ua

ua

Wednesday, June 12, 2019

Various Artists - Pebbles, Vol. 4 : Various Hodads - Surf n Tunes, Original Rare '60s Surf/Rod Classics 1992




Various Artists - Pebbles, Vol. 4
Subtitled: Various Hodads - Surf n Tunes, Original Rare '60s Surf/Rod Classics
1992 Archive International Productions (AIP)
CD cat. #: AIP CD 5021



Pebbles, Volume 4 is a compilation album in the Pebbles series that has been issued in both LP and CD formats. Unlike other volumes in the series – which compile obscure garage rock and psychedelic rock music – Volume 4 collects rare examples of surf rock. The LP is subtitled Summer Means Fun, while the CD is subtitled Surf N Tunes. Another Pebbles, Volume 4 was issued on CD a few years earlier by ESD Records and has completely different tracks.

Release data

This album was released on BFD Records in 1979. AIP Records kept the LP in print for many years.
AIP Records issued this volume in CD format in 1992.
Although having a different cover, the two formats are largely the same album and even have similar catalogue numbers.
Although two box sets that purport to be the first five volumes of the Pebbles series have been released – the Pebbles Box on LP (in 1987) and the Trash Box on CD (in 2004) – none of the tracks on Pebbles, Volume 4 are included on either box set.

Omitted Tracks on the CD

When AIP Records issued the early volumes of CDs, they omitted some tracks from the corresponding LP for the stated reason that they were already widely available on other anthologies. In this case, only about half of the tracks on the LP were included on the CD; even the opening cut on the LP from which the subtitle is taken – "Summer Means Fun" by Bruce & Terry – was left off. The numerous bonus tracks on the CD include the corresponding "School is a Drag" by Superstocks to go with the curious pro-school song by The Wheel Men.


 Notes on the tracks

As on the first two volumes, an odd track from a well-known artist – Jan & Dean in this instance, performing on a commercial for Coca-Cola – is included on the album. Lloyd Thaxton had a widely syndicated pop music television program in the 1960s, The Lloyd Thaxton Show. Dave Edmunds – the only artist represented who is not American – had numerous hit songs in the late 1970s and early 1980s, including 1970's international success, "I Hear You Knocking." The Trashmen are renowned for their 1963 hit "Surfin' Bird" and are a prolific enough band that a 4-CD box set was released several years ago on Sundazed.


TRACK LISTING:

01. California Suns : Masked Grandma - 02:28
02. The Dantes : Top Down Time - 02:05
03. The Pyramids : Custom Caravan - 01:58
04. The Rivieras : California Sun '65 - 02:36
05. The Knights : Hot Rod High - 02:06
06. The Wheel Men : School Is A Gas - 02:19
07. The Superstocks : School Is A Drag - 02:14
08. Lloyd Thaxton : Image Of A Surfer - 02:02
09. The City Surfers : Beach Ball - 01:56
10. Dave Edmunds : London's A Lonely Town - 02:28
11. The Ragamuffins : The Fun We Had - 02:08
12. The Rally Packs : Move Out Little Mustang - 01:53
13. The Reveres : Big ''T'' - 02:20
14. The Readymen : Shortnin' Bread - 02:46
15. The Bleach Boys : Wine, Wine, Wine - 02:29
16. The Esquires : Flashin' Red - 02:20
17. The Del-Vettes : Ram Charger - 02:29
18. The Gamblers : LSD-25 - 02:17
19. Brian Lord : The Big Surfer - 02:32

Playing time...43:25

[This cd is atypical, as far as the first five in this series goes. I'd heard of compilations like "Nuggets" first, I think, and after discovering that recentlyish, I'd stumble upon similar compilations...like "Pebbles"and then "Back from the grave". From my point of view, the first Nuggets box set is the best of these. It has the best sound quality and the best songs. Some of those songs on Nuggets became instant classics for me (I've reviewed that title here). Once you start getting to Pebbles and Nuggets though, the sound quality deteriorated markedly. They can have a very scratchy/cassettey kind of sound. As for the Pebbles cds I bought, it was with a company which gave 'freebie' cds if you bought five from them...my surprise cd was the first volume of English Freakbeat, I think it was called. That had a few good nuggets on it too. Anyway, with Pebbles, I was often surprised at how often the same songs which appeared on the first Nuggets box-set would appear on four of the five Pebbles cds I ordered. Not sure, but maybe some of that 'identical' material may have been versions of the same song by a  different band...but if similarity in songs is an issue for you, I'd choose Nuggets over Pebbles.

