Madness: Albums 1979 - 1982

 

Madness are an English ska and pop band from Camden Town, north west London, who formed in

1976. One of the most prominent bands of the late-1970s/early-1980s two-tone ska revival, they continue to perform with six of the seven members of their original line-up. Madness's most successful period was from 1980 to 1986, when the band's songs spent a total of 214 weeks on the UK Singles Chart, jointly holding the record with English reggae group UB40 for most weeks spent by a group in the UK singles chart during the 1980s.
                           

With a sound rooted in ska, but also showing the influence of classic British pop, Madness have enjoyed a long career full of hit singles, influential albums, and satisfied concert audiences. They were known

initially for blending ska rhythms with catchy melodies and a nutty sense of humor on their 1979 debut album One Step Beyond, one of the seminal works of the 2-Tone era. The core of the band formed as the North London Invaders in 1976, and included Mike Barson (Monsieur Barso) on keyboards, Chris Foreman (Chrissy Boy) on guitar and Lee Thompson (Kix) on saxophone. They later recruited John Hasler on drums and Cathal Smyth (better known as Chas Smash) on bass guitar. Later in the year, they were joined by lead vocalist Dikran Tulaine.
                              

As their career progressed, they folded touches of Motown, soul, and on 1982's Madness Presents the Rise

& Fall, British pop, into their formula. A single from that album, the jaunty, Kinks-influenced "Our House" rose to the upper reaches of numerous singles charts around the globe and became an enduring classic. 2009's The Liberty of Norton Folgate was a reunion effort as pleasing as their classic '80s releases, and Madness showed no signs of slowing down, touring the world and launching new projects such as 2018's Can't Touch Us Now and 2023's The Theatre of the Absurd Introduces C'est La Vie.
                                  

01. MADNESS - ONE STEP BEYOND... 1979

                           

One Step Beyond... is the debut studio album by the English ska and pop band Madness, released on 19

October 1979 by Stiff Records. Recorded and mixed in about three weeks, the album peaked at number two and remained on the UK Albums Chart for more than a year. The album has received much critical praise. It was ranked 90th in a 2005 survey held by British television station Channel 4 to determine the 100 greatest albums of all time. 
                                   

Madness – One Step Beyond…
Label: Virgin – CDOVD 133, Virgin – 0777 7 86430 2 9
Series: Compact Price 
Format: CD, Album, Reissue
Country: Italy
Released: 1989
Genre: Rock
Style: Ska

TRACKS

                             

01. One Step Beyond
Written-By – C. Campbell
02. My Girl
Written-By – M. Barson
03. Night Boat To Cairo
Written-By – G. McPherson, M. Barson
04. Believe Me
Written-By – J. Hasler, M. Barson
05. Land Of Hope And Glory
Written-By – L. Thompson
06. The Prince
Written-By – L. Thompson
07. Tarzan's Nuts
Written-By – C. Smash, M. Barson
08. In The Middle Of The Night
Written-By – C. Foreman, G. McPherson
09. Bed & Breakfast Man
Written-By – M. Barson
10. Razor Blade Alley
Written-By – L. Thompson
11. Swan Lake
Arranged By [Traditional] – M. Barson
12. Rockin' In A♭
Written-By – W. Wurlitzer
13. Mummy's Boy
Written-By – M. Bedford
14. Madness
Written-By – C. Campbell
15. Chipmunks Are Go!
Written-By – B. Smyth, C. Smash

LINE - UP

Graham "Suggs" McPherson – lead vocals
Mike Barson – keyboards
Chris Foreman – guitars
Mark Bedford – bass
Lee Thompson – saxophones, backing vocals, lead vocals on tracks 5 and 10
Dan Woodgate – drums, percussion

ADDITIONAL MUSICIANS

Cathal "Chas Smash" Smyth – backing vocals, "various shouts and fancy footwork", lead vocals on tracks 1 and 15

Flac Size: 270 MB

02.  MADNESS - ABSOLUTELY 1980 - 2 CD DELUXE EDITION

                                   

Absolutely is the second studio album from the English ska band Madness, released by Stiff Records on

26 September 1980. The album reached number 2 in the UK album charts. Absolutely spawned some of the band's biggest hits, most notably "Baggy Trousers", which peaked at number 3 in the UK and spent more than four months in the singles chart. "Embarrassment" reached number 4, and the instrumental "The Return of the Los Palmas 7" climbed to number 7.
                         

