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Wednesday, March 11, 2026

Country Joe And The Fish: Discography 1967 - 1970 ("Country Joe" McDonald (January 1, 1942 – March 7, 2026)

 

Joseph Allen "Country Joe" McDonald (January 1, 1942 – March 7, 2026) was an American singer, songwriter, musician and film composer, who was the lead singer and co-founder of the 1960s


psychedelic folk-rock group Country Joe and the Fish.
He wrote some of the group's most well-known songs, including "Not So Sweet Martha Lorraine" and "I-Feel-Like-I'm-Fixin'-to-Die Rag", the latter a protest song against US involvement in the Vietnam War.  One of the original and most popular of the San Francisco Bay Area psychedelic bands, they were also probably the most enigmatic. Joe McDonald may have written the most in-your-face anti-war, anti-military song to come out of the '60s, but he was also one of the very few musicians on the San Francisco scene who'd served in uniform. 
                                          
 

The band's name, Country Joe & the Fish, was a compromise proposed by ED Denson, an early member and the group's manager. He quoted Chinese communist leader Mao Zedong's metaphor

about a revolutionary who resembled "the fish who swim in the sea of the people." There was also some thought given to the name "Country Mao & the Fish." Instead, they used "Country Joe" as a reference to McDonald, who was their singer and, as much as there was any organization to it at all, the organizer of the group, and also a reference to Joseph Stalin -- "Country Joe" was a nickname for the Soviet dictator. 

                       
 
By 1966, Country Joe & The Fish were signed to Vanguard Records and quickly released a series of

albums produced by Sam Charters. Their debut, Electric Music for the Mind and Body (May 1967), which spent 38 weeks on the Billboard charts and is regarded as a seminal work of psychedelic rock. It was followed by the album I-Feel-Like-I'm-Fixin'-to-Die (November 1967), the title track of which spent 28 weeks on the Billboard chart and firmly established the band as key figures in the anti-war movement. Electric Music for the Mind and Body remained on the Billboard chart for nearly two years. 
                      

The band played numerous Bay Area shows throughout 1966 at the Avalon Ballroom, Filmore Auditorium and the Matrix with the Grateful Dead, Quicksilver Messenger Service, Buffalo Springfield, and Big Brother and the Holding Company. The band was soon touring nationally, and it

was among the first acts to become known for its use of a light show at its concerts. An appearance at the Monterey Pop Festival in June of 1967 (and in the subsequent movie, doing "Section 43") utilizing the light show only enhanced the band's reputation musically. Their next album, Together (1968), featured Rock & Soul Music, which they performed at the Woodstock concert. The album, whose cover displayed wedding photos of McDonald's marriage to his new wife Robin, reached No. 23 on the Billboard charts, though internal tensions with the band were beginning to surface.
                                   

By that time, however, the best days of the band were over. In the fall of 1967, someone managed to convince McDonald that he was the real star of the group. Amid the ensuing turmoil, the Fish split up. It

didn't last long, and they were eventually reassembled into a whole band, but the hiatus cost them dearly. Their third album, Together, was recorded during this turmoil: MacDonald was almost invisible on most of the album, and Melton and Hirsh were the dominant performers. The group managed to tour Europe, and saw more demand for their performances in the U.S. as well; the continuing controversy over the Vietnam War helped keep their popularity high, and the growing underground enthusiasm for "I Feel Like I'm Fixin' to Die Rag" sustained them. 
                                     
                               
In 1969, the band released Here We Are Again, which featured guest appearances by Jack Casady

of Jefferson Airplane and David Getz and Peter Albin of Big Brother & The Holding Company.
The album spent 11 weeks on the Billboard charts and included Here I Go Again, later covered by Twiggy. Their final Vanguard album, CJ Fish (1970), was produced by Tom Wilson, renowned for his work with Bob Dylan, Simon & Garfunkel, and The Velvet Underground. Shortly after its release, the band disbanded. After the group's breakup in 1971, McDonald performed as a solo artist and in the spirit of Woody Guthrie, continued to musically espouse his political views through his original songs. 
                         

