Thursday, June 14, 2018

Matt Darriau - Paradox Trio 1999

Matt Darriau (born in Bloomington, Indiana), is a Balkan, klezmer, Celtic and jazz musician. His most notable work is with Balkan rhythm quartet Paradox Trio, The Klezmatics, and Orange Then Blue.

Saxophonist, clarinetist, ethnic-woodwind specialist and composer Matt Darriau has been playing Irish, Balkan, klezmer and jazz music with Frank London, Lisa Gutking and The Klezmatics for over 23 years. He leads his own Balkan rhythm quartet, Paradox Trio. He has made music for dance, theater, and film including a recent commission from Chamber Music America for his avant-swing band, Ballin' The Jack.

Other musical projects include Ballin' the Jack, Yo Lateef, Disastro Totale (with Yuri Lemeshev), Whirligig, Celtic Eclectic, CCMD (with Cinema Cinema), and Shabbes Elevator.

Darriau grew up listening to Balkan, Israeli, and other styles of world music. He moved to Boston to study at the New England Conservatory of Music in the third stream program. He now resides in New York City.

Under reed player Matt Darriau's visionary leadership, the Paradox Trio blends influences from the Balkans and beyond, infusing them with the improvisational aesthetics of jazz and creating a sound that is entirely their own. Unlike the group's two previous releases, Source contains relatively few original compositions. Most of the tracks are arrangements of arcane source material, some of it dating back to the early 20th century, some dating back much farther.

The liner notes helpfully sort out the details and explicate the various forms that typify this music : the terkisher, the kalamatiano ( A Greek song and dance ), the hora, the ciftetelli, the hassapiko ( Greek dance ) , and the doina. "Uskudar," a Turkish standard from the '20s, features Lorin Sklamberg of the Klezmatics singing beautifully in the Turkish language. The inclusion of vocals is a first for the group. Appearing on several tracks are exotic instruments, such as the saz, a Turkish stringed instrument ; the kaval, an end-blown Bulgarian flute ; and the Bulgarian tambura, a fretless instrument with a vaguely sitar-like sound.

Many jazz and fusion musicians have attempted to work with non-Western musical elements, but very few have achieved this kind of authentic synthesis.
The Paradox Trio's overtures to the East are based not on faddish religiosity or empty multicultural posturing, but on thorough knowledge and mastery of the forms with which they've chosen to work. The result is entirely unpretentious and entirely musical.

Under reed player Matt Darriau's visionary leadership, the Paradox Trio blends influences from the Balkans and beyond, infusing them with the improvisational aesthetics of jazz and creating a sound that is entirely their own.
The result is entirely unpretentious and entirely musical.


    Matt Darriau (sax , clarinet , kaval)
    Brad Shepik (guitars)
    Rufus Cappadocia (cello)
    Seido Salifoski (percussion)


01. Turkic     7:47
02. Uskudar     6:42
03. Wounds     6:08
04. Hora/Honga     6:45
05. Alts Far Gelt     6:20
06. Ozi Vezimrat Ya     6:27
07. Ghost Dance     6:28
08. Oriental Suite     11:55
09. Bocet Doina   1:59

Genre : Jazz, Folk, World
Style : Avant-garde Jazz, Fusion
Year : 1999
Label : Knitting Factory Works     KFC 237 US   

MP3  @ 320 . Size : 142 MB
FLAC  SIze :  303 MB

Friday, June 01, 2018

1977 The Indie Scene - The Story of British Indipendent Music

Various – The Indie Scene 77
Label : Connoisseur Collection – IBM LP 77
Series : The Indie Scene – 77
Format : 2  Vinyl, LP, Compilation
Country : UK
Released : 1991
Genre : Rock
Style :  Rock, Punk , New Wave



A1 The Flamin' Groovies : Shake Some Action     4:31
A2 Stanley Frank : S'Cool Days     2:57
A3 The 101'ers : Keys To My Heart     3:43
A4 The Vibrators : We Vibrate     2:11
A5 The Gorillas : Gatecrasher     2:59
A6 Eddie And The Hot Rods : Do Anything You Wanna Do     4:04