Anyway, back to Pebbles v4...it might actually have superior sound quality to the rest that I've heard. It's been a while since I've listened to this cd and my notes aren't as specific as they usually are. Maybe I'd give this album 4/5...but I'm not certain...just my impression that this album is the best of the first five, so long as you like Beach Boy type songs about surfing and hot-rod cars.

The best song:

  


















Dave Edmunds - "London's a lonely town". A lovely, retro/neo surf song by the  Brit who had the classic "Girls talk". Great melody and harmonies. Has a Christmas vibe to it. Tried finding a You Tube of this song but could only find "New York's a lonely town".  Prefer the Pebbles version. Difference may be due to legal issues or something.

Then:

 

Readymen -  "Shortnin' Bread". Has an amusing vibe, as far as the vocals go. Candidate for my list of the best US songs of all time...might find a place for it on the tail end of my list. 

The Ragamuffins - "The Fun We Had". Vocal style similar to that in Wheatus' recentish cool pop song "Teenage dirtbag".

Of interest:

Brian Lord - "The Big Surfer". Amusing song. Got a John F.Kennedy conceit going for it. Has an ending with a political twist too, which was very surprising to me. 
California Suns - "Masked Grandma". References the song "The little old lady from Pasadena". Sounds like it also uses one of those comb horns...you know, where you put that cheap and nasty toilet paper onto a comb and blow on it? Hope that last sentence is clear...hmm. 
The Wheel Men - "School Is a Gas” AND Superstocks - "School is a Drag". Same song but with different takes...looks like they are trying to appeal to different demographs! Also lumped in The Knights' "Hot Rod High" with "School is a drag" but the connection is obscure to me now after this time interval.]


Pebbles on the beach!

As its title implies, the fourth Pebbles disc is a bit of a departure from other volumes in the series. It serves up 19 tracks of ultra obscure surf rock from the 60s (except for Dave Edmunds' "London's A Lonely Town," which was recorded in 1973). The songs are mostly from the poppier end of the spectrum, with vocal harmonies, symplistic lyrics, and peppy instrumentation that shows a clear Beach Boys/Jan & Dean influence.




Severeal of these songs are really good- The Dantes' "Top Down Time" is an infectious rush, and the Knights' "Hot Rod High" offers the kind of simplistic joy that its title promises. The Wheel Men and The Super Stocks provide two excellent versions of the same song (with slighty different titles, however. The former group calls their tune "School Is A Gas," while the latter provides "School Is A Drag"). Lloyd Thaxton's "Image Of A Surfer" can almost be described as the surf-pop counterpart to Kim Fowley's "The Trip." The Bleach Boys (bLeach, not beach) turn in a wicked cool version of "Wine Wine Wine."



There are also a few less poppy gems: The Readymen's unbelievably awesome "Shortnin' Bread" is a beer-blasted slab of midwestern surf-punk insanity a la the Trashmen, and the Gamblers' "LSD 25" is a way-cool instrumentl strutter. Brian Lord's "The Big Surfer" is a totally inexplicable song which featuyres- okay, I don't want tio give it away, but it rules. Sadly, there are a few subpar tunes that keep this from being a five-star buy: "Custom Caravan" and "Big 'T'" are ultra-generic tunes that really aren't all that fun or interesting, and a few other tunes on this disc are similarly unenjoyable. But meh, who cares? The best music here is Pebble-riffic summertime greatness.