McDonald's first two solo albums, Thinking of Woody Guthrie (1969) and Tonight, I'm Singing Just

For You (1970), were recorded for Vanguard in Nashville,
Tennessee with Sam Charters producing and Nashville A-Team players Hargus "Pig" Robbins, Grady Martin and Buddy Harmon.Tonight, I'm Singing Just For You, which featured him, his wife and daughter on the cover, also featured the gospel group The Jordanairs.
                          

COUNTRY JOE AND THE FISH - ALBUMS
                     

 

01. Electric Music for the Mind and Body (1967) – No. 39 US
02. I-Feel-Like-I'm-Fixin'-to-Die (1967) – No. 67 US
03. Together (1968) – No. 23 US
04. Here We Are Again (1969) – No. 48 US
05. CJ Fish (1970) – No. 111 US, No. 34 AUS[48]: 74 
06. Live! Fillmore West 1969

01.  ELECTRIC MUSIC FOR THE MIND AND THE BODY 1967

                            


Their full-length debut is their most joyous and cohesive statement and one of the most important and

enduring documents of the psychedelic era, the band's swirl of distorted guitar and organ at its most inventive. In contrast to Jefferson Airplane, who were at their best working within conventional song structures, and the Grateful Dead, who hadn't quite yet figured out how to transpose their music to the recording studio, Country Joe & the Fish delivered a fully formed, uncompromising, and yet utterly accessible -- in fact, often delightfully witty -- body of psychedelic music the first time out.
                          

Country Joe And The Fish – Electric Music For The Mind And Body
Label: Vanguard – VMD-79244, Vanguard – VSD-79244
Series: Mid-Line Series
Format: CD, Album, Reissue, Remastered 1989
Country: US
Released: 1967    
Genre: Rock
Style: Folk Rock, Psychedelic Rock

TRACKS

                           


01. Flying High   2:38

Written-By – Joe McDonald
02. Not So Sweet Martha Lorraine   4:21

Written-By – Joe McDonald
03. Death Sound   4:23
Written-By – Joe McDonald
04. Porpoise Mouth   2:48
Written-By – Joe McDonald
05. Section 43   7:23
Written-By – Joe McDonalld
06. Super Bird   2:04
Written-By – Joe McDonald
07. Sad And Lonely Times   2:23

Written-By – Joe McDonald    
08. Love   2:19
Written-By – Melton, Barthol, McDonald, Cohen, Hirsh, Gunning
09. Bass Strings   4:58
Written-By – Joe McDonald
10. The Masked Marauder   3:10

Written-By – Joe McDonald
11. Grace   7:03
Written-By – Joe McDonald
    

LINE - UP

                            


Country Joe McDonald - lead vocals (tracks 1–4, 6, 9–11), rhythm guitar (tracks 2, 4, 7–9), tambourine (track 3), lead guitar (track 5), harmonica (track 5), backing vocals (track 7), bells (track 11)
Barry Melton - lead guitar (tracks 1–5, 8–11), rhythm guitar (track 6), lead vocals (tracks 7, 8), bass (track 7)
David Cohen - rhythm guitar (track 1), organ (tracks 2, 4, 5, 8–10), lead guitar (tracks 3, 6, 7, 11)
Bruce Barthol - bass (all tracks except track 7), harmonica (tracks 7, 10)
Gary "Chicken" Hirsh - drums; background noise (track 11)


Flac Size: 267 MB

02.  I-FEEL-LIKE-I'M-FIXIN'-TO-DIE 1967

                    


Country Joe & the Fish's second album, "I-Feel-Like-I'm-Fixin'-To-Die", is quite similar to their first in its organ-heavy psychedelia with Eastern-influenced melodic Lines. The title cut -- whose brash energy is

atypical of the album -- was a classic antiwar satire that became one of the decade's most famous protest songs, and the group's most famous track.  It is another prime example of the band's experimentation which features organ-heavy psychedelia and Eastern melodic lines, with more acoustic guitar than the debut. During this time, the band continued to build on their growing reputation by performing at local venues like the Fillmore Auditorium and appearing at festivals including Monterey Pop and The Fantasy Faire.
                        