B1 The Heartbreakers : Born To Lose     3:02
B2 The Adverts : One Chord Wonders     2:50
B3 Buzzcocks : Breakdown     1:58
B4 The Stranglers : (Get A) Grip (On Yourself)     4:01
B5 The Dead Boys : Sonic Reducer     3:08
B6 Ramones : Sheena Is A Punk Rocker     2:49

C1 999 : Emergency     2:44
C2 The Boys : I Don't Care     2:13
C3 The Banned :    Little Girl     2:22
C4 Radiators From Space : TV Screen     3:28
C5 The Adverts : Gary Gilmore's Eyes     2:24
C6 The Lurkers : Shadow     2:30


D1 Johnny And The Self Abusers : Saints And Sinners     1:54
D2 The Members : Solitary Confinement     3:57
D3 The Yachts :    Suffice To Say     3:15
D4 Wreckless Eric : Whole Wide World     3:04
D5 Radio Stars   : Nervous Wreck     2:01
D6 Tubeway Army : That's Too Bad     3:17


Flamin' Groovies is an American rock music band whose peak was in the 1960s and 1970s. The band began as a "throwback"-influenced group in San Francisco in 1965, led by Roy Loney and Cyril Jordan.After the Groovies released three albums on major labels without much success, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band's emphasis shifted more toward British Invasion power pop.The reconstituted band signed to United Artists Records in 1972 but only released three more singles until 1976. The Groovies then signed to Sire Records and released three albums between 1976-79, also with limited success, before Wilson left the band in 1981. After that, Jordan and original bassist George Alexander continued on as the Groovies until the group finally disbanded in 1991. After a couple of limited reunions with different lineups, the 1970s nucleus of Jordan, Wilson, and Alexander reformed the group in 2013, and the band's first post-reunion album was released in 2017.


Montreal native Stanley Frank began writing songs soon after joining his first band at the age of fourteen. In 1977 his pop-rock flavored classic S'cool Days earned him success in England and Europe. In 1978 Stanley
took up temporary residence in London. In 1981 he returned overseas, completing a 42-city tour of Europe while promoting his A&M release Play It Till It Hurts. Stanley's material has been released in various forms on a number of different labels, much of which is still available at such websites as eBay and GEMM.

The 101 'ERS

The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their
performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.


The Vibrators were founded by Ian 'Knox' Carnochan, bassist Pat Collier, guitarist John Ellis, and drummer John 'Eddie' Edwards. They first came to public notice at the 100 Club when they backed Chris Spedding in 1976. On Spedding's recommendation, Mickie Most signed them to his label RAK Records. Most produced their first single, "We Vibrate". The band also backed Spedding on his single,

"Pogo Dancing".
The Vibrators recorded sessions for John Peel at BBC Radio 1 in October 1976, June 1977, and February 1978. They were one of the pioneering punk bands that played at London's Roxy Club. They headlined in January 1977, supported by The Drones, and in February they played twice at the venue.[3] In March 1977 the band supported Iggy Pop on his British tour. Later that year they backed ex-Mott the Hoople frontman Ian Hunter.


The Gorillas (originally named The Hammersmith Gorillas) were a rock group from Hammersmith, London, England formed in 1974, and fronted by Jesse Hector, who played high energy rock music. After a brief flirtation with EMI Records, the band was renamed Tiger, until Darryl left to join the glam rock group Dizzy, then they changed name again to Helter-Skelter. With the addition of drummer Gary Anderson, the band became the Hammersmith Gorillas, taking their name from London's pro-Castro activist group the Hammersmith Guerillas.
The band's debut release was a cover version of the Kinks' "You Really Got Me" on the Penny Farthing label, produced by Larry Page, and timed to coincide with the tenth anniversary of the original release.\ They then signed to Chiswick Records, recording two singles for the label, and building a loyal fanbase, before moving on to Raw Records. In 1976, they played at the Mont-de-Marsan Punk Festival in the south of France along with the Damned and Eddie and the Hot Rods.[2] After two more singles in 1978, the band's debut (and only) studio album was issued, Message to the World.


