Friday, August 19, 2016

dEUS : Worst Case Scenario 1994

Worst Case Scenario is the first album by Belgian alternative rock band Deus released in 1994. The cover art was designed by guitarist Rudy Trouve. It contains the single "Suds & Soda", which became an underground hit and a fans favorite.
The song "W.C.S. (First Draft)" contains a sample from Frank Zappa's "Little Umbrellas", from his 1969 album, Hot Rats.

The great "Suds & Soda" a tense, energetic rip with Klaas Janzoons' violin the final touch that sends everything over the top, it has all the wired energy of early-'90s rock,

Released : 16 September 1994

Members :

Tom Barman - vocals, guitar, piano
Rudy Trouve - guitar, vocals, piano, steel plate
Stef Kamil Carlens - bass, vocals, guitar
Klaas Janzoons - violin, vocals
Julle de Borgher - drums, metalophone, gasheating, timpani, maracas, guitar,vocals


01. Intro (Tom Barman, Jules de Borgher) – 0:24
02. Suds & Soda (Deus) – 5:14
03. W.C.S. (First Draft) (Barman, Stef Kamil Carlens)– 5:05
04. Jigsaw You (Barman, Carlens) – 2:26
05. Morticiachair (Deus) – 4:23
06. Via (Barman, Mark Meyers) – 4:12
07. Right as Rain (Barman, Rudy Trouve, Carlens) – 4:27
08. Mute (Barman) – 3:57
09. Let's Get Lost (Barman, Carlens) – 4:23
10. Hotellounge (Be the Death of Me) (Barman, Trouve) – 6:23
11. Shake Your Hip (Deus) – 0:41
12. Great American Nude (Trouve) – 5:39
13. Secret Hell (Barman) – 4:59
14. Divebomb Djingle (Carlens, Ward, Christie) – 3:00

Saturday, July 30, 2016

Pavlov' s Dog : At The Sound Of The Bell 1976

Pavlov's Dog lead singer David Surkamp was everything that was wrong with the band's Columbia debut Pampered Menial. Tempered here by Blue Oyster Cult producers Murray Krugman and Sandy Pearlman, who also recorded the first disc, the sound is more appealing to the ear. The question is, where was it going? Too pop for progressive rock, and too progressive for Top 40, the music is driving and more focused the second time around.

David Surkamp's voice a little too grating for the elegant and complex music inside these grooves. Adventurous and meaningful, The Sound of the Bell is a great concept and musical experience that falls short.


1. She Came Shining     4:18
2. Standing Here With You (Megan's Song) 3:51
3. Mersey     3:05
4. Valkerie     5:23
5. Try To Hang On     2:08
6. Gold Nuggets     3:27
7. She Breaks Like A Morning Sky 2:27
8. Early Morning On     3:11
9. Did You See Him Cry     5:38

    Acoustic Guitar – Thomas Nickeson
    Bass [Fender] – Richard Stockton*
    Composed By – Pavlov's Dog
    Design – Andy Engel, John Berg
    Drums – William Bruford*
    Engineer – John Jansen
    Engineer [Assistant Mixing] – Will Reid Dick*
    Engineer [Assistant Recording] – Sam Ginsberg
    Guitar – Elliot Randall*, Les Nicol
    Keyboards – David Hamilton (8)
    Lead Guitar – Stephen Scorfina*
    Mandolin – Paul Prestopino
    Mellotron, Bass, Percussion – Douglas Rayburn*
    Organ – George Gerich, Mike Abene*
    Photography – Jerry Abramowitz
    Producer – Murray Krugman, Sandy Pearlman
    Saxophone – Andy Mackay, Michael Brecker
    Violin – Gavyn Wright
    Vocals – High Wycombe Boys Choir
    Voice, Acoustic Guitar, Guitar [Veleno] – David Surkamp


And here you are, away from us all
And all you've got is champagne and tea for two
And so it goes on with the show
And all I hope all your dreams will come true

And bring back the good old days
Bring back the good old days
Bring back the good old days
Bring back our good old days
In time, always in your time

On and on, 'cause she's a long hard climb
Pure of heart 'cause she's so hard to find
All he'd lost was given clear and free
And for the love of a valkyrie

All in time, always in your time
All in your time
The lovely good old days
Bring back the good old days

MP3  Size  :  114  MB
FLAC  Size  : 233  MB

Wednesday, July 20, 2016

Pavlov's Dog : Pampered Menial 1975

Pavlov's Dog originally was composed of vocalist David Surkamp, guitarist Steve Levin, keyboardists David Hamilton and Doug Rayburn, bassist Rick Stockton, drummer Mike Safron, and violinist Siegfried Carver (born Richard Nadler).
The artsy hard rock group Pavlov's Dog spanned progressive music and heavy metal in much the same way that Rush did in its early days.

