ua

ua

Sunday, April 06, 2025

Talking Heads: Brick (8 CD Box Compilation)

 

Talking Heads were an American band formed in 1975 in New York City. It consisted of vocalist-


guitarist David Byrne, drummer Chris Frantz, bassist Tina Weymouth and guitarist-keyboardist Jerry Harrison. Described as "one of the most critically acclaimed groups of the '80s," Talking Heads helped to pioneer new wave music by combining elements of punk, art rock, funk, and world music with "an anxious yet clean-cut image"; they have been called "a properly postmodernist band".
                


At the start of their career, Talking Heads were all nervous energy, detached emotion, and subdued minimalism. When they released their last album about 12 years later, the band had recorded everything

from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop. Between their first album in 1977 and their last in 1988, Talking Heads became one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits. While some of their music can seem too self-consciously experimental, clever, and intellectual for its own good, at their best Talking Heads represent everything good about art-school punks.
               

The band played their first gig as Talking Heads—opening for the Ramones at the CBGB club—on June 5, 1975. According to Weymouth, the name Talking Heads came from an issue of TV Guide,

which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit." Later that year, the band recorded a series of demos for CBS, but did not receive a record contract. However, they drew a following and signed to Sire Records in November 1976. They released their first single in February the following year, "Love → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals. Gary Kurfirst started managing Talking Heads in 1977.
               

By 1977, the band had signed to Sire Records and released its first album, Talking Heads: 77. It

received a considerable amount of acclaim for its stripped-down rock & roll, particularly Byrne's geeky, overly intellectual lyrics and uncomfortable, jerky vocals. For their next album, 1978's More Songs About Buildings and Food, the band worked with producer Brian Eno, recording a set of carefully constructed, arty pop songs, distinguished by extensive experimenting with combined acoustic and electronic instruments, as well as touches of surprisingly credible funk.
                  

The collaboration with Brian Eno continued with Fear of Music (1979), which mixed the darker stylings of post-punk rock with white funkadelia and subliminal references to the geopolitical instability of the late 1970s. Music journalist Simon Reynolds cited Fear of Music as representing the

Eno–Talking Heads collaboration "at its most mutually fruitful and equitable". The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco". The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time. Remain in Light (1980) was heavily influenced by the Afrobeat of Nigerian bandleader Fela Kuti, whose music had been introduced to the band by Eno. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.
                   

The band toured with an expanded group, including Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August, and later in their concert film Stop Making Sense. 1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American

Top 10 hit, "Burning Down the House". Once again, a striking video was inescapable, owing to its heavy rotation on MTV. The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name. The tour in support of Speaking in Tongues was their last. Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"), 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared), and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts.
                

Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head". Naked explored politics, sex, and death, and showed heavy

African influence with polyrhythmic styles like those seen on Remain in Light. During that time, the group was falling increasingly under David Byrne's control, and after Naked, the band went on "hiatus". In December 1991, Talking Heads announced that they had disbanded. Frantz said he learned that Byrne had left from an article in the Los Angeles Times, and said: "As far as we're concerned, the band never really broke up. In 1999, all four worked together to promote a 15th-anniversary edition of Stop Making Sense, and they also performed at the 2002 induction ceremony for their entrance into the Rock and Roll Hall of Fame.
                 

LINE - UP


David Byrne – lead vocals, guitars (1975–1991, 2002)
Chris Frantz – drums, percussion, backing vocals (1975–1991, 2002)
Tina Weymouth – bass, keyboards, backing vocals (1975–1991, 2002)
Jerry Harrison – keyboards, guitars, backing vocals (1977–1991, 2002)

DISCOGRAPHY


01. Talking Heads' 77 (1977)
02. More Songs About Buildings and Food (1978)
03. Fear Of Music (1979)
04. Remain in Light (1980)
05. Speaking in Tongues (1983)
06. Little Creatures (1985)
07. True Stories (1986)
08. Naked (1988)

TALKING HEADS - BRICK 2005
                         


Talking Heads – Brick
Label: Rhino Records – R2 74722, Warner Bros. Records – R2 74722, Sire – R2 74722
Format: 8 CD, Album, Box Set, Compilation, Reissue, Remastered, Stereo
Country: US
Released: Oct 4, 2005
Genre: Rock
Style: New Wave, Art Rock

