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Wednesday, August 26, 2009

ΦΩΤΙΕΣ 2009


Ευχαριστούμε Κυρ ' Αντώναρε , Κυρ Σουφλιά , Κυρ Μαρκογιαννάκη .
Ευχαριστούμε Κυβέρνηση , Ευχαριστούμε Αντιπολίτευση και λοιπά κόμματα γιά την άψογη αντιμετώπιση της φωτιάς .

Ευχαριστούμε !!!

Ευχαριστούμε για τις υποσχέσεις που μας δώσατε πριν σας ψηφίσουμε .

Ευχαριστούμε για τις υποσχέσεις που θα μας δώσετε για να σας ξαναψησίσουμε .

Δεν Ευχαριστούμε τα Πυροσβεστικά Σώματα , που με κίνδυνο τη ζωή τους μπήκαν μέσα στις φλόγες , για να σώσουν δασικές εκτάσεις από τους Οικοπεδοφάγους , τους Εμπρηστές , τους ανίκανους Πολιτικά υπεύθυνους , τους ανεύθυνους Μιζαρόρους της Πολεοδομίας .

Δεν ευχαριστούμε επίσης τους χειριστές των Καναντέρ και των Ελικοπτέρων , και τους Εθελοντές , οι οποίοι δίχως τον μίνιμουμ συντονισμό επί 4 ημέρες έπαιξαν τη ζωή τους κορώνα γράμματα !!!

Ευχαριστούμε Κρατικέ Μηχανισμέ που είσαι πάντα σ΄ ετοιμότητα , στο πλευρό του Ελληνα Πολίτη !!!

Ευχαριστούμε !!!

Θα χαρώ πολύ να σας ξαναψηφίσω !!! Ολους σας !

Marillion : Grendel FLAC



Hello my friends
( This photo was in Cefallonia )

I' m going for two weeks vacations , in the island of the other contributor of URBAN ASPIRINES , my brother friend George , ( Θείος ) , in Ionion Sea .
Maybe I' ll post some LPs from his PC , maybe not . Who knows ?
Otherways , see you again when I will return in Athens , after 14 September .
Before I leave you , I offer you the great song GRENDEL , from the first EP of MARILLION .

Keep on Rockin' in the free world .


GRENDEL is one of three antagonists, along with Grendel's mother and the dragon, in the Anglo-Saxon epic poem Beowulf (AD 700–1000). In the poem, Grendel is feared by all but Beowulf.

The poem Beowulf is contained in the Nowell Codex. As noted in lines 106–114 and lines 1260–1267 of Beowulf, Grendel's mother and Grendel are described as descendants of the Biblical Cain. Beowulf leaves Geatland in order to find and destroy Grendel, who has been attacking Heorot, killing and cannibalising anyone he finds there. Barring his lineage, all motives for his attacks are left up to the reader. Usually in most film or literature adaptions, Grendel attacks the hall after having been disturbed by the noise the drunken revelers have made. One cryptic scene in which Grendel sits in the abandoned hall unable to approach the throne hints that his motives may be greed or revenge. After a long battle, Beowulf mortally wounds Grendel by ripping his arm off. Grendel dies in his cave under the swamp. Beowulf later engages in a fierce battle with Grendel's mother, over whom he triumphs. Following her death, Beowulf finds Grendel's corpse and removes the head, which he keeps as a trophy. Beowulf then returns to the surface and to his men at the "ninth hour" (l. 1600, "nōn", about 3pm). He returns to Heorot, where he is given many gifts by an even more grateful Hroðgar.

( Wiki )

GRENDEL Lyrics

1. Heorots plea and grendels awakening

Midnight suns bid moors farewell, retreats from charging dusk
Mountain echo, curfews bell, signal ending tasks
They place their faith in oaken doors, cower in candlelight
The panic seeps through bloodstained floors as grendel stalks the night

Earth rim walker seeks his meals
Prepare the funeral pyres
The shapers songs no longer heal the fear
Within their eyes, [their eyes]

Wooden figures, pagan gods, stare blindly cross the sea
Appeal for help from ocean fogs, for saviour born of dreams
They know their lives are forfeit now, priestly head they bow in shame
They cannot face the trembling crowd that flinch in grendels name

Earth rim walker seeks his meals
Prepare the funeral pyres
The shapers songs no longer heal the fear
Within their eyes, [their eyes]



As grendel leaves his mossy home beneath the stagnant mere
Along the forest path he roams to hrothgars hall so clear
He knows that victory is secured, his charm will testify
His claws will drip with mortal blood as moonbeams haunt the sky

As grendel leaves his mossy home beneath the stagnant mere
Along the forest path he roams to hrothgars hall so clear
He knows that victory is secured, his charm will testify
His claws will drip with mortal blood, as moonbeams haunt the sky

Earth rim walker seeks his meals
Prepare the funeral pyres
The shapers songs no longer heal the fear
Within their eyes, [their eyes]



