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Showing posts with label Amon Düül II. Show all posts
Showing posts with label Amon Düül II. Show all posts

Thursday, December 14, 2023

Amon Düül II: 9 Krautrock Tales 1969 - 1976

 

Amon Düül was a German art commune whose members began producing improvisational psychedelic


rock music during the late '60s. The group's members released several albums, mostly recorded during a single extended jam session, beginning with 1969's Psychedelic Underground. Concurrently, some of the commune's more musically inclined members formed the longer-lasting Amon Düül II. Both acts proved to be a major influence on generations of experimental rock musicians to come, and are regarded as pioneers of the Krautrock genre.
                           

The original Munich commune group, formed in 1967, Amon Düül were not your normal outfit of political activists or hippies, they were much more than that. Living together, they were

constantly attempting to create or explore new genres in music. Psychedelic drugs, free-love, and a shared community were all factors,

as was the new psychedelic music from Britain and the USA, especially so Hapshash & The Coloured Coat. Inevitably, due to political and musical differences, tempers got frayed and just before a legendary concert they split into two separate bands. Founder members, including Chris Karrer and others, went on to front the internationally successful Amon Düül II.
                    

In sharp contrast, the original Amon Düül (who were more concerned with being politically active) recorded on very few occasions. A great part of their work was all recorded during the very same early sessions in 1969 within a matter of days. Typical of commune bands, Amon Düül were often quite wild

and free-form. They played a high-energy bare-bones aggressive rock that was totally over-the-top in the percussion department, with raw grating guitars and wailing vocals. Their debut AMON DÜÜL (originally untitled, but generally referred to as "PSYCHEDELIC UNDERGROUND") and its follow-up COLLAPSING "Singvögel Rückwärts & Co.", both also displayed an eccentric use of studio effects, sound manipulation and sonic gags (like jumps, stuck-grooves, scratches, etc.), which gained them a curious notoriety. A total of four albums (two of them double LP's) were eventually released from those early sessions, and all are essential listening for fans of aggressive 1960's rock.
               

The later incarnation (which grew out of an association with the "Berlin Commune 1") were different, and only recorded one album and a single. Still a touch hippy-political in concept the album PARA

DIESWÄRTS DÜÜL was a more relaxed, albeit unusual, folky rock with the accent on multiple guitars, featuring lengthy improvised instrumental sections, closer to Quintessence or Popol Vuh, yet still quite unique. Members of this version of the band also guested on the similarly styled "Sandoz In The Rain" on Amon Düül II's YETI. The actual history of this incarnation of Amon Düül is virtually undocumented, though we do know that Karl-Heinz Hausmann of the "Berlin Commune 1" passed through and followed Peter Leopold to Amon Düül II. They also played live quite extensively when based in Berlin, and even Klaus Schulze is reputed to have played in concert with them!
                  

The band emerged from the underground German rock scene with a very original and eccentric album called "Phallus Dei" (1969). The musicians who participated to this delirious and psychedelic experience were (among others) Peter Leopold (ex Amon Düül), the front woman and singer Renate

Knaup, John Weinzierl on the guitars... with guests as Holger Trützsch who plays tribal percussions (original member of Popol Vuh). Then almost with the same musicians the band recorded the seminal "Yeti" (1970). An album in a similar vein as the previous but more accomplished (with a couple of structured songs always with numerous pieces of epic improvisations). "Yeti" will launch Amon Düül II career outside Germany. The same year the bass guitarist Dave Anderson leaves the band to join Hawkwind.
               

"Tanz Der Lemminge" which follows directly "Yeti" is an impressive work with a great diversity of powerful, emotional songs with some folk accents next to long free space jamming. Recorded in 1972,

"Carnival in Babylon" announces a slightly new musical direction taken by the band. This album is dominated by shorter songs with the omnipresent and beautiful vocals of Renate Knaup. A more conventional work with a few memorable prog-folk ballads. The classical period of the band will end with "Wolf City" (1972) and "Vive La Trance" (1973). After the departure of Renate Knaup who joins Popol Vuh in 1974 and the release of a few albums, Amon Düül II split up. In 1981, with the album "Vortex" and Renate Knaup rejoining Chris Karrer tried to reform the band without much success.
               

