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Showing posts with label Bevis Frond. Show all posts
Showing posts with label Bevis Frond. Show all posts

Thursday, June 29, 2023

Country Joe McDonald & The Bevis Frond: Eat Flowers & Kiss Babies 1999


COUNTRY JOE MCDONALD

                            



Political and ecological issues were set to musical accompaniment by Country Joe McDonald, who co-

founded and led the psychedelic folk-rock band Country Joe & the Fish, the leading left-wing band of the '60s. Since the group's breakup in 1971, McDonald has continued to musically espouse his political views through his original folk-like songs.

A native of Washington, D.C., McDonald grew up in El Monte, California, a suburb of Los Angeles, where his parents, Florence and Worden, had moved to escape political difficulties in the capital city. Music played an important role through McDonald's childhood, and he attended many concerts at El Monte Legion Stadium; after becoming enchanted by Dixieland music, he frequented the Lighthouse Club in Hermosa Beach.

At the age of 17, McDonald enlisted in the U.S. Navy. Following his discharge after three years, he attended City College in Los Angeles for a year. Although he moved to Berkeley to continue his schooling, McDonald was distracted by his love of music and spent most of his time playing in bands like the Berkeley String Quartet and the Instant Action Jug Band, which included future bandmate Barry Melton.

 

THE BEVIS FROND

                      


The Bevis Frond is the banner used by Nick Saloman, a neo-psychedelic Renaissance man and the

sole constant writer, performer, and producer behind the cottage industry bearing the Frond name. The head of his own label (Woronzow) as well as the co-publisher of his own underground magazine (the highly regarded Ptolemaic Terrascope), Saloman is a quintessential English eccentric, a frighteningly prolific talent, and a true anachronism purveying an archaic musical genre while simultaneously pioneering the lo-fi aesthetic.
                   

The Bevis Frond's influences are strongly rooted in the '60s, as Saloman's music blends elements of

psychedelia, pop, early hard rock, and folk, with plenty of epic-scale guitar soloing laid over the top as he sings lyrics that lean toward the pastoral and the engagingly addled. Beginning with homemade projects like 1987's Miasma, Saloman moved up to working in proper studios with 1990's Any Gas Faster, and he was wildly prolific, releasing 19 albums between 1987 and 2004.
                 

Saloman put the group on hiatus after 2004's Hit Squad, but they returned in 2011 with The Leaving of

London and continued releasing albums (like 2018's We're Your Friends, Man and 2021's Little Eden) that left no doubt he hadn't lost his touch during his downtime, either as a songwriter, guitarist, or bandleader.
                        

Country Joe McDonald & The Bevis Frond – Eat Flowers & Kiss Babies
Label: Woronzow – WOO 33
Format:    CD, Album
Country: UK
Released: 1999
Genre: Rock
Style: Psychedelic Rock

TRACKS

                        


01. I Feel Like I'm Fixin' To Die Rag    3:51
02. Here I Go Again    4:46
03. Rock Coast Blues    3:30
04. Not So Sweet Martha Lorraine    4:24
05. The Acid Commercial    0:35
06. Bass Strings    6:38
07. Who Am I?    4:42
08. Flying High    4:04
09. Rock 'N Soul Music    7:03
10. Death Sound Blues    9:09

Recorded At – Queen Elizabeth Hall
Recorded At – His Majesty's Theatre

LINE - UP
             



Bass Guitar – Adrian Shaw
Drums – Andy Ward
Guitar, Vocals – Nick Saloman
Organ, Guitar – Aaron Shaw
Vocals, Guitar, Harmonica, Kazoo – Joe McDonald

MP3 @ 320 Size: 116 MB
Flac  Size: 275 MB

Friday, February 21, 2020

Bevis Frond: Bevis Through The Looking Glass 1987 - Triptych 1988


Bevis Frond - Bevis Through The Looking Glass 1987
 

The Bevis Frond is an English rock band formed in 1986 in Walthamstow, London, England. The band is fronted by Nick Saloman and has recorded many singles and albums on various independent labels.


Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010.


The next release on Woronzow was in 1982, a 12" single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else.


