ua

ua

Friday, August 07, 2009

Πανδημία Κέρδους

Θέμα: πανδημία κέρδους

Κάθε χρόνο παγκοσμίως πεθαίνουν δύο εκατομμύρια άνθρωποι από μαλάρια, κάτι το οποίο θα μπορούσε να αποφευχθεί με μια κουνουπιέρα.
Οι δημοσιογράφοι δεν λένε τίποτα γι’αυτό.

Κάθε χρόνο παγκοσμίως πεθαίνουν δύο εκατομμύρια παιδιά από διάρροια, κάτι το οποίο θα μπορούσε να αποφευχθεί με ένα σιρόπι των 25 σέντς.

Και οι δημοσιογράφοι δεν λένε τίποτα γι’ αυτό.

Ιλαρά, πνευμονία, ασθένειες θεραπεύσιμες με φτηνά εμβόλια είναι υπεύθυνες για το θάνατο δεκάδων εκατομμυρίων ανθρώπων παγκοσμίως κάθε χρόνο.
Και οι δημοσιογράφοι δεν λένε τίποτα.

Είναι κάποια χρόνια που εμφανίστηκε η γνωστή πια γρίπη των πουλερικών.

Παγκοσμίως οι δημοσιογράφοι μας πλημμύρισαν με πληροφορίες, πανικό, σήματα κινδύνου.

Επιδημία, η πιο επικίνδυνη απ’ όλες, μια πανδημία!!!
Μιλάγανε μόνο για την τρομακτική αυτή ασθένεια των πουλερικών.
Και βέβαια, η γρίπη των πουλερικών προκάλεσε το θάνατο μόλις 250 ατόμων παγκοσμίως. 250 θάνατοι σε 10 χρόνια, δηλαδή αναλογικά 25 θάνατοι το χρόνο.

Η κοινή γρίπη σκοτώνει μισό εκατομμύριο ανθρώπων το χρόνο παγκοσμίως.

Μισό εκατομμύριο έναντι 25.

Για ένα λεπτό. Τότε γιατί τόση φασαρία με τη γρίπη των πουλερικών;

Γιατί πίσω από αυτά τα κοτόπουλα υπήρχε ένας «κόκορας», ένας κόκορας με μεγάλο λειρί.

Η διεθνής φαρμακευτική Roche με το πασίγνωστο Tamiflú της πούλησε εκατομμύρια δόσεων στις Ασιατικές χώρες.


Ακόμα και αν το Tamiflú έχει αμφίβολη αποτελεσματικότητα, η Βρετανική Κυβέρνηση αγόρασε 14 εκατομμύρια δόσεις για την πρόληψη του πληθυσμού της.


Με την γρίπη των πτηνών, η Roche και η Relenza, οι δύο μεγάλες φαρμακευτικές εταιρείες που προμηθεύουν την αγορά με αντιγριππικά, κέρδισαν χιλιάδες εκατομμύρια δολάρια.


Πρώτα με τα πουλερικά και τώρα με τα χοιρινά.

Ναι, τώρα ξεκίνησε η ψύχωση της γρίπης των χοίρων. Και όλοι οι δημοσιογράφοι του κόσμου μιλάνε μόνο γι’αυτό.

Πια δεν λένε τίποτα για την οικονομική κρίση ούτε τους βασανισμένους στο Guantánamo.


Μόνο για τη γρίπη των χοίρων.


Και διερωτώμαι: αν πίσω από τα πτηνά υπήρχε ένας «κόκορας», πίσω από τα γουρουνάκια να μην υπάρχει ένα «μεγάλο γουρούνι»;


Ας δούμε τι λέει ένας υπεύθυνος των εργαστηρίων της Roche.
ROCHE: Εμάς μας απασχολεί πολύ αυτή η πανδημία, τόσος πόνος, γι’ αυτό δίνουμε στην αγορά το θαυματουργό Tamiflú.


- Και πόσο πωλείται το «θαυματουργό» Tamiflú;

- Λοιπόν, είναι 50 δολάρια το κουτί.

- 50 δολάρια το κουτί με τις κάψουλες;

- Πρέπει να καταλάβετε κυρία ότι τα θαύματα πληρώνονται ακριβά.

- Αυτό που καταλαβαίνω είναι ότι αυτές οι εταιρείες βγάζουν μεγάλα κέρδη από τον δικό μας πόνο.