Madness – Absolutely
Label: BMG – BMGCAT591CD, Union Square Music – BMGCAT591CD
Format: 2 x CD, Album, Reissue, Stereo Feb 24, 2023
Country: UK
Released: 1980
Genre: Reggae
Style: Ska

CD1.  ORIGINAL ALBUM        

                                     

   
01. Baggy Trousers   2:46
Written-By – Foreman, McPherson    
02. Embarrassment   3:11
Written-By – Thompson, Barson    
03. E.R.N.I.E   2:09
Written-By – McPherson, Thompson    
04. Close Escape   3:32
Written-By – Foreman, Thompson    
05. Not Home Today   2:43
Written-By – McPherson, Bedford    
06. On The Beat Pete   3:04
Written-By – Thompson    
07. Solid Gone   2:19
Written-By – Smyth    
08. Take It Or Leave It   3:28
Written-By – Thompson, Barson    
09. Shadow Of Fear   1:59
Written-By – Smyth, Foreman, Woodgate, Bedford    
10. Disappear   2:58
Written-By – McPherson, Bedford    
11. Overdone   3:44
Written-By – Foreman, Thompson    
12. In The Rain   2:44
Written-By – McPherson    
13. You Said   2:34
Written-By – McPherson, Barson    
14. The Return Of The Los Palmas 7   2:31
Written-By – Woodgate, Bedford, Barson
    

BONUS TRACKS        

    
15. In The Rain (Single Version)   2:46
Written-By – McPherson    
16. The Business   3:26
Written-By – Barson    
17. Crying Shame   2:39
Written-By – Barson    
18. That's The Way To Do It   2:51
Written-By – Foreman    
19. El Regresso De Los Palmas 7   2:47
Written-By – Woodgate, Bedford, Barson    
20. Swan Lake (Live)   2:36
Written-By – Barson, Tchaikovsky    
21. Release Me/ Close Escape/ Solid Gone (Medley)   5:04
Written-By – Smyth, Foreman, Williams, Miller, Thompson, Yount

Flac Size: 453 MB

    
CD2.  BBC LIVE IN CONCERT HAMMERSMITH ODEON 23rd DECEMBER 1980       

                           

 
01. One Step Beyond    2:51
Written-By – Campbell
02. E.R.N.I.E   2:07
Written-By – McPherson, Thompson    
03. Mistakes   2:34
Written-By – Hasler, Barson    
04. Disappear   2:15
Written-By – McPherson, Bedford    
05. Bed And Breakfast Man   2:29
Written-By – Barson
06. The Return Of The Los Palmas 7   2:20
Written-By – Woodgate, Bedford, Barson    
07. Close Escape   2:44
Written-By – Foreman, Thompson    
08. Overdone   3:10
Written-By – Foreman, Thompson
09. Not Home Today   2:15
Written-By – McPherson, Bedford
10. Razor Blade Alley   3:16
Written-By – Barson
11. My Girl   2:44
Written-By – Barson
12. Take It Or Leave It   2:38
Written-By – Thompson, Barson    
13. On The Beat Pete   2:54
Written-By – Thompson
14. Embarrassment   3:09
Written-By – Thompson, Barson
15. Shadow Of Fear   1:54
Written-By – Smyth, Foreman, Woodgate, Bedford
16. You Said    2:28
Written-By – McPherson, Barson     
17. In The Middle Of The Night   2:28
Written-By – Foreman, McPherson
18. The Prince   3:05
Written-By – Smyth, Foreman, Woodgate, Bedford
19. Baggy Trousers   2:24
Written-By – Foreman, McPherson
20. Rockin' In A♭   2:00
Written-By – Smith    
21. Madness   3:30
Written-By – Campbell

Flac Size: 422 MB
    
LINE - UP

                               

Graham "Suggs" McPherson – lead vocals, percussion
Mike Barson – piano, organ, vibraphone, marimba, harmonica
Chris Foreman – guitar, sitar, slide guitar
Lee Thompson – tenor and baritone saxophones
Daniel Woodgate – drums, fire extinguisherMark Bedford – bass guitar
Chas Smash – backing vocals, trumpet, lead vocals on "Solid Gone"

03.  MADNESS - 7 1981

                             

7 (also known as Madness 7) is the third studio album by the English ska and pop band Madness.