01. TALKING HEADS' 77 1977

                      


Though they were the most highly touted new wave band to emerge from the CBGB's scene in New

York, it was not clear at first whether Talking Heads' Lower East Side art rock approach could make the subway ride to the midtown pop mainstream successfully. The leadoff track of the debut album, Talking Heads: 77, "Uh-Oh, Love Comes to Town," was a pop song that emphasized the group's unlikely roots in late-'60s bubblegum, Motown, and Caribbean music. But the "Uh-Oh" gave away the group's game early, with its nervous, disconnected lyrics and David Byrne's strained voice.
                

TRACKS


01. Uh-Oh, Love Comes To Town    2:48
02. New Feeling    3:09
03. Tentative Decisions    3:04
04. Happy Day    3:55
05. Who Is It?    1:41
06. No Compassion    4:47
07. The Book I Read    4:06
08. Don't Worry About The Government    3:00
09. First Week / Last Week... Carefree    3:19
10. Psycho Killer    4:19
11. Pulled Up    4:29

BONUS TRACKS


12. Love → Building On Fire    2:57
13. I Wish You Wouldn't Say That    2:36
14. Psycho Killer (Acoustic)    4:30
15. I Feel It In My Heart    3:19
16. Sugar On My Tongue    2:36

Flac Size: 418 MB

02. MORE SONGS ABOUT BUILDINGS AND FOOD 1978

                   

 
Second album, More Songs About Buildings and Food, slyly addressed the sophomore record syndrome, in which songs not used on a first LP are mixed with hastily written new material. If the band's sound seems more conventional, the reason simply may be that one had encountered the odd

song structures, staccato rhythms, strained vocals, and impressionistic lyrics once before. Another was that new co-producer Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.  It was the first of three albums produced by collaborator Brian Eno, and saw the band move toward an increasingly danceable style, crossing singer David Byrne's unusual delivery with new emphasis on the rhythm section composed of bassist Tina Weymouth and her husband, drummer Chris Frantz.
            

TRACKS


01. Thank You For Sending Me An Angel    2:11
02. With Our Love    3:30
03. The Good Thing    3:03
04. Warning Sign    3:54
05. The Girls Want To Be With The Girls    2:38
06. Found A Job    5:01
07. Artists Only    3:34
08. I'm Not In Love    4:34
09. Stay Hungry    2:39
10. Take Me To The River    5:02
11. The Big Country    5:39

BONUS TRACKS


12. Stay Hungry (1977 Version)    3:47
13. I'm Not In Love (Alternate Version)    5:17
14. The Big Country (Alternate Version)    5:03
15. Thank You For Sending Me An Angel ("Country Angel" Version)    2:11

Flac Size: 452 MB

03. FEAR OF MUSIC 1979

                


Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May

1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities". Previously, David Byrne's offbeat observations had been set off by an overtly humorous tone; on Fear of Music, he is still odd, but no longer so funny. At the same time, however, the music has become even more compelling.
         

TRACKS


01. I Zimbra    3:08
02. Mind    4:13
03. Paper    2:38
04. Cities    4:17
05. Life During Wartime    3:41
06. Memories Can't Wait    3:30
07. Air    3:34
08. Heaven    4:01
09. Animals    3:30
10. Electric Guitar    3:01
11. Drugs    5:20

BONUS TRACKS


12. Dancing For Money (Unfinished Outtake)    2:41
13. Life During Wartime (Alternate Version)    4:07
14. Cities (Alternate Version)    5:03
15. Mind (Alternate Version)    4:26

Flac Size: 457 MB

04. REMAIN IN LIGHT 1980

               


Remain in Light is the fourth studio album by the American rock band Talking Heads, released on

October 8, 1980, by Sire Records. After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Drawing influence from Nigerian Afrobeat musician Fela Kuti, they blended African polyrhythms and funk with electronics, recording instrumental tracks as a series of looping grooves. Session musicians included the guitarist Adrian Belew, the singer Nona Hendryx, and the trumpeter Jon Hassell.
                 

