ua

ua

Sunday, April 15, 2018

Hoodoo Gurus : Stoneage Romeos 1984


Hoodoo Gurus (referred to as the Gurus by fans) are an Australian rock band, formed in Sydney in 1981, by the mainstay Dave Faulkner (songwriter, lead singer and guitarist) and later joined by Richard Grossman (bass), Mark Kingsmill (drums), and Brad Shepherd (guitar, vocals, harmonica). Their popularity peaked in the mid to late 1980s with albums Mars Needs Guitars!, Blow Your Cool! and Magnum Cum Louder.

Hoodoo Gurus had a string of acclaimed pop-rock singles including "Leilani" (1982), "Tojo" (1983), "My Girl" (1983), "I Want You Back" (1984), "Bittersweet", "Like Wow - Wipeout!", and "What's My Scene?". After touring the United States from 1984 onwards they gained popularity on the U.S. college rock circuit with singles "Come Anytime" (1989) reaching No. 1 and "Miss Freelove '69" (1991) reaching No. 3 on the Billboard Modern Rock Tracks chart.


Three Hoodoo Gurus founders were from Perth protopunk and punk bands: Dave Faulkner (guitars) and James Baker (drums) of The Victims; while Baker had been with Roddy Radalj (aka Roddy Ray'Da) (guitars) in The Scientists. The fourth founding member, Kimble Rendall (guitars) was formerly in Sydney punk rockers XL Capris. The three guitarists Faulkner, Rendall and Radalj met at an end-of-1980 New Year's Eve party and were joined by Baker to form Le Hoodoo Gurus.

Le Hoodoo Gurus unorthodox line-up of three guitars and no bass player, fused pop melodies, punk guitars and an American trash culture ethic. This was captured on their first single, "Leilani" released in October 1982, on Phantom Records. This told the story of a maiden sacrificed to the gods and an erupting volcano while her true love looked on helplessly. They dropped the 'Le', to become Hoodoo Gurus, not long after the single's release. As the Hoodoo Gurus, they gave their first ever performance on a segment of the kids' TV program Simon Townsend's Wonder World; this was followed by a performance alongside a man and his singing dog, on The Don Lane Show.


Gurus new line-up (Baker, Bramley, Faulkner and Shepherd) recorded the band's first album in 1984, Stoneage Romeos. The title came from a 1955 Three Stooges short Stone Age Romeos. The album was dedicated to characters from Get Smart, F-Troop and Petticoat Junction. They were awarded 'Best Debut Album' of 1984 at the July 1985 Countdown Music Awards. When Stoneage Romeos was released in America it stayed at number 1 in the Alternative/College charts for seven weeks, becoming one of the most played albums for the year on the college network.

Initially a cult inner-city act, their popularity expanded due to regular airplay on radio station Triple J and nationwide pop TV show Countdown from mid-1983. Their breakthrough single "My Girl" was accompanied by a video clip featuring a dog trainer with his once champion greyhound. Members of Spiderbait described seeing the video for the first time as "a beautiful, classic pop song". Some viewers insisted the song was "written about a dog". This was closely followed by "I Want You Back", which featured animated plastic model dinosaurs. Both videos were aired frequently raising the group's profile around the country.

Original drummer James Baker was sacked from the band in August 1984 and was replaced by Mark Kingsmill (The Hitmen, New Christs, Screaming Tribesmen, Hellcats and Super K). Based on the success of the Stoneage Romeos the Hoodoo Gurus, with their new drummer, then embarked on their first tour of the United States in late 1984.


TRACKS 

01. (Let's All) Turn On - James Baker, Darcy Condon, Faulkner, 3:04
02. I Want You Back           3:12
03. Arthur - Faulkner, Radalj     3:10
04. Death Ship - Faulkner, Radalj, Alan Sharples     2:37
05. Dig It Up       3:36
06. My Girl       2:40
07. Zanzibar       3:25
08. Leilani - Faulkner, Baker, Radalj, Kimble Rendall     5:36
09. Tojo       3:23
10. In the Echo Chamber  3:44
11. I Was a Kamikaze Pilot  3:12

Personnel

James Baker — drums
Clyde Bramley — bass, vocals
Dave Faulkner — guitar, lead vocals, keyboards
Brad Shepherd — lead guitar, vocals, harmonica, percussion
Michael Farmer — additional percussion
Producer, Engineer — Alan Thorne
Mastering — Bob, Carbone, Frank DeLuna
Artwork (cover concept and design) — Yanni Stumbles
Photography (pics) — Tom Takacs
Other (the boss) — Stuart Thorne

