7W0jdvwfOW0H9RvqCINmeBedVUKbbI2N-QJVIRZSJ0A9iXg5RjMZt9hN5ORo85pjbprBhZXrGlWVG396rOHO9-73yfnQxt6FxP_xzam3Av8j0WaSj6trzRNk4/s809/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu-yBAOLMIkwk3qBXFrizQDLfdWdXXOSOX4VopL4hg6w746NfdMURqQ4avwTyt_Cm-Yi7W0jdvwfOW0H9RvqCINmeBedVUKbbI2N-QJVIRZSJ0A9iXg5RjMZt9hN5ORo85pjbprBhZXrGlWVG396rOHO9-73yfnQxt6FxP_xzam3Av8j0WaSj6trzRNk4/w395-h400/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%201.jpg" width="395" /></a></div><br /></div><div style="text-align: center;">Bass – <b>Matt Miklos</b><br />Drums – <b>John Smith</b><br />Guitar –<b> Jack Hickey</b><br />Vocals, Organ – <b>Jeff Conolly</b><br />Written-By – J. Conolly (tracks: 2 to 6, 10, 12, 13, 19, 20)<br /></div><div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfNbKV3ajyvhK2Q4Dsd0rCJClZq702ndSiej_e4zKY_WI5VUOIoP288FfLwCvrZrtaYyU9RIIUM2E5XRwNMuUVmg4jcMRX41GCwL_B82L9TDKLnNMa4YJQ1olaZ11U0g23Ibu1uPPWy4bPfuCw8EXmc2MkF02LbRNRhnZSQ6nAm-Lo8fK8bzq17f0F-2E/s801/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfNbKV3ajyvhK2Q4Dsd0rCJClZq702ndSiej_e4zKY_WI5VUOIoP288FfLwCvrZrtaYyU9RIIUM2E5XRwNMuUVmg4jcMRX41GCwL_B82L9TDKLnNMa4YJQ1olaZ11U0g23Ibu1uPPWy4bPfuCw8EXmc2MkF02LbRNRhnZSQ6nAm-Lo8fK8bzq17f0F-2E/w400-h400/Lyres%20-%201988%20-%20A%20Promise%20Is%20A%20Promise%20-%20Inside%20Cover%203.jpg" width="400" /></a></div> <br />CD version contains 9 bonus live tracks.<br />Tracks 13 to 15 recorded Live at VPRO radio<br />Tracks 16 to 21 recorded live in Rennes, France<br /><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/aMBiybQQ#O2DnamgJcO3i0jrBD6rikf9WYWqmmDhTJ5zxjl4-00M">Flac Size: 474 MB</a></b><br /><span style="font-size: large;"><br /><b>LYRES - NOBODY BUT LYRES EP 1992</b></span><br /> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsYuzYzRnEOJfRKJrx1mPd0MQwtpA0_-YIRiEpXdbNVRRlf-uDfQb4NpuKd-b5_qZF06HKcu2SUDvIZPBQCO25U5by-RtuE9AtcZPA8Dbx9vaPmSCLmzhe6A39_2hCa8_PvCQneujC4KtVMkL83_KQh4dBwSVL-8K4zPQWoAyahjbJBF_7_qMpMnXQCdI/s800/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsYuzYzRnEOJfRKJrx1mPd0MQwtpA0_-YIRiEpXdbNVRRlf-uDfQb4NpuKd-b5_qZF06HKcu2SUDvIZPBQCO25U5by-RtuE9AtcZPA8Dbx9vaPmSCLmzhe6A39_2hCa8_PvCQneujC4KtVMkL83_KQh4dBwSVL-8K4zPQWoAyahjbJBF_7_qMpMnXQCdI/w400-h400/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Front%20Cover.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><b>Lyres – Nobody But Lyres</b><br /><b>Label: Taang! Records – T-58, Taang! Records – TAANG! 58</b><br /><b>Format: CD, EP</b><br /><b>Country: US</b><br /><b>Released: 1992</b><br /><b>Genre: Rock</b><br /><b>Style: Rock & Roll, Garage Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3X11biip1Ubx9luQl4Eo0LJYgmfnYhrR4teRqWBQFlNDYtVxHNfWJVPDb-YgTztA6kop0cbfxA5kNg__8-OWkK_ujpomm5Z6QPhr75wYGkRgZBk2bJC0l55jzg5GcPrt9VW-ub3Qn5VDcnU241Hz6kf2B-FolOCEn_2rxEUMYF4U7SuHMI8buS0Zal_8/s800/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="800" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3X11biip1Ubx9luQl4Eo0LJYgmfnYhrR4teRqWBQFlNDYtVxHNfWJVPDb-YgTztA6kop0cbfxA5kNg__8-OWkK_ujpomm5Z6QPhr75wYGkRgZBk2bJC0l55jzg5GcPrt9VW-ub3Qn5VDcnU241Hz6kf2B-FolOCEn_2rxEUMYF4U7SuHMI8buS0Zal_8/w400-h309/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Nobody But Me<br />Written-By – R. Isley<br /><b>02.</b> How Can I Make Her Mine<br />Written-By – Stedman<br /><b>03.</b> Happy Now<br />Written-By – Johann<br /><b>04. </b>Here's A Heart<br />Featuring – Stiv Bators<br />Written-By – L. Regal, P. Tubbs<br /><b>05. </b>Baby<br />Written-By – S. Welkon<br /><b>06. </b>We Sell Soul<br />Written-By – E. Schwartze, Roky Erikson<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4RbyFifoeuy-aRRyKjKDZHplOIXnN54AxOyO6mWj0iL-LWxFLFp73R0u15RS5iKNQMPFS228QN5YYrOvIGDXMDnzeekR0fzXpll6DfQpf9UW0TLfFe_MWOfcAfd6uJkbEWvRviHyA6Haw7cQ_45EqjKS6klTVxALrdb33P6stEAPisdJ9eYsYCI4i6vo/s800/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="398" data-original-width="800" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4RbyFifoeuy-aRRyKjKDZHplOIXnN54AxOyO6mWj0iL-LWxFLFp73R0u15RS5iKNQMPFS228QN5YYrOvIGDXMDnzeekR0fzXpll6DfQpf9UW0TLfFe_MWOfcAfd6uJkbEWvRviHyA6Haw7cQ_45EqjKS6klTVxALrdb33P6stEAPisdJ9eYsYCI4i6vo/w400-h199/Lyres%20-%201992%20-%20Nobody%20But%20Lyres%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /></div><div style="text-align: center;">Bass, Backing Vocals – <b>Rick Coraccio</b><br />Drums – <b>Paul Murphy </b><br />Guitar, Backing Vocals – <b>Richard Carmel Jr.</b><br />Harmonica –<b> Jack Hickey</b><br />Vocals, Keyboards, Tambourine –<b> Jeff Conolly</b><br /></div><div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />CD label reads "ATTENTION: THERE ARE SOME TEXT CORRECTIONS WE'D LIKE TO MAKE YOU AWARE OF - Mr. Harte's first name is Rick (not Ric)<br />"How Can I Make Her Mine, "We Sell Soul" and "Here's a Heart" are licensed from Ace of Hearts<br />The proper title of the third track is "But if Your Happy" (not Happy Now)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/TIYRVISK#X39vAPsbZY8EvGWGKPlhrpXXer1HTgrk5zFSNQPOKzY">Flac Size: 131 MB</a><br /><br /><span style="font-size: large;">LYRES - 1993 - HAPPY NOW</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEUfBIR1qfbumCRs2pZUaQW2MzRD6H8j99NGtg7HJ5LmgAw4GLjDp7RE9EQzRNzXfnwJKwFN3dkLvJF7JpX20PSKm3oafLZKohYXL1JBzVKBF3834w-4YYw14QB5gsBU-VqpJVHpDfTc5qb0yS5tfQ5w7UwSUx4wPyrOq0azphGjj1pax_NXAtxKvFus/s800/Lyres%20-%201993%20-%20Happy%20Now%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSEUfBIR1qfbumCRs2pZUaQW2MzRD6H8j99NGtg7HJ5LmgAw4GLjDp7RE9EQzRNzXfnwJKwFN3dkLvJF7JpX20PSKm3oafLZKohYXL1JBzVKBF3834w-4YYw14QB5gsBU-VqpJVHpDfTc5qb0yS5tfQ5w7UwSUx4wPyrOq0azphGjj1pax_NXAtxKvFus/w400-h400/Lyres%20-%201993%20-%20Happy%20Now%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b><div style="text-align: center;"><b>Lyres – Happy Now...</b><br /><b>Label: Taang! Records – TAANG! 66</b><br /><b>Format: CD, Album</b><br /><b>Country: US</b><br /><b>Released: 1993</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock</b><br /><br /><b><span style="font-size: large;">TRAXS</span></b><br /></div></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiiWpu2y1kBjMWCJDNs1BvfpULzkbi3ZOGhQbKo7pkBVq6vs3oS-vqUgNfAufeiNDrHhuIYs_npt-JUn0zuXpenvAF0gKLVj4sINvPEBBw7-OaHFAHnZJK4iyMvar9eQ5zyypDrX427yZIZqARumSEtgbXLdDrUnLNKFQ29B8MFEweBsGJ-ER0im51cpo/s800/Lyres%20-%201993%20-%20Happy%20Now%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="800" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiiWpu2y1kBjMWCJDNs1BvfpULzkbi3ZOGhQbKo7pkBVq6vs3oS-vqUgNfAufeiNDrHhuIYs_npt-JUn0zuXpenvAF0gKLVj4sINvPEBBw7-OaHFAHnZJK4iyMvar9eQ5zyypDrX427yZIZqARumSEtgbXLdDrUnLNKFQ29B8MFEweBsGJ-ER0im51cpo/w400-h306/Lyres%20-%201993%20-%20Happy%20Now%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Baby (I Still Need Your Lovin) (Written-By – S. Welkom) 3:15<br /><b>02. </b>But If You're Happy (Written-By – Johann) 2:35<br /><b>03.</b> Never Be Free (Written-By – D. Malloy) 2:07<br /><b>04. </b>I'll Make It Up To You (Written-By – Randy Hall) 2:32<br /><b>05.</b> Pain (Written-By – Musil, Kelsey) 4:10<br /><b>06. </b>Now I've Got A Witness (Written-By – Nanker-Phelge) 3:33<br /><b>07.</b> Nobody But Me (Written-By – R. Isley) 3:12<br /><b>08. </b>Stoned (Written-By – Nanker-Phelge) 2:59<br /><b>09.</b> I Ain't Going Nowhere (Written-By – Jeff Conolly) 3:28<br /><b>10. </b>100 cc's (Bootleg Version) (Written-By – Jeff Conolly) 2:17<br /><b>11.</b> Take A Look At Me (Written-By – Robert Holden, Jr.) 2:55<br /><b>12.</b> I Can Tell (Written-By – McDaniel, Smith) 2:54<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkoINZGHqXyvZkvbKOnwW1p9e_P76PyQ6PaVMQdsygtLtrIt2msTAs6y5P2wQ4BWJ5XO0hxCNiagj7c-OSaTgZB1o4aqIXz1iNQuRSQ9t7U0zT5J48-wdLdl1v6ICqxrZIhdJScplrfRXZn_FzN_6o_xIWyRz_cKQ3QhBDTYSrZN17MN4K3Ta9LSqHHO4/s1182/Lyres%20-%201993%20-%20Happy%20Now%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1182" data-original-width="590" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkoINZGHqXyvZkvbKOnwW1p9e_P76PyQ6PaVMQdsygtLtrIt2msTAs6y5P2wQ4BWJ5XO0hxCNiagj7c-OSaTgZB1o4aqIXz1iNQuRSQ9t7U0zT5J48-wdLdl1v6ICqxrZIhdJScplrfRXZn_FzN_6o_xIWyRz_cKQ3QhBDTYSrZN17MN4K3Ta9LSqHHO4/w200-h400/Lyres%20-%201993%20-%20Happy%20Now%20-%20Inside%20Cover%201.jpg" width="200" /></a></div><br /></div><div style="text-align: center;">Bass – <b>Rick Coraccio</b><br />Drums – <b>Paul Murphy </b><br />Guitar – <b>Richard Carmel Jr.</b><br />Harmonica – <b>Jack Hickey</b><br />Vocals, Keyboards, Tambourine – <b>Jeff Conolly</b><br /></div><div><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/6U4HnQIT#Tmalq_pFNSip3ihpzRvf7B6Et5m3D6e00Ct2EiCaH6M">Flac Size: 234 MB</a></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com6tag:blogger.com,1999:blog-8270002232971427483.post-78449324889405561202024-02-26T09:43:00.000+02:002024-02-26T09:43:49.075+02:00Various - Mojo Presents - Acid Drops, Spacedust And Flying Saucers - Psychedelic Confectionary From The UK Underground 1965 - 1969 (2001)<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmWF6MPYFymB5MKBjLU19dKLug4va8LoqrA4KVGL1Y4NtW0527d_a1DrQe3pRmoLL9ZscLHJsdkmzUcVF2RwwZIlHFtAJBJ-7lYmC-pguvufztIFqR_HwUSQgC5IFew7hsmfP5-ySnwFII4xrNAndfubuAUI6qOdYnwvr4yB7gmO_cWoZA7D8UsVeXVxc/s800/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="798" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmWF6MPYFymB5MKBjLU19dKLug4va8LoqrA4KVGL1Y4NtW0527d_a1DrQe3pRmoLL9ZscLHJsdkmzUcVF2RwwZIlHFtAJBJ-7lYmC-pguvufztIFqR_HwUSQgC5IFew7hsmfP5-ySnwFII4xrNAndfubuAUI6qOdYnwvr4yB7gmO_cWoZA7D8UsVeXVxc/w400-h399/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Front%20Cover.jpg" width="400" /></a></div> <p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCtEpbTUiUfxZti1S9bPKqahwG8itNRtOCcKbcr0T0ZnDW8F0UEDq_ZHORvxcwTP1gU2SMIMeAMaIEI4FlLuoKtKhNRsSR_gNrifUkIGf_hPI4APNuK66gpEnohEAVb2qgIC_W9vry801O-NeVrz0ZT7MxQLhKvaKflRIcSCBPV336sqxIKCU_p_uVYac/s800/Syd%20Barrett.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="714" data-original-width="800" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCtEpbTUiUfxZti1S9bPKqahwG8itNRtOCcKbcr0T0ZnDW8F0UEDq_ZHORvxcwTP1gU2SMIMeAMaIEI4FlLuoKtKhNRsSR_gNrifUkIGf_hPI4APNuK66gpEnohEAVb2qgIC_W9vry801O-NeVrz0ZT7MxQLhKvaKflRIcSCBPV336sqxIKCU_p_uVYac/s320/Syd%20Barrett.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">SYD BARRETT</span></b><br /></td></tr></tbody></table><br />Just when you thought the mine of obscure 60's British psychedlia had been stripped, MOJO magazine's merry music geeks have gleefully assembled one of the best collections of the genre. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibr0cyfeohb4NE4po-iqRQg1WwbnLLIgHTQ1QTfkEoMJS7yfdEDoQ1IUtDYdd8jSgeFMKOP0NbiOPjKqBHJ4t-p0bYQnV4Ax3cJdTZQ043oV1g3eh_NYhNOdzKdHUlOAUCtlqz8mNCAPaT_PC2ZG00U2by8vYprnXZuvLot-pknx25NZH9a8m8zYXvlJw/s475/Yardbirds.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="475" data-original-width="338" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibr0cyfeohb4NE4po-iqRQg1WwbnLLIgHTQ1QTfkEoMJS7yfdEDoQ1IUtDYdd8jSgeFMKOP0NbiOPjKqBHJ4t-p0bYQnV4Ax3cJdTZQ043oV1g3eh_NYhNOdzKdHUlOAUCtlqz8mNCAPaT_PC2ZG00U2by8vYprnXZuvLot-pknx25NZH9a8m8zYXvlJw/s320/Yardbirds.jpg" width="228" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE YARDBIRDS</span></b><br /></td></tr></tbody></table><br />Amazingly, only a relative handful of selections cross over with Rhino's recent and similar "Nuggets II" box--so if you're a hardcore collector, it won't be too over-spendy to scoop up both. Sound quality is as good as you can expect, keeping in mind that 1) you are dealing with 1960's studio technology, and 2) many of these songs are so obscure that the only existing copies are probably on vinyl sources! <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0GzshVE6HkhLM_B_7mu8X4kaFLFJm_D4RgB8uD9rf78-G2gJHOJwrBfJtyxgoP85XATsPiTomjVODpcF5QaUKJwLYBiaxtcSq7X_Fhj3IK-NDMaXGRIpiQgTT6SYIe-kbHLgeYaDHXPvaoZCATM-gNMhmIv9079dsx8CHleBHtpUi9ek-qvE_hK2EA7k/s640/World%20of%20Oz.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="624" data-original-width="640" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0GzshVE6HkhLM_B_7mu8X4kaFLFJm_D4RgB8uD9rf78-G2gJHOJwrBfJtyxgoP85XATsPiTomjVODpcF5QaUKJwLYBiaxtcSq7X_Fhj3IK-NDMaXGRIpiQgTT6SYIe-kbHLgeYaDHXPvaoZCATM-gNMhmIv9079dsx8CHleBHtpUi9ek-qvE_hK2EA7k/s320/World%20of%20Oz.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">WORLD OF OZ</span></b><br /></td></tr></tbody></table><br />Wisely, MOJO does mix in some Who, Kinks, Animals, Yardbirds, etc., giving the collection a nice historical balance and context for the more casual music fan. A winner!<br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8D2IrsbsenS6TvXw02VB16piouA76yGsh3p68gz7-j7Ivvf7ZAznP8bkEyBT_VAMmU4dL7dcPkZO8fYCNKT77JD_Dg_PTYV8stYXPQhmNvOwrCEw4QBiLViKKtRV83YQVGqm6KQLSiSWV6HVpj2QB9mZ4MGjgBFyMTQtnX9k8e-QxGxAX1kgPtg4sez0/s800/The%20Nice.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="731" data-original-width="800" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8D2IrsbsenS6TvXw02VB16piouA76yGsh3p68gz7-j7Ivvf7ZAznP8bkEyBT_VAMmU4dL7dcPkZO8fYCNKT77JD_Dg_PTYV8stYXPQhmNvOwrCEw4QBiLViKKtRV83YQVGqm6KQLSiSWV6HVpj2QB9mZ4MGjgBFyMTQtnX9k8e-QxGxAX1kgPtg4sez0/s320/The%20Nice.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE NICE</span></b><br /></td></tr></tbody></table><br />Four CD set covering UK psychedelia from 1965-1969, compiled by Mojo writer Pat Gilbert. Includes one-hit wonders & psychedelic obscurities alongside acts such as The Who, The Move, The Kinks, Donovan, Hollies, The Small Faces & many more. 72 tracks in all. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64qPqKVd1Pip5UIWWrgbZ91h-dTchnrdPGlJH4KTtKbk03i5FpyM7Q7e2RxygTxOVctgmyMSx8WHCwh3ItAkFaaNz3o2SyrkMoHd6nOp66FtAtqYNSZwVKH-qXEpSR_hkT9R1VPOzy8Hg_aL1hVRMd-ZD3NQzSH26RoKTqxteUFIspDYGafNoDorZAQM/s1013/Spencer%20Davis%20Group.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="1013" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi64qPqKVd1Pip5UIWWrgbZ91h-dTchnrdPGlJH4KTtKbk03i5FpyM7Q7e2RxygTxOVctgmyMSx8WHCwh3ItAkFaaNz3o2SyrkMoHd6nOp66FtAtqYNSZwVKH-qXEpSR_hkT9R1VPOzy8Hg_aL1hVRMd-ZD3NQzSH26RoKTqxteUFIspDYGafNoDorZAQM/s320/Spencer%20Davis%20Group.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE SPENCER DAVIS GROUP</span></b><br /></td></tr></tbody></table><br />Although perhaps a little too similar to volume two of the highly regarded Nuggets series, Acid Drops, Spacedust, & Flying Saucers, compiled by the fine folks at Britain's (in fact, the world's) finest music magazine, Mojo, is the perfect introduction to the rise and fall of British psychedelia. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-U5LH_wMUNxVM-SZEbDdZ2ej97Qv3EyMZ57am3VE8KMfEHKtMx2RoXRBHJoNWBKSBZa1x8EmGG6pdc60HT3U0m5vwCLmzoOrMzhyphenhyphenP49lmuXlnfdVr5O_lakAdsXNXYp32anzUeWnt6qUbisbbDzsVRCgVqSMjsE4JxRBwQ03_tRTjRICvzVw_yKTGYAc/s926/Procol%20Harum.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="609" data-original-width="926" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-U5LH_wMUNxVM-SZEbDdZ2ej97Qv3EyMZ57am3VE8KMfEHKtMx2RoXRBHJoNWBKSBZa1x8EmGG6pdc60HT3U0m5vwCLmzoOrMzhyphenhyphenP49lmuXlnfdVr5O_lakAdsXNXYp32anzUeWnt6qUbisbbDzsVRCgVqSMjsE4JxRBwQ03_tRTjRICvzVw_yKTGYAc/s320/Procol%20Harum.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">PROCOL HARUM</span></b><br /></td></tr></tbody></table><br />Rather than chart the influence of British music on its surroundings and colonies (as done by Nuggets) Acid Drops takes an easier route. The Nuggets collection focused on all manner and strains of the old empire's R&B, freakbeat, mod, and psychedelic scenes, whilst Acid Drops dissects and inspects the solely British mutation from beat/pop (signified by the Kinks' quasi-raga "See My Friends") into full-blown psychedelia (from the most commercial to most underground of guises). <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT-MKE6CbSxPR0c9OMPp11YxtpMk7LqEdc2rq4pP0i2dNk5t0ayAkIQtHhS5rhCYYYGTotMdRN-XfIZhrta3RdlBIoRjZnHCRwEd4R5blivnYZWUj0QyrBZKwdOoCn2_Rns3vMNx27nWa_hzeR2PkmzFQBFJZu2OpuIwChCdH14D2ufXCH9De8YtzMwjE/s640/Pretty%20Things.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="391" data-original-width="640" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT-MKE6CbSxPR0c9OMPp11YxtpMk7LqEdc2rq4pP0i2dNk5t0ayAkIQtHhS5rhCYYYGTotMdRN-XfIZhrta3RdlBIoRjZnHCRwEd4R5blivnYZWUj0QyrBZKwdOoCn2_Rns3vMNx27nWa_hzeR2PkmzFQBFJZu2OpuIwChCdH14D2ufXCH9De8YtzMwjE/s320/Pretty%20Things.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE PRETTY THINGS</span></b><br /></td></tr></tbody></table><br />For the hardened collector and avid fanatic, Space Dust will bring few surprises. There's a hefty weight of British hits and a delve through the type of major-label material that missed the mark at the time but has since become legendary through contributor Phil Smee's '80s psychedelic compilation series, Rubbles, that anyone bitten by the bug will be familiar with. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgud8dfVMrPvAuYhP1Xp8VhmMP5qNdT250TQRmqWiHfCyZkhWR-2lzVKres6orgEOOLL_5XmeOYztVHTUa9WLyFZwdy2RsgEdEFXkHmeANDrBRoELT9WDYC93h0xybpVS6Ld17RoSSdxLg1U_RGnedezDUyNilrQWa-RikjLqYsZwNbLOo8ZpCWqU8bIGw/s768/The%20Who.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="514" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgud8dfVMrPvAuYhP1Xp8VhmMP5qNdT250TQRmqWiHfCyZkhWR-2lzVKres6orgEOOLL_5XmeOYztVHTUa9WLyFZwdy2RsgEdEFXkHmeANDrBRoELT9WDYC93h0xybpVS6Ld17RoSSdxLg1U_RGnedezDUyNilrQWa-RikjLqYsZwNbLOo8ZpCWqU8bIGw/s320/The%20Who.jpg" width="214" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE WHO</span></b><br /></td></tr></tbody></table><br />What will make purchase of this -- it must be said, rather cheaply packaged box -- essential is the superior sound quality (all tracks have been remastered at Abbey Road) and the interesting liner booklet, which if not a little skimpy, features a superb essay in which Jon Savage chronicles the evolution and devolution of British music's most quirky, imaginative, and brief of genres.<br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrViRYnx6tPHoD-8ixQFcCbskgqE1gtEgQI9YPeqnX_2e-vhiEWdTCEcRqPZhdyeaarkPq4hNPUbmOe9QJcLMkN71e4Q6MK-OqbpgWnB1f_kqxy8mKjlJgMC3lTJMlOHiz5L6Q1_3aToIYAqx6qR8amLHcprwQVRDornEUm-BJEnz3jOEbIDgBH-Xk3Pg/s903/Kinks.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="595" data-original-width="903" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrViRYnx6tPHoD-8ixQFcCbskgqE1gtEgQI9YPeqnX_2e-vhiEWdTCEcRqPZhdyeaarkPq4hNPUbmOe9QJcLMkN71e4Q6MK-OqbpgWnB1f_kqxy8mKjlJgMC3lTJMlOHiz5L6Q1_3aToIYAqx6qR8amLHcprwQVRDornEUm-BJEnz3jOEbIDgBH-Xk3Pg/s320/Kinks.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE KINKS</span></b><br /></td></tr></tbody></table><br />Alongside the short running time (why the hell have EMI held back to only 18 tracks per CD, whilst Rhino made the effort to fill their Nuggets set to spilling point?) and minor quips, like the edited beginning of the Smoke's tremolo-infused classic "My Friend Jack" and the inclusion of the pretty much non-psychedelic "Granny Takes a Trip" by jug band the Purple Gang, this is still a very decent set which takes into account the different sides of U.K. psych. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj4RfX9qj63xhNqlRPGPawoR-j7RJylTxeC20m-VXn9r5mckdmbaE5VuC6vexYHaaQwofTj_URPJ4ESXpNX3UeewkN4Qpgeew6TS4V7fp7NketRwL_33NMqVK4mnSvrACD528HrJh9PebYABLCPgPNMU7v1oaGQ7nJyZ7tSOaZQ4J8iVFquuJWzE0uhEY/s643/Incredible%20String%20Band.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="643" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj4RfX9qj63xhNqlRPGPawoR-j7RJylTxeC20m-VXn9r5mckdmbaE5VuC6vexYHaaQwofTj_URPJ4ESXpNX3UeewkN4Qpgeew6TS4V7fp7NketRwL_33NMqVK4mnSvrACD528HrJh9PebYABLCPgPNMU7v1oaGQ7nJyZ7tSOaZQ4J8iVFquuJWzE0uhEY/s320/Incredible%20String%20Band.jpg" width="319" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">THE INCREDIBLE STRING BAND</span></b><br /></td></tr></tbody></table><br />And as said, although rather preliminary for those seeking new thrills, this holds the very essence of the cause and effect the genre had on the changing face of the British music scene from 1965-1969. Practically none of this music has aged badly, and for some reason, however pompous and ridiculous a lot is, it still sounds as invigorating as the day it was recorded. Timeless. ~ Jon 'Mojo' Mills, <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyhbvoVcAMEZhb1YZTbhuGK4cfgEXp1GaDAX8IPombfVEUoLWzq5qE-3l5AtWO3U05_5YppQno-InU5RaUJ4dBEggf_UNfbnGyDcxKq54jEsrvzqVpIvCWLH1eYnMqtedMU_PXLTK5TFn-w5YzlpIgnUEXZvpwtROaxG8SsYW08OKI2_ljVVMM54_rR7g/s800/Hollies.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyhbvoVcAMEZhb1YZTbhuGK4cfgEXp1GaDAX8IPombfVEUoLWzq5qE-3l5AtWO3U05_5YppQno-InU5RaUJ4dBEggf_UNfbnGyDcxKq54jEsrvzqVpIvCWLH1eYnMqtedMU_PXLTK5TFn-w5YzlpIgnUEXZvpwtROaxG8SsYW08OKI2_ljVVMM54_rR7g/s320/Hollies.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">HOLLIES</span></b></td></tr></tbody></table><br />One of the great things about 1960s music is that there were so many wonderful tracks may not have been huge hits but remain worthy of a listen even now in the 21t century. The advent of the CD has meant that so many wonderful sounds that disappeared for years are now available again, opening up the archives for bands who many had forgotten or never knew in the first place. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW3bazPqJukpY_TWj1B64gTzmYcEQGfeOGPMppfexv8IMtN7AFi5O7xu4x8zPYPtmbyTtadFJ9eSfbHWitYUHG-AxJ8laAgOP7xn0CDlRzQB504MJ9TGHR0u9r_7ypekDoHGVP2I8_62g9poRaEXLchEBieUkLCNl2rUKnB_Owl3k0lkn226TWl52URm8/s800/Eric%20Burdon%20&%20the%20Animals.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="724" data-original-width="800" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW3bazPqJukpY_TWj1B64gTzmYcEQGfeOGPMppfexv8IMtN7AFi5O7xu4x8zPYPtmbyTtadFJ9eSfbHWitYUHG-AxJ8laAgOP7xn0CDlRzQB504MJ9TGHR0u9r_7ypekDoHGVP2I8_62g9poRaEXLchEBieUkLCNl2rUKnB_Owl3k0lkn226TWl52URm8/s320/Eric%20Burdon%20&%20the%20Animals.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">ERIC BURDON & THE ANIMALS</span></b><br /></td></tr></tbody></table><br />This is like discovering rare gems. There are songs that certainly deserve a much wider audience and even artists who are well-known now making their first outings. Like the earlier Nuggetts II collection, Acid Drops, Spacedust & Flying Saucers is an absolute treasure trove of frequently less-known music.<br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfG5bu0qI5yiLcgW7Qh0-PY9tvnOcCmvY-gdigHTNusqOFNf0Neno0vSkyDRB4X3ufg_fRdYcemA6Z5ant63VyWK40ywwH7tiXm4gO1M9DGDRZzG7VbhRxCtQmibUOV3CyYcJqpQrOHkx8ml5PDPyUFVoZi30B4mhmeu3UkVetLPVgNB-HL1eKCuwmGA/s800/Donovan.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="576" data-original-width="800" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHfG5bu0qI5yiLcgW7Qh0-PY9tvnOcCmvY-gdigHTNusqOFNf0Neno0vSkyDRB4X3ufg_fRdYcemA6Z5ant63VyWK40ywwH7tiXm4gO1M9DGDRZzG7VbhRxCtQmibUOV3CyYcJqpQrOHkx8ml5PDPyUFVoZi30B4mhmeu3UkVetLPVgNB-HL1eKCuwmGA/s320/Donovan.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">DONOVAN</span></b></td></tr></tbody></table><br />Again like Nuggetts II, Acid Drops has a mix of well-known tracks, well-known artists and the blatently obscure. What they have in common is they bring back great music so everyone can listen again or for the first time even. <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzO1W1cvSvVe7devEvq6OjeXgkI7rr88BcDKLQ0Xgkon0j7sRGBdzsw5SN1XXWQaC92Wjt-4aPZRDtKFT5hCBLh8imMdW2tLE0HEW7K_mxBTuHBMuUlvrTHOhe5qcYjgPQ7bWEiSDk4IGSBPYsyCLXJQvNn5CmCRJPyit_7igFRDxlekuGk_TNiLnpCJw/s584/Barclay%20James%20Harvest.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="418" data-original-width="584" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzO1W1cvSvVe7devEvq6OjeXgkI7rr88BcDKLQ0Xgkon0j7sRGBdzsw5SN1XXWQaC92Wjt-4aPZRDtKFT5hCBLh8imMdW2tLE0HEW7K_mxBTuHBMuUlvrTHOhe5qcYjgPQ7bWEiSDk4IGSBPYsyCLXJQvNn5CmCRJPyit_7igFRDxlekuGk_TNiLnpCJw/s320/Barclay%20James%20Harvest.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">BARCLAY JAMES HARVEST</span></b><br /></td></tr></tbody></table><br />All in all, this collection may overlap with Nuggetts II for some tracks but it provides a large number of other tracks that are not available elsewhere. Essential for fans of late 1960s music.<br /> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8AC1pJRPd6ASj5vjexaN_J1jaYyqwQ4DywllLbAEg5E4pYKJJrTqNU91bdmTnmIzRiHppatZbtsDGIrU6urduKVHhq8bsJ11nh4Yj9n8EIJn5FquiKef0fEuqgJLoyOgafvWEAqhIYfPIXyUYXdPi_QL-9V2AfNP-7cZaQaLbVFk0_I_kFiFcCR80QRc/s800/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="786" data-original-width="800" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8AC1pJRPd6ASj5vjexaN_J1jaYyqwQ4DywllLbAEg5E4pYKJJrTqNU91bdmTnmIzRiHppatZbtsDGIrU6urduKVHhq8bsJ11nh4Yj9n8EIJn5FquiKef0fEuqgJLoyOgafvWEAqhIYfPIXyUYXdPi_QL-9V2AfNP-7cZaQaLbVFk0_I_kFiFcCR80QRc/w400-h393/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Various - Mojo Presents - Acid Drops, Spacedust And Flying Saucers - Psychedelic Confectionary From The UK Underground 1965 - 1969 (2001)<br />Label: EMI – 07243 5 35078 2 4, Universal – 07243 5 35078 2 4<br />Format: 4 x CD, Compilation Box Set<br />Country: UK<br />Released: 2001<br />Genre: Rock, Pop<br />Style: Garage Rock, Psychedelic Rock<br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBt1Iy7wVKnjzkQHg5SdQ2AGZn2vAHmUS8bjEU2Vb6tdht5U0XRxr4gMC-3zWAiYFTM9f37n4WFOvlVRlocbH1SuTbvOkLgqYs-sdJSIOHb2WzkwdmL0nNZok6DC8VPmC4vTwbvb_6VPfJJgjPG1z0TLel9BS6_GMcb1NFecV8SsmgcPaSg-Sq4EudLKQ/s800/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Back%20Inside%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="775" data-original-width="800" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBt1Iy7wVKnjzkQHg5SdQ2AGZn2vAHmUS8bjEU2Vb6tdht5U0XRxr4gMC-3zWAiYFTM9f37n4WFOvlVRlocbH1SuTbvOkLgqYs-sdJSIOHb2WzkwdmL0nNZok6DC8VPmC4vTwbvb_6VPfJJgjPG1z0TLel9BS6_GMcb1NFecV8SsmgcPaSg-Sq4EudLKQ/w400-h388/V.A%20-%202001%20-%20Mojo%20-%20Acid%20Drops%20-%20Back%20Inside%20Cover.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">DISC 1. DOWN TO MIDDLE EARTH</span></b><br /></div><div><p></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01PLtkRSp4V76y0MYo8YZ3Vq0HPKdPAuohNboxZrTBPg8bkfcik2Hww0E-bnHMkUD_4o5NRtsmIm26Fl_2cteWHwaWxNBgklCESv75LM52CnnCAuE3kp1wqB-hTLvEkuirlUOZSjm_EqQa3tzK1yp5k8Z3nDe0CYG9MUHeWrEPtSpi1WnATMTZsjg5Vo/s800/V.A%20-%202001%20-%20Mojo%20-%20CD%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01PLtkRSp4V76y0MYo8YZ3Vq0HPKdPAuohNboxZrTBPg8bkfcik2Hww0E-bnHMkUD_4o5NRtsmIm26Fl_2cteWHwaWxNBgklCESv75LM52CnnCAuE3kp1wqB-hTLvEkuirlUOZSjm_EqQa3tzK1yp5k8Z3nDe0CYG9MUHeWrEPtSpi1WnATMTZsjg5Vo/w400-h398/V.A%20-%202001%20-%20Mojo%20-%20CD%201.jpg" width="400" /></a></b></div><b> <br />01. McGough & McGear </b>- "So Much in Love" (4:02)<br /><b>02. Aquarian Age</b> - "10,000 Words in a Cardboard Box" (3:26)<br /><b>03. The Nice </b>- "Flower King of Flies" (3:18)<br /><b>04. Rupert's People </b>- "Dream on My Mind" (3:25)<br /><b>05. Shy Limbs</b> - "Reputation" (3:33)<br /><b>06. Tintern Abbey</b> - "Vacuum Cleaner" (3:06)<br /><b>07. The David </b>- "Light of Your Mind" (2:51)<br /><b>08. The Misunderstood </b>- "I Can Take You to the Sun" (3:40)<br /><b>09. Grapefruit</b> - "Dear Delilah" (2:28)<br /><b>10. Procol Harum </b>- "Shine on Brightly" (3:33)<br /><b>11. Bamboo Shoot </b>- "The Fox Has Gone to Ground" (2:52)<br /><b>12. The Who</b> - "Armenia City in the Sky" (3:13)<br /><b>13. Focus Three </b>- "10,000 Years Behind My Mind" (2:16)<br /><b>14. Timebox </b>- "Gone Is the Sad Man" (3:44)<br /><b>15. World of Oz</b> - "Peter's Birthday (Black and White Rainbows)" (2:55)<br /><b>16. The Tickle</b> - "Subway (Smokey Pokey World)" (2:42)<br /><b>17. Felius Andromeda </b>- "Meditations" (4:10)<br /><b>18. Warm Sounds </b>- "Nite Is a-Comin'" (3:01)<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/6MBQxYzQ#j3Tpf3zOJyMc8HiHn8kGkKOb9q9YQ10VoBa65pChLj4">Flac Size: 324 MB</a><br /><br /><span style="font-size: large;">DISC 2. GANDALF'S GARDEN </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb0YLnjoWHtX9arKIo1p4oC4u6_xoEo2phHi0IU2pKtRKQJPmRC-113Xn-uuAlSXO9zWvdPJN9sA6is0p2uUbR34Bhm9EdHmM6aUbgnj7yMR3OoKrXEUzIJI5hmerL00Z62_u00LlcaTlHaRvZOY2cV_62tuCpLouQrxn5ioH95S2FV8JK0IZl48gs1kc/s830/V.A%20-%202001%20-%20Mojo%20-%20CD%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="830" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb0YLnjoWHtX9arKIo1p4oC4u6_xoEo2phHi0IU2pKtRKQJPmRC-113Xn-uuAlSXO9zWvdPJN9sA6is0p2uUbR34Bhm9EdHmM6aUbgnj7yMR3OoKrXEUzIJI5hmerL00Z62_u00LlcaTlHaRvZOY2cV_62tuCpLouQrxn5ioH95S2FV8JK0IZl48gs1kc/w400-h398/V.A%20-%202001%20-%20Mojo%20-%20CD%202.jpg" width="400" /></a></div><br /><b>01. Kaleidoscope</b> - "Flight from Ashiya" (2:41)<br /><b>02. July </b>- "The Way" (4:15)<br /><b>03. Incredible String Band </b>- "Witches Hat" (2:34)<br /><b>04. Donovan </b>- "Celeste" (4:10)<br /><b>05. Ramases & Selket</b> - "Mind's Eye" (2:42)<br /><b>06. The End</b> - "Shades of Orange" (2:41)<br /><b>07. Virgin Sleep</b> - "Love" (2:25)<br /><b>08. Barclay James Harvest </b>- "Pools of Blue" (3:09)<br /><b>09. Tales of Justine</b> - "Monday Morning" (3:23)<br /><b>10. Billy Nicholls</b> - "Girl from New York" (3:19)<br /><b>11. The Accent</b> - "Red Sky at Night" (3:14)<br /><b>12. Mick Softley</b> - "Am I the Red One" (2:31)<br /><b>13. Orange Bicycle</b> - "Laura's Garden" (3:15)<br /><b>14. Caleb</b> - "Baby Your Phrasing Is Bad" (3:18)<br /><b>15. Amazing Friendly Apple</b> - "Magician" (3:23)<br /><b>16. Moles</b> - "We Are the Moles (Part 1)" (4:34)<br /><b>17. 23rd Turnoff </b>- "Michael Angelo" (2:25)<br /><b>18. Bill Fay</b> - "Screams in the Ears" (3:25)<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/OAQkELhD#pT3yZOwzpKOgamgF3KEzwpCoytI_zLyxS7yOVsf5xaE">Flac Size: 286 MB</a><br /><br /><span style="font-size: large;">DISC 3. MUSHROOM SOUP </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3h9iKwc1DZq0766H2vb00jK5bP86Rps0eaX29VjPLJLgk5-2qWnL1NgAjoCgNpvuQKQ3kM45ejnaghbaI4diSAtwGqdF8_etIrBT-EGVPiUH2mL0gJGYSwEKE7nFoxgHgpsh1z19PC6z1EfMjcT36PLB42kcxu79kl35pkbfChr_xmqmCzp5Eg_2yqD4/s802/V.A%20-%202001%20-%20Mojo%20-%20CD%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3h9iKwc1DZq0766H2vb00jK5bP86Rps0eaX29VjPLJLgk5-2qWnL1NgAjoCgNpvuQKQ3kM45ejnaghbaI4diSAtwGqdF8_etIrBT-EGVPiUH2mL0gJGYSwEKE7nFoxgHgpsh1z19PC6z1EfMjcT36PLB42kcxu79kl35pkbfChr_xmqmCzp5Eg_2yqD4/w399-h400/V.A%20-%202001%20-%20Mojo%20-%20CD%203.jpg" width="399" /></a></div><br /><b>01. Purple Gang</b> - "Granny Takes a Trip" (2:36)<br /><b>02. The Smoke</b> - "My Friend Jack" (3:07)<br /><b>03. Idle Race </b>- "Imposters in Life's Magazine" (2:18)<br /><b>04. Pretty Things </b>- "Talkin' About the Good Times" (3:44)<br /><b>05. Donovan </b>- "Hurdy Gurdy Man" (3:12)<br /><b>06. Spencer Davis Group</b> - "Time Seller" (2:52)<br /><b>07. Denny Laine</b> - "Say You Don't Mind" (3:10)<br /><b>08. The Move </b>- "I Can Hear the Grass Grow" (2:58)<br /><b>09. Kinks </b>- "See My Friend" (2:43)<br /><b>10. Peter Cook & Dudley Moore</b> - "The L.S. Bumble Bee" (2:45)<br /><b>11. Yardbirds</b> - "Happenings Ten Years Time Ago" (2:57)<br /><b>12. Small Faces</b> - "Green Circles" (2:42)<br /><b>13. Hollies</b> - "King Midas in Reverse" (3:08)<br /><b>14. David McWilliams </b>- "The Days of Pearly Spencer" (2:34)<br /><b>15. The Herd </b>- "From the Underworld" (3:19)<br /><b>16. Eric Burdon & the Animals </b>- "Sky Pilot" (7:38)<br /><b>17. Traffic</b> - "Paper Sun" (4:13)<br /><b>18. Simon Dupree & the Big Sound</b> - "Kites" (3:45)<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/yZZ3WZLY#slTYCCkuIWK7lb4l6jbF77rgkZmuh8RLPnt3kw0RdOQ">Flac Size: 334 MB</a><br /><br /><span style="font-size: large;">DISC 4. ROUNDHOUSE GHOSTS </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO440d4LeoqiK-3eFwJ-wX1JaGrbkPX07UDIjeEfEjZLsJTlrRZPPMTSp7yBZQ1Fq2PmaI8d6xRup8Ds8uyjbWk35ualtNKQ68zin1gyjNCW5jx6GI8aN1J0dDqFFx5W4bld5tRQdRTlvBwLbOzny1eiY4lZr2nA-dgRxOGlJEqsc402qnobsE9v387-4/s800/V.A%20-%202001%20-%20Mojo%20-%20CD%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO440d4LeoqiK-3eFwJ-wX1JaGrbkPX07UDIjeEfEjZLsJTlrRZPPMTSp7yBZQ1Fq2PmaI8d6xRup8Ds8uyjbWk35ualtNKQ68zin1gyjNCW5jx6GI8aN1J0dDqFFx5W4bld5tRQdRTlvBwLbOzny1eiY4lZr2nA-dgRxOGlJEqsc402qnobsE9v387-4/w400-h400/V.A%20-%202001%20-%20Mojo%20-%20CD%204.jpg" width="400" /></a></div><br /><b>01. The Attack</b> - "Colour of My Mind" (2:29)<br /><b>02. Allen Pound's Get Rich </b>- "Searchin' in the Wilderness" (3:19)<br /><b>03. Fire</b> - "Father's Name Was Dad" (2:33)<br /><b>04. Orange Machine</b> - "Dr. Crippen's Waiting Room" (3:03)<br /><b>05. Penny Peeps </b>- "Model Village" (2:54)<br /><b>06. Fairytale </b>- "Run and Hide" (2:31)<br /><b>07. Mandrake Paddle Steamer</b> - "Strange Walking Man" (3:13)<br /><b>08. Status Quo </b>- "When My Mind Is Not Alive" (2:49)<br /><b>09. Poets</b> - "In Your Tower" (2:32)<br /><b>10. Sands</b> - "Listen to the Sky" (3:46)<br /><b>11. Syd Barrett</b> - "Octopus" (3:46)<br /><b>12. Apple</b> - "Otherside" (3:18)<br /><b>13. Flies</b> - "I'm Not Your Stepping Stone" (2:41)<br /><b>14. Herbal Mixture</b> - "Machines" (2:04)<br /><b>15. Tomorrow</b> - "Revolution" (3:48)<br /><b>16. Sorrows </b>- "You Got What I Want" (2:00)<br /><b>17. Koobas </b>- "Royston Rose" (3:52)<br /><b>18. Sam Gopal's Dream</b> - "Escalator" (2:51)<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/Sc5xCAYT#3hA5xZ6wnPMEmJDOHmwwRNAZD-vfUu4TyEBFEUEL0Ho">Flac Size: 291 MB</a></b><br /></p><p><br /></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com8tag:blogger.com,1999:blog-8270002232971427483.post-85872751331474418512024-02-25T09:55:00.000+02:002024-02-25T09:55:41.663+02:00Tai Phong: Tai Phong 1975 + Last Flight 1979<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhby12m_2gnh0oXdYFXTnWpLlLmJ9iOU2ZBDYek1a-IOXxKkO3cnYq-ntUPBVD6PW94Stnptz_xFZcqXr2QA_9icQ0nidvMWD8VnTiM1O-v_nVs8xxTsyhCfJMepuLociGE9rUNkcdKhsZxJQmm2y-DfsHsTyft4aj0FtA9c5UZdD0azAAn7a8QShLghKk/s597/Tai%20Phong%20-%202014%20-%20Album%20Collection%201975-1976,%201979%20(Warner%20Music%20Japan%20Remastered)%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="595" data-original-width="597" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhby12m_2gnh0oXdYFXTnWpLlLmJ9iOU2ZBDYek1a-IOXxKkO3cnYq-ntUPBVD6PW94Stnptz_xFZcqXr2QA_9icQ0nidvMWD8VnTiM1O-v_nVs8xxTsyhCfJMepuLociGE9rUNkcdKhsZxJQmm2y-DfsHsTyft4aj0FtA9c5UZdD0azAAn7a8QShLghKk/w400-h399/Tai%20Phong%20-%202014%20-%20Album%20Collection%201975-1976,%201979%20(Warner%20Music%20Japan%20Remastered)%20-%20Front%20Cover.jpg" width="400" /></a></div> <p></p><p><b>First off, a French prog band led by Vietnamese twin brothers is already an eccentric </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0EYCU_-8LMm3qmT0xAjTxhSRpVKbi3aerjMyJ2WcV8qZbJIAk9Ce0nJtf1dApj5khWJ1MPpDXn0xAW3VvQKinI0kGS5TAzP4g4txX8iirL181ZPA9OM86INEBkNI73M7iQmUVnOhCR6UEhLUVy8r8yLe8YwG_W0tB_pGg7aO23msYoKS5LDGHAT6meEw/s1280/Logo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0EYCU_-8LMm3qmT0xAjTxhSRpVKbi3aerjMyJ2WcV8qZbJIAk9Ce0nJtf1dApj5khWJ1MPpDXn0xAW3VvQKinI0kGS5TAzP4g4txX8iirL181ZPA9OM86INEBkNI73M7iQmUVnOhCR6UEhLUVy8r8yLe8YwG_W0tB_pGg7aO23msYoKS5LDGHAT6meEw/s320/Logo.jpg" width="320" /></a></b></div><b><br />singularity,adding a soon to be infamous French pop/rock star (JJ Goldman- the parisian Springsteen) on guitars, </b>displaying a really deft use of various effects and technique, brilliant keyboard work and a solid bass/drum combination. <b>TAI PHONG means "Great wind" in Vietnamese.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK_9OjfKiaCtvpapuiRH6XTXnqzSmWxTPOWlAHkjFwerRaGXasvmT9fMfXzGtxStLUdJUwsJ-2WGB7jhmqXvtSCK_pqG1Qr2AKClEW6WYAj9U2JDYjBet2x_R_PVShfyloeB5h3fDcfw5DYinqSw0eyvH3ASMOccd03OG67xzW3ovJRi9iROOCbCAifsU/s1024/Tai%20Phong%20-%20Main%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="554" data-original-width="1024" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK_9OjfKiaCtvpapuiRH6XTXnqzSmWxTPOWlAHkjFwerRaGXasvmT9fMfXzGtxStLUdJUwsJ-2WGB7jhmqXvtSCK_pqG1Qr2AKClEW6WYAj9U2JDYjBet2x_R_PVShfyloeB5h3fDcfw5DYinqSw0eyvH3ASMOccd03OG67xzW3ovJRi9iROOCbCAifsU/w400-h216/Tai%20Phong%20-%20Main%20Cover.jpg" width="400" /></a></div><br />Taï Phong is a French progressive rock band formed by two Vietnamese brothers, Khanh Maï (guitar, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCXneYsKgr5YxNKQwkgDSkS3d1zKNAO6lhO-6UAH81B3ITOKEeumWrVL4Z1qmjC7laMuOkriuqJPMqcFhq2AtmK4GttmFn1a1wOS2JS3DE-w6ExnswG-BJMe6VbfYXmjj7QNGY8QZ4TbxKEJNFHtfCXNLbsj5yMFSN-pOjZCYaCB7hfmkCEodrj43eP_g/s991/Tai%20Phong%20-%20Art%203.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="991" data-original-width="736" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCXneYsKgr5YxNKQwkgDSkS3d1zKNAO6lhO-6UAH81B3ITOKEeumWrVL4Z1qmjC7laMuOkriuqJPMqcFhq2AtmK4GttmFn1a1wOS2JS3DE-w6ExnswG-BJMe6VbfYXmjj7QNGY8QZ4TbxKEJNFHtfCXNLbsj5yMFSN-pOjZCYaCB7hfmkCEodrj43eP_g/s320/Tai%20Phong%20-%20Art%203.jpg" width="238" /></a></div><br />voice) and Taï Sinh (bass, guitar, voice, keyboards), in 1975.They were joined by Jean-Alain Gardet (keyboards), Stephan Caussarieu (drums, percussion), and Jean-Jacques Goldman (guitar, voice, violin). They released three albums between 1975 and 1979: Taï Phong (1975), Windows (1976), and Last Flight (1979). "Sister Jane" (1975), the first single from their first album, was a radio hit.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp-iG95X2TUN-Wvb1KX395Q-odySD0sd7I1Hlq3wErxPsxSrmZSz3_BqvzRcUchsUvemXxkComgqlguBZEVyMeiMY0nKEeZaaTobfHfcYyHUC9GWSKoazuvqmq8iPRyfD21d0MPSH-eKBobSeh0Gt48wW-tD7ZhSEbrk5jg4G2eO9q3r_6d76DG9wNjUw/s800/Tai%20Phong%20-%20Photo%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="800" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp-iG95X2TUN-Wvb1KX395Q-odySD0sd7I1Hlq3wErxPsxSrmZSz3_BqvzRcUchsUvemXxkComgqlguBZEVyMeiMY0nKEeZaaTobfHfcYyHUC9GWSKoazuvqmq8iPRyfD21d0MPSH-eKBobSeh0Gt48wW-tD7ZhSEbrk5jg4G2eO9q3r_6d76DG9wNjUw/w400-h199/Tai%20Phong%20-%20Photo%209.jpg" width="400" /></a></div><br />The first incarnation came together in 1972, and included an American and a German (keep telling <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZsbzX5-uLNV8nx9RA_xvDNhDMLWCKufTBLEwqSzXpfRatCwnAdDspyrcfFHyc2iPPA5hibgNB_Plj1Cqrzc2SXi3e3mqAWkgj-uRTlGb4JKroeDXQcmVfmcWWWhGnExC2vsQKLw3H8BsIyUPoU2rkoTQlxUBk1biBMuZgavdrxFzjWNibd6rkBvxmlU/s1050/Tai%20Phong%20-%20Art%207.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZsbzX5-uLNV8nx9RA_xvDNhDMLWCKufTBLEwqSzXpfRatCwnAdDspyrcfFHyc2iPPA5hibgNB_Plj1Cqrzc2SXi3e3mqAWkgj-uRTlGb4JKroeDXQcmVfmcWWWhGnExC2vsQKLw3H8BsIyUPoU2rkoTQlxUBk1biBMuZgavdrxFzjWNibd6rkBvxmlU/s320/Tai%20Phong%20-%20Art%207.jpg" width="213" /></a></div><br />yourself this is a French band). They were in the process of recording, when contract disputes broke out. Because the brothers refused the terms (thus leaving them without a deal), the other two members left. Soon after, they would be replaced by keyboardist Jean Alain Gardet, and the now famous (or infamous) Jean-Jacques Goldman. Yes, he is the man responsible for several of Céline Dion's hits (does this mean that Céline is prog related? Say it ain't so).<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc1m-tnnrqv8Ld8Hebuh-RyAeJI63pwulqcJbfOEcv8K9eNbxPhK5-UhmlzrJorC05mYRIGD_ksLt6NRJbD4C5Re4cA_-7zqidbJ7bVxYF0zQMh6DcYpBMy4xL5PfWMd3guD31VJZFhyBN8ULh9QE2-QDqiO4q19jvAA8uwwqdHkz_-bCWjTLDiUEbhoM/s800/Tai%20Phong%20-%20Art%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="420" data-original-width="800" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc1m-tnnrqv8Ld8Hebuh-RyAeJI63pwulqcJbfOEcv8K9eNbxPhK5-UhmlzrJorC05mYRIGD_ksLt6NRJbD4C5Re4cA_-7zqidbJ7bVxYF0zQMh6DcYpBMy4xL5PfWMd3guD31VJZFhyBN8ULh9QE2-QDqiO4q19jvAA8uwwqdHkz_-bCWjTLDiUEbhoM/w400-h210/Tai%20Phong%20-%20Art%201.jpg" width="400" /></a></div><br />In 1973, they again entered the studio. However, more artistic disputes, and contract haggling, with <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie2_qzcuOfAO5Z23bemwEqaM_LUKvuMpoHoRwS1gMy04be5eDy1vVK44EYsf90fXUn0fiD4aF93kV6jY7Ly2u_ET65A2_FKzBH5GImgrDfm4IWSHRlU7pbLNGHlHmDWRrGdqCGNN39RSUo6OlFVIWs2lRqV6gJqtjmAVKtGCcW_EnSfLQPccecnPN4og0/s640/Tai%20Phong%20-%20Photo%202.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie2_qzcuOfAO5Z23bemwEqaM_LUKvuMpoHoRwS1gMy04be5eDy1vVK44EYsf90fXUn0fiD4aF93kV6jY7Ly2u_ET65A2_FKzBH5GImgrDfm4IWSHRlU7pbLNGHlHmDWRrGdqCGNN39RSUo6OlFVIWs2lRqV6gJqtjmAVKtGCcW_EnSfLQPccecnPN4og0/s320/Tai%20Phong%20-%20Photo%202.jpg" width="320" /></a></div><br />recording executives would keep them from releasing anything for the next couple of years. By 1974, they had a contract they could live with, but still needed a drummer. They chose 17 year-old Stéphan Caussarieu. The classic lineup of Taï Phong was now complete, and would remain intact for the first two albums. This was also a potent combination of talent and ego.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMtJuOuWMr9q4lJfPiDrhZARss5XL7GuwPRDmO9R-VHPbHnk68qi6_XA6QQdu5yMLvuCrLwuAJiqIvVM4w7zl0tpK8e2uX6IySpWWq3q-g2sBhhqTberKr0_nKFkMypb-I6ZdHTRkrJ1S3JSlN3YI6AQyi_RZuW_8sT2q4FaJY1jQwF2jvcBbzC_UgpUA/s800/Tai%20Phong%20-%20Photo%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="582" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMtJuOuWMr9q4lJfPiDrhZARss5XL7GuwPRDmO9R-VHPbHnk68qi6_XA6QQdu5yMLvuCrLwuAJiqIvVM4w7zl0tpK8e2uX6IySpWWq3q-g2sBhhqTberKr0_nKFkMypb-I6ZdHTRkrJ1S3JSlN3YI6AQyi_RZuW_8sT2q4FaJY1jQwF2jvcBbzC_UgpUA/w291-h400/Tai%20Phong%20-%20Photo%208.jpg" width="291" /></a></div><br />After the release of 1976's "Windows," some of the members branched out. Jean-Jacques dabbled in <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUaQyhG7tgZydQ8eCsycEHw3CLd4nrJydR7u8rzSgwEKgPlM3x3ZOe9k50YKraGHITwbO_AS_BuFvVw9zgA00mgn2CmZyIih292Y9o_e33XEdOICSUqaNJmtMVkuYJ-Smwj7j_30sReMpL5lm7Visjm6_cg45AG4jlU06KiFc8dEKImvB8LhX8CKCvM-s/s1017/Tai%20Phong%20-%20Art%205.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1017" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUaQyhG7tgZydQ8eCsycEHw3CLd4nrJydR7u8rzSgwEKgPlM3x3ZOe9k50YKraGHITwbO_AS_BuFvVw9zgA00mgn2CmZyIih292Y9o_e33XEdOICSUqaNJmtMVkuYJ-Smwj7j_30sReMpL5lm7Visjm6_cg45AG4jlU06KiFc8dEKImvB8LhX8CKCvM-s/s320/Tai%20Phong%20-%20Art%205.jpg" width="227" /></a></div><br />some solo work, and Gardet recorded an album with Alpha Ralpha. It is during this period that trouble started brewing. "Windows" did not sell very well, and the band spent all the money from the first album on a new sound system. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvphX88DKpC4a5rHtQ3D3_rRXbGJ388SIKmOmOdpSX0w8hlPwauO-lZm6rLqdV4Mlyz8WcYHjK1XvIW99YYWOWo8s96EFlv4RrY-MCUaBiYqBzD5xY2flCngUEYVIhIRYY-gh8WTqPlCt79gqFHOaw0_pl_bbuC8iSj2SMjIOyESeLsuCh_KIsGAenT8/s737/Tai%20Phong%20-%20Art%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCvphX88DKpC4a5rHtQ3D3_rRXbGJ388SIKmOmOdpSX0w8hlPwauO-lZm6rLqdV4Mlyz8WcYHjK1XvIW99YYWOWo8s96EFlv4RrY-MCUaBiYqBzD5xY2flCngUEYVIhIRYY-gh8WTqPlCt79gqFHOaw0_pl_bbuC8iSj2SMjIOyESeLsuCh_KIsGAenT8/w348-h400/Tai%20Phong%20-%20Art%209.jpg" width="348" /></a></div><br />Goldman did not wish to perform live, which was a serious problem considering his contribution to the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO9-pR50xyebMhRqxiR91ssj-JX5R3b12Iy9SZUg7x9wfhcztKDe6qHy-_t2h8t_W53x_E-_nrlGhfhB4bfcvoj2_qumgdRgUdXxqJpN6D5DRYA-YHrkTxhnsG1lsImnbFLY4c3Y8GwZhoEu363kKqEu8X2h_lgn5jynC1tgmlO_Z45lirLytRQrMulII/s550/Tai%20Phong%20-%20Art%206.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="550" data-original-width="366" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO9-pR50xyebMhRqxiR91ssj-JX5R3b12Iy9SZUg7x9wfhcztKDe6qHy-_t2h8t_W53x_E-_nrlGhfhB4bfcvoj2_qumgdRgUdXxqJpN6D5DRYA-YHrkTxhnsG1lsImnbFLY4c3Y8GwZhoEu363kKqEu8X2h_lgn5jynC1tgmlO_Z45lirLytRQrMulII/s320/Tai%20Phong%20-%20Art%206.jpg" width="213" /></a></div><br />band's sound. This disheartened Jean Alain, causing him to exit. The band went on tour in 1977 with bassist Michael Jones also taking over lead vocal, but it just wasn't working. They decided to cancel any remaining shows, and just concentrate on studio work. This is the moment when brother Taï left. After much turmoil, they released 1979's "Last Flight," but the magic was gone. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg3Gd845d6txQ3fnGOC7KCWS8ucQZJEkm-zUFvfLpoBDLfgbturjz_usiouALRaO9Brlv2VIRL4N93O5A1dyHu8G4kkct9JiY1FOqHs-wKwjgsVEqgn9dWojUBGDE9wPCZdk0DIdqvtl-wT92fMUemHfnLyt1H51bG6OeEpRD32ZWG8U8UB36wJ-VoCuI/s640/Tai%20Phong%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="640" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg3Gd845d6txQ3fnGOC7KCWS8ucQZJEkm-zUFvfLpoBDLfgbturjz_usiouALRaO9Brlv2VIRL4N93O5A1dyHu8G4kkct9JiY1FOqHs-wKwjgsVEqgn9dWojUBGDE9wPCZdk0DIdqvtl-wT92fMUemHfnLyt1H51bG6OeEpRD32ZWG8U8UB36wJ-VoCuI/w400-h280/Tai%20Phong%20-%20Photo%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TAI PHONG - TAI PHONG 1975 </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIRJ9BzDuZRwk00dhNvvRwccszlgDsxw60HILSjyKGD2xfsYMdKQt5iw5q6uIj4Pwq-NbsIcPwjk8dP5Wy1FMGACP8w8qhHb7ld8J7Ij2lsg9966_RjOED0xRGBbMF4vYbFNq8zdfkZKv3U4dDqvDCBfafcT2Nim3YdGGQXmHfbFAoWKEhyphenhyphenRiNrd9x8n4/s800/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIRJ9BzDuZRwk00dhNvvRwccszlgDsxw60HILSjyKGD2xfsYMdKQt5iw5q6uIj4Pwq-NbsIcPwjk8dP5Wy1FMGACP8w8qhHb7ld8J7Ij2lsg9966_RjOED0xRGBbMF4vYbFNq8zdfkZKv3U4dDqvDCBfafcT2Nim3YdGGQXmHfbFAoWKEhyphenhyphenRiNrd9x8n4/w400-h396/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The album also gave birth to a huge "slow" hit , played to death in nightclubs (not yet disco) a modern <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDUSMN_U_ZKs7sRCOyeRF3h9BDYMLw2GY46ixRxEdcYQcTYoICxEbJgHfHHc-J_gb3_AxbZwxPI4Yk1HRkxe040SEbN33OKyjoTgOklWVqFrORkgKiBKzZbNmn61wmjy9GfLVjjqngg5wA1QOuuC3aJrXYYS9YNFX3OzzPdFXxQ4Vp4d4Y2QXDmCYJVTE/s1024/Tai%20Phong%20-%20Art%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDUSMN_U_ZKs7sRCOyeRF3h9BDYMLw2GY46ixRxEdcYQcTYoICxEbJgHfHHc-J_gb3_AxbZwxPI4Yk1HRkxe040SEbN33OKyjoTgOklWVqFrORkgKiBKzZbNmn61wmjy9GfLVjjqngg5wA1QOuuC3aJrXYYS9YNFX3OzzPdFXxQ4Vp4d4Y2QXDmCYJVTE/s320/Tai%20Phong%20-%20Art%202.jpg" width="320" /></a></div><br />"Nights in White Satin" where young french girls got to get close and personal with young french boys on the dancefloor!!!<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2BaYtIq0VeAZHZvwZG_w06n9nZwvOvlfUuLadKxrBN7MDdrQUYSe7Pq-EMThLx0VpE2n3QIKewCkKx6UWSbKFqh9MM7g-uCzHA4lC6MP4jYqn1juRjM_vvtQQqg0BmEjSUwZW9COOK3tcAjwHoqaDD6RUtSAxK2otqjtfO0lkChUpAL09NuHQGSTBhsc/s800/tai%20Phong%20-%20Sister%20Jane.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2BaYtIq0VeAZHZvwZG_w06n9nZwvOvlfUuLadKxrBN7MDdrQUYSe7Pq-EMThLx0VpE2n3QIKewCkKx6UWSbKFqh9MM7g-uCzHA4lC6MP4jYqn1juRjM_vvtQQqg0BmEjSUwZW9COOK3tcAjwHoqaDD6RUtSAxK2otqjtfO0lkChUpAL09NuHQGSTBhsc/w400-h400/tai%20Phong%20-%20Sister%20Jane.jpg" width="400" /></a></div><br />This is the lightest moment on the disc and the commercial tidbit needed to sell the album, very <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPV_oPtIo6cB3-V4RJ_1l43GB_2mWjON8G1i6gOTEmA-93Q8BXCVOLmbBuU-x3Cb6CBvs5oRp29CyoqXQNT7I88MNnFrG0q9EF-MQwh3Oj49i1dQQ_9VP_pAzGNQ2dbZMekaVDmiEDjA7evoYXN504RwNWXtIL4HxTbDpuyzuroYamTDETrJkuTSsKVWg/s666/Tai%20Phong%20-%20Photo%207.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="666" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPV_oPtIo6cB3-V4RJ_1l43GB_2mWjON8G1i6gOTEmA-93Q8BXCVOLmbBuU-x3Cb6CBvs5oRp29CyoqXQNT7I88MNnFrG0q9EF-MQwh3Oj49i1dQQ_9VP_pAzGNQ2dbZMekaVDmiEDjA7evoYXN504RwNWXtIL4HxTbDpuyzuroYamTDETrJkuTSsKVWg/s320/Tai%20Phong%20-%20Photo%207.jpg" width="308" /></a></div><br />common in the corporate 70's anyway. The epic tracks are the focus of our attention: Years & Years and Field of Gold. My fave track is the 11 minute epic closer "Out of the Night" complete with thunderstorm, howling winds and highly evocative vocals.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVA5cT2o6McHTQIh2W3ExqIo0Y3l90Kvay2QB_-HEY_D75TmjrjKY02ZdVr1Kq5X4pmKgIQ803m0CZISRjrdDxHvL04wCEBhMXbMiW9xFlIy41aWvoTKWygrU73FAmAQGjGX2zZca0W1EsucywxAIE1-6UKv1fn0ClyaTqQ7rfaBpOejIOFZj7C65tgtw/s600/Tai%20Phong%20-%20Photo%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="402" data-original-width="600" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVA5cT2o6McHTQIh2W3ExqIo0Y3l90Kvay2QB_-HEY_D75TmjrjKY02ZdVr1Kq5X4pmKgIQ803m0CZISRjrdDxHvL04wCEBhMXbMiW9xFlIy41aWvoTKWygrU73FAmAQGjGX2zZca0W1EsucywxAIE1-6UKv1fn0ClyaTqQ7rfaBpOejIOFZj7C65tgtw/w400-h268/Tai%20Phong%20-%20Photo%204.jpg" width="400" /></a></div><br />Great instrumental work here on keys and a majestic, drawn out lead guitar solo ("not much interest to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNSffl5Zx_3kaGFx7tYcMGbREVxuHYG-d3jVf1tpiYE5jbq5uao1dOTpWLjUL9IjhbK4wrB279ZfVHmxCnbfWvyDgkPSuW-XAG72zpU0Hlioer4L8Qzgp6azHmDl1WvUcnnp1cAtKxOKg3Z65T41i9JwZdORblbd8PribOT7GJgo9eMwZVozeJWDm1sfI/s640/Tai%20Phong%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="345" data-original-width="640" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNSffl5Zx_3kaGFx7tYcMGbREVxuHYG-d3jVf1tpiYE5jbq5uao1dOTpWLjUL9IjhbK4wrB279ZfVHmxCnbfWvyDgkPSuW-XAG72zpU0Hlioer4L8Qzgp6azHmDl1WvUcnnp1cAtKxOKg3Z65T41i9JwZdORblbd8PribOT7GJgo9eMwZVozeJWDm1sfI/s320/Tai%20Phong%20-%20Photo%203.jpg" width="320" /></a></div><br />progheads" , says Sir Sean ?), with a dizzying upward crescendo to end the festivities. A definite winner , a precious oddity and a mesmerizing addition to any collection. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFwZP7jlBhE4YyHQ3Mbnx8gxnJa9fK3rP9AcwdcgXZRLP39Ru5VC0i48oEWAp0Z_PCVje7m_7x1KdngI5dPIRPkd8cfTodJDCOSZtWN2V37dXdjzIUjlZ0WemTGg3ecDLea7yUWMj38TXegbFVuvQINzCUztxD_Pr-Dm_pICx6H3Xe2aP-zXcrtG4X-sQ/s332/tai%20Phong%20-%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="286" data-original-width="332" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFwZP7jlBhE4YyHQ3Mbnx8gxnJa9fK3rP9AcwdcgXZRLP39Ru5VC0i48oEWAp0Z_PCVje7m_7x1KdngI5dPIRPkd8cfTodJDCOSZtWN2V37dXdjzIUjlZ0WemTGg3ecDLea7yUWMj38TXegbFVuvQINzCUztxD_Pr-Dm_pICx6H3Xe2aP-zXcrtG4X-sQ/w400-h345/tai%20Phong%20-%20Cover%201.jpg" width="400" /></a></div><br /><b>The mystery here is not why this album was not very popular, but why it is not highly regarded <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPOh_Tc-DCLO_ou4FDNMma0vAbZTSlOJQnubRVLiTYQUvFSUVHyT1NOUVXAgS9AFApIarIBg4lN5F2-18UZLFHqxU2LzzzUuckVmhtqiZ5Fq2jD4dy2YilM1NOvJHUw9KyQ3Nnkd5uevRztkynAHOWj5IXDn8dT0IlmFgVlwVygVwNHsZi7ksr6RgTMQg/s520/Tai%20Phong%20-%20Photo%2010.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="400" data-original-width="520" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPOh_Tc-DCLO_ou4FDNMma0vAbZTSlOJQnubRVLiTYQUvFSUVHyT1NOUVXAgS9AFApIarIBg4lN5F2-18UZLFHqxU2LzzzUuckVmhtqiZ5Fq2jD4dy2YilM1NOvJHUw9KyQ3Nnkd5uevRztkynAHOWj5IXDn8dT0IlmFgVlwVygVwNHsZi7ksr6RgTMQg/s320/Tai%20Phong%20-%20Photo%2010.jpg" width="320" /></a></div><br />among fans of the genre. This is truly a symphonic progressive masterwork, with plenty of good playing and writing.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuaEJAvHdztfSbEqvFe0UZ2rPDptxZOYxs0tovS2TIBMONajiVK0b7WOg_UzzghUA4obHl7N9G-CTWflecrBaThXWFoQ07ztdw_c_clsgeiGw1DCZsFJ_hSNszr7zMkwUiQn9LwgvNApSTGLwt0WpFJEsO_oRYxLa6p7GSWGpz8Zn2P0zh5_hlbGdGAdg/s1280/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Inside%20Cover%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="632" data-original-width="1280" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuaEJAvHdztfSbEqvFe0UZ2rPDptxZOYxs0tovS2TIBMONajiVK0b7WOg_UzzghUA4obHl7N9G-CTWflecrBaThXWFoQ07ztdw_c_clsgeiGw1DCZsFJ_hSNszr7zMkwUiQn9LwgvNApSTGLwt0WpFJEsO_oRYxLa6p7GSWGpz8Zn2P0zh5_hlbGdGAdg/w400-h198/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Inside%20Cover%202.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Taï Phong – Taï Phong<br />Label: Wea Music – 4509-96264-2<br />Format: CD, Album, Reissue<br />Country: France<br />Released: 1975<br />Genre: Rock<br />Style: Prog Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOeEAYvYU_VR7w02RiQOR7BSE3Xk1SFI0YVPSmtcWANAPUN2B1leTiv0ydJyFNyEdml5SRGUC3tBkn-NzQW4J6okt22MP4UlqIzvUDR4sZ7o4QyWq953G0sMtb3i9l_7rZvCkUchAA-eo6ofZIbz6T79DYdMqdFWuNG0m4mXresK0Fvd8QoIOAmI1F_Ec/s800/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="800" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOeEAYvYU_VR7w02RiQOR7BSE3Xk1SFI0YVPSmtcWANAPUN2B1leTiv0ydJyFNyEdml5SRGUC3tBkn-NzQW4J6okt22MP4UlqIzvUDR4sZ7o4QyWq953G0sMtb3i9l_7rZvCkUchAA-eo6ofZIbz6T79DYdMqdFWuNG0m4mXresK0Fvd8QoIOAmI1F_Ec/w400-h309/Tai%20Phong%20-%201975%20-%20Tai%20Phong%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Goin' Away 5:44<br /><b>02.</b> Sister Jane 4:05<br /><b>03.</b> Crest 3:28<br /><b>04.</b> For Years And Years (Cathy) 8:32<br /><b>05. </b>Fields Of Gold 7:39<br /><b>06.</b> Out Of The Night 11:37<br /><br /><p></p><p style="text-align: center;"><b>Total Time: 50:19<br /><br /><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br /><b>Jean-Jacques Goldman</b> / electric & acoustic guitars, violin, vocals<br /><b>Khanh Mai </b>/ electric, acoustic & slide guitars, vocals<br /><b>Jean-Alain Gardet </b>/ piano, organ, Moog, keyboards<br /><b>Tai Sihn</b> / bass, acoustic guitar, Moog, vocals<br /><b>Stephan Caussarieu</b> / drums, percussion<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/nJQGlDJD#Nv_Q6wrI0Bxbk24PYcYxxKkE_TU16bHWYZU1b2MpHXk">Flac Size: 336 MB</a><br /><br /><span style="font-size: large;">TAI PHONG - WINDOWS 1976<br /></span></b></p><p><b><span style="font-size: large;"> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLT0sBrgJ7uUBPCXpYX7-v5P8RJv-iHZoFDk0NQq3rMc7iMKKjGEsdYGrzeFfGL_LIjiHpBe1KQAN0PpfHIQ6zpT3z5spof58qvwoj5mhdW8tkeMlXJMNVEApvRDRePIPCL2d_hpaWOIY1NBoxcJlO427I9tz1pw1__fHRPOEM2C3QT_42n59ILp_1hyphenhyphenw/s800/Tai%20Phong%20-%201976%20-%20Windows%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLT0sBrgJ7uUBPCXpYX7-v5P8RJv-iHZoFDk0NQq3rMc7iMKKjGEsdYGrzeFfGL_LIjiHpBe1KQAN0PpfHIQ6zpT3z5spof58qvwoj5mhdW8tkeMlXJMNVEApvRDRePIPCL2d_hpaWOIY1NBoxcJlO427I9tz1pw1__fHRPOEM2C3QT_42n59ILp_1hyphenhyphenw/w400-h396/Tai%20Phong%20-%201976%20-%20Windows%20-%20Front%20Cover.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNUn-InVuWi9ICI4BP4iYiyJB0fzEK8TjMVcmqCcfKuSjEqsRK2rf2u0D4Wo1_b-MOZNOgYuoMGype4vp3mafw7UuyEOFwWPe8a0gvLEooPTY8iJ54NSLLpPXAksCo03NOvGaPLXDSrE_I64bXmlQb-JPNnZijRxX-zcF2QEF0PXMSmL1yJsAEwmOWPs4/s800/Tai%20Phong%20-%20Windows%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNUn-InVuWi9ICI4BP4iYiyJB0fzEK8TjMVcmqCcfKuSjEqsRK2rf2u0D4Wo1_b-MOZNOgYuoMGype4vp3mafw7UuyEOFwWPe8a0gvLEooPTY8iJ54NSLLpPXAksCo03NOvGaPLXDSrE_I64bXmlQb-JPNnZijRxX-zcF2QEF0PXMSmL1yJsAEwmOWPs4/w400-h400/Tai%20Phong%20-%20Windows%20Back%20Cover.jpg" width="400" /></a></div><br /><br /><b>01. </b>When It's The Season<br /><b>02.</b> Games<br /><b>03.</b> St. John's Avenue<br /><b>04. </b>Circle<br /><b>05.</b> Last Chance<br /><b>06. </b>The Gulf Of Knowledge<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS </span></b> <br /></p><p> <br /><b>07.</b> Dance<br /><b>08. </b>Back Again<br /><b>09.</b> Cherry<br /><br /></p><p style="text-align: center;"><b>Tai Phong: Windows on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/Tai%20Phong">HERE</a><br /><br /><span style="font-size: large;">TAI PHONG - LAST FLIGHT 1979</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnX9zOtm2kTLdrCYZuaWf4pgskR1Cexsay8TDoX2aNZr7mj3RzaipUe1P-C_0UOYY9pGMB-3yTz8pxff3EczaooFLXsr682z_u6jJ9-7GvQUizc75c60E80duUPMAsZhunvRhlblj2TpHAuq6pGTdt_Ks5PC0xUBYTFf6hV0-FrJnD8HXgz0JTwuFbpb0/s2138/Tai%20Phong%20-%201979%20-%20Last%20Flight%20-%20Front%20Cover%20(Big).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2116" data-original-width="2138" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnX9zOtm2kTLdrCYZuaWf4pgskR1Cexsay8TDoX2aNZr7mj3RzaipUe1P-C_0UOYY9pGMB-3yTz8pxff3EczaooFLXsr682z_u6jJ9-7GvQUizc75c60E80duUPMAsZhunvRhlblj2TpHAuq6pGTdt_Ks5PC0xUBYTFf6hV0-FrJnD8HXgz0JTwuFbpb0/w400-h396/Tai%20Phong%20-%201979%20-%20Last%20Flight%20-%20Front%20Cover%20(Big).jpg" width="400" /></a></div><br />"Flight" is TAÏ PHONG's 3rd album from 1977 and was aply titled as it was the last album recorded by <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc-c0AxPq9s-Q101GUbereel4VFoyzI959hdjj_FzhMC2tFFW_N7KqFZro_1jaK03szRV0gCWYaAx5C89BWOnDEvDJtzj5vMvFMStEBiIIU4Q8OrRchi5LNih9t5RzqkS9LZAQfkrrpOXwbtY-4lBrI4FWnIZcZngJtHI69chkH-eU6fg0U8tYAUKQx2Y/s672/Tai%20Phong%20-%20Photo%205.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="672" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc-c0AxPq9s-Q101GUbereel4VFoyzI959hdjj_FzhMC2tFFW_N7KqFZro_1jaK03szRV0gCWYaAx5C89BWOnDEvDJtzj5vMvFMStEBiIIU4Q8OrRchi5LNih9t5RzqkS9LZAQfkrrpOXwbtY-4lBrI4FWnIZcZngJtHI69chkH-eU6fg0U8tYAUKQx2Y/s320/Tai%20Phong%20-%20Photo%205.jpg" width="320" /></a></div><br />this original band. Although I suppose you would say that this album is definitely more accessible than their first two brilliant albums, "Last Flight" also shines in its own light. Gone is the obvious "YES" and "PINK FLOYD" allusions, but is replaced with more of a Canterbury feel (aka CARAVAN) and AOR Prog (aka 10CC). <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrrESepEhJeRglxMvPt2mGIjvAz2ohxXPAakxvOYQ-yZeqqILaY2ctnBO8FU2-OIPBQkh5W24ItQEYZzY9FIv9TXPn4bL-N0byz_WEu2xvdzAtEfLckkLxOFMcDs2F2QX0lq9t9MR68et0mGrk2G1n69_EFxFDgjvsVdSxPYxrLD5lbvH2yCbshENkik/s640/Tai%20Phong%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwrrESepEhJeRglxMvPt2mGIjvAz2ohxXPAakxvOYQ-yZeqqILaY2ctnBO8FU2-OIPBQkh5W24ItQEYZzY9FIv9TXPn4bL-N0byz_WEu2xvdzAtEfLckkLxOFMcDs2F2QX0lq9t9MR68et0mGrk2G1n69_EFxFDgjvsVdSxPYxrLD5lbvH2yCbshENkik/w400-h400/Tai%20Phong%20-%20Photo%206.jpg" width="400" /></a></div><br />It is really sad that these guys did not really become as big as was their music and all the TAÏ PHONG <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DtLY65JbqnXOPS4MkazOvFGIvZy4cCnt79FI5_75AATIEMmnqeqN5-TuUWU1dh08ywPJmEO5QC_QXofkIN8FKQo_M5jWwJuLACthkYPWqDH9I8YCcNFLeEQaBMhH9UX45m8OvS1y1c7RgG2u6o_i8ZF8nM1ByohgYOLILbOM9AzpxkQmehYjk03zm1A/s1347/Tai%20Phong%20-%20Art%204.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1347" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4DtLY65JbqnXOPS4MkazOvFGIvZy4cCnt79FI5_75AATIEMmnqeqN5-TuUWU1dh08ywPJmEO5QC_QXofkIN8FKQo_M5jWwJuLACthkYPWqDH9I8YCcNFLeEQaBMhH9UX45m8OvS1y1c7RgG2u6o_i8ZF8nM1ByohgYOLILbOM9AzpxkQmehYjk03zm1A/s320/Tai%20Phong%20-%20Art%204.jpg" width="152" /></a></div><br />albums are fantatsic and unique in color and texture. 2 longer songs on this album are very recognizeable as "Tai Phong" "Last Flight" and "Farewell Gig In Amsterdam" which are given lots of room to be explored and carry a very classic progressive feel to them. Overall "Last Flight" is a fun album to listen to and essential if you are a fan of TAÏ PHONG. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjgAXggYsWBFKhyphenhyphenfzm3t6nY0pzZvfQ2XJoJuqo9te4lepBx-Y0J9w84k7nPo0Fg57_lkeiAAKnX0tTG9rBN46w1huUlrj2ONNySD8DU_Z6N4E6_L-5A0TdPKb4F0ck_7ZrMgoeuvs_NBoli1gxUGv_qGh5dJiBLBn1DHMcxkKBps8LqieWR9XwW6gvLs/s896/Tai%20Phong%20-%20Art%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="896" data-original-width="564" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjgAXggYsWBFKhyphenhyphenfzm3t6nY0pzZvfQ2XJoJuqo9te4lepBx-Y0J9w84k7nPo0Fg57_lkeiAAKnX0tTG9rBN46w1huUlrj2ONNySD8DU_Z6N4E6_L-5A0TdPKb4F0ck_7ZrMgoeuvs_NBoli1gxUGv_qGh5dJiBLBn1DHMcxkKBps8LqieWR9XwW6gvLs/w251-h400/Tai%20Phong%20-%20Art%208.jpg" width="251" /></a></div><br /><p></p><p style="text-align: center;"><b>Taï Phong – Last Flight<br />Label: WEA Music – 4509-96265-2<br />Format: CD, Album, Reissue, Repress<br />Country: France<br />Released: 1979 <br />Genre: Rock<br />Style: Prog Rock</b></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6UWRjWrwX71SqqDfSrf7EWlYPnERU9pRDr8XHPwhOSBd2peBy2PW9Vk_yLt7sz_zoUqTLA5wLYLr7pbHZuk5_8vX2JS-Q1t35Svq7OGe5qSvyEe0gzk_otw0_a2NbeGmOYq57NPzyjEUoFETTS16e0lVqbFPKg408fIqKv0qaHjxDRl7PyQSI0VVWhro/s800/Tai%20Phong%20-%201979%20-%20Last%20Flight%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6UWRjWrwX71SqqDfSrf7EWlYPnERU9pRDr8XHPwhOSBd2peBy2PW9Vk_yLt7sz_zoUqTLA5wLYLr7pbHZuk5_8vX2JS-Q1t35Svq7OGe5qSvyEe0gzk_otw0_a2NbeGmOYq57NPzyjEUoFETTS16e0lVqbFPKg408fIqKv0qaHjxDRl7PyQSI0VVWhro/w400-h313/Tai%20Phong%20-%201979%20-%20Last%20Flight%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> End Of An End 6:37<br /><b>02. </b>Farewell Gig In Amsterdam 8:40<br /><b>03.</b> Sad Passion 3:38<br /><b>04.</b> Thirtheenth Space 4:57<br /><b>05.</b> Last Flight 9:58<br /><b>06.</b> How Do You Do 3:32<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS </span></b> <br /></p><p> <br /><b>07. </b>Follow Me 4:01<br /><b>08. </b>Fed Up 3:57<br /><b>09.</b> Shanghai Casino 3:59<br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b>Total Time: 49:29</b><br /><br /><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br /><b>Khanh Mai </b>/ vocals (1,5), electric (5) & slide (2,6) guitars<br /><b>Michael Jones</b> / vocals, bass, acoustic (6) & electric guitars<br /><b>Jean-Jacques Goldman</b> / vocals (1-3,5), electric & acoustic guitars<br /><b>Pascal Wuthrich</b> / piano, electric piano, Moog & E-mu synths, Hammond, celesta<br /><b>Stephan Caussarieu </b>/ drums, acoustic guitar & vocals <br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">WITH</span></b><br /></p><p><br /><b>Johnny Sehlhoff</b> / acoustic guitar <br /><b>Michel Gaucher</b> / tenor saxophone <br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/ndIlQJRL#CE6FRKuY2zZAEUsVsLueOfRBGOfM7PjkTeyVzhRkfFY">Flac Size: 338 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com9tag:blogger.com,1999:blog-8270002232971427483.post-51853652696082540552024-02-23T09:14:00.000+02:002024-02-23T09:14:25.822+02:00Quella Vecchia Locanda: Quella Vecchia Locanda 1972 + Il Tempo Della Gioia 1974<p><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPb7z2mylrTSAo1y31tuyiD6-URtQIglbQcvy50xCr4G_xtI1Xz6JWBoBWQTc4RbbTsq2aal61L03O2aXikBqQUtTEhwcbyIAPiA8C194-0y53qGwjfU9vm69MsBMsSGL8kmIhxKzqt616ReniTdshxTjsno-dV7pk3hTxyIVAB8x19ULCoc7QByD-XHA/s452/Quella%20Vecchia%20Locanda%20-%202%20Albums%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="436" data-original-width="452" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPb7z2mylrTSAo1y31tuyiD6-URtQIglbQcvy50xCr4G_xtI1Xz6JWBoBWQTc4RbbTsq2aal61L03O2aXikBqQUtTEhwcbyIAPiA8C194-0y53qGwjfU9vm69MsBMsSGL8kmIhxKzqt616ReniTdshxTjsno-dV7pk3hTxyIVAB8x19ULCoc7QByD-XHA/w400-h386/Quella%20Vecchia%20Locanda%20-%202%20Albums%20Cover.jpg" width="400" /></a></b></div><b> </b><p></p><p><b>Quella Vecchia Locanda (Italian for "That old inn") or QVL were an Italian progressive rock, symphonic rock or chamber music musical group from Rome formed in 1970.</b> QVL plays a </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz0hoVJfwvq6rOpyDwQyTTguZhsa4Dh8lJF3Z3jdoF1Zr0CSJbqWBsEzxub22npOnTZCV5ijHCGj9TdjJQCPQ0xhoXEG98nr-8YyW4h8rUvZHK544GGkJbPSMSVFgObcOoNdONiraxIm4tBmQwrzDm9FTcXsjQ19x34Pwo9cHy-8L23Sr7Va9QQ7PDC5Q/s640/Quella%20Vecchia%20Locanda%20-%20Photo%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="347" data-original-width="640" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz0hoVJfwvq6rOpyDwQyTTguZhsa4Dh8lJF3Z3jdoF1Zr0CSJbqWBsEzxub22npOnTZCV5ijHCGj9TdjJQCPQ0xhoXEG98nr-8YyW4h8rUvZHK544GGkJbPSMSVFgObcOoNdONiraxIm4tBmQwrzDm9FTcXsjQ19x34Pwo9cHy-8L23Sr7Va9QQ7PDC5Q/s320/Quella%20Vecchia%20Locanda%20-%20Photo%204.jpg" width="320" /></a></div><br />complex music with a lot of instrumental combinations, beautiful melodies and a very high sophistication. The band released two studio albums, in 1972 and 1974. Both their studio albums have received favourable reviews. The band's singer (and flautist) was Giorgio Giorgi. According to an interview with Don V. Lax, the violin player of the first album, "I would find some Bach or Brahms or Corelli and weave it into the music so we were making a classical-rock fusion.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitIPO9AvGkerD2FPC4nGU7gI5XZpLlYqs6UJhMmOe7Y8mgVYNjBi9VaYdSj1wFMm5gzdwUw8V_YjFE7Z9pgSW-L2R1W05VzM6hzjeaI0k31XTRKD_gQJrcbSOeOOYTMZCGjsqkjEK8Kd29NT2HhXJisfVrtf5mf2hMCLk7sCQdMRcPyi_egyTx4AGUj54/s552/Quella%20Vecchia%20Locanda%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="552" data-original-width="364" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitIPO9AvGkerD2FPC4nGU7gI5XZpLlYqs6UJhMmOe7Y8mgVYNjBi9VaYdSj1wFMm5gzdwUw8V_YjFE7Z9pgSW-L2R1W05VzM6hzjeaI0k31XTRKD_gQJrcbSOeOOYTMZCGjsqkjEK8Kd29NT2HhXJisfVrtf5mf2hMCLk7sCQdMRcPyi_egyTx4AGUj54/w264-h400/Quella%20Vecchia%20Locanda%20-%20Photo%201.jpg" width="264" /></a></div><br />" As for live performances, "playing at Villa Pamphili for 150,000 people was the most memorable, but <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Py4sl0wngcMtovnYFFwry8OGCl6isLtYyCcu82suYlnKmHSmOVq801bXqTxAWonZrn8bAWKfUxeODqf7NAVHwu-DsvwdokpAI5YCKOBExiFV7R1k0xQfmYRSnURxYHMSVxBb-00NNl98Q6yeyff5-hVtwOCtoQE4x9BkEByhlEowmhwQx3GOIA4-Bqc/s354/Quella%20Vecchia%20Locanda%20-%20Photo%209.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="354" data-original-width="352" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Py4sl0wngcMtovnYFFwry8OGCl6isLtYyCcu82suYlnKmHSmOVq801bXqTxAWonZrn8bAWKfUxeODqf7NAVHwu-DsvwdokpAI5YCKOBExiFV7R1k0xQfmYRSnURxYHMSVxBb-00NNl98Q6yeyff5-hVtwOCtoQE4x9BkEByhlEowmhwQx3GOIA4-Bqc/s320/Quella%20Vecchia%20Locanda%20-%20Photo%209.jpg" width="318" /></a></div><br />we also played for other huge outdoor concerts, on television, and at clubs in Rome and on the coast." Don Lax went on to play violin for artists such as Camper van Beethoven and briefly collaborating with Tim Tompkins of The Moody Blues.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbS84Rrx9-rpe5cNALgX6f-elmmnB2yZBCEC3XKrtmRJE8AFfxKTLo2oB48loQjhk-2QhuNUUZg7b4U49whepGIxcQq0bT_MOLp86ysZQXWC3iWub1NSGK1ebpWIt9H6_hWsUZxig_6hQ6pMgiq6xdWmOhmuaMyUMCBmTTBmQFVhe0TPPhvrCOT4Mv1Hw/s300/Quella%20Vecchia%20Locanda%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbS84Rrx9-rpe5cNALgX6f-elmmnB2yZBCEC3XKrtmRJE8AFfxKTLo2oB48loQjhk-2QhuNUUZg7b4U49whepGIxcQq0bT_MOLp86ysZQXWC3iWub1NSGK1ebpWIt9H6_hWsUZxig_6hQ6pMgiq6xdWmOhmuaMyUMCBmTTBmQFVhe0TPPhvrCOT4Mv1Hw/w400-h400/Quella%20Vecchia%20Locanda%20-%20Photo%202.jpg" width="400" /></a></div><br />Quella Vecchia locanda (That Old Inn in English) emerged at the height of the Italian prog boom in the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNK55I8JfX3CBhXNd9zkxIBYWuo2VWphrSWgTXPq9-POLXqD1QqswHGQVdUwIKpeSJvWeKK1npyiurBD09yZJKAfJqr8sLerONthiQ3pXk7ZDDS6DNjpgIcH3KCJ3X_UfX2VQxzD6ECohrRRZpGwDleoHOAKSyLnGJWArSGY6Y8Nn-1_UJoXKTK07n3I/s750/Quella%20Vecchia%20Locanda%20-%20Photo%205.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="487" data-original-width="750" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTNK55I8JfX3CBhXNd9zkxIBYWuo2VWphrSWgTXPq9-POLXqD1QqswHGQVdUwIKpeSJvWeKK1npyiurBD09yZJKAfJqr8sLerONthiQ3pXk7ZDDS6DNjpgIcH3KCJ3X_UfX2VQxzD6ECohrRRZpGwDleoHOAKSyLnGJWArSGY6Y8Nn-1_UJoXKTK07n3I/s320/Quella%20Vecchia%20Locanda%20-%20Photo%205.jpg" width="320" /></a></div><br />early 70s, released only two gems of the genre and then sadly disbanded but in their brief yet productive career they released not only their stunning masterpiece of a self-titled debut but a second classic in the form of IL TEMPO DELLA GIOIA (The Age Of Joy). In the two years since the debut there had been a significant lineup change that steered the band’s sound in a new direction. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsuk14fXmoW0Xvxd3hc3z8lcFIlvrxsmHLrM9YQ1pxmQNOHKmGSj3kwwwEhAoZG2kEwequ2y_CYRk4LVOlzoPXjCcHcUXmLE52IbvUhe_UqqEj_V8u5XeIc7DpSJtUiGjfEnp61fRhS6AJHh6aYoZUQTLOHtRNBc5_6vITi5gK2bJyh7AO0mY5kj1O97Q/s408/Quella%20Vecchia%20Locanda%20-%20Photo%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="408" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsuk14fXmoW0Xvxd3hc3z8lcFIlvrxsmHLrM9YQ1pxmQNOHKmGSj3kwwwEhAoZG2kEwequ2y_CYRk4LVOlzoPXjCcHcUXmLE52IbvUhe_UqqEj_V8u5XeIc7DpSJtUiGjfEnp61fRhS6AJHh6aYoZUQTLOHtRNBc5_6vITi5gK2bJyh7AO0mY5kj1O97Q/w400-h400/Quella%20Vecchia%20Locanda%20-%20Photo%203.jpg" width="400" /></a></div><br />Violinist Donald Lax was replaced by Claudio Filice and bassist Massimo Giorgi (from the band Il <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLBQVExxV_LCpQ73i8-15aez3hKUcoZ7C1v0BBWVxOfhM7qaPFNdB6RqK8VfGUIeLWaZPzOp9KjJvrVDUYklyBdVAX-Uo0QzKPNtwX3h-uuMkKK9lFVKP5LYTOPrY7XmmpuHNmA4Wp9vEnfm7Or78N9re6ecmsykW04fO3D8IJz_iG0Zr4JYuSs7RDeGM/s408/Quella%20Vecchia%20Locanda%20-%20Photo%206.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="408" data-original-width="408" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLBQVExxV_LCpQ73i8-15aez3hKUcoZ7C1v0BBWVxOfhM7qaPFNdB6RqK8VfGUIeLWaZPzOp9KjJvrVDUYklyBdVAX-Uo0QzKPNtwX3h-uuMkKK9lFVKP5LYTOPrY7XmmpuHNmA4Wp9vEnfm7Or78N9re6ecmsykW04fO3D8IJz_iG0Zr4JYuSs7RDeGM/s320/Quella%20Vecchia%20Locanda%20-%20Photo%206.jpg" width="320" /></a></div><br />Ritratto di Dorian Gray) took over for Romualdo Coletta. The debut album gained the band a prominent role in the Italian prog scene and in the two year gap they caught the attention of RCA records which meant a stealthier production job for their sophomore release.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6E_VVXBEuC4PSnTTG5z_0RKA3lVHBiwNi7t0wHWzQVpwMRtRaSCxKcb1llyeAbH82WkTQ52llYyoVxgXB46Z5v5BgdQfBdNyeeVZDfA71QWqN5hCs8qrchAkoZkHWnX8HWJnKrRavXD4XBobEK-9dCe4ErgK62GUJ7s8wpJz4YUgHg4ftzNc-Gw78WiU/s408/Quella%20Vecchia%20Locanda%20-%20Photo%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="408" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6E_VVXBEuC4PSnTTG5z_0RKA3lVHBiwNi7t0wHWzQVpwMRtRaSCxKcb1llyeAbH82WkTQ52llYyoVxgXB46Z5v5BgdQfBdNyeeVZDfA71QWqN5hCs8qrchAkoZkHWnX8HWJnKrRavXD4XBobEK-9dCe4ErgK62GUJ7s8wpJz4YUgHg4ftzNc-Gw78WiU/w400-h400/Quella%20Vecchia%20Locanda%20-%20Photo%208.jpg" width="400" /></a></div><br />Quella Vecchia locanda released two albums which are both considered essential releases from that particular scene. The first album is still regarded as a classic in its field, with an original fusion of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiavGV_-SQMTOcDn-sZf59BAbX1XIGR2tQURfDVVSmeJHwG8Pm6N5NAgV0ovciKgmLRsOSpEBFzAuOY8wYU-l76zU9-xP5-GTSU_DqGvvwoNQP9FFnXxAKySd2Fmd2Y85JYCRMS5eO1Tk5lUTURtpAbTvdIt0dJ6vXjeIbzqos1RC9PfQPwrYM4kbafl68/s800/Quella%20Vecchia%20Locanda%20-%20Photo%2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiavGV_-SQMTOcDn-sZf59BAbX1XIGR2tQURfDVVSmeJHwG8Pm6N5NAgV0ovciKgmLRsOSpEBFzAuOY8wYU-l76zU9-xP5-GTSU_DqGvvwoNQP9FFnXxAKySd2Fmd2Y85JYCRMS5eO1Tk5lUTURtpAbTvdIt0dJ6vXjeIbzqos1RC9PfQPwrYM4kbafl68/s320/Quella%20Vecchia%20Locanda%20-%20Photo%2010.jpg" width="320" /></a></div><br />classical influences and the use of flute and electric violin in evidence. QVL was fairly typical of the style, especially on their second album, "Il Tempo Della Goia", which ranks as one of the finest examples of classical, pastoral Italian symphonic. The group sadly disbanded soon after the second album, leaving us with two more italian progressive gems, both with beautiful covers. Two of the most looked records of Italy!!!<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA4Kd-gHazgYbj1KyRb81-nAfRRBT8dpAkklNLKnQNOSpfUwCELdjrv2r2tdbY9vx63fxSC3Z5yQKn9-jAQ0NPbZRBZ5zku0mwCQT29uScJgnlISGIS8sKtJUfO2fr3hBIbVDO9s-MWbplsEoMGM0jA6pYzWtSBVNs3MhKZLxa_FLBwCqZSwqvwcA5Zko/s408/Quella%20Vecchia%20Locanda%20-%20Photo%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="408" data-original-width="408" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA4Kd-gHazgYbj1KyRb81-nAfRRBT8dpAkklNLKnQNOSpfUwCELdjrv2r2tdbY9vx63fxSC3Z5yQKn9-jAQ0NPbZRBZ5zku0mwCQT29uScJgnlISGIS8sKtJUfO2fr3hBIbVDO9s-MWbplsEoMGM0jA6pYzWtSBVNs3MhKZLxa_FLBwCqZSwqvwcA5Zko/w400-h400/Quella%20Vecchia%20Locanda%20-%20Photo%207.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">QUELLA VECCHIA LOCANDA 1972</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhY2VGKnL2JglaShtwX6oPejCUz1tLvPU_AvoeKR9Cjg-cTHrph0HU4SB8qE9sSajvZmNHs28t5CU_gVp5SOU-PCIvA4btC_yTBcndztf5oVdnpa5iwwiiT9TZ7ju06sxqI6BHYfLi4g4NrvDstP4ZfUMJsFAGd4gUnmO4T2LNB-_iQVkWEfyplhGb9Hg/s800/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhY2VGKnL2JglaShtwX6oPejCUz1tLvPU_AvoeKR9Cjg-cTHrph0HU4SB8qE9sSajvZmNHs28t5CU_gVp5SOU-PCIvA4btC_yTBcndztf5oVdnpa5iwwiiT9TZ7ju06sxqI6BHYfLi4g4NrvDstP4ZfUMJsFAGd4gUnmO4T2LNB-_iQVkWEfyplhGb9Hg/w400-h400/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Front%20Cover.jpg" width="400" /></a></div><br />The first release from QUELLA VECCHIA LOCANDA and in my opinion one of the all time Italian <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtPC059bRBQW4aIZvVd34PdkuJ7U3X4L-oYvaKxYHtro4hLYI1ujP4OfEsKSzchePImurVBwqqhgBfymVxiEkgBSAoz3DwxsVoY2JDwygEtGhIde4un8FwNmX_3RSC_kqZGRNjTedIcZFxdP54LcRIWjYUVa1hF8IoAhLbzvde_hOeZGbvSaJ2Xg7Mnao/s800/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Inside%20Cover%205.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtPC059bRBQW4aIZvVd34PdkuJ7U3X4L-oYvaKxYHtro4hLYI1ujP4OfEsKSzchePImurVBwqqhgBfymVxiEkgBSAoz3DwxsVoY2JDwygEtGhIde4un8FwNmX_3RSC_kqZGRNjTedIcZFxdP54LcRIWjYUVa1hF8IoAhLbzvde_hOeZGbvSaJ2Xg7Mnao/s320/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Inside%20Cover%205.jpg" width="320" /></a></div><br />prog greats. This excellent debut album has a strong PFM-like attitude with loads of violin and classical themes. Songs are delicate and exceptionally well performed with warm precision. Imagine great 70's sounding keyboard work layered with flute, violin and great guitar work and you have got QVL. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtw195LRCgFnTk41Ed5cluP59MefKiZh8q1vWIS4VxTpULphvsf-w1VhAF7UZcDfDMoiURbd9cuwGeDigW870gg8GpLOJF0vQ_vDTbq5vMVy4EL5jXTlrqqaywrqTVsLV2-in4QcGa6tAGiehbUgj1UEQrmMLnNkYyC2gS9zWgKu-PkGzqLu2S1XXHM-0/s1024/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Front%20&%20Back%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="515" data-original-width="1024" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtw195LRCgFnTk41Ed5cluP59MefKiZh8q1vWIS4VxTpULphvsf-w1VhAF7UZcDfDMoiURbd9cuwGeDigW870gg8GpLOJF0vQ_vDTbq5vMVy4EL5jXTlrqqaywrqTVsLV2-in4QcGa6tAGiehbUgj1UEQrmMLnNkYyC2gS9zWgKu-PkGzqLu2S1XXHM-0/w400-h201/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Front%20&%20Back%20Inside%20Cover%201.jpg" width="400" /></a></div><br />As you listen to this album four toes will be tapping and you hands will be moving as this music <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsV9rVwdlZNB8t-Iq6oBeiDI3UYK3DffRBscfJv5e79Kn56UZixpc9asQ3LD77ql-B4iQ_SmV2AttSltZeL5y8IfKHJnKJ1nFD7byhBUXLejviADsRXe1F25ZVlY4DAMPz0hT-HjaXq_5yF5ayp0sLsgL9ih3qlI9Km3C9d6KhkQJuKMU53Zr0xdHdg6U/s1198/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Inside%20Cover%207.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1198" data-original-width="586" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsV9rVwdlZNB8t-Iq6oBeiDI3UYK3DffRBscfJv5e79Kn56UZixpc9asQ3LD77ql-B4iQ_SmV2AttSltZeL5y8IfKHJnKJ1nFD7byhBUXLejviADsRXe1F25ZVlY4DAMPz0hT-HjaXq_5yF5ayp0sLsgL9ih3qlI9Km3C9d6KhkQJuKMU53Zr0xdHdg6U/s320/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Inside%20Cover%207.jpg" width="157" /></a></div><br />captivates your motor reflexes. QVL draw on some pretty heavy classical interludes to build their music on. Along the way we are treated to many thematic mood swings and tempo changes. This album has many standout tracks which combine the classical underground 70's Italian sound with a solid blend of tranquility and beauty. Vocals are very expressive and are full of harmonic textures. <br /><p></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p style="text-align: center;"><b>Quella Vecchia Locanda – Quella Vecchia Locanda<br />Label: VM 2000 – VM CD 054<br />Format: CD, Album, Reissue, Remastered 2000<br />Country: Italy<br />Released: 1972<br />Genre: Rock<br />Style: Prog Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFUVcTlkafTW5dMqlpMvF_Ij9eYBs2JB4s2dKoxtXgvw69prNx_BKaoE6u7t13VPKsTDYQmIDrzMUJvpvlqPHJXkM5o48Bl_3-z6psXKYizGpWmj5nUmRXx-LHYWE5xq_MsjBNTVnVIx8HPzuaagblJecqXvXH1wz3A7BFsqdoTgw_1frFPFFGY_Ad15g/s800/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="616" data-original-width="800" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFUVcTlkafTW5dMqlpMvF_Ij9eYBs2JB4s2dKoxtXgvw69prNx_BKaoE6u7t13VPKsTDYQmIDrzMUJvpvlqPHJXkM5o48Bl_3-z6psXKYizGpWmj5nUmRXx-LHYWE5xq_MsjBNTVnVIx8HPzuaagblJecqXvXH1wz3A7BFsqdoTgw_1frFPFFGY_Ad15g/w400-h308/Quella%20Vecchia%20Locanda%20-%20Quella%20Vecchia%20Locanda%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Prologo 4:59<br /><b>02.</b> Un Villaggio, Un'Illusione 3:54<br /><b>03.</b> Realtá 4:16<br /><b>04.</b> Immagini Sfocate 2:59<br /><b>05.</b> Il Cieco 4:11<br /><b>06. </b>Dialogo 3:42<br /><b>07.</b> Verso La Locanda 5:15<br /><b>08. </b>Sogni, Risveglio E... 5:15<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span><br /></b></p><p><b><br />Giorgio Giorgi / lead vocals, flute, piccolo<br />Raimondo Maria Cocco / electric, acoustic & 12 string guitars, vocals<br />Massimo Roselli / piano, organ, Mellotron, Moog, electronic zither, spinet, vocals<br />Donald Lax / electric & acoustic violins<br />Romualdo Coletta / bass, frequency generator<br />Patrick Traina / drums, percussion<br /><br /></b></p><p style="text-align: center;"><b><span style="font-size: large;">WITH:</span><br /></b></p><p style="text-align: left;"><b><br />Marcello Porcella / Fx<br />Federico Bimbo / Fx<br /><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/iJRTGCCY#A_HODfS-vRUxaz3J-OlYLy1KYSGPQ2PkDY3TFUp8fsw">Flac Sise: 185 MB</a></b><br /><span style="font-size: large;"><br /><b>IL TEMPO DELLA GIOIA 1974</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b> </b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQ_Kzo48VPTBXke201cMw8keUXPHSfc1XamqOA1K2c_FZX_W4pAvNl0ei_vuVOXtdAzDCRYrvUq8kheYor1HjTJ3vYi6fAuurJkHki1xPe6TWWy9m9FYueq9TmwjzRDGKshlLQDuPmkVbFEeETwEKDRoXa1wGxj8rAY1Md9V4Zl6UMEcyrY0pWASuakI/s800/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="785" data-original-width="800" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgQ_Kzo48VPTBXke201cMw8keUXPHSfc1XamqOA1K2c_FZX_W4pAvNl0ei_vuVOXtdAzDCRYrvUq8kheYor1HjTJ3vYi6fAuurJkHki1xPe6TWWy9m9FYueq9TmwjzRDGKshlLQDuPmkVbFEeETwEKDRoXa1wGxj8rAY1Md9V4Zl6UMEcyrY0pWASuakI/w400-h393/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Front%20Cover.jpg" width="400" /></a></b></span></div><br /><p></p><p>It opens with the majestic sounding Villa Doria Pamphili. The violin and contrabass add to its grandeur and the piano gives it the necessary emotional aspect. A Forma Di starts as a fade in of a clavinova </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5qsluX0HCwdfpDcZ6dnqEh_Ro4deR8Ky1MRJX2lP_gJccDvgLZbMwg7z7H9A6KcPPR1MLbBjuQS2zIQL9n4cpy2ehQpzg-GhEq7zlmwD48QNm1qHJKExKQc173VunpwqvYzFe_9BfFeKKJPu2jkZCJ7aZgzq2EvaCyU6j2RT3pxEt91sjAs3Dw1_SjE/s800/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="781" data-original-width="800" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5qsluX0HCwdfpDcZ6dnqEh_Ro4deR8Ky1MRJX2lP_gJccDvgLZbMwg7z7H9A6KcPPR1MLbBjuQS2zIQL9n4cpy2ehQpzg-GhEq7zlmwD48QNm1qHJKExKQc173VunpwqvYzFe_9BfFeKKJPu2jkZCJ7aZgzq2EvaCyU6j2RT3pxEt91sjAs3Dw1_SjE/s320/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%204.jpg" width="320" /></a></div><br />accompanied by a lovely flute part and violin. Then the band joins in with all their vocals, singing as a choir with the piano giving the support. The downside here is that it should have been developed more. It reaches a certain climax with the piano playing alone and then fades away rapidly. The title song starts very nicely and calmly and after 1:20 minutes speeds up. Here you get to hear more clearly the guitar playing but the piano is still very much in the picture as well. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWfFkg4qn13HvfhLO0jX1mCEsTtF2VpNu2u8FsRnty4ESFOJuZu4MyCzJ_i9VusiaTAduN6_-vOBhQd6AfUdmqihW_R6quHIu5Z62AnLumFlbPKX8pZigIxvp9aaTXV4MYENnZHkl6O7g2ItBjU6x6B59Ao4lkClOo0QvhUUIKZH7bAyUQ12gMLtViWbc/s800/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="403" data-original-width="800" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWfFkg4qn13HvfhLO0jX1mCEsTtF2VpNu2u8FsRnty4ESFOJuZu4MyCzJ_i9VusiaTAduN6_-vOBhQd6AfUdmqihW_R6quHIu5Z62AnLumFlbPKX8pZigIxvp9aaTXV4MYENnZHkl6O7g2ItBjU6x6B59Ao4lkClOo0QvhUUIKZH7bAyUQ12gMLtViWbc/w400-h201/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%206.jpg" width="400" /></a></div><br />Track 4, Un Giorno Un Amico, starts with a marvelous violin part. This track is definitely the violins finest moments as the rest of the instruments are supporting it. This track changes tempo all along and it <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1bz2PYdIw7OrvFYTpPmIW6Wj5SXqjmyJkLdnjMM5Djr8lMIUuqmU5StSUldTvFfPC5WxQYdEePt-1yq0WxbomHtgJPHxsgq-_nO5wgerJZcD8UTofueF7aCHCG3WnXqq2Hi9Kh9rN8UVzghu_x3MYy5s5NhYtTVf8O7sWtBY4-UetlzQ8nNX104wLUC8/s800/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a></div><br />is very enjoyable. The piano, guitar and drums get to show their moves as well. In this one track you get all the different musical aspect of QVL. The last track begins with the band singing together as a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSAn0bnV61S5hys-4WqF7qn_YN0EGYFUZ0b4ZTd-zLFQUGoxhnJd7oWhDGb74jeUtukiGSd4ChmElkIsK0p3t_nOnHm7n_9-qSH3hzLZtornCaVIO7vVzAMqQbKCr_X30nfNfLcQJtiiZRk_5gmwX-8COsrvKJS2sdhKF-6S_icq-XTrnHw5MDEdz9jzk/s812/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="812" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSAn0bnV61S5hys-4WqF7qn_YN0EGYFUZ0b4ZTd-zLFQUGoxhnJd7oWhDGb74jeUtukiGSd4ChmElkIsK0p3t_nOnHm7n_9-qSH3hzLZtornCaVIO7vVzAMqQbKCr_X30nfNfLcQJtiiZRk_5gmwX-8COsrvKJS2sdhKF-6S_icq-XTrnHw5MDEdz9jzk/s320/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Inside%20Cover%205.jpg" width="315" /></a></div><br />choir again and without instruments. They fade out and in come the instruments, very softly and cautiously. Only after 2:40 minutes does the song get some clear form and the vocals join the music. A nice melody, slow and emotional. It has a very nice ending with the violin and the contrabass doing a short part of their own and then the piano and the flute do their ensemble. A fitting album-closing track. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ6ZTQuFrj9B3z275tURucTePd4cPceSW3jJO4Rao0Kr5IqlLeHZgJ0DJ53-sXtzsxRbwPvMuJczQJGk9zAr6ovs1FnUQCDUa1gnnlxxH6FTO-E2sMFl-f7l3JBcDSAOaI3jcRrvBsFLOPRcNGf09pg3bBJ_y9YFNzzqo6SVoWmE8jdsAPuJTvp1Ov_Q/s1024/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="507" data-original-width="1024" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ6ZTQuFrj9B3z275tURucTePd4cPceSW3jJO4Rao0Kr5IqlLeHZgJ0DJ53-sXtzsxRbwPvMuJczQJGk9zAr6ovs1FnUQCDUa1gnnlxxH6FTO-E2sMFl-f7l3JBcDSAOaI3jcRrvBsFLOPRcNGf09pg3bBJ_y9YFNzzqo6SVoWmE8jdsAPuJTvp1Ov_Q/w400-h198/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><br /><p></p><p style="text-align: center;"><b>Quella Vecchia Locanda – Il Tempo Della Gioia<br />Label: RCA – 74321-26544-2<br />Format: CD, Album, Reissue 1995<br />Country: Italy<br />Released: 1974<br />Genre: Rock<br />Style: Prog Rock, Symphonic Rock<br /><br /><span style="font-size: large;">TRACKS<br /></span></b></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9XK9QmqR0nJCphUFlDt6MRsZJCHJ9JmSuBCIuPSllx8p_kSFOF3xhfwNKIeabcC3PUkGr4SC11OdSJHj5-whwbW6OsYnRwgDA4iz4AyXa3Hns_LTcD8Azq5puOAOMeN2bpYEERC-ck4D5AMXrLLeMc7rWrtp3pwnVXUI29tjJRo3fr8ZPUB3XkjP51W4/s800/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="800" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9XK9QmqR0nJCphUFlDt6MRsZJCHJ9JmSuBCIuPSllx8p_kSFOF3xhfwNKIeabcC3PUkGr4SC11OdSJHj5-whwbW6OsYnRwgDA4iz4AyXa3Hns_LTcD8Azq5puOAOMeN2bpYEERC-ck4D5AMXrLLeMc7rWrtp3pwnVXUI29tjJRo3fr8ZPUB3XkjP51W4/w400-h310/Quella%20Vecchia%20Locanda%20-%20Il%20Tempo%20della%20Gioia%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /><b>01. </b>Villa Doria Pamphili 5:27<br /><b>02.</b> A Forma Di... 4:07<br /><b>03.</b> Il Tempo Della Gioia 6:15<br /><b>04. </b>Un Giorno, Un Amico 9:39<br /><b>05.</b> È Accaduto Una Notte 8:16 <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span><br /><br />Giorgio Giorgi / lead vocals, flute, piccolo<br />Raimondo Maria Cocco / guitar, clarinet, vocals<br />Massimo Roselli / keyboards, vocals<br />Claudio Filice / violin<br />Massimo Giorgi / bass, contrabass, vocals<br />Patrick Traina / drums, percussion<br /><br /><span style="font-size: large;">WITH:</span><br /><br />Rodolfo Bianchi / soprano saxophone </b><br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/6YJxyIpD#emmqBJM2Vs0fRAoc3GR0yw2i3qjbtewiUk9XfrmoRVo">Flac Sise: 196 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com16tag:blogger.com,1999:blog-8270002232971427483.post-6341073786835977212024-02-21T09:07:00.000+02:002024-02-21T09:07:33.225+02:00Trader Horne: Morning Way... Plus 1970 + Judy Dyble: Talking With Strangers 2009 + Anthology Part 1 2015<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAxCu6MAHDqVG8Awl1YLhaYnXtnD6IVQVT5JFwVNrMAG7acQKDpZ7seDNEGfrVu7ozMLzQuOF5d4XxIQ0PxRlZFvOFaiNgy8Xfgy6Cf_nT_xzKAfzuHynnUIWGhl7GWQi-SIElBAN-8YOSaviVZw3_vSM9XPYkgP0HDo81I-3gxnfSdgSdjGesGVo1e6s/s1024/Trader%20Horne%20-%20Morning%20Way%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAxCu6MAHDqVG8Awl1YLhaYnXtnD6IVQVT5JFwVNrMAG7acQKDpZ7seDNEGfrVu7ozMLzQuOF5d4XxIQ0PxRlZFvOFaiNgy8Xfgy6Cf_nT_xzKAfzuHynnUIWGhl7GWQi-SIElBAN-8YOSaviVZw3_vSM9XPYkgP0HDo81I-3gxnfSdgSdjGesGVo1e6s/w400-h400/Trader%20Horne%20-%20Morning%20Way%20-%20Front%20Cover.jpg" width="400" /></a></div> <p></p><p><b>Trader Horne was a British duo, consisting of multi-instrumentalist and former Them keyboard player </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTVv958-2_Jda1Dz2xTgzERWwqjpdTxmmXoUFfQE1LCvVOHcNUnzx7fD72IC-jVmxnXyNdcHGoKWtY8U4SZX1PaUi7zXtb773iV2op0ZcRvpMKu4wtuag8-_ZsL4dSk31uXNWfRJJtP9jMZMT38w7ozuPsES2Kh9xMu1OVebkij3i3kdp9CpGoYXMRykk/s1024/Judy%20Dyble%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="816" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTVv958-2_Jda1Dz2xTgzERWwqjpdTxmmXoUFfQE1LCvVOHcNUnzx7fD72IC-jVmxnXyNdcHGoKWtY8U4SZX1PaUi7zXtb773iV2op0ZcRvpMKu4wtuag8-_ZsL4dSk31uXNWfRJJtP9jMZMT38w7ozuPsES2Kh9xMu1OVebkij3i3kdp9CpGoYXMRykk/s320/Judy%20Dyble%20-%20Photo%203.jpg" width="255" /></a></b></div><b><br />and vocalist Jackie McAuley, and former Fairport Convention lead vocalist Judy Dyble.</b> The short-lived musical partnership broke up after releasing only one LP, Morning Way, in 1970. The band was named after DJ John Peel's nanny, Florence Horne, nicknamed "Trader" in reference to explorer Trader Horn. Trader Horne had what could be called a psychedelic/folk influenced appearance/image but one that had a sharp, almost high fashion touch, edging towards the likes of Ossie Clarke and Celia Birtwell… <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggjWDJVZFa6lepHVmhgjE2r-dk-sHQH3495qxcFv2DgPLr8pNgHP4tCBT7_MgoPCYy4ZmT6_TcQmd2mSSCIUWMLZLRnFxdG7PpXhYJ3VDGzBiM2Enfrlojg1pMXOsqOEGNkQqwiyb1p4UEbI1Q9hw-y3YGktLEjBE9oW_ieuavirwRBXHCqqs3oxLwPSw/s750/Trader%20Horne%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggjWDJVZFa6lepHVmhgjE2r-dk-sHQH3495qxcFv2DgPLr8pNgHP4tCBT7_MgoPCYy4ZmT6_TcQmd2mSSCIUWMLZLRnFxdG7PpXhYJ3VDGzBiM2Enfrlojg1pMXOsqOEGNkQqwiyb1p4UEbI1Q9hw-y3YGktLEjBE9oW_ieuavirwRBXHCqqs3oxLwPSw/w266-h400/Trader%20Horne%20-%20Photo%201.jpg" width="266" /></a></div><br />After her stint with Fairport Convention, Dyble (and her then-boyfriend Ian McDonald) joined pop <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxTYqpNtmzktwU3ncTPRnpRHG0CFtuMkjIm1gIP03PPARKvwi6smO7sRyb0J43R3ecm0SQHpPYa3oMly89w5mOlvgiufHX-m9Tbw07z_w957k_vBPVvTkx44L0VV03SbCkMWYouo7JVnilgfkazeBEmX_KCi9VHTaImOue0i9NvvxrDdpRwbqC0QLbhgM/s800/Jackie%20McAuley%20-%20Photo%201.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="790" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxTYqpNtmzktwU3ncTPRnpRHG0CFtuMkjIm1gIP03PPARKvwi6smO7sRyb0J43R3ecm0SQHpPYa3oMly89w5mOlvgiufHX-m9Tbw07z_w957k_vBPVvTkx44L0VV03SbCkMWYouo7JVnilgfkazeBEmX_KCi9VHTaImOue0i9NvvxrDdpRwbqC0QLbhgM/s320/Jackie%20McAuley%20-%20Photo%201.jpg" width="320" /></a></div><br />band Giles, Giles and Fripp, and contributed to demo recordings, but she left after her relationship with McDonald ended. Giles, Giles and Fripp - retaining McDonald - would later evolve into King Crimson. After moving to Fulham in early 1969, Dyble befriended the members of the band Steamhammer. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDaaqxzckcevgpi83nL_AN6FTNqf0Jb2YC2Pq4PMXK7oRIDnjUAvT3DdntlamR7P1LuuUHXxrmB5A9oBOs8GawKjT1n__1AnZcxbsF1igppx9ctmnzzV-S-TF0TqxslY60fU4JZyxfl9yvv3rsdy6lNn33mTO9OJNNCChvd7BGt_jUJol7aZ24IWchOcw/s640/Trader%20Horne%20-%20Photo%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="640" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDaaqxzckcevgpi83nL_AN6FTNqf0Jb2YC2Pq4PMXK7oRIDnjUAvT3DdntlamR7P1LuuUHXxrmB5A9oBOs8GawKjT1n__1AnZcxbsF1igppx9ctmnzzV-S-TF0TqxslY60fU4JZyxfl9yvv3rsdy6lNn33mTO9OJNNCChvd7BGt_jUJol7aZ24IWchOcw/w400-h280/Trader%20Horne%20-%20Photo%202.jpg" width="400" /></a></div><br />Her roommate started a romantic relationship with the band's guitarist, Martin Quittenton and the three of them moved to Notting Hill Gate. Quittenton was recording and writing with Rod Stewart and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_0Z2o8A9vKsUqPqWh1BtZAXjYAoy9m9-1MXCjOm6jpl667boTOlBPTK2i0u1xZiRO4IErZHGUBOGP59-4p65YvljzvoHnlFRgg9Ve4caYzfw1Srx42dBspHtesg6UkSdAIGDl1YdMhHfmOryTkgvPCGsRy9hovcetcF-Rf2we-bqTdStus3piuKojIGE/s450/Judy%20Dyble%20-%20Photo%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_0Z2o8A9vKsUqPqWh1BtZAXjYAoy9m9-1MXCjOm6jpl667boTOlBPTK2i0u1xZiRO4IErZHGUBOGP59-4p65YvljzvoHnlFRgg9Ve4caYzfw1Srx42dBspHtesg6UkSdAIGDl1YdMhHfmOryTkgvPCGsRy9hovcetcF-Rf2we-bqTdStus3piuKojIGE/s320/Judy%20Dyble%20-%20Photo%204.jpg" width="320" /></a></div><br />working with Pete Sears, whom Quittenton had known from Steamhammer days) amongst others, on Stewart's solo albums, Gasoline Alley and Every Picture Tells A Story. Sears was sharing a flat with Jackie McAuley and they, together with Dyble, rehearsed a number of songs and were planning to perform as a trio, but Sears decided to go to the US to join Silver Metre (with Leigh Stephens), then Stoneground, Copperhead, Jefferson Starship and Hot Tuna, leaving Dyble and McAuley to continue as a duo. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8syfLu0GKpVnb336vzG0PZBCM3hCGU5TncL5vClWOUgyXnsSYBpty4M3ZxhmS9j82KPojb2qzbm8S4eBD2pEEYxd5rqk8fCIVHaU1kJXPNz0YEWfaLe5XaT0ANPOBjiQLuc_xet3Mx6yFf_2KBLkjmdAUw3eeXFLXINPDUHceF3UoW46RbGc3IzA9Nuw/s572/Trader%20Horne%20-%20Photo%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="352" data-original-width="572" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8syfLu0GKpVnb336vzG0PZBCM3hCGU5TncL5vClWOUgyXnsSYBpty4M3ZxhmS9j82KPojb2qzbm8S4eBD2pEEYxd5rqk8fCIVHaU1kJXPNz0YEWfaLe5XaT0ANPOBjiQLuc_xet3Mx6yFf_2KBLkjmdAUw3eeXFLXINPDUHceF3UoW46RbGc3IzA9Nuw/w400-h246/Trader%20Horne%20-%20Photo%203.jpg" width="400" /></a></div><br />One of those acid folk group around the turn of the 60's that is better known for having vocalist Judy <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsHnb_drIM-HZiO60pg8jN6-lcgmKX3QfQ4sP2udPyovuFBDVMYA_OmSpPEC_xBDU1wXZxMWJv7-5HKM-Kr0PisB9j9ubI9R99qmiRbiOEFn8QxObV0NADmOa-cMdGsnKyT6YAfUN9oYkmuCxFJ0sCujRnXyAOcY-0FliGoabpuH6ugwlhYGuoVdllSQ/s800/Judy-Dyble%20-%20Fairport-Convention.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsHnb_drIM-HZiO60pg8jN6-lcgmKX3QfQ4sP2udPyovuFBDVMYA_OmSpPEC_xBDU1wXZxMWJv7-5HKM-Kr0PisB9j9ubI9R99qmiRbiOEFn8QxObV0NADmOa-cMdGsnKyT6YAfUN9oYkmuCxFJ0sCujRnXyAOcY-0FliGoabpuH6ugwlhYGuoVdllSQ/s320/Judy-Dyble%20-%20Fairport-Convention.jpg" width="256" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">JUDY DYBLE + FAIRPORT CONVENTION</span></b><br /></td></tr></tbody></table><br />Dyble (ex-Fairport and Giles, Giles & Fripp) and former Jackie Mc Auley (ex-Them and Belfast Gypsies) in their ranks. Their sole album Morning Way, released on the collectible Dawn label, contains a sometimes-progressive folk, sometimes acid folk, featuring mainly acoustic guitars and keyboards (among which a harpsichord) but also the odd flute (played by another ex-Them member Ray Elliot) and typical crystal-clear female vocals. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrc7dL1dTG1VTqFWa4rZ75crelMp3STDmHX0mO4FJu7PN3GGAJU2WFr5Wt_g4vMOesBKTq643gf-95Ci6NSIwVn81hgWTE1syqX2By6OVMKwwv7FiVGjAtKaHzyFNW7ZUnlDQ47QpcmP0x7GwkCIyIJr6OrM7o3Ac-YjtyWhEFe6cf5jqgW9f5QTxK4F8/s712/Trader%20Horne%20-%20Photo%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="712" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrc7dL1dTG1VTqFWa4rZ75crelMp3STDmHX0mO4FJu7PN3GGAJU2WFr5Wt_g4vMOesBKTq643gf-95Ci6NSIwVn81hgWTE1syqX2By6OVMKwwv7FiVGjAtKaHzyFNW7ZUnlDQ47QpcmP0x7GwkCIyIJr6OrM7o3Ac-YjtyWhEFe6cf5jqgW9f5QTxK4F8/w360-h400/Trader%20Horne%20-%20Photo%204.jpg" width="360" /></a></div><br />As Dybble left to found a family, she was replaced by another female folk legend Saffron Summerfield, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9JIW2jxpaHQvc2F-U8fln2zcsbQh0lz8tJyyVm_voJagUB_-NPRmaDQZG5QlzchGB6iGVAk8Ss9iV49unLYF9AnT4rRVwrtsjxyijktIMJvHkYw0ZGeY7H2Mb_PC_d5VY5aS-kB5RI4tRoevHBq5lNlJw0mHYerZGULkfoV0lxT-MM41Ag6c-R_hmwMk/s822/Jackie%20McAuley%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="364" data-original-width="822" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9JIW2jxpaHQvc2F-U8fln2zcsbQh0lz8tJyyVm_voJagUB_-NPRmaDQZG5QlzchGB6iGVAk8Ss9iV49unLYF9AnT4rRVwrtsjxyijktIMJvHkYw0ZGeY7H2Mb_PC_d5VY5aS-kB5RI4tRoevHBq5lNlJw0mHYerZGULkfoV0lxT-MM41Ag6c-R_hmwMk/s320/Jackie%20McAuley%20-%20Photo%203.jpg" width="320" /></a></div><br />Trader Horne folded rather quickly after the album's release. Most of the songwriting was McAuley's but Dyble dabbled with Steamhammer's Quintenton for the title track. Besides the album, Trader Horne also released two singles (one before and another after the album's release) which are included on the Cd reissue of the album.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicwlX63tf-1EuHAwq-6nWwkUxNxPdDGoDIDTJMq15jktCge7vIFKiyEYHyphtifa0ElfjxHXDZKkcgDvnuExyxsqNL98bHcGuoH_rIIXi30-uNfzrRKM_8kki4_dfIHcvE9IzZVuy9-UO5PuN7soqiuCROIgIX8ub-zyIkVC-3A0jlhGGhdtN7-5FAWTw/s800/Jackie%20McAuley%20-%20Art.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="800" height="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicwlX63tf-1EuHAwq-6nWwkUxNxPdDGoDIDTJMq15jktCge7vIFKiyEYHyphtifa0ElfjxHXDZKkcgDvnuExyxsqNL98bHcGuoH_rIIXi30-uNfzrRKM_8kki4_dfIHcvE9IzZVuy9-UO5PuN7soqiuCROIgIX8ub-zyIkVC-3A0jlhGGhdtN7-5FAWTw/w400-h194/Jackie%20McAuley%20-%20Art.jpg" width="400" /></a></div><br />A music festival was organized to launch the band: the Hollywood Music Festival in Newcastle-under-Lyme. Shortly before the performance, in May 1970, Judy Dyble decided to leave the band. Instead, a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvEFvzyTv4QkIQTaGLKp-hagLK7RDK7yb9PXGAHxmAv-Wo8JhsUDc_ycMWSMy3qYdXdhUe-DC8CVBYuR4uvd1u2qkjNMdGuQqMlrbALmAaQAn3n_9ITswyxaBpHvxtAxKFAAiQ7NIKPLVev9AMQObTJ901t6eEqxmhP0EN1S2MND7hS6tyDY8Zald7yq8/s800/Judy%20Dyble%20-%20Photo%201.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvEFvzyTv4QkIQTaGLKp-hagLK7RDK7yb9PXGAHxmAv-Wo8JhsUDc_ycMWSMy3qYdXdhUe-DC8CVBYuR4uvd1u2qkjNMdGuQqMlrbALmAaQAn3n_9ITswyxaBpHvxtAxKFAAiQ7NIKPLVev9AMQObTJ901t6eEqxmhP0EN1S2MND7hS6tyDY8Zald7yq8/s320/Judy%20Dyble%20-%20Photo%201.jpg" width="320" /></a></div><br />band called Mungo Jerry was launched. Trader Horne briefly continued after Judy's departure; she was replaced by Saffron Summerfield. Over the years the Morning Way album has acquired mythical status. The band's singles are now highly collectable. Trader Horne was featured in Kingsley Abbott's book 500 Lost Gems of the 60s. To coincide with this, Stuart Maconie made a one-hour biopic radio special on Dyble's career for his BBC 6 Music programme "Freak Zone", as well as a significant piece in Record Collector. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT7wVWaVgWc6Rhmjgs8K3VpxzitcrJ3ugITeO7pT9qy2qfgF6Xr8OM_aTGNRpO1w85MW5zvegDbbZ9HXLsGG38lIZ8FJvg1IV63VnvbNE7gXISlQsegaDtR1PsKD9BYCHKxDhjupvUw5PRiW0feZTec8hvl5AJqYQeGhPUVlLp064j3CO257EYtAuLtwc/s955/Judy%20Dyble%20-%20Photo%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="955" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT7wVWaVgWc6Rhmjgs8K3VpxzitcrJ3ugITeO7pT9qy2qfgF6Xr8OM_aTGNRpO1w85MW5zvegDbbZ9HXLsGG38lIZ8FJvg1IV63VnvbNE7gXISlQsegaDtR1PsKD9BYCHKxDhjupvUw5PRiW0feZTec8hvl5AJqYQeGhPUVlLp064j3CO257EYtAuLtwc/w268-h400/Judy%20Dyble%20-%20Photo%205.jpg" width="268" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">MEMBERS</span></b><br /></p><p style="text-align: left;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7qnAp2_2GsRj_D4hirw0h6TrqQTFOPUQJ9YBhsfsyP6xV5n4NOZQjYD8uNGWyR3rYVeeJBhUYIrH8wHWlaqXSPN_BIFr-97Bl9FJQ7HX3l1sb-5buCCy_Sad8kz_Ejfir-refRzggS8wc22Lw229shtB7XH_-71HAHLoODkyDbYLjdv1b2JLTE2AeiOA/s1024/Trader%20Horne%20-%20Morning%20Way%20-%20Inside%20Cover%2001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="1024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7qnAp2_2GsRj_D4hirw0h6TrqQTFOPUQJ9YBhsfsyP6xV5n4NOZQjYD8uNGWyR3rYVeeJBhUYIrH8wHWlaqXSPN_BIFr-97Bl9FJQ7HX3l1sb-5buCCy_Sad8kz_Ejfir-refRzggS8wc22Lw229shtB7XH_-71HAHLoODkyDbYLjdv1b2JLTE2AeiOA/w400-h200/Trader%20Horne%20-%20Morning%20Way%20-%20Inside%20Cover%2001.