TRACKS


01. Born Under Punches (The Heat Goes On)    5:46
02. Crosseyed And Painless    4:45
03. The Great Curve    6:26
04. Once In A Lifetime    4:19
05. Houses In Motion    4:30
06. Seen And Not Seen    3:20
07. Listening Wind    4:42
08. The Overload    6:00

BONUS TRACKS


09. Fela's Riff (Unfinished Outtake)    5:19
10. Unison (Unfinished Outtake)    4:49
11. Double Groove (Unfinished Outtake)    4:27
12. Right Start (Unfinished Outtake)    4:07


ONCE IN A LIFETIME LYRICS
                   



You may find yourself
Living in a shotgun shack
And you may find yourself
In another part of the world
And you may find yourself
Behind the wheel of a large automobile
And you may find yourself in a beautiful house
With a beautiful wife

And you may ask yourself
"Well ... how did I get here?"

[Chorus 1]
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
After the money's gone
Once in a lifetime
Water flowing underground

[Verse 2]
And you may ask yourself
"How do I work this?"
And you may ask yourself
"Where is that large automobile?"
And you may tell yourself
"This is not my beautiful house!"
And you may tell yourself
"This is not my beautiful wife!"

[Chorus 1]
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
After the money's gone
Once in a lifetime
Water flowing underground

[Bridge]
Same as it ever was
Same as it ever was
Same as it ever was
Same as it ever was
                          


[Verse 3]
Water dissolving, and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water at the bottom of the ocean
Water dissolving, and water removing

[Chorus 2]
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
Into the silent water
Under the rocks and stones
There is water underground
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
After the money's gone
Once in a lifetime
Water flowing underground

[Verse 4]
You may ask yourself
"What is that beautiful house?"
You may ask yourself
"Where does that highway go to?"
And you may ask yourself
"Am I right? Am I wrong?"
And you may say to yourself
"My God! What have I done?!"

                                     



[Chorus 2]
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
Into the silent water
Under the rocks and stones
There is water underground
Letting the days go by
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again
After the money's gone
Once in a lifetime
Water flowing underground

[Outro]
Same as it ever was
Same as it ever was
Same as it, ever was
And look where my hand was
Time isn't holding up
Time isn't after us
Same as it ever was
Same as it ever was
                  


Letting the days go by
Same as it ever was
And here, a twister comes, here comes the twister
Same as it ever was (Letting the days go by)
Same as it ever was
Same as it ever was (Letting the days go by)
Same as it ever was
Once in a lifetime
Let the water hold me down
Letting the days go by
Water flowing underground
Into the blue again

 

Flac Size: 426 MB

05. SPEAKING IN TONGUES 1983

                    


Speaking in Tongues is the fifth studio album by the American rock band Talking Heads, released on June 1, 1983, by Sire Records. After their split with producer Brian Eno and a short hiatus, which

allowed the individual members to pursue side projects, recording began in 1982. The album's tour was documented in the 1984 Jonathan Demme-directed film Stop Making Sense, which generated a live album of the same name. The album also crossed over to the dance charts, where it peaked at number two for six weeks. It is the group's highest-charting album on the US Billboard 200, peaking at number 15. It was also their biggest-selling album in Canada, where it was certified platinum in 1983.
                       

TRACKS


01. Burning Down The House    4:01
02. Making Flippy Floppy    5:54
03. Girlfriend Is Better    5:43
04. Slippery People    5:06
05. I Get Wild/Wild Gravity    5:16
06. Swamp    5:13
07. Moon Rocks    5:45
08. Pull Up The Roots    5:09
09. This Must Be The Place (Naive Melody)    5:04

BONUS TRACKS


10. Two Note Swivel (Unfinished Outtake)    5:51
11. Burning Down The House (Alternate Version)    5:09

Flac Size: 433 MB

06. LITTLE CREATURES 1985

                   


Little Creatures is the sixth studio album by American rock band Talking Heads, released June 10,

1985, by Sire Records. The album examines themes of Americana and incorporates elements of country music, with many songs featuring steel guitar. It was voted album of the year in The Village Voice Pazz & Jop critics poll, and is the band's best-selling studio album, with more than two million copies sold in the United States. The cover art was created by outsider artist Howard Finster, and was selected as album cover of the year by Rolling Stone.
             