By 1976, Lew Lewis (harmonica) and Paul Gray (bass) had replaced Wall and Steele. Lewis's tenure in the group lasted for the release of their first two singles before he too left. With this new line-up, the Hot Rods
played a set at London's famous Marquee Club – their opening act was the Sex Pistols playing their first London gig, which descended into chaos with the Pistols smashing the Hot Rods' gear; During a residency at the club in the summer of 1976 they duelled for alternate weeks with AC/DC, to see who could cram more bodies into the Marquee during one of the hottest summers on record.[10] They first appeared in the UK Singles Chart the end of that year with the Live at the Marquee EP and the single "Teenage Depression", an energetic rock and roll song.


In May 1975, Johnny Thunders (vocals/guitar) and Jerry Nolan (drums) quit the New York Dolls, the same week that Richard Hell (vocals/bass) left Television. Thunders and Nolan invited Hell to join their new band, and Hell quickly agreed. Their first gig was on May 31 of that year, at the Coventry, a rock club in Queens.
The trio soon added Walter Lure (guitar/vocals) to the lineup. Lure had previously played with a glam-punk band called the Demons.
In early 1976 Thunders walked out on the lineup, due to Hell's attempts to impose his will on the band and on their performances, and Lure and Nolan followed, so in effect the band left Hell. Richard Hell was replaced by Billy Rath. Rath's first gig with the band was on July 23, 1976 at Max's Kansas City. Hell then went on to form his own band, with his name prominent in the band name: Richard Hell and the Voidoids.


The Stranglers are an English rock band who emerged via the punk rock scene. Scoring some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning four decades, the Stranglers are one of the longest-surviving and most "continuously successful" bands to have originated in the UK punk scene.
Formed as the Guildford Stranglers on 11 September 1974 in Guildford, Surrey,[note 1] they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude identified them as one of the instigators of the UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisticated pop of some of their 1980s output.


Dead Boys evolved out of the band Rocket From The Tombs and were originally called Frankenstein. When the band members relocated to New York City in July 1976, they adopted the Dead Boys moniker which came from the RFTT song "Down In Flames". They are sometimes credited with founding the U.S. hardcore punk movement, although this question is open to dispute among hardcore fans.
Moving to New York City at the encouragement of Joey Ramone, the Ramones' lead singer, Dead Boys quickly gained notoriety for their outrageous live performances. Lewd gestures and profanity were the norm. On more than one occasion, lead singer Stiv Bators slashed his stomach with his mic stand. Such antics reportedly discouraged the development of a mainstream rock following despite the relative breadth of their material beyond pure punk.[3] They frequently played at the rock club CBGB and in 1977 they released their debut album, Young, Loud and Snotty, produced by Genya Ravan. Their song "Sonic Reducer" is often regarded as one of the classics of the punk genre, with AllMusic calling it "one of punk's great anthems."


The Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens, in 1974. They are often cited as the first band to define the punk rock sound. Despite achieving only limited commercial success, the band was vastly influential in both the United States and the
United Kingdom, inspiring also the emergence of hardcore punk, pop punk, and alternative rock.
All of the band members adopted pseudonyms ending with the surname "Ramone", although none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years.[2] In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded. By 2014, all four of the band's original members had died - lead singer Joey Ramone (1951–2001), bass guitarist Dee Dee Ramone (1951–2002), guitarist Johnny Ramone (1948–2004) and drummer Tommy Ramone (1949–2014).