2. Grendels journey

Silken membranes span his path, fingerprints in dew
Denizens of twilight lands humbly beg him through
Mother natures bastard child shunned by leaf and stream
An alien in an alien land seeks solace within dreams
The shapers lies his poisoned tongue malign with mocking harp
Beguiling queen her innocence offends his icy heart



3. Lurker at the threshold

Hounds freeze in silence bewitched by the reptile spell
Sulphurous essence pervades round the grassy dell
Heorot awaits him like lamb to the butchers knife
Stellular heavens ignore even childrens cries

Screams are his music, lightning his guide
Raping the darkness, d-d-death by his side

Chants rise in terror, free round the oaken beams
Flickering firelight portraying the grisly scene
Warriors advance, prepare for the nightmare foe
Futile their sacrifice as even their hearts must know

Heroes delusion, with feet in the grave
Lurker at the threshold, he cares not for the brave, he cares not for the brave



4. Finale

So you thought that your bolts and your locks would keep me out
You should have known better after all this time
Youre gonna pay in blood for all your vicious slander
With your ugly pale skins and your putrid blue eyes
Why should I feel pity when you kill your own and feel no shame
Gods on my side, sure as hell
Im gonna take no blame
Im gonna take no blame
Im gonna take no blame

So you say you believe in all of mother natures laws
You lust for gold with your sharpened knives
Oh when your hoards are gathered and your enemies left to rot
You pray with your bloodstained hands at the feet of your pagan gods

Then you try to place the killers blade in my hand
You call for justice and distort the truth
Well Ive had enough of all your pretty pretty speeches
Receive your punishment
Expose your throats to my righteous claws
And let the blood flow, and [let the blood flow], flow, flow, flow.



Flac  Here




Sunday, August 23, 2009

Klaus Schulze : Dig It ( originally released in 1980 ) - ( digital recording 2005 )


In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream ( A German Ellectronic group ) for their debut album Electronic Meditation. In 1970 he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he chose again to leave a newly-formed group after only one album, this time to mount a solo career. In 1972, Schulze released his debut album Irrlicht with organ and a recording of an orchestra filtered almost beyond recognition. Despite the lack of synthesizers, this proto-ambient work is regarded as a milestone in electronic music. The follow up, Cyborg, was similar but added the EMS Synthi A synthesizer.


Since this point, Schulze's career has been most prolific, and he can now claim more than 40 original albums to his name since Irrlicht. Highlights of these include 1976's Moondawn (his first album to feature the Moog modular synthesizer), 1979's Dune, and 1995's double-album In Blue (which featured one long track with electric guitar contributions from his friend Manuel Göttsching of Ash Ra Tempel). Schulze often takes German events as a starting point for his compositions, a notable example being on his 1978 album "X" (the title signifying it was his tenth album), subtitled "Six Musical Biographies", a reference to such notables as Ludwig II of Bavaria, Friedrich Nietzsche, and Wilhelm Friedemann Bach. His use of the pseudonym Richard Wahnfried is indicative of his interest in Richard Wagner, a clear influence on other albums, such as Timewind.


Throughout the 1970s he followed closely in the footsteps of Tangerine Dream, albeit with far lighter sequencer lines and a more reflective, dreamy edge, not unlike the ambient music of his contemporary Brian Eno. It is to be noted that some of his lighter albums are appreciated by new age music fans, despite the fact that Schulze has always denied connections to this genre.

Klaus Schulze had a more organic sound than other electronic artists of the time. Often he would throw in decidedly non-electronic sounds such as acoustic guitar and a male operatic voice in Blackdance, or a cello in Dune and Trancefer. Schulze developed a Minimoog technique that sounds uncannily like an electric guitar, which is quite impressive in concert.



In the 1980s Schulze moved from analog to digital instruments, and his work accordingly became less experimental and more accessible. Although the switch to purely digital recording and instruments is evident in the style of Dig It (1980) It was not until the release of Trancefer (1981) that the shift in style became evident. Trancefer was far more obviously reliant on sequencers than previous recordings, and the resultant effect transformed Schulze's style from gentle melodic journeys to and ever growing crescendo of music consisting of multi layered rhythmical passages. This is particularly evident in the Trancefer's first track "A few moments after Trancefer", although the second track "Silent Running" is more reminiscent of Schulze's earlier works.

Dig It is the thirteenth album by Klaus Schulze. It was originally released in 1980, and in 2005 was the sixth Schulze album reissued by Revisited Records. It is Schulze's first fully digital recording.



Tracks

1. Death of an Analogue 12:24
2. Weird Caravan 5:15
3. The Looper isn't a Hooker 8:28
4. Synthasy 23:09
5. Esoteric Goody ( Bonus Track )

The official Website
http://www.klaus-schulze.com/

Recorded : May to September 1980 , Hambühren
First Release : 31 October 1980
Performed by : Klaus Schulze & Fred Severloh (drums)
Size : 181 MB
Bitrate : 320

This is the best Ellectronic Progressive Album I' ve ever heard !
It' s a Masterpiece !!!
An Atmosferic journey full of Psychedelic colours and angry soffocated clouds travelling on a purple sky !
The Percussions on track : Death of an Analogue , are Amazing !!!


