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Thursday, January 30, 2025

The David: Another Day, Another Lifetime 1968

 

The David was an American garage rock/psychedelic rock band from Los Angeles, in southern California who were active in the 1960s and early 1970s. They are known for songs such as "40 Miles," which became a minor hit in Bakersfield. They began with a basic garage approach but later expanded


their creative palette to incorporate esoteric and baroque elements on the 1967 album, Another Day, Another Lifetime. They continued for a few more years but disbanded in the early 1970s.
The band was started by the neighbors in Brentwood CA, Tim Harrison (drums) and Warren Hansen (vocals and keyboards). Their friends from the Palisades High School, Mike Butte on guitar and Chuck Spieth on bass, joined.
                     

The lead guitarist Mark Bird was the last. Initially named 'The Reasons' the changed the name due to a quote of their manager, who told, to get a hit record is as difficult as a fight between David and Goliath. The group often played gigs in the Los Angeles area and their manager, Steven Vail, succeeded in

getting the band signed to 20th Century Fox's record label. They recorded two 7-inch singles for 20th Century Fox. The first of these was recorded in the fall of 1966 and released in early 1967. It featured the song, "40 Miles," which became a hit in Bakersfield California, reaching #19 on the local charts, and was backed with the B-side "Bus Token." They followed up with another 45, "People Saying, People Seeing," which came out in April. Shortly thereafter, Mike Butte departed from the group, and 20th Century Fox released them from their contract.
                   

The band was able to secure arrangements with VMC Records (Vance Music Company) and became the first act to sign with the label. They went into the studio to record a full-length album, Another Day,

Another Lifetime, which included baroque orchestration arranged by Gene Page on some of its tracks and saw the band further explore eclectic and esoteric influences in a fashion not dissimilar to the Left Banke, but retaining the harder rocking garage-based edge of their previous work. Warren Hanson wrote all of the songs on the album during the sessions and invented an instrument called the "plasmatar," which sounds similar to an electric cello and can be heard on some of tracks.


ANOTHER DAY, ANOTHER LIFETIME 1968

                          


Recorded in 1967, but released in early 1968, another example of a solid one-and-done album from a group of 4 fairly young guys who absolutely vanished from the face of the earth after this release. An all-too common theme among late-60s bands. The album has psychedelic influences a-plenty, but also

features some high-brow orchestration. They don't overkill us with the orchestration, so it remains tolerable throughout the listening experience. It's definitely a pop album, but not too lightweight. Quite a few of these tracks have some nice fuzz tone guitar. Vocal harmonies and backing vocals are present throughout, but Warren Hansen handles the lion's share of the lead vocals. Loads of 60's flavor here. Very of its time.
         

Not to overdo The Left Banke comparison, but any fan of that group will enjoy this a lot as well, as it has a similar fusion of pure pop hooks, imaginative baroque orchestration, and fragile romantic

songwriting. The David have more of a rock drive, however, are more apt to employ period psychedelic flourishes (such as the wobbling distorted guitar riffs on "Mirrors of Wood"), and take on more whimsical, less personal lyrical concerns. The beautiful, suite-like title cut, the organ-powered "Sweet December," and "Now to You" are highlights. A 2001 CD reissue on Jamie adds a couple of previously unreleased songs.
                    

Really awesome garage-y pop with kitchen sink symphonic production giving proceedings an epic and

unique feel. Aside from all the bells and whistles the songwriting is genuinely catchy and memorable with "Tell Me More" tapping into a British Invasion-level of hysteria. The self-made 'plasmatar' on "Time M" and "Mirrors of Wood" sounds like some kind of psychedelic cello and trips your brain into another dimension.
                                