999 are an English punk rock band, formed in London in December, 1976.[5] From the period of 1976 to 1985, the line-up of 999 consisted of Nick Cash (vocals, guitar), Guy Days (lead guitar), Jon Watson (bass guitar) and Pablo LaBrittain (drums). (As a result of injuries sustained in a motor accident, LaBrittain was temporarily replaced by drummer Ed Case aka Paul Edwards in 1980.) Jon Watson left the band in 1985;
being replaced by Danny Palmer, who remained with the band until 1991. Palmer was replaced by Arturo Bassick, who remains the bass guitarist with 999 to this date.
Between 1978 and 2007, 999 released fourteen singles and twelve studio albums. Five of the singles released by 999 between 1978 and 1981 charted within the Top 75 in the UK Singles Chart, with one further single released by 999 in 1978, Homicide, charting within the Top 40. In addition, as a result of extensive touring in the United States in the early 1980s, the band's third and fourth studio albums: The Biggest Prize in Sport and Concrete, each charted on the U.S. Billboard 200.


The Boys came together when singer/guitarist Matt Dangerfield left the punk band London SS in September 1975 to form a new band with ex-Hollywood Brats keyboard player Casino Steel. Dangerfield’s art college friend, guitarist Honest John Plain, was recruited and in June 1976, two of Plain’s co-workers at a T-shirt printing company, bassist Duncan "Kid" Reid and drummer Jack Black, completed the line-up. Steel
(ex-Hollywood Brats) and Dangerfield played in the London SS together. The band's early recordings were made in a home recording studio which Dangerfield had set up in his rented basement apartment in Maida Vale.
The band played their first concert at the Hope and Anchor pub in Islington, London on 15 October 1976. Among the crowd were Mick Jones, Billy Idol, Tony James and Gene October. After a few concerts, The Boys signed to NEMS in January 1977, and at that time the only British punk band to have a record deal - the Sex Pistols having been sacked by EMI on 6 January 1977 and the Damned having initially signed a one single deal with Stiff for New Rose, which had been released in October 1976.


The Banned were an English punk/new wave outfit in the late 1970s.The Banned had a minor UK hit in
1977 with "Little Girl", a cover version of a 1966 U.S. hit song by the Syndicate of Sound.[1] The Banned's original home pressing on Can't Eat Records (Eat Up 1) was taken up by EMI's Harvest label. The Banned originated from Tooting and Camberwell in London.The Banned reformed in 2009 and played at the 12 Bar Club in London, and the Rebellion Festival in Blackpool.


The Radiators from Space, also known as the Radiators (from Space), The Radiators, The Radiators Plan 9, and The Trouble Pilgrims, are an Irish punk rock band. They have been described as Ireland's first punk band.The band formed in 1976 in Dublin, and consisted of Philip Chevron, Pete
Holidai, Steve Rapid (Steve Averill), Jimmy Crashe and Mark Megaray. They were one of the earliest punk rock bands. They signed to Chiswick Records and released the album TV Tube Heart in 1977. Their first single "Television Screen" was the first and only punk record to make the Irish top 20, and featured on the Long Shots, Dead Certs And Odds On Favourites (Chiswick Chartbusters Volume Two) sampler Compilation album (1978: Chiswick). The band toured Ireland and the UK, including stint opening for Thin Lizzy on the UK leg of their 1977 Bad Reputation tour, and a headlining UK tour of their own in 1978. Shortening their name to The Radiators, the band released their second album,Ghostown, in 1979. Produced by Tony Visconti, Ghostown received critical acclaim, but failed to sell well. After a move to London, the band disbanded in 1981.