Country Joe And The Fish – I-Feel-Like-I'm-Fixin'-To-Die
Label: Vanguard – 662084, WMD – 662084
Format: CD, Album, Reissue 1992
Country: France
Released: 1967    
Genre:Rock, Blues
Style: Blues Rock, Psychedelic Rock

TRACKS

                          


01. The Fish Cheer & I-Feel-Like-I'm-Fixin'-To-Die  3:39 

Kazoo, Vocals, Twelve-String Guitar – Barry
Percussion [Wine Bottle], Drums – Chicken
Vocals – Joe
Vocals, Bass – Bruce
Vocals, Organ [Calliope] – David
02. Who Am I   4:05
Bass – Bruce
Drums – Chicken
Lead Guitar – David
Rhythm Guitar – Barry
Vocals, Acoustic Guitar – Joe    
03. Pat's Song   5:22
Bass – Bruce
Bells, Organ – David
Drums – Chicken
Lead Guitar – Barry
Vocals, Rhythm Guitar – Joe    
04. Rock Coast Blues   3:42
Bass – Bruce
Drums – Chicken
Lead Guitar, Rhythm Guitar – Barry
Rhythm Guitar – David
Vocals – Joe
05. Magoo   4:56
Bass – Bruce
Drums – Chicken
Lead Guitar – David
Rhythm Guitar, Vocals [Second] – Barry
Vocals, Acoustic Guitar – Joe    
06. Janis   2:34
Drums – Chicken
Harmonica, Bass – Bruce
Harpsichord, Organ [Calliope] – David
Lead Guitar – Barry
Vocals, Acoustic Guitar – Joe    
07. Thought Dream   6:11
Bass – Bruce
Drums – Chicken
Lead Guitar – Barry
Organ – David
Vocals, Rhythm Guitar – Joe
08. Thursday   3:45
Acoustic Guitar – David
Bass – Bruce
Drums – Chicken
Lead Guitar – Barry
Vocals, Organ – Joe    
09. Eastern Jam   4:23
Bass – Bruce
Drums, Congas – Chicken
Guitar [First Break] – David
Guitar [Second Break] – Barry
10. Colors For Susan   5:57
Acoustic Guitar – Joe
Bass – Bruce
Drums, Bells – Chicken
Electric Guitar – David

LINE - UP

                          


Country Joe McDonald
– vocals (tracks 1–8), acoustic guitar (tracks 2, 5, 6, 10), rhythm guitar (tracks 3, 7), organ (track 8)
Barry Melton – 12-string guitar (track 1), vocals (tracks 1, 5), kazoo (track 1), rhythm guitar (tracks 2, 4, 5), lead guitar (tracks 3, 4, 6–9)
David Cohen – calliope (tracks 1, 6), vocals (track 1), lead guitar (tracks 2, 5, 9, 10), organ (tracks 3, 7), bells (track 3), rhythm guitar (track 4), harpsichord (track 6), acoustic guitar (track 8)
Bruce Barthol – bass; vocals (track 1), barking (track 1), harmonica (track 6)
Gary "Chicken" Hirsh – drums; wine bottle (track 1), congas (track 9), bells (track 10)
    

Flac Size: 270 MB

03.  TOGETHER 1968

                      


Together, Country Joe & the Fish's third album, was the group's most consistent, most democratic, and their best-selling record. Unlike their first two albums, which were dominated by Country Joe McDonald's

voice and compositions, Together featured the rest of the band -- guitarists Barry Melton and David Cohen, bassist Bruce Barthol, and drummer Chicken Hirsh -- almost as prominently as McDonald. That's usually a formula for disaster, but in this case it gave the album more variety and depth. Together had the charming quality of unpredictability; you never knew what was coming next. Unfortunately, what came next in the band's career was a split. Barthol was out by September 1968, Cohen and Hirsh followed in January 1969. Thereafter, McDonald and Melton fronted various Fish aggregations, but it was never the same, even when this lineup regrouped for Reunion in 1977. 
                           