Released in October 1981, it peaked at No. 5 on the UK Albums Chart. All but one track was recorded at Compass Point Studios in Nassau, Bahamas in the summer of 1981, the exception being "Grey Day" which was recorded in London earlier in the year. Although in 2011 co-producer Alan Winstanley stated in the Guided Tour of Madness boxed-set that much of the album was re-recorded in London when they returned from Nassau. The album title was band member Chas Smash's idea based on the lucky number 7.

                           

Madness – 7
Label: Virgin – CDOVD 135, Virgin – 257 375
Series: Compact Price 
Format: CD, Album, Reissue Nov 1989
Country: UK
Released: 1981    
Genre: Rock
Style: Pop Rock, Ska

TRACKS

                             

01. Cardiac Arrest    2:52
02. Shut Up    4:08
03. Sign Of The Times    2:43
04. Missing You    2:32
05. Mrs. Hutchinson    2:17
06. Tomorrows Dream    3:55
07. Grey Day    3:40
08. Pac-A-Mac    2:37
09. Promises Promises    2:52
10. Benny Bullfrog    1:51
11. When Dawn Arrives    2:43
12. The Opium Eaters    3:02
13. Day On The Town    3:23

LINE - UP

                      

Graham "Suggs" McPherson – lead vocals
Mike Barson – piano, organ, vibes, marimba, tubular bells
Chris Foreman – guitar, sitar
Mark Bedford – bass
Lee Thompson – saxophones, burps, squeaks, lead vocals on track 10
Daniel Woodgate – drums, congas
Chas Smash – backing vocals, trumpet

Flac Size: 250 MB

04.  MADNESS - THE RISE & FALL 1982 2CD DELUXE EDITION

                        

The Rise & Fall is the fourth studio album by English ska band Madness, released on 5 November 1982

by Stiff Records. This album saw Madness at their most experimental, exhibiting a range of musical styles including jazz, English music hall, and Eastern influences. NME described it at the time of its release as "the best Madness record". It has often been retrospectively described as a concept album. Though the album was never released in the US, several tracks were later placed on the compilation Madness (1983), including "Our House", the band's only top 10 hit in America. 
                            

Madness – The Rise & Fall
Label: BMG – BMGCAT593CD, Union Square Music – BMGCAT593CD
Format: CD, Album, Reissue 2023
Country: UK
Released: 1892    
Genre: Rock
Style: Pop Rock, Ska

CD1.  THE ORIGINAL ALBUM        

                       

   
01. Rise And Fall   3:17
Written-By – Foreman, McPherson
02. Tomorrow's (Just Another Day)   3:11
Written-By – Smyth, Barson
03. Blue Skinned Beast   3:23
Written-By – Thompson    
04. Primrose Hill    3:36
Written-By – Foreman, McPherson
05. Mr. Speaker (Gets The Word)    3:01
Written-By – McPherson, Barson
06. Sunday Morning   4:03
Written-By – Woodgate
07. Our House   3:23
Written-By – Smyth, Foreman
08. Tiptoes   3:30
Written-By – Smyth, Foreman, Woodgate, McPherson, Thompson, Bedford, Barson
09. New Delhi   3:41
Written-By – Barson    
10. That Face   3:40
Written-By – Foreman, McPherson
11. Calling Cards   2:20
Written-By – Foreman, Thompson
12. Are You Coming (With Me)   3:17
Written-By – Thompso, Barson
13. Madness (Is All In The Mind)   2:53
Written-By – Foreman

Flac Size: 307 MB
    
CD2. THE KID JENSEN SEESION            

                         

01. Rise And Fall   2:38
Written-By – Foreman, McPherson    
02. Tomorrow's (Just Another Day)   3:01
Written-By – Smyth, Barson
03. Calling Cards   2:05
Written-By – Foreman, Thompson
04. Are You Coming (With Me)   2:46
Written-By – Thompson, Barson
    