He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they had been selling the album quite briskly. Saloman's desire was to "record the kind of music I'd like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.


" Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies.
 


In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.


[ AllMusic Review by Stewart Mason 

Although the Bevis Frond only appeared on disc with 1987's Miasma, Nick Saloman had in fact been a struggling musician for a good two decades before that breakthrough. (Indeed, the final track here, the paisley pop "Alistair Jones," was recorded in 1967, when Saloman was all of 14 years old.)


Originally released in a signed limited-edition record of 500 copies, then reissued as a double-LP set on Reckless (with all of the tracks eventually showing up as filler on Reckless' CD releases of the Bevis Frond's first several albums), Bevis Through the Looking Glass is a strictly historical collection of tracks that are primarily for the complete Bevis Frond devotee. 


Surely the average listener will find the 14-minute noodlefest "1970 Home Improvements" a tiresome slog, much less the side-long murk of "The Shrine." The more concise tracks on disc two are much better, with "Rat in a Waistcoat" being among Saloman's most biting early pop songs.



Notes

Originally released 1987 as a limited edition of 500 double-LP's with home-made sleeves, then in 1988 as another limited edition of double-LP's.
This is the first CD release, which includes new liner notes by Saloman and a reprinting of his spoof record-collecting catalog that came with the original release.


The Bevis Frond ‎– Bevis Through The Looking Glass
Label: Rubric Records ‎– RUB 21
Format: CD, Album, Reissue
Country: US
Released: 2005
Genre: Rock
Style: Psychedelic Rock
Originally released: 1987

TRAXS


01. Intro     0:33
02. 1970 Home Improvements     13:50
03. Now You Know     3:14
04. The Shrine     19:39
05. Rat In A Waistcoat     5:22
06. In Another Year     2:40
07. Express Man     2:17
08. Mudman     5:23
09. Song For The Sky     3:35
10. Purtle Sline     8:16
11. I Can't Get Into Your Scene     3:20
12. Soot     3:19
13. Die Is Cast     3:04
14. Alistair Jones     3:00

Take it HERE 

Flac Size: 464 MB
MP3 @ 320 Size: 181 MB

Bevis Frond: Triptych 1988


[ AllMusic Review by Ned Raggett  [-]

The Bevis Frond's third album -- like the previous two, essentially a solo affair -- finds Nick Saloman again exploring things his way, recording what he likes how he darn well likes it. The recording quality is audibly cleaner even only two official albums on from his debut with Miasma, but he loses nothing of his own individual approach to making the music.


Some of his brightest, best hooks appear here -- it's no stretch to say that Roger McGuinn and company could have happily placed their own stamp on "Lights Are Changing," and Saloman delivers both music and lyrics with a warm, delightful air. Other comparatively calm but no less fascinating cuts include "Old Man Blank" and the (self-)conversational descending chime of "Hurt Goes On.


" The opening "Into the Cryptic Mist" is actually one of his most interesting, individual pieces, with a lovely central guitar part at the core, changing slightly as it goes while he adds everything from extra electric filigrees to keyboard solos over it. It's a good demonstration of his skills when not at full overdrive, though he does conclude the piece with one of his more expected nuclear-strength workouts.


The second side, meanwhile, contains one of his monsters -- "Tangerine Infringement Beak," a nearly 20-minute-long number. A multi-part song that covers everything from expected full Frond fun to way cool keyboard solos over minimal grooves and back to chiming bells along with the feedback and more, it's a worthy treat.


There's one delightful diversion early on -- "Debbie's New Song for Drums," which consists of the young person mentioned in the title having a quick little bash on things. It's a fun, unself-conscious move from someone comfortable in what he does and doesn't worry about always having to seem cool -- a very good sign.]