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Judy Dyble</b> – Vocals, electric autoharp and piano<br /><b>Jackie McAuley</b> – vocals, guitar, harpsichord, organ, piano, flute, congas and celeste<br /><b>Ray Elliot </b>– alto flute, bass clarinet<br /><b>Andy White </b>– drums<br /><b>John Godfrey </b>– bass, arrangements<br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDq3YBxJfIlJJTND75i-mDz3wKCS2-uVq8NXiu9S1OK1v6o9QqMdY-V4KaaUG3SwIJ-YRk9GwnFMpG2i4rJeLeYVBfVARmIGKkgPgNh9ySGAzDFA-Peg6pn-kjzEeHqFAuc6j-aRypTGsuAFXf2hCpPKgdkahOAxbhqW2yVxmRZHrCG_5Zsj27UsA307g/s800/Trader%20Horne%20-%20Morning%20Way%20-%20Front%20Cover%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDq3YBxJfIlJJTND75i-mDz3wKCS2-uVq8NXiu9S1OK1v6o9QqMdY-V4KaaUG3SwIJ-YRk9GwnFMpG2i4rJeLeYVBfVARmIGKkgPgNh9ySGAzDFA-Peg6pn-kjzEeHqFAuc6j-aRypTGsuAFXf2hCpPKgdkahOAxbhqW2yVxmRZHrCG_5Zsj27UsA307g/w400-h398/Trader%20Horne%20-%20Morning%20Way%20-%20Front%20Cover%202.jpg" width="400" /></a></div><br />Morning Way is a 1970 album by Trader Horne. It was released by Pye Records in 1970. The album <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuC4uyqY7cz04DAS0xeVG7JJ1-DIV4bmm3lNwDi0jp5vpHCX0s8Jt5KMVVKaQVgBPxJxAc14fnG3qIJcVjbmYZLQvd-lpO-jb9V37-GBODnX6zZUPCr8D8E-j9VMINOZI-cWs9VqEACRGvtmUcB66sAo4GFLY4eucycgi1P3BXXO5-chjeUTNg9b-tYA/s800/Judy%20Dyble%20-%20Photo%2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="669" data-original-width="800" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuC4uyqY7cz04DAS0xeVG7JJ1-DIV4bmm3lNwDi0jp5vpHCX0s8Jt5KMVVKaQVgBPxJxAc14fnG3qIJcVjbmYZLQvd-lpO-jb9V37-GBODnX6zZUPCr8D8E-j9VMINOZI-cWs9VqEACRGvtmUcB66sAo4GFLY4eucycgi1P3BXXO5-chjeUTNg9b-tYA/s320/Judy%20Dyble%20-%20Photo%2010.jpg" width="320" /></a></div><br />was the only release by Trader Horne and sold limited numbers at the time. The album was re-released on CD in 2008 by Esoteric Records. Through the years this LP has reached legendary status and it is considered one of the lost gems of the 1960s.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2PrBbFhD1oGVVul7tpGYMhTl7UYkatY17vF_WHxwDKf5euY_SqxSux7XzAPzZJFneIOgO5hvOTljs6FQieco8SLlndNhjfTrlPPtpxO50_UoZJIOeQkdJH9SJcQc2V_yz54EdAujVJQmNuCuNVc8zwCCcVfX10f4czzl7jsdHRsmEBQuJlaCrKIezfaE/s800/Trader%20Horne%20-%20Morning%20Way%20-%20Inside%20Cover%2002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2PrBbFhD1oGVVul7tpGYMhTl7UYkatY17vF_WHxwDKf5euY_SqxSux7XzAPzZJFneIOgO5hvOTljs6FQieco8SLlndNhjfTrlPPtpxO50_UoZJIOeQkdJH9SJcQc2V_yz54EdAujVJQmNuCuNVc8zwCCcVfX10f4czzl7jsdHRsmEBQuJlaCrKIezfaE/w400-h400/Trader%20Horne%20-%20Morning%20Way%20-%20Inside%20Cover%2002.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Trader Horne - Morning Way... Plus (1970)<br />Artist: Trader Horne<br />Title Of Album: Morning Way... Plus<br />Year Of Release: 1970 Remaster: 1990<br />Label (Catalog#): See For Miles Records (SEE CD 308)<br />Country: UK<br />Genre: Folk Rock<br />Total Time: 52:33<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl9R4tKjSoZwkIFIIawqgPUehcFPvz-ww2sIXd4jvpai6RcEstA7bFcvId4qQ3MrVs3b3DVI22CnsllDurbr6g8DnaMxudJ6QBNIvHcKEF-HpP7Zh5oxkliwheC6eClCH3NjLdQgEIveWQHvPMAorAFWiHdk4YVtYD6iw8gH2Sg9kt-xu971Uos6M2gNM/s800/Trader%20Horne%20-%20Morning%20Way%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="800" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl9R4tKjSoZwkIFIIawqgPUehcFPvz-ww2sIXd4jvpai6RcEstA7bFcvId4qQ3MrVs3b3DVI22CnsllDurbr6g8DnaMxudJ6QBNIvHcKEF-HpP7Zh5oxkliwheC6eClCH3NjLdQgEIveWQHvPMAorAFWiHdk4YVtYD6iw8gH2Sg9kt-xu971Uos6M2gNM/w400-h308/Trader%20Horne%20-%20Morning%20Way%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Jenny May 2:26<br /><b>02.</b> Children Of Oare 4:04<br /><b>03.</b> Three Rings For Eleven Kings 2:27<br /><b>04.</b> Growing Man 3:58<br /><b>05.</b> Down And Out Blues 4:26<br /><b>06. </b>Mixed Up Kind 6:29<br /><b>07. </b>Better Than Today 3:12<br /><b>08.</b> In My Loneliness 2:22<br /><b>09.</b> Sheena 2:43<br /><b>10.</b> The Mutant 2:54<br /><b>11.</b> Morning Way 4:36<br /><b>12.</b> Velvet To Atone 2:27<br /><b>13. </b>Luke That Never Was 4:54<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS </span></b> <br /></p><p> <br /><b>14. </b>Here Comes The Rain 2:36<br /><b>15.</b> Goodbye Mercy Kelly 3:17<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/3ZhCBJzB#Q3C8K1MKYUz560qPUA4HsnVvpicvWeyWubPqgl7gFeA">Flac Size: 313 MB</a><br /><span style="font-size: large;"><br />JUDY DYBLE - TALKING WITH STRANGERS 2009</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifXoRlOyP0YEK65Qs58fdeIeH1UxN4Pw_w78uik1ANiUJq1fkAOOxvzND2N1DqNZo99NHxpoABXTZ33V_M-460RxSdBjAm1nMCCpGQUYyHB6ceYq7tRR9ZRsBt1yECDq_FDcVR338MJE_wRfT6u3Y7bU3LI2_gysOD9coLJixauH8Tfik7Z9uT37WOQuY/s804/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="804" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifXoRlOyP0YEK65Qs58fdeIeH1UxN4Pw_w78uik1ANiUJq1fkAOOxvzND2N1DqNZo99NHxpoABXTZ33V_M-460RxSdBjAm1nMCCpGQUYyHB6ceYq7tRR9ZRsBt1yECDq_FDcVR338MJE_wRfT6u3Y7bU3LI2_gysOD9coLJixauH8Tfik7Z9uT37WOQuY/w398-h400/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Front%20Cover.jpg" width="398" /></a></div><br /><b>Over 40 years after she had been kicked out from Fairport Convention</b> (when her liaison with <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPVth0aG1Df3vlaiAuTnqYh3nOZ11WZUu8U0s5rburWL4lzGcvbPlzadZVxi_m1Cbv2pmn5IJ498p7oUqaCckxkCxKX-FP-yhsAauk3h7_-uKR2p7JhJiqFaTq-zdx2TvRaXEOkDTVk2-05ppG3YqajCCcZhCUATFhRjpmFeWVD7WFi7lwJ_Hy5l-tmss/s602/Judy%20Dyble%20-%20Artwork%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="597" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPVth0aG1Df3vlaiAuTnqYh3nOZ11WZUu8U0s5rburWL4lzGcvbPlzadZVxi_m1Cbv2pmn5IJ498p7oUqaCckxkCxKX-FP-yhsAauk3h7_-uKR2p7JhJiqFaTq-zdx2TvRaXEOkDTVk2-05ppG3YqajCCcZhCUATFhRjpmFeWVD7WFi7lwJ_Hy5l-tmss/s320/Judy%20Dyble%20-%20Artwork%203.jpg" width="317" /></a></div><br />Richard Thompson ended) and some 30 years absence from music, Dyble releases her masterpiece. The album is a life journey and becomes interesting through the collaborators who all were involved in her career, like <b>Robert Fripp and Ian McDonald from the early King Crimson, Simon Nicol of Fairport Convention or Pentangle's Jacqui McShee.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbhJvyOwoLY6RDn-KJddUgZIN4I4vkzcJy4FkJvs0F-gk3I3hYjLDUIOZuZxCZ2rrD37AtQ9ztXWlUkJd43JYBqTV3tr9IOhVLpy78K1bSyEpQZvf4-BTmbyyHRIsjW9ST7HFtsCexneNu9gXpa5H1lCi3YkAf_juy9A7CHDEBGKMSdeyjhrygieQNInI/s800/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Front%20Cover%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbhJvyOwoLY6RDn-KJddUgZIN4I4vkzcJy4FkJvs0F-gk3I3hYjLDUIOZuZxCZ2rrD37AtQ9ztXWlUkJd43JYBqTV3tr9IOhVLpy78K1bSyEpQZvf4-BTmbyyHRIsjW9ST7HFtsCexneNu9gXpa5H1lCi3YkAf_juy9A7CHDEBGKMSdeyjhrygieQNInI/w400-h399/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Front%20Cover%202.jpg" width="400" /></a></div><br /><b>This is not a simple Folk or Folk-Rock album although it starts out with an acoustic entry. But <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM1hNoY-GSOt5kUbWwKx2HbqLNfi1gFgLE8LrJQViatzfyjh2avFv-FJyKhI1tGcSPxhyFrLV1P4ntuQNIOwyR3QU6dz7R1J3LTCwLT1rP60iM9Ep3d7q_7uOrxrdxzjTBL-MHYrpXjDU-SBWoiVNmaW5fZon8OJ7RFRQkfU6LjfDCx4vNM2vp-_LfGI8/s800/Judy%20Dyble%20-%20Artwork%206.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="781" data-original-width="800" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM1hNoY-GSOt5kUbWwKx2HbqLNfi1gFgLE8LrJQViatzfyjh2avFv-FJyKhI1tGcSPxhyFrLV1P4ntuQNIOwyR3QU6dz7R1J3LTCwLT1rP60iM9Ep3d7q_7uOrxrdxzjTBL-MHYrpXjDU-SBWoiVNmaW5fZon8OJ7RFRQkfU6LjfDCx4vNM2vp-_LfGI8/s320/Judy%20Dyble%20-%20Artwork%206.jpg" width="320" /></a></div><br />then the full spectrum of her musical abilities is evolving as the journey continues.</b> On the second track Fripp and McDonald enter memories of their common time in court of that Crimson King.<br />The only cover song is Emerson, Lake & Palmer's C'est La Vie that Dyble (with McShee) takes to another dimension. The title song showcases her vocals that are all but fragile. Dreamtime and Grey October Day take a trip through the seasons and bring rich arrangements with them.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU5L3NjZ5FtzCU1A5z01S-JGlV-z35SSVUm-wiV54je5lkcCSxkjoJ8o1lzh3IqIIeAcIaGd5cpCFClfr-EZptfxOiHhVEXlrgaaOtp31kC3Qswg0JQ3XyerucmuXjgrM1L7c7qG2BCJhTenOsWxK0mgVGXVNpkr8WS2DO1gqRqp9xy7i3ATOprsKRaRI/s800/Judy%20Dyble%20-%20Artwork%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="378" data-original-width="800" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU5L3NjZ5FtzCU1A5z01S-JGlV-z35SSVUm-wiV54je5lkcCSxkjoJ8o1lzh3IqIIeAcIaGd5cpCFClfr-EZptfxOiHhVEXlrgaaOtp31kC3Qswg0JQ3XyerucmuXjgrM1L7c7qG2BCJhTenOsWxK0mgVGXVNpkr8WS2DO1gqRqp9xy7i3ATOprsKRaRI/w400-h189/Judy%20Dyble%20-%20Artwork%202.jpg" width="400" /></a></div><br />The centerpiece of the album however is the 19 minutes masterwork Harpsong which evolves from a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinXlilCJQ3ocFn6FT0eKnO0CDHffq3dQ1XqC5sLsgZ-uIR8Sfx8IjDvz9wcWHVM012-crmL2oRvu4WdyBFAR9dubFsf-nhHDdCqfhiw-HgiVtTGvEgpyXfW4x4BoWvHLUP3vdZ_mx7ubTYnj3f4ZL0gMZAmjj-FF4zSMIJr3dBlaYn820HgiQ1mLKNN2Y/s800/Judy%20Dyble%20-%20Artwork%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="290" data-original-width="800" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinXlilCJQ3ocFn6FT0eKnO0CDHffq3dQ1XqC5sLsgZ-uIR8Sfx8IjDvz9wcWHVM012-crmL2oRvu4WdyBFAR9dubFsf-nhHDdCqfhiw-HgiVtTGvEgpyXfW4x4BoWvHLUP3vdZ_mx7ubTYnj3f4ZL0gMZAmjj-FF4zSMIJr3dBlaYn820HgiQ1mLKNN2Y/s320/Judy%20Dyble%20-%20Artwork%204.jpg" width="320" /></a></div><br />folky driving introduction via jazzy piano/saxophone interlude into a prog-rock showcase around Fripp's guitar and soundscapes with whirling flute and saxophone from McDonald. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPSonO63PI56uIKyOYQ9MWM4kBWokPPN6p18_dulYvA8N3pc465-D0-W8MZC1cVJUaNVZ8mdIxpUXXCF9Y6CI8-5SXBqqtd7tG7VDljFoiTOY-30k27SECYDJ-_uuFIaYNrHVkaP9P19yzQ7XlNNpsZsmtL5AKbUkAm3mG6J4adeaTsnm6-FNy0Jhp1Ps/s616/Judy%20Dyble%20-%20Artwork%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="454" data-original-width="616" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPSonO63PI56uIKyOYQ9MWM4kBWokPPN6p18_dulYvA8N3pc465-D0-W8MZC1cVJUaNVZ8mdIxpUXXCF9Y6CI8-5SXBqqtd7tG7VDljFoiTOY-30k27SECYDJ-_uuFIaYNrHVkaP9P19yzQ7XlNNpsZsmtL5AKbUkAm3mG6J4adeaTsnm6-FNy0Jhp1Ps/w400-h295/Judy%20Dyble%20-%20Artwork%201.jpg" width="400" /></a></div><br />The King Crimson thunderstorm calms down and Judy returns for the final verses in a lighter folk <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJL0VGp_IgK35P6Jk2oO30K8v078a1U08bVq7nVuL0RV3-o3yE97oqB81JjINWWAllbX_ekRSBconH-ohEdJIpalD8h2FrdWGUjadLsngHcZH854hpwrbjstOOC-iggU04B3Cuq4wocFHfHEpk4FB8AYQbfGSqbY6OfV1UJpHjcJFViH0HbpdpDQaVJrQ/s800/Judy%20Dyble%20-%20Artwork%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="314" data-original-width="800" height="126" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJL0VGp_IgK35P6Jk2oO30K8v078a1U08bVq7nVuL0RV3-o3yE97oqB81JjINWWAllbX_ekRSBconH-ohEdJIpalD8h2FrdWGUjadLsngHcZH854hpwrbjstOOC-iggU04B3Cuq4wocFHfHEpk4FB8AYQbfGSqbY6OfV1UJpHjcJFViH0HbpdpDQaVJrQ/s320/Judy%20Dyble%20-%20Artwork%205.jpg" width="320" /></a></div><br />mode. It is an ambitious album but it is executed by brilliant musicians and most of the time the ideas work out fine.<br />(Roxanne Walsh) <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVZ4pdj0M_z69YG9gl8AhJqwA8CTb9-Oshce2thbIkcwYVDyvgwf5wVErNhh_Tu1bOBe3jggwBrWopmlKJDQKDhh2euAS3F3LxT_sDgZ2PX2dTM5v19OlnKb6Aq-KMYYzCzgylXfWKlDwnODY1J6CuthDggNgxQlhgv9xhjHwVobmmC09uX3AzdzckgQ/s800/Judy%20Dyble%20-%20Artwork%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVZ4pdj0M_z69YG9gl8AhJqwA8CTb9-Oshce2thbIkcwYVDyvgwf5wVErNhh_Tu1bOBe3jggwBrWopmlKJDQKDhh2euAS3F3LxT_sDgZ2PX2dTM5v19OlnKb6Aq-KMYYzCzgylXfWKlDwnODY1J6CuthDggNgxQlhgv9xhjHwVobmmC09uX3AzdzckgQ/w400-h400/Judy%20Dyble%20-%20Artwork%207.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Judy Dyble – Talking With Strangers<br />Label: Brilliant Music – FXTR CD113, FiXiT Records – FXTR CD113<br />Format: CD, Album, Limited Edition<br />Country: UK<br />Released: 2009<br />Genre: Rock <br />Style: Folk Rock, Folk, Prog Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_ltO1_WnOgyhUN0Kq0uyyyfEasRMuad_EaIowIdfv-NsTIS3L_eV2SRvsb-KT4tTP6Lu0lXWTH3PPhwurc7MFqPfn6mdHA7KDwS89pChwObYbyvTR6zVzV4wDUIEzkRRR9CTt51-b5z2rTscJc1kY9NIPRYSsm-0EiTldmvaGaOyfsElUKh3EoRnRVI/s1920/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1920" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_ltO1_WnOgyhUN0Kq0uyyyfEasRMuad_EaIowIdfv-NsTIS3L_eV2SRvsb-KT4tTP6Lu0lXWTH3PPhwurc7MFqPfn6mdHA7KDwS89pChwObYbyvTR6zVzV4wDUIEzkRRR9CTt51-b5z2rTscJc1kY9NIPRYSsm-0EiTldmvaGaOyfsElUKh3EoRnRVI/w400-h313/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br />01. Neverknowing 1:42</b><br />Acoustic Guitar – Simon Nicol<br />Vocals – Judy Dyble<br />Vocals [Additional] – Tim Bowness<br />Written-By – Murphy, Bowness<br /><b>02. Jazzbirds 3:05</b><br />Acoustic Guitar, Organ, Keyboards – Alistair Murphy<br />Bass – Mark Fletcher <br />Drums, Percussion – Pat Mastelotto<br />Flute – Ian McDonald<br />Vocals [Additional] – Jacquie McShee, Tim Bowness<br />Vocals, Autoharp – Judy Dyble<br />Written-By – Murphy, Dyble, Bowness<br /><b>03. C'est La Vie 4:15</b><br />Acoustic Guitar, Organ, Keyboards – Alistair Murphy<br />Bass – Mark Fletcher <br />Electric Guitar – Jeremy Salmon<br />Violin – Rachel Hall <br />Vocals – Judy Dyble<br />Vocals [Additional] – Celia Humphris, Julianne Regan, Tim Bowness<br />Written-By – Lake, Sinfield<br /><b>04. Talking With Strangers 3:23</b><br />Piano – Alistair Murphy<br />Vocals – Judy Dyble<br />Vocals [Additional] – Tim Bowness<br />Written-By – Murphy, Dyble, Bowness<br /><b>05. Dreamtime 4:19</b><br />Acoustic Guitar – John Gillies <br />Acoustic Guitar, Guitar [12-string], Electric Guitar, Organ, Piano, Keyboards – Alistair Murphy<br />Bass – Mark Fletcher <br />Drums, Percussion – Pat Mastelotto<br />Flute [Alto] – Ian McDonald<br />Vocals [Additional] – Jacquie McShee, Tim Bowness<br />Vocals, Autoharp – Judy Dyble<br />Written-By – Gillies, Dyble<br /><b>06. Grey October Day 6:04</b><br />Bass – Mark Fletcher <br />Drums, Percussion – Pat Mastelotto<br />Piano, Organ, Acoustic Guitar – Alistair Murphy<br />Tenor Saxophone, Alto Saxophone – Laurie A'Court<br />Vocals – Judy Dyble, Tim Bowness<br />Written-By – Murphy, Dyble, Bowness<br /><b>07. Harpsong 19:19</b><br />Acoustic Guitar – Simon Nicol<br />Acoustic Guitar, Keyboards, E-bow, Electric Guitar, Piano, Electric Piano, Organ, Synthesizer – Alistair Murphy<br />Alto Saxophone [Lead], Flute, Flute [Alto], Ukulele – Ian McDonald<br />Bass – Mark Fletcher <br />Drums, Percussion – Pat Mastelotto<br />Electric Guitar – Harry Fletcher, Paul Robinson <br />Guitar, Effects [Soundscapes] – Robert Fripp<br />Lyrics By – Dyble, Bowness<br />Music By – Murphy, Bowness<br />Oboe – Sanchia Pattinson<br />Tenor Saxophone, Alto Saxophone – Laurie A'Court<br />Violin – Rachel Hall <br />Vocals [Additional] – Celia Humphris, Jacquie McShee, Julianne Regan<br />Vocals [Additional], Electric Guitar – Tim Bowness<br />Vocals, Autoharp – Judy Dyble<br />Written-by [Melody] – Bowness<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKdw1oqQubsb7LS8wUF_PjeZD04vVh2cj4mfXtpRTI-4f2hR-6ad7c3ymQ_QG3nMmCHlyRhWCvk1mNIXGWRFLKTApEFzuTiAxUR_IuZAuWP2HWe0Oi8-sEVEzid4oiqCERJwLxTeqL1qWYkV6W32v3tGSQosbNMhnugK4CdQVkZenhyxfTl5n7CXcTWdk/s1920/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Inside%20Cover%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1920" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKdw1oqQubsb7LS8wUF_PjeZD04vVh2cj4mfXtpRTI-4f2hR-6ad7c3ymQ_QG3nMmCHlyRhWCvk1mNIXGWRFLKTApEFzuTiAxUR_IuZAuWP2HWe0Oi8-sEVEzid4oiqCERJwLxTeqL1qWYkV6W32v3tGSQosbNMhnugK4CdQVkZenhyxfTl5n7CXcTWdk/w400-h200/Judy%20Dyble%20-%20Talking%20With%20Strangers%20-%20Inside%20Cover%204.jpg" width="400" /></a></div><br />Limited edition of 1000 copies, individually numbered where the barcode would normally be (now absent) and first 500 signed by Judy Dyble, Tim Bowness and Alistair Murphy. Only sold at www.burningshed.com. <br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/eFQyVLQb#MFT41T5oKMiFQSb3ctoFI3H9ja3ertocThYSHdQGy10">Flac Size: 262 MB</a><br /><br /><span style="font-size: large;">JUDY DYBLE - ANTHOLOGY PART 1. 2015</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNCfKjpWR0M0If6Y_owaoaXbTBLGsNcfl3BwPMUYxzK1hs2mFyReEPf49lcaalpgxwjHr5SPwN57Z9txHzEzjTZ4wxlGj7tT5wgWFDiFAbEPpgPy74hiJmGRX_Ps9_kA1JoUCG2vmBxUPZnJzEVubcRm5_X51o69neJrwv9c2_vtcCKNPx7l55__-VPKA/s800/Judy%20Dyble%20-%20Anthology%20Part%201%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="758" data-original-width="800" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNCfKjpWR0M0If6Y_owaoaXbTBLGsNcfl3BwPMUYxzK1hs2mFyReEPf49lcaalpgxwjHr5SPwN57Z9txHzEzjTZ4wxlGj7tT5wgWFDiFAbEPpgPy74hiJmGRX_Ps9_kA1JoUCG2vmBxUPZnJzEVubcRm5_X51o69neJrwv9c2_vtcCKNPx7l55__-VPKA/w400-h379/Judy%20Dyble%20-%20Anthology%20Part%201%20-%20Front%20Cover.jpg" width="400" /></a></div><b><br />Judith Aileen Dyble (13 February 1949 – 12 July 2020)</b> was an English singer-songwriter, most notable for being a vocalist and a founding member of Fairport Convention and Trader Horne. For most <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8nzen-Uweztq7zKRjMxv-JLO6mX-rsSxMet0f30iDaDmxdRbfExs3ZUGNS27ZtMmP5mJ1zrpcZbsco5sthcnCF8tP-3DiPs9Re99wmBP0my8xmVfBY_p1GV9lHlCUOIPszphYjbXol9hcw-I7hDsPBt6BdNPWOfBC2FAmtGsDiVvyGbThExEbh0hV6rE/s800/Judy%20Dyble%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="800" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8nzen-Uweztq7zKRjMxv-JLO6mX-rsSxMet0f30iDaDmxdRbfExs3ZUGNS27ZtMmP5mJ1zrpcZbsco5sthcnCF8tP-3DiPs9Re99wmBP0my8xmVfBY_p1GV9lHlCUOIPszphYjbXol9hcw-I7hDsPBt6BdNPWOfBC2FAmtGsDiVvyGbThExEbh0hV6rE/s320/Judy%20Dyble%20-%20Photo%202.jpg" width="320" /></a></div><br />of her career, vocalist and songwriter Judy Dyble was thought to have had a brief but fascinating career as an early member of one of the U.K.'s most important folk groups. But she began a prolific second act when she launched a solo career at the age of 53. Dyble was a member of the iconic folk-rock band Fairport Convention in 1967 and appeared on their debut album, but parted ways with them in 1968. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-nzsXQYMPV8ZUb7H32SIX_XEg8xHa5oVYp8GZFAmKXrJnI3xicNNNqOft5d_uCs_tmMSFMrA98e7cPnkOAc5QRcMaEbGJC0kHoi_L4u8YXwnNl5XBlzFcRbuscNflgEu6_urm4FfAZiJLSX8LXxCmK2WM_UVZLbx3kDJXO0wlS2gFgg22jYg8pun0IM/s394/Judy%20Dyble%20-%20Artwork%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="394" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-nzsXQYMPV8ZUb7H32SIX_XEg8xHa5oVYp8GZFAmKXrJnI3xicNNNqOft5d_uCs_tmMSFMrA98e7cPnkOAc5QRcMaEbGJC0kHoi_L4u8YXwnNl5XBlzFcRbuscNflgEu6_urm4FfAZiJLSX8LXxCmK2WM_UVZLbx3kDJXO0wlS2gFgg22jYg8pun0IM/w400-h394/Judy%20Dyble%20-%20Artwork%203.jpg" width="400" /></a></div><br />She was also associated with the playful art rock trio Giles, Giles & Fripp and cut an album with the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWUC0r4kYfbbFX3Ofw1uHIiaULDfvEIbE5EsBR1ndJg5BnwZTcyeoABA0Cf83nLnFmiA-IBoufwUMFN7DCLaTUyQ6gPxMoHMm9PfLHfGQ62xW9Tkv9fCXpiJuOlftmucZQKuV-pDjibrfRnzg8fB-PLcdsEGomCYZuqI9EmUfowZwT4HNkRQc7zvzwHmI/s955/Judy%20Dyble%20-%20Photo%206.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="955" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWUC0r4kYfbbFX3Ofw1uHIiaULDfvEIbE5EsBR1ndJg5BnwZTcyeoABA0Cf83nLnFmiA-IBoufwUMFN7DCLaTUyQ6gPxMoHMm9PfLHfGQ62xW9Tkv9fCXpiJuOlftmucZQKuV-pDjibrfRnzg8fB-PLcdsEGomCYZuqI9EmUfowZwT4HNkRQc7zvzwHmI/s320/Judy%20Dyble%20-%20Photo%206.jpg" width="214" /></a></div><br />psych-folk duo Trader Horn before dropping out of music in 1973. Emboldened by festival appearances with Fairport Convention in 1997 and 2002, Dyble released her first solo album, Enchanted Garden, in 2004. Since then, she has released a steady stream of recordings where she blends world music, psychedelia, folk, and electronics, earning praise for 2009's Talking with Strangers, 2013's Flow and Change, and 2017's Summer Dancing (the latter a collaboration with Andy Lewis). <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLlnJpwKCOLVyWphSIFlmlUA7DsBfJympY1luXsCijKNXyKtyLMxMS3I_lKLtW9rwnvjyQWJ2Ax2yftBekS2CqmiMiiBRUcIox2kL07GC4UdLKua7W2TSWd25ZlxsUCq2d5lN8JiTGAMWETL8z62yuYEmYeYd3EWwXiCLInQ5gBsFg9LHlvlRZXKLIs8o/s398/Judy%20Dyble%20-%20Artwork%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="398" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLlnJpwKCOLVyWphSIFlmlUA7DsBfJympY1luXsCijKNXyKtyLMxMS3I_lKLtW9rwnvjyQWJ2Ax2yftBekS2CqmiMiiBRUcIox2kL07GC4UdLKua7W2TSWd25ZlxsUCq2d5lN8JiTGAMWETL8z62yuYEmYeYd3EWwXiCLInQ5gBsFg9LHlvlRZXKLIs8o/w400-h390/Judy%20Dyble%20-%20Artwork%202.jpg" width="400" /></a></div><br />The Anthology, Pt. 1 is a collection of odds and ends from Dyble's years before, during, and after her brief tenure with Fairport, and the material runs the gamut from disciplined readings of classic folk <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMPa0JdlaNFHLqC5D24GhHRyzgP3CWc-FD01C4PARFKfroWtXpCe7VC2ycu0HW_0cQ6HZoylmmWvgYvUTgGv8n0en7oyZfoAV80AemRv9g1d0l9onGrJYMwhDaDAJAJ7pXjAC_iIbCCAyxnWp7eCW6dDuN1apzzKhJEPHgKMiGhnypllQonbN059jy3x4/s640/Judy%20Dyble%20-%20Photo%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMPa0JdlaNFHLqC5D24GhHRyzgP3CWc-FD01C4PARFKfroWtXpCe7VC2ycu0HW_0cQ6HZoylmmWvgYvUTgGv8n0en7oyZfoAV80AemRv9g1d0l9onGrJYMwhDaDAJAJ7pXjAC_iIbCCAyxnWp7eCW6dDuN1apzzKhJEPHgKMiGhnypllQonbN059jy3x4/s320/Judy%20Dyble%20-%20Photo%208.jpg" width="320" /></a></div><br />tunes taped at an informal show in 1964 to atonal improvisations that suggest Wolf Eyes as cheerful and well-scrubbed British university students, a few unreleased Fairport demos (including a lovely version of Joni Mitchell's "Both Sides Now"), sessions with the pre-King Crimson Giles, Giles & Fripp, and a synth pop cover of Pink Floyd's "See Emily Play," with a curious advert for cassette tape (with Dyble singing a clumsy reworking of "Amazing Grace") closing out the set. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9XZfrUoeNTrPkMdGZEcbInLlZoZFa9cGzqOFqrp0OX1PY0fBcK1fl6tUX4ofWa6kGlb7O8Qht5yOkVNBrBBXApPphqxb8x7wJxRsga92jz4n21Og0fFTnIjCFmrig0Lec__2Frx3R0hkTFg2FcKvHbFlkf6FAlK0fdAQJ2UxSRr51ebmSSZ4B5LEAkLw/s396/Judy%20Dyble%20-%20Artwork%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="386" data-original-width="396" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9XZfrUoeNTrPkMdGZEcbInLlZoZFa9cGzqOFqrp0OX1PY0fBcK1fl6tUX4ofWa6kGlb7O8Qht5yOkVNBrBBXApPphqxb8x7wJxRsga92jz4n21Og0fFTnIjCFmrig0Lec__2Frx3R0hkTFg2FcKvHbFlkf6FAlK0fdAQJ2UxSRr51ebmSSZ4B5LEAkLw/w400-h390/Judy%20Dyble%20-%20Artwork%204.jpg" width="400" /></a></div><br />While most of Dyble's performances here lack the flexibility and gusto of some of her contemporaries on the U.K. folk scene, her skill as a vocalist is undeniable, as is the clarity of her instrument, and for <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQw5mltUJGlUJgK87i4K3_w7VDslmoNSbrzz58Ei_sSwp_xXCBLUtlNVgtiYjcqldvBb9hGOJ2XefKJGvpEkOiDMugiMCpYl-Kdf9GJA1xATnyiOGdZ-_FOA81wXcCjxe933zAnmvAEe5fqTfAKHdLUrDGguiE0MBuQvt6Ohvx0LMEfvYr3dv5gYqZCjk/s595/Judy%20Dyble%20-%20Photo%207.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="595" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQw5mltUJGlUJgK87i4K3_w7VDslmoNSbrzz58Ei_sSwp_xXCBLUtlNVgtiYjcqldvBb9hGOJ2XefKJGvpEkOiDMugiMCpYl-Kdf9GJA1xATnyiOGdZ-_FOA81wXcCjxe933zAnmvAEe5fqTfAKHdLUrDGguiE0MBuQvt6Ohvx0LMEfvYr3dv5gYqZCjk/s320/Judy%20Dyble%20-%20Photo%207.jpg" width="215" /></a></div><br />die-hard fans, there are a number of lost treasures here. However, the quality of the audio is very uneven, with the earliest recordings clearly taken from amateur reel-to-reel machines and the last rescued from often-played cassettes. And only the most committed Dyble enthusiast will want to hear her and her chums attempt experimental music more than once. The Anthology, Pt. 1 offers proof that Judy Dyble has enjoyed a more varied and interesting career than the average folk fan knows, but this is best recommended for her more loyal admirers than those unfamiliar with her music. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZFNj624H2lm6jkwO7Wle8EhrFNQV9ONp59D93wrpD-fP3mSVjIv7HZyiyH0hqbxcT_W5WIr-kKg-jVvyUiVcljQ1eElkheSzWZHVroVhWgXU-1McVXDsrmXg8J7cSgp6xLhQxQ_DL41bBVmiSxK7Yh8Tj0Edi0zD6b_tgQscDUTJN0hXCkeud-2nVDs/s640/Judy%20Dyble%20-%20Logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="169" data-original-width="640" height="106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ZFNj624H2lm6jkwO7Wle8EhrFNQV9ONp59D93wrpD-fP3mSVjIv7HZyiyH0hqbxcT_W5WIr-kKg-jVvyUiVcljQ1eElkheSzWZHVroVhWgXU-1McVXDsrmXg8J7cSgp6xLhQxQ_DL41bBVmiSxK7Yh8Tj0Edi0zD6b_tgQscDUTJN0hXCkeud-2nVDs/w400-h106/Judy%20Dyble%20-%20Logo.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Judy Dyble – Anthology: Part One<br />Label: Earth – EARTHCD008<br />Format: CD, Album, Compilation<br />Country: UK<br />Released: 2015<br />Genre: Rock, Folk, World, & Country<br />Style: Art Rock, Folk<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6GDKXpf8uwzEka46n2EZHIQpQImGRmtjXbJXuHbDSkSV2gO_oY23GoFqYm482A_NZIk0PadGShWCWx1HX_LQ45hrIFVqThxXWnh-ZSwI4TcefiX8lOKptaBnGhC6Ra3csOeFigouLcpzPnC6mDr6cjfYvfUYwgCI0A0zOxsYVKAIt7kgWB0gDiIYQaA/s800/Judy%20Dyble%20-%20Anthology%20Part%201%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="800" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6GDKXpf8uwzEka46n2EZHIQpQImGRmtjXbJXuHbDSkSV2gO_oY23GoFqYm482A_NZIk0PadGShWCWx1HX_LQ45hrIFVqThxXWnh-ZSwI4TcefiX8lOKptaBnGhC6Ra3csOeFigouLcpzPnC6mDr6cjfYvfUYwgCI0A0zOxsYVKAIt7kgWB0gDiIYQaA/w400-h390/Judy%20Dyble%20-%20Anthology%20Part%201%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br />01. Judy & The Folkmen – Come All Ye Fair And Tender Ladies 2:25</b><br />Guitar, Vocals – Bruce West <br />Vocals – Ernie Balding<br />Vocals, Guitar – Rod Braxton <b><br />02. Judy & The Folkmen – Spanish Is A Lovin' Tongue 3:16</b><br />Guitar, Vocals – Bruce West <br />Vocals – Ernie Balding<br />Vocals, Guitar – Rod Braxton <b><br />03. Judy Dyble With Richard Thompson – Improvisation 12:47</b><br />Performer – Judy Dyble, Richard Thompson<br /><b>04. Fairport Convention – Both Sides Now 3:10</b><br />Written-By – Joni Mitchell<br /><b>05. Fairport Convention – One Sure Thing 2:55<br />06. Giles, Giles & Fripp– Make It Today 3:24<br />07. Giles, Giles & Fripp– Passages Of Time 3:30</b><br />Written-By – Robert Fripp<br /><b>08. Giles, Giles & Fripp – Under The Sky 2:48<br />09. Giles, Giles & Fripp – Murder 2:42</b><br />Written-By – Peter Giles<br /><b>10. Judy Dyble With G.F. Fitzgerald – May Four 2:59<br />11. Judy Dyble –Better Side Of Me 3:45</b><br />Producer – Mike Batt<br />Written-By – Marianne Segal<br /><b>12. Judy Dyble – I Hear A Song 3:20</b><br />Written-By – Peter Barnfather<br /><b>13. Judy Dyble – Satisfied Mind 3:06</b><br />Written-By – Rhodes, Hayes<br /><b>14. Judy Dyble – See Emily Play 3:30</b><br />Written-By – Syd Barrett<br /><b>15. Judy Dyble – Mirror Master Tape Advertisement 2:20</b><br />Vocals – Bob Harris, Simon Stable<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/XMY0zADY#wThxiNAV-PaSVuA-W2Kbv-wNsEl7i3nEoZzNrXSZ0OM">Flac Size: 271 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com4tag:blogger.com,1999:blog-8270002232971427483.post-28794733271555777922024-02-19T10:37:00.000+02:002024-02-19T10:37:53.205+02:00Thee Holy Strangers: Diary Of The Shadow 2022<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKMOozoCmV6IqE2G_uzsM1iGP5rCMo_F-3K83W1BBRm_o4dLsZ66ZDkIUQDABlTbTmOth_ZqHkr38y9m4aEbsrlIWpb_nePC_wA_1UFJbGb_6Eog35DDwqatAbaqqRpre3ILQgbUBHOpRgLcmVRAePOquRSne63JsXOJ8sK3H0wHPBEynkXoT6WXUURo/s1103/Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="987" data-original-width="1103" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrKMOozoCmV6IqE2G_uzsM1iGP5rCMo_F-3K83W1BBRm_o4dLsZ66ZDkIUQDABlTbTmOth_ZqHkr38y9m4aEbsrlIWpb_nePC_wA_1UFJbGb_6Eog35DDwqatAbaqqRpre3ILQgbUBHOpRgLcmVRAePOquRSne63JsXOJ8sK3H0wHPBEynkXoT6WXUURo/w400-h358/Front%20Cover.jpg" width="400" /></a></div><p></p><p><b>Thee Holy Strangers were formed in 2014 by members of well-known Athenian rock ‘n’ roll </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzYIZgi0tOO-F8OuM_PB-yH8xgps0WFkZ9h2D-8xLMBo1fS_sff7WPtBNLK2hGtCyxhe93m-rXV2I2mnJ7iSlOxvfj5fE-ySw1fy5VVj2RIDcNVvcvwGftdpzeUUagRHyenW2w-Obu_rrYqsgpGBNLFz8-ym63TNCr_o6iwenC0_4woNC_2TDCzdnRdng/s1280/Thee%20Holy%20Strangers%20-%20Photo%2017.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="853" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzYIZgi0tOO-F8OuM_PB-yH8xgps0WFkZ9h2D-8xLMBo1fS_sff7WPtBNLK2hGtCyxhe93m-rXV2I2mnJ7iSlOxvfj5fE-ySw1fy5VVj2RIDcNVvcvwGftdpzeUUagRHyenW2w-Obu_rrYqsgpGBNLFz8-ym63TNCr_o6iwenC0_4woNC_2TDCzdnRdng/s320/Thee%20Holy%20Strangers%20-%20Photo%2017.jpg" width="213" /></a></b></div><b><br />bands. The original line-up was: Alexis Kalofolias (Alex K- The Last Drive, The Earthbound), Nikos Fysakis, John Hardy (Dustbowl), Flora Ioannidi (Make Believe), Tassos Paleologou (700 Machines, Down’n’Out, Dream Long Dead), Jenny Kapadai, Costas Chrysogelos (Digital Alkemist, ex-Nightsalker).</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltc5wOBKOxhTlXxPNMU_YV7Qzoey-PJyEgQKsvrE5MRYbJmIbza9UphxH7cY_rywWB04pvws7e5WhYB9QJFsqhw3aqK4MLMm0y2Qd2As8DnqtoLMZAT2jxnKBQD5icD_dTWT7MPj9a-xx0Mz-Is8PYMep6zpm2TGokMQyVmO0pji7to5esb4H5lmG8kA/s2048/Thee%20Holy%20Strangers%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltc5wOBKOxhTlXxPNMU_YV7Qzoey-PJyEgQKsvrE5MRYbJmIbza9UphxH7cY_rywWB04pvws7e5WhYB9QJFsqhw3aqK4MLMm0y2Qd2As8DnqtoLMZAT2jxnKBQD5icD_dTWT7MPj9a-xx0Mz-Is8PYMep6zpm2TGokMQyVmO0pji7to5esb4H5lmG8kA/w400-h266/Thee%20Holy%20Strangers%20-%20Photo%206.jpg" width="400" /></a></div><br />In 2015 they released the single “Fiery Road / Trouble on Trouble” in collaboration with the historical <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitZyg5fJFkDE0FSkPOo97uKBSw2lWwX5xMz_G3ZJB6vC2BroWKuS9Y_sfuoeW-y1SqNAU1oLEBaQ9fH93kIKQ0jcGmPdcKwss88xXpx9afxyuCxd_hl-jgoQg4CeZR_u_MvhCBDNg9ybbQEeKeP-i1rx584RVCTNaBoCai71rsbA1SbJUicdXVqVpJ7Xc/s640/Thee%20Holy%20Strangers%20-%20Photo%202.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitZyg5fJFkDE0FSkPOo97uKBSw2lWwX5xMz_G3ZJB6vC2BroWKuS9Y_sfuoeW-y1SqNAU1oLEBaQ9fH93kIKQ0jcGmPdcKwss88xXpx9afxyuCxd_hl-jgoQg4CeZR_u_MvhCBDNg9ybbQEeKeP-i1rx584RVCTNaBoCai71rsbA1SbJUicdXVqVpJ7Xc/s320/Thee%20Holy%20Strangers%20-%20Photo%202.jpg" width="320" /></a></div><br />greek fanzine Fractal Press. They appeared in various clubs in Athens and Thessaloniki, as well as in the Anti-Racism Festival of Athens.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8hP4uisQniITo_TEp_D8frFEovHr1X8bY398uEitXr6H57v6aFek7ud4iRChP_abF4UOpBdfzh7IMmsUoIv40-smLbM_CQw4PWHv0XzOGbpW2REpsAK1vlKJx1eNj75JZfnhPY7bLEA-T0JYQkNMuiGRW67lQn1Ng9fFpLPUUuMXKow67bhKfn_-N-A0/s980/Thee%20Holy%20Strangers%20-%20Poster%209.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="508" data-original-width="980" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8hP4uisQniITo_TEp_D8frFEovHr1X8bY398uEitXr6H57v6aFek7ud4iRChP_abF4UOpBdfzh7IMmsUoIv40-smLbM_CQw4PWHv0XzOGbpW2REpsAK1vlKJx1eNj75JZfnhPY7bLEA-T0JYQkNMuiGRW67lQn1Ng9fFpLPUUuMXKow67bhKfn_-N-A0/w400-h208/Thee%20Holy%20Strangers%20-%20Poster%209.jpg" width="400" /></a></div><br />The following year, their first self-titled album of 12 original compositions was released on CD and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiag313tXKWEeu9h8IdjO0FuK0puLE3nL_TrRl828tqMQcLU3opV-chzkRJ-7QUDsTRjXAl6ziwb0wS7fKkee95mSY5b_JKij6pYeaSq4F1VHXMKmMF2muehE1PzCgh1CfI27JOHtpYLLUjTqITjfy29V4ZT-mcaK3BzjHva-euwK2mIsJpzERZ9mCf9s/s1280/Thee%20Holy%20Strangers%20-%20Photo%2015.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiag313tXKWEeu9h8IdjO0FuK0puLE3nL_TrRl828tqMQcLU3opV-chzkRJ-7QUDsTRjXAl6ziwb0wS7fKkee95mSY5b_JKij6pYeaSq4F1VHXMKmMF2muehE1PzCgh1CfI27JOHtpYLLUjTqITjfy29V4ZT-mcaK3BzjHva-euwK2mIsJpzERZ9mCf9s/s320/Thee%20Holy%20Strangers%20-%20Photo%2015.jpg" width="320" /></a></div><br />double LP via Labyrinth of Thoughts/The Lab Rcds and with the support of Merlin’s Music Box. The album was accompanied by a video clip (Fiery Road) directed by Grigoris Panopoulos. In 2017, the German channel Arte TV presents them with an hourly tribute.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrqh9CZXRpJ4HMDITzBPtRqD0rh0Gcj7djCqc2bPaxgRjgSy7pO4sf_DaLbabocueRtQUYQ54kUYYlieJSBp0IJ8ETR0rDh4H2IuBScKjOJwiwtGo5GVgwg67V7b5ryv9bAJ3_M-Sl4V9JnAgkXu9B6mblUr7GlqyI8ZcZ_R3inl2FEVp7ES3sTRxSEMY/s1200/Thee%20Holy%20Strangers%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrqh9CZXRpJ4HMDITzBPtRqD0rh0Gcj7djCqc2bPaxgRjgSy7pO4sf_DaLbabocueRtQUYQ54kUYYlieJSBp0IJ8ETR0rDh4H2IuBScKjOJwiwtGo5GVgwg67V7b5ryv9bAJ3_M-Sl4V9JnAgkXu9B6mblUr7GlqyI8ZcZ_R3inl2FEVp7ES3sTRxSEMY/w400-h266/Thee%20Holy%20Strangers%20-%20Photo%201.jpg" width="400" /></a></div><br />They continued to make their own audience by giving concerts all over Greece, among them the 11th <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEsI20ROSBZaACYBrFWCZpzaYscoo1zNnGzIh6Cyu4ag7bMCnnKBaAE9AL_W_qThkHCXWLKrFvKQmNYRtq8yAXwTH-TxXz7kmdnmC9qkYF9XmH651WNWJWzUkBGZ8ykk8HSumAFPiCwL42V1orgpP6JfqR_8BSHPK0gCVcVGzpCwRJqJoUI0uHXHx_Scs/s1280/Thee%20Holy%20Strangers%20-%20Photo%2010.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEsI20ROSBZaACYBrFWCZpzaYscoo1zNnGzIh6Cyu4ag7bMCnnKBaAE9AL_W_qThkHCXWLKrFvKQmNYRtq8yAXwTH-TxXz7kmdnmC9qkYF9XmH651WNWJWzUkBGZ8ykk8HSumAFPiCwL42V1orgpP6JfqR_8BSHPK0gCVcVGzpCwRJqJoUI0uHXHx_Scs/s320/Thee%20Holy%20Strangers%20-%20Photo%2010.jpg" width="320" /></a></div><br />Anti-Racism Festival and the Westside Festival in Patras. In 2020 they participated in the compilation “The Lovelock Letters” of the English label Aldora Britain Records with their song Truth and Sorrow.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifnzba5k9-izUfrTn5Yqbe-uzLsfcztrcxorRAHC_B8oxziHYVBruGBBrQEx-sXCMGwY7os40ME3BN2Dd9qcbsrmTVvgj4dpjTAsEe71w7bIyf6KfYoP5DyvYzdg3TjmCUtErV8LqG72E6jWZCzd5GC3pMLAWuD3djj-2aHMlXQqus4X0xQeCYvCdmoTw/s2000/Thee%20Holy%20Strangers%20-%20Poster%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="1400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifnzba5k9-izUfrTn5Yqbe-uzLsfcztrcxorRAHC_B8oxziHYVBruGBBrQEx-sXCMGwY7os40ME3BN2Dd9qcbsrmTVvgj4dpjTAsEe71w7bIyf6KfYoP5DyvYzdg3TjmCUtErV8LqG72E6jWZCzd5GC3pMLAWuD3djj-2aHMlXQqus4X0xQeCYvCdmoTw/w280-h400/Thee%20Holy%20Strangers%20-%20Poster%201.jpg" width="280" /></a></div><br />In the same year their line-up changed with the addition of Andreas Lagios (Nightstalker) and Kleon <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvOFQVEdjOsOUdNAfOPJW-GbZs5GVk4izT77brbCildAbWbsXbAIW51rpHBkWbLQmWRu6pyh2575dZbJy-Dr8B8jLAHzm8VlWLabVDHnqOFROhTk9iApWGyVgdhsN7GYvsfBn2uZF1hkyliWEkPZgU77-tLhsR3BD9HxOgxWagfJ-neJGKqfekO4yEepo/s1282/Thee%20Holy%20Strangers%20-%20Photo%2026.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1282" data-original-width="858" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvOFQVEdjOsOUdNAfOPJW-GbZs5GVk4izT77brbCildAbWbsXbAIW51rpHBkWbLQmWRu6pyh2575dZbJy-Dr8B8jLAHzm8VlWLabVDHnqOFROhTk9iApWGyVgdhsN7GYvsfBn2uZF1hkyliWEkPZgU77-tLhsR3BD9HxOgxWagfJ-neJGKqfekO4yEepo/s320/Thee%20Holy%20Strangers%20-%20Photo%2026.jpg" width="214" /></a></div><br />Antoniou (Mode Plagal). In the spring-summer of 2021 they recorded at DNA Lab Studio their second LP entitled “Diary of the Shadow”, which was released in September 2022 via Inner Ear.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg-qhoC115yxpdF81kyPzL71oB2oohtj-qbF9u3us423gBN8p0VT8u2wxOGz31c5OQXprrG5DIURtD6G_4pc1zdIqaG58qTMGHsS7mRrvsLhXZmx8Oq4xqBZAHVCXL1UjEI18lifVmCP-w-wfMk4LleLLZRCjrgeSCYajhhx-c7RQuBsYFeoB8UTcN8_k/s1280/Thee%20Holy%20Strangers%20-%20Photo%2013.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg-qhoC115yxpdF81kyPzL71oB2oohtj-qbF9u3us423gBN8p0VT8u2wxOGz31c5OQXprrG5DIURtD6G_4pc1zdIqaG58qTMGHsS7mRrvsLhXZmx8Oq4xqBZAHVCXL1UjEI18lifVmCP-w-wfMk4LleLLZRCjrgeSCYajhhx-c7RQuBsYFeoB8UTcN8_k/w400-h266/Thee%20Holy%20Strangers%20-%20Photo%2013.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">DIARY OF THE SHADOW</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC4gPim8pY_bdvXLlDo80CnKBKDbVn51vTPO4CvAvWswe9BnHm2luhoqmMhdpC6DOTGyCxP-ZiBU6FPAYFa6lKb-O0d5hyphenhyphens9KnmvxuYdgItcyFKYkSQSWsQOo6WnNliwCzaOWOrilZ6kixuaAN6FbcD6uyF1JZpDSEnk0L5x0p-RUPNSKa_JcVseY2n8o/s1000/Thee%20Holy%20Strangers%20-%20Poster%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="790" data-original-width="1000" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC4gPim8pY_bdvXLlDo80CnKBKDbVn51vTPO4CvAvWswe9BnHm2luhoqmMhdpC6DOTGyCxP-ZiBU6FPAYFa6lKb-O0d5hyphenhyphens9KnmvxuYdgItcyFKYkSQSWsQOo6WnNliwCzaOWOrilZ6kixuaAN6FbcD6uyF1JZpDSEnk0L5x0p-RUPNSKa_JcVseY2n8o/w400-h316/Thee%20Holy%20Strangers%20-%20Poster%203.jpg" width="400" /></a></div><br />Six years after their debut album, Thee Holy Strangers return with their sophomore LP “Diary Of The <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijuf2kCzamEBzJn9qIeZzLonseCdY2eagGRVu4Z69UYAjdyUzoofoX8_F6uoH_vqQjurCe1S7oLD2ilUKl2fTO9UG-3F10QuqbA5nR-W8PRNd-stvsKX_0Pj6tZQNiILjWNEBtmF-bwbo8RjJn90NI80EvZikBI4p91MJRHbDxOSfCHHsq2XGR4m0qAxU/s1280/Thee%20Holy%20Strangers%20-%20Photo%2019.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijuf2kCzamEBzJn9qIeZzLonseCdY2eagGRVu4Z69UYAjdyUzoofoX8_F6uoH_vqQjurCe1S7oLD2ilUKl2fTO9UG-3F10QuqbA5nR-W8PRNd-stvsKX_0Pj6tZQNiILjWNEBtmF-bwbo8RjJn90NI80EvZikBI4p91MJRHbDxOSfCHHsq2XGR4m0qAxU/s320/Thee%20Holy%20Strangers%20-%20Photo%2019.jpg" width="320" /></a></div><br />Shadow”. With a new line-up and a new sound design, they present seven testimonies of an uncertain era and trace its imprints. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPouPPvNiLeSRewQqDCC_EhGBjBSj2TvR_culRUI7G3ywYIGtRtMFZfbatfBp7caliTMY0MyWx1Mz_cre6DDDYyD09PNAa2ClkLAs1ZejHX6bWQtkMYgpIUrakyJoQRhBtIkj5TTSX5xpv7yldWetzRgUDN24jHZncifnfIq2cMYO8c4Y_kyn48sh1t8/s1800/Thee%20Holy%20Strangers%20-%20Photo%2036.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPouPPvNiLeSRewQqDCC_EhGBjBSj2TvR_culRUI7G3ywYIGtRtMFZfbatfBp7caliTMY0MyWx1Mz_cre6DDDYyD09PNAa2ClkLAs1ZejHX6bWQtkMYgpIUrakyJoQRhBtIkj5TTSX5xpv7yldWetzRgUDN24jHZncifnfIq2cMYO8c4Y_kyn48sh1t8/w266-h400/Thee%20Holy%20Strangers%20-%20Photo%2036.jpg" width="266" /></a></div><br />Drawing on the inexhaustible pool of rock’n’roll, soul and folk, they set up songs for today that speak <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH6uz94B17zQ0iZXpnkzdrZli3WgCd3LjTtll5dw_AobunmuBEgUIm6mW7jP8rbczB0unRQcVyr6Bjq6WrB-P9kVg8v3e7uOr_tCKYc-10oXH99rGgq9LVwS9HDDE-YcYP0LBXluMVPDHtgvi2TuLunFIK6WTG-uFuXHZwcnp9n_cpAu_hsE4jAbz3H54/s1281/Thee%20Holy%20Strangers%20-%20Photo%2022.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="857" data-original-width="1281" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH6uz94B17zQ0iZXpnkzdrZli3WgCd3LjTtll5dw_AobunmuBEgUIm6mW7jP8rbczB0unRQcVyr6Bjq6WrB-P9kVg8v3e7uOr_tCKYc-10oXH99rGgq9LVwS9HDDE-YcYP0LBXluMVPDHtgvi2TuLunFIK6WTG-uFuXHZwcnp9n_cpAu_hsE4jAbz3H54/s320/Thee%20Holy%20Strangers%20-%20Photo%2022.jpg" width="320" /></a></div><br />of resignation and resilience, darkness and light, sadness and hope.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTuMWla1H4WneJltnD-LDWTRI1ZxbIeYrhVQ-nLGB1zU9rjyi-sRZZ-DBs9Y-oqX33K_WlFBCxIgKZu0PZWwx1SFWGubhm_5lQZLPGlWlBE_ug1axZvPvxUEVuAcCKMcmz4St2vbfboLpiPhranonf4WiW1oriORSGSNvr6l3Bliffm6h67nIxd1bmPDQ/s1200/Thee%20Holy%20Strangers%20-%20Poster%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1200" height="254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTuMWla1H4WneJltnD-LDWTRI1ZxbIeYrhVQ-nLGB1zU9rjyi-sRZZ-DBs9Y-oqX33K_WlFBCxIgKZu0PZWwx1SFWGubhm_5lQZLPGlWlBE_ug1axZvPvxUEVuAcCKMcmz4St2vbfboLpiPhranonf4WiW1oriORSGSNvr6l3Bliffm6h67nIxd1bmPDQ/w400-h254/Thee%20Holy%20Strangers%20-%20Poster%206.jpg" width="400" /></a></div><b><br />New members of the band are Andreas Lagios (Nightstalker) on bass and Kleon Antoniou (Mode <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiURrU-vcDZZXKRCOg57YmA0SGJMajsLPPfpjhKSzSayOCxzLSYb-yEtqPpx92Ce0qLrqmPgGOUf9HiNoT6MDrXh4k7d2P0AnJknBifK7KdoimWi9pLlF2zNrqKoNdtV7TUKM7TUxjO3Y3aJc480MLDkXrxsDpNDUe8O-OcWp4KoIzZT7G_cE2bPZGsI/s1271/Thee%20Holy%20Strangers%20-%20Photo%2028.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="851" data-original-width="1271" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKiURrU-vcDZZXKRCOg57YmA0SGJMajsLPPfpjhKSzSayOCxzLSYb-yEtqPpx92Ce0qLrqmPgGOUf9HiNoT6MDrXh4k7d2P0AnJknBifK7KdoimWi9pLlF2zNrqKoNdtV7TUKM7TUxjO3Y3aJc480MLDkXrxsDpNDUe8O-OcWp4KoIzZT7G_cE2bPZGsI/s320/Thee%20Holy%20Strangers%20-%20Photo%2028.jpg" width="320" /></a></div><br />Plagal) on guitar.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7rb9L4ARwjr_zzjbf6UKFyrWOMF4WwHSfO-xS9H_3-qMNnlVKoTzSGLj0gI4clvAuUentS3nyoArKr9LGdyu3zFJ9uUCSRGlqe8dxS8v81IwrBwhjPwIckYuezdQ-xrYhvtuwuwBYXPYGYGBIrS-bglX7xyTjrX1bkG2XxhRoR3nP31fi-BJiGiIy_20/s1920/Thee%20Holy%20Strangers%20-%20Photo%2032.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7rb9L4ARwjr_zzjbf6UKFyrWOMF4WwHSfO-xS9H_3-qMNnlVKoTzSGLj0gI4clvAuUentS3nyoArKr9LGdyu3zFJ9uUCSRGlqe8dxS8v81IwrBwhjPwIckYuezdQ-xrYhvtuwuwBYXPYGYGBIrS-bglX7xyTjrX1bkG2XxhRoR3nP31fi-BJiGiIy_20/w400-h225/Thee%20Holy%20Strangers%20-%20Photo%2032.jpg" width="400" /></a></div><br />“Diary Of The Shadow” includes seven original compositions and was produced by Costas <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif9lSTowFO3BySdJQsO47h7gO5rGNvHh24GVUe6vyJaJPoSgBbLIJGD-eMSDzs6wbyWtQVNhX4efXFI1cPeuAI48MyKGNCpXT3WN65JHcuHdopVQmczMzN1N9DpaaRmhNEZ1mN2kG5HdR2kClFZ5JctqSRvR7C3qUoOniC0lSKRpmWVUrdUf_s0haXh8A/s1800/Thee%20Holy%20Strangers%20-%20Photo%2038.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif9lSTowFO3BySdJQsO47h7gO5rGNvHh24GVUe6vyJaJPoSgBbLIJGD-eMSDzs6wbyWtQVNhX4efXFI1cPeuAI48MyKGNCpXT3WN65JHcuHdopVQmczMzN1N9DpaaRmhNEZ1mN2kG5HdR2kClFZ5JctqSRvR7C3qUoOniC0lSKRpmWVUrdUf_s0haXh8A/s320/Thee%20Holy%20Strangers%20-%20Photo%2038.jpg" width="213" /></a></div><br />Chrysogelos (Digital Alkemist), Alexis Kalofolias and Dimitris Papanagiotou (Jim Spliff). It was recorded by Costas Chrysogelos and Philip Marinelis at DNA Lab studio in the spring-summer of 2021. The mastering was done by Giannis Christodoulatos at Sweetspot Studio.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEb1i57I9UX0iL0OL7vv1Ijxn7QVAiXFldpD4rVqkyKGqddxip_fzZhcU-Cjk4mFnkdz3TpPjyTjlFyU7uZhVfeH_AYHtE6KusYQYWfwW51HFe888XbZ926XfWzgZ1PVuLX1TfxdvqjxlReEp7z22QZjDeMxzWpHRrdfRz7t13y2e3bW7aMryRlw08sw/s1280/Thee%20Holy%20Strangers%20-%20Photo%2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="853" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUEb1i57I9UX0iL0OL7vv1Ijxn7QVAiXFldpD4rVqkyKGqddxip_fzZhcU-Cjk4mFnkdz3TpPjyTjlFyU7uZhVfeH_AYHtE6KusYQYWfwW51HFe888XbZ926XfWzgZ1PVuLX1TfxdvqjxlReEp7z22QZjDeMxzWpHRrdfRz7t13y2e3bW7aMryRlw08sw/w266-h400/Thee%20Holy%20Strangers%20-%20Photo%2012.jpg" width="266" /></a></div><br />Με νέο δίσκο ήδη εκεί έξω τόσο ψηφιακά όσο και φυσικά, με νέα μέλη και έναν ήχο που εξελίσσεται, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdW9vQhws4tyy6B7gq8EVgnTyGF3ewRUMUswGEZS6Y1Uy0TjOrzEkJgSWT6jXeiQE2lUYYattRQBD-X70tBEvJgZMb9gwG0M3sYLUzIPJi7y6Gifpz4WeJknHxtegC_L9gNl_JiJCTyc00y3WzZ_iptkz4wFPaVy2G5RHHHCAIv9S0ecZd3M-7qjGaX3E/s1800/Thee%20Holy%20Strangers%20-%20Photo%2037.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="1800" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdW9vQhws4tyy6B7gq8EVgnTyGF3ewRUMUswGEZS6Y1Uy0TjOrzEkJgSWT6jXeiQE2lUYYattRQBD-X70tBEvJgZMb9gwG0M3sYLUzIPJi7y6Gifpz4WeJknHxtegC_L9gNl_JiJCTyc00y3WzZ_iptkz4wFPaVy2G5RHHHCAIv9S0ecZd3M-7qjGaX3E/s320/Thee%20Holy%20Strangers%20-%20Photo%2037.jpg" width="320" /></a></div><br />οι Thee Holy Strangers, ένα συγκρότημα που καθοδηγεί ο Αλέξης Καλοφωλιάς αλλά συνδιαμορφώνουν εκλεκτά μέλη της ελληνικής rock σκηνής, έχουν για δεύτερη φορά μία ελκυστική μουσική πρόταση να παρουσιάσουν. Μάλιστα στο "Diary Of A Shadow" φαίνεται να επανασυστήνονται με ακόμα πιο έντονη προσωπικότητα, χωρίς όμως να χρειαστεί να επανεφεύρουν τον εαυτό τους.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZC1GufHq4M2mTIq4SjVpQiDdnTqOvkHGDB8Eq84mv6EYuOnl9bPLb1QeyYJ4wJEd72VFkD_DdpixXuTtLwdOOccgTrgspMgL-8SNobuf2y9KKgsL7GA6EuG0_SW7Q79Y2lWkqXn-bAe8LfcukhJmLWwvgoejNZW06U5B8PgzurqOQv8UdT4hI2PKLey8/s1280/Thee%20Holy%20Strangers%20-%20Photo%2023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="857" data-original-width="1280" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZC1GufHq4M2mTIq4SjVpQiDdnTqOvkHGDB8Eq84mv6EYuOnl9bPLb1QeyYJ4wJEd72VFkD_DdpixXuTtLwdOOccgTrgspMgL-8SNobuf2y9KKgsL7GA6EuG0_SW7Q79Y2lWkqXn-bAe8LfcukhJmLWwvgoejNZW06U5B8PgzurqOQv8UdT4hI2PKLey8/w400-h268/Thee%20Holy%20Strangers%20-%20Photo%2023.jpg" width="400" /></a></div><br />Για τις προσωπικές αλλά και κοινωνικές συνθήκες γύρω από τις οποίες στήθηκε και δημιουργήθηκε ο <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPM6ooJUyVxlruu2wLgs46jDI-rx28HGSONLF_zWWxPfIUEnLhnzr0SJGGjGRzF_6BZg0Tmk-v1koCRQ9FrLdm1xewAhtulg1onnnbDV6xJc_B5EfIpX8_Ty3sWGdr9k_dCVpjdGaPC0f8ri01z1X8xi63wbtbf4wyUGRrP7QyR45XJlxvJRLOSZf0uxs/s2048/Thee%20Holy%20Strangers%20-%20Photo%2033.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPM6ooJUyVxlruu2wLgs46jDI-rx28HGSONLF_zWWxPfIUEnLhnzr0SJGGjGRzF_6BZg0Tmk-v1koCRQ9FrLdm1xewAhtulg1onnnbDV6xJc_B5EfIpX8_Ty3sWGdr9k_dCVpjdGaPC0f8ri01z1X8xi63wbtbf4wyUGRrP7QyR45XJlxvJRLOSZf0uxs/s320/Thee%20Holy%20Strangers%20-%20Photo%2033.jpg" width="320" /></a></div><br />δίσκος, τη μουσική εξέλιξη μέσα από έναν πυρήνα συνεργατών και την αλληγορική χρήση της σκιάς στους στίχους και τη θεματολογία τους, μας μίλησαν ο Αλέξης Καλοφωλιάς (φωνή, κιθάρα) και η Φλώρα Ιωαννίδη (φωνή).<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw8mIDmi1xuhGsgkmZ9FM6kt_n8RCg2uOlHh7G8NMdPQlMY2h0fkMiU663wXKFEJNR9Hxs-Qx0ScFlibNq7_8YmuTs2p76EhgAcR-rHzGdwcPxZIYVMFMBELA0iT5rQ3zbvs6Iu1_aDWadJT9oaQAd_PF5Cxo8bybFGnNXAZwdq_3L73BAKa8SzvQL4fI/s960/Thee%20Holy%20Strangers%20-%20Photo%2031.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw8mIDmi1xuhGsgkmZ9FM6kt_n8RCg2uOlHh7G8NMdPQlMY2h0fkMiU663wXKFEJNR9Hxs-Qx0ScFlibNq7_8YmuTs2p76EhgAcR-rHzGdwcPxZIYVMFMBELA0iT5rQ3zbvs6Iu1_aDWadJT9oaQAd_PF5Cxo8bybFGnNXAZwdq_3L73BAKa8SzvQL4fI/w400-h300/Thee%20Holy%20Strangers%20-%20Photo%2031.jpg" width="400" /></a></div><br /><b>-Μια ερώτηση με αφορμή το όνομά σας: η έννοια του "ξένου"έχει ιδιαίτερη βαρύτητα και χαίρει <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCCF4ZpZ5VvlxOtc6JTPGceZS7vqZ0Fs6e-Q09L9TzCGvKsTsEPYFiFLlQBPkoefJ6shI1JxLs-OHhPbrmWEygtKxO6FMViOrzcf0G9SkW_qOhz4L8NjQeYbNPREjfagvAwcb9x7wx79QtrZzekixX8pQmB6In3zgUWlMKNMVhE3GJlc9_X6oMLNl3XU/s1277/Thee%20Holy%20Strangers%20-%20Photo%2025.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="855" data-original-width="1277" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCCF4ZpZ5VvlxOtc6JTPGceZS7vqZ0Fs6e-Q09L9TzCGvKsTsEPYFiFLlQBPkoefJ6shI1JxLs-OHhPbrmWEygtKxO6FMViOrzcf0G9SkW_qOhz4L8NjQeYbNPREjfagvAwcb9x7wx79QtrZzekixX8pQmB6In3zgUWlMKNMVhE3GJlc9_X6oMLNl3XU/s320/Thee%20Holy%20Strangers%20-%20Photo%2025.jpg" width="320" /></a></div><br />βαθύτατου σεβασμού στην τέχνη, στην παράδοση και στη θρησκεία (αναφέρω πολύ ενδεικτικά την ομηρική υποδοχή του ξένου, το "ξένος ήμην και ου συνηγάγετέ με"της Καινής Διαθήκης κ.ο.κ). Σε μια εποχή έντονης ξενοφοβίας, πώς μπορεί να ξαναγίνει συνείδηση η ιερότητα του ξένου;</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKOcQw8W9YuSJm_dcN_aj4PB2lQtd9LT0Iu0Llyo5jiroE5sopP3PthoiMZPzVkGYPJ1-jMk9ivZXMW0ryT7L0OOF6N-q0O1c5yo6oVYeF_1MQEHQCDnTDS7siYDnuwT1hS5pP7dzUMHMVLTB_t3v_GfykdMuE9UUtEXGmBfwcHWNt1bLLvTz6gxfJlRo/s960/Thee%20Holy%20Strangers%20-%20Photo%2030.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKOcQw8W9YuSJm_dcN_aj4PB2lQtd9LT0Iu0Llyo5jiroE5sopP3PthoiMZPzVkGYPJ1-jMk9ivZXMW0ryT7L0OOF6N-q0O1c5yo6oVYeF_1MQEHQCDnTDS7siYDnuwT1hS5pP7dzUMHMVLTB_t3v_GfykdMuE9UUtEXGmBfwcHWNt1bLLvTz6gxfJlRo/w400-h300/Thee%20Holy%20Strangers%20-%20Photo%2030.jpg" width="400" /></a></div><br />Σε έναν πλανήτη που έχει εθιστεί στην βία και την καχυποψία -και οι θρησκείες έχουν συμβάλλει πολύ <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcwWe1vEvgJR52-2Kxiv8XP-pKlMARn0IMm9dQCXksjPBa7onNcRS62QUkl4F52a2Wis8kaTShFIZdRkwrMUTQT4OoPqmHls0Ih6wGRzU3RYVeJbpv0Z5UB8Kr0Ft-Q3YqSmlS29AVWUglO1dawJv2lF0_aRHhmC5zhT5VsIUBiRZSqPq-PeSeK0PDD34/s960/Thee%20Holy%20Strangers%20-%20Photo%2029.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcwWe1vEvgJR52-2Kxiv8XP-pKlMARn0IMm9dQCXksjPBa7onNcRS62QUkl4F52a2Wis8kaTShFIZdRkwrMUTQT4OoPqmHls0Ih6wGRzU3RYVeJbpv0Z5UB8Kr0Ft-Q3YqSmlS29AVWUglO1dawJv2lF0_aRHhmC5zhT5VsIUBiRZSqPq-PeSeK0PDD34/s320/Thee%20Holy%20Strangers%20-%20Photo%2029.jpg" width="240" /></a></div><br />σ’ αυτό- ξέρουμε ότι το όνομά μας ακούγεται σαν πικρό αστείο, αλλά μιλάμε για έναν αναγκαίο όρο της ανθρώπινης συμβίωσης. Ιεροί Ξένοι είμαστε όλοι εμείς οι πολλοί, οι σημερινοί και οι δυνητικοί εκτοπισμένοι και αποστερημένοι, ενός κόσμου γεμάτου αποκλεισμούς.