Η εταιρεία Gilead Sciences της Β. Αμερικής έχει την πατέντα του Tamiflú.
Ο κύριος μέτοχος αυτής της εταιρείας δεν είναι τίποτα περισσότερο από μία προσωπικότητα της αριστερής πολιτικής, τον Donald Rumsfeld, γραμματέα αμύνης του George Bush, υπεύθυνο για τον πόλεμο κατά του Ιράκ.

Οι μέτοχοι των φαρμακευτικών Roche και Relenza τρίβουν τα χέρια τους, είναι ευτυχείς με τις πωλήσεις τους, που για άλλη μια φορά φέρουν εκατομμύρια, του αμφίβολου Tamiflú. Η πραγματική πανδημία είναι η απληστία, τα τεράστια κέρδη αυτών των ιδιοτελών της υγείας.

Δεν αρνούμαστε τα απαραίτητα μέτρα πρόληψης που λαμβάνει η κάθε χώρα.

Αλλά αν η γρίπη των χοιρινών είναι μια φοβερή πανδημία απ’ ό,τι λένε τα μέσα ενημέρωσης, εάν τον Παγκόσμιο Οργανισμό Υγείας τον απασχολεί τόσο πολύ αυτή η ασθένεια, γιατί δεν τη δηλώνει ως παγκόσμιο πρόβλημα της δημόσιας υγείας και να δώσει εντολή να παρασκευασθούν γενικά φάρμακα για την αντιμετώπισή της; Να απορρίψει τις πατέντες της Roche και της Relenza και να κάνει διανομή δωρεάν γενικών φαρμάκων σε όλες τις χώρες και ειδικά στις πιο φτωχές. Αυτή θα ήταν η καλύτερη λύση.

* * * * *
Το έλαβα mail και το δημοσιεύω αυτούσιο...
Εντύπωση μου έκανε η δήλωση του Αβραμόπουλου , που είπε εμβολιασμό - δωρεάν - όλων των Ελλήνων , καθώς επίσης και η δήλωση - δεν θυμάμαι από ποιον - ότι όποιος θέλει να εμβολιαστεί θα υπογράφει υπεύθυνη δήλωση για τις ενδεχόμενες παρενέργειες του φαρμάκου,
κατά τα άλλα - τρομάρα μας - τρέξαμε να εξαφανίσουμε από τα φαρμακεία τα αντισηπτικά σαπούνια , τις μάσκες , οτιδήποτε νομίζουμε ότι μπορεί να μας προφυλάξει...
Δουλεύω σε νησί με τουρίστες από όλη την Ευρώπη , χωρίς πανικό και χωρίς φόβο.
Για ένα μόνο είμαι σίγουρος,
Δεν πρόκειται να κάνω το περιβόητο εμβόλιο...
Δες εδώ για το Tamiflu
και εδώ [Wiki]
Υ.Γ. Το ίδιο το mail το βρήκα με την μορφή άρθρου στην Αυγή

Thursday, August 06, 2009

Pearls Before Swine: Balaklava 1968


Pearls Before Swine was an American psychedelic folk band formed by Tom Rapp in 1965 in Eau Gallie, now part of Melbourne, Florida. They released six albums between 1967 and 1971, before Rapp launched a solo career.
                                                                                  

With high school friends Wayne Harley (banjo, mandolin), Lane Lederer (bass, guitar) and Roger Crissinger (piano, organ), Rapp wrote and recorded some songs which, inspired by the Fugs, they sent to the avant-garde ESP-Disk label in New York. The group took its name from a Bible passage: "Give not that which is holy unto the dogs, neither cast ye your pearls before swine..." (Mat. 7:6, KJV), meaning: do not give things of value to those who will not understand or appreciate it. They were quickly signed up, and recorded One Nation Underground (1967), featuring songs of mysticism, protest, melancholia, and some controversy in the case of “Miss Morse”, which spelled out an obscenity in code. The album eventually sold some 200,000 copies, although management and contractual problems meant that the band received little reward for its success. Being such a small label, the success of "One Nation Underground" prompted a number of cover variations.