Personnel


The Bevis Frond is essentially Nick Saloman, who does vocals and plays guitar, bass, drums, and keyboards. He is also the producer.The recording and touring band has included at various times:

    Adrian Shaw (bass guitar)
    Bari Watts (guitar)
    Ric Gunther (drums)
    Paul Simmons (guitar)
    Rod Goodway (guitar, vocals)
    Andy Ward (drums)
    Jules Fenton (drums)
    Martin Crowley (drums)
    Debbie Saloman (vocals)
    Dave Pearce (drums)


The Bevis Frond ‎– Triptych
Label: Rubric Records ‎– rub 20
Format: CD, Album, Reissue
Country:US
Released: 2001
Genre: Rock
Style: Psychedelic Rock
Originally released: 1988

TRAXS


01.     Into The Cryptic Mist     4:25
02.     Debbie's New Song For Drums     0:25
03.     Lights Are Changing     4:55
04.     Gemini Machine     4:05
05.     Phil Exorcises The Daemons   1:40
06.     Old Man Blank     3:45
07.     The Daily Round     3:05
08.     Hurt Goes On     4:25
09.     Corinthian     3:13
10.     Nowhere Fast     2:41
11.     Tangerine Infringement Beak     19:17
12.     Hey Joe     1:28

     Extra Tracks

13.     Time To Change     3:58
14.     You're Trying To Get Me High Again     2:55
15.     Still Couldn't See Her     2:40
16.     The Pilgrim's Way     5:22
17.     Through And Through     3:59
18.     You Got To Unwind     3:17 

Take it HERE  

Flac Size: 430 MB
MP3 @ 320 Size: 176 MB

Sunday, October 18, 2009

The Bevis Frond - Inner Marshland [1987]










Bevis Frond, The

Inner Marshland






Label:Reckless Records
Catalog#:RECK 14
Format:LP, Album, Reissue
Country:US
Released:1988
Genre:Rock
Style:Alternative Rock, Psychedelic Rock
Originally released by ''Woronzow Records'' in the UK in 1987.

Tracklist
Side A'
Cries From The Inner Marshland
Termination Station Grey
Window Eye
Once More
Side B'
Defoliation Part One
Reflections In A Tall Mirror
Hey Mr Undecided
I've Got Eyes In The Back Of My Head
Minsmere Sphagnum
Medieval Sienese Acid Blues
Defoliation Part Two

Nick Saloman: all instruments except:
Bari Watts: Lead Guitar, track 4
Graham Cumming: Piano, track 9
Mick Wills: Acoustic Guitar, track 11

MP3 @ 256 & Scans
Take me

Biography
The Bevis Frond was Nick Saloman, a neo-psychedelic renaissance man and the sole writer, performer and producer behind the cottage industry bearing the Frond name. The head of his own label (Woronzow) as well as the co-publisher of his own underground magazine (the highly regarded Ptolemaic Terrascope), Saloman was a quintessential English eccentric, a frighteningly prolific talent and a true anachronism purveying an archaic musical genre while simultaneously pioneering the lo-fi aesthetic. Saloman cloaked his formative years in mystery; according to legend, he formed his first band, the Bevis Frond Museum, during his school years, and after the group disbanded he performed solo acoustic sets throughout the London area known as Walthamstow. After founding the Von Trapp Family, later known as Room 13, Saloman was sidelined in 1982 following a motorcycle accident. With the money he received as compensation for his injuries, he revived the Bevis Frond name and during his recuperation period assembled 1986's Miasma, a slice of twisted, latter-day psychedelia issued on Woronzow in a pressing of 250.

Much to Saloman's shock, the record sold out; realizing an audience existed for his brand of time-warped pop, he quickly issued Inner Marshland, another underground success which encouraged him to raid his extensive archives for more material. With the floodgates opened, new Bevis Frond material -- much of it written and recorded at Saloman's home long before it ever saw release -- appeared constantly; in 1988 alone, Woronzow issued three separate collections, Triptych, Bevis Through the Looking Glass and Acid Jam, all spotlighting his surreal wit and acute social commentary. Beginning with 1990's Any Gas Faster, Saloman was secure enough financially to begin recording in an outside studio; as the new decade dawned, he also made his live debut, appearing sporadically with an ever-changing group of backing musicians. After 1990's Magic Eye, a joint collaboration with former Pink Fairy Twink, the Bevis Frond issued its acknowledged masterpiece, 1991's double-LP set New River Head; erratic and eclectic, Saloman's output continued on without concession to trends or consumer tastes, with new albums appearing with clocklike precision: 1993's It Just Is, 1995's Superseeder, 1998's two-disc North Circular and 1999's Vavona Burr, plus the excellent concert recording Live at the Great American Music Hall, San Francisco. Valedictory Songs followed two years later. ~ Jason Ankeny, All Music Guide