The band reformed again in 1995, releasing Nada Moonshine and performing in Europe and Japan.

Another comeback came in 2010 with the release of Bee As Such (later renamed Düülirium) with the band performing again until 2018 so far.
                 

Amon Düül II - PHALLUS DEI 1969

                 


Phallus Dei (Latin: God's Phallus) is the debut album by German band Amon Düül II. The album was

the result of the Amon Düül commune in Munich splitting. The album features layered guitars, abstract percussion, and chant-like vocals. It is often cited (alongside Can's Monster Movie) as the original Krautrock album. The 2006 re-remastered reissue on the German label Revisited Records contains two bonus tracks: "TouchMaPhal" (10:17) and "I Want the Sun to Shine" (10:32).  
                    

Amon Düül II - Phallus Dei
Label: Revisited Rec. – REV 050
Format:    CD, Album, Reissue, Remastered Jun 16, 2006
Country: Germany
Released: 1969
Genre: Rock
Style: Krautrock, Psychedelic Rock

TRACKS


01. Phallus Dei    20:49
02. Kanaan    4:03
03. Dem Guten, Schönen, Wahren    6:14
04. Luzifers Ghilom    8:35
05. Henriette Krötenschwanz    2:03

BONUS TRACKS           

                          


06. TouchMaPhal    10:17
07. I Want The Sun To Shine    10:32

LINE - UP


Bass – Dave Anderson
Bongos, Vocals, Violin – Shrat
Drums, Cymbal [Electric] – Dieter Serfas
Drums, Percussion, Grand Piano – Peter Leopold
Guest, Drums [Turkisch Drums] – Holger Trülzsch
Guest, Vibraphone – Christian Borchard
Guitar, Twelve-String Guitar, Soprano Saxophone [Sopran-Sax], Vocals – John Weinzierl
Organ, Synthesizer – Falk Rogner
Violin, Guitar, Saxophone [Sax], Vocals [Uncredited] – Chris Karrer
Vocals, Tambourine – Renate Knaup


Flac Size: 398 MB

Amon Düül II - WOLF CITY 1971

                      


Wolf City is the fifth studio album released by the German rock band Amon Düül II. Like its

predecessor, Carnival in Babylon, Wolf City is a more conventional recording than the band's earlier albums, with shorter track times and more straightforward song structures. This was likely due to the band's increasing commercial popularity, both at home and in the UK. Despite this, some of the album's tracks, such as "Jail-House-Frog" and "Deutsch Nepal", are still overtly experimental. The US LP has the sides reversed. Side one begins with "Wolf City" and side two with "Surrounded by the Stars".


Amon Düül II – Wolf City
Label: Repertoire Records – REP 4596-WY
Format: CD, Album, Reissue 1996
Country: Germany
Released: 1971
Genre: Electronic, Rock
Style: Krautrock, Psychedelic Rock

TRACKS

                     


01. Surrounded By The Stars   7:46

Written-By – Karrer, Rogner
02. Green Bubble Raincoated Man   5:04
Written-By – Weinzierl
03. Jail-House Frog   4:54
Synthesizer – Peter Kramper
Written-By – Weinzierl
04. Wolf City   3:20
Written-By – Karrer, Fichelscher, Rogner, Weinzierl, Meid
05. Wie Der Wind Am Ende Einer Strasse   5:42
Written-By – Karrer, Fichelscher, Rogner, Weinzierl, Meid
06. Deutsch Nepal   3:00
Written-By – Meid, Kübler
07. Sleepwalker's Timeless Bridge   4:55
Written-By – Fichelscher, Rogner

LINE - UP


Bass, Synthesizer – Lothar Meid
Choir, Organ, Piano – Jimmy Jackson
Drums – Daniel Secundus Fichelscher
Guitar – John Weinzierl
Guitar [6 String, 12 String], Violin, Soprano Saxophone – Chris Karrer
Organ, Keyboards [Clavioline], Synthesizer – Falk-Ulrich Rogner
Vocals – Renate Knaup-Krötenschwanz

Flac Size: 205 MB

Amon Düül II - CARNIVAL IN BABYLON 1972

                     


Carnival in Babylon is an LP by German rock band Amon Düül II which was released in 1972. It is

their fourth studio album. It was recorded at the Bavaria Studio (with Peter Kramper as the engineer) and remixed at Studio 70 (with Jürgen Koppers as the engineer). It was produced by Olaf Kübler and the band themselves. The original cover design and photos were by F.U. Rogner. All lyrics written in English, except on C.I.D. in Uruk written in German.