Country Joe & The Fish – Together
Label: Vanguard – VMD 79277
Format: CD, Album, Reissue
Country: US
Released: 2005
Genre: Rock, Folk, World, & Country
Style: Folk Rock

TRACKS

                      


01. Rock And Soul Music   6:51
Bass – Bruce
Drums – Chicken
Lead Guitar, Vocals – Barry
Rhythm Guitar, Organ – David
Vocals – Joe
Written By –/Melton/Cohen/Barthol/Hirsh    
02. Susan   3:28
Bass – Bruce
Organ, Lead Guitar – David
Rhythm Guitar – Barry
Vocals, Drums – Chicken
Written-By – Hirsh    
03. Mojo Navigator   2:24

Bass – Bruce
Drums – Chicken
Lead Guitar, Organ – David
Rhythm Guitar, Vocals – Barry
Written By – Denson/Melton/McDonald
04. Bright Suburban Mr. & Mrs. Clean Machine   2:19

Lead Vocals, Acoustic Guitar – Barry
Percussion, Vocals – Chicken
Piano, Organ, Vocals – David
Vocals – Bruce
Written By – Hirsh/Melton    
05. Good Guys / Bad Guys Cheer And The Streets Of Your Town   3:39

Bass – Bruce
Drums, Bells – Chicken
Leader [Good Guys / Bad Guys Cheer] – David
Organ – David
Vocals, Lead Guitar – Barry
Written-By – Melton
06. The Fish Moan    0:27
07.The Harlem Song   4:20
Backing Vocals, Bass – Bruce
Backing Vocals, Percussion [Sand Blocks] – Chicken
Lead Vocals, Rap – Barry, Joe
Narrator [Spoken Introduction], Lead Guitar – David
Twelve-String Guitar [Acoustic] – Joe
Written-By – McDonald    
08. Waltzing In The Moonlight   2:13

Bass – Bruce
Harmony Vocals, Drums, Castanets – Chicken
Lead Vocals – Joe
Rhythm Guitar – Barry
Written By – Hirsh/Melton    
09. Away Bounce My Bubbles  2:25 

Bass – Bruce
Bells, Organ – David
Vocals – Chicken
Vocals, Twelve-String Guitar – Joe
Written-By – Hirsh    
10. Cetacean   3:38
Bass, Acoustic Guitar – Bruce
Drums, Vocals – Chicken
Lead Guitar – Barry
Organ, Harpsichord – David
Twelve-String Guitar, Vocals – Joe
Written-By – Barthol    
11. An Untitled Protest   2:45

Finger Cymbals – Robin McDonald
Organ – Bruce
Vocals – Joe
Written-By – McDonald
    

LINE - UP

                     


Country Joe McDonald – lead vocals (tracks 1, 7–11), rap (track 7), acoustic 12-string guitar (track 7), electric 12-string guitar (tracks 9, 10), noises (track 10)
Barry Melton – lead guitar (tracks 1, 5, 10), lead vocals (tracks 1, 3, 4, 5, 7), rhythm guitar (tracks 2, 3, 8), acoustic guitar (track 4), noises (track 10)
David Cohen – organ (tracks 1–5, 9, 10), rhythm guitar (track 1), lead guitar (tracks 2, 3, 7, 8), piano (track 4), backing vocals (track 4), spoken word (track 7), bells (track 9), harpsichord (track 10), noises (track 10)
Bruce Barthol – bass (tracks 1–3, 5, 7–10), backing vocals (tracks 4, 7), acoustic guitar (track 10), organ (track 11), noises (track 10)
Gary "Chicken" Hirsh – drums (tracks 1–3, 5, 8, 10), lead vocals (tracks 2, 9, 10), backing vocals (tracks 4, 7), percussion (track 4), bells (track 5), sand blocks (track 7), harmony vocals (track 8), castanets (track 8), noises (track 10), music box (track 10)