 MP3  Size : 87.9 MB
FLAC  Size : 272 MB

Wednesday, April 11, 2018

Phillipe Buchet - Jean Danid Morvan : WAKE




PHILLIPE BUCHET  : THE DESIGNER



Philippe Buchet (born 7 May 1962 in Juniville, Ardennes, France) is a French comic book artist. First working as a freelance illustrator in Paris and Reims, he finally entered comic book terrain with Nomad, on which he worked with Jean-David Morvan. He also worked for the magazine Dragon, and created Wake together with Morvan. While working for Dragon he collaborated with Morvan on a sword and sorcery series La Quete des reponses, which came out as a single album in 1998.

JEAN - DAVID MORVAN : THE WRITER




Jean-David Morvan (born November 28, 1969 in Reims, Marne, France) is a French comics author.
Jean-David Morvan studied arts at the Institut Saint-Luc in Brussels. Morvan first tried being a comics artist, but soon realised that his true strength is storytelling, and so now he is best known as a comics writer. He resides in Reims, France. His main series are Spirou et Fantasio, Sir Pyle and Merlin, all with Jose Luis Munuera, and Wake with Philippe Buchet.

THE STORY




Wake (titled Sillage in the original French) is a science fiction graphic novel series created by Jean-David Morvan and Philippe Buchet. The series has been translated to English and published in the United States by NBM Publishing.



The issues are published in a large format (19 cm by 25.4 cm) as soft cover graphic novels. Issues 1 through 3 were published individually. Issues 4/5 and 6/7 were published together as single books. NBM Publishing have stated that they will not be publishing the remainder of the series in English in the United States.


Wake is space opera, exploring social themes about inequalities, corruption and colonisation.



The protagonist of the series is Navee (Navis in the original French), a young human female who was shipwrecked and orphaned on an alien planet. She was raised from infancy by one of the ship’s robots, Nsob, and has never met another human being. The series uses Navee as an outside viewer of the Wake convoy as she adjusts to life in this alien civilisation.



The first volume of the series depicts the adolescent Navee topless. As a prerequisite for publication in the United States, the American publisher covered her breasts with a black felt marker in the American edition.


Navee is the only living example of humanity known to Wake. She is also unique in being neither a "psi active" nor a "psi passive"; that is, she has no telepathic abilities, but her mind cannot be read either. This lack of psionic talent of any sort comes in handy at times during the series.



Navee has white rectangular tattoos on her body. There is evidence to suggest she is not a true human being and these markings has something to do with it (Wake Vol 3;Navis Vol 2&4).


As the series begins, Navee has survived into adolescence and all the technology on her wrecked ship has finally failed. She lives a primitive life in the jungle of her world with her companion Houyo, a sentient tiger-like being.


Her idyllic life ends when agents of Wake, a traveling civilization of many different alien species, arrive to Hotta-form (equivalent of terraform) her planet for Hottard colonisation. Prior to encountering Navee, Wake had extremely limited contact with humanity.


After some first contact friction, Navee is awarded salvage rights to her wrecked spacecraft and joins Wake with enough money to pay for her education and to commission a custom spacecraft for her to live in.


When her money runs out, she goes to work for the Wake government as an agent and explorer within the Wake convoy and on technologically primitive worlds.


WAKE


The Wake Civilization is a vast convoy of spacecraft that constantly travel around the galaxy in search of resources, races, and technology. This convoy drops hypergates as it travels, allowing instantaneous access to previously visited star systems.


It is unclear whether Wake has any faster than light capability beyond the hypergates. The Wake civilization is very old. There are hints that it has circled the galaxy many times, and revisited many stellar systems over time periods sufficient to watch civilizations rise and fall. There is also evidence that Wake has terraformed planets and seeded life on them over a very long period of time.


As a synthesis of vast numbers of races with a long history, Wake is extremely advanced technologically. No two ships of Wake are designed the same, and some are clearly biological. Several ships and species are encountered in the convoy that are so different that communication is difficult or impossible, yet they are clearly a part of the civilization.


Artificial intelligences are used everywhere, but are considered second class citizens and kept under control by the biological citizens. Advanced biological information storage and processing technologies are seen several times throughout the series.