The Pebbles CD series, released by AIP Records in the years 1992-2007

Wednesday, June 05, 2019

Roky Erickson : I Have Always Been Here Before (The Roky Erickson Anthology) 2005


Roger Kynard "Roky" Erickson (July 15, 1947 – May 31, 2019) was an American singer-songwriter, harmonica player, and guitarist from Texas. He was a founding member of The 13th Floor Elevators and a pioneer of the psychedelic rock genre.


Born in Dallas, Texas, Erickson was interested in music from his youth, playing piano from age 5 and taking up guitar at 10. He attended school in Austin and dropped out of Travis High School in 1965, one month before graduating, rather than cut his hair to conform to the school dress code.


His first notable group was The Spades, who scored a regional hit with Erickson's "We Sell Soul"; the song is included as an unlisted bonus track on Erickson's 1995 All That May Do My Rhyme CD and was adapted as "Don't Fall Down" by the 13th Floor Elevators for their first album. The Spades' original version of "You're Gonna Miss Me", later a hit for 13th Floor Elevators, was featured on the compilation album The Best of Pebbles Volume 1.


In 1966 (Erickson was 19 years old) the band released their debut album The Psychedelic Sounds of the 13th Floor Elevators. The album had the band's only charting single, Erickson's "You're Gonna Miss Me". A stinging breakup song, the single remains probably Erickson's best-known work: it was a major hit on local charts in the U.S. southwest and appeared at lower positions on national singles charts as well. Critic Mark Deming writes that "If Roky Erickson had vanished from the face of the earth after The 13th Floor Elevators released their epochal debut single, "You're Gonna Miss Me", in early 1966, in all likelihood he'd still be regarded as a legend among garage rock fanatics for his primal vocal wailing and feral harmonica work."


In 1968, while performing at HemisFair, Erickson began speaking gibberish. He was soon diagnosed with paranoid schizophrenia and sent to a Houston psychiatric hospital, where he involuntarily received electroconvulsive therapy.

(Gibberish (sometimes Jibberish) is a language game that is played in the United States and Canada. Similar games are played in many other countries. The name Gibberish refers to the nonsensical sound of words spoken according to the rules of this game.)


The Elevators were vocal proponents of marijuana and psychedelic drug use, and were subject to extra attention from law enforcement agencies. In 1969, Erickson was arrested for possession of a single marijuana joint in Austin. Facing a potential ten-year incarceration, Erickson pleaded not guilty by reason of insanity to avoid prison. He was first sent to the Austin State Hospital.


After several escapes, he was sent to the Rusk State Hospital in Rusk, Texas, where he was subjected to more electroconvulsive therapy and Thorazine treatments, ultimately remaining in custody until 1972. Six tracks from the 1999 Erickson collection Never Say Goodbye were recorded during his time there.


In 1974, after having been released from the state hospital, Erickson formed a new band which he called "Bleib alien".
The new band was renamed Roky Erickson and the Aliens.
In 1979, after playing with the Reversible Cords on May Day at Raul's, Erickson recorded 15 new songs with producer Stu Cook, former bass player of Creedence Clearwater Revival. These efforts were released in two "overlapping" LPs – "I Think of Demons" (CBS UK, 1980) and "The Evil One" (415 Records, 1981).

I Have Always Been Here Before: The Roky Erickson Anthology confirms what a handful of fans have long known -- that Erickson is a major talent who has created a remarkable body of work -- and this is easily the most comprehensive and satisfying collection of his music assembled to date. If you have any interest at all in Roky Erickson's music, this is easily the best starting point to investigate his work, and unlike many Erickson collections, the artist will actually get royalties for this one.