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja7II8_BOqAN2-vSAGTsONVtKHZMGRhrL1PWEUkvSjXtJRy9ICp_05gUYOawNjPOBoz9tp0w_W9TkPpNUkeOp3QtELlKh6BIuoNPKrzJdB9FJJcxUjqUyOJXYNAOqMDtghvExoV5fFRaotGFvh5G6ddNws2xH0WdBBXG5orze0Ze1NgKoOom3ziY2vIjw/s851/Thee%20Holy%20Strangers%20-%20Poster%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="851" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja7II8_BOqAN2-vSAGTsONVtKHZMGRhrL1PWEUkvSjXtJRy9ICp_05gUYOawNjPOBoz9tp0w_W9TkPpNUkeOp3QtELlKh6BIuoNPKrzJdB9FJJcxUjqUyOJXYNAOqMDtghvExoV5fFRaotGFvh5G6ddNws2xH0WdBBXG5orze0Ze1NgKoOom3ziY2vIjw/w400-h148/Thee%20Holy%20Strangers%20-%20Poster%204.jpg" width="400" /></a></div><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdZ5gMqDMQr1NP8BNnGUJnqK1jX_1zm4CtmuSJLvzDYh25d2Y2YFUf_ucEoCk1KDnrKUG8NTQjt3BdpaDnUwoeAbNzG47mEOO24Fq6vaFRniSlwf-pX0PD56o61PxJT1yLpRd3Uwc7ImbNLLrm4oY5QN80kPj8bEyt1RfQoCUzkI0haqKy4C3XqA5OSCw/s2048/Thee%20Holy%20Strangers%20-%20Photo%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdZ5gMqDMQr1NP8BNnGUJnqK1jX_1zm4CtmuSJLvzDYh25d2Y2YFUf_ucEoCk1KDnrKUG8NTQjt3BdpaDnUwoeAbNzG47mEOO24Fq6vaFRniSlwf-pX0PD56o61PxJT1yLpRd3Uwc7ImbNLLrm4oY5QN80kPj8bEyt1RfQoCUzkI0haqKy4C3XqA5OSCw/s320/Thee%20Holy%20Strangers%20-%20Photo%205.jpg" width="320" /></a></div><br />-Πόσο έχουν αλλάξει τα πράγματα στη δημιουργία και στην προώθηση της μουσικής από τη δεκαετία του '80 περίπου έως και σήμερα;</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9Qw78xtBFcq2IjfsxBHcAdWBP200I-AIEYMsGnDWZ4dvj1aqmmzBwvWiRFk6TKcg-ShUj4nWYTrmXuN900hkHVdlbbV1g5inMb9FNEXQdDjYersDlZecSc89qhu1Tmae3w0qATUB0Q2CIzu11GUXZ_USe1pCVV5gqNE7o6XlCmEfECjOQtKC4D6VfvY/s2048/Thee%20Holy%20Strangers%20-%20Photo%2039.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9Qw78xtBFcq2IjfsxBHcAdWBP200I-AIEYMsGnDWZ4dvj1aqmmzBwvWiRFk6TKcg-ShUj4nWYTrmXuN900hkHVdlbbV1g5inMb9FNEXQdDjYersDlZecSc89qhu1Tmae3w0qATUB0Q2CIzu11GUXZ_USe1pCVV5gqNE7o6XlCmEfECjOQtKC4D6VfvY/w400-h300/Thee%20Holy%20Strangers%20-%20Photo%2039.jpg" width="400" /></a></div><br />Πάρα πολύ, είναι προφανές. Παλιά δεν υπήρχε τόση πληροφορία, η επαφή με τον κάθε δίσκο ήταν πιο <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinpiF5-zAmn-rEVqlPmusQCaop03gm5U5UoYfNNCXkyOjOKwM38XxbHgVQql-mwxQVxFcpYh8Ta0IB8fgKxTow7iGynnq3VoiSqsqKt9pIouDeKSUCky_1YF5IRyn55WZNao07QuNxA20_F1u-xeObiTk8OOazJkmqfiPctp1tAFahMfNNa8ayCgEKk5g/s1271/Thee%20Holy%20Strangers%20-%20Photo%2021.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="851" data-original-width="1271" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinpiF5-zAmn-rEVqlPmusQCaop03gm5U5UoYfNNCXkyOjOKwM38XxbHgVQql-mwxQVxFcpYh8Ta0IB8fgKxTow7iGynnq3VoiSqsqKt9pIouDeKSUCky_1YF5IRyn55WZNao07QuNxA20_F1u-xeObiTk8OOazJkmqfiPctp1tAFahMfNNa8ayCgEKk5g/s320/Thee%20Holy%20Strangers%20-%20Photo%2021.jpg" width="320" /></a></div><br />«στενή» και νομίζω και ο βαθμός της εμβάθυνσης διαφορετικός. Σήμερα η πλημμύρα της μουσικής είναι τέτοια που σχεδόν υπερβαίνει τις αντιληπτικές σου ικανότητες, χρειάζεσαι πολύ ισχυρό φίλτρο για να τη διαχειριστείς. Επίσης, είναι πολύ πιο εύκολο να ηχογραφήσεις και να διαθέσεις τη μουσική σου, αλλά η ηχογράφηση -τουλάχιστον η ηχογράφηση μιας ροκ μπάντας όπως την έχουμε γνωρίσει εμείς- είναι μια διαδικασία που έχει σχεδόν την ίδια σημασία με το αποτέλεσμά της, μια συλλογική εμπειρία με αρχή, μέση και τέλος που δεν γίνεται να περιλαμβάνει μόνο εσένα και τον υπολογιστή. <p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5dtgeik9msKISdIknMGgTiYTXv77lXFLvdrm5_TfbhUwGgcRAi4KuQPHPWhGZhE5bu8SLHTVPLSS1MqBFrIt8xWKeX8PIPJJOWAFPPoE7LvwlYbl_8cWIaR_FHhRdTod_G4fqBofv85WogM_s10lJZLqtgeRI62rvKjwzF6G65qk3Y9CPVKgcHVeyoI/s500/Thee%20Holy%20Strangers%20-%20Photo%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="333" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5dtgeik9msKISdIknMGgTiYTXv77lXFLvdrm5_TfbhUwGgcRAi4KuQPHPWhGZhE5bu8SLHTVPLSS1MqBFrIt8xWKeX8PIPJJOWAFPPoE7LvwlYbl_8cWIaR_FHhRdTod_G4fqBofv85WogM_s10lJZLqtgeRI62rvKjwzF6G65qk3Y9CPVKgcHVeyoI/w266-h400/Thee%20Holy%20Strangers%20-%20Photo%203.jpg" width="266" /></a></div><br /><p></p><p>Έτσι, θα βρεθείς πάλι στην ανάγκη να στηρίξεις οικονομικά την ηχογράφηση του υλικού σου. Όσο </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEBcwNlMYDqvUVKRYsRIPdwOICetFZl7572IzI4jqb6REeQAdXISPXoEdDTjoXpmVqutgG6FTO6IkP-aLvfEAAaeWG_SXE9oD7aBbMoeaRXWhyphenhyphenxBpui-HuCqTX5ZKmX02BB-IY1lYbKoxUGLMUfW32jaTPLiu7ioaPUS3jIo9M3wbaPuZMNgDWa185yL8/s1280/Thee%20Holy%20Strangers%20-%20Photo%209.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEBcwNlMYDqvUVKRYsRIPdwOICetFZl7572IzI4jqb6REeQAdXISPXoEdDTjoXpmVqutgG6FTO6IkP-aLvfEAAaeWG_SXE9oD7aBbMoeaRXWhyphenhyphenxBpui-HuCqTX5ZKmX02BB-IY1lYbKoxUGLMUfW32jaTPLiu7ioaPUS3jIo9M3wbaPuZMNgDWa185yL8/s320/Thee%20Holy%20Strangers%20-%20Photo%209.jpg" width="320" /></a></div><br />αφορά την προώθηση, εδώ τα πράγματα έχουν αλλάξει σε σχέση με μερικά χρόνια πριν, πόσο μάλλον με τη δεκαετία του ΄80, που κλείναμε περιοδείες στην Ευρώπη μέσω αλληλογραφίας. Και πάλι, δεν νομίζω ότι αυτός ο βομβαρδισμός της πληροφορίας και του ιντερνετικού πάρε-δώσε τελικά εξυπηρετεί, ένα μουσικό συμβάν απαιτεί την φυσική σου παρουσία, όχι τη διαδικτυακή.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQWB92PWK8tB1T-pbtQEYFnLMDhwaNz61Yd9PAIBwH4De5Zd5XXZzFpoJEwXQ_asXAGZ_UQdIyRxgnsVWreRHQDaQ74zAdQE3dga3nZCXGYVDVrbYqvaztt0J-W97OrECCdAPnlyhCt0zCLpxR-Pv2tnh8sM9ns4A0TnBMuHjXi881AocCBRfnVbR0ABE/s2048/Thee%20Holy%20Strangers%20-%20Poster%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1173" data-original-width="2048" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQWB92PWK8tB1T-pbtQEYFnLMDhwaNz61Yd9PAIBwH4De5Zd5XXZzFpoJEwXQ_asXAGZ_UQdIyRxgnsVWreRHQDaQ74zAdQE3dga3nZCXGYVDVrbYqvaztt0J-W97OrECCdAPnlyhCt0zCLpxR-Pv2tnh8sM9ns4A0TnBMuHjXi881AocCBRfnVbR0ABE/w400-h229/Thee%20Holy%20Strangers%20-%20Poster%205.jpg" width="400" /></a></div><br /><b><a href=" http://www.mic.gr/synenteyxi/thee-holy-strangers-kathe-valtos-einai-topos-dimioyrgias-kai-symviosis">Interview on MIC HERE:</a></b><br /><br /><b><a href="https://www.rocking.gr/interviews/thee-holy-strangers/40680">Interview on ROCKIN HERE:</a></b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibr0ff3mdz289PldaT3wTq-YI-513jG_ihAHIBpP2mUHLS1Zdry8TWgY4P4Bwll9dvuCr95bR0hBooNdVo0rVkKcQ1yjzkRgldg0bcDMa3auVWBbsbkXGkdYjZ02DO7YYSK7i1L2t5_KyvJyRsuqUu3NGsyyAzgVdq-ry1Cf__pDbIUWTZe5lIU9Fgzzc/s800/Thee%20Holy%20Strangers%20-%20Poster%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="574" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibr0ff3mdz289PldaT3wTq-YI-513jG_ihAHIBpP2mUHLS1Zdry8TWgY4P4Bwll9dvuCr95bR0hBooNdVo0rVkKcQ1yjzkRgldg0bcDMa3auVWBbsbkXGkdYjZ02DO7YYSK7i1L2t5_KyvJyRsuqUu3NGsyyAzgVdq-ry1Cf__pDbIUWTZe5lIU9Fgzzc/w288-h400/Thee%20Holy%20Strangers%20-%20Poster%207.jpg" width="288" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DEZFKqedRUV8Htx4V0AfzAPckA3iZevd0NXlj-PiWX9Ug6mHIfgfN_IsnwPOcyZNrCwWc29OpiatDTCuwrIM9ep65olKGr_Ex7ybfdwfpAQ-5O1tB7eT_xsErDebo1n6H8pXNwapHcvr4pT45lwHGHnRHiFMwkhwMc1CpY94EgPEkgbbFOoCJCtl5DA/s2048/Thee%20Holy%20Strangers%20-%20Photo%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2DEZFKqedRUV8Htx4V0AfzAPckA3iZevd0NXlj-PiWX9Ug6mHIfgfN_IsnwPOcyZNrCwWc29OpiatDTCuwrIM9ep65olKGr_Ex7ybfdwfpAQ-5O1tB7eT_xsErDebo1n6H8pXNwapHcvr4pT45lwHGHnRHiFMwkhwMc1CpY94EgPEkgbbFOoCJCtl5DA/w400-h266/Thee%20Holy%20Strangers%20-%20Photo%207.jpg" width="400" /></a></div><br /><b>Flora Ioannidi</b>: Vocals, <br /><b>Alexis Kalofolias (Alex K)</b>: Vocals, guitar, <br /><b>Kleon Antoniou</b>: Electric and acoustic guitar, <br /><b>Andreas Lagios</b>: Bass, <br /><b>Costas Chrysogelos</b>: Drums, percussion.<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">WITH:</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilcPVM7MplimZtYiG1CG8Hqm-d_On6OBc9fCOvzrf-A944_Do_u2EDQ_onmwA5tPbb-SKAxEqZ5RZ9RgpJpk3XRRDuvuNkQ1J9chon1AQK-K9Wl6XmbZhbzSrnDmOq2DVDsnPtndApPEDia2WNUfw4BXfpu6RF42DZbg7A9lUUdlDvL8iqG5xMIWiHtI8/s559/Thee%20Holy%20Strangers%20-%20Poster%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="559" data-original-width="391" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilcPVM7MplimZtYiG1CG8Hqm-d_On6OBc9fCOvzrf-A944_Do_u2EDQ_onmwA5tPbb-SKAxEqZ5RZ9RgpJpk3XRRDuvuNkQ1J9chon1AQK-K9Wl6XmbZhbzSrnDmOq2DVDsnPtndApPEDia2WNUfw4BXfpu6RF42DZbg7A9lUUdlDvL8iqG5xMIWiHtI8/w280-h400/Thee%20Holy%20Strangers%20-%20Poster%208.jpg" width="280" /></a></div><br /><b>Nick Fysakis</b>: Electric Guitar on "Shadow Town"<br /><b>Nikos Yousef</b>: musical saw on "Shadow Town"<br /><b>John Hardy</b>: Pedal Steel Guitar on "Words"<br /><b>Costinho</b>: Piano on "Shadow Town", Keyboards On "Fire In The Woods", "Devil's Hands"<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8bxPt67gsCfOAel_X98WjexB3j_mohY3TJiWc9aKz38aYWTdH3tloK-yUAdNO75Y9k3RMEcPiiWak-gJEVWcMJpbOMQGf2r2b0RyqNuDGaUJyjrnltObVXI-zYbJLUnODqlLQ7JY-asxErl022JKswZ6n065gFe3jjMccMCgDxyF98kWOaflbdGwSso/s2048/Thee%20Holy%20Strangers%20-%20Poster%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1462" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8bxPt67gsCfOAel_X98WjexB3j_mohY3TJiWc9aKz38aYWTdH3tloK-yUAdNO75Y9k3RMEcPiiWak-gJEVWcMJpbOMQGf2r2b0RyqNuDGaUJyjrnltObVXI-zYbJLUnODqlLQ7JY-asxErl022JKswZ6n065gFe3jjMccMCgDxyF98kWOaflbdGwSso/w285-h400/Thee%20Holy%20Strangers%20-%20Poster%202.jpg" width="285" /></a></div><br /><p></p><p style="text-align: center;"><b>Thee Holy Strangers – Diary Of The Shadow<br />Label: Inner Ear – INN223<br />Format: CD, Album<br />Country: Greece<br />Released: Sep 9, 2022<br />Genre: Rock, Blues<br />Style: Alternative Rock<br /><span style="font-size: large;"><br />TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNzn7w0OzncmFcEjSu8P3GuIRCESNqthl6m2L2fY8aS8K2q1ytE25i-Bi9m9YPgkmxBAQ3mQWZwWqOB2fquex8d-Xkl-abxgXDH-UiYv92-FACEG2aW_qlGE4dg7WPwzLoGecRB0tpb8K1wacmP5VaKLMFaLDjEPntsVkS1Wmueb5cWGAYusK95a5KvQs/s1098/Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1003" data-original-width="1098" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNzn7w0OzncmFcEjSu8P3GuIRCESNqthl6m2L2fY8aS8K2q1ytE25i-Bi9m9YPgkmxBAQ3mQWZwWqOB2fquex8d-Xkl-abxgXDH-UiYv92-FACEG2aW_qlGE4dg7WPwzLoGecRB0tpb8K1wacmP5VaKLMFaLDjEPntsVkS1Wmueb5cWGAYusK95a5KvQs/w400-h365/Back%20Cover.jpg" width="400" /></a></div><br /><br /><b>01. </b>A Star Is A Star 4:52<br /><b>02. </b>Broken Arrows 5:44<br /><b>03.</b> Devil's Hands 6:04<br /><b>04. </b>The Lotus Song 4:09<br /><b>05.</b> Fire In The Woods 7:05<br /><b>06.</b> Words 6:287<br /><b>07.</b> Shadow Town 6:30<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/fFgn2KRY#A8VwROcQNwlPB9MYzI9yZdLhJeLnzVvLbuOaE0HuriA">Flac Size: 277 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com8tag:blogger.com,1999:blog-8270002232971427483.post-75260503316865298112024-02-18T10:57:00.001+02:002024-02-18T11:05:51.347+02:00Doug Tuttle: Doug Tuttle 2014 + It Calls On me 2016<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1R2OjKRbN67SS1zpImmpTFvehcHXwSjXDTNwZx_cPGFDoCZKXD_U-5MkJmDw_nBb1BWT6LBk1Piv5UQElrlKHfIu1B6wpPDn9Y8yKHhJEoB48Nu_MLx-EvhnNEfx-CompcRGwhsEbKwiJ1vZfa28J_DTRo1VwS-z1i0iMJrzJXj5N7wJ6dppu5SbSyhk/s440/Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1R2OjKRbN67SS1zpImmpTFvehcHXwSjXDTNwZx_cPGFDoCZKXD_U-5MkJmDw_nBb1BWT6LBk1Piv5UQElrlKHfIu1B6wpPDn9Y8yKHhJEoB48Nu_MLx-EvhnNEfx-CompcRGwhsEbKwiJ1vZfa28J_DTRo1VwS-z1i0iMJrzJXj5N7wJ6dppu5SbSyhk/w400-h400/Poster.jpg" width="400" /></a></div> <p></p><p>Guitarist, vocalist, producer, and songwriter Doug Tuttle's first band, Mmoss, was a deeply psychedelic </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisFMUSAnon2htg4i-SN77JXRKrIAhyphenhyphendGx_Bnd3mxKFCtn99B0t06T63ePU8Aj3uM2BFlJv8r0TEY7gOlzmb-OC4F4emWo2x5VuTOXVNFLLvnEYnDdcZZw0ovkKxDEP3xiy4OF4P-OIHTm1U_m5o-8PDzfj4UyvM6YYm2xOMEIW_odz9y5Gny8BdzQU0Gw/s1024/Doug%20Tuttle%20-%20Photo%2021.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="1024" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisFMUSAnon2htg4i-SN77JXRKrIAhyphenhyphendGx_Bnd3mxKFCtn99B0t06T63ePU8Aj3uM2BFlJv8r0TEY7gOlzmb-OC4F4emWo2x5VuTOXVNFLLvnEYnDdcZZw0ovkKxDEP3xiy4OF4P-OIHTm1U_m5o-8PDzfj4UyvM6YYm2xOMEIW_odz9y5Gny8BdzQU0Gw/s320/Doug%20Tuttle%20-%20Photo%2021.jpg" width="320" /></a></div><br />project and when it split, Tuttle shifted musical gears. Recording in a home studio, Tuttle made records using various folk/rock, psych, and classic rock elements; his first two were lo-fi takes on melancholy psych pop that featured his buzzing guitar and mournful vocals. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpegM40zjECgrM5II3GvaCA4_vnwOmgn-BzxcP9OUFpTaaSUMOlSk-i7VK0kc6W7SPmFw12icP4oB4OxQwBWBSYjTomhSUOhds5ceIzpH77oCxBMDjFdXjrtAsh9oAHbF_6Nj1ME2vVQWgFnB-Hlp5bTNd3ikQC1ioaetWa9byXLGqYYqfv2Ed4DoTDU/s1024/Doug%20Tuttle%20-%20Photo%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpegM40zjECgrM5II3GvaCA4_vnwOmgn-BzxcP9OUFpTaaSUMOlSk-i7VK0kc6W7SPmFw12icP4oB4OxQwBWBSYjTomhSUOhds5ceIzpH77oCxBMDjFdXjrtAsh9oAHbF_6Nj1ME2vVQWgFnB-Hlp5bTNd3ikQC1ioaetWa9byXLGqYYqfv2Ed4DoTDU/w400-h400/Doug%20Tuttle%20-%20Photo%2014.jpg" width="400" /></a></div><br />By the time of 2017's Peace Potato though, he'd switched gears and began crafting mid-fi versions of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioo4wnffagSAvjKnWXJCUeS6Ftw7n_5Uxn_VDYwMcJyln5Hi-KKN78s9jUdJO7zMjoT0Y46GyMxVxFsIqfjVIWuI0MOf5iTySOD-quRxEgoQUKBO9NPnMeo6db-cFvAjJamh3ECTm_U9B0N2xTsVtqO0SiL9zL6HMFlBd9ZiVcx0XUaTBo_wIk3Re6j1U/s1024/Doug%20Tuttle%20-%20Photo%2028.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioo4wnffagSAvjKnWXJCUeS6Ftw7n_5Uxn_VDYwMcJyln5Hi-KKN78s9jUdJO7zMjoT0Y46GyMxVxFsIqfjVIWuI0MOf5iTySOD-quRxEgoQUKBO9NPnMeo6db-cFvAjJamh3ECTm_U9B0N2xTsVtqO0SiL9zL6HMFlBd9ZiVcx0XUaTBo_wIk3Re6j1U/s320/Doug%20Tuttle%20-%20Photo%2028.jpg" width="320" /></a></div><br />mainstream '70s rock that wouldn't sound out of place next to Tom Petty on a playlist. A guitarist, vocalist, and songwriter influenced by classic pop, psychedelia, and rock of the '60s and '70s who had been playing since the age of six, Tuttle was living in Boston, Massachusetts when he met multi-instrumentalist Rachel Neveu, and the two soon bonded romantically and musically. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidOQLMtVCFRwo9PiZI2ytLP9grOsUgqDzQOyga6N8RnwtNYstCqC5XG-ZLePcqOqUUbWfi3OpaIcxRHmTdE4Y2T1ylkUAKiEsaLmsVE3fZro13CrZPQQ9WNTUjloARXJIJsbrj7OWp6vyGXmoISw6d9QjckKKMJU1tc9UHB-hPBHn8GCBcGkm-19ZneY/s800/Art%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="800" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidOQLMtVCFRwo9PiZI2ytLP9grOsUgqDzQOyga6N8RnwtNYstCqC5XG-ZLePcqOqUUbWfi3OpaIcxRHmTdE4Y2T1ylkUAKiEsaLmsVE3fZro13CrZPQQ9WNTUjloARXJIJsbrj7OWp6vyGXmoISw6d9QjckKKMJU1tc9UHB-hPBHn8GCBcGkm-19ZneY/w400-h198/Art%202.jpg" width="400" /></a></div><br /><b>In 2007, Tuttle and Neveu relocated to New Hampshire, where they formed the band Mmoss.</b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs5tpH4iZhxndYUsEvZ0kl7Yr5wxdB7LKBWjRRE7UoAvI34mGGoncina0oDsGS5ql3j6VeChcrU5vrN36lUheCZrX4FconwU9QIoYTZemEr88i583UHLzIdqurMvKiO2e-1zEWX_nmOWTJIkSFRXWPZuPWPiigKn71XhS_HVO0YeaOTcZ8JWEOrQFuoxI/s1024/Doug%20Tuttle%20-%20Photo%2026.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs5tpH4iZhxndYUsEvZ0kl7Yr5wxdB7LKBWjRRE7UoAvI34mGGoncina0oDsGS5ql3j6VeChcrU5vrN36lUheCZrX4FconwU9QIoYTZemEr88i583UHLzIdqurMvKiO2e-1zEWX_nmOWTJIkSFRXWPZuPWPiigKn71XhS_HVO0YeaOTcZ8JWEOrQFuoxI/s320/Doug%20Tuttle%20-%20Photo%2026.jpg" width="320" /></a></div><br />Mmoss' first album, a self-recorded effort called i, was picked up for release in 2011 by the noted indie label Burger Records; they then moved to Chicago's Trouble in Mind Records and released their second album, Only Children, in 2012. However, in early 2013, Mmoss broke up, and Tuttle's relationship with Neveu fell apart. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI4lgjaD7q60qk1IT3k4kvDUnGM1SoEUjknO9DizITXLbMCaFCufMmuuMapFm5ti2YIeYMiP82sNjlyX5DRElFQ2Ge8Eqfrk4WgQr730DTK943vhmbU0EF99acDZxDtdGMmpWGDGczGVeIZ7MJO_7CK32HMQNsfgM5eJHEmSjYsjYiWQeNVX3-aLlIIMs/s1024/Doug%20Tuttle%20-%20Photo%2017.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="1024" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI4lgjaD7q60qk1IT3k4kvDUnGM1SoEUjknO9DizITXLbMCaFCufMmuuMapFm5ti2YIeYMiP82sNjlyX5DRElFQ2Ge8Eqfrk4WgQr730DTK943vhmbU0EF99acDZxDtdGMmpWGDGczGVeIZ7MJO_7CK32HMQNsfgM5eJHEmSjYsjYiWQeNVX3-aLlIIMs/w400-h268/Doug%20Tuttle%20-%20Photo%2017.jpg" width="400" /></a></div><br />Emotionally devastated, Tuttle relocated to Somerville, Massachusetts and retreated into his music, <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLXLwjlOnaQlVjb1e1nHutKsJURn-iXmQ8qjb7kTTcs5FuKU0UHEtho90zsw47VJAvCMatwUVgXK5TOcOM2k6kwW9aitv0iXLs7V75G2dcaX3cssQFJvq1XlHsFhOeFGeM19AFImZwmPxl6_miRUsHWYjGd5_jeAGqhvQuCVAvYuDv1bHMoMVwtSt-UBY/s800/Mmoss.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="800" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLXLwjlOnaQlVjb1e1nHutKsJURn-iXmQ8qjb7kTTcs5FuKU0UHEtho90zsw47VJAvCMatwUVgXK5TOcOM2k6kwW9aitv0iXLs7V75G2dcaX3cssQFJvq1XlHsFhOeFGeM19AFImZwmPxl6_miRUsHWYjGd5_jeAGqhvQuCVAvYuDv1bHMoMVwtSt-UBY/s320/Mmoss.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="font-size: medium;">Mmoss</span></b></td></tr></tbody></table><br />writing and recording material in a makeshift studio he set up in a former woodshop. By the end of the year, Tuttle had emerged with his first solo album, Doug Tuttle, an 11-song set full of epic-scale guitar solos and clever production touches informed by his breakup with Neveu. It was issued by Trouble in Mind in early 2014. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98A9IH2cEOX7iVAu3zrQXtSqXCUyUkIpUGOfdWv_Tfbh-WjWU8a6iub39n-GdFbmBSg_0B3woaWCdh3rkAo3quTnBE2hEkdNSRV0mQnj2mV1P6blBrAAQ9RsvU9gI8rMgB7WuL0G2wb8TNdKgBeJsGfiIEfqfTuVXm59eWBecw7K9DvGBVv0t3aPn9Mg/s964/Art%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="964" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj98A9IH2cEOX7iVAu3zrQXtSqXCUyUkIpUGOfdWv_Tfbh-WjWU8a6iub39n-GdFbmBSg_0B3woaWCdh3rkAo3quTnBE2hEkdNSRV0mQnj2mV1P6blBrAAQ9RsvU9gI8rMgB7WuL0G2wb8TNdKgBeJsGfiIEfqfTuVXm59eWBecw7K9DvGBVv0t3aPn9Mg/w265-h400/Art%201.jpg" width="265" /></a></div><br />After spending a large part of 2015 touring, Tuttle returned early the next year with his second album, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSBgpUPoh-ouJuYYlffEWt3dj-rBKJFlbldIMAYc3LA8KdGi950Dh1o3RdYQeCY_2N4pOSQjtWSGywBhXvO2Gzz3JV7TuCmzbjhPMpnh3N4XicEI5OmoUtL1hj0jMiKlEZhNcAWm43j6FoGa2GYXVIs8bxtPHV1n3r5lzFV7v1dz1iXQHEr0sLk1FTP8s/s800/Doug%20Tuttle%20-%20Photo%2036.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="543" data-original-width="800" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSBgpUPoh-ouJuYYlffEWt3dj-rBKJFlbldIMAYc3LA8KdGi950Dh1o3RdYQeCY_2N4pOSQjtWSGywBhXvO2Gzz3JV7TuCmzbjhPMpnh3N4XicEI5OmoUtL1hj0jMiKlEZhNcAWm43j6FoGa2GYXVIs8bxtPHV1n3r5lzFV7v1dz1iXQHEr0sLk1FTP8s/s320/Doug%20Tuttle%20-%20Photo%2036.jpg" width="320" /></a></div><br />the softer, more country-rock-inspired It Calls on Me. He headed back out on the road, then went back home to record more songs. His third album, Peace Potato, was released in early 2017 by longtime home Trouble in Mind. The album found him drifting further away from his psychedelic roots for a sound that was a home-cooked East Coast version of chiming heartland rock. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvMyH1mHRiO76xvd7xCSGOIrKqbyAjKW4_reGM0k5KsWKN1lPyeQZZenfiFT5jzdoR1QcFpMzc1RUvHTZ6zs6Ujdsnw5MbAUxeFm-rF46jH2BKIeOMqYKJfbLsgHNaLXJFEJICfxO0nkBTONGg1EDjsnQI62SZo2TD3CsWeNWUE3Wq3e81IYq8RNSEFMI/s1024/Doug%20Tuttle%20-%20Photo%2024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvMyH1mHRiO76xvd7xCSGOIrKqbyAjKW4_reGM0k5KsWKN1lPyeQZZenfiFT5jzdoR1QcFpMzc1RUvHTZ6zs6Ujdsnw5MbAUxeFm-rF46jH2BKIeOMqYKJfbLsgHNaLXJFEJICfxO0nkBTONGg1EDjsnQI62SZo2TD3CsWeNWUE3Wq3e81IYq8RNSEFMI/w400-h400/Doug%20Tuttle%20-%20Photo%2024.jpg" width="400" /></a></div><br />He jumped ship after this release, making a move to Burger Records for his fourth record, 2019's <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibu0SlL5slPqCjVgf27pUJ82iP4vmc9ZG5gMUwr-VkixrJIKs-kfING7r9T5NVyRvfR6T8elh-gEINVKoMdtkJk0jpYRNqM0w8oc4CLs5DBpwE4WCfkj9tRtSRowovpSdenuKB2ARQiL8q9u-MbgNVQRfrovAUaz1ADSHVau8CHlZHMdfbces6dS7mQF4/s800/Art%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="381" data-original-width="800" height="152" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibu0SlL5slPqCjVgf27pUJ82iP4vmc9ZG5gMUwr-VkixrJIKs-kfING7r9T5NVyRvfR6T8elh-gEINVKoMdtkJk0jpYRNqM0w8oc4CLs5DBpwE4WCfkj9tRtSRowovpSdenuKB2ARQiL8q9u-MbgNVQRfrovAUaz1ADSHVau8CHlZHMdfbces6dS7mQF4/s320/Art%203.jpg" width="320" /></a></div><br />Dream Road. With a more countrified and laid-back sound, Tuttle also folded some '70s AM radio influences (soft rock, especially) into his sound. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_NsatUH0tbd_xj18YSBv_bVgsmZHzEjMdaihzohyIitu9JIuyW53MAsFtjRL_gqGJPjTioja1tFgn3Eufcji8TjT5_tES8xNQKLgpBrFtapmg3m4LPfjmPTfZWWg7nFO1Gpgk_sAdgclr22QagjMdFP4qiIVOoXvuBjf7NBjtNIbWq8Y0eCnu20c2hJ0/s518/Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="388" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_NsatUH0tbd_xj18YSBv_bVgsmZHzEjMdaihzohyIitu9JIuyW53MAsFtjRL_gqGJPjTioja1tFgn3Eufcji8TjT5_tES8xNQKLgpBrFtapmg3m4LPfjmPTfZWWg7nFO1Gpgk_sAdgclr22QagjMdFP4qiIVOoXvuBjf7NBjtNIbWq8Y0eCnu20c2hJ0/w300-h400/Poster%201.jpg" width="300" /></a></div><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">DOUG TUTTLE - DOUG TUTTLE 2014</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzUziHlEAfQY82715kyy3MbSbL8ncXls5p8QdAIKq9IUtp2p6B_uGh-gr-ObdZ9RaVZJf7rDKs1ogE-3ffy9QC5ff4OZRVdbe4HSDQX0iQ_bmHMAaYwFql78IJGL78zywOexMMEUngutwnn35u4dg6i3v8nExhqHVNT8JKxp0uC8O6Bj_QmFYRpgL0g4Y/s1080/Doug%20Tutttle%20-%202014%20-%20Doug%20Tuttle%20-%20Front%20%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="957" data-original-width="1080" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzUziHlEAfQY82715kyy3MbSbL8ncXls5p8QdAIKq9IUtp2p6B_uGh-gr-ObdZ9RaVZJf7rDKs1ogE-3ffy9QC5ff4OZRVdbe4HSDQX0iQ_bmHMAaYwFql78IJGL78zywOexMMEUngutwnn35u4dg6i3v8nExhqHVNT8JKxp0uC8O6Bj_QmFYRpgL0g4Y/w400-h355/Doug%20Tutttle%20-%202014%20-%20Doug%20Tuttle%20-%20Front%20%20Cover%201.jpg" width="400" /></a></div><br />There's a long and noble tradition of musicians who've been prompted to create great work through <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ4a0OCUaFOOXrSwTPRaFKaSqsadaSrvl7Aqiuu5AOYadssYZbbIr8I-7pYEx3I_4yaRqazI3ZmhoYwCmgTXXq979H63pEkBvXlWgK0cK2AytUc8x-kZANEh4VFHqnz6JwRSnfgtYIOYIP8ciCExi8J_P6poC1VXB9wNz6phE0kwePKjhcyLAKs7T5kM0/s1024/Doug%20Tuttle%20-%20Photo%2018.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="1024" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ4a0OCUaFOOXrSwTPRaFKaSqsadaSrvl7Aqiuu5AOYadssYZbbIr8I-7pYEx3I_4yaRqazI3ZmhoYwCmgTXXq979H63pEkBvXlWgK0cK2AytUc8x-kZANEh4VFHqnz6JwRSnfgtYIOYIP8ciCExi8J_P6poC1VXB9wNz6phE0kwePKjhcyLAKs7T5kM0/s320/Doug%20Tuttle%20-%20Photo%2018.jpg" width="320" /></a></div><br />heartbreak and lo-fi guitar hero Doug Tuttle has joined the roster with his self-titled solo debut. Tuttle and Rachel Neveu were the founders of the New England indie psych band Mmoss, and they were also a couple; after a pair of fine albums, both the band and their relationship broke up, and as Tuttle struggled emotionally with his newly single status, he began writing and recording a batch of new material that became the album Doug Tuttle. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZCqmcFJywlWfhfiOmJRNgjSofFdfr-0bhDxAysSRc6OjPJFoA97G2y_mvkk4kYJpv7yzlOXZbSBkThcx5Dqj4ozfGfNclHALg8492RyZwqaxxihQJmBjjk1uTNeCd4vUsrm_T_iqEepN3p73uT4b2Esl8EF7PRXHQ5EpyMBPRzR2RRD88WvkeVIvG-mw/s800/Doug%20Tuttle%20-%20Photo%2037.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="568" data-original-width="800" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZCqmcFJywlWfhfiOmJRNgjSofFdfr-0bhDxAysSRc6OjPJFoA97G2y_mvkk4kYJpv7yzlOXZbSBkThcx5Dqj4ozfGfNclHALg8492RyZwqaxxihQJmBjjk1uTNeCd4vUsrm_T_iqEepN3p73uT4b2Esl8EF7PRXHQ5EpyMBPRzR2RRD88WvkeVIvG-mw/w400-h284/Doug%20Tuttle%20-%20Photo%2037.jpg" width="400" /></a></div><br />Tuttle doesn't spend all his time drowning in his own tears on this album, but every song touches on the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyWTihXAkhfHGpvua-pzeDDccztR39va32LSbyA5TquIxC3WUVv_-r6THXTQgE8FpM1Efi8WMmrVawXktpKP4BT7jgpOh-032xoycfV2w_jc28g6P8rR6vLdXJJKjQfboqhgnd_89RKvPf9A7iN5x03mw4WHLqBlyF_4Dx-rxCEfwhlstUPw9DJDJHwbY/s1024/Doug%20Tuttle%20-%20Photo%2027.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyWTihXAkhfHGpvua-pzeDDccztR39va32LSbyA5TquIxC3WUVv_-r6THXTQgE8FpM1Efi8WMmrVawXktpKP4BT7jgpOh-032xoycfV2w_jc28g6P8rR6vLdXJJKjQfboqhgnd_89RKvPf9A7iN5x03mw4WHLqBlyF_4Dx-rxCEfwhlstUPw9DJDJHwbY/s320/Doug%20Tuttle%20-%20Photo%2027.jpg" width="320" /></a></div><br />pains of a love gone sour in some small way, and his sorrow is communicated as much by the music as the lyrics (besides, the vocals are often left murky in the album's mix). <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEaixMIpc45GNqNWn1SUZ2fUUIb7xF3XKYJUsAP_CzkXWzlmohriaTAQep6pLCyy8I-_dEZkOXMNLEJr_PWYFPN_jHgAz2qAMulTiZ8U6WR8sUYUkaqC6q_iGU12RRm7LR9smXF2An8h0w-VDoV9InbhgIj7gj2tuaknMTtP3rK8ktPT0Yi3xM7xJP3Gg/s800/Art%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="373" data-original-width="800" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEaixMIpc45GNqNWn1SUZ2fUUIb7xF3XKYJUsAP_CzkXWzlmohriaTAQep6pLCyy8I-_dEZkOXMNLEJr_PWYFPN_jHgAz2qAMulTiZ8U6WR8sUYUkaqC6q_iGU12RRm7LR9smXF2An8h0w-VDoV9InbhgIj7gj2tuaknMTtP3rK8ktPT0Yi3xM7xJP3Gg/w400-h186/Art%204.jpg" width="400" /></a></div><br />There's often a dour turn in Tuttle's melodies that registers as sorrow, but this is also top-shelf lo-fi <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-YWkLbJ6e0Ir_vRDDI9oL_uOSqPxXIgnczVsmpZSfznxyJtEqtLVMOzoP4KZ5Sp86jFOwBOExI_HXXPfD73fAhLGiP4OkB1N5SlilVGWEGTG3hC5YowzwSs1_3cxjFxhy32Akpp-ze1zlYdm7FDN5MnbzNqPrqCBQ7VlECUWjfs9FgiBPlb0x1B7FHN8/s1199/Doug%20Tuttle%20-%20Photo%2022.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1199" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-YWkLbJ6e0Ir_vRDDI9oL_uOSqPxXIgnczVsmpZSfznxyJtEqtLVMOzoP4KZ5Sp86jFOwBOExI_HXXPfD73fAhLGiP4OkB1N5SlilVGWEGTG3hC5YowzwSs1_3cxjFxhy32Akpp-ze1zlYdm7FDN5MnbzNqPrqCBQ7VlECUWjfs9FgiBPlb0x1B7FHN8/s320/Doug%20Tuttle%20-%20Photo%2022.jpg" width="214" /></a></div><br />psychedelia, full of strong guitar work (check out his three-minute showcase solo on "Turn This Love"), evocative low-budget production (signal overload, homemade effects gear, and heavy manipulated sound effects), and arrangements that get powerful impact out of small instrumentation (the contrast between the acrobatic basslines and the squeal of the electric organ on "Leave Your Body" is particularly inspired). <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrxg4QaHgk8XYOFjAoS-_raEmA2Qoahg6jB6dJ4L_Ci3Fd3EB_GvZ1y61NEfSlNEc4pOd6nEDK9vT43GalFT9kg1H2v3YqxHMLyLaHUPHegORpnqgGmUB_pT0_sdJPscPjiM-5KurbSkzAFQ89bSpx03SSrYEpKLEWsFB85tD0eq3vcXHbprRmJPR5xz0/s680/Poster%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="680" data-original-width="440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrxg4QaHgk8XYOFjAoS-_raEmA2Qoahg6jB6dJ4L_Ci3Fd3EB_GvZ1y61NEfSlNEc4pOd6nEDK9vT43GalFT9kg1H2v3YqxHMLyLaHUPHegORpnqgGmUB_pT0_sdJPscPjiM-5KurbSkzAFQ89bSpx03SSrYEpKLEWsFB85tD0eq3vcXHbprRmJPR5xz0/w259-h400/Poster%205.jpg" width="259" /></a></div><br />And it's obvious that Tuttle's greatest influences hail from the mid-'60s through the early '70s, but he's <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzctc-1U1f8_GRow03ZXnnF2830kA0RbHn1skvfhI8_vHI3fRignZ1nfwrvj-2luMCxiFoWyvl_t9CivJuyQ0XDMFHJFX3qXvEawItQ5sO2fD5X7QbpxgE1zQ1kRXC3bSNZ3rfv51RGtgdPzz1-v29pb2z2L_ulAoTXil-ZO1wUuYM3SIqK0uQ_SmTnoc/s859/Art%206.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="349" data-original-width="859" height="130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzctc-1U1f8_GRow03ZXnnF2830kA0RbHn1skvfhI8_vHI3fRignZ1nfwrvj-2luMCxiFoWyvl_t9CivJuyQ0XDMFHJFX3qXvEawItQ5sO2fD5X7QbpxgE1zQ1kRXC3bSNZ3rfv51RGtgdPzz1-v29pb2z2L_ulAoTXil-ZO1wUuYM3SIqK0uQ_SmTnoc/s320/Art%206.jpg" width="320" /></a></div><br />also created an album that sounds original, absorbing, and heartfelt despite its ties to another time and place. While Mmoss created a small but memorable body of work, Doug Tuttle proves their former guitarist has the talent and the vision to create music just as remarkable all by himself; hopefully, he won't have to have his heart broken again in order to deliver another set of music this engaging.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAYeGENC4o1gtGzqBRws3secaHXWMNYzOg5ISY4oiOEMMgMwVm-FQsllYHD0ixxggGursefwsUjSGttyXgYqdkSG7CJeM2W3jPKQXF1kFnKHZp00u6sVO73zNCwK4kXdm-KQvJZEoHmR2vU_iAbIv1v4cVHFRW10lB9pHnVj3nTP5cL86-IivNOFTCbWk/s900/Doug%20Tuttle%20-%20Main%20Photo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="900" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAYeGENC4o1gtGzqBRws3secaHXWMNYzOg5ISY4oiOEMMgMwVm-FQsllYHD0ixxggGursefwsUjSGttyXgYqdkSG7CJeM2W3jPKQXF1kFnKHZp00u6sVO73zNCwK4kXdm-KQvJZEoHmR2vU_iAbIv1v4cVHFRW10lB9pHnVj3nTP5cL86-IivNOFTCbWk/w400-h400/Doug%20Tuttle%20-%20Main%20Photo.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Doug Tuttle – Doug Tuttle<br />Label: Trouble In Mind – TIM065<br />Format: CD, Album, Cardboard<br />Country: US<br />Released: 2014<br />Genre: Rock, Pop<br />Style: Psychedelic Rock, Folk Rock, Dream Pop<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrmfzedDzYUFCagdn1gJFPqGWXBeWJMOC2SF5vLds2ae1UbrrDi6BfzAug3Wo3FOwdPx0KwgQJ_KM_jnnApqI-Af51wab7WOImwGFss-a93288oIVeJhU-Ebkyv4apxHCdmB2HxDfxuY_zaT4vTQt4V9RovtTBjTzWUlrNged5oSwo0fQXsEb5-AaNqNY/s1080/Doug%20Tutttle%20-%202014%20-%20Doug%20Tuttle%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="972" data-original-width="1080" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrmfzedDzYUFCagdn1gJFPqGWXBeWJMOC2SF5vLds2ae1UbrrDi6BfzAug3Wo3FOwdPx0KwgQJ_KM_jnnApqI-Af51wab7WOImwGFss-a93288oIVeJhU-Ebkyv4apxHCdmB2HxDfxuY_zaT4vTQt4V9RovtTBjTzWUlrNged5oSwo0fQXsEb5-AaNqNY/w400-h360/Doug%20Tutttle%20-%202014%20-%20Doug%20Tuttle%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>With Us Soon<br /><b>02.</b> Forget The Days<br /><b>03.</b> Turn This Love<br /><b>04. </b>Where You Plant Your Love... Is Where It Grows<br /><b>05.</b> Lasting Away<br /><b>06.</b> Leave Your Body<br /><b>07.</b> We Could Live<br /><b>08.</b> I Won't Do<br /><b>09. </b>Sewn Day<br /><b>10.</b> I Will Leave<br /><b>11.</b> Better Days (The Wools Grown Lighter)<br /><br /><p></p><p style="text-align: center;"><b>Total Time: 38'<br /><br /><a href="https://mega.nz/file/CJAjHLqZ#tDR8EZtcNFbVq9gvs2ROu78gmsQ85xfv8ZmU1Pk_mpc">Flac Size: 250 MB</a><br /><br /><span style="font-size: large;">IT CALLS ON ME 2016</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuVSuHn4BuPrTP4N6-YPG2xLU-_mMOV9clD8MekDDBosdkALuuwPYb_xbspQ5UK8hzWwPsnNXSRjdzXRv3gbDYdZJ90ULKdddzrQk69QpW_yCy5gzJ0a3ZMPUh8gPeBDUyPCxsrcK9ZtJKsmzaycO1uquhWWxDWBp2aWYQT0L3Bp030oxXOXgHC3pUkoU/s800/Doug%20Tuttle%20-%20It%20Calls%20On%20Me%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="772" data-original-width="800" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuVSuHn4BuPrTP4N6-YPG2xLU-_mMOV9clD8MekDDBosdkALuuwPYb_xbspQ5UK8hzWwPsnNXSRjdzXRv3gbDYdZJ90ULKdddzrQk69QpW_yCy5gzJ0a3ZMPUh8gPeBDUyPCxsrcK9ZtJKsmzaycO1uquhWWxDWBp2aWYQT0L3Bp030oxXOXgHC3pUkoU/w400-h386/Doug%20Tuttle%20-%20It%20Calls%20On%20Me%20-%20Front%20Cover.jpg" width="400" /></a></div><br />After releasing a brilliant debut full of lo-fi psych-pop splendor, Doug Tuttle's second album, It Calls on <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNZlEu3JRMcBmnzwj2C7rZoX1DHm9AfdooJlTRe11Od5GI0ZG1dzuCJNtPjEt5vlq6Ca_pt0jXmsYs12ovHORVaMPqtkVE46dL0Ba1v1RxG4xc9dYNUH-DlMNhq80QgVVIzCaJkG4pVR0tNCzLDKLeVPyjQyKvhpKtE13Pzql8IYcZiazpNEVSzKSyTWs/s776/Doug%20Tuttle%20-%20Photo%2033.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="379" data-original-width="776" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNZlEu3JRMcBmnzwj2C7rZoX1DHm9AfdooJlTRe11Od5GI0ZG1dzuCJNtPjEt5vlq6Ca_pt0jXmsYs12ovHORVaMPqtkVE46dL0Ba1v1RxG4xc9dYNUH-DlMNhq80QgVVIzCaJkG4pVR0tNCzLDKLeVPyjQyKvhpKtE13Pzql8IYcZiazpNEVSzKSyTWs/s320/Doug%20Tuttle%20-%20Photo%2033.jpg" width="320" /></a></div><br />Me, delivers more of the same with a few alterations here and there. The former leader of the band Mmoss is less heartbroken this time out, the recording quality jumps from extravagantly lo to very solid mid, and the overall feel of the album is less trippy and more relaxed. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPJMCgA0AD-dMulaNxlo8NZZSWXOfgXcXghBVqfXDQcaH79R3Xkwlvw3yGSllxE78FK1va9bZwtA_BVy-pumOjiSPYbMPotQ9TuN9L6jg-zJOSs0mtZswymaVUaO1uFn6vKfRREfSEtrySf1h7gPxOqclheSFG_pano2Iudt_6agtcQEgxjf74p3wE7fE/s550/Doug%20Tuttle%20-%20Photo%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="366" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPJMCgA0AD-dMulaNxlo8NZZSWXOfgXcXghBVqfXDQcaH79R3Xkwlvw3yGSllxE78FK1va9bZwtA_BVy-pumOjiSPYbMPotQ9TuN9L6jg-zJOSs0mtZswymaVUaO1uFn6vKfRREfSEtrySf1h7gPxOqclheSFG_pano2Iudt_6agtcQEgxjf74p3wE7fE/w266-h400/Doug%20Tuttle%20-%20Photo%205.jpg" width="266" /></a></div><br />It sounds like he's fallen headfirst into a folk-rock meets country-rock mood, with plenty of gently <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5IvHSTEyh4LBe4okVZLhZc2nObuJabROctyiy8toU0oFI9UMqPwzSWZMcRRTzxk6BW46vBeYaE6P1Hirh8nOP10WFvhfmyJPlMoDA5hn5WfejUO51yXgRr5SWynXIbhGC7wy3_4lcS1sHEwyt3fup6DG9m5Fn9CcBPlEs8U6z9tbBGmvfoDBmki7UjCo/s769/Doug%20Tuttle%20-%20Photo%2034.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="438" data-original-width="769" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5IvHSTEyh4LBe4okVZLhZc2nObuJabROctyiy8toU0oFI9UMqPwzSWZMcRRTzxk6BW46vBeYaE6P1Hirh8nOP10WFvhfmyJPlMoDA5hn5WfejUO51yXgRr5SWynXIbhGC7wy3_4lcS1sHEwyt3fup6DG9m5Fn9CcBPlEs8U6z9tbBGmvfoDBmki7UjCo/s320/Doug%20Tuttle%20-%20Photo%2034.jpg" width="320" /></a></div><br />strummed acoustic guitars, lots of jangling electrics, and vocal harmonies that would make Crosby & Nash, and possibly Stills too, proud. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgck7PpgA9UDPsbL8fRNxp1u48qtB44bwe6poOYKa77SZvJNGKJ_kvEf0avzNGVQ5AkqMo3zL-bnLZf1hJ_qM713RXHlKhbtp85_kspbpNwyKHKETVWsqnjfjIdgYqOe3igcLV6kcTaHfgHXPBrazbJn2JvOtcjEoMwGoIerKUI4Bi4j7xtquHCT85pw-0/s800/Art%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="373" data-original-width="800" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgck7PpgA9UDPsbL8fRNxp1u48qtB44bwe6poOYKa77SZvJNGKJ_kvEf0avzNGVQ5AkqMo3zL-bnLZf1hJ_qM713RXHlKhbtp85_kspbpNwyKHKETVWsqnjfjIdgYqOe3igcLV6kcTaHfgHXPBrazbJn2JvOtcjEoMwGoIerKUI4Bi4j7xtquHCT85pw-0/w400-h186/Art%205.jpg" width="400" /></a></div><br />There are still enough fuzzy guitar workouts to keep fans of the first album satisfied and a couple tracks <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_wZ08F9vFMT6k6rOYCyHVlwx0-I7QXlwxpD08HA0qeHshTKE6xg-L9ErMmhDHGxGipKmes4o-tPw-bMcUypAIC6rjEzsEF2Dri8AZO5bJC5LosbVaqI7wKBNFKAS504baNhfmjIEUqbGrWeIG4OQQyDcjgoPyOXlS58A-dPoYBBY5PIz8SG7Z_dZsjFU/s1024/Doug%20Tuttle%20-%20Photo%2029.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_wZ08F9vFMT6k6rOYCyHVlwx0-I7QXlwxpD08HA0qeHshTKE6xg-L9ErMmhDHGxGipKmes4o-tPw-bMcUypAIC6rjEzsEF2Dri8AZO5bJC5LosbVaqI7wKBNFKAS504baNhfmjIEUqbGrWeIG4OQQyDcjgoPyOXlS58A-dPoYBBY5PIz8SG7Z_dZsjFU/s320/Doug%20Tuttle%20-%20Photo%2029.jpg" width="320" /></a></div><br />end with fiery jams where Tuttle sounds like he's thrashing the speakers in his amp to within an inch of their lives. Mostly though, Tuttle seems content to ride the breeze, sweetly crooning and strumming with barely any psychedelic effects getting in the way. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONqy7mdZxrm2eiX3EyKlJYZHd9RMITR_-XTOroBFsOSFNMkrH-8IGRuCVxfVpafHR1AWL2EobcX8RmMBSyhjHKBzcDPmcENEpZIylIbG6eYDBcxfC2QXJkSwCIr-A8yXspx_ydUAiBXEVRk0XabxA1Y6de0ZBzBxVOWg9o-mnswx6jnE7Dycgor629Kw/s1024/Doug%20Tuttle%20-%20Photo%2030.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONqy7mdZxrm2eiX3EyKlJYZHd9RMITR_-XTOroBFsOSFNMkrH-8IGRuCVxfVpafHR1AWL2EobcX8RmMBSyhjHKBzcDPmcENEpZIylIbG6eYDBcxfC2QXJkSwCIr-A8yXspx_ydUAiBXEVRk0XabxA1Y6de0ZBzBxVOWg9o-mnswx6jnE7Dycgor629Kw/w400-h300/Doug%20Tuttle%20-%20Photo%2030.jpg" width="400" /></a></div><br />It's almost hard to reconcile the laid-back dude of "Falling to Believe" or "On Your Way" with the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-JMtEWQUljAFbnpyLZ7aZXhVw0hvu_TLsf_NgwPX9TJkoBF2qjbX3v9oYLWNO8qcPcwVGlfghJQ0yB_bMMBwio0UN2M5Wj2tpa0pfAMVGxI3aPTbB676d7xSXeNBEJxjiEf9lVOPtsd8HjUF5gENEpIQIjEjJ5PWQhFBptnINqgqX1Fsw8YU1UErLIdY/s800/Art%207.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="451" data-original-width="800" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-JMtEWQUljAFbnpyLZ7aZXhVw0hvu_TLsf_NgwPX9TJkoBF2qjbX3v9oYLWNO8qcPcwVGlfghJQ0yB_bMMBwio0UN2M5Wj2tpa0pfAMVGxI3aPTbB676d7xSXeNBEJxjiEf9lVOPtsd8HjUF5gENEpIQIjEjJ5PWQhFBptnINqgqX1Fsw8YU1UErLIdY/s320/Art%207.jpg" width="320" /></a></div><br />bursting-with-energy guy of the first album. Only the guitar solos give it away and then, they are fleeting. It's less a transformation than Tuttle showing another side of himself that was lurking quietly behind the fuzz and flange on the first album. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjreIEz1swvI1k1A1B1OcX3G6pYMPHa7K2C7-AQmOftoxbfDxeRiDQUl58ywW9bZEe1B7ovusftfd7TQ_L0qi87txP5iwWttvC5D_1Ymw92qttwsgHd4u1tet2pI-TKcxnyz-Xbmdgkp0GZlNVuHQikSeFj5nFmrj3xdzXPIx3K06rO9Rw_g7cMHtxPBfI/s803/Doug%20Tuttle%20-%20Photo%2039.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="803" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjreIEz1swvI1k1A1B1OcX3G6pYMPHa7K2C7-AQmOftoxbfDxeRiDQUl58ywW9bZEe1B7ovusftfd7TQ_L0qi87txP5iwWttvC5D_1Ymw92qttwsgHd4u1tet2pI-TKcxnyz-Xbmdgkp0GZlNVuHQikSeFj5nFmrj3xdzXPIx3K06rO9Rw_g7cMHtxPBfI/w400-h306/Doug%20Tuttle%20-%20Photo%2039.jpg" width="400" /></a></div><br />Anyone who dug the fire and fireworks on that record may be a little let down by the different, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehKzSXAaA_eLzI6L34LVEYXuW2-TxupNFvOSYsBeqTDqWQO8qzpW5dBzRMq9Qo6QteS_lgIhqB6WrWnWlFE82qHr5RZVl0nzlZWeaB3S6ui774V3Hig5WBnuA1posUUSptmFFh_Br2BlJ8i2PYMfRYX0RGb_jxB-HG4AuCZvrovumRt9fXIWBjeU_gcA/s1024/Doug%20Tuttle%20-%20Photo%2023.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="1024" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehKzSXAaA_eLzI6L34LVEYXuW2-TxupNFvOSYsBeqTDqWQO8qzpW5dBzRMq9Qo6QteS_lgIhqB6WrWnWlFE82qHr5RZVl0nzlZWeaB3S6ui774V3Hig5WBnuA1posUUSptmFFh_Br2BlJ8i2PYMfRYX0RGb_jxB-HG4AuCZvrovumRt9fXIWBjeU_gcA/s320/Doug%20Tuttle%20-%20Photo%2023.jpg" width="320" /></a></div><br />stripped-down and almost nakedly honest feel of It Calls on Me, but the overall excellence of the songs should help cushion the blow. With the less busy, more graceful arrangements, the beauty of the melodies comes through a little more clearly and Tuttle's very fine vocals are allowed more space in the mix. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMkiENr5_xrV1G1YEY1tczZQ72TnMm_j8GHtDTJo03rWgl7Y_02ijz978s2RHXtwIr8yzoSg4oDu2ej677hianbrZf8CkuMe-nl-76usogKl3S_l3xOVzpiM2H0cSWz5lPA4r4QBt1nLLMAW1pEhcrYSTn9kxvs5Oh93UUqtWSav98rgwudod1JLa16Kg/s622/Poster%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="622" data-original-width="440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMkiENr5_xrV1G1YEY1tczZQ72TnMm_j8GHtDTJo03rWgl7Y_02ijz978s2RHXtwIr8yzoSg4oDu2ej677hianbrZf8CkuMe-nl-76usogKl3S_l3xOVzpiM2H0cSWz5lPA4r4QBt1nLLMAW1pEhcrYSTn9kxvs5Oh93UUqtWSav98rgwudod1JLa16Kg/w283-h400/Poster%202.jpg" width="283" /></a></div><br />It makes for a more emotionally deep listen, with fewer tricks to distract from the issues at hand. Tuttle <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQszCB7J4vqEhKgd4wFsNaQBhgSFhw74kTl8s0B-RYvkBB2uMeMNzH6C7D4d-pMt7pvXtV7SgGhcUDm3wP4ShGNcC2R-foBBeBA28IETIG00FlOLBGJ5cn0DBB4TgbI5rck8S3UBds5CMfJ88hFz75VLu7ynzKWfCcZNI95tjgIkpJW8D2IKBXM4FwGE/s800/Doug%20Tuttle%20-%20Photo%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZQszCB7J4vqEhKgd4wFsNaQBhgSFhw74kTl8s0B-RYvkBB2uMeMNzH6C7D4d-pMt7pvXtV7SgGhcUDm3wP4ShGNcC2R-foBBeBA28IETIG00FlOLBGJ5cn0DBB4TgbI5rck8S3UBds5CMfJ88hFz75VLu7ynzKWfCcZNI95tjgIkpJW8D2IKBXM4FwGE/s320/Doug%20Tuttle%20-%20Photo%203.jpg" width="320" /></a></div><br />had already proven himself a high-level psychedelic wizard; with this album he proves that he's a singer/songwriter to be reckoned with. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeIze7lt8b2-J-Zrg6cxpiEBVhyqKtiPVlfZULfrDYH6FnXV5fH8b_z07iDarktOMMl8pPg8v98GficU0-KJb-9Qi9cJmE5p1vcdRNyRaEXWxCxBeFjOzs31vO93qNDToHAMSI3xPa3lnzDy0EzrK8LUOmSrfgv6598PUxfeiV6RoaxA0cG11ZJ1zwSIM/s800/Doug%20Tuttle%20-%20Photo%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeIze7lt8b2-J-Zrg6cxpiEBVhyqKtiPVlfZULfrDYH6FnXV5fH8b_z07iDarktOMMl8pPg8v98GficU0-KJb-9Qi9cJmE5p1vcdRNyRaEXWxCxBeFjOzs31vO93qNDToHAMSI3xPa3lnzDy0EzrK8LUOmSrfgv6598PUxfeiV6RoaxA0cG11ZJ1zwSIM/w400-h400/Doug%20Tuttle%20-%20Photo%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Doug Tuttle – It Calls On Me<br />Label: Trouble In Mind – TIM105<br />Format: CD, Album<br />Country: US<br />Released: Feb 19, 2016<br />Genre: Rock<br />Style: Psychedelic Rock, Dream Pop, Folk Rock, Indie Rock<br /><br /><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyEL5e1Jy6AR9-28ssj7y2E4zV7N30RYrkPUxsKAWojY9LG5lGCUBFxDOuEYZlfjDrOUdMBzY6OdTag75HhsiOoIiNgCuWiGUYzvJ3-jnpJIYGXTGAT23tdULhiOOAKAt0O1f-D2sRG-4DupGx7UMfRcm13fbDAGgvviXoM2qEceEoHBv7_ryOiR4VU8c/s1000/Doug%20Tuttle%20-%20It%20Calls%20On%20Me%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="1000" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyEL5e1Jy6AR9-28ssj7y2E4zV7N30RYrkPUxsKAWojY9LG5lGCUBFxDOuEYZlfjDrOUdMBzY6OdTag75HhsiOoIiNgCuWiGUYzvJ3-jnpJIYGXTGAT23tdULhiOOAKAt0O1f-D2sRG-4DupGx7UMfRcm13fbDAGgvviXoM2qEceEoHBv7_ryOiR4VU8c/w400-h355/Doug%20Tuttle%20-%20It%20Calls%20On%20Me%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> A Place For You<br /><b>02.</b> It Calls On Me<br /><b>03.</b> Make Good Time<br /><b>04. </b>These Times<br /><b>05. </b>Painted Eye<br /><b>06.</b> Falling To Believe<br /><b>07.</b> On Your Way<br /><b>08. </b>Saturday/Sunday<br /><b>09. </b>Where You Will Go<br /><br /><p></p><p style="text-align: center;"><b>Total Time: 29'<br /><br /><a href="https://mega.nz/file/3c4iTKYB#TooeSHJM7n62iDz4JpLwXEMy1h41wVvrERAl__-ZkMA">Flac Size: 190 MB</a></b></p><p style="text-align: center;"><b>Mmoss on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/Mmoss">HERE</a> <br /></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com6tag:blogger.com,1999:blog-8270002232971427483.post-5935911446398459352024-02-16T10:38:00.000+02:002024-02-16T10:38:45.160+02:00Red Lorry Yellow Lorry: Discography<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0HkQF5uJ_QtGn-KrVY1U7W_L8SzSB5h8fZb-eMP6IMVcgQoqPgg-ZBdNRC3sbw6pRpjOxSLXgeOiyknQGi6LHC_o0vujtabcpXK6L_3U_r_glaRJRhST-06k5xAZ3wTqr4b-TfN_Q1ivsMA_LQ0OlxZZUKLzU_wHUXw0G5i94CiFgQLvGQYqiMfHmN2k/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%20LOGO.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0HkQF5uJ_QtGn-KrVY1U7W_L8SzSB5h8fZb-eMP6IMVcgQoqPgg-ZBdNRC3sbw6pRpjOxSLXgeOiyknQGi6LHC_o0vujtabcpXK6L_3U_r_glaRJRhST-06k5xAZ3wTqr4b-TfN_Q1ivsMA_LQ0OlxZZUKLzU_wHUXw0G5i94CiFgQLvGQYqiMfHmN2k/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%20LOGO.jpg" width="400" /></a></div> <p></p><p>An integral part of the UK’s post punk explosion, Red Lorry Yellow Lorry emerged from Leeds with </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiifmQpvYepGjfMB0cPqy-656kpTUeulu3LBcVcVRxzqWxWii2dvThjs6lpY-yjztfhGyIuQjXYUYNeQ9b_ndIPdn-6_OoytWQB3CR93SFE3wUFQbfCp75h1hLX1vaM-oaRi26WRltsDzOQ45tjNBgxWYJBBa0QqhUHyZ4MGuPic7lydHABksmUNJCZGFU/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%205.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1024" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiifmQpvYepGjfMB0cPqy-656kpTUeulu3LBcVcVRxzqWxWii2dvThjs6lpY-yjztfhGyIuQjXYUYNeQ9b_ndIPdn-6_OoytWQB3CR93SFE3wUFQbfCp75h1hLX1vaM-oaRi26WRltsDzOQ45tjNBgxWYJBBa0QqhUHyZ4MGuPic7lydHABksmUNJCZGFU/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%205.jpg" width="320" /></a></div><br />their unique, demanding sound during the early 1980s. Guided by the singular vision of iconic bandleader and figurehead Chris Reed and sideman David Wolfenden, <b>the band took onboard elements of the burgeoning gothic outlook of the post punk era, fused it with relentlessly rigid drum machine rhythms and an impenetrable wall of distorted guitars and won a strong following, both in the UK and abroad.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZTdMC72CiKODeZUogJzlbQ5BaCcrZprSkmNFzkO7GeDSRYIdXoPjmUnfs7czZ11Sp-DtD7DU_jwls3teefBPrHs7HTE9j0d_hCjhkVKfH2r8zFx90AASnKW_P4e1YoJw8wyV_hltXPjETisj9KIKz1PUNaqAagf9CK9g4kab6jzaulJKybTIU04sIS5k/s1080/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1057" data-original-width="1080" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZTdMC72CiKODeZUogJzlbQ5BaCcrZprSkmNFzkO7GeDSRYIdXoPjmUnfs7czZ11Sp-DtD7DU_jwls3teefBPrHs7HTE9j0d_hCjhkVKfH2r8zFx90AASnKW_P4e1YoJw8wyV_hltXPjETisj9KIKz1PUNaqAagf9CK9g4kab6jzaulJKybTIU04sIS5k/w400-h391/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%207.jpg" width="400" /></a></div><br />Their first two albums – Talk About The Weather and Paint Your Wagon – emerged on Red Rhino <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaKX8i1Wyx71gBzYomzXkI0mXe3lASHRUoT7CcywGNPnbR2IAVu7Zg4hroPMaRUzIl0KpWlLlmz81couLuM_9wxM2BBYBoUsqmirUwx4WRAd4LqCCQ9mSJwjSMmLVm5fxgNdnvogzklBWCbhlNG8U3D9nFXEHkreQ0Rvc7HEQ8h78nt4OtihEtCOKS7DU/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%201.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="534" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaKX8i1Wyx71gBzYomzXkI0mXe3lASHRUoT7CcywGNPnbR2IAVu7Zg4hroPMaRUzIl0KpWlLlmz81couLuM_9wxM2BBYBoUsqmirUwx4WRAd4LqCCQ9mSJwjSMmLVm5fxgNdnvogzklBWCbhlNG8U3D9nFXEHkreQ0Rvc7HEQ8h78nt4OtihEtCOKS7DU/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%201.jpg" width="320" /></a></div><br />Records before a jump to Situation Two inspired a development in the band’s sound and a broadening of their outlook for the albums Nothing Wrong and Blow. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOFBgy-viXdi0uWsrvvacTy47QpJ0GKPUooDbQAZCSSzRNNec45FKhmY4EtFjRdJ75kclomqsw44xFxs-rY4Uj2iEhiW49s9GKnx3BmgMoAX4q_W3nVMfb5v6TifxipuMhoQR3Tw_r83acvYN-Y8vm4XKl4QK7lq2h7J2PuxMWm7y72-bD99E7VV8pMaM/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOFBgy-viXdi0uWsrvvacTy47QpJ0GKPUooDbQAZCSSzRNNec45FKhmY4EtFjRdJ75kclomqsw44xFxs-rY4Uj2iEhiW49s9GKnx3BmgMoAX4q_W3nVMfb5v6TifxipuMhoQR3Tw_r83acvYN-Y8vm4XKl4QK7lq2h7J2PuxMWm7y72-bD99E7VV8pMaM/w400-h300/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%204.jpg" width="400" /></a></div><br />The band was formed by guitarist/songwriter Chris Reed and vocalist Mark Sweeney, along with bassist <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cH5Y4q6vR6peQ-bWDDT37JiYhKAVVujCCidUa-Z8svhgNT19mXaAZBE8toc9E-bzuzKDexQ4Gb5kM_ZX_PGEYsI9k1fBn6nrdtDO86cU1qyoSZ1Wz6b97cMxV-D2PeUJxJvxkv_iNf6t9pqWi3m4JdZyR1V-dax0qNgT04o3blh89AiI3N5Vaj1a_Y0/s1040/Red%20Lorry%20Yellow%20Lorry%20-%20Art%202.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1040" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cH5Y4q6vR6peQ-bWDDT37JiYhKAVVujCCidUa-Z8svhgNT19mXaAZBE8toc9E-bzuzKDexQ4Gb5kM_ZX_PGEYsI9k1fBn6nrdtDO86cU1qyoSZ1Wz6b97cMxV-D2PeUJxJvxkv_iNf6t9pqWi3m4JdZyR1V-dax0qNgT04o3blh89AiI3N5Vaj1a_Y0/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Art%202.jpg" width="240" /></a></div><br />Steve Smith and drummer Mick Brown (who would later join The Mission). Sweeney left the band in late 1981 and Reed permanently took over as vocalist, with Martin Fagan joining as a second guitarist. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZDl-d_UKIB_Eny6_cRyxdfgzqIwMAWtACdOoYdHfB844Q8O5jCNnOc0S8oeXM_Qip2-0ilqiuHyq-7kI79Fcxebvc5__fGKiZJbEZ0EoqFX35X76d1MMfBhX7eerR_smNSiUUttcmPDcYIHqAWMkifiSUEJtu9Kr0n30yzfNLkZ25_21yuakrO-ET60/s1262/Red%20Lorry%20Yellow%20Lorry%20-%20Art%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1262" data-original-width="924" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZDl-d_UKIB_Eny6_cRyxdfgzqIwMAWtACdOoYdHfB844Q8O5jCNnOc0S8oeXM_Qip2-0ilqiuHyq-7kI79Fcxebvc5__fGKiZJbEZ0EoqFX35X76d1MMfBhX7eerR_smNSiUUttcmPDcYIHqAWMkifiSUEJtu9Kr0n30yzfNLkZ25_21yuakrO-ET60/w293-h400/Red%20Lorry%20Yellow%20Lorry%20-%20Art%201.jpg" width="293" /></a></div><br />The group's sound, featuring a numbing guitar drone, powerfully throbbing bass, pounding drum <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnLuxxlyIN1PhJ-alCN3x0OThj7KjG_Ugab1JiKaEPNRVQ9_5faIyCHmalo4Ys5Ixb9SF3WMoF3lG1wmBEY_mns-WYOxIKTEjQ5_1FdBby1sU2brQx1m6vnih3YoPCb6nYiZAAvzMhSFiSM69wcgvRChbjjMu0W8bd42J9WLvztWUr_vO1Ak1xyPwwgfA/s1020/Red%20Lorry%20Yellow%20Lorry%20-%20Art%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1020" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnLuxxlyIN1PhJ-alCN3x0OThj7KjG_Ugab1JiKaEPNRVQ9_5faIyCHmalo4Ys5Ixb9SF3WMoF3lG1wmBEY_mns-WYOxIKTEjQ5_1FdBby1sU2brQx1m6vnih3YoPCb6nYiZAAvzMhSFiSM69wcgvRChbjjMu0W8bd42J9WLvztWUr_vO1Ak1xyPwwgfA/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Art%203.jpg" width="245" /></a></div><br />machine, and Reed's cavernous vocal tones, caused the Lorries (as their fans came to call them) to be quickly lumped into the then-developing gothic rock scene by pop journalists, although the band themselves denied they were ever associated with goth and preferred to cite Wire as an influence, and said they "were primarily inspired by MC5."