THE BONUS TRACKS

    
05. House Of Fun (7" Single)   3:00
Written-By – Thompson, Barson    
06. Driving In My Car (7" Single)   3:18
Written-By – Barson
07. Our House (12" Extended Version)   5:58
Written-By – Smyth, Foreman
08. Tomorrow's (Just Another Day) (Warped 12" Single)   3:46
Written-By – Smyth, Barson    
09. Don't Look Back (B-Side "House Of Fun")   3:35
Written-By – Foreman
10. Animal Farm (Tomorrow's Dream Warp Mix) (B-Side "Driving In My Car")   4:04
Written-By – Smyth, Foreman, Woodgate, McPherson, Thompson, Bedford, Barson
11. Riding On My Bike (B-Side "Driving In My Car" 12")  5:37 
Written-By – Thompson, Barson
12. Mad House ("Our House" Instrumental Mix - USA 12")  4:39 
Written-By – Smyth, Foreman
13. Walking With Mr. Wheeze (B-Side "Our House")   3:33
Written-By – Barson
14. Blue Beast (Warp Mix) (B-Side "Tomorrow's (Just Another Day)" 12")   3:16
Written-By – Thompson
15. Tomorrow's (Just Another Day) ("Tomorrow's (Just Another Day)" 12")   2:57
Performer [With] – Elvis Costello
Written-By – Smyth, Barson
16. Our House (Stretch Mix) (DJ Promo Single)   5:32
Written-By – Smyth, Foreman    
17. The National Anthem   1:14
Arranged By – Smyth, Foreman, Woodgate, McPherson, Thompson, Bedford, Barson
Written-By – Traditional
    

Flac Size: 419 MB

LINE - UP

                                    

Graham 'Suggs' McPherson – lead vocals
Mike Barson – keyboards, harmonica, piano
Chris Foreman – guitars
Lee Thompson – saxophones
Daniel Woodgate – drums
Mark Bedford – bass guitar, double bass
Cathal Smyth – backing vocals, trumpet, lead vocals on "Madness (Is All in the Mind)"

ADDITIONAL PERSONEL

Geraldo D'Arbilly – additional percussion
David Bedford – brass and string arrangements

The Specials: The Best Of The Specials 2008

 

The Specials, also known as The Special AKA, are an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on

guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits (pork pie hats, tonic and mohair suits and loafers)". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work (often written by primary songwriter Dammers) presented overt political and social commentary.
            

If you were 12 in 1979, the Specials were easy peasy lemon squeezy the greatest band on the planet. The sort of band you can't quite imagine not existing before. Of course, style over substance is any easy sell in the pop charts, and you have to assume that the vast majority of the millions of catalogue rude

boy clones who cat walked the shithole of Britain’s high streets over the following few years were fashion victims of the lowest order (check Stereotypes or Do Nothing for the bands response). The difference being that, perfectly packaged as they were, the Specials were substance wrapped in checkerboard. Who else could mention the Irish Republican Army and the Ulster Defence Association in a dance track? It turns out I, and millions of others, nailed our colours to the right mast at the time, and try as I might I still can't find a single chink in the armour of The Specials legacy.
         

They looked fucking great. If you weren't there, Britain was transformed into a mail order version of

The Wailin Wailers album cover almost overnight, though it probably didn't know it at the time. Before the birth of the woeful sports casual, the working class dressed up for the weekend and the easily attainable and striking evocation of mid 60's Jamaica was too irresistible for those who founds punks sartorial alienation just that bit too alienating.
                    

In an age where teenage girls called Kate or Katie clog up the airwaves with songs about boyfriend trouble, (and that age is always), a number one about birth control seems highly unlikely. And it did

then. Add to that, a first tour supporting the Clash, their own label which proportionally was more about others than them, launching Madness, launching The Selector before they even existed, that Two Tone episode of Top Of The Pops, the tour that introduced the non ska wonders of Dexys Midnight Runners to a generation, a faultless and thoughtful back catalogue, opening barely formed minds to racial tolerance, their constant defiance of the ever present National Front.
               

With their expected (but heartbreaking) immaculate timing, the Specials couldn't have picked a more perfect time to split if they'd had a team of strategic scriptwriters to work out the elegance of a perfect

Hollywood ending. Their final release was not only the most prescient 45 ever, but also their most musically avant garde. They were no longer merely the greatest ska band around, Imagine Ghost Town being allowed anywhere near the charts today. Not only near the charts but No1. Not only No1, but a chart topper during the punch in the face that was the hideous experience of a Royal Wedding. Ghost Town hit the charts the week before the Toxteth Riots, somehow still journalistically given the tag of Race Riots, as if anyone riots because of their race. Let's face facts, a mixed race riot is a class riot.
                  

              
The anti-apartheid anthem "Free Nelson Mandela" became a Top Ten hit in England, but the album

stiffed, peaking at a tepid 34 on the U.K. album charts. The band's final single, "What I Like Most About You Is Your Girlfriend," failed to break the British Top 40, and Dammers dissolved the unit and pursued political causes such as Artists Against Apartheid.
              