The communication technology of Wake relies heavily on psionics, produced and manipulated by both biological and technological means.


The citizens of Wake are classified by their ability to control the behavior of other beings through psionic powers and their susceptibility to control by the same means. This division of people into powerful and helpless categories is a consistent theme throughout the series.


The exclusive use of psionics for communication is hinted at as one of the possible reasons why Wake and humanity have never discovered each other, as Navis (and presumably all humans) are totally immune to psionic coercion and equally unable to manipulate or communicate with other beings through these means.


This ability makes Navis valuable as an intelligence agent of Wake’s military and use of this talent allows her to make a living.

Publish in Greece by the Comic magazine " 9 "  by the newspaper " Eleftherotypia " in 1998 .

Sunday, April 01, 2018

Died Pretty : Next To Nothing EP 1985



Not available on CD

Died Pretty, are an Australian alternative rock band founded by mainstays, Ron Peno as its lead singer and Brett Myers as its lead guitarist and backing vocalist, in Sydney in 1983, briefly as Final Solution. Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television. They were managed by John Needham, who is the owner of Citadel Records, their main label.


Died Pretty's 1990s albums, Doughboy Hollow, Trace and Sold appeared on the Australian Recording Industry Association (ARIA) Albums Charts but they had more success on the alternate scene. Following up its initial singles with its first full extended release, "Next to Nothing" is a fine four-song selection of tracks from the band. With Chris Welsh installed as the new drummer, the quintet keeps exploring its inspired revamp of '60s/'70s rock influences as it goes.

The band came to the attention of the Australian independent music scene and inner city circuit. In January 1984 they recorded "Out of the Unknown", with Younger producing, which was released on Citadel as their first single. Before touring to Melbourne, Lickliter was replaced on bass guitar by Mark Lock (The Phantom Agents, End). In August they recorded a 10-minute psychedelic epic "Mirror Blues" (issued split over a 7" in Australia and intact on 12" in the United Kingdom).

Barwick was dissatisfied with Died Pretty and the band tried to recruit Chris Welsh (The 31st, Screaming Tribesmen) but initially could not finance a drum kit for him. With Welsh finally on board, they recorded the extended play (EP)," Next to Nothing ", released in August 1985.




Myers' guitar work is especially striking in that it doesn't take the fore per se, slotting into the overall sound of the band perfectly, just enough, almost more backing Brunetti's keyboards than the other way around. Peno's sense of projection is still growing, but with panache  he doesn't actually sound like he should front the Doors, but Morrison would recognize the inspired theatricality. The cello on the mid-range lope and burn of "Plaining Days" makes for a nice touch, but the group handles itself on its own well throughout.

The lengthy "Desperate Hours" is the best of the four, building up and relaxing as it goes, just epic enough in scope and feel to suggest a less noisy Neil Young hitting a smoky groove.


In April 2012 Died Pretty performed as part of the Dig It Up! series of concerts around Australia, organised to celebrate 30 years of recorded music by fellow Australian band Hoodoo Gurus.

In March 2016, the band played across Australia as part of the 'A Day On The Green' concert series, with Hoodoo Gurus, Sunnyboys, Violent Femmes and Ratcat. The also played some headline shows in clubs.The band undertook a joint national tour with Radio Birdman in June and July 2017.

Albums

    Free Dirt (August 1986)
    Lost (June 1988)
    Every Brilliant Eye (1990) – AUS #79
    Doughboy Hollow (1991) – AUS #24
    Trace (1993) – AUS #11
    Sold (1996) – AUS #29
    Using My Gills as a Roadmap (1998)
    Everydaydream (2000)



Tracklist

SIDE A


1. Ambergris 4:20
2. Plaining Days 4:11

SIDE B

3. Desperate Hours 8:03
4. Final Twist  4:16

MEMBRES

Mark Lock : Bass
Brett Myers : Guitar
Ronald S Peno : Vocals
Frank Brunetti : Keyboards
Chris Welsh : Drums Perussion
Joe Borkowski : Cello

Format : Vinyl EP
Label : Citadel Records Australia
Imported : by Virgin
Made in : France
Year : August 1985
Style : Alternative Rock , Garage

Saturday, March 24, 2018

Deceptive Site


To all our visitors

If you see DECEPTIVE SITE while you trying to download a link from Zippyshare , please don't believe it .
There is no danger , like installing software , or revealing your personal information , like passwords , phone numbers or credit cards .
All the links are clear and very safe .
Someone is trying to put down "URBAN ASPIRINES "
Please click on " Ignore this warning " and you will get the download you want .

Many Thanks



Thursday, March 22, 2018

And Aso The Trees : And Also The Trees 1984



And Also the Trees is the debut studio album by English gothic rock band And Also the Trees. It was released in February 1984 by record label Reflex.

"So This Is Silence" kicks off the Trees' debut with a semi-tribal drum rhythm sounding not unlike something from the Cure's Pornography, albeit lighter; given that Cure drummer Lol Tolhurst produced the record, such While lacking in immediately catchy songs , partially due to the fact that at this point the band generally favored series of verses or poetry without rhyme to more conventional lyric structures , the album still kicks up some smoke, as with the quite atmospheric "Midnight Garden" and the first gentle, then brawling "The Tease the Tear."

"Shrine" is especially noteworthy, given its intricate guitar work mixed with somewhat flanged effects, which soon would become a key element to the Trees' sound. Add to that some nicely melancholy cover art of a fog-shrouded forest and the generally rural setting of the lyrics, and a distinctly 'old' English flavor becomes clear, which would also help further set the Trees apart from other similar bands in later years.

They are notable for their poetic lyrics and evocative music which are strongly influenced by the native English countryside.

The band made their live debut on 12 January 1980 at Grieg Memorial Hall in Alcester. A home demo tape was sent to the Cure, who were looking for support bands on their tour, leading to a friendship between the two bands. In 1981, And Also the Trees played several shows in support of the Cure's UK tour. Their second demo tape, From Under the Hill (1982), was partly co-produced by Robert Smith and Mike Hedges. Graham Havas was replaced at this time by Steven Burrows.

 "So This Is Silence" kicks off the Trees' debut with a semi-tribal drum rhythm sounding not unlike something from the Cure's Pornography, albeit lighter; given that Cure drummer Lol Tolhurst produced the record, such a connection makes perfect sense. However, the Trees weren't, and have never been, mere clones of the Cure despite Tolhurst's help and Robert Smith's long-term patronage, though at this stage of their careers the band's collective influences certainly hung heavy.

The band's aesthetic sensibility has also been related to British Romanticism and melancholy in poetry and the arts.

MEMBERS :

    Simon Huw Jones – vocals
    Justin Jones – guitar
    Steven Burrows – bass guitar
    Nick Havas – drums

Technical

    Laurence Tolhurst – production
    David Motion – engineering


Side A



A.01. So This Is Silence 3:10
A.02. Talk Without Words 3:19
A.03. Midnight Garden      4:33
A.04. The Tease the Tear 2:53

Side B



B.01. Impulse of Man 4:44
B.02. Shrine     3:38
B.03. Twilights Pool 4:38
B.04. Out of the Moving Life of Circles 4:06
Label : Reflex Records – Lex 1
Format : Vinyl, LP, Album
Country UK
Released : Feb 1984
Genre : Rock
Style : New Wave , Dark , Gothic
Recorded at Southern Studio, September 1983
Mixed at Livingston Studios. Future / Cherry Red Music 1984
Published by Future / Cherry Red Music 1984

Take it Here





Tuesday, March 13, 2018

Mahavishnu Orchestra : Birds Of Fire 1973



The band's first lineup featured English guitarist "Mahavishnu" John McLaughlin, Panamanian drummer Billy Cobham, Irish bassist Rick Laird, Czechoslovakian keyboardist Jan Hammer, and American violinist Jerry Goodman. McLaughlin had worked with Cobham and Goodman on his third solo album My Goal's Beyond (1971), and asked Cobham to become the drummer in his new jazz-rock fusion band he wished to form, which he accepted. The violin was an instrument that had interested McLaughlin since childhood, and could not have Jean-Luc Ponty, his first choice, due to immigration problems.

McLaughlin had particular ideas for the instrumentation of the group, in keeping with his highly original concept of genre-blending in composition. He particularly wanted a violinist as an integral contributor to its overall sound.



As the group evolved, McLaughlin adopted what became his visual trademark — a double neck guitar (six-string and twelve-string) which allowed for a great degree of diversity in musical textures—and Hammer became one of the first to play a Minimoog synthesizer in an ensemble, which enabled him to add more sounds and solo more freely, alongside the guitar and the violin.