TRACKS


01. And She Was    3:36
02. Give Me Back My Name    3:20
03. Creatures Of Love    4:12
04. The Lady Don't Mind    4:03
05. Perfect World    4:26
06. Stay Up Late    3:51
07. Walk It Down    4:42
08. Television Man    6:10
09. Road To Nowhere    4:19

BONUS TRACKS


10. Road To Nowhere (Early Version)    4:51
11. And She Was (Early Version)    3:56
12. Television Man (Extended Mix)    8:02


Flac Size: 435 MB

07. TRUE STORIES 1986

         


True Stories is the seventh studio album by American rock band Talking Heads. It was released on

September 15, 1986, by Sire Records, preceding lead singer David Byrne's related film True Stories. The album includes only Talking Heads studio recordings of songs from the film; an original cast recording from the film was planned, but was not released at the time, although some actors' performances were featured on singles of songs drawn from the album.
            

TRACKS


01. Love For Sale    4:31
02. Puzzlin' Evidence    5:23
03. Hey Now    3:42
04. Papa Legba    5:55
05. Wild Wild Life    3:39
06. Radio Head    3:31
07. Dream Operator    4:38
08. People Like Us    4:28
09. City Of Dreams    5:07

BONUS TRACKS


10. Wild Wild Life (Extended Mix)    5:30
11. Papa Legba (Pops Staples Vocal Version)    6:19
12. Radio Head (Tito Larriva Vocal Version)    4:11

Flac Size: 454 MB

08. NAKED 1988

                 


Naked is the eighth and final studio album by American rock band Talking Heads, released on March 15, 1988, by Sire Records. Following the more straightforward new wave and pop rock sound on Little Creatures (1985) and True Stories (1986), Naked marked a return to the worldbeat stylings of both

Remain in Light (1980) and Speaking in Tongues (1983), blending elements of Afrobeat, Latin funk, and art pop. The album's songs were formed from improvisational jam sessions recorded in Paris, which featured the participation of numerous guest musicians such as former Smiths guitarist Johnny Marr and singer Kirsty MacColl. Lyrics and vocals were then added in New York City following the Paris recordings. It's closest in spirit to Remain in Light — arguably too close: The first side is a collection of funky, syncopated, almost danceable tunes; the second, a murky, darkly philosophical rumination on identity and human nature.
              

TRACKS


01. Blind    4:58
02. Mr. Jones    4:18
03. Totally Nude    4:03
04. Ruby Dear    3:48
05. (Nothing But) Flowers    5:14
06. The Democratic Circus    5:01
07. The Facts Of Life    6:26
08. Mommy Daddy You And I    3:58
09. Big Daddy    4:01
10. Bill    3:21
11. Cool Water    5:08

BONUS TRACK


12. Sax And Violins    5:18

BLIND LYRICS
              



Signs, signs are lost
Signs disappeared
Turn invisible
Got no sign
Somebody got busted
Got a face of stone and a
Ghostwritten biography

Dogs started rushin' in
Hungry for some food
Dogs started twitching
And they're looking at you

It was light by five
Torn all apart
All in the name of democracy
He's hurt, he's dying
Claimed he was a terrorist
Claimed to avert a catastrophe

Someone should've told him
That the buck stops here
No one ever said
                  


That he was involved with thieves
They're blind, blind
Blind, blind, blind, blind, blind
Blind, blind
Blind, blind, blind, blind, blind

No sense of harmony, no sense of time
Don't mention harmony, say
"What is it? What is it? What is it?"
Give a little shock, and he raises his hand
Somebody shouts out, says
"What is it? What is it? What is it?"

He was shot down in the night!
People ride by but his body's still alive
The girl in the window, what has she done?
She looks down at me and says
"I don't wanna die!"

And I'm blind, blind
Blind, blind, blind, blind, blind
Blind, blind
Blind, blind, blind, blind, blind
                


Somebody could have told us where they go
Crawling all around looking for foot, foot, footprints
Now tell me what the hell have we become?
Some dirty little bastards, what the hell is going on?

No sense of harmony, no sense of time
Don't mention harmony, say
"What is it? What is it? What is it?"
Give a little shock, and he raises his hand
Somebody shouts out, says
"What is it? What is it? What is it?"