The David – Another Day, Another Lifetime
Label: J/G – JAMIE 4018, Jamie – JAMIE 4018
Format: CD, Album, Reissue, Stereo 2001
Country: US
Released: 1968
Genre: Rock
Style: Pop Rock, Psychedelic Rock

TRACKS

                               


01. Another Day, Another Lifetime / I Would Like To Know    5:54
02. I'm Not Alone    1:51
03. Sweet December    3:04
04. Tell Me More    2:31
05. Now To You    2:50
06. Professor Crawford    2:41
07. Time M    3:55
08. So Much More    2:18
09. Mirrors Of Wood    3:46
10. Of Our Other Days    2:07


PREVIOUSLY UNISSUED BONUS TRACKS        

    
11. I Don't Care    3:02
12. Mister, You're A Better Man Than I (Written-By – Mike Hugg)   2:52

LINE - UP


Bass – Chuck Spieth
Drums – Tim Harrison
Lead Guitar – Mark Bird
Rhythm Guitar - Mike Butte
Vocals, keyboards (Farfisa Compact Organ "Plasmatar", Written-By – Warren Hansen

NOTES


2001 Jamie / Guyden Dist. Corp.
The original session tapes remixed in Stereo.
Bonus tracks recorded March, 1968

Flac Size: 234 MB

Wednesday, January 29, 2025

Captain Süün: Beach Burrito 2018

 

The first fruit to bear from this relationship, the Beach Burrito EP, is a laser-targeted detonation of


garage-psych, capable of putting most of their grizzled garage-psych elders to shame. Breezy jangle-pop gives way to ruthless fuzz breakdowns, and all of it rips hard enough to satisfy even the most discerning of the genre’s broad church.
                  

The quartet, whose expansive appreciation for psych far exceeds most, recognise the importance of

songs above all else. Frontman Dan Dale – a songwriter first and foremost – is incredibly skilled at tapping the well of the Lizard King, as well as influences ranging from John Martyn to The Byrds. The menacing and spacious ‘Amber’ and the Segall-infused stomper ‘Skyline’ conclusively prove that the Bristolian upstarts aren’t at all concerned with having big shoes to fill.
                           

Part of a number of releases that will forever define a particular time (2017-2018) and a particular place (Bristol) to me. Suun were the darlings of a little grungey revival scene at the time. Local record label

Stolen Body put out a beautiful ocean-swirl coloured vinyl of this all of this mixed with their genuinely brilliant melodic surfy garage-psych will give you warm feelings. This EP is a perfect introduction to the raw energy of the band, whilst showcasing that they are more than a one trick pony and can produce great tracks in record too.
                   

Formed via the spirit of adolescent excitement in Bristol at the tail end of 2016, Captain Süün are a

band well and truly beyond their tender years. Following a handful of gigs in 2017 - and a raucous set at Bristol Psych Fest’s opening event in July - they immediately caught the attention of revered Stolen Body Records, with a deal soon struck.
              

Captain Süün – Beach Burrito
Label: Stolen Body Records – SBR050
Format: CD, EP
Country: UK
Released: May 25, 2018
Genre: Rock
Style: Psychedelic Rock

TRACKS
                             


01. Sky Line   3:57
02. Beach Burrito   3:57
03. Amber   5:25
04. In Your Mind   4:34

Total length: 17:53
                          

Tuesday, January 28, 2025

Morka: There Was A Time... 1971-73

 

Probably the best psychedelic band that ever came from Greece. With members coming from


Greece, USA and Canada and with a british female vocalist, "There was a time…" is here to blow your mind away!!! During the difficult years of the dictatorship in Greece (1967-1974), a band was formed which was the origin of Morka. Its leader was the late Dorian Kokas, a Greek who left America in 1968 to hide in Greece, deserting the expeditionary force that the American Government was sending to Vietnam.
                             

The band begun in 1970 as STONE DEEP and is responsible for the production of the rarest greek

private single nowadays. This group, founded in late 1970 by John Jungemann and Dorian Kokas, was called Stone Deep. It set the trend of the basic characteristics of Morka, which was a four-part harmony band.
                         

Followed by many line-up changes, MORKA presented 2 more singles for Greek POLYDOR in 1972 and the next year they made their 7-track magnus-opus demo. This album contains all their 3 singles

plus the 7 tracks of the unreleased back in 1973 demo. All the elements that make an album to be a treasure for the psychoheads are present. Excellent male-female vocals (all but one sung in english), lots of harmonies and melodies, tons of fuzzy guitars and bombastic drum breaks. The late 60's american psychedelic and the early 70's british acid-folk influences are obvious in this album but MORKA play their own music.
                                

Morka – There Was A Time...
Label: Not On Label (Morka) – none
Format: CD, Compilation, Unofficial Release 2006
Country:    
Released: 1971 - 73   
Genre: Rock
Style: Folk Rock, Psychedelic Rock

TRACKS

                       


01. Fair Lady Of 1860   6:03

Written-By – D. Kokas
02. Fourteen Young Children   2:36

Written-By – D. Kokas
03. I See   2:16
Written-By – D. Kokas, M. Moraitis
04. And So She Flies   2:03
Written-By – D. Kokas
05. Squeezing Pimples   1:13
Written-By – P. Papadeas
06. Winter's Here   3:16
Written-By – D. Kokas, J. Jungemann
07. Disassociation   1:05
Written-By – D. Kokas
08. Judy   3:50
Written-By – D. Kokas, J. Jungemann
09. Avenue Winter   5:28
Written-By – D. Kokas
10. She Shouts   2:08
Written-By – D. Kokas, M. Moraitis
11. Ann  2:18
Written-By – D. Kokas
12. Looking For The Past   2:06

Written-By – D. Kokas
13. Γιατί? [Why?]   2:19
Written-By – D. Kokas
14. Just Like the film   4:14

Written-By – D. Kokas

LINE - UP

                              


Dorian Kokas - (Real Name: Κωνσταντίνος Κόκκας) - Guitar, Vocals (Passed away on November 18, 2009) Member of The Groups: Agapanthos, CC Blues King and Morka)
Bass – Antonis Bravos (tracks: 05, 06), Dorian Kokas (tracks: 01 to 04)
Drums – Reiner (tracks: 03, 04), Michalis Orphanidis (tracks: 05 to 14)
Vocals, Effects – Pamela Leake
Vocals – Dorian Kokas, George "Tambre" Tambakopoulos (tracks: A5, A6), John Jungemann (tracks: 01, 02), Mike Moraitis (tracks: 03, 04), Pamela Leake (tracks: 05 to 14), Paul Papadeas (tracks: 05 to 14)
Electric Bass – Leigh Sioris
Flute – Kirk Esco (tracks: 01 to 04)
Guitar – Dorian Kokas, John Jungemann (tracks: 01, 02), Paul Papadeas (tracks: 05 to 14)
Harmonica, Contrabass – Paul Papadeas
Piano – Dorian Kokas (tracks: 01, 02, 05, 07, 09, 11, 12), Mike Moraitis (tracks: 03, 04)
                             


Το ψυχεδελικό συγκρότημα Morka, σχηματίστηκε το 1971.
Τα μέλη του ήταν οι: 

                          


Ντόριαν Κόκας - (Αληθινό όνομα¨Κωνσταντίνος Κόκκας) - κιθάρα, φωνή (Πέθανε 18 Νοεμβρίου 2009) Συμμετείχε στους:  CC Blues King, Αγάπανθος και Morka)


Αντώνης Μπράβος
- μπάσο
Πωλ Παπαδέας - κιθάρα, φωνή
Τζωρτζ Ταμπακόπουλος - τραγούδι
Μιχάλης Ορφανίδης - ντράμερ
Πάμελα Ληκ - φωνή
Reiner - Drums
Kirk Esco - Φλάουτο
John Jungemann - κιθάρα
Μιχάλης Μωραίτης - πιάνο


                      


Το ψυχεδελικό συγκρότημα Morka, σχηματίστηκε το 1971. Αρχηγός του ήταν ο αείμνηστος Ντόριαν Κόκας, Έλληνας που έφυγε το 1968  από την Αμερική για να κρυφτεί στην Ελλάδα,

λιποτακτώντας από το  εκστρατευτικό σώμα που η Αμερικανική Κυβέρνηση έστελνε στο Βιετνάμ.
Άλλα μέλη του συγκροτήματος: Αντώνης Μπράβος, Πωλ Παπαδέας, Τζωρτζ Ταμπακόπουλος, Μιχάλης Ορφανίδης και Πάμελα Ληκ. Εμφανίζονται σε Κινηματογράφους, σε Σχολεία για ενίσχυση μαθητικών εκδρομών (εξαήμερων) και σε κλαμπάκια. Το συγκρότημα διαλύεται τον Απρίλιο του 1973, ύστερα από τον σοβαρό τραυματισμό του Μιχάλη Ορφανίδη.
                         

Συγκεκριμένα, τα ξημερώματα της 21 Απριλίου 1973, ο Ορφανίδης διερχόμενος την οδό Σπευσίππου, τραυματίστηκε πολύ σοβαρά, από έκρηξη βόμβας που είχε τοποθετηθεί κάτω από αυτοκίνητο. Την

βόμβα, την είχε βάλει εκεί, ο κτηνίατρος Ιπποκράτης Σαβούρας, που με το ψευδώνυμο «Συνταγματάρχης Πορφύρης», αγωνιζόταν να ρίξει τη χούντα. Ευτυχώς, αν και όλοι πίστευαν το αντίθετο, ο Μιχάλης Ορφανίδης, δεν έχασε το αριστερό πόδι.Τα περισσότερα που έχουν γραφτεί για αυτό το συγκρότημα, είναι ανακρίβειες, και ανακυκλώσεις από διάφορες φήμες. Μέχρι σήμερα, δεν έχει γραφτεί, η πραγματική ιστορία.

Flac Size: 248 MB

Sunday, January 26, 2025

Gravy Train: Second Birth 1973 + Staircase To The Day 1974

 

Prog rock band from Lancashire, UK, formed in 1969 by guitarist/vocalist Norman Barratt. After they managed to get a contract with the famous Vertigo label their first outing aptly named Gravy Train hit the street in early 1971. Their 2nd album, by many critics and followers hailed as their best, came later


that same year titled: (A Ballad Of) A Peaceful Man (december 1971). That also saw the ending of contractaul obligations with Vertigo. However Dawn records signed them for another 2 albums: Second Birth was released in 1973 and Staircase To The Day in 1974. The group’s core members were Norman Barratt (vocals/guitar; b. 5 February 1949, d. 30 July 2011), Barry Davenport (drums), J.D. Hughes (woodwind/keyboards/vocals) and Les Williams (bass/vocals).
                           

Their first, self-titled 1970 album was dominated by Hughes’ flute melodies, which earned the group initial comparisons to Jethro Tull, as well as extended rock riffs. One of the songs, ‘Tribute To Syd’,

was an obvious salute to the genius of Syd Barrett. The follow-up collection, which sold poorly, was Ballad Of A Peaceful Man. Despite its relative lack of success, many critics considered it to be far superior to the group’s debut, with its complex arrangements, strong musical values and disciplined vocals attracting particular praise.
                         

Though they continued to draw crowds on their extensive UK touring schedule, Vertigo became frustrated with their lack of record sales, leading to a move to Dawn. For their final album, 1974’s

Staircase To The Day, the group experimented with Greek folk and classical signatures (notably on the Bach-inspired title track), while Roger Dean supplied the cover artwork. The group utilized a wide variety of collaborators for this album, including Russell Cordwell (drums), Jim Frank (drums), George Lynon (guitar), Pete Solley (synthesizer) and Mary Zinovieff (synthesizer/violin). Original drummer Davenport had now left, and the rest of the band elected to close their career after further moderate sales.
                                   

GRAVY TRAIN - SECOND BIRTH 1973

      

                      

This is Gravy Train, and I like this album even more than it's predecessor and successor. By the way,

second part (instrumental) of title track is one of the most beautiful melodies I've ever heard. And such raisin is present on all GT albums (e.g. ending of title track Staircase to the day). Gravy Train have really surpassed themselves with this marvellous melange of music, featuring big romantic orchestral numbers on Side One and hard and heavy rockers on Side Two.
(Raleks)
                    

Gravy Train – Second Birth
Label: Sequel Records – NEM CD 612
Format: CD, Album, Reissue, Remastered 1991
Country: UK
Released: 1973
Genre: Rock
Style: Prog Rock

TRACKS

                  



01. Morning Coming   6:40
02. Peter   4:08
03. September Morning News   5:40
04. Motorway   5:47
05. Fields And Factories 8:39
06. Strength Of A Dream   4:00
07. Tolpuddle Episode   5:10
08. Second Birth   7:01

BONUS TRACK        

    
09. Goodtime Girl   4:15
Written-By – N. Barratt

LINE - UP


Norman Barratt / guitar, lead vocals
George Lynon / guitar
J. D. Hughes / flutes, sax, keyboards, vocals
Lester Williams / bass, backing vocals
Barry Davenport / drums & percussion (1,5,7)

WITH


Russell Cordwell / drums (2-4,6,8,9)

NOTES


Track 9 from single B-side of " Starbright Starlight " ( 1974 ) [Dawn DNS1058]. On original version is credited as " Good Time Thing ".
Track 9 is a bonus selection.

Flac Size: 355 MB

GRAVY TRAIN - STAIRCASE TO THE DAY 1974

            


A very beautiful album by GRAVY TRAIN is "Staircase to the Day", even though many, as mentioned,


swear to "Ballad to a Peaceful Man". Musically they´re sort of a mix of good solid UK prog / rock / folk (plenty of wonderful flute playing.), incorporating some lovely sweeping string arrangements, giving the music a rich orchestrated fullness.
                                 
                

Gravy Train – Staircase To The Day
Label: Repertoire Records – REPUK 1089
Format: CD, Album, Limited Edition, Reissue 2007
Country: UK
Released: 1974    
Genre: Rock
Style: Hard Rock, Prog Rock

TRACKS

                        


01. Starbright Starlight   4:27
Written-By – Barrett
02  Bring My Life On Back To Me   5:44

Written-By – Barrett
03  Never Wanted You   4:00

Written-By – Barrett
04  Staircase To The Day   7:29

Written-By – Barrett
05  Going For A Quick One   5:14

Written-By – Candy Carr, Vic Smith
06  The Last Day   5:35
Written-By – Barrett
07  Evening Of My Life   2:59

Written-By – Hughes, Barrett
08  Busted In Schenectady   8:11

Written-By – Barrett

BONUS TRACKS        

       
09. Starbright Starlight   4:13

Written-By – Barrett
10. Good Time Thing   4:15

Written-By – Barrett
11. Climb Aboard The Gravy Train   3:08

Written-By – Barrett
12.  Sanctuary   4:02
Written-By – Barrett

LINE - UP


Norman Barratt / acoustic & electric guitars, vocals
George Lynon / acoustic & electric guitars
J. D. Hughes / flute, piano, e-piano, organ, clavinet, Mellotron
Lester Williams / bas
Russell Cordwell / drums

WITH


Mary Zinovieff / synth (4), electric violin (8)
Peter Solley / synth (1,5)
Jim Frank / drums & percussion (1,5), harp (3)
Patricia Cole / backing vocals (8)
Gospel Ayres / backing vocals (5)
Bobby Harrison / backing vocals (2,5,8)
Victor Smith / cowbell (5), producer

NOTES


Limited Edition (3000 copies)

Flac Size: 441 MB

 

Gravy Train on Urban Aspirines (2 Albums 1970 + 1971) HERE