Birds of Fire is Mahavishnu Orchestra's second album. It was released during the first half of 1973 and is the last studio album released by the original band line-up before it dissolved, although Between Nothingness & Eternity, a live album, was recorded and released later that same year. The final studio recordings by this line-up would be released as The Lost Trident Sessions in 1999.

As with the Mahavishnu Orchestra's previous album, The Inner Mounting Flame, Birds of Fire consists solely of compositions by John McLaughlin. This includes the track "Miles Beyond (Miles Davis)", which McLaughlin dedicated to his friend and former bandleader.

 Birds of Fire is audibly more varied in texture, even more tightly organized, and thankfully more musical in content. A remarkable example of precisely choreographed, high-speed solo trading -- with John McLaughlin, Jerry Goodman, and Jan Hammer all of one mind, supported by Billy Cobham's machine-gun drumming and Rick Laird's dancing bass -- can be heard on the aptly named "One Word," and the title track is a defining moment of the group's nearly atonal fury.




TRACKS


01.Birds of Fire     5:50
02.Miles Beyond (Miles Davis)     4:47
03.Celestial Terrestrial Commuters     2:54
04.Sapphire Bullets of Pure Love     0:24
05.Thousand Island Park     3:23
06.Hope     1:59
07.One Word     9:57
08.Sanctuary     5:05
09.Open Country Joy     3:56
10.Resolution     2:09

Members

John McLaughlin - guitars
Rick Laird - bass
Billy Cobham - drums, percussion
Jan Hammer - keyboards, Moog synthesizer
Jerry Goodman - violin
Ken Scott - Engineer


JOHN MCLAUGHLIN


John McLaughlin (born 4 January 1942 in Doncaster, South Yorkshire, England), also known as Mahavishnu John McLaughlin, is an English guitarist, bandleader and composer. His music includes many genres of jazz which he coupled with elements of rock, Indian classical music, Western classical music, flamenco and blues to become one of the pioneering figures in fusion.

His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.

McLaughlin has been cited as an influence by a number of prominent musicians. He is a Grammy award winner and has been awarded multiple "Guitarist of the year" and "Best Jazz Guitarist" awards from magazines such as Down Beat and Guitar Player based on reader polls. In 2003,

RICK LAIRD



Born in Dublin, Ireland, Laird played music from a young age and enrolled for guitar and piano lessons. He started playing jazz after moving to New Zealand at the age of 16 with his father. He played guitar in jam bands in New Zealand before buying an upright bass. After extensive touring in New Zealand he moved to Sydney, Australia, where he played with many top jazz musicians including Don Burrows.

He moved to England in 1962 and became house bassist at Ronnie Scott's Jazz Club in London, playing with many greats including the guitarist Wes Montgomery and Sonny Stitt and even with Buddy Rich, most notably the residence at The Talk of the Town in 1969. From 1963 to 1964 Laird was at London's Guildhall School of Music and Drama. He was recorded on Sonny Rollins's record Alfie and played in The Brian Auger Trinity (July 1963-February 1964) and The Brian Auger Group (February–October 1964).

BILLY COBHAM



William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra. According to AllMusic's reviewer, Cobham is "generally acclaimed as fusion's greatest drummer". He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2

JERRY GOODMAN



Jerry Goodman (born March 16, 1949, Chicago, Illinois) is an American violinist best known for playing electric violin in the bands The Flock and the jazz fusion Mahavishnu Orchestra. Goodman actually began his musical career as The Flock's roadie before joining the band on violin. Trained in the conservatory, both of his parents were in the string section of the Chicago Symphony Orchestra. His uncle was the noted composer and jazz pianist Marty Rubenstein.

After his 1970 appearance on John McLaughlin's album My Goal's Beyond, he became a member of McLaughlin's original Mahavishnu Orchestra lineup until the band broke up in 1973, and was viewed as a soloist of equal virtuosity to McLaughlin, keyboardist Jan Hammer and drummer Billy Cobham.

MP3 Size : 94.1 MB 
FLAC Size : 248 MB

Saturday, March 03, 2018

Raining Pleasure : Flood 2001



Raining Pleasure is an indie/rock band originating from Patras, Greece, often credited with spearheading the newest wave of Greek bands with English lyrics. The band was formed in September 1990 under the name "Rest in Peace".
A year after their formation the band started appearing live locally. In 1992, they changed their name to Raining Pleasure and started touring Greece. In 1994, the band self-recorded and released a demo of their work (limited to 160 copies); since then, most of its songs have been rerecorded and included in their studio albums. For two more years, the band continued touring Greece and, in 1996, had three of its songs released through Pop & Rock 's magazine compilation Dytiki Akti '96.