CD1

1.   We Sell Soul - The Spades (1965)
2.   You're Gonna Miss Me - 13th Floor Elevators (1966)
3.   Reverberation (Doubt) - 13th Floor Elevators (1966)
4.   Tried to Hide - 13th Floor Elevators (1966)
5.   Fire Engine - 13th Floor Elevators (1966)
6.   She Lives (In a Time of Her Own) - 13th Floor Elevators (1967)
7.   Slip Inside This House - 13th Floor Elevators (1968)
8.   Splash 1 - 13th Floor Elevators (1968)
9.   Dust - 13th Floor Elevators (1967)
10. I Had to Tell You - 13th Floor Elevators (1967)
11. Postures (Leave Your Body Behind) - 13th Floor Elevators (1967)
12. Right Track Now - Roky Erickson (1967)
13. Red Temple Prayer (Two Headed Dog) - Roky Erickson (1975)
14. Starry Eyes - Roky Erickson (1975)
15. Bermuda - Roky Erickson (1977)
16. Interpreter - Roky Erickson & the Aliens (1977)
17. Mine Mine Mind - Roky Erickson & the Aliens (1977)
18. I Have Always Been Here Before - Roky Erickson (1977)
19. Click Your Fingers Applauding the Play - Roky Erickson & The Aliens (1977)
20. I Think Up Demons - Roky Erickson & The Aliens (1980)
21. Don't Shake Me Lucifer - Roky Erickson & The Aliens (1980)
22. White Faces - Roky Erickson & The Aliens (1980)


CD 1. Take it HERE

CD2

1.   It's a Cold Night for Alligators - Roky Erickson & The Aliens (1980)
2.   Creature with the Atom Brain - Roky Erickson & The Aliens (1980)
3.   Stand for the Fire Demon - Roky Erickson & The Aliens (1980)
4.   Bloody Hammer - Roky Erickson & The Aliens (1981)
5.   Wind and More - Roky Erickson & The Aliens (1981)
6.   If You Have Ghosts - Roky Erickson & The Aliens (1981)
7.   Song to Abe Lincoln [Live] - Roky Erickson (1986)
8.   Anthem (I Promise) - Roky Erickson (1986)
9.   Warning (Social and Social-Political Injustices) [Live] - Roky Erickson (1986)
10. Beast - Roky Erickson (1985)
11. You Don't Love Me Yet - Roky Erickson (1985)
12. Clear Night for Love - Roky Erickson (1985)
13. Don't Slander Me - Roky Erickson (1985)
14. Nothing in Return - Roky Erickson (1986)
15. Burn the Flames - Roky Erickson (1986)
16. When You Get Delighted - Roky Erickson (1988)
17. True Love Cast Out All Evil - Roky Erickson (1988)
18. For You (I'd Do Anything) - Roky Erickson (1995)
19. Please Judge - Roky Erickson (1995)
20. We Are Never Talking - Roky Erickson (1995)
21. I'm Gonna Free Her - Roky Erickson (1995)

CD 2. Take it HERE

Sunday, June 02, 2019

Black Widow : Sacrifice 1970 (Return To The Sabbat 1998)



PEGSY GEE

Now a mere footnote in '60s rock history, Leicester, England's Pesky Gee! are perhaps remembered more for the band that they became -- notorious Satan-worshipers Black Widow -- than for their actual music. Taking their name from a song in another local group's repertoire, Pesky Gee! were originally formed as a soul band before constant gigging slowly pushed them toward a more experimental and progressive style of rock & roll.

The band originally formed in 1966 as Pesky Gee! with Kay Garrett (lead vocals), Kip Trevor (lead vocals, guitar and harmonica), Chris Dredge (guitar), Bob Bond (bass guitar), Clive Box (drums and piano), Gerry "Zoot" Taylor (organ), Clive Jones (aka Clive Beer-Jones; saxophone and flute). Jim Gannon (guitar, vocals and vibes), replaced Dredge in Spring 1969.The band released one album for Pye Records as Pesky Gee!, 1969's Exclamation Mark, before Garrett left the band.

BLACK WIDOW

 
Black Widow were a rock band that formed in Leicester, England in September 1969. The band were mostly known for their early use of satanic and occult imagery in their music and stage act. They were often compared with the better-known heavy metal band Black Sabbath, though these bands were only superficially similar.