ADDITIONAL MUSICIANS


Robin McDonald – finger cymbals (track 11)

Flac Size: 216 MB

04.  HERE WE ARE AGAIN 1969

                            


By the time of Country Joe & the Fish's fourth album, the group seemed to consist of only Joe McDonald

and Barry Melton, who had started the band in the beginning. Here We Are Again continued CJ&F's move toward pop (especially on "Here I Go Again") and bluesy rock, and away from their folk and jug band beginnings. Though there would be one more new album in 1970 (C J Fish), Country Joe & the Fish no longer existed as anything other than a name; a fact that would be underlined in December 1969 by the simultaneous releases of Greatest Hits and McDonald's solo album, Thinking of Woody Guthrie.
                          

Country Joe & The Fish – Here We Are Again
Label: Vanguard – VMD 79299-2
Format: CD, Album, Reissue
Country: Europe
Released: 1969
Genre: Rock
Style: Folk Rock

TRACKS

                         


01. Here I Go Again    3:24
02. Donovan's Reef    4:18
03. It's So Nice To Have Love    3:25
04. Baby, You're Driving Me Crazy       2:43
Written-By – Melton
05. Crystal Blues   6:18
Lead Guitar [Second Lead Guitar] – David Cohen
06. For No Reason    3:55
07. I'll Survive    2:28
08. Maria    3:30
09. My Girl   2:16
Written-By – Melton
10. Doctor Of Electricity   3:58
Written-By – Melton
    

LINE - UP

                      


Country Joe McDonald – lead vocals (tracks 1–3, 5–8); harmony vocals (track 4), guitars
Barry "The Fish" Melton – electric guitar (tracks 1–6, 9, 10), electric slide guitar (tracks 7, 8), backing vocals (tracks 1–3, 5, 6, 8), lead vocals (tracks 4, 9, 10)
David Cohen – keyboards (tracks 1–5, 8–10)
Gary "Chicken" Hirsh – drums, percussion (all tracks)

ADDITIONAL MUSICIANS


Mark Ryan – bass (tracks 1, 2, 6)
Jack Casady – bass (tracks 3–5, 9, 10)
Peter Albin – bass (tracks 7, 8)
Mark Kapner – piano (tracks 7, 8)
David Getz - drums (tracks 7, 8)


Flac Size: 217 MB

05.  CJ FISH 1970

                     


Country Joe and the Fish went through a personnel change for their fifth album, CJ Fish, adding Greg Dewey, Doug Metzner, and Mark Kapner in place of David Cohen and "Chicken" Hirsh. They retained,

however, their primary composers Barry Melton and Country Joe MacDonald, keeping the sound and style of the original band. Most of the lyrics are thoughtful and bright; many are in rhyme as many of that time were. The overall timbre is interesting, being both joyful and sobering at the same time. Some bright spots in the material are "Hey Bobby," "She's a Bird," and "Hang On," which are delightfully Country Joe. Overall it's not a bad album and no Country Joe and the Fish collection is complete without it. 
             