 

 

Amon Düül II – Carnival In Babylon
Label: Gammarock Records – GRR 83 802
Format: CD, Album, Reissue, Remastered, Stereo 2000
Country: Germany
Released: 1972   
Genre: Rock
Style: Psychedelic Rock

TRACKS

                  


01. C.I.D. In Uruk    5:36
02. All The Years Round    7:23
03. Shimmering Sand    6:36
04. Kronwinkl 12    3:54
05. Tables Are Turned    3:36
06. Hawknose Harlekin    9:49

BONUS TRACKS           


07. Light    3:50
08. Between The Eyes    2:28
09. All The Years Round    4:11
10. Castaneda Da Dream    7:46

LINE - UP


John Weinzierl – electric guitar, acoustic 12-string guitar, vocal
Chris Karrer – electric guitar, acoustic guitar, violin, soprano sax, vocal
Lothar Meid – bass, vocal
Renate Knaup-Krötenschwanz – vocal
Danny Fichelscher – drums, congas
Peter Leopold – drums, tambourine
Karl-Heinz Hausmann – keyboards, electronics

GUESTS


Joy Alaska – backing vocals
Falk Ulrich Rogner – organ
Olaf Kübler – soprano sax, door

NOTES


Falk Rogner was previously a band member, but listed as a guest for this album; he returned as a full member on the next album.
Written-By – Karrer (tracks: 3, 5, 8, 10), Fichelscher (tracks: 6), Rogner (tracks: 3, 5, 8), Weinzierl (tracks: 1, 2, 4, 8, 9), Meid (tracks: 6, 7), Knaup (tracks: 2, 9)

Flac Size: 341 MB

Amon Düül II - UTOPIA 1973

                     


1973 studio project by Olaf Kübler and Lothar Meid, with Kristian Schultze (keyboards), Jimmy

Jackson (organ) and Joe Nay (guitar), featuring guest musicians Chris Karrer, John Weinzierl and Renate Knaup. As it is related to Amon Düül II, the album was reissued as by Amon Düül II. Originally released as a Utopia album; being a side project by Amon Düül II producer Olaf Kübler; only re-releases credit the band as Amon Düül II. Renate Knaup, Falk-U. Rogner and Chris Karrer are featured in one song of the album each, John Weinzierl in two songs and Danny Fichelscher on four songs. Only Lothar Meid is featured on all eight songs of the album.

Amon Düül II – Utopia
Label: Gammarock Records – GRR 83 806
Format:    CD, Album, Reissue, Remastered 2000
Country: Germany
Released: 1973   
Genre: Rock
Style: Krautrock

TRACKS

                 


01. What You Gonna Do?    6:40
02. The Wolfman Jack Show    5:05
03. Alice (O.P.)    3:06
04. Las Vegas (O.P.)    4:25
05. Deutsch Nepal    3:11
06. Utopia No. 1    3:59
07. Nasi Göring/ Goreng    5:34
08. Jazz Kiste    5:36
09. Surrounded By The Stars    7:15
10. Dancing On Fire    5:25
11. Deutsch Nepal  (Vocals – Rolf Zacher)   3:15

BONUS TRACKS           


12. Goldrush    2:59
13. Star Eyed    4:32
14. Dr. Stein    3:47

NOTES


The original album: tracks 1 to 8, was released in 1973 as by Utopia (United Artists UAG 29438)
Uncredited bonus material: tracks 9 to 11, are 1993 recordings from an unreleased demo (9 and 10 are similar to those on Surrounded By The Bars).