The remaining band members continued on as Black Widow and released their debut album Sacrifice in 1970.Sacrifice is the debut album by English rock band Black Widow. It was issued in March 1970 through CBS Records and was produced by Patrick Meehan Jr.


The album features the band's best known song "Come to the Sabbat" and its lyrical themes are centred on Satanism and occultism. Sacrifice reached No. 32 on the UK Albums Chart.


Few albums have undergone such a dramatic transformation in their fortunes as Black Widow's Sacrifice. Best known for so long on the strength of one track ("Come to the Sabbat") on an early-'70s CBS sampler, Sacrifice was for so long the guilty secret of a mere handful of prog fans that it felt like it might never be rediscovered.


Added emphasis on sax and organ pushes things hard, while every song is taken just a few beats faster than listeners are accustomed to, to bring a delirium to the performance that is perfectly in keeping with the subject matter.


Not even the presence of a little surface noise (the CD was mastered from acetate) can detract from the magnificence of the performance and, if you've spent the last however many years marveling at the Sacrifice that fans know and love, this one will take you even higher.


Despite a measure of popularity and three albums later, the band broke up in 1973. Original members Geoff Griffith and Clive Jones have since reformed to release a new album, "Sleeping With Demons", on Hallows' Eve 2011. 

TRAXS
 
Side1

 
01. In Ancient Days     9:28
02. Way To Power     4:08
03. Come To The Sabbat     4:11
04. Conjuration     5:53

Side 2 

 
05. Seduction             4:41
06. Attack Of The Demon 3:57
07. Sacrifice            10:48

Personnel

    Kip Trevor - vocals
    Clive Jones - flute, saxophone, clarinet
    Jim Gannon - lead and Spanish guitars, vibes
    Zoot Taylor - organ, piano
    Bob Bond - bass
    Clive Box - drums, percussion

Notes

Recorded and produced at D.T. Studios. Kettering, Northants: November 1969.
Recorded as Pesky Gee and existed as one copy acetate.
On vocals there were Kay Garret and Kip Trevor.
Studio Album, released in 1998

Format: Vinyl LP
Label: CBS
Made in: England
Genre: Rock
Style: Progressive Rock
Year: 1970



IN ANCIENT DAYS

In ancient days, in other lives, long past but not forgotten
I’ve learned the power of mind and flesh to have my will obeyed

In Adonai and Babylon, Etruscans and Egyptians
Came to my temple, journeyed to the Valley of the Moon
Deep underground where no light dared to come, beneath my pyramid
I stood in Hell, a mortal man between Belial and Satan
And still before my audience entrance with stark, cold fear
I cured or struck with sickness, death, or made insane my foes

Here in my thirteenth life the mystic power of old
Returns, and as I say these words, my soul again in Hell
I conjure thee, I conjure thee, I conjure thee, I conjure thee appear
I raise you mighty demon, come before me, join me here

In ancient days, in other lives, long past but not forgotten
I’ve learned the power of mind and flesh to have my will obeyed

Deep underground where no light dared to come, beneath my pyramid
I stood in Hell, a mortal man between Belial and Satan
And still before my audience entrance with stark, cold fear
I cured or struck with sickness, death, or made insane my foes

Here in my thirteenth life the mystic power of old
Returns, and as I say these words, my soul again in Hell
I conjure thee, I conjure thee, I conjure thee, I conjure thee appear
I raise you mighty demon, come before me, join me here


ATTACK OF THE DEMON

You played a game for rich rewards
The stakes: your blood, your mind, your soul
You try to gain all earthly power
You unleash plagues of Famine, Death and War
All my sins have damned my soul in hell

All of my sins have left me in hell
All of my sins have left me in hell
All of my sins have left me in hell
All of my sins have left me in hell