The more mysterious-sounding and strongly anti-war Balaklava (1968) followed, inspired by the Charge of the Light Brigade. Rapp has said "The first two albums are probably considered the druggiest, and I had never done any drugs at that point. I smoked Winston cigarettes at that time, so these are all Winston-induced hallucinations." The album covers featured paintings by Bosch and Brueghel. The records themselves included interpretations of the writings of Tolkien and Herodotus as well as archive recordings from the 1890s, with innovatively arranged songs using an eclectic variety of instruments.






Tracks

1. Trumpeter Landfrey 0:35
2. Translucent Carriages 4:00 (Herodotus/Harley/Rapp)
3. Images of April 2:44 (Rapp)
4. There Was a Man 2:59 (Rapp)
5. I Saw the World 3:28 (Rapp)
6. Guardian Angels 3:02 (Rapp)
7. Suzanne 5:01 (Cohen)
8. Lepers And Roses 5:23 (Rapp)
9. Florence Nightingale 0:17
10. Ring Thing 2:20 (Tolkien/Rapp)

The track No 6 was recorded in Guadalope , Mexico in 1929 on 78 r.p.m equipment and reprocessed for stereo



Tom Rapp – guitar, vocals, breathing
Jim Bohannon – organ, piano, clavinette, marimba
Wayne Harley – banjo, harmony
Lane Lederer – bass, guitar, swinehorn

Guest artists :
Joe Farrell – flute, English horn (tracks 3, 7)
Lee Crabtree – piano, organ, flute (tracks 5, 8)
Bill Salter – bass (tracks 5, 7, 8, 10)
Al Shackman – guitar (track 8)
Warren Smith – string arrangements (track 5)
Selwart Clarke – string arrangements (track 6)



TRANS LUCENT CARRIAGES
By Tom Rapp

The translucent carriages
Drawing morning in
Dawn inside their pockets
Like a whisper on the wind

Every time I see you passing by
I have to wonder why ?

The soft touch of your words
Has been betrayed like love grown old
Or the silhouettes of children
Crying somewhere in the cold

Every time I see you passing by
I have to wonder why ?

The ancient night is coming back
The light is fading out
The tree is hid in shadow
In a fog of useless doubt

Go away go away
The imperative is drawn
All your symbols are shattered
All your sacred words are gone

The caravans are leaving
For the dawn of nothing
Lepers carry roses
To Jerusalem

In peace
Sons bury their fathers
In war
Fathers bury their sons

Love is silent
At the edge of the universe
Waiting
To come in

Jesus raised the dead
But who
Will raise the living

Every time I see you passing by
I have to wonder why


Size : 74 MB
Format : Red Coloured Vinyl LP
Made in : Firenze - Italy
Year : 1968
Label : Abraxas/Esp - Disk
Bitrate 320


MP3 From The Vinyl  HERE
Flac  From the CD (Size: 161 MB) HERE

Sunday, August 02, 2009

New Riders Of The Purple Sage : New Riders 1976


Origins: Early 1960s – 1969

The roots of the New Riders can be traced back to the early 60s folk/bohemian/beatnik scene in San Francisco, where future Grateful Dead guitarist Jerry Garcia, then considered to be one of the finest banjo players of the folk revival, often played gigs with like-minded guitarist David Nelson. The young John Dawson, also known as "Marmaduke", from a well-to-do family centered in Millbrook, New York, also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored with the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens while providing a vital link between the East Coast, Timothy Leary-dominated psychedelic scene and the West .


After attending a junior college in the Los Angeles area, Dawson returned to the Bay Area, where he decided to find his fortunes as a solo folksinger. Attending some of the Acid Tests and visiting the Dead at their commune in 1967, Dawson decided that it was his life's mission to combine the psychedelia of the San Francisco rock scene with his beloved electric country music. An early 1969 mescaline experience confirmed this, and the erstwhile perpetual student-cum-folkie began to compose songs on a regular basis. Some, such as "Glendale Train", were traditional country pastiches, while a number of others ("Last Lonely Eagle" and "Dirty Business") found him working in the milieu of a countrified Dead. Others, including the shuffle "Henry", were a combination of the two — traditional music combined with then-contemporary lyrics (the exploits of a marijuana smuggler, drug-related themes being a common motif in the New Riders' repertoire).