Country Joe And The Fish – C.J. Fish
Label: Vanguard – VMD 6555, Ace – VMD 6555
Series: Ace Vanguard Masters
Format: CD, Album, Reissue 2006
Country: Europe
Released: 1970    
Genre: Rock, Folk, World, & Country
Style: Folk Rock, Psychedelic Rock, Classic Rock

TRACKS

                           


01. Sing Sing Sing    3:02
02. She's A Bird    4:34
03. Mara    2:58
04. Hang On    4:08
05. The Baby Song    2:51
06. Hey Bobby    2:08
07. Silver And Gold    2:47
08. Rockin' Round The World    4:54
09. The Love Machine    5:49
10. The Return Of Sweet Lorraine    3:48
11. Hand Of Man    2:50

LINE - UP

              


Joe McDonald – vocals, guitar
Barry Melton – vocals, guitar
Greg Dewey – drums
Doug Metzner – bass guitar
Mark Kapner – keyboard
Peter Albin – guitar

Flac Size: 246 MB

06.  LIVE! FILLMORE WEST 1969 (1994)

                   


Seventy-seven-minute disc of music recorded in January 1969, at the farewell performances of the

Fish's most famous lineup, with Jack Casady of the Jefferson Airplane taking the place of the recently departed Bruce Barthol.
The sound is good, but it's only for diehards, as the songs aren't among their best compositions, and the arrangements are way too prone to the uninteresting jamming that eventually gave San Francisco psychedelia a bad name. Jerry Garcia, Jorma Kaukonen, Steve Miller, and Mickey Hart all guest on the final cut, "Donovan's Reef Jam," which at 38 minutes is something of an endurance test. 
                      

Country Joe And The Fish – Live! Fillmore West 1969
Label: Vanguard – 139/40 - 2
Format: CD, Album 1994
Country: US
Released: 1969    
Genre: Rock, Blues
Style: Psychedelic Folk

TRACKS

                               

    
01. Introduction / Rock And Soul Music / Love    6:15
02. Here I Go Again    4:42
03. It's So Nice To Have Your Love   6:31
Performer – David Getz    
04. Flying High    12:36
05. Doctor Of Electricity    9:10
06. Donovan's Reef Jam   38:18
Drums [Throughout] – Mickey Hart
Guitar [After 25 Minutes] – Jerry Garcia, Jorma Kaukonen, Steve Miller
Harp – Jerry Garcia
    

Flac Size: 415 MB

Country Joe McDonald & The Bevis Frond: Eat Flowers & Kiss Babies 1999 on Urban Aspirines HERE

Monday, March 09, 2026

Änglagård: Discography 1992 - 2012

 

Swedish band Änglagård is part of a whole breed of young progressive rockers. Meaty bass and


scorched guitar tones duel it out with organ, mellotron, and hyperactive drumming, while folky Swedish singing and flute occasionally break the tension. Änglagård got itself noticed in the small international circles of progressive rock fandom, and both of their albums were voted album of the year on Internet prog newsgroups. Founded in 1991 in Stockholm, Sweden - Disbanded in 1994 - Reformed briefly in 2002/03 - Active since 2008
                         

Änglagård were a short-lived band who nonetheless generated critical acclaim and a loyal following in the early nineties with their brooding Mellotron and synth heavy sound that also featured

virtuoso percussionist Mattias Olsson and classically trained flautist Anna Holmgren.
The band was formed in the summer of 1991 by guitarist and lead vocalist Tord Lindman and bassist Johan Högberg. The pair placed ads to form a band in the vein of the seventies progressive bands such as Yes and King Crimson, which were successfully answered by keyboardist Thomas Johnson and guitarist Jonas Engdegård. 
                                                       

With their line-up completed the band played several appreciated concerts in their hometown Stockholm.

In April they visited Studio Largen and recorded a demo. The following two months were spent rehearsing and arranging the material for their first album "Hybris". The record was the result of not only four months hard work in the studio but the harvest of a one year struggle of creating music far from the commercial, musical nonsense of today. The progressive rock scene raved about the album and eventually the band was invited to play at the annual Progfest in L.A. in May 1993.
                           