<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGWCLKgIgMM4O_8rhOBetf38nKvicZfU0XFr_GBObNJBAjvKNOA7fe3R2JGTWwMJ15516WWHGASWIRiaS3dqOZK0QUWluE8WfYmUw2VBGkEnjqDhcoTwgDrhujA3GQ3azburw5tNClSbWRQhXeJYxLXDfy-Zz0ro5XeJc__na_T4PsKHdyEdHO7rmQ_bM/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGWCLKgIgMM4O_8rhOBetf38nKvicZfU0XFr_GBObNJBAjvKNOA7fe3R2JGTWwMJ15516WWHGASWIRiaS3dqOZK0QUWluE8WfYmUw2VBGkEnjqDhcoTwgDrhujA3GQ3azburw5tNClSbWRQhXeJYxLXDfy-Zz0ro5XeJc__na_T4PsKHdyEdHO7rmQ_bM/w400-h300/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2014.jpg" width="400" /></a></div><br />One of England's more subtly original goth rock groups, Red Lorry Yellow Lorry were initially branded <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ8XEifIxQfWt5y-lD_BYskOVoB-khAOzj33KIA7vH3-Nw1jYdN_N9DevJVN1bz-eqfabFZFsHC8OjmT3irOQBEUBUI0GnQygXBTK0xuIRvNsew_WXPbSzX3RZaMGBSD9b_EesnKgAsH1jYF93c2k8npCBXLFluSw_7U6FsCCakhzOZcxD1g8ORgYzVp0/s1014/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%208.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="1014" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ8XEifIxQfWt5y-lD_BYskOVoB-khAOzj33KIA7vH3-Nw1jYdN_N9DevJVN1bz-eqfabFZFsHC8OjmT3irOQBEUBUI0GnQygXBTK0xuIRvNsew_WXPbSzX3RZaMGBSD9b_EesnKgAsH1jYF93c2k8npCBXLFluSw_7U6FsCCakhzOZcxD1g8ORgYzVp0/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%208.jpg" width="320" /></a></div><br />as worshipful Joy Division acolytes, but came up with enough distinct variations to break free of their main influence. Their foundation always remained icy, droning post-punk, replete with sludgy, murky guitars and mumbled Ian Curtis-style vocals. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2d9yBF7f6BaZB1NsUcuw7p5kbhMhaHmw8VwlbRcY3SHISX-nTL3nJ7QXp6U72k520ouzvG2lpfjRLiXlGaqXxTCfyGZgNdqn_jKWs9DFM_MBkzdcVIctvuuTv8y75cKj0LPE5JWKEFoJSJkOr8LrJbSQewDlhuL-XkJ-P6h4IjuV6nTFg_AKVcWwMWWI/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2022.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="709" data-original-width="800" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2d9yBF7f6BaZB1NsUcuw7p5kbhMhaHmw8VwlbRcY3SHISX-nTL3nJ7QXp6U72k520ouzvG2lpfjRLiXlGaqXxTCfyGZgNdqn_jKWs9DFM_MBkzdcVIctvuuTv8y75cKj0LPE5JWKEFoJSJkOr8LrJbSQewDlhuL-XkJ-P6h4IjuV6nTFg_AKVcWwMWWI/w400-h355/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2022.jpg" width="400" /></a></div><br />However, as the Lorries evolved, they gradually sprinkled in elements of industrial dance, early rave <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZv4g6n6udf4cNXBvTa93Xd-lSU40tQ3SB0UumjAsEQCiIh3oin1UwmG9quiGsGHSz64jX9kvd3gL_FEm_YOmJTwSh7po9aHtknQHb4I9KxWBjc7G-j5PLojfVT4WCmsTtCWNeGUJBru4orFBZYRk9BhLexIXSOrUBfmdifm-_YuDiNVGtUPUY91tXyx8/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2015.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="615" data-original-width="1024" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZv4g6n6udf4cNXBvTa93Xd-lSU40tQ3SB0UumjAsEQCiIh3oin1UwmG9quiGsGHSz64jX9kvd3gL_FEm_YOmJTwSh7po9aHtknQHb4I9KxWBjc7G-j5PLojfVT4WCmsTtCWNeGUJBru4orFBZYRk9BhLexIXSOrUBfmdifm-_YuDiNVGtUPUY91tXyx8/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2015.jpg" width="320" /></a></div><br />music, and spaghetti Western soundtracks, as well as liberal doses of inventive, acid-tinged guitar work. Taking their name from a British tongue twister, Red Lorry Yellow Lorry were formed in Leeds in late 1981 by guitarist/songwriter Chris Reed and vocalist Mark Sweeney. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ5gO6Iwq3vk1IcOoqOf6CUa6LHg-3zSala8NXhndR8HHCW7LR7z9C4UncqhrsemfFyGb3FOf5E3_a0riOIFt1BRXHPS0cewJRgvtxNxVbmsnGSc6GzC-OotfKQmVlYqWsJQF7pjemEfvzF68GXkfsIj2tEUv1mk7RVchcxyuWbF8aVH-CvHIZ_W69610/s1080/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="809" data-original-width="1080" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ5gO6Iwq3vk1IcOoqOf6CUa6LHg-3zSala8NXhndR8HHCW7LR7z9C4UncqhrsemfFyGb3FOf5E3_a0riOIFt1BRXHPS0cewJRgvtxNxVbmsnGSc6GzC-OotfKQmVlYqWsJQF7pjemEfvzF68GXkfsIj2tEUv1mk7RVchcxyuWbF8aVH-CvHIZ_W69610/w400-h300/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2010.jpg" width="400" /></a></div><br />In 1982, the Lorries' manager Dave Hall provided independent record label Red Rhino with a cassette <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpBdtE-HSFHw6eBnak2VKH1xom0etMNhmmWGBkfywXA_hy9BbVamdTWeKkomak4zZKSP88zASG6WHk1YhW2ohctB28cuNoEenS_QFA_HnhtEKjTUKgCOlkk3uZ5Z9NcqU2M3_FnPQ15DP1GF5HOj90T9TEfws9_VmMesgOf5Bk3BIDNRw6Tq4ir8uOFec/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2018.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="677" data-original-width="1024" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpBdtE-HSFHw6eBnak2VKH1xom0etMNhmmWGBkfywXA_hy9BbVamdTWeKkomak4zZKSP88zASG6WHk1YhW2ohctB28cuNoEenS_QFA_HnhtEKjTUKgCOlkk3uZ5Z9NcqU2M3_FnPQ15DP1GF5HOj90T9TEfws9_VmMesgOf5Bk3BIDNRw6Tq4ir8uOFec/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2018.jpg" width="320" /></a></div><br />of the group's demos. Impressed by the quality of the songs, Red Rhino label head "Tony K" (Tony Kostrzewa) signed the band and immediately released "Beating My Head" unchanged from the demo as the band's debut single. The song made a strong appearance on the influential NME independent record chart. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzQCROgvyv31zF0nLZ3UWsTXkspqY_PmnpGgHaqa_-rIjw_5ZyPHiXL1HRhP31KNEDjkHg2tK_dBGZyQ48xjxqOLVbqAwEXovclcQ84H951iA51Bsrp_B2AaRtfJLV9LyQSJwIpvm4bXE1vQYmW0Yy4sU2xnTjSCpdIWJD8Z6JoFfchjQpAopWylNtFww/s1080/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="806" data-original-width="1080" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzQCROgvyv31zF0nLZ3UWsTXkspqY_PmnpGgHaqa_-rIjw_5ZyPHiXL1HRhP31KNEDjkHg2tK_dBGZyQ48xjxqOLVbqAwEXovclcQ84H951iA51Bsrp_B2AaRtfJLV9LyQSJwIpvm4bXE1vQYmW0Yy4sU2xnTjSCpdIWJD8Z6JoFfchjQpAopWylNtFww/w400-h299/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%209.jpg" width="400" /></a></div><br />Fagan and Smith soon departed the band, to be replaced by Dave Wolfenden and Paul Southern <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZjY3mVrQvsSv1NAUuaItwKge74_w0A8etAiWLtUU1NFmu4J2SQz64IBATfiIrj-DUpT136Gb6Esj7xKZzBvwQ8WNg95MvU2VHL82JXxK7KaR_wwtbqvdaMZ_Ds5lsVqsJLM3wPmkD_PuTraIEgBEIbQrYXq_Mc6Qgm8PozNGC69ceBEIOxY2JDfxecQ/s852/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2020.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="852" data-original-width="754" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZjY3mVrQvsSv1NAUuaItwKge74_w0A8etAiWLtUU1NFmu4J2SQz64IBATfiIrj-DUpT136Gb6Esj7xKZzBvwQ8WNg95MvU2VHL82JXxK7KaR_wwtbqvdaMZ_Ds5lsVqsJLM3wPmkD_PuTraIEgBEIbQrYXq_Mc6Qgm8PozNGC69ceBEIOxY2JDfxecQ/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2020.jpg" width="283" /></a></div><br />respectively. Afterwards, bassist Southern was replaced by Leon Phillips. While numerous additional personnel changes would occur in the history of the band, Wolfenden became a mainstay and a frequent songwriting partner of Reed's during the band's most productive period. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCCu1CSCAlzD7nebc_CLF-o_m4aReBUkrZdo9FJAfu3hpWejnrkO60bqkav0dyxJTTdb2dvFuc71H_T5trplAQySGjUhrbZ1C3EZtoUR5oN-2wjjKxwSjv-EAHCgu9k7YX-QHmikhh0SHRYhKbebi0eCMMKwcK5lYOR26aTDzBFnn61JgvVzDVlJH83dk/s809/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="644" data-original-width="809" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCCu1CSCAlzD7nebc_CLF-o_m4aReBUkrZdo9FJAfu3hpWejnrkO60bqkav0dyxJTTdb2dvFuc71H_T5trplAQySGjUhrbZ1C3EZtoUR5oN-2wjjKxwSjv-EAHCgu9k7YX-QHmikhh0SHRYhKbebi0eCMMKwcK5lYOR26aTDzBFnn61JgvVzDVlJH83dk/w400-h319/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2012.jpg" width="400" /></a></div><br />In 1983 and 1984, the band released several more singles (including "He's Read" and "Monkeys On <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDPoMhbXQRHhsQkcHCVgwXQleY2zGXCGRHgMwTPQgQT8hVJHwQBoQuzyP58WEx9yu48McvMKXIm8OuH-C6Ddr0Nk1dqaHqsq9K8u69mCShOlPrjaIFhKTExIcKbMgQjzlJqFpEbOnTkoL3paUNE1jE96Omo8aahanQW1HSnNINhQ-QqMm452hr7GcgPw/s817/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2021.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="817" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDPoMhbXQRHhsQkcHCVgwXQleY2zGXCGRHgMwTPQgQT8hVJHwQBoQuzyP58WEx9yu48McvMKXIm8OuH-C6Ddr0Nk1dqaHqsq9K8u69mCShOlPrjaIFhKTExIcKbMgQjzlJqFpEbOnTkoL3paUNE1jE96Omo8aahanQW1HSnNINhQ-QqMm452hr7GcgPw/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2021.jpg" width="251" /></a></div><br />Juice", which reached No. 9 on the NME indie chart). <br />In 1985, the band's debut album, Talk About the Weather, was released and peaked at No. 3 on the NME independent albums chart.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDrhxkwiMti9GHCrikeIQrDCtjyhmkwOAy8aM_pa1RnWuVHE7pZVjXJuVBT-puHq_IBFJRz230s2aWVwqLySI-HFPhX1_Xr7C05gxFIlL7zlZ0aL-bO_h6wnVVZxoF3Ruswk8MeNVW1xR7YgUdclFJyuYctPJWRv2l38xZJx29p1WexNczZuflWSljZX0/s958/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDrhxkwiMti9GHCrikeIQrDCtjyhmkwOAy8aM_pa1RnWuVHE7pZVjXJuVBT-puHq_IBFJRz230s2aWVwqLySI-HFPhX1_Xr7C05gxFIlL7zlZ0aL-bO_h6wnVVZxoF3Ruswk8MeNVW1xR7YgUdclFJyuYctPJWRv2l38xZJx29p1WexNczZuflWSljZX0/w268-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%203.jpg" width="268" /></a></div><br />The band released one more album on Red Rhino (Paint Your Wagon, which reached No. 3 on the NME indie chart) in 1986, a single ("Cut Down") and a four track EP ("Crawling Mantra", utilizing the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSd2OIM0Fx4gOBg0pJwd5EsCS2SHjUXUP4AXx8X8b9G2A2qQ2NGiumn4OtoVjlOMDLnuKtxMUScxfPl5M7rgzQ6uYcCgXCmrLAjELHKh2wdpcVtT6ngyr1FszDWl5q5JhwbonaCKY-VbUe9Tw2THLidUZDSf_NfkVFqr00JHUsPVpyz-TaVE3VtbcGblo/s861/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%206.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="536" data-original-width="861" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSd2OIM0Fx4gOBg0pJwd5EsCS2SHjUXUP4AXx8X8b9G2A2qQ2NGiumn4OtoVjlOMDLnuKtxMUScxfPl5M7rgzQ6uYcCgXCmrLAjELHKh2wdpcVtT6ngyr1FszDWl5q5JhwbonaCKY-VbUe9Tw2THLidUZDSf_NfkVFqr00JHUsPVpyz-TaVE3VtbcGblo/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%206.jpg" width="320" /></a></div><br />one-time band name change to "The Lorries"), before signing to Situation Two, an offshoot of Beggars Banquet Records. Two albums followed, 1988's Nothing Wrong and 1989's Blow. Neither of the Beggars Banquet albums appeared on any mainstream pop charts. In 2003, Reed revived the name Red Lorry Yellow Lorry and released four new songs in 2004, available via internet download only on the band’s website.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwLfmNBW_lLOXdImGYpgppxTPjGS8fCpN02b70iHWp0COXoNm7ahyc_GdBvSQB3Z71QNUOswspScg5n8Edc4Jci03lvR0KbGEt5oUnDzfQ0b3JeHjUBT5hYo8nB_woJTyTlsf_hMCB-AYZZoSAlC9dCJjP_zk-yIW44heOGKQgFNoia3XHBjBKadLWUQ/s788/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2011.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="590" data-original-width="788" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwLfmNBW_lLOXdImGYpgppxTPjGS8fCpN02b70iHWp0COXoNm7ahyc_GdBvSQB3Z71QNUOswspScg5n8Edc4Jci03lvR0KbGEt5oUnDzfQ0b3JeHjUBT5hYo8nB_woJTyTlsf_hMCB-AYZZoSAlC9dCJjP_zk-yIW44heOGKQgFNoia3XHBjBKadLWUQ/w400-h300/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2011.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">DISCOGRAPHY</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ33UIeMMm766_1dZL7YvnpTeOakW-VHlfpyp8mragEaiBxVbTnZOkKp-DATikn3T5gTG1udEeY9xUK-3HrWFcna-fKg7uoRqXCtRKmTnRRulONMfN6ZPnF3hlcqiMHefTCrbcUjfoXP_XxJvPhPzaH0Awyp1tKgpODXrrkT10SylBzQbkwRFGnTDgUwU/s822/Red%20Lorry%20Yellow%20Lorry%20-%20Discography.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="822" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ33UIeMMm766_1dZL7YvnpTeOakW-VHlfpyp8mragEaiBxVbTnZOkKp-DATikn3T5gTG1udEeY9xUK-3HrWFcna-fKg7uoRqXCtRKmTnRRulONMfN6ZPnF3hlcqiMHefTCrbcUjfoXP_XxJvPhPzaH0Awyp1tKgpODXrrkT10SylBzQbkwRFGnTDgUwU/w400-h299/Red%20Lorry%20Yellow%20Lorry%20-%20Discography.jpg" width="400" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Talk About the Weather (1985)</b><br /><b>Paint Your Wagon (1986)</b><br /><b>Nothing Wrong (1988)</b><br /><b>Blow (1989)</b><br /><b>Blasting Off (1992)</b><br /><br /><b><span style="font-size: large;">RED LORRY YELLOW LORRY - ALBUMS AND SINGLES 1982 - 1989</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPlnMuWIYOD81D6bqQHnzopMRFEd1Ckw8hyNVZgadqcdCWBd7xy055i8zIiEJ0fvM_Bz0ukIBBxT_PymZg8H4erBFQQ3RWyt0mX9kzfDlYnpiQyfyz3V3ne8i0l0EwU2qayEI_WFdKJmld4cwFGvvAdp66v-hDqvCRx6JD2E7v-mPRkkrOK4-k174N33Y/s800/Red%20Lorry%20Yellow%20Lorry%20-%20Albums%20&%20Singles%201982-1989%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPlnMuWIYOD81D6bqQHnzopMRFEd1Ckw8hyNVZgadqcdCWBd7xy055i8zIiEJ0fvM_Bz0ukIBBxT_PymZg8H4erBFQQ3RWyt0mX9kzfDlYnpiQyfyz3V3ne8i0l0EwU2qayEI_WFdKJmld4cwFGvvAdp66v-hDqvCRx6JD2E7v-mPRkkrOK4-k174N33Y/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20Albums%20&%20Singles%201982-1989%20-%20Front%20Cover.jpg" width="400" /></a></div><br />73 tracks spanning 4 CDs housed in a clamshell box with booklet. It features 4 albums, Singles, B-<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF04SxF3i83REv9zJR9vY7bgbF8YsDoAaqppFkbrl2alF7pcmE8FZFhclpnTLtdn15-hnWwBHzsnZWPKfmihAI3Pox0Ibc3PUCdS8W06TF3_4YVTrRPOIZpqAJ-u4092HWU9fi9mShSYhMHMYhSzrV00tcstgK8AqdjbDURHhss1vzo-oKH-jQ672QGJI/s800/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%205%20(Best%20Of).jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="765" data-original-width="800" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF04SxF3i83REv9zJR9vY7bgbF8YsDoAaqppFkbrl2alF7pcmE8FZFhclpnTLtdn15-hnWwBHzsnZWPKfmihAI3Pox0Ibc3PUCdS8W06TF3_4YVTrRPOIZpqAJ-u4092HWU9fi9mShSYhMHMYhSzrV00tcstgK8AqdjbDURHhss1vzo-oKH-jQ672QGJI/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%205%20(Best%20Of).jpg" width="320" /></a></div><br />Sides, Remixes etc. An integral part of the UK’s post punk explosion, Red Lorry Yellow Lorry emerged from Leeds with their unique, demanding sound during the early 1980s. Their first two albums – Talk About The Weather and Paint Your Wagon – emerged on Red Rhino Records before a jump to Situation Two inspired a development in the band’s sound and a broadening of their outlook for the albums Nothing Wrong and Blow.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbLoww2zpcYwqv3e7A8jfmoh2J4abIjBrZs5T-0sdaZgdHH8nnOnLmOoPjpmDCnEGv1d2vFsGzseaWBzugL9xCb5QldnW1yoo2eQJzALXL-UHSTwCFAbA6p_Qx1XTJ9fEDHvmH4_eJXTvnzkOxXBtqqygoC4LYt1GjbMj7UTe-LjyDcb7dHMTHRULXsw/s800/Red%20Lorry%20Yellow%20Lorry%20-%20Albums%20&%20Singles%201982-1989%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="800" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbLoww2zpcYwqv3e7A8jfmoh2J4abIjBrZs5T-0sdaZgdHH8nnOnLmOoPjpmDCnEGv1d2vFsGzseaWBzugL9xCb5QldnW1yoo2eQJzALXL-UHSTwCFAbA6p_Qx1XTJ9fEDHvmH4_eJXTvnzkOxXBtqqygoC4LYt1GjbMj7UTe-LjyDcb7dHMTHRULXsw/w400-h395/Red%20Lorry%20Yellow%20Lorry%20-%20Albums%20&%20Singles%201982-1989%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Red Lorry Yellow Lorry – Albums And Singles 1982-1989<br />Label: Cherry Red – CRCDMBOX32<br />Format: CD, Reissue, Box Set, Compilation<br />Country: UK<br />Released: Feb 24, 2017<br />Genre: Rock<br />Style: Post-Punk, Goth Rock <br /><br /><span style="font-size: large;">CD1. TALK ABOUT THE WEATHER 1985</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQri9UgMocgmsEq4LDnj5QGdWhL5G2xbywXgPLqpKUs1ZLYouat0rz9LxjKbteSePm8tOU4wXJKoINdJv3KVOJIlcLnpcpwNLpKURZWySKnVN2Lbh52LjFdbEVYzW7e2BxyRIOQWB0qif7D8B1oaqPYrJHrgCW741vSWzjv3FRM2rsEP6jxIUH8nT1pi0/s803/Red%20Lorry%20Yellow%20Lorry%20-%20%201985%20-%20Talk%20About%20The%20Weather%20-%20Front%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQri9UgMocgmsEq4LDnj5QGdWhL5G2xbywXgPLqpKUs1ZLYouat0rz9LxjKbteSePm8tOU4wXJKoINdJv3KVOJIlcLnpcpwNLpKURZWySKnVN2Lbh52LjFdbEVYzW7e2BxyRIOQWB0qif7D8B1oaqPYrJHrgCW741vSWzjv3FRM2rsEP6jxIUH8nT1pi0/w399-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201985%20-%20Talk%20About%20The%20Weather%20-%20Front%20Cover%202.jpg" width="399" /></a></div><br />Talk About the Weather is the first studio album by the British rock band Red Lorry Yellow Lorry. It <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHe9BArDmrHHHRKVhIRypW3-F5UR9uxnFMDKIm6DSvTLk00FqOFw8t6pPAtPRapiIqCdFGtmhDucBqdMMnosVkKa0inBw4nNp58j4tj9t-FKqhWVhoUJtpz_teYMBYt8X1eS2RW0Qt6IlRsaTWt5MrrRN0awe6ecWRUGVdRh0FK43ao7_qNBXvHlWu4Rk/s802/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%207.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="802" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHe9BArDmrHHHRKVhIRypW3-F5UR9uxnFMDKIm6DSvTLk00FqOFw8t6pPAtPRapiIqCdFGtmhDucBqdMMnosVkKa0inBw4nNp58j4tj9t-FKqhWVhoUJtpz_teYMBYt8X1eS2RW0Qt6IlRsaTWt5MrrRN0awe6ecWRUGVdRh0FK43ao7_qNBXvHlWu4Rk/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%207.jpg" width="255" /></a></div><br />was released in 1985 in the UK on the Red Rhino independent label. It appeared on the New Musical Express indie rock albums chart for several months and peaked at No. 3, indicating strong sales.[2] The LP had only eight songs, although several subsequent cassette and CD releases included various bonus tracks.<br /><p></p><p><br /></p><p><br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">TRAXS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3gwqgcuIQ0mCPtc2uSfGqaSCXmX0vGF2amw81-1rPLBakQ79v3V0r26UvdPm3qidNelguUP5hdT8iJJNsWBgnATKiQqpIL6CkW1mefWwH7cFUgyDzTuQMpfYOj2TKeefqO3HaH9ET60SrVNTQ39Zhf7NCXfi5CH1mfBzEfRJEasJCTrLZkC3OlXf3rw/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201985%20-%20Talk%20About%20The%20Weather%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="691" data-original-width="800" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB3gwqgcuIQ0mCPtc2uSfGqaSCXmX0vGF2amw81-1rPLBakQ79v3V0r26UvdPm3qidNelguUP5hdT8iJJNsWBgnATKiQqpIL6CkW1mefWwH7cFUgyDzTuQMpfYOj2TKeefqO3HaH9ET60SrVNTQ39Zhf7NCXfi5CH1mfBzEfRJEasJCTrLZkC3OlXf3rw/w400-h345/Red%20Lorry%20Yellow%20Lorry%20-%20%201985%20-%20Talk%20About%20The%20Weather%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Talk About The Weather 4:06<br /><b>02.</b> Hand On Heart 3:48<br /><b>03.</b> Feel A Piece 2:43<br /><b>04.</b> Hollow Eyes 3:40<br /><b>05.</b> This Today 3:23<br /><b>06. </b>Sometimes 3:03<br /><b>07.</b> Strange Dream 3:15<br /><b>08.</b> Happy 3:25<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRAXS </span></b> <br /></p><p> <br /><b>09. </b>Beating My Head 3:24<br /><b>10.</b> I'm Still Waiting 4:03<br /><b>11.</b> Take It All 2:57<br /><b>12.</b> Happy (Single Version) 3:40<br /><b>13.</b> He's Read 2:59<br /><b>14.</b> See The Fire 2:34<br /><b>15. </b>Monkeys On Juice 3:14<br /><b>16.</b> Push 3:03<br /><b>17.</b> Silence 2:31<br /><b>18.</b> Hollow Eyes (12" Version) 3:44<br /><b>19. </b>Russia 3:12<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfpxDcuQyWqNtRg1Z8XAVFiALkQRIJ0VKniZFt9VAM1RyLtn8N_XnhRJ8Oxy9nXliBzV8Tab6gKfi70nuOzRnOi9v7hO5TcimO6ccpT6Lumv09lfw0irAtU-2ilk2_JbG_VqF8Qi4wfzQCi7ZOsQ_acoM_7GC-U9K558ICSNLsrWZbRmd7Ea7CBSIxKcc/s861/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2013.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="861" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfpxDcuQyWqNtRg1Z8XAVFiALkQRIJ0VKniZFt9VAM1RyLtn8N_XnhRJ8Oxy9nXliBzV8Tab6gKfi70nuOzRnOi9v7hO5TcimO6ccpT6Lumv09lfw0irAtU-2ilk2_JbG_VqF8Qi4wfzQCi7ZOsQ_acoM_7GC-U9K558ICSNLsrWZbRmd7Ea7CBSIxKcc/w400-h314/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2013.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Chris Reed</b> - vocals, guitar<br /><b>David Wolfenden </b>- guitar<br /><b>Paul Southern</b> - bass guitar<br /><b>Mick Brown </b>- drums<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zZZHGZ7Z#6399gY-ts162sYpeZlyBBIRLF3sJisZGZHsATP7cyPo">Flac Size: 401 MB</a><br /><br /><span style="font-size: large;">CD2. PAINT YOUR WAGON 1986</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPsB5F0IeJbP8CutgqZxVfOrqNW46WpBLqfOqOatkj_IMp5ykqwtgCeRH6Jqn6Z2FkJaEYpNuEwEaGaS47VynldOzvbI7qAlog_atmCyHD7_VZVdcUHNmflTPoGs0nj4occtebPvGdh35-Q39sMakEtHLGFicLuXxFtuUkY-ncQvidznkse4-n3eSOREs/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201986%20-%20Paint%20Your%20Wagon%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPsB5F0IeJbP8CutgqZxVfOrqNW46WpBLqfOqOatkj_IMp5ykqwtgCeRH6Jqn6Z2FkJaEYpNuEwEaGaS47VynldOzvbI7qAlog_atmCyHD7_VZVdcUHNmflTPoGs0nj4occtebPvGdh35-Q39sMakEtHLGFicLuXxFtuUkY-ncQvidznkse4-n3eSOREs/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201986%20-%20Paint%20Your%20Wagon%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Paint Your Wagon is the second studio album by British rock band Red Lorry Yellow Lorry, and was released in 1986 in the UK on the independent label Red Rhino. It was the band's final original LP <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL9qOcFrDg8yHB5ftWHi7x_4q0zEyBwvU03jQJJx4lD0-QRzJbW6j0_C199TKgoDyk8rAue-K0VUK5kOI2ICxUYFZN2aZUajswyIjVxxcZTUg8ok9Gq7bjoKSnyMl4x1ZXAAMK7VhsDqaon-hflQAFxAnPcSCFHpQkIrt03XdO3nT6anyNp3588tjbJeM/s800/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%208%20(Paint).jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL9qOcFrDg8yHB5ftWHi7x_4q0zEyBwvU03jQJJx4lD0-QRzJbW6j0_C199TKgoDyk8rAue-K0VUK5kOI2ICxUYFZN2aZUajswyIjVxxcZTUg8ok9Gq7bjoKSnyMl4x1ZXAAMK7VhsDqaon-hflQAFxAnPcSCFHpQkIrt03XdO3nT6anyNp3588tjbJeM/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%208%20(Paint).jpg" width="320" /></a></div><br />release on the label (outside of a singles collection, Smashed Hits, the following year) before signing to major label Situation Two in 1987. Like their first album Talk About the Weather, Paint Your Wagon had a very short running time at under 30 minutes. Two of the tracks, "Mescal Dance" and "Blitz", were instrumentals. Initial copies came with a limited edition seven-inch single with the tracks "Paint Your Wagon" and "More Jipp". Cassette and CD releases/reissues have featured various additional bonus tracks. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRAXS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBZZiJNZdMZApIUZt0HluZ8CWzyMp8JhT52BF7oJfOdHxW72ApGNYPvvkhPWsLWxvPwqoSIkHBVOHJZ4zjY4Ujkn3AhkRF_GVRPf7tk9UvBrF46jBabJo4A47F2TWVYX_JnS75aQN9TZwJ6ha_D_eP5Fv829it7xMJVbROO6hyphenhyphen43QZV1jscLIgEv96T3Q/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201986%20-%20Paint%20Your%20Wagon%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="800" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBZZiJNZdMZApIUZt0HluZ8CWzyMp8JhT52BF7oJfOdHxW72ApGNYPvvkhPWsLWxvPwqoSIkHBVOHJZ4zjY4Ujkn3AhkRF_GVRPf7tk9UvBrF46jBabJo4A47F2TWVYX_JnS75aQN9TZwJ6ha_D_eP5Fv829it7xMJVbROO6hyphenhyphen43QZV1jscLIgEv96T3Q/w400-h343/Red%20Lorry%20Yellow%20Lorry%20-%20%201986%20-%20Paint%20Your%20Wagon%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /><b>01. </b>Walking On Your Hands 2:37<br /><b>02.</b> Jipp 2:55<br /><b>03. </b>Last Train 2:14<br /><b>04. </b>Head All Fire 2:34<br /><b>05.</b> Mescal Dance 2:39<br /><b>06.</b> Shout At The Sky 3:02<br /><b>07.</b> Which Side 2:03<br /><b>08. </b>Tear Me Up 2:26<br /><b>09. </b>Save My Soul 2:42<br /><b>10. </b>Blitz 3:48<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRAXS </span></b> <br /></p><p> <br /><b>11. </b>Paint Your Wagon 2:36<br /><b>12. </b>More Jipp 2:55<br /><b>13. </b>Chance 5:17<br /><b>14.</b> Generation 3:07<br /><b>15.</b> Spinning Round 2:48<br /><b>16. </b>Hold Yourself Down 2:23<br /><b>17.</b> Jipp (Instrumental Mix) 2:59 <br /><b>18.</b> Cut Down 3:48<br /><b>19. </b>Running Fever 2:23<br /><b>20.</b> Pushed Me 2:15<br /><b>21.</b> Crawling Mantra 2:40<br /><b>22. </b>Hang Man 3:15<br /><b>23.</b> All The Same 2:55<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_aEXpTDoQpXQHh1VCyM6NEaKE0CHP_VUL5mIxD-VzXCqZ3FappjrWo3CMQiwYLrK44AmxWMlmzLNgaEj2V8LfVPEszwAm0U2jBn1ZjK0_MkPHngMUQ-e2BvZSs_qQ_6CCYqtzvleIcB9ytvmRvspyCQW7F8eUolAWU55czNTpCatVxsJvxMahrmQmSGw/s1024/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2017.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="732" data-original-width="1024" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_aEXpTDoQpXQHh1VCyM6NEaKE0CHP_VUL5mIxD-VzXCqZ3FappjrWo3CMQiwYLrK44AmxWMlmzLNgaEj2V8LfVPEszwAm0U2jBn1ZjK0_MkPHngMUQ-e2BvZSs_qQ_6CCYqtzvleIcB9ytvmRvspyCQW7F8eUolAWU55czNTpCatVxsJvxMahrmQmSGw/w400-h286/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2017.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;">Bass –<b> Léon Phillips</b><br />Drums –<b> Chris Oldroyd</b><br />Guitar – <b>David Wolfenden</b><br />Vocals, Guitar –<b> Chris Reed</b><br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/Dd4EXKDS#ApfwncbRThM8jc8wp_SB_Mz9qNc3M-bblWkvI_3blDY">Flac Size: 482 MB</a><br /><br /><span style="font-size: large;">CD3. NOTHING WRONG 1988</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcA_z_N5qptql9-t6SIPvBAvPJxYNwZVi5mcLB4Kf8piXMtPfaZ4wTkBHKfmATA2KofnHmjnY6i9lRMUGIDVTBzTeiWkVpT429jm5wvywLXNgPekWErOmjaw5G8hrUddZbE-wjLcfwlCrqFkIHE4-A5uZxuKebJ3epi43HQqgjuJmYoHm65Zgg3G8GM0E/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcA_z_N5qptql9-t6SIPvBAvPJxYNwZVi5mcLB4Kf8piXMtPfaZ4wTkBHKfmATA2KofnHmjnY6i9lRMUGIDVTBzTeiWkVpT429jm5wvywLXNgPekWErOmjaw5G8hrUddZbE-wjLcfwlCrqFkIHE4-A5uZxuKebJ3epi43HQqgjuJmYoHm65Zgg3G8GM0E/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Nothing Wrong is the third studio album by British rock band Red Lorry Yellow Lorry, released in 1988. It was their first LP on the Beggars Banquet offshoot, Situation Two, in the UK. In the US it was <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFuzk0OAyZ-hyFxhkSZxt2mdReYBWOcyDds_RpWL4A2EFRt-uPGH_k0Ie0B2duX4qXXftk_lXLLMsgwM2hxhADjmpR8VxfxIGut0KUUvUHZFRoB6ZkttOSYixnPuUYajn4iIrLN6oYjl7gS5uK-jY3hOXvFrGeEHd98YTWz4k80x7DWHCWpqf6cTf5Yk/s760/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%209%20(Nothing%20Wrong).jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="542" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFuzk0OAyZ-hyFxhkSZxt2mdReYBWOcyDds_RpWL4A2EFRt-uPGH_k0Ie0B2duX4qXXftk_lXLLMsgwM2hxhADjmpR8VxfxIGut0KUUvUHZFRoB6ZkttOSYixnPuUYajn4iIrLN6oYjl7gS5uK-jY3hOXvFrGeEHd98YTWz4k80x7DWHCWpqf6cTf5Yk/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%209%20(Nothing%20Wrong).jpg" width="228" /></a></div><br />released by Beggars Banquet/RCA. The US version included two bonus tracks, the UK single "Open Up" (previously chosen by New Musical Express as a Single of the Week) and the B-side "The Rise". The album's title track and "Only Dreaming (Wide Awake)" were issued as singles in the UK. Nothing Wrong featured some occasional audio excerpts from Sir Laurens Van Der Post's BBC television series documentary Testament to a Bushmen (stills from which were used as the source of the album's front and back covers). The album included a version of Booker T. & the M.G.'s' "Time Is Tight". <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMRxN9kRBt03D2UW16HZ5EsVeXAdkszZYxEqYLKXwtV6Lj6grodRtlRWzFPM89ZYasQ3CCMIs09LP4fZKOXN7KoIx18a6WO5dxDHpIbMOa13OJyfxM_auUFwsjUItIQLM9LomNeOj7PEu5jtGJP3R-Y2uoC6nlkHwYZZtfneLKLhouUh6XeDjO4pnpBok/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Front%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMRxN9kRBt03D2UW16HZ5EsVeXAdkszZYxEqYLKXwtV6Lj6grodRtlRWzFPM89ZYasQ3CCMIs09LP4fZKOXN7KoIx18a6WO5dxDHpIbMOa13OJyfxM_auUFwsjUItIQLM9LomNeOj7PEu5jtGJP3R-Y2uoC6nlkHwYZZtfneLKLhouUh6XeDjO4pnpBok/w400-h396/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Front%20Cover%202.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRAXS</span></b></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh25p8T4yqQYYcvXUIDF-aQH-MY_MR7bKD3RAsycSmW79BcyC2KQl68i9HrB61aH8kIoiiCG2lcEjxar5DuW3K-SaAR40Aqub79LUoyLxFc-ki4dAxulItYGWNZAA2JLwnv89WBS8PGoM-jByhsO-e8D8CdJT8enjZL2Fdq7vAytCGkjUwjoC3mzes0QhA/s810/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Inside%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="810" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh25p8T4yqQYYcvXUIDF-aQH-MY_MR7bKD3RAsycSmW79BcyC2KQl68i9HrB61aH8kIoiiCG2lcEjxar5DuW3K-SaAR40Aqub79LUoyLxFc-ki4dAxulItYGWNZAA2JLwnv89WBS8PGoM-jByhsO-e8D8CdJT8enjZL2Fdq7vAytCGkjUwjoC3mzes0QhA/w395-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Inside%20Cover%202.jpg" width="395" /></a></div> <br /><b>01. </b>Nothing Wrong 2:37<br /><b>02.</b> Hands Off Me 2:32<br /><b>03. </b>Big Stick 2:40<br /><b>04.</b> She Said 2:50<br /><b>05.</b> Sayonara 2:50<br /><b>06. </b>World Around 2:53<br /><b>07. </b>Hard-Away 2:41<br /><b>08.</b> Only Dreaming 3:04<br /><b>09. </b>Do You Understand? 2:20<br /><b>10.</b> Never Know 3:26<br /><b>11.</b> Pushing On 2:50<br /><b>12.</b> Time Is Tight<br />(Written-By – Al Jackson, Booker T Jones, Donald Dunn, Steve Cropper)<br />0:53<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRAXS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicFBYZmxHzulHowFD5PQT3Lt6Az3CbkvtqXXReEy5NMoXhKDiNiC-UKNNgHV4zkhxrFNbECIW-z9FXSQFkmSwjp83MRrWG3aKtDXy21lttRsO9nmH2dxxHYfMk-29aqOE75QNZxaSQ0cCiAxISSWQT38UY0Xmd5tv9Ntv2KlwBoqm4WpUyrb_xAAXgDD0/s808/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Inside%20Cover%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="808" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicFBYZmxHzulHowFD5PQT3Lt6Az3CbkvtqXXReEy5NMoXhKDiNiC-UKNNgHV4zkhxrFNbECIW-z9FXSQFkmSwjp83MRrWG3aKtDXy21lttRsO9nmH2dxxHYfMk-29aqOE75QNZxaSQ0cCiAxISSWQT38UY0Xmd5tv9Ntv2KlwBoqm4WpUyrb_xAAXgDD0/w396-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201988%20-%20Nothing%20Wrong%20-%20Inside%20Cover%203.jpg" width="396" /></a></div> <br /><b>13.</b> Open Up 3:25<br /><b>14. </b>Another Side 2:32<br /><b>15. </b>You Only Get What You Pay For 3:04<br /><b>16. </b>Calling 2:43<br /><b>17. </b>Only Dreaming (Wide Awake) (Extended Single Version) 4:24<br /><b>18. </b>The Rise 2:50<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p><br /><b>Chris Reed</b> - vocals, guitar, keyboards<br /><b>David "Wolfie" Wolfenden</b> - guitar<br /><b>Leon Phillips </b>- bass guitar, keyboards<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/OJ4X2QJA#NSZGNZnEPn-YG6UwSOVV_3Lw1YQmAnPPaq1AC-wjmUg">Flac Size: 330 MB</a><br /><br /><span style="font-size: large;">CD4. BLOW 1989 </span></b><span style="font-size: large;"> </span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjt_PCoDgJIgJdAhojq5KzuN_h07J6XwK9T5fN3YlPELnfSTm2Ghm3n0NFFTJKpWay08-zYZlhgR3-qV0asIc-9fQD85o6cYlVFgALaklahyphenhyphenKKi7dOGXJWA6gnZ-DhsmX8RwexwtkH-I8FAUhgp9BLo9ykwJA9qvPme2OnZCYa2aduaZIHv7rpkx42CqQ/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjt_PCoDgJIgJdAhojq5KzuN_h07J6XwK9T5fN3YlPELnfSTm2Ghm3n0NFFTJKpWay08-zYZlhgR3-qV0asIc-9fQD85o6cYlVFgALaklahyphenhyphenKKi7dOGXJWA6gnZ-DhsmX8RwexwtkH-I8FAUhgp9BLo9ykwJA9qvPme2OnZCYa2aduaZIHv7rpkx42CqQ/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Blow is the fourth studio album by British rock band Red Lorry Yellow Lorry, released in 1989, and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOq1v0IeDnOXRxEKV4Fk4befs9SIZFs0chFrbmizvYz-JIRFtClhTgBTuszNp9nX8WabMgFzDqFaCs-CmNVqrozUAfyXlZx3OUBJKJGn661eChnMbO6UlBUZL5Z575YT5vxhn60R0Y_VcYdUgz4OQGpbMkVD5sTo0o3UtEeTUl0KARt9NXizHu-JN8RiQ/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Inside%20Cover%201.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="800" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOq1v0IeDnOXRxEKV4Fk4befs9SIZFs0chFrbmizvYz-JIRFtClhTgBTuszNp9nX8WabMgFzDqFaCs-CmNVqrozUAfyXlZx3OUBJKJGn661eChnMbO6UlBUZL5Z575YT5vxhn60R0Y_VcYdUgz4OQGpbMkVD5sTo0o3UtEeTUl0KARt9NXizHu-JN8RiQ/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Inside%20Cover%201.jpg" width="320" /></a></div><br />their last LP on the Beggars Banquet offshoot label, Situation Two, in the UK. In the US it was released by Beggars Banquet/RCA. The album was a slight change in direction for the band. While it still had the band's customary swirling rush of guitars, pounding drums, loud bass and Chris Reed's deep growling vocals, the songs were a little slower, with stronger, more conventional melodies sweetened by occasional female backing vocals. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsyTV43ymoLF0q_nBNcEv3x5mY9XYaZE6t4zZajpeBevGyn9bgNT6UbjbOqxhur3YXpy8GP6ZfiH6ei39rYwo-nnd_UiRCT69X2hIHlEFWPFZNhrduf99fqTBbJxu_kfx9JmKde7zn3vrAdiR2MsQH2FUcBPMRIoqY-Fzaj3zjQB_c8X2TlotLAndLncs/s538/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%202.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="538" data-original-width="386" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsyTV43ymoLF0q_nBNcEv3x5mY9XYaZE6t4zZajpeBevGyn9bgNT6UbjbOqxhur3YXpy8GP6ZfiH6ei39rYwo-nnd_UiRCT69X2hIHlEFWPFZNhrduf99fqTBbJxu_kfx9JmKde7zn3vrAdiR2MsQH2FUcBPMRIoqY-Fzaj3zjQB_c8X2TlotLAndLncs/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%202.jpg" width="230" /></a></div><br />Reed's lyrics were less downbeat, almost optimistic. As critics noted, overall Blow is a warmer album than the band's previous, somewhat dour offerings; the Lorries left their specious gothic rock trappings behind for good. Chicago Tribune noted: "There is a strong pop element in the songs` melodies and structures, a danceable energy in faster numbers and some crisp, ringing guitar work in slower tunes. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKQuXXFTZUYITGRQrn2CnnfMKn3LAWsVoLokOKQiGcLf6G3wzmYiag4lAjXhFgE8L4IWeB-7l2J3aKIjEpB_mnwmtnDagfn9zb_kVQ1YcqzOv0n9i6v9lXGHn19qzhh4sNfWPFz1d6x7TX5u8Hob2kAQ19ZcJudMJK3M7c0igfLaW-5hKvD-gtjFIbTSs/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="632" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKQuXXFTZUYITGRQrn2CnnfMKn3LAWsVoLokOKQiGcLf6G3wzmYiag4lAjXhFgE8L4IWeB-7l2J3aKIjEpB_mnwmtnDagfn9zb_kVQ1YcqzOv0n9i6v9lXGHn19qzhh4sNfWPFz1d6x7TX5u8Hob2kAQ19ZcJudMJK3M7c0igfLaW-5hKvD-gtjFIbTSs/w400-h316/Red%20Lorry%20Yellow%20Lorry%20-%20%201989%20-%20Blow%20-%20Back%20Cover.jpg" width="400" /></a></div> <br /><b>01.</b> Happy To See Me 3:05<br /><b>02.</b> Temptation 3:07<br /><b>03.</b> Shine A Light 3:15<br /><b>04.</b> Too Many Colours 3:39<br /><b>05.</b> Heaven 4:13<br /><b>06.</b> Gift That Shines 3:47<br /><b>07. </b>In A World 3:46<br />08. You Are Everything 4:01<br /><b>09. </b>West Wakes Up 4:16<br /><b>10. </b>It Was Wrong 3:10<br /><b>11.</b> Blow 4:27<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRAXS </span></b> <br /></p><p> <br /><b>12.</b> Don't Know Why 3:38<br /><b>13.</b> Blow (Hard Press Mix) 4:17<br /><b>14. </b>Heaven (Acoustic Version) 3:46<br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW-tCsRDHEp-Swa2vqsCc9bcS-0pqQUd79lOJzpVKM-_VZ69QGykzQaoLhkkym-kX8udIQBH8hGxEldRnyoAu009CjBBMCZDGOzK1XYyuRDur3h6unUYauM5_TJnPLHJxkUvvY3lmxQZ4pyP0GEbsoXiimqYdOnUawGOTfhTevPapAu2cvLQutOCCLeyk/s866/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2019.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="866" data-original-width="736" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW-tCsRDHEp-Swa2vqsCc9bcS-0pqQUd79lOJzpVKM-_VZ69QGykzQaoLhkkym-kX8udIQBH8hGxEldRnyoAu009CjBBMCZDGOzK1XYyuRDur3h6unUYauM5_TJnPLHJxkUvvY3lmxQZ4pyP0GEbsoXiimqYdOnUawGOTfhTevPapAu2cvLQutOCCLeyk/w340-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%2019.jpg" width="340" /></a></div><br /><p></p><p style="text-align: center;"><b>Chris Reed </b>- vocals, guitar, keyboards<br /><b>David "Wolfie" Wolfenden </b>- guitar<br /><b>Leon Phillips</b> - bass guitar, keyboards<br /><b>"Chill" Chillington</b> - drums, percussion, keyboards<br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">with:</span></b><br /></p><p style="text-align: left;"><br /></p><p style="text-align: center;"><b>Jilly Myhill</b> - backing vocals<br /><b>Steve Hagarth</b> - keyboards<br /><b>Dick Adland</b> - drums<br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/jZwD3KpC#Eb19JyIiexkTzltaF4RqnpfKgBgMDDBW4jw5wG4C9NE">Flac Size: 570 MB</a><br /><br /><span style="font-size: large;">BLASTING OFF 1992</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq5jHrI_o_8NRBmCAZob5kel5pv01_cLE5navxm6yDPC47GG9joQroYQXjVah5LACLmUiPeZlj8UoW2Zcg82xpnpFN7xpHubg09VSIfWrePe06K4MTm-ZlyIVT6biMiHc4GFpVqCkBNR-37jCofZTg2tZxv7zhDvo5t73jJfj5wiMQIAkV4DR7uGRkVw/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="791" data-original-width="800" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq5jHrI_o_8NRBmCAZob5kel5pv01_cLE5navxm6yDPC47GG9joQroYQXjVah5LACLmUiPeZlj8UoW2Zcg82xpnpFN7xpHubg09VSIfWrePe06K4MTm-ZlyIVT6biMiHc4GFpVqCkBNR-37jCofZTg2tZxv7zhDvo5t73jJfj5wiMQIAkV4DR7uGRkVw/w400-h395/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Blasting Off is the fifth and final studio album by British rock band Red Lorry Yellow Lorry. It was <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI1Tt9Bju1mxlg7i3pYjxmYmUv5xfeSwbSZ7hBn9Ai4tk7x8YG_c_y5Su7-5ZhAYFiVlmMoXWIQvN-OuYOTHojMgY5vBS5m3D6PTeB-8NUPdPcsCA7N1tA_Em_GcH8Wd4_nkJADt-M7Pi0scs5HGmMfBU__TWyQ1O9leXKZa8rNiNOJUlwWbXVztjbwDw/s452/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%203.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="452" data-original-width="446" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI1Tt9Bju1mxlg7i3pYjxmYmUv5xfeSwbSZ7hBn9Ai4tk7x8YG_c_y5Su7-5ZhAYFiVlmMoXWIQvN-OuYOTHojMgY5vBS5m3D6PTeB-8NUPdPcsCA7N1tA_Em_GcH8Wd4_nkJADt-M7Pi0scs5HGmMfBU__TWyQ1O9leXKZa8rNiNOJUlwWbXVztjbwDw/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%203.jpg" width="316" /></a></div><br />released on the Sparkhead independent record label in 1991. The band at this point consisted of Chris Reed and a completely new assortment of musicians. They recorded the LP in a Los Angeles studio. Reed broke up the band soon after. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijU1XWjp3pARiu1D1NiJJyJqa1tcMPAUuINeB-ELgfgDhWmw01Eia5uEDA5h11KZ0M3S6EY8xrvW3OSdj9qzgfn4RoLF-sa_NK_F2sqdwsQT7hzXd8pdh2WqKjjauStJkI53nUkeHmZ5aJ_d16CFB0WsFwZY715WGZEq3dvWnkdwO2lXJSwWRGBJy2VbA/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Inside%20Cover%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="800" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijU1XWjp3pARiu1D1NiJJyJqa1tcMPAUuINeB-ELgfgDhWmw01Eia5uEDA5h11KZ0M3S6EY8xrvW3OSdj9qzgfn4RoLF-sa_NK_F2sqdwsQT7hzXd8pdh2WqKjjauStJkI53nUkeHmZ5aJ_d16CFB0WsFwZY715WGZEq3dvWnkdwO2lXJSwWRGBJy2VbA/w400-h394/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Inside%20Cover%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Red Lorry Yellow Lorry – Blasting Off<br />Label: Deathwish Office – CD 23556<br />Format: CD, Album<br />Country: Germany<br />Released: Sep 1992<br />Genre: Rock<br />Style: New Wave, Alternative Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJTEhabEuvSsJTwPhj08ezIkz3rLTwKVLF06wPKHLu3t20yIPZdLdxKzGqF1j-VIiSX20xSR2eTRPUCzCb3PCFc0lO8U6-UJaTHGiCXorOOrQk7W4SJI3eIpC3fSenh6sPsgWJ0oskMrOydyMJ2PmmoOsz9YLo1BXc2clrWtAu0EGwPEtZPBYrWbsQXfw/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="679" data-original-width="800" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJTEhabEuvSsJTwPhj08ezIkz3rLTwKVLF06wPKHLu3t20yIPZdLdxKzGqF1j-VIiSX20xSR2eTRPUCzCb3PCFc0lO8U6-UJaTHGiCXorOOrQk7W4SJI3eIpC3fSenh6sPsgWJ0oskMrOydyMJ2PmmoOsz9YLo1BXc2clrWtAu0EGwPEtZPBYrWbsQXfw/w400-h340/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>This Is Energy 4:34<br /><b>02.</b> It's On Fire 2:50<br /><b>03.</b> Don't Think About It 4:51<br /><b>04.</b> Train Of Hope<br />Guitar – Martin Scott<br />4:08<br /><b>05. </b>Talking Back<br />Percussion – Sam Bell (2)<br />5:38<br /><b>06. </b>Down On Ice 2:49<br /><b>07.</b> In My Mind 3:56<br /><b>08. </b>Sea Of Tears 3:34<br /><b>09.</b> I Can See Stars 3:46<br /><b>10. </b>Driving Me 3:19<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE - UP</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMNnBMA2rzbrgSoNLsOXLoPwWHQkmx-s20q79YPPkL7XUqtrvpyL3lcFgiTHnjOX9_jNhYDUAsgDXq2GJQYuf6fwO5H8uOYf8iuEOyGEoKt2eDkY8WxreJLmBUMLcsrWOQwN-JS04xwt286jU8FhFMGUjR6ieFQRjC0TCAzcqDhkgtmCU5ZFI0UB-C8vI/s801/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Inside%20Cover%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMNnBMA2rzbrgSoNLsOXLoPwWHQkmx-s20q79YPPkL7XUqtrvpyL3lcFgiTHnjOX9_jNhYDUAsgDXq2GJQYuf6fwO5H8uOYf8iuEOyGEoKt2eDkY8WxreJLmBUMLcsrWOQwN-JS04xwt286jU8FhFMGUjR6ieFQRjC0TCAzcqDhkgtmCU5ZFI0UB-C8vI/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201992%20-%20Blasting%20Off%20-%20Inside%20Cover%202.jpg" width="400" /></a></div><br />Bass, Keyboards – <b>Gary Weight</b><br />Drums [Acoustic Drums], Percussion – <b>George Schultz </b><br />Music By –<b> Reed, Weight (tracks: 1, 5, 6)</b><br />Performer [Beatbox And General Braindamage] – <b>Korky</b><br />Vocals, Guitar, Keyboards – <b>Chris Reed</b><br />Words By – <b>Reed</b><br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zAgCjIiA#8TpwrYTl9imcluYeSj8uY1ukzFKjUI5osiWQh9z-Jxc">Flac Size: 270 MB</a><br /><span style="font-size: large;"><br />FIRE (BOOTLEG) 1985</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbijyeNQfXQD2o3jE5mizpOK5329ZYb-g_OauxsBKd89MLmKfJYMlEujbHGMVkbvg7qknFLXwJ5G-h5I-45e20hyZ2Atm1-nxX-F1HzjUgex5NMv_noZXLn4Y5zG7HDNZxReoWxKh6qHQa9N3LnGiyuGwNPXOw89tjXKzp6KfM6aRWYVId31bUh0oEv4/s644/Red%20Lorry%20Yellow%20Lorry%20-%20Fire%20(Bootleg)%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="644" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvbijyeNQfXQD2o3jE5mizpOK5329ZYb-g_OauxsBKd89MLmKfJYMlEujbHGMVkbvg7qknFLXwJ5G-h5I-45e20hyZ2Atm1-nxX-F1HzjUgex5NMv_noZXLn4Y5zG7HDNZxReoWxKh6qHQa9N3LnGiyuGwNPXOw89tjXKzp6KfM6aRWYVId31bUh0oEv4/w398-h400/Red%20Lorry%20Yellow%20Lorry%20-%20Fire%20(Bootleg)%20-%20Front%20Cover.jpg" width="398" /></a></div><br />Covering the first years of Red Lorry Yellow Lorry, the FIRE Bootleg (released in 1985). This <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4-z_OwMXxSZkjSrgAVk7P8GUtHoyTCADddJmR2-XXlGSAOgh18vpMmKZjoxSPUrygaXIaitT87_c9R9uNjPM2lxvFtIKDiYDOJSiTDo1Ozw_TcvdeLCMBxWDUmgQ83xZcdM0iw2V30Djs3Ftx8YeCtzPYdAMGnohI2UUFgE3_50lBsOzJSeDORxLUp1E/s814/Red%20Lorry%20Yellow%20Lorry%20-%20%20See%20The%20Fire%20-%20Cover.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="814" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4-z_OwMXxSZkjSrgAVk7P8GUtHoyTCADddJmR2-XXlGSAOgh18vpMmKZjoxSPUrygaXIaitT87_c9R9uNjPM2lxvFtIKDiYDOJSiTDo1Ozw_TcvdeLCMBxWDUmgQ83xZcdM0iw2V30Djs3Ftx8YeCtzPYdAMGnohI2UUFgE3_50lBsOzJSeDORxLUp1E/s320/Red%20Lorry%20Yellow%20Lorry%20-%20%20See%20The%20Fire%20-%20Cover.jpg" width="314" /></a></div><br />particular compilation should appeal only to collectors, nonetheless, it is a fine collection, gathering early songs that forge the bridge between Joy Division and early-'80s to mid '80s goth rock. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7ZwuoCJd1GhmgsF7zpHxKk37zxGupDwEVPY_27HAy9OZNy342GsIVNy8viUpwxg8dZSrbWXEYa8Yy63_3GqXFmZPvTTRi9BNs29XmXceYx6V7oyBVFhZwwv7gsvPS8rRF_eTNlZ6He_Ty3RJSzPrjrbMlyDG9U91aDgL5prvve7UOW8fdFr9NNvi4vec/s682/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="539" data-original-width="682" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7ZwuoCJd1GhmgsF7zpHxKk37zxGupDwEVPY_27HAy9OZNy342GsIVNy8viUpwxg8dZSrbWXEYa8Yy63_3GqXFmZPvTTRi9BNs29XmXceYx6V7oyBVFhZwwv7gsvPS8rRF_eTNlZ6He_Ty3RJSzPrjrbMlyDG9U91aDgL5prvve7UOW8fdFr9NNvi4vec/w400-h316/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%201.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Artist: Red Lorry Yellow Lorry<br />Type: Bootleg / Unauthorized<br />Released: 1985<br />Recorded: 1982 - 1985<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9yfa_pWM38u-E6IFYepm9Onzv1jBKDbZqGpXfFEPFtPUQmI6oByBlluGsZffBOaUegTpKE6X0UolE6_d60B8ZW069MBKw_2V7240S9t5bcJgf1KW1duPZVHUQD6NQCE8gC2RA_lQpRb4RK7h8xW_tbGOpwkc71uJP6OFIH7w5dHJQDqlhE9176Raeons/s800/Red%20Lorry%20Yellow%20Lorry%20-%20(Bootleg)t%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9yfa_pWM38u-E6IFYepm9Onzv1jBKDbZqGpXfFEPFtPUQmI6oByBlluGsZffBOaUegTpKE6X0UolE6_d60B8ZW069MBKw_2V7240S9t5bcJgf1KW1duPZVHUQD6NQCE8gC2RA_lQpRb4RK7h8xW_tbGOpwkc71uJP6OFIH7w5dHJQDqlhE9176Raeons/w400-h399/Red%20Lorry%20Yellow%20Lorry%20-%20(Bootleg)t%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Push<br /><b>02.</b> Feel a Piece<br /><b>03.</b> Hollow Eyes<br /><b>04.</b> Talk About the Weather<br /><b>05. </b>Monkeys on Juice<br /><b>06. </b>See the Fire<br /><b>07.</b> Take It All<br /><b>08. </b>This Today<br /><b>09. </b>Chance <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">LINE UP</span></b><br /></p><p><br /><b>Mick Brown</b> - drums<br /><b>Chris Reed </b>- vocals<br /><b>Paul Southern </b>- bass<br /><b>Steve Smith </b>- bass<br /><b>David Wolfenden</b> - guitar<br /><b>Martin Fagan </b>- guitar<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/mdZGwZqT#HdYA977bal2gTUt6fMm-q9X8JleDAeQF0TGvXyUFg80">Flac Size: 202 MB</a><br /><br /><span style="font-size: large;">THIS TODAY (EP) 1984</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrFcaO8py7Pf0M5CkxY-G0RiYcjtkxCN2HaoIWTGt6Lv4vmOItmP3_vK2saEStm-OqspsmMC_y9d8fhqqCraKvbEbP9N9SP07bYDIe6zFqz0IddXx9KcneOlCuTZ1bOwyatRGjc_d_mpPUsBbr_CLpCXp6HU7neliizReuh4yutajVFPAXmM6D4yRJbX8/s816/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="816" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrFcaO8py7Pf0M5CkxY-G0RiYcjtkxCN2HaoIWTGt6Lv4vmOItmP3_vK2saEStm-OqspsmMC_y9d8fhqqCraKvbEbP9N9SP07bYDIe6zFqz0IddXx9KcneOlCuTZ1bOwyatRGjc_d_mpPUsBbr_CLpCXp6HU7neliizReuh4yutajVFPAXmM6D4yRJbX8/w393-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Front%20Cover.jpg" width="393" /></a></div><br />If justice existed, Red Lorry Yellow Lorry's catalog would be just as known as Killing Joke's, not only <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQaGQ5P65e3_4_ri86o6w4gzpy0HoaqHenov-NL3IunRcMg_Q6Dnfi7fx4zWjRYTPWyF4X7pMiaJ2Ev_uZi2sfWQ_2jaXkrmyRLFFRH4LJ9GUrvlG10MQfig5labBTP7FNnoNjRlDKQUhCHhnsJF0Z5bHtbbWeDz4KgG0fKwwB2uG1byK_i7nL3KygYiE/s1077/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%204.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1077" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQaGQ5P65e3_4_ri86o6w4gzpy0HoaqHenov-NL3IunRcMg_Q6Dnfi7fx4zWjRYTPWyF4X7pMiaJ2Ev_uZi2sfWQ_2jaXkrmyRLFFRH4LJ9GUrvlG10MQfig5labBTP7FNnoNjRlDKQUhCHhnsJF0Z5bHtbbWeDz4KgG0fKwwB2uG1byK_i7nL3KygYiE/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%204.jpg" width="238" /></a></div><br />recognized for having some wild guitar playing on par with Killing Joke's records (which are also comparable to Keith Levene's playing on PIL's debut), but also for putting an often terrific, unique spin on doom and gloom that should all but separate them from the remainder of the goth rock sect. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWsn0TglvsWDPyzG_Oj0ZlIbE-gXP8wGeEFivpvdMhUCzbdz0ph16ROxyTZ7XXbdjoQdD16-3inOe5JHg0LKUjTbsY8deJLo3azxJsZqdPV8H6b9x4lsiVtG_oNgcV5MFWyPPINn8MGFhld6yjRSA_NNkz1wRp2Nagp4YNDTbnwI8N_adqDHw9erd9x2M/s816/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="816" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWsn0TglvsWDPyzG_Oj0ZlIbE-gXP8wGeEFivpvdMhUCzbdz0ph16ROxyTZ7XXbdjoQdD16-3inOe5JHg0LKUjTbsY8deJLo3azxJsZqdPV8H6b9x4lsiVtG_oNgcV5MFWyPPINn8MGFhld6yjRSA_NNkz1wRp2Nagp4YNDTbnwI8N_adqDHw9erd9x2M/w393-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Back%20Cover.jpg" width="393" /></a></div><br /><p></p><p style="text-align: center;"><b>Red Lorry Yellow Lorry – This Today<br />Label: Red Rhino Records – RED 48<br />Format: Vinyl, 12", EP, 45 RPM<br />Country: UK<br />Released: Mar 9, 1984<br />Genre: Rock<br />Style: Goth Rock<br /><br /><span style="font-size: large;">SIDE A.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhleXXg68ckWo4jihjsDC9FlGAs5lf_pZVu2TjSmdI0GLTz-D7vd78oz8h2_jGy7gRHs5CmUBx1u8b8ORDkYx4ItBOUHhSWR7Kq-0rPUCvtZO-Qxlfr72Eb76XH4g0MRZq8GdMS5rAVRhSa3roXTkd4MHBRw4aRHCNLsRsmlGlZVWsKtCVFUymYfisJ6CI/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhleXXg68ckWo4jihjsDC9FlGAs5lf_pZVu2TjSmdI0GLTz-D7vd78oz8h2_jGy7gRHs5CmUBx1u8b8ORDkYx4ItBOUHhSWR7Kq-0rPUCvtZO-Qxlfr72Eb76XH4g0MRZq8GdMS5rAVRhSa3roXTkd4MHBRw4aRHCNLsRsmlGlZVWsKtCVFUymYfisJ6CI/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Side%20A.