He was shot down in the night
People ride by but his body's still alive
Girl in the window what has she done?
She looks down at me and says
"I don't want to die!"

An' it's blind and they're blind
Blind, blind, blind, blind, blind
Blind, blind
Blind, blind, blind, blind, blind

Flac Size: 451 MB

Wednesday, April 02, 2025

Savina Yannatpu & Primavera En Salonico: Mediterranean Dreams

 

Savina Yannatou studied singing with Gogo Georgilopoulou and Spiros Sakkas in Athens, and later attended postgraduate studies at the Guildhall School of Music and Drama in London with a


scholarship awarded by Mousigetis Foundation.
In 1979 she began working as a professional, in the greek radio 3, participating in the daily program “Lilipoupolis” in collaboration with the composer Lena Platonos. Following that, her career took off collaborating with many greek composers (Platonos, Mamangakis, Kypourgos, Katsoulis, Gregoriou, Marangopoulos, Kamarotos, a.o.) and having released numerous albums since then.
                          

Having built her reputation as a singer of Baroque, Renaissance, and early music, Savina Yannatou has increasingly veered toward avant-garde jazz and improvisational music. Accompanied by her band,


Primavera en Salonico, which she formed in 1993, Yannatou continues to demonstrate her mastery of Mediterranean music. Her repertoire includes songs from Sardinia, Corsica, Israel, Turkey, Italy, Cyprus, Albania, Spain, Africa, South America, the Caribbean, and her homeland in Greece. Gradually, she has extended her vocal techniques to include throat singing, glossolalia and ululations among others.
                              

Besides that, her repertoire consists mainly of Greek music, although she has been a founding member of an Early music ensemble (Εργαστήρι Παλιάς Μουσικής), and has always displayed a keen interest in

exploring free jazz and avant-garde music. Said explorations have led her to on- and off-stage collaborations and sessions with international musicians such as Barry Guy, Peter Kowald, Floros Floridis, Günther Pitscheider, Gerald Preinfalk of the band BPM, Ken Vandermark, Sussan Deyhim, Damo Suzuki of the krautrock group Can, and Kiya Tabassian of the Ensemble Constantinople.
                          

In the mid-1990s, she joined forces with jazz / traditional musicians forming a band known as

'Primavera en Salonico', interpreting Sephardic and Mediterranean songs, having recorded 8 CDs in Lyra and ECM records and giving concerts all over the world. She has been a founding member of an Early Music ensemble in Athens ("Early Music Workshop") in the '80s. She has always displayed a keen interest in exploring free jazz music.
                     

She has composed music for theater (National Theater of Greece, National Theater of Northern Greece,

Thessalian Theater, Theater of Neos Kosmos, "Playback" theater, for the plays: "Medea", "Bacchae", "Ifigenia in Aulis", "Dibuk", “The Caukasian Chalk Circle", "Persona", "The Suppliants") and for pantomime performances. She occasionally participates in workshops, teaching vocal improvisation for actors and musicians.
                                 

PRIMAVERA EN SALONICO

                     


The group was formed in 1993, when this group of musicians, under the direction of Kostas Vomvolos,

collaborated for the production of the Sephardic Folk Songs with Savina Yannatou. But before that its members have been collaborating in various groups, recordings and music projects since the early eighties. The musical activity of the group members covers a broad range of styles: from European classical and old music to Byzantine music, traditional Greek music and music from the Near East to jazz, all of which with a strong emphasis on modern musical tendencies and improvisation.
                        

The group members have published some 15 CDs as composers, soloists or members of other groups,

while the overall number of appearances on CDs surpasses 150 titles. The group -- which focuses on a mix of European classical, Byzantine, traditional Greek, and Near Eastern music -- creates a world music sound with a combination of Western instruments (guitar, violin, and double bass) and Eastern instruments, including toumbeleki, bendir, tambourine, daoul, kanonaki, nay, and tamboura.
                    
       


Based on traditional material - mainly from the Mediterranean Area - Savina Yannatou and the group Primavera en Salonico offer an open sound without borders or labels, from simple songs extending to

contemporary music forms. Insisting on acoustic instruments, half of which have their origin in the East, they attempt at exploiting their specific sound, oftentimes also exploring them to the limits of their possibilities. Beyond her exquisite interpretive capacity Savina Yannatou gives special emphasis to the expression of the "music" of each different language, without letting that stop her from oftentimes using her voice as one more instrument.
                    