The Adverts were an English punk band who formed in 1976 and broke up in late 1979. They were one of the first punk bands to enjoy chart success in the UK; their 1977 single "Gary Gilmore's Eyes" reached No. 18 in the UK Singles Chart. The Virgin Encyclopedia of 70s Music described bassist Gaye Advert as the "first female punk star".The band was formed in 1976 by T.V. Smith (Tim Smith) and Gaye Advert (Gaye
Black). Smith and Advert were both from Bideford, a small coastal town in Devon, and were later married. After relocating to London, the two young punks recruited guitarist Howard Pickup (Boak) and drummer Laurie Driver (Muscat), and the Adverts were born.
The Roxy, London's first live punk venue, played a crucial role in the Adverts’ early career. They were one of the pioneering bands who played at the club during its first 100 days. The Adverts played at the club no less than nine times between January and April 1977. In January 1977, after their first gig supporting Generation X, the band impressed Michael Dempsey so much that he became their manager. Their second gig supporting Slaughter & the Dogs was recorded, and their anthem "Bored Teenagers" was included on the 1977 UK Top 30 album The Roxy London WC2. In February, shortly after the band's third gig supporting the Damned, they signed a recording contract with Stiff Records. In March, the band supported the Jam at the Roxy.


The Lurkers are an English punk rock band from Uxbridge, West London. They are notable for being the first group ever on Beggars Banquet Records.The Lurkers formed late in 1976, the original line-up consisting in Pete Stride on Guitar, Pete "Manic Esso" Haynes on drums, Pete "Plug" Edwards on vocals and Nigel
Moore on bass. Edwards was replaced by Howard Wall after a few rehearsals, with him becoming the band's road manager. Stride was the band’s main songwriter. The band played their first gig at Uxbridge Technical College in December supporting Screaming Lord Sutch to an audience of 10. The band were one of the early punk bands that played live in the first few months of the Roxy Club in London. Nigel was swiftly replaced by Arturo Bassick. They supported The Jam in February 1977, Eater in March, and Slaughter & The Dogs in April.


Johnny & the Self Abusers were one of Glasgow, Scotland's few punk bands, albeit a rather bizarrely entertaining one. Hailing from the city's south side, their gigs featured their own light show, replete with DayGlo skulls. They also looked the part, wearing generous amounts of makeup; one of the singers, who
often went by the name Pripton Weird, lacked eyebrows. Signed to the Chiswick label, the group released one single in late 1977, Saints and Sinners. Inner turmoil busted up the band around the time of its release, dividing it into two factions: Alastair Mackenzie, Michael McNeil, Donald and John Milarky formed the Cuban Heels; while Charlie Burchill, Brian McGee, and Weird (better known as Jim Kerr) formed Simple Minds.


The Members were formed by lyricist Nicky Tesco (Nick Lightowlers) in 1976, through an invited audition at a recording studio at Tooley Street, London.[1] The original personnel, with Tesco (vocals), was Gary Baker (guitar), and Steve Morley (bass guitar), initially with Steve Maycock then Clive Parker (drums). Morley and Parker were later replaced by Chris Payne and Adrian Lillywhite.
Official logo of the Members
In 1976, the band performed for its first engagements at The Red Cow (London W6), The Windsor Castle (London W9) and The Nashville Rooms (London W14). In that year composer Jean Marie Carroll (aka JC Carroll) joined the band to complement Tesco's lyrics. The Members had recorded a number of songs, but the first released recording was "Fear on the Streets", produced by Lillywhite's brother Steve Lillywhite. This song was included on the first record released by the Beggars Banquet label, the punk compilation Streets (1977).[2] The song-writing collaboration between Tesco and Carroll moved The Members' sound towards an incorporation of reggae, shown in the first single released for Stiff Records, "Solitary Confinement", produced by Larry Wallis. Following these releases, band personnel became Tesco (vocals), Carroll (vocals and guitar), Nigel Bennett (guitar), Payne (bass) and Lillywhite (drums).