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><b>A1. </b> Beating My Head<br /><b>A2. </b> He's Read<br /></div><div style="text-align: left;"><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcBDwYfgZ7tkVWTOJ7UHPDMWFikDBapPXeK1dwxIR7eocoZ39iKLpx5v70wJ69Sdn1__dJvo7CCW-NGL432OJW1FTDknSZWnTWA2iY7wAHxz2M-nPxuolkiHOPgC8wq8TuP5HxzFu_CvDhCocz0oVjy91O8hrG0iE1N17lsfjSx4E1aqW1DBu_vkE2ljA/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcBDwYfgZ7tkVWTOJ7UHPDMWFikDBapPXeK1dwxIR7eocoZ39iKLpx5v70wJ69Sdn1__dJvo7CCW-NGL432OJW1FTDknSZWnTWA2iY7wAHxz2M-nPxuolkiHOPgC8wq8TuP5HxzFu_CvDhCocz0oVjy91O8hrG0iE1N17lsfjSx4E1aqW1DBu_vkE2ljA/w400-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%201984%20-%20This%20Today%20(EP)%20-%20Side%20B.jpg" width="400" /></a></div><br /><div style="text-align: center;"><b>B1. </b> Take It All<br /><b>B2 . </b> See The Fire<br /></div></div><div><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/GYhDkQQZ#tt2C6U2ztuW62V9OyispwV4jgBH7prs0_tTsV4mHY1g">Flac Size: 83 MB</a></b><br /><span style="font-size: large;"><br /><b>THE LORRIES - CRAWLING MANTRA (EP) 1987</b></span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSO8_qkBq016NI3eKy5I74GlmHp-7yMD6gviqMi2paGjSYCQy6yeyF_qh57XsDKvVDTxQXsUt8e50rSiG4zXW3KpiWj9v-mjfV0BwgscERnATY8DuPCOxSIEK-_nFX5wnrHMMAUC53rtY1a6ro0IVSmUB3CypepZzy6z1cSaAom2DEs4vgmndndsjBvg/s800/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSO8_qkBq016NI3eKy5I74GlmHp-7yMD6gviqMi2paGjSYCQy6yeyF_qh57XsDKvVDTxQXsUt8e50rSiG4zXW3KpiWj9v-mjfV0BwgscERnATY8DuPCOxSIEK-_nFX5wnrHMMAUC53rtY1a6ro0IVSmUB3CypepZzy6z1cSaAom2DEs4vgmndndsjBvg/w400-h400/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Following one more non-LP single that year, "Cut Down," the band temporarily adopted its longtime <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp9Xmlm2Gqtp6WEc0JM43_fCULEwYXGJow2GXnVjGdILrQfc3Xyn6_7RimUOsJ23qcmlaOWsRSe5ferwM1F4xhsHpie5pZbci0B10voeJz947gVj2jvnwA8YCeMQFsWiNuoFh7lXRqsO_6HToFjh4TC3WwIIGCzIou_OgANO5IgGhn-e8YpA_KtQ5YXVU/s920/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%206.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="920" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp9Xmlm2Gqtp6WEc0JM43_fCULEwYXGJow2GXnVjGdILrQfc3Xyn6_7RimUOsJ23qcmlaOWsRSe5ferwM1F4xhsHpie5pZbci0B10voeJz947gVj2jvnwA8YCeMQFsWiNuoFh7lXRqsO_6HToFjh4TC3WwIIGCzIou_OgANO5IgGhn-e8YpA_KtQ5YXVU/s320/Red%20Lorry%20Yellow%20Lorry%20-%20Poster%206.jpg" width="278" /></a></div><br />nickname of the Lorries, and issued one single, 1987's "Crawling Mantra," under that moniker before reverting back to the original form. Later in 1987, Red Lorry Yellow Lorry signed a major-label deal with Situation Two, a subsidiary of RCA affiliate Beggars Banquet. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgplULU3f474osq40iMPHBmBaeBZFya4UFlB1VaOjAEk5sHwZq11YffiHUE8FZ-oMJiErUu_2ZJzbGyUdP33mqMJn476VFDrXAvUm1icHkH59EXELQ9HGz2tU75-tbLXe2gHAgcq30zYqsKUUwl36_ufJJJDeOZzPTLyDvWoHF52jPybohtx3S4lddcYNk/s800/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgplULU3f474osq40iMPHBmBaeBZFya4UFlB1VaOjAEk5sHwZq11YffiHUE8FZ-oMJiErUu_2ZJzbGyUdP33mqMJn476VFDrXAvUm1icHkH59EXELQ9HGz2tU75-tbLXe2gHAgcq30zYqsKUUwl36_ufJJJDeOZzPTLyDvWoHF52jPybohtx3S4lddcYNk/w400-h400/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>The Lorries – Crawling Mantra<br />Red Lorry Yellow Lorry - Crawling Mantra <br />Label: Homestead Records – HMS 082, Homestead Records – HMS082<br />Format: Vinyl, 12", 45 RPM, EP<br />Country: US<br />Released: May 1987<br />Genre: Rock<br />Style: New Wave, Goth Rock, Post-Punk<br /><br /><span style="font-size: large;">SIDE A.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGphbcNy8aEZ11wty0pUG_xjT12Q-G5-6vW9_dqkVh2t7LWOXzwKzPECD-ssUX2TLJ76MvvAZX42Zc1rs0u_SnFVw6YxAKLv_U2r425-1Lr5wSTwIJ50w6OMzrfy_luvpN2UsuVnZslcqH2ebk9rpTJy5Z7EMcpqCbYwA0xJ32bHM0ZtJE1Zp8s6uWDBM/s800/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20SIDE%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGphbcNy8aEZ11wty0pUG_xjT12Q-G5-6vW9_dqkVh2t7LWOXzwKzPECD-ssUX2TLJ76MvvAZX42Zc1rs0u_SnFVw6YxAKLv_U2r425-1Lr5wSTwIJ50w6OMzrfy_luvpN2UsuVnZslcqH2ebk9rpTJy5Z7EMcpqCbYwA0xJ32bHM0ZtJE1Zp8s6uWDBM/w400-h400/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20SIDE%20A.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><b>A1. </b>Crawling Mantra 2:43<br /><b>A2.</b> All The Same 3:56<br /></div><div><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfSY6Wp9aHuXEdWr7E8RgOjcWQdpZMhNLW7nO2Rb1CQ3n5zcj-ABLJeEKpGXHvVG3QNgpLYoKBDRs9b7YjtOWCLfJT9Ifg5y0z1RjAXeLgCi1bSWEZzcVGBdQF8TsqptCRh4g4VZAjvUj9EVdos55PqIahHOvRRfQc4Vr7OA7GUKhKvBAcwTy2XRABeNg/s800/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20SIDE%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfSY6Wp9aHuXEdWr7E8RgOjcWQdpZMhNLW7nO2Rb1CQ3n5zcj-ABLJeEKpGXHvVG3QNgpLYoKBDRs9b7YjtOWCLfJT9Ifg5y0z1RjAXeLgCi1bSWEZzcVGBdQF8TsqptCRh4g4VZAjvUj9EVdos55PqIahHOvRRfQc4Vr7OA7GUKhKvBAcwTy2XRABeNg/w400-h400/The%20Lorries%20-%201987%20-%20Crawling%20Mantra%20-%20SIDE%20B.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><b>B1. </b> Hang Man 3:18<br /><b>B2.</b> Shout At The Sky (Live) 3:05<br /></div><div><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/TZwTWQzC#zAECjqgn0DAGpGPZtm3MCApQ-QAwrLXJUE0JtwCAhBo">Flac Size: 84.5 MB</a><br /><br /><span style="font-size: large;">THE VERY BEST OF 2000</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb0GZQVbZtr_15zZ4MI2OjsM7qZJHcmAaq92R19fjObIWNL6B_lnnymXwECzxYWxqzvSwFfFJt3HvnbsamPz5LPuFBp5o0uIEef6ZYxCbKMKY6daPk30EWKoDc-AJPvcF7D0lQhKny0r75-sn1q-d52LB1YZiWx_GSYvSnxtBYBw01CHLj3UNL6QsTWPI/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%202000%20-%20The%20Very%20Best%20Of%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb0GZQVbZtr_15zZ4MI2OjsM7qZJHcmAaq92R19fjObIWNL6B_lnnymXwECzxYWxqzvSwFfFJt3HvnbsamPz5LPuFBp5o0uIEef6ZYxCbKMKY6daPk30EWKoDc-AJPvcF7D0lQhKny0r75-sn1q-d52LB1YZiWx_GSYvSnxtBYBw01CHLj3UNL6QsTWPI/w400-h398/Red%20Lorry%20Yellow%20Lorry%20-%20%202000%20-%20The%20Very%20Best%20Of%20-%20Front%20Cover.jpg" width="400" /></a></div><br />For the first time ever this 23 track collection includes all their best known tracks from their career with Red Rhino and Beggars Banquet. Red Lorry Yellow Lorry were one of the most successful independent bands of the 80’s with their dark and often manic rhythms. It might not boast the all-encompassing <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp4ROT3s7tMXIx4LJUaDDgzOpLzdxxeR4bLH__KNWQ3y02NZZ82sKd9oxWRCf6mb7_u-5_WGMP0lzIXaehzZZPyQvf3Cf6PEp9xjimI6yRoViFEfPc5_jKF3sXSPVR-4KFwiypDB1-O8eUyEhyphenhyphenI38F9szRluU3dowizm3IX3T3WIf_L8eL5jPtcyBxL_s/s624/Poster.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp4ROT3s7tMXIx4LJUaDDgzOpLzdxxeR4bLH__KNWQ3y02NZZ82sKd9oxWRCf6mb7_u-5_WGMP0lzIXaehzZZPyQvf3Cf6PEp9xjimI6yRoViFEfPc5_jKF3sXSPVR-4KFwiypDB1-O8eUyEhyphenhyphenI38F9szRluU3dowizm3IX3T3WIf_L8eL5jPtcyBxL_s/s320/Poster.jpg" width="226" /></a></div><br />nature of 1994's The Singles 1982-1987, and it might not be as succinct and flawlessly selected as the same year's Generation: The Best Of, but The Very Best of Red Lorry Yellow Lorry improves upon all of the previous compilations by acknowledging 1988's Nothing Wrong and 1989's Blow, the two records the band made for RCA after making the jump from Red Rhino. Since the running order is chronological, it shows that the band indeed made subtle developments with their sound, much to the chagrin of those who felt that RLYL were sludge merchants -- nothing but Joy Division cloning, guttural howling, murky machine rhythms, and disturbingly acid-drenched guitars. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLrNL8EUPRkzYrxupzIPbhK7-1SGPTTz4D1uX1eYUB2kFYawDgdNgRkxNdfvKrABQZCyQ_Ur1AbBYsB1tmj_ZqeJfhaJLz-AKzK60saytfTE82Sfx5rJQB8MsrpZuMQmiZhoYrce3upFY6EWcC424Y0butQ3qYRVmTX-t406IiexWZPy5GSvOZs751D5w/s800/Red%20Lorry%20Yellow%20Lorry%20-%202000%20-%20The%20Very%20Best%20Of%20Red%20Lorry%20Yellow%20Lorry%20-%20Inside%20Cover%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="783" data-original-width="800" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLrNL8EUPRkzYrxupzIPbhK7-1SGPTTz4D1uX1eYUB2kFYawDgdNgRkxNdfvKrABQZCyQ_Ur1AbBYsB1tmj_ZqeJfhaJLz-AKzK60saytfTE82Sfx5rJQB8MsrpZuMQmiZhoYrce3upFY6EWcC424Y0butQ3qYRVmTX-t406IiexWZPy5GSvOZs751D5w/w400-h391/Red%20Lorry%20Yellow%20Lorry%20-%202000%20-%20The%20Very%20Best%20Of%20Red%20Lorry%20Yellow%20Lorry%20-%20Inside%20Cover%203.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Red Lorry Yellow Lorry – The Very Best Of<br />Label: Cherry Red – CDMRED 167<br />Format: CD, Compilation<br />Country: UK<br />Released: 2000<br />Genre: Rock<br />Style: Goth Rock, Indie Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHldyGNB7brI05MfdIjPzRVlLIHz2VE7pe6HR4cIzTK7eQuQw2bvJD9S7L4kY1fcwfyFEvTFtm57iTX-tc0jIQrh_N5AM1luPajLzsBhnu2SDyT-UDFNOg9Xx_P8T4LqJeORPmKfcz9hEcCosPCIEiGi-tn23XTxeIqkm63O9YikXXk1koMPWz7Ow_eA8/s800/Red%20Lorry%20Yellow%20Lorry%20-%20%202000%20-%20The%20Very%20Best%20Of%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="624" data-original-width="800" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHldyGNB7brI05MfdIjPzRVlLIHz2VE7pe6HR4cIzTK7eQuQw2bvJD9S7L4kY1fcwfyFEvTFtm57iTX-tc0jIQrh_N5AM1luPajLzsBhnu2SDyT-UDFNOg9Xx_P8T4LqJeORPmKfcz9hEcCosPCIEiGi-tn23XTxeIqkm63O9YikXXk1koMPWz7Ow_eA8/w400-h313/Red%20Lorry%20Yellow%20Lorry%20-%20%202000%20-%20The%20Very%20Best%20Of%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Beating My Head 3:15<br /><b>02. </b>He's Read 2:59<br /><b>03. </b>Monkeys On Juice 3:12<br /><b>04. </b>Talk About The Weather 4:05<br /><b>05.</b> Hand On Heart 3:45<br /><b>06.</b> Feel A Piece 2:39<br /><b>07.</b> Hollow Eyes 3:36<br /><b>08.</b> Strange Dream 3:14<br /><b>09.</b> Chance 5:18<br /><b>10.</b> Spinning Round 2:48<br /><b>11. </b>Last Train 2:15<br /><b>12. </b>Mescal Dance 2:40<br /><b>13. </b>Blitz 3:50<br /><b>14. </b>Walking On Your Hands 2:38<br /><b>15. </b>Cut Down 3:47<br /><b>16. </b>Crawling Mantra 2:40<br /><b>17.</b> Nothing Wrong 2:40<br /><b>18. </b>Only Dreaming 3:43<br /><b>19.</b> She Said 2:53<br /><b>20. </b>Open Up 3:28<br /><b>21.</b> Heaven 4:15<br /><b>22.</b> You Are Everything 4:03<br /><b>23.</b> Blow 4:29<br /><br /><p></p><p style="text-align: center;"><b>Total Play Time: 78:12<br /> <br /><span style="font-size: large;">LINE - UP</span></b><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzFTZNZstmiI21QNPEdw1H5Kubx_t_gFCoCbxr1qqJmb9FH7PGponEeh2z8K_TFQqalQqpx52gmpKUo4t9RO-KSKBZ7VGmVbj4wNKZITLl95XJAq5-0cp8Vi4YWdaynhaKdS_NANfgFAgdC5-tsydPBkC5FFQobTXXHRIcf4tqMW9YSCvDgn2PUHW_4f0/s958/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzFTZNZstmiI21QNPEdw1H5Kubx_t_gFCoCbxr1qqJmb9FH7PGponEeh2z8K_TFQqalQqpx52gmpKUo4t9RO-KSKBZ7VGmVbj4wNKZITLl95XJAq5-0cp8Vi4YWdaynhaKdS_NANfgFAgdC5-tsydPBkC5FFQobTXXHRIcf4tqMW9YSCvDgn2PUHW_4f0/w268-h400/Red%20Lorry%20Yellow%20Lorry%20-%20%20Photo%202.jpg" width="268" /></a></div><br /><p style="text-align: center;"><b>Chris Reed </b>- Guitars, Vocals<br /><b>Mark Chillington</b> - Drums<br /><b>Mark Hubbard</b> - Bass<br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">FORMER MEMBERS</span></b><br /></p><br /><p style="text-align: center;"><b>Mark Sweeney<br />Dave Wolfenden<br />Martin Fagan<br />Paul Southern<br />Steve Smith<br />Mick Brown<br />Chris Oldroyd<br />Gary Weight<br />Martin Scott<br />Leon Phillips</b><br /></p><p><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/uRohnZDR#Npvzj6FVPSKqDuPQOTABJmqVQlBFZxfwnnrq7V1CaEE">Flac Size: 554 MB</a></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com13tag:blogger.com,1999:blog-8270002232971427483.post-34455296958440253542024-02-13T09:17:00.002+02:002024-02-13T09:21:35.958+02:00Nightstalker: Stoner Allucinations <div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglJkzKQI1dy9_SLDCr3XH3gEWcoxxwXcX9w_ePw_pf3QEpFstcyIc9Wfma-o4c3fafcaiuqpypOFMm0XVEfDM5ViCeREehISov00daEIxD4b0a1psHQodAp1klFN6dSxAvXmxsc9TbJ9hh5-kpXX_dVocukXHaKCmDj9oaWmT5p29WxDEz6OjUfS26lLo/s1500/Nightstalker%20-%20Poster%2014.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1050" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglJkzKQI1dy9_SLDCr3XH3gEWcoxxwXcX9w_ePw_pf3QEpFstcyIc9Wfma-o4c3fafcaiuqpypOFMm0XVEfDM5ViCeREehISov00daEIxD4b0a1psHQodAp1klFN6dSxAvXmxsc9TbJ9hh5-kpXX_dVocukXHaKCmDj9oaWmT5p29WxDEz6OjUfS26lLo/w280-h400/Nightstalker%20-%20Poster%2014.jpg" width="280" /></a></div> <p></p><p>Raw Rock-n-Roll simplicity, stunning riffs, and electric haze; this is Nightstalker. <b>Nightstalker, the </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi004cAkZ0gbfNvnmcUVdXz9_Dqkg0qo_JVhtzR659z74H1upHjBDnMU4aDo9f6uCTzq6p0HM12jMivNlzLGfzIwSh1oDzNBSEwvX3HTRj30St7ouyVld_OkKb1I41y7hWlXxwwk7FzhQ29BSDSnOL9_cH7__QkunWnVjS7fpnNI2nk96Z5tRineZad5-E/s1024/Nightstalker%20-%20Photo%202.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi004cAkZ0gbfNvnmcUVdXz9_Dqkg0qo_JVhtzR659z74H1upHjBDnMU4aDo9f6uCTzq6p0HM12jMivNlzLGfzIwSh1oDzNBSEwvX3HTRj30St7ouyVld_OkKb1I41y7hWlXxwwk7FzhQ29BSDSnOL9_cH7__QkunWnVjS7fpnNI2nk96Z5tRineZad5-E/s320/Nightstalker%20-%20Photo%202.jpg" width="320" /></a></b></div><b><br />preeminent godfathers of Greek hard rock music scene, boast a 30-year legacy adorned in heavy riffs, hazy smoke, and raw psychedelia.</b> <br /> <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSYvP88oEmbsH_dcMNLHYW2gLbhXdACdYFEKNOFQ1RQdtaZh3Hk8UgHT4MUNFKnPGn3TefJmSTb6GDJ5o6UScejRKP0wblFozmFH9W6Z3XVXttNvavYPGOAJ5ZGnJYoZTXBRYKw5AHPZPgcjWqm5bRPA-OFiUZVC1giBJrYdvijDPJauPANkJrA4eP37M/s561/Nightstalker%20Logo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="231" data-original-width="561" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSYvP88oEmbsH_dcMNLHYW2gLbhXdACdYFEKNOFQ1RQdtaZh3Hk8UgHT4MUNFKnPGn3TefJmSTb6GDJ5o6UScejRKP0wblFozmFH9W6Z3XVXttNvavYPGOAJ5ZGnJYoZTXBRYKw5AHPZPgcjWqm5bRPA-OFiUZVC1giBJrYdvijDPJauPANkJrA4eP37M/w400-h165/Nightstalker%20Logo.jpg" width="400" /></a></div><br />Don’t try to label Nightstalker, it only makes them mad. Over the years they’ve been saddled with every <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJxdpO_CCjARLHBz0yxTCFKfxlK-NmvVTc3aXVlj3MoENhd2dmXVpMQfkrlmvXes0OU76A8oea8cAo3EkS2-UMzohbthVDHnk1DINjEpRtZSgLE5wVIJfOxIZ8WpdKI1AlW7EHqE1-2RZvl2emgMO2eZb1zzg2YYBs1i5VYld8eljtN1aG7vEvVDoqZEE/s1024/Nightstalker%20-%20Photo%209.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="603" data-original-width="1024" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJxdpO_CCjARLHBz0yxTCFKfxlK-NmvVTc3aXVlj3MoENhd2dmXVpMQfkrlmvXes0OU76A8oea8cAo3EkS2-UMzohbthVDHnk1DINjEpRtZSgLE5wVIJfOxIZ8WpdKI1AlW7EHqE1-2RZvl2emgMO2eZb1zzg2YYBs1i5VYld8eljtN1aG7vEvVDoqZEE/s320/Nightstalker%20-%20Photo%209.jpg" width="320" /></a></div><br />label under the sun. In the 90’s it was grunge… Then it was Stoner Rock… And never try to call them a ‘Greek Rock act’ either. They play Rock music, plain and simple, and have been doing so to rave reviews for the past three decades. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrfV6bNtj48qQR6xv6Bf8yiMo1lS7VS6YEps0p8OkUCHbQ7oEjWA-NYk0J0TkFIsM18ocxaD5Y4JyK1zl0xYalqSlKMnIxC3e3A83RaQsuGjy51CcyNsHSM2K9RwETkqV0sAKNAQnYv699VUpbX7qejEeqDnVW_Fo2o1s_CDw01PHh-3nhKyfYp9wsRc/s960/Nightstalker%20-%20Poster%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="679" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrfV6bNtj48qQR6xv6Bf8yiMo1lS7VS6YEps0p8OkUCHbQ7oEjWA-NYk0J0TkFIsM18ocxaD5Y4JyK1zl0xYalqSlKMnIxC3e3A83RaQsuGjy51CcyNsHSM2K9RwETkqV0sAKNAQnYv699VUpbX7qejEeqDnVW_Fo2o1s_CDw01PHh-3nhKyfYp9wsRc/w283-h400/Nightstalker%20-%20Poster%205.jpg" width="283" /></a></div><br />In a world full of bands that fracture at the first hint of a bad review, Nightstalker are a powerhouse that <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOzOKFwi8GuWp8b7llpfmveZkaOtLxld9WPWh8vztWlfoG46lvM9YFBW893SYOjiFsihi5lGao5xIT6lhKp5oU2s2sNDhCHaGmsGjhV_NLMG6n_pvOPVT5nUBg7g8KMBEjuuHlAYiXMSskULmrf1Pm8QIbi06RRTqijr1L2GSf3YWrph7nHYtLamkLpI8/s800/Nightstalker%20-%20Photo%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOzOKFwi8GuWp8b7llpfmveZkaOtLxld9WPWh8vztWlfoG46lvM9YFBW893SYOjiFsihi5lGao5xIT6lhKp5oU2s2sNDhCHaGmsGjhV_NLMG6n_pvOPVT5nUBg7g8KMBEjuuHlAYiXMSskULmrf1Pm8QIbi06RRTqijr1L2GSf3YWrph7nHYtLamkLpI8/s320/Nightstalker%20-%20Photo%2011.jpg" width="320" /></a></div><br />after 8 releases and over 500 worldwide shows, continue to stand at the forefront of the European hard-rock scene.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVz72mHy9y6kmwGIGJ7O9oFvuDfn92ionZugA3owEfOBQm2S8vnYhdnZu0n9u5B9vLhSz7xaBqGH2xfkjGcEmwfkj8kxeWT9ffOvSFfC5U-Q_QqyY_X6YoN9AdBOQ1LRF-GGDn0m5lF-Z5tTNZP89MPBsqW4KaRTcSbx-PvH6jWkIlAW9_1m7iCH06J3M/s1154/Nightstalker%20-%20Poster%209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1154" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVz72mHy9y6kmwGIGJ7O9oFvuDfn92ionZugA3owEfOBQm2S8vnYhdnZu0n9u5B9vLhSz7xaBqGH2xfkjGcEmwfkj8kxeWT9ffOvSFfC5U-Q_QqyY_X6YoN9AdBOQ1LRF-GGDn0m5lF-Z5tTNZP89MPBsqW4KaRTcSbx-PvH6jWkIlAW9_1m7iCH06J3M/w208-h400/Nightstalker%20-%20Poster%209.jpg" width="208" /></a></div><br />Formed in Greece in late 1989 by singer (and at the time drummer) Argy, and made truly stable with <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy87v_wfAgc4vHCp4hPlNlLhBFNiJnIXgYbO5YAYlS9MdWOiJzJTS7Y_fDnKwmAsSrcf9lUUHFsFO9hskti2HdQjLY0wl_Zy4euIqW51XfGWx_UqiyYyTQoV8cxnzzPsgFqfXts0SUWCR6H-Dpp6AHuwOX25976i7pryuOlkiHx-CXsh_08gQaZHOyPl0/s800/Nightstalker%20-%20Photo%2010.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy87v_wfAgc4vHCp4hPlNlLhBFNiJnIXgYbO5YAYlS9MdWOiJzJTS7Y_fDnKwmAsSrcf9lUUHFsFO9hskti2HdQjLY0wl_Zy4euIqW51XfGWx_UqiyYyTQoV8cxnzzPsgFqfXts0SUWCR6H-Dpp6AHuwOX25976i7pryuOlkiHx-CXsh_08gQaZHOyPl0/s320/Nightstalker%20-%20Photo%2010.jpg" width="320" /></a></div><br />the addition of bassist Andreas in 1992, Nightstalker managed to meld their heavy rock influences with funky rhythms and grungy melodies to create a whole new beast. With all these elements in place they released their first EP in 1994 entitled ‘Side FX’, followed by their first full length album ‘Use’ in 1996, which established the band with their own trademark brand of dark heavy sounds.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyk52i-V6aElEa3_9LCBupZpRKGQHD_iDAXFqVoTIBVUMonL1UlpRPa2YFsTD7vVKqZl511EXUhNaglHz5nUVbny1_uD9FA0Dnfg92_hhgbHtLVYH78c9gUqZ47FZiY_yo9cqrKun-iRIFpZZmyY4Bqd2lW7zWH90gnzovbDk-edVa12mice_A2EAW5Uo/s960/Nightstalker%20-%20Poster%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="660" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyk52i-V6aElEa3_9LCBupZpRKGQHD_iDAXFqVoTIBVUMonL1UlpRPa2YFsTD7vVKqZl511EXUhNaglHz5nUVbny1_uD9FA0Dnfg92_hhgbHtLVYH78c9gUqZ47FZiY_yo9cqrKun-iRIFpZZmyY4Bqd2lW7zWH90gnzovbDk-edVa12mice_A2EAW5Uo/w275-h400/Nightstalker%20-%20Poster%201.jpg" width="275" /></a></div><br />The band managed to combine the raw rock 'n roll simplicity with heavy riffs and hazy, psychedelic <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD75H8v8gqRom3Ok-j0yPMz7kEHTNLcTA9Czg0BiK5FETWiHT7MOFgfxf2e3tPidSEOYrNH1O6lZEgCFKYR4EOd_E9mBTPtXA2nZXSW9TfmZZ0iehVkGCRHTs4E26dqn776wz6hEgPROa3JU3noRHdbut-78ps4S28n4MztDM597mErIL1PBXnxnY7GJw/s800/Nightstalker%20-%20Photo%2016.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="534" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD75H8v8gqRom3Ok-j0yPMz7kEHTNLcTA9Czg0BiK5FETWiHT7MOFgfxf2e3tPidSEOYrNH1O6lZEgCFKYR4EOd_E9mBTPtXA2nZXSW9TfmZZ0iehVkGCRHTs4E26dqn776wz6hEgPROa3JU3noRHdbut-78ps4S28n4MztDM597mErIL1PBXnxnY7GJw/s320/Nightstalker%20-%20Photo%2016.jpg" width="320" /></a></div><br />tunes. After some releases in several compilations (Toxic Babes in a Rock 'n Roll Land, Divin'), the band became well known after the release of the first EP, SideFX (1994), and the first album Use (1996).<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ70uON1nfwO-cVqsT2hL91pc5YqhXmxjaRbsNz4ASHhVcEQmPZU9Vty1ddEUBOp8uUKm-Qq_Rvh1WjHpLQsYJwTHDGOB6WmLHgnMAhNE_pN_h12h7UT7iMfw-QZyRzvcD3L9W6ykn9VIrDzMxNS0_UWFQVapGnvbSu2qRKuVV3ZwscRnTxMUWUJg45Ho/s1280/Nightstalker%20-%20Poster%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="861" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ70uON1nfwO-cVqsT2hL91pc5YqhXmxjaRbsNz4ASHhVcEQmPZU9Vty1ddEUBOp8uUKm-Qq_Rvh1WjHpLQsYJwTHDGOB6WmLHgnMAhNE_pN_h12h7UT7iMfw-QZyRzvcD3L9W6ykn9VIrDzMxNS0_UWFQVapGnvbSu2qRKuVV3ZwscRnTxMUWUJg45Ho/w269-h400/Nightstalker%20-%20Poster%207.jpg" width="269" /></a></div><br />2000 saw a slight shuffle in membership as well as a new EP ‘The Ritual’, which found Nightstalker <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiGK3zgkL4Ktt6B3aDuH-UEje6HNoSZJmm461Gz2TzQCT9pbmsHjFS0hvBz9LkVH9RxrwKCuHk3IRlWpw17Iq4RCkYVAzOo9W3HGGCn80WW3d6PFjYDH1CPQE8G3cm7za_GVFgMdICL_C8ijA3rZxFUFeLTuD9ne-OF_phfnorEEc8GlR3YgPfntbZfso/s800/Nightstalker%20-%20Photo%2015.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="534" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiGK3zgkL4Ktt6B3aDuH-UEje6HNoSZJmm461Gz2TzQCT9pbmsHjFS0hvBz9LkVH9RxrwKCuHk3IRlWpw17Iq4RCkYVAzOo9W3HGGCn80WW3d6PFjYDH1CPQE8G3cm7za_GVFgMdICL_C8ijA3rZxFUFeLTuD9ne-OF_phfnorEEc8GlR3YgPfntbZfso/s320/Nightstalker%20-%20Photo%2015.jpg" width="320" /></a></div><br />treading further into the realms of deepest, darkestPsychedelia. As Nightstalker welcomed new member Tolis, the ensuing 2004 album ‘Just a Burn’ and 2009’s ‘Superfreak’ solidified the band as local and highly respected heroes throughout Greece, as well as garnering and solidifying a loyal international fanbase, as they led the way in signature rock n’roll chaos.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioiA3iOBzqrtIXObsD_zWOCgYO_9z8D4qgzSoOV10XWXGoZRVhOW98g0oTwt-ZWWFR2HG4vcNU-uXfI0sbyHXZc0udmNWWHaKwKRNks1Q8S1l_YHjlqWfLHT4CFrdIpE9Mk-jYCi_zt5I0PCd1uuYXItmX6b8DQVN4JZ8Oa3d41sHNoXZYLFGatcNfn4A/s1181/Nightstalker%20-%20Poster%208.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="809" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioiA3iOBzqrtIXObsD_zWOCgYO_9z8D4qgzSoOV10XWXGoZRVhOW98g0oTwt-ZWWFR2HG4vcNU-uXfI0sbyHXZc0udmNWWHaKwKRNks1Q8S1l_YHjlqWfLHT4CFrdIpE9Mk-jYCi_zt5I0PCd1uuYXItmX6b8DQVN4JZ8Oa3d41sHNoXZYLFGatcNfn4A/w274-h400/Nightstalker%20-%20Poster%208.jpg" width="274" /></a></div><br />From the Balkans to the UK, Nightstalker continued to focus solely on their music and the fans, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghj5YT7dcXa_rccpvnhSt_L8ueRxJ9Ul8u9kdkBFRPCyUGDsIZzqneZAU118YD6Au-LjRrQvJoMXjVn-JcdeLGXIdeSUU-4WiR88WomdmiO2QcgR-r0iWO3d5nJX_FrNprx6Ajm2L9zp0IA1FX9O6f4a2F7BwUFmZmTMtpV6XoLxtBah8CVgzCgJ7jwck/s1024/Nightstalker%20-%20Photo%201.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghj5YT7dcXa_rccpvnhSt_L8ueRxJ9Ul8u9kdkBFRPCyUGDsIZzqneZAU118YD6Au-LjRrQvJoMXjVn-JcdeLGXIdeSUU-4WiR88WomdmiO2QcgR-r0iWO3d5nJX_FrNprx6Ajm2L9zp0IA1FX9O6f4a2F7BwUFmZmTMtpV6XoLxtBah8CVgzCgJ7jwck/s320/Nightstalker%20-%20Photo%201.jpg" width="320" /></a></div><br />bringing their rock-n-roll circus of a live show to the stage across countless nationwide and European tours, plus Festival appearances at the likes of Freak Valley, Stoned From The Underground, Rockwave, Heavy By The Sea and Street Mode, as well as sharing stages with Ramones, Uriah Heep and many other legendary artists.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_rARvs2RLgfQsi-6LZlp-3BB8xDtYSfGs_GgQDKvkEkYnH8qvYsHzw5vMdHpOtoPU2XDyIraSjf8TTSGvwu3zmy6Q5pzyBQeJtSH3cC4jdIg5Rj9MlgqT8BWrk58WhPN7BdWAwWzeIw5tteXmddi-wm0atJyrVJ4Sp6mfuPHV0tbw9zzlKcfEqh_1X8/s900/Nightstalker%20-%20Poster%206.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="643" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_rARvs2RLgfQsi-6LZlp-3BB8xDtYSfGs_GgQDKvkEkYnH8qvYsHzw5vMdHpOtoPU2XDyIraSjf8TTSGvwu3zmy6Q5pzyBQeJtSH3cC4jdIg5Rj9MlgqT8BWrk58WhPN7BdWAwWzeIw5tteXmddi-wm0atJyrVJ4Sp6mfuPHV0tbw9zzlKcfEqh_1X8/w286-h400/Nightstalker%20-%20Poster%206.jpg" width="286" /></a></div><br />The most recent of Nightstalker’s 3-decade conquest has seen the band turn things up a notch, with the <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvhn7zumZ9sQpB4ZS_RXLcjSCage5Rf3s6KFKUptWO4qSKW7KvduWl0CwN_2djAV5Uvd_Z3xBFzRH3HYrtAAIvqNosdDt9IfL78VjuGqvM-n-xRLl3uPiqDU7p1MUyhbEK5r6s245nzGETaUXHhUKwgavDnKgr1DW1lMNyFntpeqcuBOaUsfdTSm2vmQ/s800/Nightstalker%20-%20Photo%2014.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="534" data-original-width="800" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvhn7zumZ9sQpB4ZS_RXLcjSCage5Rf3s6KFKUptWO4qSKW7KvduWl0CwN_2djAV5Uvd_Z3xBFzRH3HYrtAAIvqNosdDt9IfL78VjuGqvM-n-xRLl3uPiqDU7p1MUyhbEK5r6s245nzGETaUXHhUKwgavDnKgr1DW1lMNyFntpeqcuBOaUsfdTSm2vmQ/s320/Nightstalker%20-%20Photo%2014.jpg" width="320" /></a></div><br />release of albums ‘Dead Rock Commandos’ in 2012, ‘As Above, So Below’ in 2016, and most recently ‘Great Hallucinations’ in 2019. And while the worldwide pandemic doesn’t currently allow, Nightstalker look forward to getting back on road to continue touring extensively; a medium that since day one has been at the forefront of Nightstalker’s musical language, a celebration of all things loud.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNeusuDD3zNgWao87IsVmjVgriUalUEzLiZ_5EUUxf5h_cRaMf87hJhq0lUG9KNw8Gz5Uuo4VVI5jV39dOAs4Mt89y5dkUh9XvuGVntqlZb0qUzUzzLx5Y62b47zTCCN8K2m4CRpgsMvcRBqhUlQ2nRbcRHR0qEGUc3VyxyWuX1kbl4JhSnJlnxQO6gqQ/s960/Nightstalker%20-%20Poster%204.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNeusuDD3zNgWao87IsVmjVgriUalUEzLiZ_5EUUxf5h_cRaMf87hJhq0lUG9KNw8Gz5Uuo4VVI5jV39dOAs4Mt89y5dkUh9XvuGVntqlZb0qUzUzzLx5Y62b47zTCCN8K2m4CRpgsMvcRBqhUlQ2nRbcRHR0qEGUc3VyxyWuX1kbl4JhSnJlnxQO6gqQ/w320-h400/Nightstalker%20-%20Poster%204.jpg" width="320" /></a></div><br /><b>Heavy sound, groovy rhythms, intense bass playing. All together with a lot of catchy melodies and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9Ci_JCM2KJkH6GCAkYMdfu6P11tY4ZzXuzuWBa-HK0zMRKpNHcHCqJ43X6d36p_9btytDdEXKKp4VFJbWRCSQ8B1w6S9C-0OXHpAFdCZ7R-23UzYk34zEA-WBMT30jxYWZCX8Ro00MUuboZtZfrh6OeM821sS14UvI57zAGs8j_IklClnvZKojh6h-w/s1024/Nightstalker%20-%20Photo%2017.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9Ci_JCM2KJkH6GCAkYMdfu6P11tY4ZzXuzuWBa-HK0zMRKpNHcHCqJ43X6d36p_9btytDdEXKKp4VFJbWRCSQ8B1w6S9C-0OXHpAFdCZ7R-23UzYk34zEA-WBMT30jxYWZCX8Ro00MUuboZtZfrh6OeM821sS14UvI57zAGs8j_IklClnvZKojh6h-w/s320/Nightstalker%20-%20Photo%2017.jpg" width="320" /></a></div><br />the power of Argy’s vocals are the secret of the music of Nightstalker. Raw rock ‘n roll simplicity, stunning riffs and electric haze are what have kept the band going for more than 30 years.</b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE9p_M02XT-KH-Dio13mQeN3_Et4gie9sskWhhfv6O3nHth4bkGO4WrirntEXYQoiuB10YzE0gRD2N43FzwAMmQNDC3tvNVRMTvf9BcRt2iT5GKG1YuKL2FxRLe4tt24KPuyhZIYtwJUrgdOhiCDHsrTx0iAKeB8sLEOj6OxJgcGSlM-aXTNLtaPr78Ck/s960/Nightstalker%20-%20Poster%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="793" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE9p_M02XT-KH-Dio13mQeN3_Et4gie9sskWhhfv6O3nHth4bkGO4WrirntEXYQoiuB10YzE0gRD2N43FzwAMmQNDC3tvNVRMTvf9BcRt2iT5GKG1YuKL2FxRLe4tt24KPuyhZIYtwJUrgdOhiCDHsrTx0iAKeB8sLEOj6OxJgcGSlM-aXTNLtaPr78Ck/w330-h400/Nightstalker%20-%20Poster%203.jpg" width="330" /></a></div><br />All together with a lot of catchy melodies and the power of Argy’s vocals are the secret of the music of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy9JE6TvKbHLMMDInY2a8sWFJufvu_SLyU0HuMMOmgCxn5Cjd00sLA8u47FsLMKskZQEZqbfKW6N9FKBGWucea9zFS6WjKAsRZ4ggoldqobmbpN0Sqa-DGD4Mjyyhc3-lFWbmqJ5b6LmTFa3xvwRnsrab3oJRzHD5QSB370M2Jkm8eOHGv-4Q_4DQNYWE/s800/Nightstalker%20-%20Photo%2012.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy9JE6TvKbHLMMDInY2a8sWFJufvu_SLyU0HuMMOmgCxn5Cjd00sLA8u47FsLMKskZQEZqbfKW6N9FKBGWucea9zFS6WjKAsRZ4ggoldqobmbpN0Sqa-DGD4Mjyyhc3-lFWbmqJ5b6LmTFa3xvwRnsrab3oJRzHD5QSB370M2Jkm8eOHGv-4Q_4DQNYWE/s320/Nightstalker%20-%20Photo%2012.jpg" width="320" /></a></div><br />Nightstalker. Raw rock ‘n roll simplicity, stunning riffs and electric haze are what have kept the band going for more than 30 years.<br /><p></p><p style="text-align: left;"><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhElzqDqgrCXgphyphenhyphenonzDTUv4d9CCowzD8uLf6gTVHumWxWgGcYV0BBhx5VnV-Rj3aidhl0L7vD9QxMg2FJk_NHWtyxo56S57OSXann7V98u2mbeHhx21HkN5eV-ILkfCBqf0aGaswrDXHTCJFXSprnDUbAW0FrOwWNnsk1r6oNRkpZu7WsS3yhuUrLfNG8/s1122/Nightstalker%20-%20Photo%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1122" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhElzqDqgrCXgphyphenhyphenonzDTUv4d9CCowzD8uLf6gTVHumWxWgGcYV0BBhx5VnV-Rj3aidhl0L7vD9QxMg2FJk_NHWtyxo56S57OSXann7V98u2mbeHhx21HkN5eV-ILkfCBqf0aGaswrDXHTCJFXSprnDUbAW0FrOwWNnsk1r6oNRkpZu7WsS3yhuUrLfNG8/w285-h400/Nightstalker%20-%20Photo%203.jpg" width="285" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">DISCOGRAPHY</span></b><br /> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNhQcDELBbOMLF_6tcs_if3B1s0K42hsDgS685-1MY_ms8DzQLhQ2TcOYCT9AQnTRi4XhEYZ4P1bf9GqxJsf97-OwuwWcd-Evw78c2V2BUVwl-F0ee72qqWF-9IN0S8pN0ONkKTlQF1QIVn-ftHQHza3HCwMCqD2jyUIBgSzJtgCSXqNX431k4SXYCafA/s1024/Nightstalker%20-%20Photo%205.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="684" data-original-width="1024" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNhQcDELBbOMLF_6tcs_if3B1s0K42hsDgS685-1MY_ms8DzQLhQ2TcOYCT9AQnTRi4XhEYZ4P1bf9GqxJsf97-OwuwWcd-Evw78c2V2BUVwl-F0ee72qqWF-9IN0S8pN0ONkKTlQF1QIVn-ftHQHza3HCwMCqD2jyUIBgSzJtgCSXqNX431k4SXYCafA/w400-h268/Nightstalker%20-%20Photo%205.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><b>SideFx (1994 Hitch Hyke)</b><br /><b>Use (1996 FM Records)</b><br /><b>Just a Burn (2004 Mad Prophet Records)</b><br /><b>Superfreak (2009 Meteor City)</b><br /><b>Dead Rock Commandos (2012 Small Stone Records)</b><br /><b>As Above, So Below (2016 Oak Island Records)</b><br /><b>Great Hallucinations (2019 Heavy Psych Sounds)</b><br /><br /><b><span style="font-size: large;">SINGLES & EPs</span></b><br /><br /><b>THE Ritual 2000 (Vinylust Records)</b><br /><br /><b><span style="font-size: large;">LINE - UP</span></b><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxe9N8vji_0KT54ZIYFqlKfHzOhyphenhyphenKEzQ2gvdB40sDboR8MgRVu3sU002A9B4qsByiwNn953Tvdfwm0GaARUzo4vEqboaIiBojQSb146rQixMYuOBU_vSLblIhdIpZ0YOJEvlgQwrfxPxzNfJ9iTvt44tKLCA6qRSCtYPn_gk5PpXi3oBkoxYpA_rCNLvI/s1250/Nightstalker%20-%20Photo%207.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="835" data-original-width="1250" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxe9N8vji_0KT54ZIYFqlKfHzOhyphenhyphenKEzQ2gvdB40sDboR8MgRVu3sU002A9B4qsByiwNn953Tvdfwm0GaARUzo4vEqboaIiBojQSb146rQixMYuOBU_vSLblIhdIpZ0YOJEvlgQwrfxPxzNfJ9iTvt44tKLCA6qRSCtYPn_gk5PpXi3oBkoxYpA_rCNLvI/w400-h268/Nightstalker%20-%20Photo%207.jpg" width="400" /></a></div><br /><b>Vocals: Argy</b><br /><b>Bass: Andreas Lagios</b><br /><b>Guitars: Tolis Motsios</b><br /><b>Drums: Dinos Roulos</b><br /><br /><b><span style="font-size: large;">NIGHTSTALKER - THE RITUAL EP 2000</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyYuBewMoGKucCMuSCOf6omNOs78zz9q2F_OM6NB8pkhcBNXGwwbn1R_jbZvj3XQ-oXtMFFLNiQfUjY0juYE12L0_8Ey-kSHemSDlR8U5L6waRBtu1wSzjK3665WsugGPVNAwRDoXEYZ_1XZy7KSi9-5O9lBXpexA7xBIaWXHzSAqEnj7Dz0XZDa6AWw/s800/Nightstalker%20-%202000%20-%20The%20Ritual%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyYuBewMoGKucCMuSCOf6omNOs78zz9q2F_OM6NB8pkhcBNXGwwbn1R_jbZvj3XQ-oXtMFFLNiQfUjY0juYE12L0_8Ey-kSHemSDlR8U5L6waRBtu1wSzjK3665WsugGPVNAwRDoXEYZ_1XZy7KSi9-5O9lBXpexA7xBIaWXHzSAqEnj7Dz0XZDa6AWw/w400-h400/Nightstalker%20-%202000%20-%20The%20Ritual%20-%20Front%20Cover.jpg" width="400" /></a></div><br />2000 saw a slight shuffle in membership as well as a new EP ‘The Ritual’, which found Nightstalker treading further into the realms of deepest, darkestPsychedelia. The slow to mid-paced tempos, groovy <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9d2ps0v84ktrOZf_gaTR7tiw5r3atnagCHGKCSV3Mml2QaLVz4uV-9TAuQzqEiFiaiHE1XA4TpZ5mJ0lFWESLziMdT64CUP2YzvDsxCGf3ii7_zzcSCZyifaeGz2QVS7B1mPcoccGUDYVulgXhKiNNSOlCX_Q6QKmcd-brz8wlvkau0AcbCX45yolIs8/s800/Nightstalker%20-%20Poster%2011.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="567" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9d2ps0v84ktrOZf_gaTR7tiw5r3atnagCHGKCSV3Mml2QaLVz4uV-9TAuQzqEiFiaiHE1XA4TpZ5mJ0lFWESLziMdT64CUP2YzvDsxCGf3ii7_zzcSCZyifaeGz2QVS7B1mPcoccGUDYVulgXhKiNNSOlCX_Q6QKmcd-brz8wlvkau0AcbCX45yolIs8/s320/Nightstalker%20-%20Poster%2011.jpg" width="227" /></a></div><br />rhythms laced with heavy riffs, and apathetic lyrics touching on rebellion and personal conflicts reign in this album. <br /><br />Year: 2000 (Reissue 2013)<br />Label: The Lab/Labyrinth of Thoughts (originally by Vinylust)<br />Format: CD (Jewel Case with booklet)<br />Credits: Recorded at Action Studios, 1999-2000<br />Produced and mixed by Alex K & Jim Spliff<br />Engineered by Aris Christou<br />Cover illustration & layout by Andreas & Argy<br /><br /><p></p><p style="text-align: center;"><b>Nightstalker – The Ritual<br />Label: Vinylust Records – VL 49001<br />Format: CD, EP<br />Country: Greece<br />Released: 2000<br />Genre: Rock<br />Style: Stoner Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO39s6l-Tm1af1JKgoCF5bMsBcjuecaDszmWJLpRdvJ6z4ZyOGeLdKHCDPZX5iA3EokrvT90VOYmMbZXIf1ymn5AdwYB3urTEKaYvC099MUjI2oHpX7rxDsshEyuABaF0F6N1mbaR22rtfWitXO8gwjMwqReQQGnBOh2RgJp0CS9Bedw2YSYUxY-FxM_g/s800/Nightstalker%20-%202000%20-%20The%20Ritual%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="800" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO39s6l-Tm1af1JKgoCF5bMsBcjuecaDszmWJLpRdvJ6z4ZyOGeLdKHCDPZX5iA3EokrvT90VOYmMbZXIf1ymn5AdwYB3urTEKaYvC099MUjI2oHpX7rxDsshEyuABaF0F6N1mbaR22rtfWitXO8gwjMwqReQQGnBOh2RgJp0CS9Bedw2YSYUxY-FxM_g/w400-h314/Nightstalker%20-%202000%20-%20The%20Ritual%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Galactic Revolution 6:38<br /><b>02. </b>Hide Your Sun 5:46<br />Backing Vocals, Lyrics By [Additional] – Dodos<br /><b>03. </b>Never Know (Supersonic) 3:34<br /><b>04.</b> Missing Link 6:23<br /><b>05.</b> Iron Horse (Born To Lose) 4:30<br />Written-By – Clark, Kilmister, Taylor<br /><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/GA41zarJ#jtqa7ZpIw8DKkphIThCHOMkP-c5UmrPWHoLTiyYVdtM">MP3 @ 320 Size: 78 MB (My EAC Program Denies To Convert it in Flac. It happens very rarerly!)</a></b><br /><span style="font-size: large;"><br /><b>NIGHTSTALKER - JUST A BURN 2004</b></span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJTZcP-n8cMvNlGDdjWGEx3dAD7a3TuL1WnIBQ91DaDXwZF7_tIye7yn5AbvBy0wJMjWRqJlxWSjRFdEeIhuXBO0GkFns7NQCi6qCLqD8Drcrbj3O1nkpItI8azwdE-QgMXXQAdqgT1fBCf_0qDNj4pC_1a_EOGoka3t1lFSr3QkAoYxfdfmX8KwFSMMs/s800/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="776" data-original-width="800" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJTZcP-n8cMvNlGDdjWGEx3dAD7a3TuL1WnIBQ91DaDXwZF7_tIye7yn5AbvBy0wJMjWRqJlxWSjRFdEeIhuXBO0GkFns7NQCi6qCLqD8Drcrbj3O1nkpItI8azwdE-QgMXXQAdqgT1fBCf_0qDNj4pC_1a_EOGoka3t1lFSr3QkAoYxfdfmX8KwFSMMs/w400-h388/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Front%20Cover.jpg" width="400" /></a></div><br />With their second full-length release "Just a Burn", the Greek stoner veterans of Nightstalker manage to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLyzpzrmVjb-dNV-LXxSvgRPs_q9151F6sjdBMJB501yCMMNlNgh8r6RJufl4StwimAVB_0SKvIf3zQcQhLzCXzPqx0CgadIkkPU_w9Wd0KCZZq6g5hZaVm7rSgfDL_epDIMe6iBuM0buOKFIfSZrLISOm11WZhfbySDUQytmRLT2SFCTIpUnGD4aGrsY/s960/Nightstalker%20-%20Poster%2012.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="598" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLyzpzrmVjb-dNV-LXxSvgRPs_q9151F6sjdBMJB501yCMMNlNgh8r6RJufl4StwimAVB_0SKvIf3zQcQhLzCXzPqx0CgadIkkPU_w9Wd0KCZZq6g5hZaVm7rSgfDL_epDIMe6iBuM0buOKFIfSZrLISOm11WZhfbySDUQytmRLT2SFCTIpUnGD4aGrsY/s320/Nightstalker%20-%20Poster%2012.jpg" width="199" /></a></div><br />deliver a very consistent collection of songs which are certainly of high-grade quality and contain some of the key elements of any great stoner rock/metal album - HEAVY, memorable riffs, spacey atmospheric sections, rumbling bass, and an overall groove (not in a Pantera way) that just pulls all the instruments together, ensuring in the process that each song is imbued with that hazy goodness impossible to find outside of the stoner realm.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyKev2f9eEB_ebBq6cIbx7tBcwjKqElwoXrkNdUBtsY7S2yhhMaOv4LchLC4urQ3V6UwJPM-rVSnmN0KeETLkVqnB-o780mxkZzDicOtyzeg7dkOeplQMavJauKk_nsAOISE0ji6J5v5lJKlphqDaw_Xwc-mV-3eSc5zOV4XmNirNJVYliJHyb40RBUXc/s1024/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Front%20&%20Back%20Inside%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="1024" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyKev2f9eEB_ebBq6cIbx7tBcwjKqElwoXrkNdUBtsY7S2yhhMaOv4LchLC4urQ3V6UwJPM-rVSnmN0KeETLkVqnB-o780mxkZzDicOtyzeg7dkOeplQMavJauKk_nsAOISE0ji6J5v5lJKlphqDaw_Xwc-mV-3eSc5zOV4XmNirNJVYliJHyb40RBUXc/w400-h195/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Nightstalker – Just A Burn<br />Label: Mad Prophet Records – MADPROCD01<br />Format: CD, Album<br />Country: Europe<br />Released: 2004<br />Genre: Rock<br />Style: Stoner Rock, Space Rock, Hard Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYiUnLC-Y7jmOTsdSrFXJOErGz1ps91UnFgzTe9ff-p-XTJyLS6_qW0xSYNEAFt-xQ1rnyxtWwDW2xfs9YT8AvMrWqHu_dJgoNS7hCIiv0jmzPKjTQtSdbodJpk3E1eQT0tXppsUKdLMI0GwfRgS1mA3c6zSiQooM5ltGrEhdRhw2EfJvRlUz8Es4WceQ/s800/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYiUnLC-Y7jmOTsdSrFXJOErGz1ps91UnFgzTe9ff-p-XTJyLS6_qW0xSYNEAFt-xQ1rnyxtWwDW2xfs9YT8AvMrWqHu_dJgoNS7hCIiv0jmzPKjTQtSdbodJpk3E1eQT0tXppsUKdLMI0GwfRgS1mA3c6zSiQooM5ltGrEhdRhw2EfJvRlUz8Es4WceQ/w400-h396/Nightstalker%20-%202004%20-%20Just%20A%20Burn%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> All Around (Satanic Drugs From Outer Space) 3:42<br /><b>02.</b> Just A Burn 4:10<br /><b>03.</b> Don't Blow My High 3:22<br /><b>04.</b> Line 4:33<br /><b>05.</b> Voodoo U Do 5:29<br /><b>06. </b>Iron 2:28<br /><b>07. </b>Silver Shark 5:26<br /><b>08.</b> Explode (Guitar [Solo] – Harry) 3:04<br /><b>09.</b> Staripper 4:22<br /><b>10. </b>Give It All (Harmonica – Alex K) 4:00<br /><b>11.</b> Shadows 4:52<br /><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/SIRlBQgA#PKFostFxK1V0WWhxQSuNYuCziQvb_qn8dcIzvcCrq4A">Flac Size: 306 MB</a></b><br /><span style="font-size: large;"><br /><b>NIGHTSTALKER - SUPERFREAK - 2009</b></span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Yf1ZDrtxbnRZu5V6yDBTFf3HW8TB_WwzTn1alGuQapvx6Ad7aPK_rn5eYzZMKyzmscaiLd_LE3xpIUx9PUxN60dTF-Ox3TWeDNEXLB7JfTQJgugqZDVsQWzgJ_m7mP-6EQQFh8Js0duzIdGgsvgQW_lhlzUt0AiUglOckfTT7KVsLueJwLXc07Nkric/s800/Nightstalker%20-%202009%20-%20Superfreak%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Yf1ZDrtxbnRZu5V6yDBTFf3HW8TB_WwzTn1alGuQapvx6Ad7aPK_rn5eYzZMKyzmscaiLd_LE3xpIUx9PUxN60dTF-Ox3TWeDNEXLB7JfTQJgugqZDVsQWzgJ_m7mP-6EQQFh8Js0duzIdGgsvgQW_lhlzUt0AiUglOckfTT7KVsLueJwLXc07Nkric/w400-h400/Nightstalker%20-%202009%20-%20Superfreak%20-%20Front%20Cover.jpg" width="400" /></a></div><br />As Nightstalker welcomed new member Tolis. <br />The ensuing 2004 album ‘Just a Burn’ and 2009’s ‘Superfreak’ solidified the band as local and highly <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYSj-pgJUOe-nC9-Q4a-Er14wlYWlCYTmCBQ90CDMLvMlHMCrhMPZu-ntXbOZD5ETgIEIhWB8AWASBgMpALtsGQ5i3cVd5BTCpk_wkiJEF50P7uYygYAuVXGQiPyQ742yWTajPqsxTEcZeACRPg1FuCczKlrnCRq9fgAoGfH7BRbrRT6lS-iDln-dpdLA/s906/Nightstalker%20-%20Poster%2017.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="906" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYSj-pgJUOe-nC9-Q4a-Er14wlYWlCYTmCBQ90CDMLvMlHMCrhMPZu-ntXbOZD5ETgIEIhWB8AWASBgMpALtsGQ5i3cVd5BTCpk_wkiJEF50P7uYygYAuVXGQiPyQ742yWTajPqsxTEcZeACRPg1FuCczKlrnCRq9fgAoGfH7BRbrRT6lS-iDln-dpdLA/s320/Nightstalker%20-%20Poster%2017.jpg" width="226" /></a></div><br />respected heroes throughout Greece, as well as garnering and solidifying a loyal international fanbase, as they led the way in signature rock n’roll chaos.<br /><br />Year: 2009 (Re-release 2022)<br />Label: The Lab/ Labyrinth of Thoughts (originally by Meteorcity)<br />Format: CD Digipack<br />Credits: Recorded at ‘Reaction’ Studios (2008), mixed by Nightstalker & Philip Marinelis at DNA Lab (2021)<br />Produced by Nightstalker. Assistant producer: Jim Spliff<br />Engineered by Michael Skarakis, John ‘Chief’ Stergiou, Wee and the rest of the Reaction team<br />Μastered by Brad Boatright at Audiosiege<br /><br /><p></p><p style="text-align: center;"><b>Nightstalker – Superfreak<br />Label: MeteorCity – MCY-045<br />Format: CD, Album, Digipak<br />Country: US<br />Released: 2009<br />Genre: Rock<br />Style: Stoner Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDrFiVWpo43BQfF6-fHP6TwDY6yvW4Kkt3wL0c1kuQUfldPqF9OZsdJ32TR-UZuVlNQY1jdsSDhVCi53btauz4j9XQ8qASlKR508t2M7j6PeoaNl5rAfklzZwvJhJ8PIx27iU6bjSjLNxlysYp7BnXhxCXrJdKJwm-DsX8gWOqMyQsODVdGv_MgW0qXY/s1920/Nightstalker%20-%202009%20-%20Superfreak%20-%20Front%20&%20Back%20Inside%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="836" data-original-width="1920" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkDrFiVWpo43BQfF6-fHP6TwDY6yvW4Kkt3wL0c1kuQUfldPqF9OZsdJ32TR-UZuVlNQY1jdsSDhVCi53btauz4j9XQ8qASlKR508t2M7j6PeoaNl5rAfklzZwvJhJ8PIx27iU6bjSjLNxlysYp7BnXhxCXrJdKJwm-DsX8gWOqMyQsODVdGv_MgW0qXY/w400-h174/Nightstalker%20-%202009%20-%20Superfreak%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Intro (The Science Of Magic) 2:38<br /><b>02. </b>Enough Is Not Enough 3:53<br /><b>03. </b>Baby, God Is Dead 3:24<br /><b>04.</b> Heavy Mental 4:55<br /><b>05.</b> Superfreak 5:09<br /><b>06. </b>The Pain Goes On 3:44<br /><b>07. </b>Learn To Fly 3:59<br /><b>08. </b>The Light 3:30<br /><b>09. </b>The End Of War 4:33<br /><b>10. </b>Stain 5:26<br /><b>11. </b>Zero Hero 5:04<br /><b>12.</b> Gun 2:43<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/nVQRDLAJ#gXl3X1Ai4cn3scmmAPPoA1gUSqSEuby0fA8wGKfMaak">Flac Size: 362 MB</a><br /><span style="font-size: large;"></span></b></p><p style="text-align: center;"><b><span style="font-size: large;"></span></b></p><p style="text-align: center;"><b><span style="font-size: large;"><br />NIGHTSTALKER - DEAD ROCK COMMANDOS 2012<br /> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgak_WZWMAi1OqUasUzlpKGqgPJU1EG0OomYYGaQ8NCFTTzBB9PC0h2cOdyGjHRJNvIEuYxBR3J-M3fBzJSwt2pSmy79paL9WkwwmOzlS_BZ-9oKTGbo7OEbn1ERawMgiLkbhaVpN4C7AIHg0lkeU6Mwrm__hm__HAhIZJ1aLtVcVaOIycmw7VSGgS9Yfk/s952/Nightstalker%202012%20-%20Dead%20Rock%20Commandos%20-%20Front%20Cover-.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="939" data-original-width="952" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgak_WZWMAi1OqUasUzlpKGqgPJU1EG0OomYYGaQ8NCFTTzBB9PC0h2cOdyGjHRJNvIEuYxBR3J-M3fBzJSwt2pSmy79paL9WkwwmOzlS_BZ-9oKTGbo7OEbn1ERawMgiLkbhaVpN4C7AIHg0lkeU6Mwrm__hm__HAhIZJ1aLtVcVaOIycmw7VSGgS9Yfk/w400-h395/Nightstalker%202012%20-%20Dead%20Rock%20Commandos%20-%20Front%20Cover-.jpg" width="400" /></a></span></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p style="text-align: left;"><span style="font-size: small;">Licensed From – Small Stone Records<br /></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGwYzLMR9leYhcYa5R94yA-bOVYNLVHa6SD31WnNBoLgv13gYTQVOtWpt8wrBzdZ0rRAcdgq5n6C6VMWjuMYqmvoh77d6xsKPPyBQm7ly5aSAl_L12brYJ2trXYvxHj9PFYXVgY-mnjWsGueBKize7G62q7ypP6tBOHH4l_AJ9KwJ0IG_diKX4PWZ6x28/s907/Nightstalker%20-%20Poster%2016.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="907" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGwYzLMR9leYhcYa5R94yA-bOVYNLVHa6SD31WnNBoLgv13gYTQVOtWpt8wrBzdZ0rRAcdgq5n6C6VMWjuMYqmvoh77d6xsKPPyBQm7ly5aSAl_L12brYJ2trXYvxHj9PFYXVgY-mnjWsGueBKize7G62q7ypP6tBOHH4l_AJ9KwJ0IG_diKX4PWZ6x28/s320/Nightstalker%20-%20Poster%2016.jpg" width="226" /></a></span></div><span style="font-size: small;"><br />Recorded At – Shakti Studio<br />Mixed At – Shakti Studio<br />Copyright © – Nightstalker Music<br />Mastered At – Baseline Audio Labs<br />Made By – Monotype Pressing<br />Glass Mastered At – Digi Pres – 33252</span><b><span style="font-size: small;"><br /></span></b><p></p><p style="text-align: center;"><b><span style="font-size: small;"></span></b></p><p style="text-align: center;"><b><span style="font-size: small;"></span></b></p><p style="text-align: center;"><b><span style="font-size: small;"></span></b></p><p style="text-align: center;"><b><span style="font-size: small;"><br /> </span></b></p><p style="text-align: center;"><b><span style="font-size: small;"> </span></b></p><p style="text-align: center;"><b><span style="font-size: small;"> </span></b></p><p style="text-align: center;"><b><span style="font-size: small;"> </span></b></p><p style="text-align: center;"><b><span style="font-size: small;">Nightstalker – Dead Rock Commandos<br />Label: Labyrinth Of Thoughts – LOT030, The Lab Records (2) – LAB022CD<br />Format: CD, Album, Limited Edition, Reissue 2023<br />Country: Greece<br />Released: 2012 <br />Genre: Rock<br />Style: Stoner Rock, Psychedelic Rock<br /><br /></span><span style="font-size: large;">TRAXS</span><span style="font-size: small;"><br /> </span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPC1o5JZnXUt_psHhCY6QDDIZoWSBtA1KtBGqGgey2cA9mb18jJTdw282fOlZtVeFnXWsP9kFwg1DUVr-phDqDcuVJ9RfNa4gjaKjvwReKfeRAWUmlR7YF2X2zffSR2k3KGf9VzTDG1MGSZ8hyphenhyphenpZzZIDc8f9ioQFY3mgIufGyqsPCHe_anRCpXcQOjEAM/s1179/Nightstalker%202012%20-%20Dead%20Rock%20Commandos%20-%20Back%20Cover-.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="920" data-original-width="1179" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPC1o5JZnXUt_psHhCY6QDDIZoWSBtA1KtBGqGgey2cA9mb18jJTdw282fOlZtVeFnXWsP9kFwg1DUVr-phDqDcuVJ9RfNa4gjaKjvwReKfeRAWUmlR7YF2X2zffSR2k3KGf9VzTDG1MGSZ8hyphenhyphenpZzZIDc8f9ioQFY3mgIufGyqsPCHe_anRCpXcQOjEAM/w400-h313/Nightstalker%202012%20-%20Dead%20Rock%20Commandos%20-%20Back%20Cover-.jpg" width="400" /></a></span></b></div><b><span style="font-size: small;"><br /></span></b><p></p><p style="text-align: left;"><span style="font-size: small;"><b>01. </b>Go Get Some</span><br /><span style="font-size: small;"><b>02.</b> Soma</span><br /><span style="font-size: small;"><b>03.</b> Dead Rock Commandos</span><br /><span style="font-size: small;"><b>04.</b> One Million Broken Promises</span><br /><span style="font-size: small;"><b>05.</b> Children Of The Sun</span><br /><span style="font-size: small;"><b>06.</b> Back To Dirt</span><br /><span style="font-size: small;"><b>07.</b> Keystone</span><br /><span style="font-size: small;"><b>08. </b>Rockaine</span><br /><span style="font-size: small;"><b>09. </b>The Boogie Man Plan</span><br /><span style="font-size: small;"><b>10.</b> The Underdog</span><br /><br /></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNgLC4_EcL_aasHk86-YC4hPmAtc_GEBeWTNf1lmqiSj-xVRfTQqup01UAp5bG30RnnsypydDIBHIXFZqhEn84E08ERTNesOWWVI703ivekspehJmwfv2dfKBVYXNNkn5tJC6zhH8hbQfBpbjm7hifhLmMQ89vdoO1QNB3dOY0oWxhNXUboObcuFlrKRw/s720/Nightstalker%20-%20Poster%2010.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="513" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNgLC4_EcL_aasHk86-YC4hPmAtc_GEBeWTNf1lmqiSj-xVRfTQqup01UAp5bG30RnnsypydDIBHIXFZqhEn84E08ERTNesOWWVI703ivekspehJmwfv2dfKBVYXNNkn5tJC6zhH8hbQfBpbjm7hifhLmMQ89vdoO1QNB3dOY0oWxhNXUboObcuFlrKRw/w285-h400/Nightstalker%20-%20Poster%2010.jpg" width="285" /></a></div><br /><p style="text-align: left;"><b><span style="font-size: small;">Vocals, Lyrics By – Argy </span></b><br /><b><span style="font-size: small;">Backing Vocals – Linda </span></b><br /><b><span style="font-size: small;">Bass – Andreas Lagios</span></b><br /><b><span style="font-size: small;">Drums – Konstantinos Roulos</span></b><br /><b><span style="font-size: small;">Guitar – Tolis Motsios</span></b><br /><b><span style="font-size: small;">Keyboards – Dionysis Giampanas</span></b><br /></p><p style="text-align: center;"><b></b></p><p style="text-align: center;"><b><span style="font-size: small;"><br /><a href="https://mega.nz/file/jd4k0JyA#qtgQSimNPJoCd7blgIUw2jEd0w5RmxXnggmtNu6lt8A">Flac Size: 292 MB</a></span></b></p><p style="text-align: center;"><b><span style="font-size: large;"><br />NIGHTSTALKER - AS ABOVE, SO BELOW 2016</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8IMaBnHghQ8Xd2EdABRSIKwhfIK1wShA-PTLGEDNs0Q9MUGQnlUNgf-LKYl1rwE5MAqvSH59deawUgyeRAyQ8tkX1XAVgPWUpYcHF4WybUajX2-vMZEsvd9ZOSTU2zfHnRsRwhzjtWD_xWcIFOaOhGSJlAhhEII1vDb_bdXDYVlhtN8oeES6lY3PQQIQ/s1428/Nightstalker%20-%202016%20-%20As%20Above,%20So%20Below%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1416" data-original-width="1428" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8IMaBnHghQ8Xd2EdABRSIKwhfIK1wShA-PTLGEDNs0Q9MUGQnlUNgf-LKYl1rwE5MAqvSH59deawUgyeRAyQ8tkX1XAVgPWUpYcHF4WybUajX2-vMZEsvd9ZOSTU2zfHnRsRwhzjtWD_xWcIFOaOhGSJlAhhEII1vDb_bdXDYVlhtN8oeES6lY3PQQIQ/w400-h396/Nightstalker%20-%202016%20-%20As%20Above,%20So%20Below%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Nightstalker isn’t concerned about pioneering anything, since they just look at themselves as a good <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2yKkzyWqAR5ggQu-VaewDaMbesb7edBr8Q2XwZysyaHjBOADr-PfGPJF7nj29a9Jj_4o30O7lxG3YLitO7E5873saPFis1Txwl88eXWLwOHtJXFwgx1_y1AyZDOH3V7NFvoc7Hf4IKgaI0UBBnJj9pgg04gDNID6MPubfcejA1A5yqpLFnYxnYDTEk-A/s1165/Nightstalker%20-%20Poster%2013.