John Dawson
David Nelson
Spencer Dryden
Skip Battin
Buddy Cage


Tracks :

1. Fifteen days under the hood
2. Annie May
3. You never can tell
4. Hard to handle
5. Dead flowers
6. Don't put her down
7. Honkie Tonkin' ( I guess I done me some )
8. She's looking better evert beer
9. Can't get over you
10, The Swimming song

Size : 74 MB
Label : MCA Records
Made : In California USA
Format : Vinyl LP
Year : 1976
Genre : Country Rock
Bitratre 320

Take it HERE

Monday, July 27, 2009

Rockin' Bones - Psycho Mama EP [1994]











Rockin' Bones
Psycho Mama
EP 1994



Label: Παν! Records
Catalog#: 001
Format: Vinyl, 7"
Country: Greece
Released: 1994
Genre: Rock
Style: Rock'n'Roll , Indie , Noise [www.discogs.com]


Tracklisting:
A Psycho Mama
B1 Torpedo
B2 Never No More

Rockin' Bones :
Harry : L. vocals
Nick "Cage": Bass Uzi
S. "Pyros D." : Drums , vocals
Babi (Noise) B : Guitars

Produced and Mixed : Alex K. - T.H. Lime
Engineered by Coti Kyriakos
Lead Guitar on "Never No More" by T.H. Lime
Mp3 @ 320 & Scans
Take me Psycho Mama

Rockin'Bones are Babi Bone (guitar-vocals),Nick Cage (bass-vocals), S.Pyros D.(drums, vocals) . Babi and S.Pyros D. also perform with another importan Greek group, The Earthbound. Surely these guys don't know what fatigue means. They formed the band in 1992 and till now, they have been an unstoppable R'n'R machine, specializing in R'n'R noise. In 1994 they released a 7'' e.p. " Psychomama" and 3 years later a 7'' single "Mary Jane". Some of their songs are on several Greek independent labels compilation. Influences range from 50's r'n'r bands, The Ramones, Social Distortion, The Last Drive (the most legendary Greek r'n'r band ever!) to Rancid and Hellacopters with an upretending lust for tattoos and velocity. Their first album "On Fire" was released in Vinylust Records (2001). The fans have waited for ages but it was worthwhile. On Fire contains 13 R'N'R dynamites ready to exlpode your cd player!!! A new 7" single is out now since last October (Broke)from Blind Bastard Records. In early 2008, Fuzzy (ex Personality Crisis guitarist) joined the band and Adonis now performs with his swingjazzy group the Swing Shoes. 2008 was a great but also a horrible year for the band. Konstantinos Fuzzy Papahronis, the young and crazy guitarist but also a talented actor and person got killed in a car accident the night of December 2nd. We all miss him! R.I.P. The band is now rehearsing for some new gigs within this year. Until then Stay Sick!!! WARNING: If it's too loud, maybe you're too old!!!!
[www.myspace.com]

[www.mic.gr]



Discography
Wake Me Up : Track on VA - ΡΑΔΙΟ ΟΥΤΟΠΙΑ 4 - Workcamp [1993] Tape Compilation
Psycho Mama / Torpedo / Never No More : EP Παν! Records [1994]
Get Off My Back: track on VA - Toxic Babies In A Rock'n'Roll Land [1994]
Jimmy Bomber : track on VA - The Thing From Another World Vol.1 [1995]
Attitude : track on VA - Sub Collection No 2 [1997]
Attitude / Mary Jane : Single Bad Elvis Records [1997]
On Fire : CD Vinyl Lust records [2001]
Broke / Hard Way To Learn : Single Blind Bastard Records [2007]


Το νέο τους single κυκλοφορεί
ακόμα.
Πάρτε το από εδώ...

Sunday, July 26, 2009

dEUS : The Ideal Crash 1999


The Ideal Crash is the third studio album by the Belgian rock band dEUS , released in March 1999 . The album was recorded in Spain and it includes the single " Instant Street ", which became an underground hit in Europe . The album cover art is the first dEUS cd cover that does not feature a painting by ex-guitar player Rudy Trouvé .

The Ideal Crash was the first dEUS album to be directly released through a Major label (Island Records) but it's also the only dEUS album that didn't get a US release .

The album gained a quick success in Belgium by reaching Gold (25,000 copies) in one week . By April 2008 , The Ideal Crash had sold about 250,000 copies .