Flac Size: 406 MB

Amon Düül II - VIVE LA TRANCE 1973

              


Vive La Trance is the seventh studio album released by German Krautrock band Amon Düül II,

released in 1973. Produced by Olaf Kübler and Amon Düül II and engineered by Peter Kramper, Vive La Trance was recorded and remixed at Bavaria Studios with additional remixing done at Union Studio München. The album sleeve's photography was done by Falk U. Rogner and Gena Zimmerman, with additional design and artwork by Jürgen Rogner. The song "Mozambique" is dedicated to the political revolutionary Monika Ertl.
                     

Amon Düül II - Vive La Trance album cover
Label: Belle Antique – MAR 071266, Revisited Rec. – REV 081
Format: CD, Album, Reissue, Remastered May 25, 2007
Released: 1973    
Genre: Rock
Style: Krautrock, Avantgarde, Prog Rock

TRACKS

            


01. A Morning Excuse    3:17
02. Fly United    3:30
03. Jalousie    3:26
04. Im Krater Blühn Wieder Die Bäume    3:06
05. Mozambique    7:37
06. Apocalyptic Bore    6:34
07. Dr.    2:58
08. Trap    3:33
09. Pig Man    2:35
10. Manana    3:20
11. Ladies Mimikry    4:15

BONUS TRACKS       

    
12. Hands Up Fool   6:18
Written-By – Weinzierl, Knaup
13. Pink Purple   7:09
Written-By – Weinzierl
14. Look   4:58
Written-By – Karrer, Kahlert, Weinzierl, Meid
15. Bomb   4:11
Written-By – Meid

Flac Size: 441 MB

Amon Düül II – HIJACK 1974

               


Hijack is significant in the band's history, and perhaps for posterity as well, for three reasons. The first of these is that the recording of this album signalled a short-lived reunion of sorts for most of the

members of the original Amon Düül -- vocalist Renate Knaup-Kroetenschwanz, guitarist/vocalist Chris Karrer, guitarist John Weinzierl, drummer Peter Leopold, bassist and string arranger Lothar Meid, and synthesizer guru Falk U. Rogner (sisters Helge and Angelika Filanda and Ulrich Leopold were lost ion the world of hippie communes and did not return for this outing). The second reason is for the opening cut, "I Can't Wait, Pts. 1 & 2," which has to be the first boogie rock cut in rock & roll history. Elements of Krautrock, German prog, and a full-on Los Angeles-style horn section turn this loopy, 11-plus-minute cut inside out more than once with the lower than dirt growl of Meid's "singing," electric violin

solos, and party band blues progression done in full-tilt boogie mode. In other words, it's the least Amon Düül II sounding cut on the set. "Traveler," another Meid penned cut, may be better known since it was a single, but it pales in comparison. The final reason that this set is distinctive is for the band's cover of Ornette Coleman's "Lonely Woman," done as a tango with some fluttering samba backbeats anchoring the wispy synths and piano work. Knaup sings dramatic original lyrics written by Karrer. It is followed by the dreamy but actually quite beautiful "Liquid Whisper," that contains some very inventive acoustic guitar and synthesizer work.
              

Amon Düül II - Hijack
Label: Garden Of Delights – CD 079
Format: CD, Album, Reissue 2003
Country: Germany
Released: 1974
Genre: Rock
Style: Prog Rock

TRACKS

                


01. I Can't Wait    6:18
02. Mirror    4:44
03. Traveller    4:23
04. You're Not Alone    6:53
05. Explode Like A Star    4:00
06. Da Guadeloop    7:03
07. Lonely Woman    4:44
08. Liquid Whisper    3:30
09. Archy The Robot    3:30

LINE - UP


Renate Knaup — vocals
Chris Karrer — guitars, violin, vocals, tenor saxophone
John Weinzierl — guitars
Falk Rogner – synthesizer
Lothar Meid — bass, guitar, vocals, string arrangements
Peter Leopold - drums, percussion, acoustic guitar