With a background that combines classical studies and "authentic" traditional music with improvised

music and jazz, Savina Yannatou and the musicians of Primavera en Salonico find themselves like rope-dancers on the chord which connects the modal music of the East with the equivalent music of Western Europe, music of the Middle Ages and the popular polyphonies of the Mediterranean. Beginning from the melismatic riches of the Eastern Maqam and the charming irregular rhythms they explore the territory of collective free improvisation, meeting there modern jazz.
                          

Savina Yannatou and Primavera en Salonico have been giving concerts all over the world since 1996. This includes the whole of Europe, the United States, Israel and Taiwan, and venues like the Queen Elizabeth Hall and the Barbican in London, the 92nd Street Y in New York, The Holon Theatre in Tel

Aviv, the Melbourne Concert Hall and various WOMAD festivals, as well as numerous other world music festivals, like Stern Grove in San Francisco, Taipeh World Music Festival, Fiesta des Suds in Marseille and many others. Highlights of 2003 include the Moers new Jazz Festival in Germany, Music Meeting in Holland and a sold-out Queen Elizabeth Hall in London, in 2004 Etnosur Festival in Spain and Musicas do Mundo in Portugal, while 2005 started with a concert at the 20st edition of the International Jazz festival Muenster in Germany.
                       

MEMBERS


Savina Yannatou - Vocals
Kostas Vomvolos - Quanun, orchestration
Yannis Alexandris - Oud, guitar
Michalis Siganidis - Double bass
Kyriakos Gouventas - Violin, viola
Kostas Theodorou - percussion
Haris Lambrakis - Nay, recorders


ALBUMS FOR THIS COMPILATION:


01. TERRA NOSTRA 2001
02. SUMIGLIA 2005
03. SONGS OF AN OTHER 2008
04. SONGS OF THESSALONIKI 2015   

TRACKS


01. Evga Mana Mou (From The Album: Sumiglia 2005)
02. Me To Feggari Perpato (From The Album: Terra Nostra 2001)
03. Saleri Hovin Mermen (From The Album: Songs Of An Other 2008)
04. Apolitikion Agiou Dimitriou (From The Album: Songs Of Thessaloniki 2015)
05. Muineira (From The Album: Sumiglia 2005)
06. Prismo Dojde Od Soluna Grada (From The Album: Songs Of Thessaloniki 2015)
07. Ah, Marouli (From The Album: Songs Of An Other 2008)
08. Dunie Au (From The Album: Songs Of An Other 2008)
09. Ivan Nadonka (From The Album: Terra Nostra 2001)
10. Iptidadan Yol Sorarsan (From The Album: Songs Of Thessaloniki 2015)
11. El Barquero (The Batman) (From The Album: Terra Nostra 2001)
12. La Cantiga Del Fuego (From The Album: Songs Of Thessaloniki 2015)
13. Sto Pa Kai Sto Xanaleo (From The Album: Terra Nostra 2001)
14. Tin Patrida mou Ehasa (From The Album: Songs Of Thessaloniki 2015)
15. Kadife (From The Album: Terra Nostra 2001)
16. Yanno Yannovitse (From The Album: Sumiglia 2005)
17. Yedi Koule (From The Album: Songs Of Thessaloniki 2015)
18. Ah Mon Die (Ah My God) (From The Album: Terra Nostra 2001)
19. Smil Smiljana (From The Album: Songs Of An Other 2008)
20. Una Muchacha En Selanica (From The Album: Songs Of Thessaloniki 2015)
21. Xanthi Evreopoula, No Seas Capritchosa (Blond Jewish Girl) (From The Album: Terra Nostra 2001)
                        


Savina Yannatou is the best Greek Female Ethnic vocalist and this is a compilation that I made from 4 albums. It's not available in the music stores and I offer this one to those who want cross a bridge between East and west and explore new musical frontiers. Free your soul following this voice of Angels.
KOSTAS


Flac Size: 665 MB

Savina Yannatou & Primavera En Salonico: Ta Sefaraditika HERE