( Wiki )

Tracks :

1. Put the Freaks Up Front 5:14
2. Sister Dew 5:35
3. One Advice, Space 5:46
4. The Magic Hour 5:23
5. The Ideal Crash 5:00
6. Instant Street 6:15
7. Magdalena 4:58
8. Everybody's Weird 4:51
9. Let's See Who Goes Down First 6:23
10. Dream Sequence #1 6:31

THE MAGIC HOUR

I had a plan, was all made up
an angel was sent, for keeping all troubles away.
'Cause lady and I, we could not stop
as cool as a sigh, as volatile as something you say.

I had a dream, a simple plot
I held out my hand as if she'd never pushed it away.
The sun is still there, except it's not
beside her I care to linger even though it's not safe.

Godawful I adore you
angels were there before you
nothing can stop what we do
it's breaking us up in two.

Hey maybe should we ask it
could our friends be worthier.
Like things we trust for if we must
We must burn them.
And burn them good, real friends they would
be understanding if it came to us
and us we must we must turn to
the God of small things.
The God of small things.

I had a plan, was all made up,
as good it was then the magic hour seemed to be fading.
'Cause lady and I we could not stop
as cool as a sigh, as murderous as something you say.

Godawful I adore you
angels were there before you
nothing can stop what we do
it's breaking us up in two.

There is room if you can trust
for anyone like us.

Size : 130 MB
Bitrate 320
Take it HERE

Saturday, July 25, 2009

dEUS : In A Bar Under The Sea 1996


The band , whose songs are primarily sung in English , was founded in Antwerp in 1989 , but did not get its form until after Humo's Rock Rally of 1992 . In the tour that followed through Spain , set up by Filip Eyckmans , they laid the foundation for their sound . Deus displays a wide range of influences , including Captain Beefheart , Frank Zappa , Big Star , Sonic Youth , Flipper , Rapeman , Sun Ra and Mingus-style jazz , Leonard Cohen and the Velvet Underground . Consequently , they incorporate a wide variety of styles , including pop , folk , free jazz , noise rock and progressive into their work . They became the most successful (and influential) Belgian rock band ever .

Wiki http://en.wikipedia.org/wiki/Deus_(band)

Studio albums

Worst Case Scenario (1994)
In a Bar, Under the Sea (1996)
The Ideal Crash (1999)
Pocket Revolution (2005)
Vantage Point (2008)


Official website http://www.deus.be/



Tracks :

1. I Don't Mind What Ever Happens 0:46
2. Fell Off the Floor, Man 5:13
3. Opening Night 1:38
4. Theme from Turnpike 5:46
5. Little Arithmetics 4:30
6. Gimme the Heat 7:38
7. Serpentine 3:17
8. A Shocking Lack Thereof 5:52
9. Supermarketsong 1:56
10. Memory of a Festival 1:52
11. Guilty Pleasures 4:23
12. Nine Threads 3:34
13. Disappointed in the Sun 6:03
14. For the Roses 4:57 (also named "Roses")
15. Wake Me Up Before I Sleep 2:53




A SHOCKING LACK THEREOF

That's right I aim to please
That's right I aim to please

I'm acting like some kind of Victorian serf child
I have considered the possibility of trading fluids
on the platform of the underground station ,
but I have watched and I have seen ,
and I have counted all the passers-by
me and my friend here we have been engaged
in a search for some time months now
for houses hotels and highlights , experienced midwives .

For money to turn into medicine
and what do we find?
What do we find?
What do we find?
A shocking lack thereof. But wait...

Wear your moonboots , they suit you too

And more like Elvis Presley on the booze
believe that you have everything to lose .

That's right I aim to please
That's right I aim to please

Pay a visit to a nurse to have your head deloused
talk for hours about the politics of Mickey Mouse
You know how it is
Nighttimes , gotta get out of the house
Gotta get out of the house
Gotta get out of the house
Gotta get out of the house .

My life is for pleasure , a wiggle in flesh
I'm soaked and in malice , I'm all in distress .

And as I was promised my life is for rage
my guide is a drunk and a female bouquet .