Additional Personnel


Chris Balder — strings
Ludwig Popp — French horn
Lee Harper — trumpet
Bob Chatwin — trumpet
Bobby Jones — saxophone
Rudy Nagora — saxophone
Thor Baldursson — keyboards
Olaf Kubler — flute, soprano saxophone
Herman Jalowitzki — marching drum
Wild Willy — accordion, percussion, vocals

Flac Size: 293 MB

Amon Düül II - LEMMINGMANIA 1974

 

Compilation, released in 1975. Originally released in 1974, 'Lemmingmania' is a compilation made up


of, mostly rare AD II singles. Vocalist Renate Knaup's vocals are  astounding, especially when guitarist Chris Karrer jumps in and shares the vocal duties with her. Brings to mind [sort of] like Germany's reply to Jefferson Airplane.

             


Amon Düül II – Lemmingmania
Label: Revisited Rec. – REV 053
Format: CD, Compilation, Enhanced, Reissue, Remastered 2006
Country: Germany
Released: 1974   
Genre: Rock
Style: Krautrock, Psychedelic Rock

TRACKS

                  


01. Archangel Thunderbird
Written-By – Rogner, Weinzierl
02. Light
Written-By – Meid
03. Between The Eyes
Written-By – Karrer, Rogner, Weinzierl
04. Green Bubble Raincoated Man
Written-By – Weinzierl
05. Tables Are Turned
Written-By – Karrer, Rogner
06. Rattlesnakeplumcake
Written-By – Rogner, Weinzierl
07. All The Years Round
Written-By – Rogner, Weinzierl, Knaup
08. Jail - House Frog
Written-By – Weinzierl
09. Burning Sister (Excerpt From "Soap Shop Rock")
Written-By – Rogner, Weinzierl
10. Lemmingmania
Written-By – Weinzierl
11. Pig Man
Written-By – Karrer, Rogner, Weinzierl, Leopold, Knaup, Heibl
12. Mozambique
Written-By – Karrer, Rogner, Weinzierl, Leopold, Knaup, Heibl
13. Manana
Written-By – Karrer, Rogner, Weinzierl, Leopold, Knaup, Heibl
14. Ladies Mimikry
Written-By – Karrer, Rogner, Weinzierl, Leopold, Knaup, Heibl
       

LINE - UP

             


Acoustic Guitar – Chris Karrer, John Weinzierl
Bass – Dave Anderson (tracks: 1 to 9), Lothar Meid, Robby Heibl (tracks: 11,12)
Bongos – Shrat (tracks: 1 to 9)
Drums – D. Secundus Fichelscher, Peter Leopold (tracks: 4, 11 to 14)
Electric Guitar – Chris Karrer, John Weinzierl

Electronics – Karl-Heinz Hausmann (tracks: 5 to 7)
Guest, Backing Vocals – Desmond Bonner (tracks: 12), Keith Forsey (tracks: 12), Olaf Kübler (tracks: 8), Rolf Zacher (tracks: 8)
Guest, Organ [Choir Organ] – Jimmy Jackson (tracks: 4 to 8)
Guest, Piano – Jimmy Jackson (tracks: 4 to 8)
Keyboards – Karl-Heinz Hausmann (tracks: 5 to 7)
Organ – Falk-Ulrich Rogner
Soprano Saxophone [Soprano Sax] – Chris Karrer
Synthesizer [Synthesizers] – Falk-Ulrich Rogner, Peter Leopold (tracks: 4, 11 to 14)
Violin – Chris Karrer
Vocals – Chris Karrer, John Weinzierl, Lothar Meid, Renate Knaup-Krötenschwanz, Shrat (tracks: 1 to 9)

NOTES


Tracks 1 to 10 originally released on LP in 1975.
Tracks 11 to 14 are bonus tracks.