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1165" data-original-width="827" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2yKkzyWqAR5ggQu-VaewDaMbesb7edBr8Q2XwZysyaHjBOADr-PfGPJF7nj29a9Jj_4o30O7lxG3YLitO7E5873saPFis1Txwl88eXWLwOHtJXFwgx1_y1AyZDOH3V7NFvoc7Hf4IKgaI0UBBnJj9pgg04gDNID6MPubfcejA1A5yqpLFnYxnYDTEk-A/s320/Nightstalker%20-%20Poster%2013.jpg" width="227" /></a></div><br />old, dirty rock ‘n’ roll band – in a stoner way. So if you’re a fan of the genre, don’t hesitate to give this underground Greek band a listen; chances are there’s much for you to enjoy here.<br /><b><br /></b>Year: 2016<br />Label: Oak Island Records<br />Format: CD (Jewel Case with booklet)<br />Credits:Recorded & Mixed at ‘Matrix Studio Athens’, during Feb-Mar 2016<br />Produced by Nightstalker – Mixed by Nightstalker & Dimitris Misirlis – Engineered by Dimitris Misirlis<br />Mastered by Dimitris Papadimitriou & John Christodoulatos at Sweet Spot<br />Artwork Concept Art by Vagelis Petikas (Revolver Design) <br /><br /><p></p><p style="text-align: center;"><b>Nightstalker – As Above, So Below<br />Label: Oak Island Records – OIR 3<br />Format: CD, Album<br />Country: Germany<br />Released: 2016<br />Genre: Rock<br />Style: Stoner Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWxAK6HfyCFchi-x8qZmMDFzaYWvgbGUFKIkr3VD9onPyadSC-7_ttr9uS9QMyumEUeCas9X9tepNedhnj0E7XUckAfHS-Zp64iurPJyYIZz4X65Q3_fLF7R5PBpZzy7MfFZJ3YCA88EuYJ-ekBje0eUnbXfgq8qD2AGDqus0CBgiXL-OZrpKl6dpsZF0/s1774/Nightstalker%20-%202016%20-%20As%20Above,%20So%20Below%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1375" data-original-width="1774" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWxAK6HfyCFchi-x8qZmMDFzaYWvgbGUFKIkr3VD9onPyadSC-7_ttr9uS9QMyumEUeCas9X9tepNedhnj0E7XUckAfHS-Zp64iurPJyYIZz4X65Q3_fLF7R5PBpZzy7MfFZJ3YCA88EuYJ-ekBje0eUnbXfgq8qD2AGDqus0CBgiXL-OZrpKl6dpsZF0/w400-h310/Nightstalker%20-%202016%20-%20As%20Above,%20So%20Below%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Naked Fire 3:08<br /><b>02.</b> Space Matter 3:56<br /><b>03.</b> Zombie Hour 5:10<br /><b>04.</b> The Dog That No-One Wanted 5:03<br /><b>05. </b>Deeper 3:50<br /><b>06. </b>Forever Stoned 4:34<br /><b>07. </b>We Belong To The Dead 4:45<br /><b>08. </b>My Electric Head 6:14<br /><b>09.</b> Blue Turns To Black 6:01<br /><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/eBhXQIqI#EXGgzLMV1tg1-aqXEhoJesgcIx0QyPly5sKxYRNaF4o">Flac Size: 310 MB</a></b><br /><span style="font-size: large;"><br /><b>NIGHTSTALKER - GREAT HALLUCINATIONS 2019</b></span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtqjsJbIcsl44Z64VmHdGNJKDsgOPx1JGG1rcFac8HNoZnZltRn1NGxYNskMUzFPePjmWy0yv34FcbNT-rs19rKAytSnj5XRfYjbOi9T1tRhPHRtn92lVrDXXFTyTEz4VGsVyivZq9LLa9QqhwMykP5KXghV3BldMAtnXgHB2NpXk6m7s1QtsNTbY7XbU/s800/Nightstalker%20-%202019%20-%20Great%20Hallucinations%20-%20Fronr%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtqjsJbIcsl44Z64VmHdGNJKDsgOPx1JGG1rcFac8HNoZnZltRn1NGxYNskMUzFPePjmWy0yv34FcbNT-rs19rKAytSnj5XRfYjbOi9T1tRhPHRtn92lVrDXXFTyTEz4VGsVyivZq9LLa9QqhwMykP5KXghV3BldMAtnXgHB2NpXk6m7s1QtsNTbY7XbU/w400-h400/Nightstalker%20-%202019%20-%20Great%20Hallucinations%20-%20Fronr%20Cover.jpg" width="400" /></a></div><br />In 2019. And while the worldwide pandemic doesn’t currently allow, Nightstalker look forward to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSlopND2HsG3JCHJyrHjJCE0tbpiQsgHpkOI6uRx1VzR8vXtr0aRL11JyR8COWvpcQgZxMZoEl1HCrymv7PsBF0JOUHlsDl7LGFCoAuF_9aqHvSlVxm5NXIJgsnoCF9_wGrbI3a94Q-6vRJFuztA-R4zpWRxDW45mV08crxchhcN9DkBAu9y6M-vEJRI/s1191/Nightstalker%20-%20Poster%2015.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="843" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrSlopND2HsG3JCHJyrHjJCE0tbpiQsgHpkOI6uRx1VzR8vXtr0aRL11JyR8COWvpcQgZxMZoEl1HCrymv7PsBF0JOUHlsDl7LGFCoAuF_9aqHvSlVxm5NXIJgsnoCF9_wGrbI3a94Q-6vRJFuztA-R4zpWRxDW45mV08crxchhcN9DkBAu9y6M-vEJRI/s320/Nightstalker%20-%20Poster%2015.jpg" width="226" /></a></div><br />getting back on road to continue touring extensively; a medium that since day one has been at the forefront of Nightstalker’s musical language, a celebration of all things loud.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIlMWMcmE9X5EQ3an9ZQP65nJ7GRq7-BScnhxx7zxG1ZiVztBFPYgIl1eSUoUGwIy1uWj0zSYa2ClOoa9CBcZIo-Cg81dj4jPHMruWJnpUNbZN1qaw59F-2ibHSNgWyomP9dkwAFjxQNsG07pRa94qOt6ILZy1zGa_ogy8BqePWeN-Z2M_nXGIAng2tA/s1280/Nightstalker%20-%20Poster%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="914" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpIlMWMcmE9X5EQ3an9ZQP65nJ7GRq7-BScnhxx7zxG1ZiVztBFPYgIl1eSUoUGwIy1uWj0zSYa2ClOoa9CBcZIo-Cg81dj4jPHMruWJnpUNbZN1qaw59F-2ibHSNgWyomP9dkwAFjxQNsG07pRa94qOt6ILZy1zGa_ogy8BqePWeN-Z2M_nXGIAng2tA/w286-h400/Nightstalker%20-%20Poster%202.jpg" width="286" /></a></div><br /><p></p><p style="text-align: center;"><b>Nightstalker – Great Hallucinations<br />Label: Heavy Psych Sounds – HPS111<br />Format: CD<br />Country: Italy<br />Released: Oct 4, 2019<br />Genre: Rock<br />Style: Stoner Rock<br /><br /><span style="font-size: large;">TRAXS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOqFQvio-uK20Qkz0UWQrQ-F4EAiSRrH0qIrtRN2PKyfaXXuDBG6ZarDE1el4-7JuvsWlQluKu66eJyBw2mueItxuadvTRzIhHBHot839ZTccTYhvHX9aRGjn4e0KKzpaLmbcM80YPrMv2YaLw65Fd5xSwb0-zNS8cByhjMC-bn1aD8oc9W6lbNKOOCB4/s800/Nightstalker%20-%202019%20-%20Great%20Hallucinations%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="719" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOqFQvio-uK20Qkz0UWQrQ-F4EAiSRrH0qIrtRN2PKyfaXXuDBG6ZarDE1el4-7JuvsWlQluKu66eJyBw2mueItxuadvTRzIhHBHot839ZTccTYhvHX9aRGjn4e0KKzpaLmbcM80YPrMv2YaLw65Fd5xSwb0-zNS8cByhjMC-bn1aD8oc9W6lbNKOOCB4/w400-h360/Nightstalker%20-%202019%20-%20Great%20Hallucinations%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Black Cloud 3:46<br /><b>02.</b> Sweet Knife 4:42<br /><b>03.</b> Sad Side Of The City 6:42<br /><b>04. </b>Seven Out Of Ten 4:53<br /><b>05.</b> Cursed 5:20<br /><b>06.</b> Half Crazy 4:03<br /><b>07.</b> Hole In The Mirror 5:15<br /><b>08. </b>Great Hallucinations 7:30<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/yQ5G3YSD#tT2IehtknYfh4dEHKsmjiDFDfBWgLZHjcltBup74xaM">Flac Size: 300 MB</a></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com8tag:blogger.com,1999:blog-8270002232971427483.post-11533845554591952892024-02-12T09:00:00.001+02:002024-02-12T09:00:44.558+02:00Damo Suzuki (16 January 1950 – 9 February 2024) Can: Cannibalism 1978<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFkJWWO4RGxvIdLuRSSfD6btEXXLHoOi-XsTEBGsD03eBIVtpHb7QLcKAduznSYwjuS7LaXqVbb00snzWg2qeKPYRXq-L9aukbqU_Zd9vtegeGAvNBvgILN2gsCHwhK9IWtdt1zyXA8Tsm-lp22Bos6ud9SzW8KT5OM-u6wTE_SO0VPXUDfdWkt07zUhQ/s1122/Can%20-%20Poster%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1122" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFkJWWO4RGxvIdLuRSSfD6btEXXLHoOi-XsTEBGsD03eBIVtpHb7QLcKAduznSYwjuS7LaXqVbb00snzWg2qeKPYRXq-L9aukbqU_Zd9vtegeGAvNBvgILN2gsCHwhK9IWtdt1zyXA8Tsm-lp22Bos6ud9SzW8KT5OM-u6wTE_SO0VPXUDfdWkt07zUhQ/w285-h400/Can%20-%20Poster%203.jpg" width="285" /></a></div> <p></p><p>Damo Suzuki, the Japanese musician who spent a handful of memorable years as the<b> lead singer of </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BzHFkn6PZgqhPQu8QH9h87nDxj4Kz0bdaVG-Q642QlRJagI2knyy_tpFcBH3hnePd6laKyQ8j8vZIuUDsVnLbkzkZEtw0XWuwCYQr5uI18-5loOJNpYhPISCzkJViWDhl6QDriyqnBZAxZ_l4WnBr5iAPB8ZW5sgpBy-vhr0w34ea1v9CBUIEInN0Uk/s1024/Damo%20Suzuki%20-%20Photo%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="683" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BzHFkn6PZgqhPQu8QH9h87nDxj4Kz0bdaVG-Q642QlRJagI2knyy_tpFcBH3hnePd6laKyQ8j8vZIuUDsVnLbkzkZEtw0XWuwCYQr5uI18-5loOJNpYhPISCzkJViWDhl6QDriyqnBZAxZ_l4WnBr5iAPB8ZW5sgpBy-vhr0w34ea1v9CBUIEInN0Uk/s320/Damo%20Suzuki%20-%20Photo%204.jpg" width="213" /></a></b></div><b><br />Can, died in February 9, at the age of 74.</b> Can’s label, Spoon Records, did not disclose a cause of death in its announcement, but Suzuki had been diagnosed with colon cancer in 2014. “His boundless creative energy has touched so many over the whole world, not just with Can, but also with his all continents spanning Network Tour,” the label wrote. “Damo’s kind soul and cheeky smile will be forever missed.”<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnniN8mh1Dous2f1HCFNA-z6iQuF0c6LEhQd5cqbYxCY1cOkwktuO7a5RDWgqtANID-paE_1ZbPV_Q-wJkxe4gi9VN2Y7UIXn4y3HODOizrZQtF-lEUVMxa2ekgGhyhDUhTxkUgV_32pOfW8_NQMOzkYDmGqMN_dJhEr0yKXb-UtiwW_FibvdcCl7l6xI/s532/Damo%20Suzuki%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="532" data-original-width="378" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnniN8mh1Dous2f1HCFNA-z6iQuF0c6LEhQd5cqbYxCY1cOkwktuO7a5RDWgqtANID-paE_1ZbPV_Q-wJkxe4gi9VN2Y7UIXn4y3HODOizrZQtF-lEUVMxa2ekgGhyhDUhTxkUgV_32pOfW8_NQMOzkYDmGqMN_dJhEr0yKXb-UtiwW_FibvdcCl7l6xI/w284-h400/Damo%20Suzuki%20-%20Photo%201.jpg" width="284" /></a></div><br />Born Kenji Suzuki in Kobe, Japan, the musician found his way to Germany by the late 1960s, joining <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcMfv2IuGf0sNuHsWSuk78FeQNrOCkIpLbmcI0lA7-HW_kbA87GYKXueg3qrTGTGn3YIAcgfAThzSi_ZdS23RwgU3kXU8jTM59FX_jDrAUX5ZRn0mILzMTYOB23aSHdQJmrwFYcuHCgnAMBWUxh_qhyphenhyphenQjwu92sMnOTsS76v0PROkWzu9va447Kpo6U0OY/s550/Damo%20Suzuki%20-%20Photo%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="366" data-original-width="550" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcMfv2IuGf0sNuHsWSuk78FeQNrOCkIpLbmcI0lA7-HW_kbA87GYKXueg3qrTGTGn3YIAcgfAThzSi_ZdS23RwgU3kXU8jTM59FX_jDrAUX5ZRn0mILzMTYOB23aSHdQJmrwFYcuHCgnAMBWUxh_qhyphenhyphenQjwu92sMnOTsS76v0PROkWzu9va447Kpo6U0OY/s320/Damo%20Suzuki%20-%20Photo%205.jpg" width="320" /></a></div><br />Can after bassist Holger Czukay and drummer Jaki Liebezeit spotted him busking outside of a Munich cafe. Can had released just one album, 1969’s Monster Movie, with original vocalist Malcolm Mooney before Suzuki joined for some work on 1970’s Soundtracks. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinop2vCyimb9bWNht-DZe6yr3H_HGc9ofkNeM5KaWD80kcezsIC9h5i0ZV9xFDS5NUVPPmkKi487JB636H4KKfRFJRZqph6TmZfoIn5W4jpZJklie-cNBkJd9eEC4_DOh72uYkt3p6hwhxDkytskyNUDW4Y_EsdADHTAoOLFKpWnBWJ3QzdfddxGBm1Os/s614/Damo%20Suzuki%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="566" data-original-width="614" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinop2vCyimb9bWNht-DZe6yr3H_HGc9ofkNeM5KaWD80kcezsIC9h5i0ZV9xFDS5NUVPPmkKi487JB636H4KKfRFJRZqph6TmZfoIn5W4jpZJklie-cNBkJd9eEC4_DOh72uYkt3p6hwhxDkytskyNUDW4Y_EsdADHTAoOLFKpWnBWJ3QzdfddxGBm1Os/w400-h369/Damo%20Suzuki%20-%20Photo%206.jpg" width="400" /></a></div><br />In 1968, while still a teenager, he moved to Europe, first to a Swedish commune, while spending time <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIDhYA4VdC_FVFqhcoRBMOqkfJ224spd9PhFUZ1fu4qyKvK0g_SWvALu0GM1Y8TzVLafoIAC2F5wgacGaxPCtnH67Ne8UBjijb1EKYCApI78JXbJirneUVHLCYfVqqrkqnsacCK1FeGmrjSrFNBfDATI7KcOcBjUnz_hQfVUZWgNskDdgCV5bfM5PaPuM/s1024/Damo%20Suzuki%20-%20Photo%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="1024" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIDhYA4VdC_FVFqhcoRBMOqkfJ224spd9PhFUZ1fu4qyKvK0g_SWvALu0GM1Y8TzVLafoIAC2F5wgacGaxPCtnH67Ne8UBjijb1EKYCApI78JXbJirneUVHLCYfVqqrkqnsacCK1FeGmrjSrFNBfDATI7KcOcBjUnz_hQfVUZWgNskDdgCV5bfM5PaPuM/s320/Damo%20Suzuki%20-%20Photo%203.jpg" width="320" /></a></div><br />in Ireland, France, the UK and Germany, living money earned while busking. Can had just split with their vocalist Malcolm Mooney, and asked Suzuki to sing over tracks from their 1970 compilation album Soundtracks. Afterwards, he became their full time singer, appearing on the hugely influential albums <b>Tago Mago (1971), Ege Bamyası (1972) and Future Days (1973)</b>, before departing in 1973.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWgf4QGHcfm1dXzE4FH-DuSnuFaRKAU17mYkA6KfKnYDmH53tpAS2QACDaTYFsRPqtsCNvE1sP8lH-YzZRksXMk_MsbF5TTUKOrL4H9qOSSd5dCUadZ10NXdT3QlNqE8gUt_jUysZsUZnqM8hOqVnPuiLBxKu8DAPeX9aMLjasBaxhp3RcS5Zq6raAmo/s767/Can%20-%20Poster%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="767" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWgf4QGHcfm1dXzE4FH-DuSnuFaRKAU17mYkA6KfKnYDmH53tpAS2QACDaTYFsRPqtsCNvE1sP8lH-YzZRksXMk_MsbF5TTUKOrL4H9qOSSd5dCUadZ10NXdT3QlNqE8gUt_jUysZsUZnqM8hOqVnPuiLBxKu8DAPeX9aMLjasBaxhp3RcS5Zq6raAmo/w334-h400/Can%20-%20Poster%201.jpg" width="334" /></a></div><br />Can (stylized in all caps) were a German experimental rock band formed in Cologne in 1968 by Holger <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXXki9ynu3xB5tFUpfGms1FvxeSQ5qDpH3BpnQnCxv77XzjivOdR9BUSn_67j9jAE-NA5Hs8ms8Onjw4NBt8IA6OmN3pCG7CsXT1CFeYeBzh4kr0WRZmF7VDFKctbBPgrKSbkbepCoVgN-blAiiA4T8uvQxJw0Am8NM6IfsdqQAyNp_karXnrwgJiE8Q/s959/Can%20-%20Photo%203.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="543" data-original-width="959" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXXki9ynu3xB5tFUpfGms1FvxeSQ5qDpH3BpnQnCxv77XzjivOdR9BUSn_67j9jAE-NA5Hs8ms8Onjw4NBt8IA6OmN3pCG7CsXT1CFeYeBzh4kr0WRZmF7VDFKctbBPgrKSbkbepCoVgN-blAiiA4T8uvQxJw0Am8NM6IfsdqQAyNp_karXnrwgJiE8Q/s320/Can%20-%20Photo%203.jpg" width="320" /></a></div><br />Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO0-Q7-rYQl_hLY8mmDtS_k9j87FWBMjAO1zU1B8bxBapRO6MZ4pNI4Anuq2H4duifAR1LmX0XMihq7Ph9OgWcbZxpfdVBEhmz0PLEwVkhDdow70W7VIFf5YWEHsF5mDZnfmXUnCieWeZx2FB_m4Lwkprzoo3-tIiVffFFtbcmvJCemN-S2S95LGuztqc/s742/Can%20-%20Poster%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="742" data-original-width="624" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO0-Q7-rYQl_hLY8mmDtS_k9j87FWBMjAO1zU1B8bxBapRO6MZ4pNI4Anuq2H4duifAR1LmX0XMihq7Ph9OgWcbZxpfdVBEhmz0PLEwVkhDdow70W7VIFf5YWEHsF5mDZnfmXUnCieWeZx2FB_m4Lwkprzoo3-tIiVffFFtbcmvJCemN-S2S95LGuztqc/w336-h400/Can%20-%20Poster%202.jpg" width="336" /></a></div><br />The founding members of Can came from backgrounds in avant-garde music and jazz. They blended <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhW2-yevJKuR-TPqXOgQmUjoo7HG0bsDmRz6QZVLFy2eQP2gWUM-HUSJ8ys3P0fiOUT45beAz6mPQf_wwbyRlrkuUcW_YiWi9_Ffue9SfxmrVXCNPebzufJmEpcsPP_7lgdHc48ysWzaE3dAo_pPL-xuASKAS-Q4AhnRrEWXJZS_wnQON9LyEOG8Mjdg/s800/Can%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="800" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPhW2-yevJKuR-TPqXOgQmUjoo7HG0bsDmRz6QZVLFy2eQP2gWUM-HUSJ8ys3P0fiOUT45beAz6mPQf_wwbyRlrkuUcW_YiWi9_Ffue9SfxmrVXCNPebzufJmEpcsPP_7lgdHc48ysWzaE3dAo_pPL-xuASKAS-Q4AhnRrEWXJZS_wnQON9LyEOG8Mjdg/s320/Can%20-%20Photo%202.jpg" width="320" /></a></div><br />elements of psychedelic rock, funk, and musique concrète on influential albums such as Tago Mago (1971), Ege Bamyasi (1972) and Future Days (1973). Can also had commercial success with singles such as "Spoon" (1971) and "I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Di0cofQT2wsHZcZCE5kCpxkl7C3pxZ72YC12nDY536TzSSlxGHlJ9DzOw-ov1Ai5ByVsBpNQvsidaiyNB5x8ZDxt_tOv8dSpTrxMxjnmy20_Slxbwi-Nioow9miqLzSruz4InsaBMskOj6_oDBN7JG0jqNX-KSul2maIEEx5NehDjtnB1A24emAgEFc/s610/Damo%20Suzuki%20-%20Photo%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="608" data-original-width="610" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Di0cofQT2wsHZcZCE5kCpxkl7C3pxZ72YC12nDY536TzSSlxGHlJ9DzOw-ov1Ai5ByVsBpNQvsidaiyNB5x8ZDxt_tOv8dSpTrxMxjnmy20_Slxbwi-Nioow9miqLzSruz4InsaBMskOj6_oDBN7JG0jqNX-KSul2maIEEx5NehDjtnB1A24emAgEFc/w400-h399/Damo%20Suzuki%20-%20Photo%207.jpg" width="400" /></a></div><br />After leaving Can in 1973, Suzuki abandoned music and became a Jehovah's Witness. He returned to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLBvUO0DS2naTi5KkV8SWjlLjYkyzKTpxoO0hijkrNcqGNKShjZFCwnlP7b1S6wYPkkgpCMX4M0P0PDI1Ci0odVcb8Oa3d0mhHhL3n4kCd1rPp8KS9znlMtOFZAHKdT6jkXCr5fm0_NI_QjLVFmcOJIrbDt0l09vQyI-8M424O4klKgUGHuCDwpcN_Cw/s472/Can%20-%20Poster%204.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="472" data-original-width="459" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGLBvUO0DS2naTi5KkV8SWjlLjYkyzKTpxoO0hijkrNcqGNKShjZFCwnlP7b1S6wYPkkgpCMX4M0P0PDI1Ci0odVcb8Oa3d0mhHhL3n4kCd1rPp8KS9znlMtOFZAHKdT6jkXCr5fm0_NI_QjLVFmcOJIrbDt0l09vQyI-8M424O4klKgUGHuCDwpcN_Cw/s320/Can%20-%20Poster%204.jpg" width="311" /></a></div><br />music in the mid 1980s and toured widely, recording a large number of albums under different aliases, which he later grouped as the "Damo Suzuki's Network".<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNg2b1ym_cS5UrHEsg1iUux8i65RC2-zjViJp1calXp6N1J9h6IARbHF02dYUktZEwoxrSQq47YJHo6wkx1Gb5TJ2Oo6RF97pSpY16EG8M6qmgyoEFThBRq_A5XWrgheYC2AQeRWJsZOg3ChDYGjOFsbgwfASclJN6_OG6KglWjmiEMRu78quItjRSX2c/s672/Can%20-%20Poster%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="470" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNg2b1ym_cS5UrHEsg1iUux8i65RC2-zjViJp1calXp6N1J9h6IARbHF02dYUktZEwoxrSQq47YJHo6wkx1Gb5TJ2Oo6RF97pSpY16EG8M6qmgyoEFThBRq_A5XWrgheYC2AQeRWJsZOg3ChDYGjOFsbgwfASclJN6_OG6KglWjmiEMRu78quItjRSX2c/w280-h400/Can%20-%20Poster%205.jpg" width="280" /></a></div><br />He was first diagnosed with colon cancer when he was 33 years old; a disease that his father died of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYV7gD2HC8F78ErkaAyeMGkGfI0J3MRqWMZGmYEblHCIJ_a2lEXDij301nZqUbnS-b8AKRvjmM0H2XW0vYWiTdWPLdAsr0d4PoAk457Z7xasQGad2Ycdp2bbN9dCOm-BBg5zOOTaipBIXweOMDLO0Vnep331DMceFxI9dDUcuRE_p682PEOOEVSOmXK2c/s1097/Damo%20Suzuki%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYV7gD2HC8F78ErkaAyeMGkGfI0J3MRqWMZGmYEblHCIJ_a2lEXDij301nZqUbnS-b8AKRvjmM0H2XW0vYWiTdWPLdAsr0d4PoAk457Z7xasQGad2Ycdp2bbN9dCOm-BBg5zOOTaipBIXweOMDLO0Vnep331DMceFxI9dDUcuRE_p682PEOOEVSOmXK2c/s320/Damo%20Suzuki%20-%20Photo%202.jpg" width="233" /></a></div><br />when Suzuki was five years old. He was diagnosed with colon cancer again in 2014 and given a 10% chance of survival. He died on 9 February 2024, aged 74. The documentary Energy explores Suzuki's battle with cancer and relationship with Morsbach.<br /><p></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">DISCOGRAPHY</span></b><br /><br /><b>Can – Tago Mago (1971)<br />Can – Ege Bamyası (1972)<br />Can – Future Days (1973)<br /><br /><span style="font-size: large;">CAN - CANNIBALISM 1978<br /></span></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirVIw9dNRZbdO8t9G7Uh3CIFnah0QRxWvTEqzlCLM7RCo01RCFGUkIyS3A4Slz380LdZa5ZjBDQq-uGLw4xof-nyRxnil_LWQiPBDwYQbsZYxytuyxL01KL3FFKUTupCM50YDzmuTllE-SucgFvBeM0931OWhPMfrgQ4fcH-2fV4WJWGJajqwOA94E2e8/s3661/Can%20-%201978%20-%20Cannibalism%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3661" data-original-width="3661" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirVIw9dNRZbdO8t9G7Uh3CIFnah0QRxWvTEqzlCLM7RCo01RCFGUkIyS3A4Slz380LdZa5ZjBDQq-uGLw4xof-nyRxnil_LWQiPBDwYQbsZYxytuyxL01KL3FFKUTupCM50YDzmuTllE-SucgFvBeM0931OWhPMfrgQ4fcH-2fV4WJWGJajqwOA94E2e8/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /><br /></b><p></p><p style="text-align: center;"><b>Can – Cannibalism<br />Label: United Artists Records – UDM 105/6<br />Format: 2 x Vinyl, LP, Compilation<br />Country: UK<br />Released: 1978<br />Genre: Rock<br />Style: Krautrock, Avantgarde, Experimental<br /></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYZllfiaTa6Sd1iYZBPCnnkSneHPYToQOOIYlMYbxJ9AiuZPBOz2FhTg5JKK9OGQIg_-gjc3RznK1izbukgtHGu_VGUPIAHuLfZDX-SYOlGaMVn5NXHdbnsiZJ3d5_lxv560xsLm7YKQsU7CXGZTciSbb0aRo3Wgu6BLbtadpgVKp_xT1bNr92YgdlTDE/s800/Can%20-%201978%20-%20Cannibalism%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYZllfiaTa6Sd1iYZBPCnnkSneHPYToQOOIYlMYbxJ9AiuZPBOz2FhTg5JKK9OGQIg_-gjc3RznK1izbukgtHGu_VGUPIAHuLfZDX-SYOlGaMVn5NXHdbnsiZJ3d5_lxv560xsLm7YKQsU7CXGZTciSbb0aRo3Wgu6BLbtadpgVKp_xT1bNr92YgdlTDE/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Back%20Cover.jpg" width="400" /></a></b></div><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-P2SDMZtM1E-fqNtDNho2MkPEK4e-tvZ7wZDUO5AG1tJqKP7Qq5EeRv-p5gvSMk4pxiPQeB_WOe2j-8d2d45B6z7jpscZel_ysPtHk2NWzEAbWTxh-W-vSOWuGpqaoekLrBwxSniZSZe10U8_rhTcgHsJFN1EhIghSqtZuo2UCHXkeJ60gE7gwWPBNIE/s800/Can%20-%201978%20-%20Cannibalism%20-%20Side%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-P2SDMZtM1E-fqNtDNho2MkPEK4e-tvZ7wZDUO5AG1tJqKP7Qq5EeRv-p5gvSMk4pxiPQeB_WOe2j-8d2d45B6z7jpscZel_ysPtHk2NWzEAbWTxh-W-vSOWuGpqaoekLrBwxSniZSZe10U8_rhTcgHsJFN1EhIghSqtZuo2UCHXkeJ60gE7gwWPBNIE/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Side%201.jpg" width="400" /></a></div><br /><br /><b>A1. Father Cannot Yell 7:05</b><br />Written-By – Can, Irmin Schmidt<br /><b>A2. Soul Desert 3:46</b><br />Written-By – Can<br /><b>A3.</b> <b>Soup 3:03</b><br />Written-By – Can<br /><b>A4.</b> <b>Mother Sky 6:41</b><br />Written-By – Can<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg82-tE6KC-468ukvgfKh4-Geg3SX3pTcRSCGWBtvuBxLS-_oy2ULdllg0Ts1vVe9OCf24Yi-VL9hwltTnchngqfHhjTPebTaUm3oUFEODBk5lK6R7TKn4uYSOA4IEfvog5hV8i4s3cfvv7ttvJSj_p0D9zGroHYFkDTPeajp1XWF97j2dcvAO-UKxnREM/s800/Can%20-%201978%20-%20Cannibalism%20-%20Side%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg82-tE6KC-468ukvgfKh4-Geg3SX3pTcRSCGWBtvuBxLS-_oy2ULdllg0Ts1vVe9OCf24Yi-VL9hwltTnchngqfHhjTPebTaUm3oUFEODBk5lK6R7TKn4uYSOA4IEfvog5hV8i4s3cfvv7ttvJSj_p0D9zGroHYFkDTPeajp1XWF97j2dcvAO-UKxnREM/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Side%202.jpg" width="400" /></a></div><br /><b>B1.</b> <b>She Brings The Rain 4:07</b><br />Written-By – Can<br /><b>B2. Mushroom 4:31</b><br />Written-By – Can<br /><b>B3. One More Night 5:37</b><br />Written-By – Can<br /><b>B4. Spray 2:55</b><br />Written-By – Can<br /><b>B5. Outside My Door 4:11</b><br />Written-By – Can, Irmin Schmidt<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/yYxwHCxC#oUoQUbU6EsZ-fqPBVwtEXvHcoM-T8M5PpDK3VPdDFjU">Side A. + B. Flac (24bit 96khz) Size: 889 MB</a><br /><br /><span style="font-size: large;">SIDE C.<br /></span></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis-pHmPcolYWM_cU5lRbu-OZjRuU39AnqXEZXTWlQilya1UlAd02I2Nsalr6l7M-rbb0u_KZ6gr3_1toHbsY6dvSHv5_YeJWw4pR3TH4j4u8i68Qf7PKQw6_4V-p3YG2ClOizqV4LYc7WTtNT18T8GsU8_eK8a8o2i8rmT6RxkJ8QAbAN8ViCU4Mp7-0k/s800/Can%20-%201978%20-%20Cannibalism%20-%20Side%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis-pHmPcolYWM_cU5lRbu-OZjRuU39AnqXEZXTWlQilya1UlAd02I2Nsalr6l7M-rbb0u_KZ6gr3_1toHbsY6dvSHv5_YeJWw4pR3TH4j4u8i68Qf7PKQw6_4V-p3YG2ClOizqV4LYc7WTtNT18T8GsU8_eK8a8o2i8rmT6RxkJ8QAbAN8ViCU4Mp7-0k/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Side%203.jpg" width="400" /></a></b></div><b><br />C1. Chain Reaction 5:38</b><br />Written-By – Can<br /><b>C2. Halleluwah 5:39</b><br />Written-By – Can<br /><b>C3. Aumgn 7:18</b><br />Written-By – Can<br /><b>C4. Dizzy Dizzy 3:30</b><br />Written-By – Can, Fallowell<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE D.</span><br /></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeQxVpSH1nAR86_WSCPkWoXQlymWVikOKfy9sC6oOzD-BqpuRqqyAmJOLNqnSoBBUZRNZiD25qGacV_5alCcy1iqk70gY8_2D__NQ8G0e4MLWbT18gkNJ4CtP9eGh1rF8y_-iD6YvLDDoMkhgN3IxUW2yWNlZn1FCwvmrlGBz5HtQPw74Gg7jl9ZKTEYw/s800/Can%20-%201978%20-%20Cannibalism%20-%20Side%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeQxVpSH1nAR86_WSCPkWoXQlymWVikOKfy9sC6oOzD-BqpuRqqyAmJOLNqnSoBBUZRNZiD25qGacV_5alCcy1iqk70gY8_2D__NQ8G0e4MLWbT18gkNJ4CtP9eGh1rF8y_-iD6YvLDDoMkhgN3IxUW2yWNlZn1FCwvmrlGBz5HtQPw74Gg7jl9ZKTEYw/w400-h400/Can%20-%201978%20-%20Cannibalism%20-%20Side%204.jpg" width="400" /></a></b></div><b><br />D. Yoo Doo Right</b><br />Written-By – Can, Irmin Schmidt 20:20<br /><br /><p></p><p style="text-align: center;"><b><a href="https://mega.nz/file/PNYSSSYK#sO7zD3WWHnCPITzBsS1N61LTTIv-go_I-rnZgJcFAAk">Side C. + D. Flac (24bit 96khz) Size: 861 MB</a><br /><br /><span style="font-size: large;">NOTES</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipUd51Huy2UToFVdw4NjP_BRbbNKCbLyCRPVhZv-bgsu_bNvqqbVg7Ij-jNG3Y49moqCN9tPVEsCnG7YA1kNSZcCeiK8msKK9aDjMNcDOODoBC9edXlzE85C4ENZm5GLJAj_YJoInN334R0HUjMWasKdqZGqbHOSlDjqJwOsN1na6Le0iCbASdy3tNzCo/s1920/Can%20-%201978%20-%20Cannibalism%20-%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="1920" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipUd51Huy2UToFVdw4NjP_BRbbNKCbLyCRPVhZv-bgsu_bNvqqbVg7Ij-jNG3Y49moqCN9tPVEsCnG7YA1kNSZcCeiK8msKK9aDjMNcDOODoBC9edXlzE85C4ENZm5GLJAj_YJoInN334R0HUjMWasKdqZGqbHOSlDjqJwOsN1na6Le0iCbASdy3tNzCo/w400-h198/Can%20-%201978%20-%20Cannibalism%20-%20Inside%20Cover.jpg" width="400" /></a></div><br />Father Cannot Yell - <b>(From Can - Monstermovie) 1969</b><br />Soul Desert - <b>(From Can - Soundtracks) 1974</b><br />Soup - <b>(Re-edited from Can - Ege Bamyasi) 1972</b><br />Mother Sky - <b>(Re-edited from Can - Soundtracks) 1974</b><br />She Brings The Rain -<b> (From Can - Soundtracks) 1974</b><br />Mushroom - <b>(From Can - Tago Mago) 1972</b><br />One More Night -<b> (From Can - Ege Bamyasi) 1972</b><br />Spray -<b> (Re-edited from Can - Future Days)</b><br />Outside My Door -<b> (From Can - Monstermovie) 1969</b><br />Chain Reaction - <b>(Re-edited from Can - Soon Over Babaluma) 1974</b><br />Halleluwah -<b> (Re-edited from Can - Tago Mago) 1971</b><br />Aumgn - <b>(Re-edited from Can - Tago Mago) 1971</b><br />Dizzy Dizzy - <b>(From Can - Soon Over Babaluma) 1974</b><br />Yoo Doo Right - <b>(From Can - Monstermovie) 1969</b><br /><p></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b>Can (5 Albums) on Urban Aspirines <a href="https://urbanaspirines.blogspot.com/search/label/Can">HERE </a></b><br /></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com5tag:blogger.com,1999:blog-8270002232971427483.post-9862151538267934982024-02-09T11:07:00.000+02:002024-02-09T11:07:44.239+02:00Utopia: The Road To Utopia: The Complete Recordings 1974 - 82 Box - Set (2018)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyE-TxE3_pyx-buZXWIbl6vlE6bplQ3n7LdeyNC8SHx1urHIzjtsNSiH4wuOYSdH1_FNxCWiq94_lavpR_yHF5amHyL1F2jdW-Ss9h71MC6sM60Ao1RmsCxoY12f0Ovbys-374tH9MSJFYmSoLjiPBhGAP_DqpYUqxvQr2qKJt5t_6Wh8AzGIb8pDJ0zs/s800/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20The%20Complete%20Recordings%201974-1982%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="800" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyE-TxE3_pyx-buZXWIbl6vlE6bplQ3n7LdeyNC8SHx1urHIzjtsNSiH4wuOYSdH1_FNxCWiq94_lavpR_yHF5amHyL1F2jdW-Ss9h71MC6sM60Ao1RmsCxoY12f0Ovbys-374tH9MSJFYmSoLjiPBhGAP_DqpYUqxvQr2qKJt5t_6Wh8AzGIb8pDJ0zs/w400-h353/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20The%20Complete%20Recordings%201974-1982%20-%20Front%20Cover.jpg" width="400" /></a></div> <p></p><p>Utopia was an American rock band formed in 1973 by Todd Rundgren. During its first three years, the </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZgSEcDBaeYORJ8SNCekRGgnA0DgPFxM8ugF4HcPqBQr0FBH9-GMFfPOnyR6gsn4tWzW57VSjQGoyFPL_FmebwMknK_6UnaRdAqTBEhVyM9dVCB4vhGK6AB1DhQlnYU5lImQy3xBrdCII0fh5ZbJB16Dz_dfpdP-cavac4Lg2jOlenP9cebtxyqVF6XfU/s824/Utopia%20-%20Photo%2011.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="824" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZgSEcDBaeYORJ8SNCekRGgnA0DgPFxM8ugF4HcPqBQr0FBH9-GMFfPOnyR6gsn4tWzW57VSjQGoyFPL_FmebwMknK_6UnaRdAqTBEhVyM9dVCB4vhGK6AB1DhQlnYU5lImQy3xBrdCII0fh5ZbJB16Dz_dfpdP-cavac4Lg2jOlenP9cebtxyqVF6XfU/s320/Utopia%20-%20Photo%2011.jpg" width="320" /></a></div><br />group was a progressive rock band with a somewhat fluid membership known as Todd Rundgren's Utopia. Most of the members in this early incarnation also played on Rundgren's solo albums of the period up to 1975. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg0K2N6DYx7XBOPjnu_1FJNjxE3RBGE-jkc9QHhKCS4fIPwUhE0dwG0o4pXbSXD4Tnod6Xp9gg-2xxzQRv8CBBLOqGxB8GPM-0TbEdBoiyrpOiVvNXOwUX1XLDSUUjZNz5FJAYgEwUbOC0jPcwmRwV0yRW9y3dpK5HS1y0zYpKj0kqKXVdASLs8bv75Zw/s800/Utopia%20-%20Photo%203.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="447" data-original-width="800" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg0K2N6DYx7XBOPjnu_1FJNjxE3RBGE-jkc9QHhKCS4fIPwUhE0dwG0o4pXbSXD4Tnod6Xp9gg-2xxzQRv8CBBLOqGxB8GPM-0TbEdBoiyrpOiVvNXOwUX1XLDSUUjZNz5FJAYgEwUbOC0jPcwmRwV0yRW9y3dpK5HS1y0zYpKj0kqKXVdASLs8bv75Zw/w400-h224/Utopia%20-%20Photo%203.jpg" width="400" /></a></div><br />By 1976, the group was known simply as Utopia and featured a stable quartet of Rundgren, Kasim <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLPgMhei2cU1iodKRU0s0SbpYj7pe80FL8cKkyk_C3mHakH0_Q3baOS5MTx798lwVuhztKj5QmtT4StRlksHZJkabMOd1B_QzDHFR-ePXNVa33iwoBI5FXx4xI47GHSk-ZJosp0kwN3kCLCE2RTnHUmApGjZ4MPFCLUscuQUvUMhsUXJ0QlC4NMS_AoU/s1058/Todd%20Rundgren%20-%20Photo%208.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1058" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyLPgMhei2cU1iodKRU0s0SbpYj7pe80FL8cKkyk_C3mHakH0_Q3baOS5MTx798lwVuhztKj5QmtT4StRlksHZJkabMOd1B_QzDHFR-ePXNVa33iwoBI5FXx4xI47GHSk-ZJosp0kwN3kCLCE2RTnHUmApGjZ4MPFCLUscuQUvUMhsUXJ0QlC4NMS_AoU/s320/Todd%20Rundgren%20-%20Photo%208.jpg" width="194" /></a></div><br />Sulton, Roger Powell and John "Willie" Wilcox. This version of the group gradually abandoned progressive rock for more straightforward rock and pop.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8juW4rfT62qYTn7T2OTicjqARe4-SqiHvLtgNGBv8HAYsEX96PXYg_LiUoLu81fm1IXr_BOxYHqeb9n97eqr09Xn3wX92f2j4HvdHk_ZIDsl1A2xOr8iQqPKkD_j6Cv9NTyFxUNn97mw3bZ5wLQJX8M-yXP1ksg3WAwdn1zujFcZMSyqcECri05XVNE/s640/Utopia%20-%20Photo%2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="591" data-original-width="640" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8juW4rfT62qYTn7T2OTicjqARe4-SqiHvLtgNGBv8HAYsEX96PXYg_LiUoLu81fm1IXr_BOxYHqeb9n97eqr09Xn3wX92f2j4HvdHk_ZIDsl1A2xOr8iQqPKkD_j6Cv9NTyFxUNn97mw3bZ5wLQJX8M-yXP1ksg3WAwdn1zujFcZMSyqcECri05XVNE/w400-h370/Utopia%20-%20Photo%2012.jpg" width="400" /></a></div><br />Stardom was handed to him with Something/Anything?, but Todd Rundgren rejected it. He wanted to <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvig7-_35m6eVsdkzCBH-_5rf2vzrUUFrJ8uE4VtQCX3JNy46lnGMCvuX1lMk5aZqZSaFe8ndBhKZ7mreJa4ywwL2ta3Ex_2m6J1f6Ql2-HsUy1Iz17sn1fNmUsUqOES__ywByAerqRNv9I7BhYXSLe2AP3Pg_0SQpq_ip7EsZ-rXgyaehAWbbdWY9t5s/s800/Utopia%20-%20Photo%2013.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="525" data-original-width="800" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvig7-_35m6eVsdkzCBH-_5rf2vzrUUFrJ8uE4VtQCX3JNy46lnGMCvuX1lMk5aZqZSaFe8ndBhKZ7mreJa4ywwL2ta3Ex_2m6J1f6Ql2-HsUy1Iz17sn1fNmUsUqOES__ywByAerqRNv9I7BhYXSLe2AP3Pg_0SQpq_ip7EsZ-rXgyaehAWbbdWY9t5s/s320/Utopia%20-%20Photo%2013.jpg" width="320" /></a></div><br />explore new musical territory instead, and his adventures led him to form Utopia in 1973. Initially, Utopia was a prog rock septet featuring three keyboardists, but as the '70s progressed, the band evolved into a shiny mainstream rock quartet, and Rundgren retreated into the background, as each of his bandmates contributed songs and lead vocals to the albums. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7bL0unqxBFCxduFRjf4bYCHrJqFLvhvuCSS3jk4m1bvS3w8pCu68AkfbikLkDp-G-M1P8QRirEWiulxx-6ixTKJGuwRv6hUBxUEXZxVfDNRJS_mhbTCrZn1qxUtRmDJxnwxag9lM5NtekwmuG9URohwJcVCAKm8IXCFuELgCVFsYHTPz6mTw2SaOp-Os/s657/Todd%20Rundgren%20-%20Photo%204.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="596" data-original-width="657" height="363" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7bL0unqxBFCxduFRjf4bYCHrJqFLvhvuCSS3jk4m1bvS3w8pCu68AkfbikLkDp-G-M1P8QRirEWiulxx-6ixTKJGuwRv6hUBxUEXZxVfDNRJS_mhbTCrZn1qxUtRmDJxnwxag9lM5NtekwmuG9URohwJcVCAKm8IXCFuELgCVFsYHTPz6mTw2SaOp-Os/w400-h363/Todd%20Rundgren%20-%20Photo%204.jpg" width="400" /></a></div> <br />By the early '80s, Utopia had developed into a hitmaking entity in their own right, even if much -- if not <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJGWm_keetoa7oIIOCjoAe54ViG_MBJyrSG5cP63fm38B_xPxUUMnrl6W0sa45y0NpjeLJ4M4Pc69zV7GGSMNoOslRFzW089dQPin1qLzQijsW6e0dWhqpNilzSOrsKi2EpYxoszd5uQRU29M5qLyTSIdTMvsFVNVXEIuOPTQJ0WMm4Am5qvocKU4wM_o/s888/Todd%20Rundgren%20-%20Photo%209.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="888" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJGWm_keetoa7oIIOCjoAe54ViG_MBJyrSG5cP63fm38B_xPxUUMnrl6W0sa45y0NpjeLJ4M4Pc69zV7GGSMNoOslRFzW089dQPin1qLzQijsW6e0dWhqpNilzSOrsKi2EpYxoszd5uQRU29M5qLyTSIdTMvsFVNVXEIuOPTQJ0WMm4Am5qvocKU4wM_o/s320/Todd%20Rundgren%20-%20Photo%209.jpg" width="231" /></a></div><br />all -- of their audience were simply dedicated Rundgren fans, which highlights the problem with Utopia: although they did develop their own signature sound, they were nevertheless always perceived as Rundgren's folly. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrUYuA3YzU1uEF7U7mL_r3GAaGzZVPqT_agHY-oIbW6BJ37trJ5zSkVUpxVWnfspl8gAE85gPnQF_K5MpMeP8Uamaqi2cztXNqFcD08mV-LNF9BqPtuNxf0vneEKwH4F3e0lC54Xg2FY66t77ByVmtab2H5eLhcN0PO18vUTz-EWHqxnblf_bDyGhgrZ4/s800/Utopia%20-%20Photo%208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="622" data-original-width="800" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrUYuA3YzU1uEF7U7mL_r3GAaGzZVPqT_agHY-oIbW6BJ37trJ5zSkVUpxVWnfspl8gAE85gPnQF_K5MpMeP8Uamaqi2cztXNqFcD08mV-LNF9BqPtuNxf0vneEKwH4F3e0lC54Xg2FY66t77ByVmtab2H5eLhcN0PO18vUTz-EWHqxnblf_bDyGhgrZ4/w400-h311/Utopia%20-%20Photo%208.jpg" width="400" /></a></div><br />And to a certain extent, that was accurate, since the band's musical evolution often mirrored his own -- <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipDH_A9zERWOdKxCdRcXdemEAmMsg2L49CDY30ZPX2KvY1Zb_cT_mH3RpNn-yfjJb8B83ge-SedPLERW051aIAn9yuVcFZl0un3QE1b8IvnnVJbafz_sgULo6lTR-m99xhR1e6klvTGBy5y3UguYC2MaHBjE97SB3gZKgguEzaB5nt07tmhSlCLUtpLAw/s640/Todd%20Rundgren%20-%20Photo%2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="593" data-original-width="640" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipDH_A9zERWOdKxCdRcXdemEAmMsg2L49CDY30ZPX2KvY1Zb_cT_mH3RpNn-yfjJb8B83ge-SedPLERW051aIAn9yuVcFZl0un3QE1b8IvnnVJbafz_sgULo6lTR-m99xhR1e6klvTGBy5y3UguYC2MaHBjE97SB3gZKgguEzaB5nt07tmhSlCLUtpLAw/s320/Todd%20Rundgren%20-%20Photo%2010.jpg" width="320" /></a></div><br />plus, once he decided he had enough of the group in 1985, they ceased to exist. At that point, Utopia was over a decade old, which made them something more than a folly, but even hardcore Rundgren fans will admit that it's impossible to view Utopia's career as being completely independent from his own.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLT8292m50iGO8MI6ZNM7JYYPgirsspZHnHRSjg2YmFawVCfS8qFLvVM5yM0I_61oMnUit13GGZS7AEZ2Cz-dAaIzHpsljLxiLxuIFazjTXLpgtfBC_UKPwE0338srzrsV3MRo-VtK75gynOB7QurzxAj5xC3jIieUhVsa7zz6iUkM8Z5FmnJIJwxWdg/s890/Todd%20Rundgren%20-%20Photo%205.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="890" data-original-width="580" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLT8292m50iGO8MI6ZNM7JYYPgirsspZHnHRSjg2YmFawVCfS8qFLvVM5yM0I_61oMnUit13GGZS7AEZ2Cz-dAaIzHpsljLxiLxuIFazjTXLpgtfBC_UKPwE0338srzrsV3MRo-VtK75gynOB7QurzxAj5xC3jIieUhVsa7zz6iUkM8Z5FmnJIJwxWdg/w261-h400/Todd%20Rundgren%20-%20Photo%205.jpg" width="261" /></a></div><br />After all, the band was born out of his desire to experiment with synthesizers and delve into prog rock. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJlLc81CohWWLUYL0HhEAyuULGY1reEUFk72YZs8OmcAmuCLcw0vWkmGkinNa3F1TiFebiakXXMsE9vj0KoQXXwbo_yTcFmh8Gui3U3sriI9-q5i1_pgVo5jsuiCeX-O6p7lE-Q3IUuVlHFm4VaAfOeo-ysjJNQm88yrwVGPyP_t3ocde9E9Z02FyA4tk/s800/Utopia%20-%20Photo%205.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="640" data-original-width="800" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJlLc81CohWWLUYL0HhEAyuULGY1reEUFk72YZs8OmcAmuCLcw0vWkmGkinNa3F1TiFebiakXXMsE9vj0KoQXXwbo_yTcFmh8Gui3U3sriI9-q5i1_pgVo5jsuiCeX-O6p7lE-Q3IUuVlHFm4VaAfOeo-ysjJNQm88yrwVGPyP_t3ocde9E9Z02FyA4tk/s320/Utopia%20-%20Photo%205.jpg" width="320" /></a></div><br />In its original incarnation, the group consisted of three keyboardists -- Moogy Klingman, Ralph Shuckett, and Jean Yves "M. Frog" Labat -- a bassist (John Siegler), a percussionist (Kevin Elliman), and a drummer (John "Willie" Wilcox), along with Rundgren on lead guitar. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4ZC0oGFIzWRJQcpF9ZmIuZrYK2uRBcRZ4DB3iet8eBQigfwFwr6Z0xA5iDr-h7Cx0OLNmrQ7U1ZTPeHwnSt9HInmOrINmGcs59ESxkmSyobCZ7hRdX131YQGddArccC0eJ__CneqKeWV-oFyn7NM7SangfflHvI-W2HTwNjpjOiImTIQY1KhJy61WQQ/s606/Utopia%20-%20Photo%2014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="490" data-original-width="606" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4ZC0oGFIzWRJQcpF9ZmIuZrYK2uRBcRZ4DB3iet8eBQigfwFwr6Z0xA5iDr-h7Cx0OLNmrQ7U1ZTPeHwnSt9HInmOrINmGcs59ESxkmSyobCZ7hRdX131YQGddArccC0eJ__CneqKeWV-oFyn7NM7SangfflHvI-W2HTwNjpjOiImTIQY1KhJy61WQQ/w400-h324/Utopia%20-%20Photo%2014.jpg" width="400" /></a></div> <br />The band's first album was released months after Rundgren's Todd hit the stores. Appearing in October <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqkxafz7Vw7Jb9YO0vEUKn68JmTNZVqOD7iQ925Ib8RMdxzZoCDEGc9HWwvNF_C38s4wgysBzC0YFeS_rLu3fK-123R6roZaTkyB0ASN9AE3VV8-tJ9UHvXKurKMKWEllkdMG2t9Z6fd26h0ircvGrlq9ZXXvk2QcuC6twETfMAf_jrx1iOu8QYU0ZWs/s640/Utopia%20-%20Photo%2015.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqkxafz7Vw7Jb9YO0vEUKn68JmTNZVqOD7iQ925Ib8RMdxzZoCDEGc9HWwvNF_C38s4wgysBzC0YFeS_rLu3fK-123R6roZaTkyB0ASN9AE3VV8-tJ9UHvXKurKMKWEllkdMG2t9Z6fd26h0ircvGrlq9ZXXvk2QcuC6twETfMAf_jrx1iOu8QYU0ZWs/s320/Utopia%20-%20Photo%2015.jpg" width="320" /></a></div><br />1974, Todd Rundgren's Utopia consisted of only four tracks, all of which were mainly instrumental, and none of which were less than ten minutes apiece. Rundgren continued in that direction on his next solo album, Initiation, which was released in spring 1975. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vtOkp-Iyff6KbEj98JEwEjvN9pD_U6gfh1ZvidsDyk0DzLfG_QOBu0-WKIj8SEduPKuweLn6gg5q-lspq-DC4eaKUFvnhTRftaOf6URid6f_81SRsP2tRT5cUCfk-i4LItLk5EhPpV6gvU27k_QYGMUeTAdukufWxkNLnOXTTMAZrsf7W7xGAyaWAJA/s915/Todd%20Rundgren%20-%20Photo%206.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="606" data-original-width="915" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8vtOkp-Iyff6KbEj98JEwEjvN9pD_U6gfh1ZvidsDyk0DzLfG_QOBu0-WKIj8SEduPKuweLn6gg5q-lspq-DC4eaKUFvnhTRftaOf6URid6f_81SRsP2tRT5cUCfk-i4LItLk5EhPpV6gvU27k_QYGMUeTAdukufWxkNLnOXTTMAZrsf7W7xGAyaWAJA/w400-h265/Todd%20Rundgren%20-%20Photo%206.jpg" width="400" /></a></div><br />More months later, Utopia released Another Live, a wild live album devoted to long synth experiments, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd-Bmm8cnNnm1GKlcX7-eB8fkEZx_L6gX5Io7Uz9PwKSqfI4jce8rq690RaWij3WHlzMLhGCcgnLLqq4jwfARpfz8O0CtRtrHgw4hDencLFgXwckT6hZOL0BaiMLHTgdT14VTlVLhCPLmp_U1W3f_YlZZgX-qealf4_s1qjQJD5QN-XpW9HEk1568iQbM/s800/Utopia%20-%20Photo%2010.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="800" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd-Bmm8cnNnm1GKlcX7-eB8fkEZx_L6gX5Io7Uz9PwKSqfI4jce8rq690RaWij3WHlzMLhGCcgnLLqq4jwfARpfz8O0CtRtrHgw4hDencLFgXwckT6hZOL0BaiMLHTgdT14VTlVLhCPLmp_U1W3f_YlZZgX-qealf4_s1qjQJD5QN-XpW9HEk1568iQbM/s320/Utopia%20-%20Photo%2010.jpg" width="256" /></a></div><br />and the band's first release with Roger Powell replacing Labat. Utopia's live concerts were marked by these improvisatory excursions, yet they were also distinguished by their video backdrops and random, computer-generated music. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8n9NQq3WRPpIOMMtqswbwomJ9e4rlfP_txg0J_SfrZfH435v2niwsw0kS1eNObGCcURWxNJhZyHyadjbkS7-xjkl4pcuyvcZ7k0rSO_b5rh-bB6oYV98mzWjBTkZ1mcK1MoJvhgR4HgAgdbQPsg5f_s7LwYUJaGi35KbhyphenhyphenhukPYUwvxK2Gyje5RRieYA/s800/Utopia%20-%20Photo%207.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8n9NQq3WRPpIOMMtqswbwomJ9e4rlfP_txg0J_SfrZfH435v2niwsw0kS1eNObGCcURWxNJhZyHyadjbkS7-xjkl4pcuyvcZ7k0rSO_b5rh-bB6oYV98mzWjBTkZ1mcK1MoJvhgR4HgAgdbQPsg5f_s7LwYUJaGi35KbhyphenhyphenhukPYUwvxK2Gyje5RRieYA/w400-h300/Utopia%20-%20Photo%207.jpg" width="400" /></a></div><br />In 1980, they had a top 40 hit with "Set Me Free". Though often thought of as a Rundgren-oriented <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioynTT9N2U3SJQ0hkW6m20t8ZVVNnQXihFAdbV1MYmhyBkqfWOtSEOW-kFOWOALdE2DrSWq5XWls7rPyabrlECNlaZVqEDIBorfCnn6smMNqUt53M2Q6u4pAaUSS279f1jn-pSYecqAB1_1KuDySdjzmOl-r56LddNiIoO3Gf9OWRZ_CqiUMbGfel1d5k/s1883/Todd%20Rundgren%20-%20Photo%202.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1883" data-original-width="1277" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioynTT9N2U3SJQ0hkW6m20t8ZVVNnQXihFAdbV1MYmhyBkqfWOtSEOW-kFOWOALdE2DrSWq5XWls7rPyabrlECNlaZVqEDIBorfCnn6smMNqUt53M2Q6u4pAaUSS279f1jn-pSYecqAB1_1KuDySdjzmOl-r56LddNiIoO3Gf9OWRZ_CqiUMbGfel1d5k/s320/Todd%20Rundgren%20-%20Photo%202.jpg" width="217" /></a></div><br />project, all four members of Utopia wrote, sang, produced and performed on their albums; "Set Me Free", for example, was written and sung by Sulton. The group broke up in 1986, but reunited briefly in 1992. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0DQRSTfioVK8KL1zd3GkAEa7OVoY5YqzaEzqaM-HtGgFifAl1lbTW6tljRtkgJuMjNS06tkhc06arYKt09NgwYDLrpoQ3kzxXSLkddzO6JpUeQXfOrkAOSM5PdMCSsl5RjVUX3v6w3_a1QmO62X7F85DLlg5cWhyphenhypheni1J5m_ajQWsf_8T4B8TJAwKf9MNA/s800/Utopia%20-%20Photo%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="800" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0DQRSTfioVK8KL1zd3GkAEa7OVoY5YqzaEzqaM-HtGgFifAl1lbTW6tljRtkgJuMjNS06tkhc06arYKt09NgwYDLrpoQ3kzxXSLkddzO6JpUeQXfOrkAOSM5PdMCSsl5RjVUX3v6w3_a1QmO62X7F85DLlg5cWhyphenhypheni1J5m_ajQWsf_8T4B8TJAwKf9MNA/w400-h264/Utopia%20-%20Photo%201.jpg" width="400" /></a></div><br />In 2011 the earlier prog-rock incarnation known as Todd Rundgren's Utopia was revived for a series of <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr72ofdMMtD-F5HCGCUoCCHuxbfHHgNNq-8S1jowBwK7tJhhse0v8C2CGlXmzh8MPANUtA6o1MPMDAK_lUONwQoz-JKvLMdCiZOUYj3DNr7LXo-iWc0Fn7LINaaTEpS6iafQ2960WDe4-3R0UX6D_s_s-bJ6B81htP5VwAAVK95bl7sd-Kq9FPFfOkC20/s606/Utopia%20-%20Photo%2014.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="490" data-original-width="606" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr72ofdMMtD-F5HCGCUoCCHuxbfHHgNNq-8S1jowBwK7tJhhse0v8C2CGlXmzh8MPANUtA6o1MPMDAK_lUONwQoz-JKvLMdCiZOUYj3DNr7LXo-iWc0Fn7LINaaTEpS6iafQ2960WDe4-3R0UX6D_s_s-bJ6B81htP5VwAAVK95bl7sd-Kq9FPFfOkC20/s320/Utopia%20-%20Photo%2014.jpg" width="320" /></a></div><br />live shows. In 2018 Rundgren, Sulton, and Wilcox reunited for a tour with new keyboardist Gil Assayas under the moniker Todd Rundgren's Utopia.<br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7JxNpTFm86qkqJ1CEORCmdXbHQtStq9QCgYo2IxcxsOt48D8mOeAS8vJsTnQ8KoKhOH5vW22Ec3qRGJXhpLxHbvBfUlmOashFQbvY-wDXPqG75WUAu7aWIUN8Hkz4KMtrsFyw73bEPTBEz-WlV61m1HLI5mdojFUr3xyRHWp7Q8nyEpm39i6Zs4cuhcU/s800/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20The%20Complete%20Recordings%201974-1982%20-%20Back%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="800" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7JxNpTFm86qkqJ1CEORCmdXbHQtStq9QCgYo2IxcxsOt48D8mOeAS8vJsTnQ8KoKhOH5vW22Ec3qRGJXhpLxHbvBfUlmOashFQbvY-wDXPqG75WUAu7aWIUN8Hkz4KMtrsFyw73bEPTBEz-WlV61m1HLI5mdojFUr3xyRHWp7Q8nyEpm39i6Zs4cuhcU/w400-h353/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20The%20Complete%20Recordings%201974-1982%20-%20Back%20Cover.jpg" width="400" /></a></div><br /><p></p><p style="text-align: center;"><b>Utopia – The Road To Utopia: The Complete Recordings 1974-82<br />Label: Friday Music – FRM-71974<br />Format: 7 x CD, Compilation, Box Set<br />Country: US<br />Released: 2018<br />Genre: Rock<br />Style: Prog Rock, Power Pop, Pop Rock<br /><br /><span style="font-size: large;">CD1. TODD RUNDGREN'S UTOPIA 1974</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDO50P9gyVl954Z9KMAvXfPf0bTFiNAo4zaofG_9h-iS_mH4MQuts0mDsu_eOZaoSpYoL8p83FptybKhvN6Rqko9-h5C0gWrrEh6ieD4yNr0VzW2CFqRHyi5ZA-6t0woZ1Vv1zp04PisMj2N9BIAikeaahmzUYmkklX1udvBEA6gXdg2QFdLrI9jWXuwQ/s800/Todd%20Rundgren's%20Utopia%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDO50P9gyVl954Z9KMAvXfPf0bTFiNAo4zaofG_9h-iS_mH4MQuts0mDsu_eOZaoSpYoL8p83FptybKhvN6Rqko9-h5C0gWrrEh6ieD4yNr0VzW2CFqRHyi5ZA-6t0woZ1Vv1zp04PisMj2N9BIAikeaahmzUYmkklX1udvBEA6gXdg2QFdLrI9jWXuwQ/w400-h400/Todd%20Rundgren's%20Utopia%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Todd Rundgren's Utopia is the debut album by the American rock band Utopia, released in October 1974 on Bearsville Records. The band was formed in 1973 by musician, songwriter, and producer Todd <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54TSjjpWh-eu_7p7UvFmRmkacspG37DYT_CXzuLRzbtR4-Yxmb1S5t_X57eOMBv5X1O9KQBl3cV9oUq-zIYHdoz6jajVz15BILa4IGMVftkFXH73Gr2WtGdv5LXpD5_NWyBjRiQrRNe0Dpf1j2QCkF6s3A2rYA3whz6HK0EiIm_sRCbBe00Zz7XE41TM/s642/Utopia%20-%20Art%204.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54TSjjpWh-eu_7p7UvFmRmkacspG37DYT_CXzuLRzbtR4-Yxmb1S5t_X57eOMBv5X1O9KQBl3cV9oUq-zIYHdoz6jajVz15BILa4IGMVftkFXH73Gr2WtGdv5LXpD5_NWyBjRiQrRNe0Dpf1j2QCkF6s3A2rYA3whz6HK0EiIm_sRCbBe00Zz7XE41TM/s320/Utopia%20-%20Art%204.jpg" width="319" /></a></div><br />Rundgren who decided to expand his musical style by moving from pop-oriented rock towards progressive rock. He assembled a six-piece group that featured three keyboardists and toured as a live act. Most of the album was recorded in the studio except "Utopia", the opening track, which was recorded live in concert November 3rd,1973. The album peaked at number 34 on the Billboard 200 and critical reaction towards it was mixed.<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaFdKScovB8fVaVBO0jpuaUxbHi-_laNjfv_ReJTXUILlKCVMEKw5JMgEBljWBQeKsDp_IXJSPv8eqVYSIa9gFwZjDla3dASn7yg6ujU1t0PVotZ6B7z3oLRZF7UPOkrxHGXNW9o0uwIw9N_u3kc1F2Rg9mtC_NWHLJm5nbAIcsW4xgOXgBSEgHHd7cgo/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgrens%20Utopia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="439" data-original-width="1024" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaFdKScovB8fVaVBO0jpuaUxbHi-_laNjfv_ReJTXUILlKCVMEKw5JMgEBljWBQeKsDp_IXJSPv8eqVYSIa9gFwZjDla3dASn7yg6ujU1t0PVotZ6B7z3oLRZF7UPOkrxHGXNW9o0uwIw9N_u3kc1F2Rg9mtC_NWHLJm5nbAIcsW4xgOXgBSEgHHd7cgo/w400-h171/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgrens%20Utopia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Utopia Theme<br /><b>02.</b> Freak Parade<br /><b>03. </b>Freedom Fighters<br /><b>04.</b> The Ikon<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK </span></b> <br /></p><p> <br /><b>05.</b> Do Ya (Alternate Take)<br /></p><p style="text-align: left;"><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/WcBRiTCS#q706CfBA6wP-JNxYpFNShJKGHJL733R57XHxEKmiDKY">Flac Size: 453 MB</a></b><br /><br /><span style="font-size: large;"><b>CD2. ANOTHER LIVE 1975 </b> </span><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBDQbsgxeftnVHcgaabvtz7H2spVuP7TAeqOG6sBJ4qmVoEE2wS260ablXzSnfZt8lqf1CmbS6L10fisNGkEKaXuC8Hfqiut7XaZQDhiA1g_X32kV8PDB0bljBkzARxlbTTreGNAKkeyLpR6bpb5VOuEq_MYh7oMDdxbkgmVwj3IaDhEf6FNVSNxC0SI/s841/Todd%20Rundgren's%20Utopia%20-%20Another%20Live%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="841" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoBDQbsgxeftnVHcgaabvtz7H2spVuP7TAeqOG6sBJ4qmVoEE2wS260ablXzSnfZt8lqf1CmbS6L10fisNGkEKaXuC8Hfqiut7XaZQDhiA1g_X32kV8PDB0bljBkzARxlbTTreGNAKkeyLpR6bpb5VOuEq_MYh7oMDdxbkgmVwj3IaDhEf6FNVSNxC0SI/w380-h400/Todd%20Rundgren's%20Utopia%20-%20Another%20Live%20-%20Front%20Cover.jpg" width="380" /></a></div><br />Another Live is a live album by the progressive rock band Utopia. It was recorded in August 1975 and released in 1975 on Bearsville. The record was the band's first fully live album, the first Utopia album to include future mainstays Powell and Wilcox, and the last to feature Schuckett and Klingman. The trio of backing singers Arnold McCuller, David Lasley and Phil Ballou were also new to the group and <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixV0iZMhB59_BimuwsGZ7to0r-RoqubulYI6UToN5HMOeuyxIh2Q9vYP06n-iutAQvdLp9UveLpAMQw_wjUeEGXUDsa3oOY7L2ZigPpJ6Uw-ESS6K3ow6yEn38yIb4DaBslFvVHoMhdcttiEm099F3m1nzWEHkKNmjeqpKf_0ue794Ys-e8dvnQc0lcqU/s613/Utopia%20-%20Art%207.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="407" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixV0iZMhB59_BimuwsGZ7to0r-RoqubulYI6UToN5HMOeuyxIh2Q9vYP06n-iutAQvdLp9UveLpAMQw_wjUeEGXUDsa3oOY7L2ZigPpJ6Uw-ESS6K3ow6yEn38yIb4DaBslFvVHoMhdcttiEm099F3m1nzWEHkKNmjeqpKf_0ue794Ys-e8dvnQc0lcqU/s320/Utopia%20-%20Art%207.jpg" width="212" /></a></div><br />toured the summer tour, being replaced that September with future star Luther Vandross and Anthony Hinton, who had toured the UK with Utopia later that year. Side one contains three new songs that had not been previously issued, and which were either never recorded or not released as studio versions. (Live 1975 versions of Powell's "Mister Triscuits" and Rundgren's "The Wheel" can also be heard on the album Todd Rundgren's Utopia Live at Hammersmith Odeon '75). (Shout Music, 2012). Side two is a mix of live cover versions of songs by band members and other artists. Jeff Lynne's "Do Ya" was a B-side to The Move's "California Man" single (1972) which had a double-track B-side also featuring the song "Ella James". <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD4F67wKPfxKOf5CY295_n2VhQc8LTPfamaD0EtrWUKN57d25CxtHalSIO3LfsdsPsGWevCub253GGmrCFX3OSuL09S8FNWfPZbghp0hiuZwNpcwXbRU70l7FNk8kYRVkTY-YCkNjbRSWdLyAmlDvLvrI45_zQ_GuCB_qQxgUYDJytf9lAcleTQP-hsik/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgren's%20Utopia%20-%20Another%20Live%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="442" data-original-width="1024" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD4F67wKPfxKOf5CY295_n2VhQc8LTPfamaD0EtrWUKN57d25CxtHalSIO3LfsdsPsGWevCub253GGmrCFX3OSuL09S8FNWfPZbghp0hiuZwNpcwXbRU70l7FNk8kYRVkTY-YCkNjbRSWdLyAmlDvLvrI45_zQ_GuCB_qQxgUYDJytf9lAcleTQP-hsik/w400-h173/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgren's%20Utopia%20-%20Another%20Live%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><b>01. </b>Another Life<br /><b>02.