The group was formed by art students in Liverpool in April 1977 out of an earlier band, known variously as 'Albert Dock' or 'Albert and the Cod Warriors', who had supported the Sex Pistols on one of their infamous early gigs the previous year.[3]
The band originally consisted of Bob Bellis (drums, vocals); John (J.J.) Campbell (vocals); Martin Dempsey (bass guitar, vocals) (later replaced by first Ray "Chopper" Cooper, then Mick Shiner and finally Glyn
Havard); Henry Priestman (born Henry Christian Priestman, 21 June 1955, Hull, and brought up in Liverpool) (vocals, keyboards); and Martin Watson (guitar, vocals).
They played their first show (as 'Yachts') at Eric's nightclub in Liverpool, supporting Elvis Costello. This led to a recording contract with Stiff Records, where they released one single, the witty and self-referential "Suffice To Say", written by Priestman and Campbell and produced by Will Birch.[4] They also released a novelty single, "Do The Chud", as the Chuddy Nuddies.
With label mates Costello and Nick Lowe, they then joined the newly formed Radar label. On 9 October 1978, a few weeks after releasing "Look Back in Love (Not Anger)", their first single on Radar, the band recorded the first of two sessions at Maida Vale 4 studio, for John Peel at BBC Radio 1. The track listing was "Hits", "Yachting Type", "Look Back in Love", and "Then And Now".[5] (The band's second session was recorded in June 1979).


Eric Goulden (born 18 May 1954), known as Wreckless Eric, is an English rock/new wave singer-songwriter, best known for his 1977 single "Whole Wide World" on Stiff Records. More than two decades after its release, the song was included in Mojo magazine's list of the best punk rock singles of all time. It was also acclaimed as one of the "top 40 singles of the alternative era 1975–2000".Wreckless Eric was born in
Newhaven, East Sussex. He is a cousin of actress Gemma Arterton through her mother. In 1973 he began attending Art School in Hull, where he joined bands such as Dirty Henry that played local clubs. On a break after his first year at school he saw Kilburn and the High Roads in Oldham. Struck by their honest approach to music, Eric decided to employ the same to his composing and performing. His next band, Addis and the Flip Tops, were the first incarnation of what would later be known as the DIY style. He first became known as one of the original members of the late 1970s Stiff Records artist roster, along with Ian Dury, Elvis Costello and Nick Lowe. Eric's first appearance on record was "Whole Wide World" on the Stiff label sampler A Bunch of Stiff Records in April 1977. The single version of that song was finally released in August. The song was produced by, and featured bass and guitar by Nick Lowe, with Steve Goulding on drums.


Tubeway Army were a London-based new wave and electronic band led by lead singer Gary Numan. They were the first band of the electronic era to have a synthesiser-based number-one hit, with their single "Are
'Friends' Electric?" and its parent album Replicas both topping the UK charts in mid-1979. After its release, Numan opted to drop the Tubeway Army name and release music under his own name as he was the sole songwriter, producer and public face of the band, but he retained the musicians from Tubeway Army as his backing band.

TAKE IT HERE @ 320  SIZE : 168 MB

Sunday, May 27, 2018

Τρω'iκός Πόλεμος Various Artists 1975

Γιάννης Πετρίτσης, Γιάννης Κοζάτσας – Τρωϊκός Πόλεμος - Ροκ Όπερα
Label : Philips – 522 825-2
Format : CD, Album
Country : Greece
Released : 1994
Genre : Rock, Pop
Style : Rock Opera
Year : 1975


A1. Κώστας Τουρνάς : Τρώες, Αργήτες Κι Αχαιοί    
A2. Robert Williams , Ελπίδα, Κώστας Τουρνάς : Η Αρπαγή Της Ελένης    
A3. Γιώργος Πολυχρονιάδης, Ιπποκράτης Εξαρχόπουλος, Κώστας Τουρνάς, Σερεφ. Δαμιανός : Η Συνέλευση Των Αχαιών    
A4. Robert Williams , Γιάννης Πετρίτσης : Η Μονομαχία    
A5. Ιπποκράτης Εξαρχόπουλος : Όλοι Ξεχνούν Την Παροιμία    
A6. Βλάσσης Μπονάτσος, Ιπποκράτης Εξαρχόπουλος : Πάτροκλος    
B1. Ιπποκράτης Εξαρχόπουλος : Ο Θρήνος Του Αχιλλέα    
B2. Δάκης, Μαρίνα : Ο Αποχαιρετισμός Της Ανδρομάχης    
B3. Δάκης, Ιπποκράτης Εξαρχόπουλος : Ο Θάνατος Του Ήρωα    
B4. Γιάννης Πετρίτσης, Γιώργος Πολυχρονιάδης : Πάρτε Την Ελένη    
B5. Robert Williams , Ιπποκράτης Εξαρχόπουλος : Ο Θάνατος Του Αχιλλέα    
B6. Robert Williams , Γιώργος Μούτσιος : Δούρειος Ίππος    
B7. Κώστας Τουρνάς : Να Ειν' Αλήθεια Ή Παραμύθια


