ua

ua

Wednesday, November 06, 2024

The Lemon Pipers: Green Tambourine 1968 + Jungle Marmalade 1968

 

The Lemon Pipers were a short-lived 1960s American rock band from Oxford, Ohio, United States,


known chiefly for their song "Green Tambourine", which reached No. 1 in the United States in 1968. The song has been credited as being the first bubblegum pop chart-topper. The Lemon Pipers comprised drummer William (Bill) E. Albaugh (1946–1999), guitarist Bill Bartlett (born 1946), vocalist Dale "Ivan" Browne (born 1947), keyboardist Robert G. Nave (1944–2020), and bassist Steve Walmsley (born 1948), who replaced the original bass guitarist Bob "Dude" Dudek.
                

The band played a mixture of blues, hard rock and folk rock, with a few covers from The Byrds and

The Who. They gigged regularly in an Oxford bar called The Boar's Head, and Cincinnati underground rock venues, The Mug Club and later The Ludlow Garage,[6] before releasing a single on the Carol Records label, "Quiet Please". The original band existed as a quartet, and then gained notoriety by reaching the finals in the Ohio Battle of the Bands at the Cleveland Public Auditorium in 1967, losing out to the James Gang.
                     

The band then recruited Miami University student Browne as frontman, and also engaged Ohio music industry impresario Mark Barger, who steered the Lemon Pipers to Buddah Records, then run by Neil

Bogart. The group began playing larger auditorium and concert hall venues around the US, including an appearance at Bill Graham's Fillmore West in San Francisco on the same bill with Traffic, Moby Grape and Spirit on March 21, 1968. They wrote "Green Tambourine" and the band reluctantly recorded it. The song entered the Billboard Hot 100 at the end of 1967 and reached No. 1 in February 1968 on the Billboard and Cashbox charts.
                   

The success of "Green Tambourine" caused the label to put pressure on the group to stay in the same

genre, and in March 1968 the band released another Leka/Pinz song, "Rice Is Nice", which peaked at No. 46 on the US Billboard charts, No.42 on the US Cashbox charts and No. 41 in the UK in May. The band had little enthusiasm for either song, however, dubbing them "funny-money music" and recording them only because they knew they would be dropped by Buddah if they refused.
                        

The band left the Buddah label in 1969 and later dissolved. Bartlett, Walmsley and Nave formed

Starstruck, whose recording of a Lead Belly song, "Black Betty", was reworked by Super K Productions producers Jerry Kasenetz and Jeffry Katz, and released in 1977 under the name of Ram Jam, featuring Bartlett. Browne moved to California to continue playing music, Walmsley played bass around Oxford.
                     

Bartlett became despondent and reclusive following the death of his wife Dee Dee. Nave became a jazz disc jockey on WVXU in Cincinnati and played organ occasionally with The Blues Merchants in

southwestern Ohio venues. The Lemon Pipers actually wanted to play more psychedelic music; they only recorded "Green Tambourine" because their label would have dropped them had they refused. They eventually got the artistic control they wanted and ended up dropping off the charts for good with their first self-produced album. They broke up in 1969, with Bartlett joining Ram Jam.  
                         

THE LEMON PIPERS - GREEN TAMBOURINE (FEBRUARY 1968)

                                         


Unlike the majority of bubblegum bands, the Lemon Pipers' albums are actually quite good, not least

because they were one of the few bubblegum bands who were a proper band with their own songwriters (although outside writer/producers did provide the two hits). Distancing themselves from the bubblegum with which they're most associated, on their second and final album - originally issued in the summer of 1968 - this chart-topping Ohio quintet incorporated elements of psychedelia, garage rock, and sunshine pop to create a rich, satisfying brew.

                               


The Lemon Pipers – Green Tambourine
Label: Buddah Records – 75517-49514-2, RCA – 75517-49514-2, BMG Direct
Format: CD, Album, Reissue   1996
Country: US
Released: 1968
Genre: Rock
Style: Psychedelic Rock

TRACKS

                           


01. Rice Is Nice    2:16
02. Shoeshine Boy    3:19
03. Turn Around Take A Look    2:42
04. Rainbow Tree    2:16
05. Ask Me If I Care    3:03
06. Stragglin' Behind    2:32
07. Green Tambourine    2:22
08. Blueberry Blue    2:19
09. The Shoemaker Of Leatherwear Square    2:00
10. Fifty Year Void    5:41
11. Through With You    8:31
12. You Don't Need No Help From Me (Bonus Track)    2:26

LINE - UP


Ivan Browne – lead vocals, rhythm guitar
Bill Bartlett – lead guitar
R. G. Nave – organ, tambourine, fog horn, toys
Steve Walmsley – bass
Bill Albaugh – drums


Flac Size: 271 MB

THE LEMON PIPERS - JUNGLE MARMALADE 1968

                


They really should've dropped their label and punched the producer, who practically forced them to record this bubblegum bilge. The band was cannibalized by the Buddah record label, previous external

songwriters were flushed out and members were forced to write a "true" bubblegum record: the result was 1969's Jungle Marmalade, which features less creative arrangements and more sticky melodies, yet still features a final Krautrock/Motorik Rock suite that may interest the curious ("Dead End Street/Half Light"). The band then left the label and disbanded: two of its members died in 1999 and 2020 so far.
                   

The Lemon Pipers – Jungle Marmalade
Label: Aurora – AUCD5056
Format: CD, Album 2015
Released: 1968    
Genre: Rock
Style: Psychedelic Rock

TRACKS

            


01. Jelly Jungle   2:23
02. Wasn't Born To Follow   2:31
03. Everything Is You   2:43
04. Catch Me Falling   5:16
05. Hard Core   2:54
06. Love Beads & Meditation   2:48
07. I Need Someone (The Painter)   2:40
08. Lonely Atmosphere   2:52
09. Wine & Violet   3:06
10. Dead End Street / Half Light   11:42

Flac Size: 275 MB

Monday, November 04, 2024

East Of Eden: Mercator Projected 1969 + Snafu 1970

                      


 East of Eden were a British progressive rock band, who had a Top 10 hit in the UK with the single


"Jig-a-Jig" in 1970. The track was stylistically unlike any of their other work. A critically acclaimed jazz-fusion band with a strong Eastern music influence, they were a natural for stardom during the late '60s; indeed, they might've taken the wind out of the sails of the Mahavishnu Orchestra very fast, but they never became more than a cult act in England, with a strong local following in London, especially on the underground scene, even as they attracted serious audiences in continental Europe.
                         

Their professional career began back in 1967 when they were formed in Bristol as Pictures of Dorian Gray, by Dave Arbus (b. David Arbus, 8 October 1941, Leicester – violin, flute, saxophone, trumpet), Ron Caines (b. Ronald Arthur Caines, 13 December 1939, Bristol – alto saxophone), Geoff Nicholson (b. Geoffrey Nicholson, 27 June 1948, near Bristol – guitar, vocals), