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Showing posts with label Uriah Heep. Show all posts
Showing posts with label Uriah Heep. Show all posts

Saturday, January 31, 2026

Uriah Heep: Salisbury 1971 + Look At Yourself 1971 + Demons And Wizards 1972

 

Among venerable UK rock institutions, with Black Sabbath and Jethro Tull dispersing, we are, perhaps, really, down to just Deep Purple, Yes and Uriah Heep left to uphold the tradition of quality original


progressive hard rock forged at the very beginning of a golden era for this music, late ‘60s into the nexus year that was 1970. At that crossroads, along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep helped invent a decorative and uniquely British form of heavy metal with their debut album, Very ‘Eavy, Very ‘Umble. The record was offered as a self-titled on American shores, but whatever the titling, it was historically massive in the invention of a music format that would rule the ‘70s and only intensify in the ‘80s.

        

It is from those roots, with classic, crucial slabs of nascent metal such as “Gypsy,” “Bird of Prey” and “Walking in Your Shadow,” that Uriah Heep began their ascendance both at home and in the US, culminating in their most enduring works, Demons and Wizards, The Magician’s Birthday and Sweet Freedom, all of which went gold in the States, entering the Billboard Top 40, ensuring years of concert


dominance for the band throughout the ‘70s. Furthermore, Uriah Heep have been responsible for the most elevated and intelligent use of vocals in a heavy metal context amongst the major bands inventing the genre in the 1970s. It is for this reason Heep were coined the Beach Boys of Heavy Metal, and their influence is there for all to see in other bands including the likes of Sweet and Queen. The band were also one of the forerunners with respect to the integration of Hammond organ, along with Mick’s signature wah-wah guitar, a combination that became the template for their sound.
                          

Uriah Heep is an English rock band formed in London in 1969. Their current lineup consists of guitarist Mick Box, keyboardist Phil Lanzon, lead vocalist Bernie Shaw, drummer Russell Gilbrook, and bassist

Dave Rimmer. They have experienced numerous lineup changes throughout their 53-year career, leaving Box as the only remaining original member. Notable former members of the band are vocalists David Byron, John Lawton, John Sloman and Peter Goalby, bassists Gary Thain, Trevor Bolder, John Wetton, Bob Daisley, Paul Newton, and John Jowitt, drummers Nigel Olsson, Iain Clark, Lee Kerslake and Chris Slade, and keyboardists Ken Hensley and John Sinclair.
                              

Uriah Heep were part of the early 1970s rock scene, and have been referred to as pioneers of the hard

rock, heavy metal and progressive rock genres. The band has sold over 40 million albums worldwide with over four million sales in the U.S, where its best-known songs include "Gypsy", "Easy Livin'", "The Wizard", "Sweet Lorraine", and "Stealin'". They also maintain a significant following and perform at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia, Finland and Scandinavia.
                                        

01. URIAH HEEP - SALISBURY 1971

                                  


On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy

and ornate epic-length composition. Highlights on the song-oriented side include "Bird of Prey," a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and "Lady in Black," a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. The big surprise on this side is "The Park," a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards. It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley.
                             

Uriah Heep – Salisbury
Label: Sanctuary Midline – SMRCD049
Format: CD, Album, Deluxe Edition, Reissue, Remastered 2003
Country: Europe
Released:1971    
Genre: Rock
Style: Hard Rock, Prog Rock

TRACKS

                           


01. Bird Of Prey    4:14
02. The Park    5:44
03. Time To Live    4:03
04. Lady In Black    4:42
05. High Priestess    3:41
06. Salisbury   16:17
Arranged By [Brass & Woodwinds] – John Fiddy

BONUS TRACKS            

    
07. Simon The Bullet Freak (US Album Version)    3:27
08. Here I Am (Previously Unreleased Version)    7:50
09. Lady In Black (Previously Unreleased Version)    3:33
10. High Priestess (Single Edit)    3:38
11. Salisbury (Previously Unreleased Single Edit)    4:21
12. The Park (Previously Unreleased Version)    5:18
13. Time To Live (Previously Unreleased Version)    4:14

LINE - UP


David Byron – lead vocals (except "Lady in Black" and "High Priestess")
Mick Box – lead guitar, acoustic guitar, backing vocals
Ken Hensley – organ, piano, slide guitar, acoustic guitar, harpsichord, vibraphone, backing vocals, lead vocals on "Lady in Black" and "High Priestess"
Paul Newton – bass guitar, backing vocals
Keith Baker – drums


Flac Size: 513 MB

02.  URIAH HEEP - LOOK AT YOURSELF 1971

                              


The third time proved to be the charm for Uriah Heep: on Look at Yourself, the group perfects its fusion of heavy metal power and prog rock majesty, and the result is one of the best albums in the Heep catalog.

The gauntlet is thrown down on the title track, a powerful rocker that layers its relentless hard rock attack with ornate vocal harmonies and quicksilver organ runs before climaxing with a tribal-sounding drum jam. The remainder of Look at Yourself presents an effective blend of gutsy guitar rock and organ-fueled prog excursions. In the rock arena, the gems are "Tears in My Eyes," a powerful rocker driven by an almost rockabilly-style riff that stops midway for a surprising vocal harmony break supported by smooth wah-wah guitar, and "Love Machine," a short, punchy slice of hard rock built on an infectious, stomping rhythm.
                           

Uriah Heep – Look At Yourself
Label: Castle Music – CMRCD671
Format: CD, Album, Deluxe Edition, Reissue, Remastered, Expanded
Country: Europe
Released: Oct 25, 2004
Genre: Rock
Style: Hard Rock, Prog Rock, Classic Rock

TRACKS

                             


01. Look At Yourself    5:11
02. I Wanna Be Free    4:01
03. July Morning    10:32
04. Tears In My Eyes    5:01
05. Shadows Of Grief    8:39
06. What Should Be Done    4:13
07. Love Machine    3:420

BONUS TRACKS        

    
08. What's Within My Heart (Out-Take From Look At Yourself Sessions)    5:24
09. Why (Look At Yourself Out-Take)    11:18
10. Look At Yourself (Alternative Single Version)    3:19
11. Tears In My Eyes (Extended Version, Previously Unreleased)    5:38
12. What Should Be Done (Out-Take, Original Studio Version)    4:26
13. Look At Yourself (BBC Session, Previously Unreleased)    4:32
14. What Should Be Done (BBC Session, Previously Unreleased)    3:26

LINE - UP


Lead Vocals – David Byron
Lead Guitar, Acoustic Guitar – Mick Box
Bass – Paul Newton 
Drums – Iain Clark
Organ, Piano, Guitar, Acoustic Guitar, Vocals – Ken Hensley
Written-By – Byron (tracks: 5, 7, 9), Hensley, Box (tracks: 7, 9), Newton (tracks: 9)

Flac Size: 480 MB

03.  URIAH HEEP - DEMONS AND WIZARDS 1972

                      


This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it

starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies. Other highlights include "Traveller in Time," a fantasy-themed rocker built on thick wah-wah guitar riffs, and "Circle of Hands," a stately power ballad with a gospel-meets-heavy metal feel to it. Demons and Wizards also produced a notable radio hit for the band in "Easy Livin'," a punchy little rocker whose raging blend of fuzz guitar and swirling organ made it feel like a '70s update of classic '60s garage rockers like the Electric Prunes or Paul Revere & the Raiders. However, the top highlight of the album is the closing medley of "Paradise" and "The Spell".
                     

Uriah Heep – Demons And Wizards
Label: BMG – BMGCAT2CD58, Sanctuary – BMGCAT2CD58
Format: 2 x CD, Album, Reissue, Remastered, Stereo
Country: Europe
Released: 2017
Genre: Rock
Style: Hard Rock, Prog Rock

CD1.  ORIGINAL LP REMASTERED     
  

                       


01. The Wizard   3:00
Written-By – Hensley, Clarke    
02. Traveller In Time   3:25
Written-By – Byron, Kerslake, Box    
03. Easy Livin'   2:37
Written-By – Hensley    
04. Poet's Justice   4:15
Written-By – Hensley, Kerslake, Box    
05. Circle Of Hands   6:25
Written-By – Hensley    
06. Rainbow Demon   4:25
Written-By – Hensley    
07. All My Life   2:44
Written-By – Byron, Kerslake, Box    
08. Paradise  5:10 
Written-By – Hensley    
09. The Spell   7:31
Written-By – Hensley

    

CD2.  AN ALTERNATIVE DEMONS AND WIZARDS    

                       

    
01. Easy Livin' (Alternate Version) 2:37  
Written-By – Hensley    
02. Rainbow Demon (Alternate Version)   6:11

Written-By – Hensley    
03. Traveller In Time (Alternate Version)  3:48
  
Written-By – Byron, Kerslake, Box    
04. Paradise (Alternate Version)   5:26

Written-By – Hensley    
05. The Spell (Alternate Version)   8:10

Written-By – Hensley    
06. All My Life (Alternate Version)   3:09

Written-By – Byron, Kerslake, Box    
07. Home Again To You (Alternate Version)   4:51

Written-By – Hensley    
08. Why (Alternate Version)   13:44

Written-By – Byron, Hensley, Box, Newton    
09. The Wizard (Alternate Version)   3:04
Written-By – Hensley, Clarke    
10. Poet's Justice (Alternate Version)   4:40

Written-By – Hensley, Kerslake, Box    
11. Circle Of Hands (Alternate Version)   8:06

Written-By – Hensley    
12. Proud Words (Alternate Version)   2:52 
 
Written-By – Hensley    
13. Green Eye (Alternate Version)   4:04

Written-By – Hensley    
14. Why (Alternate Single Edit)   4:45

Written-By – Byron, Hensley, Box, Newton
    

LINE - UP


Vocals – David Byron
Bass Guitar – Gary Thain
Drums, Percussion – Lee Kerslake
Guitar – Mick Box
Keyboards, Guitar, Percussion – Ken Hensley

Flac Size: 813 MB

Uriah Heep - The Magician's Birthday on Urban Aspirines HERE

Tuesday, November 11, 2014

Uriah Heep : The Magician' s Birthday 1972


Uriah Heep's by-the-books progressive heavy metal made the British band one of the most popular hard rock groups of the early '70s. Formed by vocalist David Byron and guitarist Mick Box in the late '60s, the group went through an astonishing number of members over the next two decades -- nearly 30 different musicians passed through the band over the years. Byron and Box were members of the mid-'60s rock band called the Stalkers; once that band broke up, the duo formed another group called Spice. Spice would eventually turn into Uriah Heep in the late '60s, once Ken Hensley (guitar, keyboards, vocals) and bassist Paul Newton joined the pair. Former Spice drummer Alex Napier was the band's drummer for a brief time; he was quickly replaced by Nigel Olsson.


Very 'Eavy... Very 'Umble
Uriah Heep released their debut album Very 'eavy...Very 'umble (called Uriah Heep in the U.S.) in 1970. After its release, Keith Baker became the group's drummer; he recorded Salisbury, the group's second album, before deciding he couldn't keep up with the band's extensive touring and was replaced by Ian Clarke. Salisbury, featuring a 16-minute title track recorded with a 26-piece orchestra, showcased the band's more progressive tendencies. Later that year, Ian Clarke was replaced by Lee Kerslake and Mark Clarke replaced Newton; Mark Clarke quickly left the band and Gary Thain became the group's bassist. This lineup of Uriah Heep was its most stable and popular; beginning with 1972's Demons and Wizards, they released five albums between 1972 and 1975.

Different World
After 1975, the band's popularity began to slip. Byron left the band in 1977 and was replaced by John Lawton, yet the group's fortunes kept declining right into the early '80s. However, Uriah Heep soldiered on, continuing to release albums into the '90s and 2000s. The album roster included Different World (1994), Sea of Light (1995), Sonic Origami (1998), and Spellbinder (1999).

by Stephen Thomas Erlewine

THE MAGICIAN'S BIRTHDAY

 
It starts dramatically with "Sunrise," a spooky power ballad that alternates quiet organ-led verses with an emotional chorus and guitar-fuelled instrumental breaks topped off by David Byron's operatic wail. The remainder of the album divides its time between punchy rockers and spacy balladry before climaxing with another prog-inflected epic. Highlights in the rock arena include "Blind Eye," an acoustic-flavored rocker whose galloping pace is firmly anchored by Gary Thain's melodic bassline, and "Sweet Lorraine," a stomping good-time rocker that adds extra texture to its guitar-driven sound with some spacy synthesizer lines.

As for the quieter moments, "Rain" is a lovely piano ballad that makes surprising and impressive use of a xylophone in its sound and "Echoes in the Dark" is an eerie mid-tempo song that alternates stark piano-led verses with an emotional chorus cemented by Mick Box's searing guitar leads. There is also another multi-part epic in the title track, a prog-ish piece with fantasy themes.

It lacks a strong structure (it feels more like three songs grafted together than a true multi-part composition) and succumbs to a bit of aimless jamming in the middle, but it is redeemed by strong hooks in the opening and a spirited performance from the band on its space rock finale.


Uriah Heep – The Magician's Birthday
Label:Sanctuary Midline – BMG15080, BMG – BMG15080
Format:CD, Album, Reissue
Country:US
Released:Nov 6, 2015
Genre:Rock
Style:Hard Rock

TRACKS

01. Sunrise   4:04
Written-By – Hensley    
02. Spider Woman   2:25
Written-By – Byron, Thain, Kerslake, Box    
03. Blind Eye   3:33
Written-By – Hensley    
04. Echoes In The Dark   4:48
Written-By – Hensley    
05. Rain   3:59
Written-By – Hensley    
06. Sweet Lorraine   4:13
Written-By – Byron, Thain, Box    
07. Tales   
Written-By – Hensley*4:09    
08. The Magician's Birthday   10:23
Written-By – Hensley, Kerslake, Box

BONUS TRACKS

09. Crystal Ball (Out-take And Previously Unreleased Version)
10. Silver White Man (Out-take And Previously Unreleased Vocal Version)
11. Proud Words (Previously Unreleased Alternate Version)
12. Echoes In The Park (Edited Version - Previously Unreleased)
13. Rain (Edited Version - Previously Unreleased)
14. Happy Birthday (Previously Unreleased Version)
15.  Sunrise (Single Edit - Previously Unreleased)
16. Gary's Song (Out-take - Previously Unreleased)
17. Silver White Man (Instrumental - Out-take)


The Magician's Birthday     Lyrics

Hensley/Box/Kerslake

In the magic garden
Some were singing some were dancing
While the midnight moon shone brightly overhead
The stars so gaily glistened
And the sphinx in silence listened
To the magician's tale of lives that he had led

Let the bells of freedom ring
Songs of love to friday's king
Let's all go to the magician's birthday
It's in the forest but not so far away
Much to do and so much to say
While we listened to the orchid orchestra play

Happy birthday to you
Happy birthday to you
Happy birthday dear magician
Happy birthday to you

Then at the dead of midnight
As we watched the dancing fire light
The air grew cold and seemed to dull the flame
The fire died the music faded
Filled with fear of death we waited
For now we knew some evil was to blame...

-I challenge you I challenge you all
For all you own and all you know
And by all the powers of darkness
I will steal what is mine

Surrender now or face my spite
I grant you it may be Friday night
But did you know this day
Also numbers thirteen


First I give you fire
-I turn your fire into a sleepy stream
-Yes but now I give you nightmares
-But from your horror I'll create a dream
-You cannot fight me for I have the sword of hate
-But one thing you can't see: my answer is simply
an impenetrable fortress of love - love

The fear went as quickly as it came
The air was clear the fire burned again
The flames leapt the organ played
The swan sang to greet the day
And then we knew that
Love will find love will find love ...