Flac Size: 332 MB

Amon Düül II – MADE IN GERMANY 1975

             


Made in Germany has to be one of the best Amon Düül II albums the way it starts and ends is great its even got a bit of brass on this,the first song overture starts like an orchestra[violins and stuff]which is

great. There is a lovely moment in "La Krautoma," after the surf music intro gives way to a strange Peter Leopold drum solo and moves on, that the sound begins to mutate into early-'70s Hawkwind, a gleeful nod from one notable space rock outfit to another. "La Krautoma" is more than that, though; it's a six-minute distillation of acid rock, space rock, and Krautrock that shows the band's knowledge of their own history. It is also an eyebrow-raising moment in the midst of this particular, which spends more time getting into the same space as mid-'70s Europop,  

Amon Düül II – Made In Germany
Label: Garden Of Delights – CD 099
Format: CD, Album, Reissue 2004
Country: Germany
Released: 1975
Genre: Rock
Style: Psychedelic Rock, Prog Rock

TRACKS

                


01. Overture    5:11
02. Wir Wollen    1:33
03. Wilhelm, Wilhelm    3:10
04. SM II Peng    2:17
05. Elevators Meet Whispering    1:26
06. Metropolis    3:37
07. Ludwig    2:33
08. The King's Chocolate Waltz    2:29
09. Blue Grotto    3:33
10. Mr. Kraut's Jinx    8:44
11. Wide-Angle    4:06
12. Three-Eyed Overdrive    1:17
13. Emigrant Song    3:21
14. Loosey Girls  (Saxophone – Bobby Jones)   5:13
15. Top Of The Mud    3:45
16. Dreams    4:08
17. Gala Gnome    3:52
18. 5.5.55    1:39
19. La Krautoma    6:08
20. Excessive Spray    1:41

LINE - UP


Drums, Percussion – Peter Leopold
Guitar – John Weinzierl
Keyboards – Thor Baldursson
Synthesizer, Organ – Falk-Ulrich Rogner
Timpani, Gong – Karlheinz Becker
Trumpet – Lee Harper
Violin – Fritz Sonnleitner
Vocals – Renate Knaup
Vocals, Bass, Guitar, Violin – Robby Heibl
Vocals, Guitar – Nando Tischer
Vocals, Guitar, Banjo, Violin – Chris Karrer

Flac Size: 448 MB

Amon Düül II – PYRAGONY X 1976

         


Amon Duul II's 'Tenth' album. This one is not to be compared to ANY of their albums prior to this. The

band is down to a 5 piece here - only original members being guitar/sax/violin player Chris Karrer, guitarist John Weinzierl and Drummer Pete Leopold, with new members Stefan Zauner (Keyboards/vocals) and Klaus Ebert (Bass/vocals) providing a more stream-lined approach to composition and the tendency to head towards commercial territory.


Amon Düül II – Pyragony X
Label: Repertoire Records – REP 4632-WY
Format: CD, Album, Reissue 1996
Country: Germany
Released: 1976
Genre: Electronic, Rock
Style: Krautrock

TRACKS

             


01. Flower Of The Orient   6:01
Written-By – Amon Düül II
02. Merlin   4:26
Written-By – John Weinzierl
03. Crystal Hexagram   5:39
Written-By – John Weinzierl
04. Lost In Space   4:14
Written-By – Klaus Ebert, Stefan Zauner
05. Sally The Seducer   3:05
Written-By – Klaus Ebert
06. Telly Vision   4:07
Written-By – Klaus Ebert, Stefan Zauner
07. The Only Thing   7:30
Written-By – Chris Karrer
08. Capuccino   3:09
Written-By – Klaus Ebert

LINE - UP


Drums – Peter Leopold
Guitar, Vocals – John Weinzierl
Liner Notes – Chris Welch
Vocals, Bass, Guitar – Klaus Ebert
Vocals, Guitar, Violin, Soprano Saxophone – Chris Karrer
Vocals, Keyboards, Guitar – Stefan Zauner

Flac Size: 259 MB 

 

Amon Düül II - Yeti : 1970) On Urban Aspirines HERE

Amon Düül II: Tanz Der Lemminge 1971 On Urban Aspirines HERE


Thursday, July 02, 2020

Amon Düül II: Tanz Der Lemminge 1971


Amon Düül II (or Amon Düül 2, Pronunciation = Amon Düül) is a German rock band. The group is generally considered to be one of the pioneers of the West German krautrock scene. Their 1970 album Yeti was described by British magazine The Wire as "one of the cornerstones of [...] the entire Krautrock movement."