             

          
Shortly after the official breakup, various members of the band joined up with other ska revivalists (English Beat, etc.) to form a touring unit named Special Beat. By the mid-'90s, in response to the third-wave ska revival, a Dammers-less version of the Specials (featuring Roddy Byers, Lynval Golding,

Horace Panter, and Neville Staple) reappeared with a series of mediocre cash-in albums: Today's Specials (1996), Guilty Til Proved Innocent! (1998), and Conquering Ruler (2002). The Specials reunited again in 2008 with the full original lineup, except for Dammers, and toured in the United Kingdom, Europe, and the United States to great commercial success and positive reviews. The reunited band continued touring on and off until 2015, when drummer John Bradbury, the backbone of the 2-Tone sound, passed away in December at the age of 62. Trombonist Rico Rodriguez had died three months earlier, on September 4. He was 80 years old.
             

Death of Terry Hall

                         

On 19 December 2022, the Specials announced on social media that Hall had died at age 63 after a brief

illness which was later revealed to be pancreatic cancer. They had planned to record a new album in the United States before Hall's health deteriorated.
                    

THE SPECIALS ORIGINAL LINE - UP

                     

Terry Hall – lead vocals (1977–1981, 2008–2022; his death)
Lynval Golding – rhythm and lead guitar, vocals (1977–1981, 1993, 1994–1998, 2008–present)
Horace Panter – bass guitar (1977–1981, 1982, 1993, 1994–1998, 2000–2001, 2008–present)
Jerry Dammers – keyboards, principal songwriter, vocals (1977–1981)
Roddy Radiation – lead guitar, vocals (1978–1981, 1993, 1996–2001, 2008–2014)
Neville Staple – toasting, vocals, percussion (1978–1981, 1993, 1996–2001, 2008–2012)
John Bradbury – drums (1979–1984, 2008–2015; his death)
Dick Cuthell – flugelhorn, trumpet (1979–1984)
Rico Rodriguez – trombone (1979–1981, 1982; died 2015)

The Specials – The Best Of The Specials
Label: Chrysalis – CHRTV 20082, EMI – 50999 520398 2 9, EMI – 5099952039829
Series:    Sight & Sound
Country: Europe
Year: 2008
Genre: Rock, Reggae
Style: Ska, Rocksteady

TRACKS

                   

      
01. The Special A.K.A. – Gangsters   2:48
Producer – The Special A.K.A.
Written-By – J. Dammers
02. The Specials Feat. Rico – A Message To You Rudy   2:53
Engineer – Dave Jordan
Producer – Elvis Costello
Written-By – R. Thompson
03. The Specials – Nite Klub (Album Version)   3:23
Backing Vocals – Chrissie Hynde
Engineer – Dave Jordan
Producer – Elvis Costello
Written-By – J. Dammers, The Specials
04. The Specials – Concrete Jungle   3:19
Engineer – Dave Jordan
Producer – Elvis Costello
Written-By – R. Radiation
05. The Special A.K.A. – Too Much Too Young (Live)   2:06
Producer – Dave Jordan, Jerry Dammers
Written-By – J. Dammers
Written-By [Ack. To] – L. Chalmers
06. The Specials – Blank Expression   2:42
Engineer – Dave Jordan
Producer – Elvis Costello
Written-By – J. Dammers, The Specials
07. The Specials – Doesn't Make It Alright   3:25
Engineer – Dave Jordan
Producer – Elvis Costello
Written-By – D. Goldberg, J. Dammers
Written-By [Uncredited] – Mark Harrison (12)
08. The Specials – Rude Boys Outa Jail   2:39
Producer – Dave Jordan
Written-By – L. Golding, N. Staples, H. Gentleman
09. The Specials – Rat Race   3:10
Producer – Dave Jordan
Written-By – R. Radiation
10. The Specials – Man At C&A   3:36
Engineer – Dave Jordan, Jeremy (The Blade) Allom
Producer – Dave Jordan, Jerry Dammers
Written-By – J. Dammers, T. Hall
11. The Specials Feat. Rico With The Ice Rink String Sounds – Do Nothing (Single Version)   3:41
Producer – Dave Jordan
Written-By – L. Golding
12. The Specials – Stereotypes/Stereotypes Pt 2   7:24
Engineer – Dave Jordan, Jeremy (The Blade) Allom
Producer – Dave Jordan, Jerry Dammers
Written-By [Stereotypes Pt 2] – N. Staples
Written-By [Stereotypes] – J. Dammers
13. The Specials – International Jet Set (Album Version)    5:37
Engineer – Dave Jordan, Jeremy (The Blade) Allom
Producer – Dave Jordan, Jerry Dammers
Written-By – J. Dammers
14. The Specials – Friday Night, Saturday Morning    3:34
Engineer – J. Rivers
Producer – John Collins
Written-By – T. Hall
15. The Specials – Why?    2:56
Engineer – J. Rivers
Producer – John Collins
Written-By – L. Golding
16. The Specials – Ghost Town (Full Version)    6:01
Engineer – J. Rivers
Producer – John Collins
Written-By – J. Dammers
17. The Special AKA – What I Like Most About You Is Your Girlfriend (Album Version)   4:50
Mixed By – Jeremy Green
Producer – Dick Cuthell
Written-By – J. Dammers
18. The Special AKA – Racist Friend (Single Version)    4:02
Engineer [Executive] – Dick Cuthell
Producer, Arranged By – Jerry Dammers
Written-By – D. Cuthell, J. Dammers, J. Bradbury
19. The Special AKA – War Crimes (The Crime Remains The Same) (Single Version)    4:03
Engineer [Executive] – Dick Cuthell
Producer, Arranged By – Jerry Dammers
Written-By – J. Dammers
20. The Special AKA – Nelson Mandela (Album Version)   4:15
Producer – Elvis Costello
Written-By – J. Dammers