I tried to turn my heart against the wickedness I caused
And in my dream my dear, beloved mother came to me
She begged me turn my face, once more, up high towards the Lord
But notice came, I could not weep for Satan clutched my heart
All my sins have damned my soul in hell


Wednesday, May 29, 2019

Various Artists - Pebbles, Vol. 3: The Acid Gallery, Original '60s Punk & Psych Classics 1992


Various Artists - Pebbles, Vol. 3
Subtitled: The Acid Gallery, Original '60s Punk & Psych Classics
1992 Archive International Productions (AIP)
CD cat. #: AIP CD 5020


You may have heard Jefferson Airplane and Jimi Hendrix, but you haven't truly experienced Psychedelic rock until you've heard the exploitation quickies, novelty records, and inexplicable dementia that fill this collection, the third volume in the classic Pebbles series of garage-punk compilations.

Granted, most of these songs aren't in the same league as "White Rabbit" or "Purple Haze" -- indeed, several of them don't merit repeated listening -- but they are as much a part of our musical heritage as the more prestigious psychedelic recordings. This compilation features Higher Elevation's "The Diamond Mine," a showcase for the nonsense rambling of disc jockey Dave Diamond.asHigher 
Elevation's "The Diamond Mine," a showcase for the nonsense rambling of disc jockey Dave Diamond.

Teddy & the Patches' "Suzy Creamcheese," which manages to rip off both Frank Zappa and "Louie Louie"; Crystal Chandlier's "Suicidal Flowers," which sounds like the Doors drenched in fuzz guitar; William Penn Fyve's "Swami," which is such a self-conscious attempt to evoke 1967 that it's hard to believe it was actually released that year; Jefferson Handkerchief's "I'm Allergic to Flowers," which was presumably intended as a novelty song.

Calico Wall's "Flight Reaction," a fascinating acid-damaged glimpse into the mind of a passenger who's sitting in an airplane before takeoff and worrying about a possible crash; Hogs' (allegedly the Chocolate Watchband under a different name) "Loose Lip Sync Ship," which consists of an instrumental passage that mutates into Zappa-influenced weirdness; Driving Stupid's "Reality of Air-Fried Borsk" and "Horror Asparagus Stories," which features precisely the kind of grounded lyrics that you'd expect.

Third Bardo's "Five Years Ahead of My Time," a genuinely good number even though it doesn't sound five minutes ahead of its time; Bees' "Voices Green and Purple," which made the Nuggets box set along with the Third Bardo song; Godfrey's "Let's Take a Trip," which is a remake of Kim Fowley's "The Trip"; Monocles' "The Spider & the Fly," which is reportedly a remake of a '50s tune; TC Atlantic's "Faces," which is apparently what you see a lot of after you've taken the substance that inspired some of the songs in this collection.


Lea Riders Group's " Dom Kellar Os Mods," which is a blistering blues-rock number from Sweden; Race Marbles' "Like a Dribbling Fram," which is a spoof of Bob Dylan's "Like a Rolling Stone"; and Painted Faces' "Anxious Color," which is a good, relatively tight Stones-influenced song.

The CD offers several bonus tracks that weren't on the original vinyl pressing of Pebbles, Vol. 3: Adjeef the Poet, His Girl(s), His Friend(s) and the Rest of the World(s)' "Ieeek I'm a Freak," which reflects psychedelia's roots in fuzz-driven garage-punk, and "Squafrech Lemon Comes Back," which is even stranger than its title suggests; Beautiful Daze's "City Jungle, Pt. 1" and Catfish Knight's "Deathwise," both of which feature lots of trippy guitar; and Oshun's "Rattle of Life," which sums up the entire compilation when the vocalist states that "the butterfly you possess will spin our nature's merry-go-round."
Add up the songs on Pebbles, Vol. 3 and you get a collection that has more historical interest than great music; as curiosity value goes, however, it doesn't get much more curious than this. Note: The CD cover lists the Monocles' "Spider & the Fly" and Godfrey's "Let's Take a Trip" as the 12th and 13th tracks respectively, but the order is reversed on the CD itself.