                                                                MP3 HERE

Flac HERE

Saturday, August 22, 2009

The Sisters Of Mercy : The Reptile House E.P 1983


Side 1

1. Kiss the carpet
2. Lights

Side 2

1. Valentine
2. Fix
3. Burn

Biography and The Sisters Of Mercy : ( Alice 12" EP ) HERE




Size : 59 MB
Format : Vinyl EP
Label : A Mercyful Release MR 023
Made : In Holland
Bitrate 320

Take it HERE

Friday, August 21, 2009

Gotlib







Gotlib (born Marcel Gotlieb July 14, 1934, in Paris) is a French comics artist/writer and publisher. Through his own work and the magazines he co-founded, L' Écho des Savanes and Fluide Glacial, Gotlib was one of the key figures in the switch in French-language comics from their children's entertainment roots to an adult tone and readership. His series include La Rubrique-à-Brac, Gai-Luron, Superdupont, and Hamster Jovial. His trademark style fuses English-style nonsense, Jewish-American humour and French ribaldry, with a penchant for exaggeration of movements and sound effects.


Official Site
http://www.marcelgotlib.com/

http://lambiek.net/artists/g/gotlib.htm

Johnny Thunders : Bootlegging The Bootleggers 1990


This is the original Vinyl LP cover

This is a legitimate release of a collection of bootleg recordings. Most of this is very good material and the sound is generally good. Johnny introduces most of the songs and you're bound to find something here that you like. If you're looking for bootleg recordings then you should start here because Johnny's estate gets some royalties off this.

Side 1

1. M.I.A
2. In Cold Blood/I' m Not Your Stepping Stone/Hit The Road Jack
3. Personality Crisis
4. Joey Joey
5. Sad Vacation
6. Jittle Queenie

Side 2

1. Pipeline
2. Just Another Girl
3. You Can' t Put Your Arms Around A Memory
4. As Tears Go By
5. I Can Tell
6. Wipe Out


Recorded Live around the world between 1985 and 1989 .


Size : 98 MB
Year : 1990
Label : Jungle Records
Format : Vinyl LP
Made in England
Bitrate 320

Take it HERE

Many thanx to my friend Tasos

Thursday, August 20, 2009

The Aggrolites : The Aggrolites 2007


The Aggrolites are an amalgamation of two previous Los Angeles reggae and ska bands, the Vessels and the Rhythm Doctors. They formed in 2002 as a live backing band for reggae icon Derrick Morgan, and were asked to record music for a new Morgan album. The project was never released but the recording sessions inspired the Aggrolites to become a permanent band. They have served as the backing band for Phyllis Dillon, Scotty, Joseph Hill of Culture, Prince Buster, and Tim Armstrong.

The Aggrolites is their self-tilted album , released in 2006 - 2007 . It is their second album overall and first on Hellcat Records .

The Aggrolites are something more than a band . As Sublime once were , at this point in time , it is the Aggrolites who are leading a musical movement in their own right . They have developed their own musical identity playing dirty reggae , a mix of reggae , soul , rocksteady and ska that creates an atmosphere of "feel good music" to be enjoyed now in Athens .

They will be appearing live on 26 August at the AN Club , Athens , Greece .

The ticket costs only 16 Euro !!!

Ελάτε ρε Ρεμάλια να δείτε μιά μπάντα που γαμάει !!!
Eγώ κι ο κολλητός μου ο " Τάσος Rancid " από την Hyena θα' μαστε μέσα !!!

Tracks

1. Funky Fire 4:10
2. Mr. Misery 3:34
3. Time to Get Tough 2:23
4. Thunder Fist 2:50
5. Countryman Fiddle 3:49
6. Work to Do 3:02
7. Death at Ten Paces 2:53
8. Someday 4:15
9. The Volcano 3:03
10. Heavier Than Lead 3:27
11. Sound of a Bomshell 2:57
12. Fury Now 3:10
13. 5 Deadly Venoms 3:15
14. Grave Digger 3:49
15. Prisoner Song 3:52
16. Love Isn't Love 3:49
17. Sound By The Pound 3:48
18. Lightning & Thunder 3:39
19. A.G.G.R.O. 4:24


Jesse Wagner - vocals, guitar
Brian Dixon - rhythm guitar
J Bonner - bass
Roger Rivas - organ, keyboards
Scott Abels - drums
Tom Cook - trombone
Ethan Avineri - trumpet
Jeff Roffredo - backing vocals

The Aggrolites : Reggae Hit LA ( Album ) Take it HERE

Size : 154 MB
Bitrate 320
Label : HellCat Records

The Aggrolites : The Aggrolites Take it HERE