Pavlov's Dog formed in St. Louis in 1972 out of the ashes of a local cover band called High on a Small Hill, with Surkamp, formerly of the minor folk-rock act Touch, on vocals and guitar, joined by lead guitarist Steve Scorfina; keyboardist David Hamilton; Mellotron and flute player Doug Rayburn; bassist Rick Stockton; drummer Mike Safron; and strings specialist Siegfried Carver (born Richard Nadler), who added violin, viola, and an odd hybrid instrument called a vitar (that sounded something like Eddie Phillips' bowed guitar in the '60s freakbeat heroes the Creation).

The combination of flute, Mellotron, violin, and Scorfina's guitar heroics led to some comparisons to David Cross-era King Crimson, though Pavlov's Dog had a much more straight-ahead, less twisty sound. Pampered Menial was the first album from Pavlov's Dog, a band produced by Murray Krugman and Sandy Pearlman, the duo behind Blue Oyster Cult. The seven men in this group are revealed in the gatefold holding "Horace," a dog, while three engravings from 1849 by artist Robert Vernon make up the front, back and inside cover. 

Levin left the band during their inaugural year and was replaced by Steve Scorfina (formerly of REO Speedwagon). Carver departed the band following the release of the band's debut album Pampered Menial. For their second album At the Sound of the Bell (1976), Tom Nickeson was added to the line-up on guitar; switching to keyboards not long thereafter following the departure of Hamilton.

Former Yes and King Crimson drummer Bill Bruford performed the drums on this album due to the absence of Safron; and when Safron did not receive a promised credit on the album sleeve he departed the band permanently and was replaced by Kirk Sarkistan. This line-up of the band remained until their dissolution in 1977.


01. "Julia" (David Surkamp) – 3:10
02. "Late November" (Surkamp, Steve Scorfina) – 3:13
03. "Song Dance" (Mike Safron) – 4:59
04. "Fast Gun" (Surkamp) – 3:04
05. "Natchez Trace" (Scorfina) – 3:42
06. "Theme from Subway Sue" (Surkamp) – 4:25
07. "Episode" (Surkamp) – 4:04
08. "Preludin" (Siegfried Carver) – 1:36
09. "Of Once and Future Kings" (Surkamp) – 5:32

 MP3 : Size : 98.2 MB
FLAC : Size : 222 MB

Sunday, May 15, 2016

Lisa Gerrard And Pieter Bourke : Duality 1998


Lisa Gerrard (born 12 April 1961) is an Australian musician, singer and composer who rose to prominence as part of the music group "Dead Can Dance" with music partner Brendan Perry.

 Since her career began in 1981, Gerrard has been involved in a wide range of projects. She received a Golden Globe Award for the music score to the film "Gladiator", on which she collaborated with Hans
Zimmer on such songs as "Now We Are Free."

With respect to such work she has said :

"I sing in the language of the Heart.
It's an invented language that I've had for a very long time.
I believe I started singing in it when I was about 12. Roughly that time.
And I believed that I was speaking to God when I sang in that language."


Pieter Alan Bourke is an Australian composer, keyboardist, percussionist and audio engineer. From 1995 he has recorded several projects with Dead Can Dance founder Lisa Gerrard, and was a touring member of Dead Can Dance's 1996 Spiritchaser Tour. On 14 April 1998 Bourke and Gerrard issued a world music album, "Duality".

From 1993 he also collaborated with industrial musician, David Thrussell (alias Black Lung), first as part of the latter's band Snog, then together as the ambient duo, Soma. In 2001, he formed a dub reggae outfit, Secret Masters, with Brian Westbrook (aka Donnie Dub).

Bourke and Gerrard have received two shared Golden Globe nominations for 'Best Original Score', in 2000 for The Insider (1999), and in 2002 for Ali (2001).


Dead Can Dance originally formed as a quartet in 1981 in Melbourne, but in 1982 moved to London with members Gerrard, Brendan Perry and bass player Paul Erikson. Shortly after coming to England, Erikson flew back to Australia, leaving the band as a duo.

Dead Can Dance recorded eight albums on the 4AD Records recording label beginning with the self-entitled Dead Can Dance LP in 1984. The song "Nierika" became part of the opening titles for Mexican television station TV Azteca's soap opera "La Chacala". The band split in 1998, but reunited in 2005 for a world tour. In 2012, the band announced a new world tour to coincide with the release of their new album, Anastasis.

 The group's debut album, Dead Can Dance, was released in February 1984. The artwork (see pictured), which depicts a ritual mask from New Guinea, "provide a visual reinterpretation of the meaning of the name Dead Can Dance", set in a faux Greek typeface.
The album featured "drum-driven, ambient guitar music with chanting, singing and howling", and fit in with the ethereal wave style of label mates Cocteau Twins. They followed with a four-track extended play, Garden of the Arcane Delights in August.