The band emerged from the radical West German commune scene of the late 1960s, with others in the same commune including some of the future founders of the Red Army Faction. Founding members are Chris Karrer, Dieter Serfas, Falk Rogner (b. 14 September 1943), John Weinzierl (b. 4 April 1949), and Renate Knaup-Krötenschwanz (b. Renate Aschauer-Knaup, 1 July 1948).


The band was founded after Weinzierl and the others met at the Amon Düül 'art commune' in Munich. The commune consisted mainly of university students, who formed a music group initially to fund the commune, with everyone who lived there joining in to play music whether or not they had any experience or ability.


Their first album Phallus Dei ('God's Phallus'), released in 1969, consisted of pieces drawn from the group's live set at the time. By this time the line-up was built around a core of Karrer (mainly violin and guitar), Weinzierl (guitar, bass, piano), Rogner on keyboards, bass player Dave Anderson, and two drummers (Peter Leopold (b. 15 August 1945) who had joined the group from Berlin, and Dieter Serfas).


Their second album Yeti (1970) saw them introducing arranged compositions along with the bluesy violin and guitar jams such as the long improvised title track. The next album Tanz der Lemminge
(1971) was based on four extended progressive rock suites. By this time bassist Anderson had returned to England and joined Hawkwind, to be replaced by Lothar Meid (born 28 August 1942), and the group was augmented by synthman Karl-Heinz Hausmann (Karrer had formed a short-lived group in 1966 - supposedly named 'Amon Düül O' - with future Embryo founders Lothar Meid and drummer Christian Burchard).

Amon Düül II's drummer, Peter Leopold, died on 8 November 2006. A memorial service was held for Leopold in Munich, where the remaining members of Amon Düül II sang a song for him. Leopold was replaced by multi-instrumentalist Daniel Fichelscher, for many years guitarist and drummer of Krautrock group Popol Vuh. Fichelscher is not new to the group, and in fact has had a long affiliation with Amon Düül II, having played with them as early as 1972 on Carnival in Babylon.
Bass player Lothar Meid died on 3 November 2015.


Tanz der Lemminge (English: Dance of the Lemmings) is a double LP released in 1971.
The first side of disc 1 is a 4-movement sidelong epic (lasting some16 minutes) called March Of The
Roaring 70's where the group appears in top form, ready to exploit the ground broken with pallus and Yeti, and indeed the wild psych they dealt us in Yeti is at least matched on this first side. Wriiten by Chris Karrer, the track is an excellent progressive space folk track. The flipside is occupied by Weinzerl's 7-movement Restless Skylight/Transistor Child suite, which is extremely wide in its scope ranging from Indian (guesting is futurePopol Vuh sitarman al Grommer) to a devillish and ever-changing soundscape, including a mellotron.


The album's second disc is opened by Rogner's Chamsin Soundtrack (for a seldom seen film), filled with completely spaced out ambiances created by a sliding growling organ lines and echoed guitars answers. While this track might be faaaaar out, it stands out also as a bit too spaced out for repeated
listenings and since it takes on a full side of the album's seciond disc.....
Its flipside is a confused affair, filled with a succession of short tracks that seem somewhat linked together. With these three "shorter " tracks, we return to the screaming full psych that had been lacking us since the start (there was a bit of it during Weinzerl's suite), but Chewingum Telegram is a bit short, but sounding like some Quicksilver Messenger Service on strong dope... More crunchy guitars on Melted Moonlight, but here the recording sound shoddy and the whole thing lacking tightness. Closing the album is the medium-sized (for this album anyway with its almost 8 minutes) Toxological Whispering, an excellent Agitation Floyd track


[There aren't many double art-rock albums from the early '70s that have stood the test of time, but then again, there aren't many albums like Tanz, and there certainly aren't many groups like Amon Düül II. While exact agreement over which of their classic albums is the absolute standout may never be reached, in terms of ambition combined with good musicianship and good humor, the group's third album, is probably the best candidate still. The musical emphasis is more on expansive arrangements and a generally gentler, acoustic or soft electric vibe; the brain-melting guitar from Yeti isn't as prominent on Tanz, for example, aside from the odd freakout here and there. You will find lengthy songs divided up into various movements, but with titles like "Dehypnotized Toothpaste" and "Overheated Tiara," po-faced seriousness is left at the door.