Μουσική: Γιάννης Κοζάτσας, Γιάννης Πετρίτσης
Στίχοι: Γιάννης Πετρίτσης
Ενορχήστρωση: Νίκος Ιγνατιάδης

Οδυσσέας : Κώστας Τουρνάς ( POLL )
Πάρις  : Robert Williams (POLL )
Ελένη  : Ελπίδα
Αχιλλέας : Charlie (Ιπποκράτης Εξαρχόπουλος) ( ΝΟΣΤΡΑΔΑΜΟΣ )
Κάλχας : Σερεφ. Δαμιανος
Αγαμέμνων : Γιώργος Πολυχρονιάδης
Αγγελιοφόρος  Γιάννης Πετρίτσης
Πάτροκλος : Βλάσσης Μπονάτσος ( ΠΕΛΟΜΑ ΜΠΟΚΙΟΥ )
Έκτορας : Δάκης
Ανδρομάχη : Μαρίνα
Λαοκόων :  Γιώργος Μούτσιος

Σόλο κιθάρα: Κωνσταντίνος Ντουρουντζής

Παραγωγή: Κων. Φασόλας
Studio: Polysound
Ηχολήπτης: Γιάννης Σμυρναίος
Εφφέ / Μοντάζ: Γιάννης Συγλέτος
Transfer: Γιάννης Σκιαδάς
Μακέτες Εξωφύλλου: Walter Mayers
Επιμέλεια Γραφικής Ύλης: Κλέα Κουλαδη, Ann Coxall
Φωτογραφίες: Τάκης Ζερδεβάς

Music: Yiannis Kozatsas, Yiannis Petritsis
Lyrics: Yiannis Petritsis
Orchestration: Nicos Ignatiadis

Ulysses: Kostas Tournas
Paris: Robert Williams
Helen: Elpida
Achilles: Charlie (Hippocrates Exarhopoulos)
Calchas: Seref. Damianos
Agamemnon: Giorgos Polychroniadis
Messenger: Yiannis Petritsis
Patroclus: Vlassis Bonatsos
Hector: Dakis
Andromache: Marina
Laokoon: Giorgos Moutsios

Solo guitar: Konstantinos Ntourountzis

Production: Kon. Fasolas
Studio: Polysound
Sound Engineer: Yiannis Smyrnaios
Effects / Editing: Yiannis Sygletos
Transfer: Yiannis Skiadas
Cover: Walter Mayers
Edited: Clea Kouladi, Ann Coxall
Photos: Takis Zerdevas

Take it Here on Flac  : Size : 243 MB 

Monday, May 21, 2018

Tangerine Dream : Ricoscet 1975

Ricochet is the first live album and seventh album overall by German electronic music group Tangerine Dream, released in 1975. It consists of two side-long compositions mixed from recordings of the UK and France portions of their August–October 1975 European Tour.

The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works.
Ricochet uses more percussion and electronic guitar than its predecessors Phaedra and Rubycon, and borders on electronic rock.

The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music.

Electronic trio Tangerine Dream embrace their equipment and take their audience on an actual journey through this especially good, two-part showcase recorded live in France and Britain.

Featuring the early and memorable lineup of Chris Franke, Edgar Froese, and Peter Baumann, Ricochet continuously evolves to the next plateau of pulsing experimentation without getting lost or over-indulgent like other bands of the genre.