NOTES

01. Single released 28th July, 1979 on 2 Tone catalogue number CHS TT 1  1979
02. Single released 27th October, 1979 on 2 Tone catalogue number CHS TT 5 Digital remaster  2002
03, 04, 06, 07 Taken from the album Specials Digital remaster  2002
05. Single released on 26th January, 1980 2 Tone catalogue number CHS TT7  1980
08, 09. Single released on 24th May, 1980 2 Tone catalogue number CHS TT 11  1980
10, 12, 13 Taken from the album More Specials Digital remaster  2002
11. Single released on 13th December, 1980 2 Tone catalogue number CHS TT 16.  1980
14. to 16. Single releaed on 20th June, 1981 2 Tone Chatalogue number CHS TT 17  1981
17, 20. Taken from the album In The Studio Digital remaster  2002
18. Single released on 3rd September, 1983 2 Tone catalogue number CHS TT 25.  1983
19. Single released on 22nd November, 1982 2 Tone catalogue number CHS TT 23.  1982

GHOST TOWN LYRICS

                          

This town, is coming like a ghost town
All the clubs have been closed down
This place, is coming like a ghost town
Bands won't play no more
too much fighting on the dance floor

Do you remember the good old days before the ghost town?
We danced and sang, and the music played in a de boomtown

This town, is coming like a ghost town
Why must the youth fight against themselves?
Government leaving the youth on the shelf
This place, is coming like a ghost town
No job to be found in this country
Can't go on no more
The people getting angry

          

This town, is coming like a ghost town
This town, is coming like a ghost town
This town, is coming like a ghost town
This town, is coming like a ghost town

MP3 @ 320 Size: 181 MB
Flac  Size: 495 MB        

THE SPECIALS - BBC SESSIONS 1998 

 

In Session With John Peel 29/5/79

   
01. Gangsters    3:03
02. Too Much Too Young    2:07
03. Concrete Jungle    3:20
04. Monkey Man    2:41

In Session With John Peel 22/10/79
    
05. Rude Boys Outa Jail    2:56
06. Rat Race    3:10
07. The Skinhead Symphony In Three Movement    (5:48)
Long Shot Kick The Bucket
Liquidator   
Skinhead Moonstomp
    
In Session With John Peel 01/12/80
    
08. Sea Cruise    3:12
09. Stereotype    6:16
10. Racquel    1:40

In Session With John Peel 12/09/83
    
11. Alcohol    3:46
12. Lonely Crowd    3:22
13.Bright Lights    4:11

David "Kid" Jensen Session 1980   

14. Blank Expression    1:53
15. You're Wondering Now    2:23
16. Friday Night, Saturday Morning    3:14

 MP3 @ 320 Size: 123 MB

My EAC Program Doesn't convert it in Flac (After the third track)