 Todd Kristel, AllMusic.  Rating: 4/5 stars.

TRACKS


01. Dave Diamond and the Higher Elevation : The Diamond Mine - 02:16
02. Teddy and his Patches : Suzy Creamcheese - 03:10
03. Crystal Chandlier : Suicidal Flowers - 02:24
04. William Penn Fyve : Swami - 02:57
05. The Jefferson Handkerchief : I'm Allergic To Flowers - 03:27
06. The Calico Wall : Flight Reaction - 02:40
07. The Hogs : Loose Lip Sync Ship - 03:05
08. The Driving Stupid : The Reality Of (Air) Fried Borsk - 01:53
09. The Driving Stupid : Horror Asparagus Stories - 02:34
10. The Third Bardo : Five Years Ahead Of My Time - 02:15
11. The Bees : Voices Green And Purple - 01:36
12. Godfrey : Let's Take A Trip - 02:14
13. The Monocles : Spider And The Fly - 02:06
14. T.C. Atlantic : Faces - 02:45
15. The Lea Riders Group : Dom Kallar Oss Mods - 04:02
16. Race Marbles : Like A Dribbling Fram - 02:57
17. The Painted Faces : Anxious Color - 02:33
18. Adjeef the Poet : Iekk! I'm A Freak - 02:52
19. Adjeef the Poet : Squafrech Lemon Comes Back - 02:29
20. Beautiful Daze : City Jungle, Part 1 - 02:27
21. Catfish Knight and the Blue Express : Deathwise - 02:55
22. Oshun : Rattle Of Life - 02:14

Playing time...57:51

Saturday, May 25, 2019

The Dolly Rocker Movement : Our Days Mind the Tyme 2009



The Dolly Rocker Movement were formed in 2002 in Sydney by Ricky Drabsch on bass guitar, Daniel Poulter on lead vocals and guitar, Christopher Rudge on drums and Martin Walters on keyboards.


The group has played with such acts as The Black Keys, Lime Spiders, The Stems and The Lovetones. The band has had material showcased outside of Australia on various releases, including Northern Star Records' three Psychedelica compilations, and the Greek "Peace Frog" and "Lost in Tyme zines".


In 2009 Denmark-based label Bad Afro announced it would release their third album, Our Days Mind the Tyme, in all non-Australian territories.


BMA Magazine's Cat Woods described Our Days Mind the Tyme as, "a flawlessly produced invitation to psychedelic '60s revival. 


Sunshine, electric pop, garage pop." She found the group difficult to categorise, "Just when I think I've pinned down their sound, they go on a wild trip into other eras, other lands, and the only thing that I'm assured of is that it will be awesomely fun."


In late 2009 Poulter travelled to Los Angeles to start demo recording new solo and band material with producer Rob Campanella.



There, the band was reformed to include Poulter, Jimmy Sweet (formerly bassist of Hot Hot Heat), Emily Stoia (keyboards), and T.J. McDonnell (drums). The band disbanded in 2013.


Poulter, named as Daniel Darling, led Kill City Creeps and by April 2015 was renamed Danatalia "Natalie" de Silver and fronted "The Dandelions", a four-piece band, "who weave retro nostalgia with swirling, driving psych rock and pop."


Discography

    2006 - Electric Sunshine (LP)
    2006 - A Purple Journey Through the Mod Machine (LP)
    2009 - A Sound for Two (EP)
    2009 - Our Brave New World/Mystery Man (7-inch single)
    2009 - Our Days Mind the Tyme (LP)
    2013 - Your Side of Town (single)


TRAXS  

01. The Only One     4:50
02. Sold For Sinners     2:29
03. A Sound For Two     3:15
04. Coffin Love     3:16
05. My Heavenly Way     2:56
06. Borne With Gills     2:58
07. Enjoy A Paranoia     5:35
08. Memory Layne     3:43
09. Our Brave New World  2:45
10. The Ecstacy Once Told  5:03