Drummer Olsson and flautist Holmgren were soon added and by the following spring the band were

touring and logging studio sessions that would yield the well-received album Hybris. The release was followed by an American tour which included an appearance at the 1993 Progfest in Los Angeles. By 1994 the band had released their second and final album Epilog, followed again by an appearance at Progfest. This would prove to be the band's final performance. The Progfest recordings were engineered and released in 1996 as the live requiem Buried Alive. 
                      

Änglagård's sound is rich in mellotron, Hammond and piano, and a brooding wash of guitars and bass/bass

pedal accented by Holmgren's moody and precise flute. The band's compositions are characterized by long, often instrumental tracks with significant tempo shifts and sometimes intense guitar flourishes. The Epilog album is instrumental in its entirety, and many of the tracks are distinguished by striking passages from Johnson's grand piano. Early Porcupine Tree also comes to mind, particularly when listening to Epilog. 
                              

THE END?
Well, not really. In October, Anna, Johan and Tord announced that they will continue with the band in a

(hopefully) more steady fashion. Erik Hammarström (drums) and Linus Kåse (keyboards) became new band members. 2013 and 2014 saw more live concerts along with the release of the live album "Prog på svenska - Live in Japan", which was recorded by the new line-up in March 2013. In October 2014, the band announced the return of guitarist Jonas Engdegård. The band began recording a new album in 2017 and was never heard of again.
                           

01. ANGLAGARD - HYBRIS 1992

                      


The influences here are clear Genesis, KC, Yes etc,,, but so well digested that this becomes original again .

As one listens to this with the headphones, his head starts to turn as the music twists bends, twirls, dances from one movement to the next. Hybris is a wonderful album. The important thing is that Änglagård, with this album, built a bridge between modern and classic progressive rock, offering a warm and entertaining sound that still resonates. Hybris revolving door that paved the way for what Scandinavian progressive rock is today.
                                

Änglagård – Hybris
Label: Mellotronen – MELLO CD 4004
Format: CD, Album, Reissue 2000
Country: Sweden
Released: 1992
Genre: Rock
Style: Folk Rock, Prog Rock

TRACKS

                           


01. Jordrök    11:11
02. Vandringar I Vilsenhet    11:56
03. Ifrån Klarhet Till Klarhet    8:09
04. Kung Bore    13:04

BONUS TRACK        

    
05. Gånglåt Från Knapptibble    7:19

LINE - UP

                           


Tord Lindman / electric and nylon & steel acoustic guitars, vocals
Jonas Engdegård / electric and nylon & steel acoustic guitars
Thomas Johnson / Mellotron, Hammond (B-3 & L-100), synths (Solina, Korg), clavinet, pianet, piano, electronic church organ
Anna Holmgren / flute
Johan Högberg / bass, bass pedals, Mellotron (effects)
Mattias Olsson / drums, concert bass drum, tambourine, vibraslap, po-chung, gong, glockenspiel, tubular bells, bongos, Tibetan finger cymbals, wind chimes, a-gogo, cabasa, African drums, effect-flute, varied bells and percussions

WITH


Pär Lindh / performer (unconfirmed)


Flac Size: 295 MB

02. ANGLAGARD - EPILOG 1994

                       


Now here ia a Monster Symphonic Prog Masterpiece!!!!..haaa, that will sit perfect aside other monsters

from the 70' on your collection; this is not an understatement. Influences are several, the prime suspects are: Genesis, Gentle Giant, Yes and King Crimson, but far away of being imitators, this 6 piece band kept their Sweden Melancholic Rock nature and that to me is one of the most important aspects to call this a Masterpiece!! They probably sparked the reborn of Progressive movement in Sweden, and also may have created the same spark around the globe (I might be wrong), but the truth is that based on the date of this album issue (1994) that may have been the case. Beautiful Mellotron, Genesis-like arpeggios and use of

flute, killer guitar and a fantastic drum in contrast with that melancholic Scandinavian taste make this piece of work a definitive MUST for any progressive rock fan, rather essential work of certainly one of the best band of the nineties. Indeed, for many the lack of vocals maybe a minus to call it Masterpiece, but personally I do not missed the lyrics, since there is so much taken place musically in the album. 
                              