</b> The Wheel<br /><b>03.</b> The Seven Rays<br /><b>04. </b>Intro / Mister Triscuits<br /><b>05.</b> Something's Cool<br /><b>06.</b> Heavy Metal Kids<br /><b>07.</b> Do Ya<br /><b>08. </b>Just One Victory<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK </span></b> <br /></p><p> <br /><b>09.</b> Open My Eyes (Live)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/OEJGmTLK#sK1VyWPEDcnRL9haFipy6AzCES3yrZsKQM0KAQyfTLo">Flac Size: 368 MB</a><br /><br /><span style="font-size: large;">CD3. RA 1976</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibPTkFKi6ol9CyGYhEauNKqKLJDYPJCpgcVFPw9jvrpRlpMCgp5VNv2rvWl4MdHSon1wH6XvT8Bsd_n5i31yuhI2kszkpUBU83CxCSir7W7nx61wejXV6oE-3leLJ24a0u62SPk00R6y4Qj9kLHiO911nnWeHPvNXR3PvkhCWRdcSDWujhUJjXrpVvGao/s834/Utopia%20-%20RA%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="834" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibPTkFKi6ol9CyGYhEauNKqKLJDYPJCpgcVFPw9jvrpRlpMCgp5VNv2rvWl4MdHSon1wH6XvT8Bsd_n5i31yuhI2kszkpUBU83CxCSir7W7nx61wejXV6oE-3leLJ24a0u62SPk00R6y4Qj9kLHiO911nnWeHPvNXR3PvkhCWRdcSDWujhUJjXrpVvGao/w384-h400/Utopia%20-%20RA%20-%20Front%20Cover.jpg" width="384" /></a></div><br />Ra is the second studio album and third release by Utopia on Bearsville Records, released in 1977. Band leader Todd Rundgren planned on releasing the LP in 1976 on his own label, Ethereal Records, as <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjisd6hv_2K2MOiHkMuOxIgNPssF72Dtb2zKUIr77cFr06NRr4X6F1hDf-fO2cpbj8blZ7_46IC84zyt2JXUbHFdBfP2FORp00ZTOeTbCGu9HrDEmoAmRXfb6-_6sFo3hnYIYSHejuUHEYzvDEA02_D9qd5I2bjSgHED3lpGgYG-BojSqFCxCbUBxyNZNs/s800/Utopia%20-%20Art%208.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="800" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjisd6hv_2K2MOiHkMuOxIgNPssF72Dtb2zKUIr77cFr06NRr4X6F1hDf-fO2cpbj8blZ7_46IC84zyt2JXUbHFdBfP2FORp00ZTOeTbCGu9HrDEmoAmRXfb6-_6sFo3hnYIYSHejuUHEYzvDEA02_D9qd5I2bjSgHED3lpGgYG-BojSqFCxCbUBxyNZNs/s320/Utopia%20-%20Art%208.jpg" width="320" /></a></div><br />the new four-piece line up was not signed to Bearsville. Replete with an elaborate $250,000 stage show featuring a 22-foot-tall (6.7 m) pyramid and golden sphinx which took 18 months of prep, Ra was Rundgren's most ambitious live undertaking. The cornerstone of the album and show is "Singring and the Glass Guitar," which comprises solos by each band member battling the elements: water (drums), wind (bass), fire (keyboards), and earth (guitar). The album was modestly successful, peaking the Billboard Top 200 at #79. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPxuSt2Z8QOnqfXQ9L-3FiNOiVNV-INMvc22wU3lV2OkBGEqbP3KWI_3tIN1vTEoH46TtC0s7l4STqwaT866d1-b5y35C6z8BdebaXMzoXSrc0nfu-8fHrHwiJQsggN_FrMkNxrHD4IgtrZUiPrti0xyCy7Sq6DubcrE6LAHDaJ88vFctp6xODb2dxvYk/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgren's%20Utopia%20-%20RA%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="439" data-original-width="1024" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPxuSt2Z8QOnqfXQ9L-3FiNOiVNV-INMvc22wU3lV2OkBGEqbP3KWI_3tIN1vTEoH46TtC0s7l4STqwaT866d1-b5y35C6z8BdebaXMzoXSrc0nfu-8fHrHwiJQsggN_FrMkNxrHD4IgtrZUiPrti0xyCy7Sq6DubcrE6LAHDaJ88vFctp6xODb2dxvYk/w400-h171/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Todd%20Rundgren's%20Utopia%20-%20RA%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div> <br /><b>01.</b> Overture: Mountaintop And Sunrise / Communion With The Sun<br /><b>02.</b> Magic Dragon Theatre<br /><b>03. </b>Jealousy<br /><b>04.</b> Eternal Love<br /><b>05. </b>Sunburst Finish<br /><b>06.</b> Hiroshima<br /><b>07. </b>Singring And The Glass Guitar (An Electrified Fairytale)<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK </span></b> <br /></p><p> <br /><b>08. </b>Communion With The Sun (Mono Promo Single Mix)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/CZZTRapY#GvmmQqVVgeF8IY22ncS7xobILtbUfidcQoUn7WgRolo">Flac Size: 391 MB</a><br /><br /><span style="font-size: large;">CD4. OOPS! WRONG PLANET 1977</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3aqfrlxdB-6D7JHhAGOaQqm37h7TElrJwofjSVhl4dYweinw_ZZuwjEC5lbJ0rb_n4yKsO8U49AGQzWtUUzGtUqCT8x7G1fHDedaczZIshgUHiwX1YU83Rflh6Seg2TFxPJS_TXbe5uMdaWgZStpBswq8eKK98v3_S-iAJV0VB7F2lLRHKVAZ0YaaA9o/s800/Utopia%20-%20Oops!%20Wrong%20Planet%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3aqfrlxdB-6D7JHhAGOaQqm37h7TElrJwofjSVhl4dYweinw_ZZuwjEC5lbJ0rb_n4yKsO8U49AGQzWtUUzGtUqCT8x7G1fHDedaczZIshgUHiwX1YU83Rflh6Seg2TFxPJS_TXbe5uMdaWgZStpBswq8eKK98v3_S-iAJV0VB7F2lLRHKVAZ0YaaA9o/w400-h400/Utopia%20-%20Oops!%20Wrong%20Planet%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Oops! Wrong Planet is the third studio album by American rock band Utopia. It delivers a markedly <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcZtWbGAmxV-Kwb42lPw2WwHWB_3q9aj9eh6Tkyi9J0_kTDZMe7pC4W4kfYIfl_A_5KzbemuFoIJXw4pP4TEVpqMUSKFyHt93H7clTt7mXrEy8ATBMXGhy4OlHzbjW4UOCTX09x7l7o-x-sTvdfwas9F6n6SjqAnJJqgUUV2gWuq7g1XkX9nTlVPzT1Pc/s800/Utopia%20-%20Art%201.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="464" data-original-width="800" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcZtWbGAmxV-Kwb42lPw2WwHWB_3q9aj9eh6Tkyi9J0_kTDZMe7pC4W4kfYIfl_A_5KzbemuFoIJXw4pP4TEVpqMUSKFyHt93H7clTt7mXrEy8ATBMXGhy4OlHzbjW4UOCTX09x7l7o-x-sTvdfwas9F6n6SjqAnJJqgUUV2gWuq7g1XkX9nTlVPzT1Pc/s320/Utopia%20-%20Art%201.jpg" width="320" /></a></div><br />trimmed down, pop-oriented direction for the band following the progressively influenced previous album, Ra.<br />Oops! peaked at #77 on the Billboard album chart in 1977. "Love is the Answer" later became a hit for England Dan & John Ford Coley, charting #1 on the Billboard Adult Contemporary list in 1979. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcsaEQ5fhyltesJXkjCMKAPCltUUoOumHJYWWvO6EpGjPT-udrU1j95jluuqQSwpGXW144HKREX6aixGvkopV8Q9WgYFUqd1yHVSKVH1Y9mToPf8pu8YlpNwQseBTvK9K_-xJSqJi0DEsfPsy4IDiIesRcwseFPoHL29neq9cEGpcFvCkNqrd0Xj_0QFM/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Oops!%20Wrong%20Planet%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="443" data-original-width="1024" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcsaEQ5fhyltesJXkjCMKAPCltUUoOumHJYWWvO6EpGjPT-udrU1j95jluuqQSwpGXW144HKREX6aixGvkopV8Q9WgYFUqd1yHVSKVH1Y9mToPf8pu8YlpNwQseBTvK9K_-xJSqJi0DEsfPsy4IDiIesRcwseFPoHL29neq9cEGpcFvCkNqrd0Xj_0QFM/w400-h173/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Oops!%20Wrong%20Planet%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> Trapped<br /><b>02. </b>Windows<br /><b>03. </b>Love In Action<br /><b>04.</b> Crazy Lady Blue<br /><b>05. </b>Back On The Street<br /><b>06. </b>Marriage Of Heaven And Hell<br /><b>07.</b> The Martyr<br /><b>08. </b>Abandon City<br /><b>09.</b> Gangrene<br /><b>10. </b>My Angel<br /><b>11.</b> Rape Of The Young<br /><b>12.</b> Love Is The Answer<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK </span></b> <br /></p><p> <br /><b>13.</b> Love Is The Answer (Mono Promo Single Mix)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/qEZXkQjb#hkdT_ZDOcEXeU7bjmuhc821yP8xjvqqQQwC3DHOPNo0">Flac Size: 340 MB</a><br /><br /><span style="font-size: large;">CD5. ADVENTURES IN UTOPIA 1980 </span></b><span style="font-size: large;"> </span> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZxMfti7vcAB4tlhxJJGF7ZCE0kBMH2qJIZw23QIrbS1PMSu8xj8IksO-h9g_iah7Kl8HsH1hsjX9PYB5y52b1akzTZQ7WFJyQmxqXHA5RQOsHfttYmX7NfFEvOT2S2TDKpFIFv3ztqGMBnAH_poce2OArGa48AkbJ-HSPz3sBa2XI7lSXwK3U0n6CZXk/s800/Utopia%20-%20Adventures%20In%20Utopia%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZxMfti7vcAB4tlhxJJGF7ZCE0kBMH2qJIZw23QIrbS1PMSu8xj8IksO-h9g_iah7Kl8HsH1hsjX9PYB5y52b1akzTZQ7WFJyQmxqXHA5RQOsHfttYmX7NfFEvOT2S2TDKpFIFv3ztqGMBnAH_poce2OArGa48AkbJ-HSPz3sBa2XI7lSXwK3U0n6CZXk/w400-h400/Utopia%20-%20Adventures%20In%20Utopia%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Adventures in Utopia is the fourth studio album by Utopia. Mixing their earlier progressive rock style with mainstream rock, pop and disco music, Adventures in Utopia achieved success both with the band's established fan base and wider commercial success, with the track "Set Me Free" released as a <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic52k73rp6ChS4ShiWMjbDEO_EvZT8TYlO2s3bP8S83L83_bjEyWy81O7jqvH7lH4mf8ohUpSfGM1VcfXNxacJbbviHuB0Rcc2BygXsV5vRo-O9AHiy0wDH6lZ4UvtLurguGIJomWeciYgAMorfXhxtrhRjStacavzyNjo0BBjlVri91pNm0r86hvupts/s820/Utopia%20-%20Art%206.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="613" data-original-width="820" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic52k73rp6ChS4ShiWMjbDEO_EvZT8TYlO2s3bP8S83L83_bjEyWy81O7jqvH7lH4mf8ohUpSfGM1VcfXNxacJbbviHuB0Rcc2BygXsV5vRo-O9AHiy0wDH6lZ4UvtLurguGIJomWeciYgAMorfXhxtrhRjStacavzyNjo0BBjlVri91pNm0r86hvupts/s320/Utopia%20-%20Art%206.jpg" width="320" /></a></div><br />single. The song became the only Top 40 single for Utopia in the United States. "Umbrella Man" was its B-side. The by-then established Utopia line-up of Todd Rundgren, Kasim Sulton, Roger Powell and John "Willie" Wilcox wrote, performed and produced the album on their own. According to Rundgren, the album was intended to be the soundtrack for a TV show the band was working on. Even though the album was recorded in a place with video equipment, they never got around to writing or producing the TV pilot. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaXXVFle1huVDQq35HjuxTcgPGA9Oz81cDvAPYWjMGmLs9Srj_LpCKmfKHQ_4aQicixZncHEAou02AJfMjTvPyRT_zGT2uB4lONz0SgziawswA1jnAm4Zm1Xox88vIFSl9m5ZQF0CVDkaxNC65XxfyncVY_qbuOQuz7W6BbH9pGtD7Tqp9cYVSrz6fypY/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Adventures%20In%20Utopia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="439" data-original-width="1024" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaXXVFle1huVDQq35HjuxTcgPGA9Oz81cDvAPYWjMGmLs9Srj_LpCKmfKHQ_4aQicixZncHEAou02AJfMjTvPyRT_zGT2uB4lONz0SgziawswA1jnAm4Zm1Xox88vIFSl9m5ZQF0CVDkaxNC65XxfyncVY_qbuOQuz7W6BbH9pGtD7Tqp9cYVSrz6fypY/w400-h171/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Adventures%20In%20Utopia%20-%20Front%20&%20Back%20Inside%20Cover.jpg" width="400" /></a></div><br /><b>01.</b> The Road To Utopia<br /><b>02.</b> You Make Me Crazy<br /><b>03.</b> Second Nature<br /><b>04.</b> Set Me Free<br /><b>05. </b>Caravan<br /><b>06.</b> Last Of The New Wave Riders<br /><b>07.</b> Shot In The Dark<br /><b>08. </b>The Very Last Time<br /><b>09.</b> Love Alone<br /><b>10. </b>Rock Love<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS </span></b> <br /></p><p> <br /><b>11.</b> Umbrella Man<br /><b>12. </b>Set Me Free (Mono Promo Single Mix)<br /><b>13. </b>Second Nature (Mono Promo Single Mix)<br /><b>14. </b>The Very Last Time (Edit) (Mono Promo Single Mix)<br /><b>15.</b> Anyhow Anyway Anywhere (Live)<br /><b>16.</b> 96 Tears (Live)<br /><b>17.</b> Just One Victory (Live)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/fZAG1Toa#Ge1-UCl_RpytF-UxUz1wDBirLJr15XrTgtJZE2DRhNA">Flac Size: 474 MB</a><br /><br /><span style="font-size: large;">CD6. DEFACE THE MUSIC 1980<br /></span></b></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfOndGvm1JCNoXmk1doGMeQh1Toj2pRMlyimE5xMQzKktXr7uLR0Q8qHiBrMj4ze89LJrSDeLAvXNqkby9qtOGGhmYMGopa7jtTMlYi4i24jUXo_o3wBoO_vleJyPDGjKJxOYrJ3DiNJO1xGdiwP_gEM3CcOReAi-VsUv612u4rXxJ67go3wI8rROFHVg/s800/Utopia%20-%20Deface%20The%20Music%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfOndGvm1JCNoXmk1doGMeQh1Toj2pRMlyimE5xMQzKktXr7uLR0Q8qHiBrMj4ze89LJrSDeLAvXNqkby9qtOGGhmYMGopa7jtTMlYi4i24jUXo_o3wBoO_vleJyPDGjKJxOYrJ3DiNJO1xGdiwP_gEM3CcOReAi-VsUv612u4rXxJ67go3wI8rROFHVg/w400-h400/Utopia%20-%20Deface%20The%20Music%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to the Beatles and create songs which sounded very similar to the Fab Four's tunes throughout <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGIcb0zH32VqXPxaKHhdAumt_ADGD4khXwx2jIzyzwWaXS7wG7qTqIRbWVi1NbIUqC3PTV9mcJZsdzF7kuvdhLXqh-JV6a4K0rIHSKgQcreUoHGgY33mR87R7Nf8l53_qHPuS-ph_DLyI6k4To1277_AqKdOsIcb0mp1NJAHOfmvaETB4vJVLeFITd5fw/s925/Uopia%20-%20Art%203.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="611" data-original-width="925" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGIcb0zH32VqXPxaKHhdAumt_ADGD4khXwx2jIzyzwWaXS7wG7qTqIRbWVi1NbIUqC3PTV9mcJZsdzF7kuvdhLXqh-JV6a4K0rIHSKgQcreUoHGgY33mR87R7Nf8l53_qHPuS-ph_DLyI6k4To1277_AqKdOsIcb0mp1NJAHOfmvaETB4vJVLeFITd5fw/s320/Uopia%20-%20Art%203.jpg" width="320" /></a></div><br />the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper". The first track, "I Just Want to Touch You", was written by Todd Rundgren for the Roadie soundtrack. It was rejected by the movie's producers for fear of legal action because it sounded so much like the Beatles. The original pressing was made to look like an early 1960s Beatles release, with custom inner sleeve advertising their previous three albums even down to the way the vinyl was mastered with wide bands of silence between each song. <br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b> <br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWzLhOQ5jwnGHXI2vCnP6QjKZMVUJC-YxzkS2afj0oCykCaWLDWlGWJwfocY4igbQdD4_FMvdS9F5P8zvwPV4x96Ns89FI9jHj5Gj69Conbkptj0OQ0apvighyDrnuayuL-PKFsVd6d4jOVzCVKL2Z7RCkGcaq4lrMiwB_uLq4GWewaKIr_AqWYp_UbhY/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Deface%20The%20Music%20-%20Front%20&%20Back%20Inside%20Cover%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="1024" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWzLhOQ5jwnGHXI2vCnP6QjKZMVUJC-YxzkS2afj0oCykCaWLDWlGWJwfocY4igbQdD4_FMvdS9F5P8zvwPV4x96Ns89FI9jHj5Gj69Conbkptj0OQ0apvighyDrnuayuL-PKFsVd6d4jOVzCVKL2Z7RCkGcaq4lrMiwB_uLq4GWewaKIr_AqWYp_UbhY/w400-h173/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Deface%20The%20Music%20-%20Front%20&%20Back%20Inside%20Cover%20.jpg" width="400" /></a></div> <br /><b>01.</b> I Just Want To Touch You<br /><b>02. </b>Crystal Ball<br /><b>03.</b> Where Does The World Go To Hide<br /><b>04. </b>Silly Boy<br /><b>05. </b>Alone<br /><b>06. </b>That's Not Right<br /><b>07.</b> Take It Home<br /><b>08.</b> Hoi Poloi<br /><b>09. </b>Life Goes On<br /><b>10.</b> Feel Too Good<br /><b>11.</b> Always Late<br /><b>12.</b> All Smiles<br /><b>13. </b>Everybody Else Is Wrong<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACK </span></b> <br /></p><p> <br /><b>14.</b> I Just Want To Touch You (Mono Promo Single Mix)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/GJRVHISC#hlW5rEMWqrRJPZCbr_VUnpH1d2MH0goAaVDhy4dzUBo">Flac Size: 245 MB</a><br /><br /><span style="font-size: large;">CD 7. SWING TO THE RIGHT 1982</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusIQnVJqf9lkIrMOlYXfC-1JR1AxnMlM_vzJhlTXe6GxJjRCZdf0jBgNwF9iXg1CdG2p9gnChdt-KZhi3FQ7ZvzFJp7aVQYf9bcDlLVKwUXTiZyqvwd1pRLCi7xASIsARM0l4ThCduc-PJBqrKz_tOpbtGRv6ZUkYNyl7LXzyG7PLpnpMdMTD7TZDUug/s800/Utopia%20-%20Swing%20The%20Right%20-%20Front%20Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="795" data-original-width="800" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusIQnVJqf9lkIrMOlYXfC-1JR1AxnMlM_vzJhlTXe6GxJjRCZdf0jBgNwF9iXg1CdG2p9gnChdt-KZhi3FQ7ZvzFJp7aVQYf9bcDlLVKwUXTiZyqvwd1pRLCi7xASIsARM0l4ThCduc-PJBqrKz_tOpbtGRv6ZUkYNyl7LXzyG7PLpnpMdMTD7TZDUug/w400-h398/Utopia%20-%20Swing%20The%20Right%20-%20Front%20Cover.jpg" width="400" /></a></div><br />Swing to the Right is the sixth studio album by Utopia. It followed the Beatles parody-homage Deface the Music. Swing to the Right moves into hard-edged commentary on corporate raiders, warmongers, <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSJmmC_lnznHtR2QIshnoexCGaI8Ml6ObTkGPYI30CINivAOF9N6IH0svUKaNIuJ-fmMfZa3ov5WNj_XpnoZeWbfijdu3H5xx8bLpvV7NSxR3lOWdW5GITibYNc4wI6oGEzILQnmm2eud9vg2N-dpqN44gQ9rxPcN2nu4J3vIiioUSpYChXIL688fUZtA/s1104/Utopia%20-%20Art%205.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1104" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSJmmC_lnznHtR2QIshnoexCGaI8Ml6ObTkGPYI30CINivAOF9N6IH0svUKaNIuJ-fmMfZa3ov5WNj_XpnoZeWbfijdu3H5xx8bLpvV7NSxR3lOWdW5GITibYNc4wI6oGEzILQnmm2eud9vg2N-dpqN44gQ9rxPcN2nu4J3vIiioUSpYChXIL688fUZtA/s320/Utopia%20-%20Art%205.jpg" width="186" /></a></div><br />political villains, and despicable music industry moguls. There is little in the way of progressive rock on this album, which is limited to its title track. Recorded in winter 1981 and set for release that June, Bearsville Records was reluctant to release the album because of its political and religious themes. In protest Utopia took this material on the road for a full year begging audiences to petition Bearsville Records execs to release it, even going as far as giving out the phone number and address of Bearsville Records and instructing audiences to ask for Albert Grossman.<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">TRACKS </span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOhfrqOLVtAQkU5YtT4udrezTmsSKHa8w6k2YgGIkdBAvfrDFNKal1k4-uc1uWY6hIH1EHSc_5m1WNvhQrxU0-M8Ndq6w5k6MzIcaLiITrbwb7VYNy5s78_PAwlGfoPLlUh6f-eQedShZySCSGoioGTJ_Pn481dP3oP1fK2w4Vx7861bhEP89LhsVzZNs/s1024/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Swing%20To%20The%20Right%20-%20Inside%20Cover%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="442" data-original-width="1024" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOhfrqOLVtAQkU5YtT4udrezTmsSKHa8w6k2YgGIkdBAvfrDFNKal1k4-uc1uWY6hIH1EHSc_5m1WNvhQrxU0-M8Ndq6w5k6MzIcaLiITrbwb7VYNy5s78_PAwlGfoPLlUh6f-eQedShZySCSGoioGTJ_Pn481dP3oP1fK2w4Vx7861bhEP89LhsVzZNs/w400-h173/Utopia%20-%202018%20-%20The%20Road%20To%20Utopia%20-%20Utopia%20-%20Swing%20To%20The%20Right%20-%20Inside%20Cover%201.jpg" width="400" /></a></div> <br /><b>01. </b>Swing To The Right<br /><b>02. </b>Lysistrata<br /><b>03.</b> The Up<br /><b>04.</b> Junk Rock (Million Monkeys)<br /><b>05.</b> Shinola<br /><b>06.</b> For The Love Of Money<br /><b>07. </b>Last Dollar On Earth<br /><b>08. </b>Fahrenheit 451<br /><b>09.</b> Only Human<br /><b>10.</b> One World<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">BONUS TRACKS </span></b> <br /></p><p> <br /><b>11. </b>Special Interest<br /><b>12.</b> Lysistrata (Mono Promo Single Mix)<br /><b>13. </b>One World (Mono Promo Single Mix)<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/mMA0wAZK#aJECsYy-hvuCXVL6N34H9KqofB_HlPPmytHN-ixfnII">Flac Size: 332 MB</a></b></p>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com23tag:blogger.com,1999:blog-8270002232971427483.post-37896346949655741812024-02-07T10:17:00.000+02:002024-02-07T10:17:22.759+02:00Various: Highs In The Mid Sixties Vol. 11. - 12. - 13. - 14. - 15. - 16.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1vArZpF7LiqNJaNU8HVwgLslNdPcKmwXrdmtCU1KaCl_VPsLwWO5u6pAJFUt3tNUv28_tf9LT07-jDM5C1hmOpCMxAGqrqiKYKlW_AKyMj_x30MFhyphenhyphen9JtEvgTYXC-vJdgxXpMkIztilQx6aCqNPuzudltJLfOrGAF9gtQ3mw2RBr2lx4he-N3xL21sVc/s800/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="800" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1vArZpF7LiqNJaNU8HVwgLslNdPcKmwXrdmtCU1KaCl_VPsLwWO5u6pAJFUt3tNUv28_tf9LT07-jDM5C1hmOpCMxAGqrqiKYKlW_AKyMj_x30MFhyphenhyphen9JtEvgTYXC-vJdgxXpMkIztilQx6aCqNPuzudltJLfOrGAF9gtQ3mw2RBr2lx4he-N3xL21sVc/w400-h155/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%203.jpg" width="400" /></a></div> <p></p><p>Highs in the Mid-Sixties were a series of compilation albums released in the mid 1980s on AIP Records developed by Greg Shaw. The series was spun off of the similar Pebbles series. Each volume focuses on a specific geographical region.<br /> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMboWKsyfIYykcZylE2TkXS9gSsy8AUhidl62faZyJuMwRd_62-CL2N3IJ_t_3THufZ_5hy2q5aLTkbkn3XE6ZsvXwNVmQCp5geOp7N2Ven4szUOck_1_3dSbTIIFjSV4MSwx7sUlmr5RPqt5rqIME5V4WpT-xinFs9KahY6Oj-JxdyT-Od56GhoGyW9M/s1024/Garage%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="626" data-original-width="1024" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMboWKsyfIYykcZylE2TkXS9gSsy8AUhidl62faZyJuMwRd_62-CL2N3IJ_t_3THufZ_5hy2q5aLTkbkn3XE6ZsvXwNVmQCp5geOp7N2Ven4szUOck_1_3dSbTIIFjSV4MSwx7sUlmr5RPqt5rqIME5V4WpT-xinFs9KahY6Oj-JxdyT-Od56GhoGyW9M/w400-h245/Garage%201.jpg" width="400" /></a></div><br />The Highs in the Mid-Sixties series is a group of 23 compilation albums of garage rock and psychedelic <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW89XqMuhHbqfmtMq8wVFxdmmUSUus2nwo48mHcpYB0_ZuBr8eIC9amwa5uSvJb-gfXVO3S9un8vtI1GWOQM9jW29Aexa2J1UdeK5-POxVAUZYeL7GhyphenhyphenoJPwZzODYCovDCuzDfKGjAeNIIhhe3S5trOvFQTmBcM-KR7syCpXqNCNAaNeXgF8bZEQGepnE/s450/Psyhedelic%202.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW89XqMuhHbqfmtMq8wVFxdmmUSUus2nwo48mHcpYB0_ZuBr8eIC9amwa5uSvJb-gfXVO3S9un8vtI1GWOQM9jW29Aexa2J1UdeK5-POxVAUZYeL7GhyphenhyphenoJPwZzODYCovDCuzDfKGjAeNIIhhe3S5trOvFQTmBcM-KR7syCpXqNCNAaNeXgF8bZEQGepnE/s320/Psyhedelic%202.jpg" width="320" /></a></div><br />rock recordings that were issued by AIP Records in the mid-1980s. This series is a companion to the Pebbles series of similar music; the title is technically preceded by "Pebbles Presents:". The title sounds like it might have come from a weather report, although "Highs" intends to mean "the best" (and is also an apparent drug reference), while the recordings on these albums were originally released in the mid-1960s. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKUrRpaAZMljvwVLy_8CigJbtFQs-tJeJUmX4yxNJvN3_hhlFTvcJmNzgorO-KgD9SNBinIp99qsgdm2Bk6TAbmIJtr28746tv8VLXbKZ-plkS8tpdChiG-I4SITHYaHJgEA1Oiy-_h8Ffzs6iZLvWE6h-_tXxuuM1eGq9SaRN7oVOoU13ZB7Z7dLR32M/s640/We%20Lovw%20Trash.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="440" data-original-width="640" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKUrRpaAZMljvwVLy_8CigJbtFQs-tJeJUmX4yxNJvN3_hhlFTvcJmNzgorO-KgD9SNBinIp99qsgdm2Bk6TAbmIJtr28746tv8VLXbKZ-plkS8tpdChiG-I4SITHYaHJgEA1Oiy-_h8Ffzs6iZLvWE6h-_tXxuuM1eGq9SaRN7oVOoU13ZB7Z7dLR32M/w400-h275/We%20Lovw%20Trash.jpg" width="400" /></a></div><br />Highs in the Mid-Sixties, Volume 11 (subtitled Texas) is a compilation album in the Highs in the Mid-<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Oc0oFko6RUJDcl40IizMLqA0Uu-v5ve9SoQCPNbWesLaPUlHbVxeTu-TaXgfsv_Cx2mR0kQ3STjs6Qmt8KUxyM9_JqgDqA2kuXHmB5cmAhW6xXHpJeSgtoKEl-6kKxyI9kmLGSZwpK8bsWU8FoaB-lOBh18mC4-U5eHtuCaoZWqj8SxpdX6vsgspxkQ/s550/Psyhedelic%203.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="550" data-original-width="366" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Oc0oFko6RUJDcl40IizMLqA0Uu-v5ve9SoQCPNbWesLaPUlHbVxeTu-TaXgfsv_Cx2mR0kQ3STjs6Qmt8KUxyM9_JqgDqA2kuXHmB5cmAhW6xXHpJeSgtoKEl-6kKxyI9kmLGSZwpK8bsWU8FoaB-lOBh18mC4-U5eHtuCaoZWqj8SxpdX6vsgspxkQ/s320/Psyhedelic%203.jpg" width="213" /></a></div><br />Sixties series, featuring recordings that were released in Texas. This is one of five volumes in the series that collects songs by Texas bands; the others are Highs in the Mid-Sixties, Volume 12, Highs in the Mid-Sixties, Volume 13, Highs in the Mid-Sixties, Volume 17, and Highs in the Mid-Sixties, Volume 23. <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi41iZTlHLWkq3eTkU45v7FJs5lIUL4cTSaoOUS9MnyKtNcFJCDvuXPST_4h1_ouUiOKmj-539hyphenhyphenglRdqGTAKEJ1Udv9RruULx80ZF8E-AJsmgeqdOjhdKao5-WUPy0UqzxEjWbQLAHQSTTobb0ejttP9yzjSHL2QWGdWJ6oOlUR_EOfYoOYnTOSPIEOkY/s550/Psyhedelic%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="550" data-original-width="366" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi41iZTlHLWkq3eTkU45v7FJs5lIUL4cTSaoOUS9MnyKtNcFJCDvuXPST_4h1_ouUiOKmj-539hyphenhyphenglRdqGTAKEJ1Udv9RruULx80ZF8E-AJsmgeqdOjhdKao5-WUPy0UqzxEjWbQLAHQSTTobb0ejttP9yzjSHL2QWGdWJ6oOlUR_EOfYoOYnTOSPIEOkY/w266-h400/Psyhedelic%201.jpg" width="266" /></a></div><br /><p></p><p style="text-align: center;"><b><span style="color: red;">I give you this rare collection (Of 23 Albums) in excellent sound quality (60's Original sound), but not at the highest MP3 or FLAC level, due to copyright reasons. If you really want it you can buy it!</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnv3zn5jCEAYrdwY-wDb9IkMunzVTuiXvpX8a-ZG8wtI56gz0L9VdXYsxtXtZXfzWX99Pe2m1lgivgrsmw-l9-QsVPDrYqfsKrlcqbTpflbjWihXrjXFo7rd0EPnowC0Ygon0A5LztiKyS66whxVKejXf7nvOMpW9xrTJ_G7ggD1mHm3TNQ5_JG8Z0bGo/s800/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%20Front%20Covers.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnv3zn5jCEAYrdwY-wDb9IkMunzVTuiXvpX8a-ZG8wtI56gz0L9VdXYsxtXtZXfzWX99Pe2m1lgivgrsmw-l9-QsVPDrYqfsKrlcqbTpflbjWihXrjXFo7rd0EPnowC0Ygon0A5LztiKyS66whxVKejXf7nvOMpW9xrTJ_G7ggD1mHm3TNQ5_JG8Z0bGo/w400-h266/HIGHS%20IN%20THE%20MID%20SIXTIES%20-%20Front%20Covers.jpg" width="400" /></a></div><span style="font-size: large;"><br /></span><p></p><p style="text-align: center;"><b><span style="font-size: large;">VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 11 - TEXAS PART 1</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixgNzE7SkwC3SXDMckIDeoZamQM-6I8uKIZdHOjYeObt1IomYX9etM0AgO35lTIV9iuiZ_BaDF2lJB3ONfkeTjrQzBXfn_ZF2oRrGTZdicwduum3wKt8dz4T9xDcxoDg4kLvqQ3Yl2JjemUuAzWPGEr2NaVXW4bi146_yA-5bXYfZSM2e1eGSDwQXFztI/s801/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixgNzE7SkwC3SXDMckIDeoZamQM-6I8uKIZdHOjYeObt1IomYX9etM0AgO35lTIV9iuiZ_BaDF2lJB3ONfkeTjrQzBXfn_ZF2oRrGTZdicwduum3wKt8dz4T9xDcxoDg4kLvqQ3Yl2JjemUuAzWPGEr2NaVXW4bi146_yA-5bXYfZSM2e1eGSDwQXFztI/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Front%20Cover.jpg" width="400" /></a></b></div><b><br /></b><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 11 - Texas Part 1</b><br /><b>Label: AIP Records – AIP 10019</b><br /><b>Series: Highs In The Mid Sixties – Volume 11</b><br /><b>Format: Vinyl, LP, Compilation, Unofficial Release</b><br /><b>Country: US</b><br /><b>Released: 1984</b><br /><b>Genre: Rock</b><br /><b>Style: Garage Rock</b><br /></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS43DbA7nKvyK9mXsDmnRg13nt0S6dErN6fur3hWrtNsLfvntHSZwpOMdpqay4L6sgRRSMWG1UM-DYhqFMySS9asyUxaYClVI9oyDBGnwWJW6rO0-wqYzPZZVw7O4h1pUxcVS1rdQRrJdqS8cU-vLS4-pQosbR1iE97qUgV9-NIMv8juW_RiZnd7HfPjw/s801/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS43DbA7nKvyK9mXsDmnRg13nt0S6dErN6fur3hWrtNsLfvntHSZwpOMdpqay4L6sgRRSMWG1UM-DYhqFMySS9asyUxaYClVI9oyDBGnwWJW6rO0-wqYzPZZVw7O4h1pUxcVS1rdQRrJdqS8cU-vLS4-pQosbR1iE97qUgV9-NIMv8juW_RiZnd7HfPjw/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.<br /></span></b></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUvkIxkfdKNRcu37TiUUtB_rMPTd-7cwcLSorPGZsafisHlOh2R8PNesbklt_-1nJuJgVHPUhgCzm1NOkOu-MXkeIvS2iGPBUNj46swGWvgTPzeicbmrFVj092K95d5PM0zzTYvsBt-8D3nEBUVQa0Rp2XJaeE6f-Wl36TdtFK9-UBnQbByrro779RybI/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUvkIxkfdKNRcu37TiUUtB_rMPTd-7cwcLSorPGZsafisHlOh2R8PNesbklt_-1nJuJgVHPUhgCzm1NOkOu-MXkeIvS2iGPBUNj46swGWvgTPzeicbmrFVj092K95d5PM0zzTYvsBt-8D3nEBUVQa0Rp2XJaeE6f-Wl36TdtFK9-UBnQbByrro779RybI/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Side%20A.jpg" width="400" /></a></div><b><br />A1. Larry & The Blue Notes </b>– In And Out<br /><b>A2. The Buccaneers</b> – You Got What I Want<br /><b>A3. Kit & The Outlaws</b> – Don't Tread On Me<br /><b>A4. The Chants </b>– Hypnotized<br /><b>A5. The Visions</b> – Route 66<br /><b>A6. The Esquires </b>– Judgement Day<br /><b>A7. The Four More</b> – Problem Child<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipzspD6pZXK_E3p4kg5lfhx5kVY765lec2lFiTQiiS1p1JDocg3ZI_Laaw8R46nPQnsKakOch5QkouR4251Q0vH49fR8gCmRtHwv_daWGq58nBUlSxlWv714eEcyx1QTlyehz1rA4nLzYJdf_XoFCk9iWcSHmKdM-h58yaMn_ZZuDh6j6Yk8QrWwJ81Mg/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipzspD6pZXK_E3p4kg5lfhx5kVY765lec2lFiTQiiS1p1JDocg3ZI_Laaw8R46nPQnsKakOch5QkouR4251Q0vH49fR8gCmRtHwv_daWGq58nBUlSxlWv714eEcyx1QTlyehz1rA4nLzYJdf_XoFCk9iWcSHmKdM-h58yaMn_ZZuDh6j6Yk8QrWwJ81Mg/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2011%20Texas%20Part%201%20-%20Side%20B.jpg" width="400" /></a></div><br /><b>B1. Terry & Tommy </b>– It Ain't No Good To Love Anybody<br /><b>B2. The By Fives </b>– I Saw You Walking<br /><b>B3. Chaz & The Classics </b>– Girl Of The 13th Hour<br />B4. The Staffs – Another Love<br /><b>B5. Five Of A Kind</b> – Never Again<br /><b>B6. Nobody's Children</b> – Good Times<br /><b>B7. The Bourbons </b>– Of Old Approximately<br /><b><br /></b><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 11 of 23 regional volumes in the Pebbles series. First of 5 Texas volumes.<br />Track list on cover is incorrect. It lists Chaz & The Classics 'Girl of the 13th Hour' as Track B1, where as it appears as Track B3.<br /><a href="https://mega.nz/file/2IJ0GT5S#C-XWgfZin-52M1S6QLWAz1NabhTvupn14LsoULJOb6A"><br /></a></p><p style="text-align: center;"><b><a href="https://mega.nz/file/2IJ0GT5S#C-XWgfZin-52M1S6QLWAz1NabhTvupn14LsoULJOb6A">Take It HERE</a><br /><br /><span style="font-size: large;">VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 12 - TEXAS PART 2</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyzU1wLuIepPhlHedX9eWVYIJtBRmq3FDyWqHYuIxBx0nXYOHRoUtom650mqRfLAHUqTk9HWuWzPXlGI0q6ex3SxU5jIWXjNIdyfe-F5nML7doWjAnrvrGE-iApH1CeUK-09rsd1FkMHhds6XDzcI6bsVpm3EeqysoDNmoRHRKQpsHNR617NespwvkdU0/s807/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyzU1wLuIepPhlHedX9eWVYIJtBRmq3FDyWqHYuIxBx0nXYOHRoUtom650mqRfLAHUqTk9HWuWzPXlGI0q6ex3SxU5jIWXjNIdyfe-F5nML7doWjAnrvrGE-iApH1CeUK-09rsd1FkMHhds6XDzcI6bsVpm3EeqysoDNmoRHRKQpsHNR617NespwvkdU0/w396-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Front%20Cover.jpg" width="396" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 12 - Texas Part 2<br />Label: AIP Records – AIP 10021<br />Series: Highs In The Mid Sixties – Volume 12<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1984<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvpxV1KARnCP8khPj1VSo60PHa7F5yAMndN-aqwg637UEWTl2_GG0coGyCl2hq_p7lZN08keGVGBIW90EFUV3ThOzhMy0D0YyLEqqkuOmVmzlFEuwv16_HC4Ktze7R8PF7PGrwf8vKsBU-1IFSAJaOkZNW9w25AdeKqKxiwtiIg0pfWwOJmbPI_EDLS-w/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="792" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvpxV1KARnCP8khPj1VSo60PHa7F5yAMndN-aqwg637UEWTl2_GG0coGyCl2hq_p7lZN08keGVGBIW90EFUV3ThOzhMy0D0YyLEqqkuOmVmzlFEuwv16_HC4Ktze7R8PF7PGrwf8vKsBU-1IFSAJaOkZNW9w25AdeKqKxiwtiIg0pfWwOJmbPI_EDLS-w/w400-h396/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPlTLYNk7oapttoWllET5oUaACRF9V9fJIcgGaXXFlniX9gBhJv099fE2LeUjSjoiSvWvciJ0hnB1RiFOXqZq2KdMPysqOj6j87BoLKJAeV8yISFYCzFbPv2FTY7-a7-6iB7qUcgu9kbOuWNI5j50299SimrGs2oydIU6Be53hHqfZXZBv8WyZgMkIqQA/s828/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="815" data-original-width="828" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPlTLYNk7oapttoWllET5oUaACRF9V9fJIcgGaXXFlniX9gBhJv099fE2LeUjSjoiSvWvciJ0hnB1RiFOXqZq2KdMPysqOj6j87BoLKJAeV8yISFYCzFbPv2FTY7-a7-6iB7qUcgu9kbOuWNI5j50299SimrGs2oydIU6Be53hHqfZXZBv8WyZgMkIqQA/w400-h394/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20Part%202%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. Tommy Jett </b>– Groovy Little Trip<br /><b>A2. The Derby </b>- Hatville–Turn Into Earth<br /><b>A3. Mind's Eye </b>– Help, I'm Lost!<br /><b>A4. The New Roadrunners</b> – Tired Of Living<br /><b>A5. The Remaining Few</b> – Painted Air<br /><b>A6. The Stereo Shoestring </b>– On The Road South<br /><b>A7. Tuesday's Children</b> – Air Conditioned Man<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span><br /></b></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3CHrAFDwoxXBAIVCqgdZS_QY5PVr-Nv4AuqK0yla81i7WXx4RCHOxqTUEB-gLbjO0n1kZkXSmdF__7yeaX4-zIc_i6x4mtIXdgfwAH_yWZqEX-nCfRDR9vD353fj-dFDotzUzu7k4Z5vh6ZWS4M_I0jwKg96mZF3tHq_XulflkhrzkrZItf5OlLTwIas/s926/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20%20Part%202%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="926" data-original-width="914" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3CHrAFDwoxXBAIVCqgdZS_QY5PVr-Nv4AuqK0yla81i7WXx4RCHOxqTUEB-gLbjO0n1kZkXSmdF__7yeaX4-zIc_i6x4mtIXdgfwAH_yWZqEX-nCfRDR9vD353fj-dFDotzUzu7k4Z5vh6ZWS4M_I0jwKg96mZF3tHq_XulflkhrzkrZItf5OlLTwIas/w395-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2012%20Texas%20%20Part%202%20-%20Side%20B.jpg" width="395" /></a></b></div><b><br />B1. The Buckle</b> – I've Got Something On My Mind<br /><b>B2. The Brentwoods</b> – Babe, You Know<br /><b>B3. The Crabs</b> – Chase Yourself<br /><b>B4. The Trackers </b>– You Are My World<br /><b>B5. The Soul Seekers</b> – Good Revelations<br /><b>B6. The Y'Alls </b>– Run For Your Life<br /><b>B7. Leo & The Prophets</b> – Parking Meter<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 12 of 23 regional volumes in the Pebbles series. Second of 5 Texas volumes. Lime-green labels.<br /><b><br /></b></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zJQ1WaRT#m-vt9Gar-6GPYPOjBdQaMBglr8e-O_Uh2_Mo1ekEqgY">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 13 - TEXAS PART 3</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3vgXV_tkIq1KKL-8Ntl9L52icqH6QdsPuU_X2H2IZigGBloek9xQ0SQxG03T-zqqs9-WFrs5tpxgBNALYfPX6-2mZqI6MCocd3No5_Ids-wkNrI2IaWHsAxRxsFACnZCe6epx3tci8-7IPdgZwf7Dz6nC9RqWnC3-iPbAz2LkGOqa5qS9H60v4EbiT9k/s803/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3vgXV_tkIq1KKL-8Ntl9L52icqH6QdsPuU_X2H2IZigGBloek9xQ0SQxG03T-zqqs9-WFrs5tpxgBNALYfPX6-2mZqI6MCocd3No5_Ids-wkNrI2IaWHsAxRxsFACnZCe6epx3tci8-7IPdgZwf7Dz6nC9RqWnC3-iPbAz2LkGOqa5qS9H60v4EbiT9k/w399-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Front%20Cover.jpg" width="399" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 13 - Texas Part 3<br />Label: AIP Records – AIP 10022<br />Series: Highs In The Mid Sixties – Volume 13<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1984<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit1-C1SflKghECP2BV7vT_kVFaBimouBLrXODtGiKCoP7EPRq_S462wduBY2lhyNlZkTTAZxwLPv26dgFOe76MovZeVu5JAuEC03wyYbWQ25OTyh1Gd2GXrZF7Q2sF0gIH5IBds4H2lF0X8-NPKSsd7eSMlW9uI4OeqWMg8aTgri1HC1jjZY1NJerEvOI/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit1-C1SflKghECP2BV7vT_kVFaBimouBLrXODtGiKCoP7EPRq_S462wduBY2lhyNlZkTTAZxwLPv26dgFOe76MovZeVu5JAuEC03wyYbWQ25OTyh1Gd2GXrZF7Q2sF0gIH5IBds4H2lF0X8-NPKSsd7eSMlW9uI4OeqWMg8aTgri1HC1jjZY1NJerEvOI/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj684c3dVBhfPK2qMKJ1qtptBXM-Jf-ohYJ2SgvAtBKM-bS2YjFdbQEAyxmWy7LucxtlUmpDseHTS_mpBb4_SN5rzjUoL4p9MKbckDx0d3NURLLUn4mI0fldkOH9Ij1IXfwyXyHyZYfqhL9BpLrOE-Xtcy_CYhyphenhyphent7pwMIcXhkEpR9roeTrgC1tS7uOxFMM/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj684c3dVBhfPK2qMKJ1qtptBXM-Jf-ohYJ2SgvAtBKM-bS2YjFdbQEAyxmWy7LucxtlUmpDseHTS_mpBb4_SN5rzjUoL4p9MKbckDx0d3NURLLUn4mI0fldkOH9Ij1IXfwyXyHyZYfqhL9BpLrOE-Xtcy_CYhyphenhyphent7pwMIcXhkEpR9roeTrgC1tS7uOxFMM/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. The Chessmen </b>– No More<br /><b>A2. The Briks </b> – Foolish Baby<br /><b>A3. Robb London & The Rogues</b> – Gloria<br /><b>A4. Fanatics </b>– I Will Not Be Lonely<br /><b>A5. The Venturie "5" </b>– Good 'N' Bad<br /><b>A6. Mustache Wax </b>– I'm Gonna Get You<br /><b>A7. The Bards </b>– Alibis<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNdwbUYhJYvSa2QfrqhIS3hRTeQGa3YOyqSc6VjLsXR_q91FFV3tkb7imwxCK3yncABwixV_cKaGdRH7x3MFC-30-WMN4EUaY00St97p0oJ2nK_Kr7QVffJ09e9rEbHP0KsTe_URrqw7We7iGKvggVun5Ap7NCsTPPZJmTYxh9mCqopGjAaLFNX7C-LzE/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNdwbUYhJYvSa2QfrqhIS3hRTeQGa3YOyqSc6VjLsXR_q91FFV3tkb7imwxCK3yncABwixV_cKaGdRH7x3MFC-30-WMN4EUaY00St97p0oJ2nK_Kr7QVffJ09e9rEbHP0KsTe_URrqw7We7iGKvggVun5Ap7NCsTPPZJmTYxh9mCqopGjAaLFNX7C-LzE/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2013%20Texas%20Part%203%20-%20Side%20B.jpg" width="400" /></a></b></div><b><br />B1. The Barons</b> – Don't Burn It<br />(Bass – Curly BentonDrums – Ronnie MarcottGuitar – Don Babb/Vocals, Guitar – John Nitzinger/Written-By – J. Nitzinger)<br /><b>B2. Theze Few </b>– Dynamite<br /><b>B3. The Madison Revue </b>– Another Man<br /><b>B4. The Roots </b>– Lost One<br /><b>B5. The Night Crawlers </b>– Let's Move<br /><b>B6. The Zone V </b>– I Cannot Lie<br /><b>B7. The Moon-Dawgs</b> – Baby As Time Goes By<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 13 of 23 regional volumes in the Pebbles series. Third of 5 Texas volumes.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/KQRHXJ6a#gXb7LY1Yn-JtDiWjwrmUGGi8TQXMlI61ZNfmk_eKJyE">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 14 - THE NORTH - WEST PART 2</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiifnJBfp3wrL1he7qsRm3Zao5_kw46HJJKkNO7drlaSZ9Y7usYftdLalEIoJkA6jG89gnARBjB8hNK6z0m2A6j7-qMu4Z1JCMa1NQi_hPjcpVonFI10ITynUBOh7RWg-XSGXsoqztn5_W_Xr2siU24TopLnOOwZ8c1Ck-5GdGf_vnMfX3h4IFOo5mIEZM/s803/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiifnJBfp3wrL1he7qsRm3Zao5_kw46HJJKkNO7drlaSZ9Y7usYftdLalEIoJkA6jG89gnARBjB8hNK6z0m2A6j7-qMu4Z1JCMa1NQi_hPjcpVonFI10ITynUBOh7RWg-XSGXsoqztn5_W_Xr2siU24TopLnOOwZ8c1Ck-5GdGf_vnMfX3h4IFOo5mIEZM/w399-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Front%20Cover.jpg" width="399" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 14 - The North-West Part 2<br />Label:AIP Records – AIP 10020<br />Series: Highs In The Mid Sixties – Volume 14<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country:US<br />Released: 1986<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNW8t3LktZbmkngp4IQkeHl9mJ7Jg5VEWoP8QLCm_cz_oR0mT8NXCYYHzOV5bbHENAjDeMSW-lJaN6AeYV4UWxlLKGSqTmf-VvYj7NNK-eyjmkejE8D8sA59HtZESlQaSXxbr1ZkcHli-WmJSUaGzP6MiZ8Ky_v4wfSisu1PMTP5QHBjb8B33uOZjuNno/s801/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNW8t3LktZbmkngp4IQkeHl9mJ7Jg5VEWoP8QLCm_cz_oR0mT8NXCYYHzOV5bbHENAjDeMSW-lJaN6AeYV4UWxlLKGSqTmf-VvYj7NNK-eyjmkejE8D8sA59HtZESlQaSXxbr1ZkcHli-WmJSUaGzP6MiZ8Ky_v4wfSisu1PMTP5QHBjb8B33uOZjuNno/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5tGB6Eni_JiQrgFjDFSEqbGOcsAg_rrWE5Q1yuqCEPdfoQfj4NpDyNkPeqsq6xHYDsph7d_QaAfEYPCsbSlAGl5a1JBKqahxPRlFQ1-6lxXKeaGtN6oUnbnELXRgO2I2iP0nBjhGUkNtKnkdudHdCKzmpPc-f1McrZCz_mizOnIEGxGzynkcT-JBF8PM/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5tGB6Eni_JiQrgFjDFSEqbGOcsAg_rrWE5Q1yuqCEPdfoQfj4NpDyNkPeqsq6xHYDsph7d_QaAfEYPCsbSlAGl5a1JBKqahxPRlFQ1-6lxXKeaGtN6oUnbnELXRgO2I2iP0nBjhGUkNtKnkdudHdCKzmpPc-f1McrZCz_mizOnIEGxGzynkcT-JBF8PM/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. Lord Dent & His Invaders </b>– Wolf Call<br /><b>A2. The Night People</b> – Istanbul<br /><b>A3. The Volk Brothers </b>– Wash Don't Soak<br /><b>A4. The Paymarks </b>– Louise<br /><b>A5. J. Michael & The Bushmen </b>– I Need Love<br /><b>A6. The Statics </b>– Tell Me The Truth<br /><b>A7. The Talisman </b>– She Was Good<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p><b> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtgqkUa6DWAdUqr1nOi8-vUYDaXamHGiin3RIo49CbKSoHT0bFL6NmDBSXxija8PLz363mMI866m2Mea2zuenol9OCiPm7eg5deeDbe3vv_jsp3UQ8lTSNOBhU64fKWYNjKkIJdPevSGEt_Jj44fW0L1tlRWPqe3IurD0cTEl8u-Y0EO28XHoHXYbOTb0/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtgqkUa6DWAdUqr1nOi8-vUYDaXamHGiin3RIo49CbKSoHT0bFL6NmDBSXxija8PLz363mMI866m2Mea2zuenol9OCiPm7eg5deeDbe3vv_jsp3UQ8lTSNOBhU64fKWYNjKkIJdPevSGEt_Jj44fW0L1tlRWPqe3IurD0cTEl8u-Y0EO28XHoHXYbOTb0/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2014%20-%20The%20North-West%20-%20Side%20B.jpg" width="400" /></a></b></div><b><br />B1. Sir Raleigh & The Cupons </b>– Tomorrow's Gonna Be Another Day<br /><b>B2. Jack Bedient & The Chessmen</b> – Rapunzel<br /><b>B3. Tom Thumb & The Casuals</b> – I Should Know<br /><b>B4. The Scotsmen </b>– Tuff Enough<br /><b>B5. The Scotsmen</b> – Sorry, Charlie<br /><b>B6. The Rooks </b>– Bound To Lose<br /><b>B7. The Rooks </b>– Gimme A Break<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 14 of 23 regional volumes in the Pebbles series. This is the second of 3 volumes of North West bands and is subtitled 'Out Of The Slime'.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/zAYGwCCS#n1JQfnnJMgFVvw3KHil4FSk8LsfglLQyHKBRXiKWYX8">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 15 - WISCONSIN PART 2</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzGmqGMWt2WLQRF90s0tzshxp-CbOiYRZlGtOkOJnkNgSTPVty823PAevieG4U8EKBmh0lHs4L9fc20rf4F4Y_RUZvRle6Fg8FNDg1lx2PThbICdIArbnoXK_GeeZAAjyJPDJxIAPaxTJzXkY-VjEqUmmqA49o55u2Uiytq_3WBeiQZvIps8JNIm7wXvE/s803/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzGmqGMWt2WLQRF90s0tzshxp-CbOiYRZlGtOkOJnkNgSTPVty823PAevieG4U8EKBmh0lHs4L9fc20rf4F4Y_RUZvRle6Fg8FNDg1lx2PThbICdIArbnoXK_GeeZAAjyJPDJxIAPaxTJzXkY-VjEqUmmqA49o55u2Uiytq_3WBeiQZvIps8JNIm7wXvE/w399-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Front%20Cover.jpg" width="399" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 15 - Wisconsin Part 2<br />Label: AIP Records – AIP 10025<br />Series: Highs In The Mid Sixties – Volume 15<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1985<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3SJAl2Zvd6JQzNlkhV6sVnMWQTEwbQf85ieGnmt9Il1LcQQoajZyPDbmia5xG3FI-GFB74-jJvQd0bRN3wEnVIXIbWlKcSEFYjd9vL2f9H828_D18wIH11gs2fq3mKC9MBuOSxV1AyzjNbudEf8WYc-6FX959uCohaG_FMudNSfCKnQE3fxykOHzG1A0/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Back%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3SJAl2Zvd6JQzNlkhV6sVnMWQTEwbQf85ieGnmt9Il1LcQQoajZyPDbmia5xG3FI-GFB74-jJvQd0bRN3wEnVIXIbWlKcSEFYjd9vL2f9H828_D18wIH11gs2fq3mKC9MBuOSxV1AyzjNbudEf8WYc-6FX959uCohaG_FMudNSfCKnQE3fxykOHzG1A0/w400-h400/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Back%20Cover.jpg" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7tWUmcmP0nwzzNay02iY17iTU65ogm_CefMUalo_Y5tYKKWpMmglOa5sMoSGYSN0C65WIp9jMQ_F9mDKClLtwTAFQm-wY9PTYB987NCTwbK663_WVnNeaonOzhwCGaYG69y-vB4KS9JvMbQkurR7suWgaymkuOezK9drpZUlTwceilNKfoh0c7qAxGFU/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Side%20A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="756" data-original-width="800" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7tWUmcmP0nwzzNay02iY17iTU65ogm_CefMUalo_Y5tYKKWpMmglOa5sMoSGYSN0C65WIp9jMQ_F9mDKClLtwTAFQm-wY9PTYB987NCTwbK663_WVnNeaonOzhwCGaYG69y-vB4KS9JvMbQkurR7suWgaymkuOezK9drpZUlTwceilNKfoh0c7qAxGFU/w400-h378/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Side%20A.jpg" width="400" /></a></div><br /><b>A1. The Baroques</b> – There's Nothing Left To Do But Cry<br /><b>A2. The Shaprels</b> – A Fool For Your Lies<br /><b>A3. Gord's Horde </b>– I Don't Care<br /><b>A4. The Cannons </b>– Days Go By<br /><b>A5. Family </b>– I Wanna Do It<br /><b>A6. The Wanderer's Rest </b>– You'll Forget<br /><b>A7. The Challengers </b>– Take A Ride On The Jefferson Airplane<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0_jBJnuJdsbse66pFZr9s-X3ehAPWorPL3XIxonleW76XX5CXhFVpgX_VgLEfg2WiR4fZc13ZfzBN5IZKWMuRhfKmJAMsiS5JtOrDclKRu9GS41uv1YrSTA06jbbqPkbExF2FkPyzpZDVx4RNWvLIpQ6frKXjV_qliAdir61K7IKkEVepYrRLAWWZ8ro/s800/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Side%20B.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="800" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0_jBJnuJdsbse66pFZr9s-X3ehAPWorPL3XIxonleW76XX5CXhFVpgX_VgLEfg2WiR4fZc13ZfzBN5IZKWMuRhfKmJAMsiS5JtOrDclKRu9GS41uv1YrSTA06jbbqPkbExF2FkPyzpZDVx4RNWvLIpQ6frKXjV_qliAdir61K7IKkEVepYrRLAWWZ8ro/w400-h399/Various%20-%20Highs%20In%20The%20Mid%20Sixties%20Volume%2015%20-%20Wisconsin%20Part%202%20-%20Side%20B.jpg" width="400" /></a></div><br /><b>B1. The Mustard Men</b> – I Lost My Baby<br /><b>B2. The Spacemen </b>– Same Old Grind<br /><b>B3. The Impalas</b> – Spoonful<br /><b>B4. The Mid-Knighters</b> – Charlena<br /><b>B5. Joey Gee & The Come Ones </b>–You Know - 'Til The End Of Time<br /><b>B6. The Fugitives </b>– Come On And Clap<br /><b>B7. The Medallions </b>– Leave Me Alone<br /><b>B8. The Rehabilitation Cruise</b> – Mini Skirts<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 15 of 23 regional volumes in the Pebbles series.<br />A4 is incorrectly titled on the cover. The correct title is "Day To Day".<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/rMAzTBpZ#R90RPEGwQYjlaeNJ3CAWgL2X8JXtbP-oFntxuhrI1Wk">Take It HERE</a><br /><span style="font-size: large;"><br />VARIOUS - HIGHS IN THE MID SIXTIES VOLUME 16 - THE NORTH - WEST PART 3</span><br /> </b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_XsR7ArqDevzzspq9Fak_qTo4s02vmKZvuVm-Ehn5VnMfqTvDLrEjuDNYtXtA4vurFLjHISrSK1kO1hA5G-afsNzUroj2qVPsF7hQj8wnh3pwSiK5EeaO-w8pUIfEQjpFFDRon3mBrv3pSSbdOR2dp8jgl0WHpBgtS8MewVQWkfGh9vHjKFNt1gUISg/s803/VARIOU~2.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="803" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_XsR7ArqDevzzspq9Fak_qTo4s02vmKZvuVm-Ehn5VnMfqTvDLrEjuDNYtXtA4vurFLjHISrSK1kO1hA5G-afsNzUroj2qVPsF7hQj8wnh3pwSiK5EeaO-w8pUIfEQjpFFDRon3mBrv3pSSbdOR2dp8jgl0WHpBgtS8MewVQWkfGh9vHjKFNt1gUISg/w399-h400/VARIOU~2.JPG" width="399" /></a></b></div><b><br /></b></div><div style="text-align: center;"><b>Various – Highs In The Mid Sixties Volume 16: The North-West Part 3<br />Label: AIP Records – AIP 10024<br />Series: Highs In The Mid Sixties – Volume 16<br />Format: Vinyl, LP, Compilation, Unofficial Release<br />Country: US<br />Released: 1987<br />Genre: Rock<br />Style: Garage Rock<br /></b></div><div><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_4WKERFz6BUXk8DEc8PWuRDIuDY99SjV52m-NBMf1jKHzf_yIhPlYv0YUsZapzSAlmBBwln6eioQcT2Hx2wwXoFop-3udumzJPuRvvLhHeLFNx89W1TtHQkiU89BSxljH9BcsSIAvjgMlgPQPo1TbFM7tB6CRT4jQfecxbjpqsoZRYTxfacLr7v1F6Gw/s801/VARIOU~1.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_4WKERFz6BUXk8DEc8PWuRDIuDY99SjV52m-NBMf1jKHzf_yIhPlYv0YUsZapzSAlmBBwln6eioQcT2Hx2wwXoFop-3udumzJPuRvvLhHeLFNx89W1TtHQkiU89BSxljH9BcsSIAvjgMlgPQPo1TbFM7tB6CRT4jQfecxbjpqsoZRYTxfacLr7v1F6Gw/w400-h400/VARIOU~1.JPG" width="400" /></a></div><br /></b></div><div style="text-align: center;"><b><span style="font-size: large;">SIDE A.</span></b><br /></div><div><p></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyfIvinl4EI3agccSPTms8pLDz2Hbd-U_I8IqYiF3SC_gXJqBGNRH00tXbBFbfpAcmZiNfisXy0A_J9StFU6cJm-Xs8rsdwCuSMMbcSj-lM2V6mExrwZQyO5tcVy2Wht2jejCfmBmf3X7KNueFRNuaFXWZJz7SZZOcjnraORXJPEfhVHQmwW78OZSJ0mM/s800/VARIOU~3.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyfIvinl4EI3agccSPTms8pLDz2Hbd-U_I8IqYiF3SC_gXJqBGNRH00tXbBFbfpAcmZiNfisXy0A_J9StFU6cJm-Xs8rsdwCuSMMbcSj-lM2V6mExrwZQyO5tcVy2Wht2jejCfmBmf3X7KNueFRNuaFXWZJz7SZZOcjnraORXJPEfhVHQmwW78OZSJ0mM/w400-h400/VARIOU~3.JPG" width="400" /></a></div><br /><b>A1. The Raymarks </b>– Work Song<br /><b>A2. The Unusuals</b> – I'm Walkin' Babe<br /><b>A3. Rocky & His Friends </b>– Riot City<br /><b>A4. The Dominions </b>– I Need Her<br /><b>A5. The Bumps </b>– Hey Girl<br /><b>A6. The Live Five</b> – Move Over And Let Me Fly<br /><b>A7. The Express </b>– You Gotta Understand<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">SIDE B.</span></b><br /></p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBxNZ_vG9G7UZtAWqN1gRK_KbT1GZyMFJZyGyRhBQPqqjXQFKyP9BTCS1mJqj188AgyKGyXjJvMAXD5Ddo4EXIi71OWKtTEciyBaAiLp0eUWPVW_qk6c_HB7UpWLlTJLOG71YPKiCERnbIscRxMpd1D4VM_DGP-pqJRvZxJuLr0Q3ZwZ_EhFKLxlB-n5w/s600/VARIOU~4.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBxNZ_vG9G7UZtAWqN1gRK_KbT1GZyMFJZyGyRhBQPqqjXQFKyP9BTCS1mJqj188AgyKGyXjJvMAXD5Ddo4EXIi71OWKtTEciyBaAiLp0eUWPVW_qk6c_HB7UpWLlTJLOG71YPKiCERnbIscRxMpd1D4VM_DGP-pqJRvZxJuLr0Q3ZwZ_EhFKLxlB-n5w/w400-h400/VARIOU~4.JPG" width="400" /></a></div><br /><b>B1. The Navarros</b> – Tomorrow Is Another Day<br /><b>B2. The Gentlemen Wild </b>– You Gotta Leave<br /><b>B3. Wheel Of Fortune </b>– Before You Leave<br /><b>B4. Pembrook Ltd</b> – Sleepy John<br /><b>B5. The City Zu </b>– Too Much, Too Soon, Too Fast<br /><b>B6. The United Travel Service </b>– Wind And Stone<br /><b>B7. International Brick </b>– You Should Be So High<br /><br /><p></p><p style="text-align: center;"><b><span style="font-size: large;">NOTES</span></b><br /></p><p><br />Volume 16 of 23 regional volumes in the Pebbles series. This is the third of 3 volumes of North West bands in this series.<br /><br /></p><p style="text-align: center;"><b><a href="https://mega.nz/file/WNxl0DIC#1mAR_mUn04Mkvlg4kFfcXCX-OHwMJZaPYIFDQ7enqo4">Take It HERE</a><br /><br /><span style="color: red;">TO BE CONTINUED</span></b></p></div>Kostashttp://www.blogger.com/profile/15628746740480696676noreply@blogger.com1