AllMusic described their early work as "as Goth as it gets" (despite the group themselves rejecting the label), while the EP saw them "plunging into a wider range of music and style".

For their second album, "Spleen and Ideal", the group comprised the core duo of Gerrard and Perry with cello, trombone and tympani added in by session musicians. Released in November 1985, it was co-produced by the duo and John A. Rivers. Raggett describes it as "a consciously medieval European sound [...] like it was recorded in an immense cathedral".

The group built a following in Europe, particullary in Greece and the album reached No. 2 on the UK indie charts.

By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but they still wrote, recorded and performed together as Dead Can Dance.

Anastasis is a 2012 studio album by "Dead Can Dance".
It is the eighth studio album by the band and the first after Brendan Perry and Lisa Gerrard disbanded in 1998.
It was officially released on 13 August 2012 by PIAS Recordings, 16 years after the group's last album, Spiritchaser.It is also the band's first album since it left 4AD Records. "Anastasis" is the Greek word for "resurrection".


In 1998 Lisa recorded "Duality" in collaboration with Pieter Bourke. This album would mark the beginning of an extensive collaboration for a number of film scores, including "The Insider" and "Ali".

It was Lisa Gerrard's second post-"Dead Can Dance" album after "The Mirror Pool" from 1995.
Lisa Gerrard and Brendan Perry released their last album in 1996 and had officially disbanded "Dead Can Dance" earlier in 1998.


The beginning of the song "Shadow Magnet" will sound familiar to many because it influenced, in part, the music at the beginning of the Gladiator soundtrack (music by Hans Zimmer and Lisa Gerrard).
The track "Nadir (Synchronicity)" was initially intended for use at the end of that film, however due to problems with copyright, a song 'influenced' by this track was used instead.
"Tempest" and "Sacrifice" were used for "The Insider" soundtrack.

The echoing depths that characterize Gerrard's work again appear, as much a tribute to excellent production as it is an artistic choice, and there are wondrous parts with haunting string arrangements, heavenly orchestras or the like dominating this time out.

Meanwhile, the mysterious folk/dance side of Gerrard's work remains intact, percussive instruments of all sorts to the fore, blending Arabic, Mediterranean, South Asian, and other styles into a mystic whole, as on tracks like "Shadow Magnet" and "Nadir (Synchronicity)."

Where there are rhythmless tracks, such as "The Unfolding" and the minimal beauty of "The Circulation of Shadows,"


01.Shadow Magnet – 7:54
02.Tempest (Bourke, Gerrard, Madjid Khaladj) – 5:49
03.Forest Veil – 2:31
04.The Comforter – 1:26
05.The Unfolding – 4:35
06.Pilgrimage of Lost Children – 3:48
07.The Human Game – 6:56
08.The Circulation of Shadows – 1:56
09.Sacrifice – 7:47
10.Nadir (Synchronicity) – 3:02

MP3 : Size : 112 MB
FLAC : SIZE : 251 MB

Thursday, May 05, 2016

Κοίτα Να Δείς Ρε Γαμώτο !!!

Κοίτα να δεις ρε Γαμώτο !
Τι μου ήρθε πάλι .
Σε Αδιέξοδο βρίσκομαι
δίχως να κάνω τά ίδια λάθη .

Μιά Θάλασσα έχω ανάγκη
κι ένα χωράφι γεμάτο χρωματιστούς φίλους
ένα μυρωδάτο γέλιο σας
εκλιπαρώ να φωτίσει τα μάτια μου .

Να βαφτίσει το όνομά μου ξανά
Το ξεφτισμένο ποίημα να μου το ξαναπείτε
δυό παλιές φωτογαρφίες να πάρω δώρο
κι ένα " Σκασίλα  μου " να φάω κατάμουτρα .

Κοίτα να δείς ρε Γαμώτο !

Οτι θυμάμαι χαίρομαι .
Ομορφες ημέρες , πανέμορφες νύχτες
ανοίγω τά μάτια και σας βλέπω όλους σας .

Μπήκατε με αργά βήματα μέσα στη ζωή μου
Ηπια καφάσια από το " ΘΕΛΩ " σας
μέθυσα με την αγάπη σας
και τραγούδησα την αλητεία μου μαζί σας .

Κοίτα να δείς ρε Γαμώτο !!!

Τώρα είμαι Ευτυχισμένος που σας έχω !
Δίχως Εσάς ΤΙΠΟΤΑ !!!

Sunday, May 01, 2016

The Nightporters : Feelin' Good 2001

Feelin' Good album by Nightporters was released Apr 24, 2001 on the Indigo label. Debut album from 1997, originally a limited release on the band's own label, now given a world-wide release by Indigo Records. Includes 8 tracks of explosive British R&B music capturing all the energy & excitement of this great act.