Discography
Albums
1987 Miasma Woronzow Records
1987 Inner Marshland Woronzow Records
1987 Bevis Through the Looking Glass Woronzow Records
1988 Acid Jam Woronzow Records
1988 Triptych Woronzow Records
1989 Auntie Winnie Album Reckless Records
1990 Any Gas Faster Reckless Records
1990 Ear Song Reckless Records studio/live album
1991 Magic Eye Woronzow Records
1991 New River Head Woronzow Records
1992 A Gathering of Fronds Reckless Records
1992 London Stone Woronzow Records
1993 It Just Is Woronzow Records
1994 Sprawl (album) Woronzow Records
1995 Superseeder Woronzow Records
1996 Son of Walter Flydaddy Records
1997 North Circular Flydaddy Records
1999 Vavona Burr Flydaddy Records
1999 Live At The Great American Music Hall Flydaddy Records live album
2000 Valedictory Songs Woronzow Records
2002 What Did For The Dinosaurs Woronzow Records
2004 Hit Squad Woronzow Records

Singles
* "Sexorcist" (1990) Clawfist (split with Walkingseeds)
* Snow EP (1991) Woronzow (free with Ptolemaic Terrascope magazine)
* "High in a Flat" (free with Bucketful of Brains magazine, split with Dream Syndicate)
* Summer Holiday EP (1993) Woronzow
* "Let's Live For Today" (1994) Helter Skelter
* "Dolly Bug" (1995) Damaged Goods
* "Little Town Pier" (1997) Spare Me
* "African Violet" (b-side by The Steppes) (199?)

Fun site

Miasma LP here

This one , for Kostas

Wednesday, October 14, 2009

The Bevis Frond : Miasma 1987



Nick Saloman's one-man band , the Bevis Frond , debuted in 1987 with the extremely limited edition pressing of its first LP , MIASMA.

The Bevis Frond is Nick Saloman , a neo-psychedelic renaissance man and the sole writer , performer and producer behind the cottage industry bearing the Frond name . The head of his own label (Woronzow) as well as the co-publisher of his own underground magazine (the highly regarded Ptolemaic Terrascope) , Saloman is a quintessential English eccentric , a frighteningly prolific talent and a true anachronism purveying an archaic musical genre while simultaneously pioneering the lo-fi aesthetic .

After founding the Von Trapp Family , later known as Room 13 , Saloman was sidelined in 1982 following a motor-cycle accident . With the money he received as compensation for his injuries , he revived the Bevis Frond name and during his recuperation period assembled 1986's Miasma, a slice of twisted , latter-day psychedelia issued on Woronzow in an original pressing of 250.

In the late 80s and early 90s Nick Saloman also played and recorded as a member of Magic Muscle (with Rod Goodway), and with the Outskirts of Infinity (with Bari Watts) . Beginning with 1990's Any Gas Faster , Saloman was secure enough financially to begin recording in an outside studio ; as the new decade dawned , he also made his live debut, appearing sporadically with an ever-changing group of backing musicians. After 1990's Magic Eye , a joint collaboration with former Pink Fairy Twink , the Bevis Frond issued its acknowledged masterpiece , 1991's double-LP set New River Heal






The Bevis Frond has become England's premier psychedelic rock band.

TRACKS

1. Garden Gate
2. She's In Love With Time
3. Wild Mind
4. Wild Afternoon
5. Splendid Isolation
6.The Earl Of Walthamstowe
7. The Newgate Wind
8. Release Yourself
9. Maybe
10. Ride The Train Of Thought
11. Confusion Days
12. Find My Way Home
13. I Eat The Air
14. Song From Room 13
15. Need All Your Loving
16. High Wind In The Trees




Size 169 MB
Bitrate 320

Take it HERE

Inner Marshland LP here