Near the end of 1996, the band signed a contract with Lazy Dog Records based in Thessaloniki; in early 1997, they released their first full-length studio album Memory Comes Back which was well-received from the independent press at the time.

Their second release, Nostalgia, appeared in August 1998 also under the Lazy Dog banner. Raining Pleasure had the chance that two of their songs be included in two compilations produced by the European collaboration of great radio stations.

Also in 1998, one of the issues of the Greek fanzine Fractal Press included a 7 inch vinyl single including the songs "Winters of Waiting" and "Love" (both recorded during the Memories Come Back sessions but left out of the record).

In fall 2000, Raining Pleasure signed a contract with Chrysalis Records, originally obtaining the label as an imprint for their Minos EMI releases. This made them one of the relatively few English-speaking band in Greece to sign with a multinational record company (the short list includes Closer, Ziggy Was, and, predating them both, The Last Drive). However, no albums were released by Chrysalis Records while under contract and subsequent releases were only available in foreign markets as imports. Around April 2001, the band recorded and released the EP Capricorn before returning to the studio to record their third full-length studio album, their first for a major label.

In December 2001, Raining Pleasure's major label debut Flood was released to critical acclaim. The album
performed exceptionally well on the charts, spending 15 weeks on the international chart where it peaked at No. 1 before chart regulations necessitated the album's move to the local repertoire chart where it peaked at No. 5 (an unprecedented feat for a Greek act performing in English). The album spent well over a year on the Top 40 Artist Album Charts and has been certified Gold. It spawned three airplay hits in Greece, the biggest of which, "Fake," has become a pop and rock radio staple, and has been used in several commercial spots as well as in the soundtrack of the film "The Best of Times" directed by the Taiwanese director Tso-chi Chang. "Fake" was followed by the hits "Capricorn" and "Only Through You".


Το 2005 κυκλοφόρησε μια διασκευή του άλμπουμ REFLECTIONS του Μάνου Χατζιδάκι από το Πατρινό συγκρότημα Raining Pleasure, με τον τίτλο Reflections και τους αγγλικούς στίχους.

In 2007, they formed their own independent record label Celesta Records under which they released their newest album Who's Gonna Tell Juliet? Physical and digital distribution for the label is handled by Minos EMI.

(Wiki)

Band members

    Vassilikos - Vocals, Guitar
    X-Jeremy - Guitars
    Bassakis - Bass & Synths
    Jay - Drums


 Tracklist

01. Overture
Clarinet – Giorgos BourdopoulosOboe – Panagiotis TsagronisProducer, Mixed By, Recorded By – R.P. Violin, Viola – Nikos Mavridis  1:13
02. Fake     4:06
03. Only Through You     5:17
04. Capricorn
Drums – Costas KondylisProducer, Remix – R.P.  Programmed By – Theodoris Zefkilis Recorded By, Loops – Aris Christou  4:11
05. Song Of The Wolf
Violin [Screaming Violins], Arranged By [Screaming Violins] – Panos GhikasViolin, Viola – Nikos Mavridis 5:12
06. The Approaching Of The Hour
Keyboards – Christos Lainas  2:49
07. Ride - A - Loop     3:26
08. Free!  Drums – Costas KondylisGuitar [Additional Guitar] – John VerverisProgrammed By – Theodoris Zefkilis Recorded By – Aris Christou  5:12
09. I Won't Hurt You   Producer, Mixed By, Recorded By – R.P.Written-By – Markley, Harris, Lloyd  2:50
10. Another Song     6:05
11. All This Beauty  Bass – Coti K  6:56
12. Sacrifice   Recorded By [Trombone] – Aris ChristouTrombone – Vassilis VassilopoulosViolin, Viola – Nikos Mavridis  4:45




Raining Pleasure – Flood: [Coming Of A] Great Quantity Of Water
Label : Chrysalis – 7243 5 37803 2 6
Format : CD, Album
Country : Greece
Released : Dec 2001
Genre : Rock
Style : Alternative Rock

MP3 Size : 122 MB 

FLAC : SIZE : 342 MB