Änglagård – Epilog
Label: Not On Label (Änglagård Self-released) – HYB CD 010
Format: CD, Album
Country: Sweden
Released: 1994
Genre: Rock
Style: Art Rock, Prog Rock
                       


TRACKS

                        


01. Prolog    2:01
02. Höstsejd    15:32
03. Rösten    0:14
04. Skogsranden    10:49
05. Sista Somrar    13:11
06. Saknadens Fullhet    2:01

LINE - UP

                    


Jonas Engdegård / guitars, Mellotron (2.1)
Tord Lindman / guitars
Thomas Johnson / Hammond organ, Mellotron, keyboards, piano (2.1)
Anna Holmgren / concert flute
Johan Högberg / bass
Mattias Olsson / drums, cymbals, percussion

WITH


Åsa Eklund / voice
Martin Olofsson / violin
Karin Hansson / viola, double bass, treble recorder
Jan Christoff Norlander / cello
Johan Brand / vibes & bass (2.1)

Flac Size: 234 MB

03. ANGLAGARD - VILJANS OGA 2012

                           


I am definitely not the only one, but I cannot believe a new album from Änglagård is out! Back in 1994,

they broke up following the release of Epilog and their performance at Progfest '94 (that performance was made available on CD two years later as Buried Alive). They talked like they'll never reunite. Then in 2002 they reunited, but without Tord Lindman. By 2003 it was clear they weren't sticking around, and sure again we thought we'd never hear from them again. Now there's a second reunion, without Tord again, and this time they managed a new album, Viljans Öga. How does it stack up to their first two? Very well, in

fact this is just as essential. They take on an even more complex and grandiose approach than before, there are the occasions the passages veer close to RIO. But there are still plenty of that somber and pastoral passages. They still take that same approach as before, playing one thing, move on to the next thing, maybe revisiting a theme. It's plain they can hold their own with just one guitarist (Jonas Engdegård). How about the keyboards? Thomas Johnson still uses tons of Mellotron and Hammond organ, plus a little

electric piano. This, just like their first two, is a totally quintessential Mellotron album. This is not an easy listen, that's for sure. You'll keep discovering new things every time you listen. I am just totally amazed that after an 18 year silence that they come out with a masterpiece every bit as good as their first two. This is bound to be yet another classic, and likely easily the best of 2012.
                                 

Änglagård – Viljans Öga
Label: Änglagård Records – ANG03CD
Format: CD, Album, Stereo, Digisleeve
Country: Sweden
Released: 2012
Genre: Rock
Style: Prog Rock, Symphonic Rock
                                       


TRACKS

                                  


01. Ur Vilande    15:44
02. Sorgmantel    12:07
03. Snårdom    16:14
04. Längtans Klocka    13:18

LINE - UP

                            


Bass, Pedalboard [Taurus Bass Pedals] – Johan Brand
Drums, Percussion, Effects – Mattias Olsson
Flute, Tenor Saxophone – Anna Holmgren
Guest [Guest Musician], Bass Tuba, Bass Trumpet, Trumpet [Contrabass Trumpet] – Ulf Åkerstedt
Guest [Guest Musician], Cello – Tove Törnberg
Guest [Guest Musician], Clarinet, Bass Clarinet, Baritone Saxophone – Daniel Borgegård Älgå
Guitar – Jonas Engdegård
Keyboards – Thomas Johnson 

NOTES

 

 

Drums, piano and concert flute from start to finish recorded at Atlantis, August - November 2011.
Hammond recorded at Studio Crazy Horse, November 2011.
Other instruments recorded at Vintage Recording Studio, Roth-Händle Studios, Granstigen Studio and Thomas Krypin, August 2011 - April 2012. 

Flac Size: 328 MB