My life's been mistaken for garbage and gold
My life is in private , I gotta move on 'till I'm old
'Till I'm old, 'till I'm old
I gotta move on 'till I'm old
I gotta move on 'till I'm old
That's right I aim to please
'Till I'm old, 'till I'm gone
'Till I'm gone, 'till I'm gone


Bitrate 320
 HERE

Thursday, July 23, 2009

The Hands of Cain - The Only Sound [2009]


The Hands of Cain
The Only Sound [2009]

LP features:

- 12”LP, DMM (Direct Metal Mastering) cut, 160 gramms, 33 1/3 rpm, black vinyl
- 7”EP, DMM (Direct Metal Mastering) cut, 33 1/3 rpm, white vinyl
- high quality pressing made in the Netherlands
- limited pressing of 500 copies
- 10 previously unreleased tracks including three live tracks from 1985
- printed disco inner sleeve
- transparent record sleeves for sleeve protection
- all copies include hand numbered and signed b/w photo

Price: 15,90 € plus shipping & packaging.
http://www.annaloguerecords.com/releases.htm#anna021

Για την Ελλάδα , μπορείτε να το παραγγείλετε από εδώ :
the_hands_of_cain@hotmail.com

Listen their songs :
http://www.myspace.com/thehandsofcain

THE HANDS OF CAIN "The Only Sound"
LP+7” Anna Logue Records
ANNA 021.2009/ANNA 021-7.2009
a1 In a Dark Cell 5:21
a2 Deadlips 3:11
a3 Pristine Passion 5:18
a4 Two Steps to the End 4:54
a5 The Dagger in me 5:09
b1 The Only Sound 4:41
b2 Deep Inside 5:26
b3 The Tears of Vanity 5:25
b4 Monodrama 3:49
b5 Royalty in Exile 3:33
c1 In a Dark Cell (Hit-The-Fly Mix) 5:19
c2 Deadlips (Filthy Mix) 3:10
d1 Pristine Passion (Full Vocals Version) 5:17

THE HANDS OF CAIN were Dimitris Chorianopoulos (vocals, bass), Spyros ‘S. Adam’ Floros (drums), Costas Papakitsos (synthesizers) and Dimitris Stamatiou (guitar) from Athens, Greece. In 1983 the HANDS OF CAIN evolved from of one of the first groups of the Greek punk scene of the early 80’s called Ausschwitss when their music was gaining a darker shade and their lyrics were changing to English. Unlike their former group, the HANDS OF CAIN had very little public exposure, but built their reputation amongst the lively Athenian dark wave/post punk scene of the time with a few live gigs in clubs like ‘Skylab’ and ‘Pegasus’. They finally split up in November 1985, and although none of their recordings was ever released their fame lived on. An end was put to this local hidden secret when Dimitris ‘Profitis’ Petrou sent Anna two tracks in Autumn 2007, “Two Steps to the End” and “The Dagger in Me”. Anna was blown away by those tracks and couldn’t believe they have remained unreleased. Of course, this had to be changed. The quality of HOC’s song writing is amazing, these are just strong compositions, and without any doubt, this album will perfectly line up with the best ever goth/dark wave albums being so close to Christian Death’s first recordings as well as the best songs by Bauhaus. Their tracks are pure mid 80’s despair and melancholy, typical of the goth/dark wave scene of the time, although such terms as goth or dark-wave had not yet been invented by journalists back then. The material was (more or less) preserved on dusty 8mm reels and worn-out cassette tapes – it is thanks to Dave Hewson, who digitally transferred and restored these tracks, we owe you much gratitude, Dave – that these essential songs do not remain in total obscurity. Prepare yourself for a milestone not only in Greek music history, but also in goth/dark wave history!

Κυκλοφόρησε επιτέλους και είναι καταπληκτικό!!!
Έχω αρχίσει σιγά σιγά και πακετάρω τους Bauhaus για να μπούνε στο ράφι...
Απίστευτη - βινυλιακή - κυκλοφορία 24 χρόνια μετά την τελευταία τους ηχογράφηση...
Κάντε το αμέσως sold out !!!
Αξίζει και το τελευταίο του σεντς.
Υ.Γ. Μην περιμένετε link , πρέπει να το αγοράσετε...
Από τα σπουδαιότερα ντεμπούτα και το καλύτερο σκοτεινό άλμπουμ της δεκαετίας του '80 για την Ελληνική σκηνή.
Ακούστε άφοβα...

http://tribe4mian.wordpress.com/2009/03/25/the-hands-of-cain-the-only-sound/