This album finds the three at a time when they knew exactly what they were doing; rocking without the drums, and looking over their shoulder to make sure the audience was still enjoying themselves.


    Edgar Froese – keyboards, guitar
    Peter Baumann – keyboards
    Christopher Franke – keyboards, drums


1. Ricoscet Part 1
2. Ricoscet Part 2

FLAC  Size : 200 MB

Wednesday, May 16, 2018

Billy Cobham : Spectrum 1973

William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra.

According to AllMusic's reviewer, Cobham is "generally acclaimed as fusion's greatest drummer". He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.Cobham started the jazz rock group Dreams with Michael Brecker, Randy Brecker, and John Abercrombie.

Cobham's debut album, Spectrum (1973), surprised him and his record company when it reached No. 1 on the Billboard magazine Jazz Albums chart and No. 26 on the Top 200 Albums chart.

Drummer Billy Cobham was fresh from his success with the Mahavishnu Orchestra when he recorded his

debut album, which is still his best. Most of the selections showcase Cobham in a quartet with keyboardist Jan Hammer, guitarist Tommy Bolin, and electric bassist Lee Sklar.

Two other numbers include Joe Farrell on flute and soprano and trumpeter Jimmy Owens with guitarist John Tropea, Hammer, bassist Ron Carter, and Ray Barretto on congas. The generally high-quality compositions (which include "Red Baron") make this fusion set a standout, a strong mixture of rock-ish rhythms and jazz improvising.

Cobham is one of the first drummers to play open-handed lead a drummer who plays on a right-handed set but leads with his left hand on the hi-hat instead of crossing over with his right (and also has his ride cymbal on the left side, instead of the traditional right). He typically plays with multiple toms and double bass drums and was well known in the 1970s for his large drum kits.

He moved further into jazz fusion when he toured with Miles Davis and recorded Davis's albums Bitches Brew and A Tribute to Jack Johnson. In 1971, he and guitarist John McLaughlin left Davis to start the Mahavishnu Orchestra, another group that fused rock, funk, and jazz.

Cobham moved to Switzerland in 1985 and he lives in a village just outside Bern.


01. Quadrant 4     4:20
02. Searching For The Right Door     1:24
03. Spectrum (Acoustic Bass – Ron Carter Congas – Ray Barretto Flugelhorn – Jimmy Owens Flute, Soprano Saxophone – Joe Farrell) 5:09
04. Anxiety     1:41
05. Taurian Matador     3:03
06. Stratus     9:50
07. To The Women In My Life     0:51
08. Le Lis (Acoustic Bass – Ron Carter Congas – Ray Barretto Flugelhorn, Trumpet – Jimmy OwensFlute, Alto Saxophone – Joe Farrell Guitar – John Tropea) 3:20
09. Snoopy's Search     1:02
10. Red Baron     6:37

Bonus Track

11. All 4 One (Out-Take) (Acoustic Bass – Ron Carter Alto Saxophone – Joe Farrell Congas – Ray Barretto Flugelhorn, Trumpet – Jimmy OwensGuitar – John Tropea)

Track 11 is a bonus track, not on the original LP.
Label : Atlantic – 8122731742, Warner Jazz – 8122731742
Series : Atlantic Masters –
Format : CD, Album, Reissue, Remastered, Digipak


    Billy Cobham - drums, percussion, production
    Jan Hammer - electric and acoustic pianos, Moog synthesizer
    Ken Scott - recording and re-mix engineering

Additional personnel on "Quadrant 4", "Taurian Matador", "Stratus", and "Red Baron"

    Tommy Bolin - guitar
    Lee Sklar - electric bass

Additional personnel on "Spectrum" and "Le Lis"

    Joe Farrell - soprano and alto saxes, flute
    Jimmy Owens - flugelhorn, trumpet
    John Tropea - guitar on "Le Lis"
    Ron Carter - acoustic bass
    Ray Barretto - congas

MP3 Size : 97.7 MB
FLAC Size : 258 MB