[ Just superb - electrifying R&B. Fantastic rhythm, energy & drive - if this doesn't get you tapping your feet & dancing, then nothing ever will. Every track excellent.
Sounds like I'm the bands manager!
We've been to see them live twice (one of the best bends I've seen live) - if we get a chance, we'll be back again and again.]


This British band recorded their debut album in four days, mostly live in the studio. It's energetic bar-band R&B/rock crossover, a style that had been plumbed for decades prior to this effort, and will probably be around for as long as electric guitars are.
Consisting entirely of covers, the eight-song set is not as cliched in song choice as it could be, but neither is it that exotic, including the likes of "Hip Shake," "Rollin' and Tumblin'," "Love in Vain," and Little Walter's "Mellow Down Easy" and "Blue and Lonesome." Lead singer Ian Roberts' voice is neither that good nor colored with nuance -- qualities that are absolutely essential if you want to make your mark using both styles and material that have been around the block so often.

As a live act, it's a fair bet they're entertaining and capable of getting the joint bopping. If you're going to listen to these songs on a CD player, though, why should you settle for something like this when so many have done this sort of music (and, often, these exact same songs) with more personality and distinction? Originally released in 1997 on their own Wang label, it was reissued in 2001 by Indigo.


1. Mellow Down Easy
2. Let 'er Roll
3. Feelin' Good
4. Hip Shake
5. Blue And Lonesome
6. Rollin' And Tumblin'
7. Certainly All
8. Love In Vain

Audio CD (March 26, 2001)
Number of Discs: 1
Format: Import
Label: Indigo UK
ASIN: B000057N9S

MP3 : Size  :  88.2 MB
FLAC :  Size  :  268 MB

Sunday, April 24, 2016

Dawn Penn : No , No , No 1994

Dawn Penn (born in 1952 in Kingston, Jamaica) is a Jamaican reggae singer. She first had a short career during the rocksteady era, between 1967 and 1969, but is most known for her single "You Don't Love Me (No, No, No)" which became a worldwide hit in 1994.
Dawn Penn's earliest recordings were composed and written by her around 1966 using session musicians. In 1967, she recorded the rocksteady single "You Don't Love Me", produced by Coxsone Dodd at Studio One.

She also recorded "Why Did You Leave" at Studio One, "Broke My Heart" for Bunny Lee, "I Let You Go Boy" and covers of "To Sir with Love" and "Here Comes the Sun".
Dawn had also recorded for singer and producer Prince Buster early in her career with songs like "Long Day, Short Night", "Blue Yes Blue" and "Here's the Key". By 1970, Penn had left the music industry and had moved to the Virgin Islands. However, she faced racism there, and in 1987, she returned to Jamaica and to music.

[ Ιn the early 1990s, when Dawn Penn (who had left the music industry in 1970) returned to the charts with a remake of her 1960s smash "You Don't Love Me (No, No, No)."
Thankfully, Penn's voice has held up well over the years, and she's in generally good form on 1994's No, No, No, her first full-length album after her comeback. Though the production of Sly Dunbar, Steely & Clevie, and others is slick and high tech, and some of the material has a strong urban contemporary flavor -- especially "I'll Do It Again" and "Samfi Boy" -- much of the CD recalls the type of rocksteady style that Penn was known for in the 1960s.
To be sure, "The First Cut Is the Deepest," "Keep in Touch," and a cover of Smokey Robinson's "I Want a Love I Can See" are a lot slicker, glossier, and more produced than Penn's Studio One recordings of the late 1960s.

AllMusic Review by Alex Henderson ]


01. I Want a Love I Can See (Smokey Robinson) - 3:54
02. I'm Sorry (Clive Hunt, Dawn Penn, Dylan Powe) - 4:10
03. You Don't Love Me (No, No, No) (Extended Mix) (Dawn Penn) - 4:37
04. Night and Day (Horace Swaby) - 4:55
05. My Love Takes Over (Clive Hunt, Dawn Penn, Dylan Powe) - 3:57
06. The First Cut Is the Deepest (Cat Stevens) - 4:27
07. I'll Do It Again (Dwight Pinkney) - 4:05
08. Hurt (Dawn Penn) - 3:57
09. Samfi Boy (Bobby Digital, Dawn Penn, Geoffrey Chung) - 5:09
10. Keep in Touch (Chin/Fook, Geoffrey Chung, Rupert Cunningham) - 4:30
11. My Man (Clevie Brownie, Nadine Sutherland) - 3:58
12. Blue Yes Blue (Dawn Penn) - 4:52
13. You Don't Love Me (No, No, No) (Remix) (Dawn Penn) - 5:13

MP3 : Size :  57.1 MB
FLAC : SIZE :  373 MB