The music isn't always wacky per se, but knowing that the group can laugh at itself is a great benefit. The first three tracks each take up a side of vinyl on the original release, and all are quite marvelous. "Syntelman's March of the Roaring Seventies" works through a variety of acoustic parts, steering
away from folksiness for a more abstract, almost playfully classical sense of space and arrangement, before concluding with a brief jam. "Restless Skylight-Transistor Child" is more fragmented, switching between aggressive (and aggressively weird) and subtle passages. One part features Meid and Knaup singing over an arrangement of guitars, synths and mock choirs that's particularly fine, and quite trippy to boot. "Chamsin Soundtrack" exchanges variety for a slow sense of mystery and menace, with instruments weaving in and out of the mix while never losing the central feel of the song. Three briefer songs close out the record, a nice way to get in some quick grooves at the end.
By Ned Raggett ]


Amon Düül II ‎– Tanz Der Lemminge
Year: 1971
Label: Repertoire Records ‎– REP 4915, Repertoire Records ‎– REP 4915A
Format: CD, Album, Remastered
Country: Germany
Released: 2001
Genre: Rock
Style: Krautrock, Psychedelic Rock, Progressive Rock

TRACKS

    Syntelman's March Of The Roaring Seventies  15:51

01. In The Glassgarden     1:39
02. Pull Down Your Mask  4:39
03. Prayer To The Silence     1:04 (Vocals- Chris Karrer)
04. Telephonecomplex     8:26

    Restless Skylight-Transistor-Child

05. Landing In A Ditch     1:12
06. Dehypnotized Toothpaste     0:52
07. A Short Stop At The Transylvanian Brain-Surgery (Vocals – Lothar Meid)  5:00

    Race From Here To Your Ears

08. Little Tornadoes (Vocals – Chris Karrer)  2:08
09. Overheated Tiara     1:46
10. The Flyweighted Five     1:26
11. Riding On A Cloud (Vocals – Henriette Kroetenschwanz, Lothar Meid)  2:33
12. Paralized Paradise  (Vocals – John Weinzierl)  3:07
13. H.G. Well's Take Off  (Vocals – Rolf Zacher)  1:26

    Chamsin Soundtrack

14. The Marilyn Monroe-Memorial-Church (Impr.)     18:05
15. Chewinggum Telegram     2:44
16. Stumbling Over Melted Moonlight     4:39
17. Toxicological Whispering     7:50

CREDITS

Chris Karrer (1969-1981): Acoustic Guitar, Violin, Saxophone, Electric Guitar (tracks: 1 to 17)
Lothar Meid: Bass, Double Bass (tracks: 1 to 13), Vocals (1971-1973, 1974, died 2015) 
Peter Leopold: Drums 
Electronics, Engineer [Sound] – K.-H. Hausmann
John Weinzierl(1969-1977): Guitar, Piano (tracks: 14 to 17)
Mixed By, Remix – Kalle Hausmann
Falk Rogner: Organ, Electronics (tracks: 14 to 17)(1969-1971, 1972-1975, 1981)
Jimy Jackson: Organ, Organ [Choir-organ], Piano (tracks: 1 to 13)
Peter Leopold: Percussion (tracks: 1 to 13) (1969-1972, 1973-1979, died 2006)
Peter Leopold: Piano (tracks: 14 to 17)
Producer – Amon Düül II, Olaf Kuebler
Al Gromer: Sitar  (tracks: 1 to 13)
Written-By – Karrer (tracks: 1 to 4, 14 to 17), Rogner (tracks: 2, 8, 14 to 17), Weinzierl (tracks: 5 to 17), Meid (tracks: 14 to 17)

 MP3 @ 320 Size: 160 MB
FLAC  Size: 404 MB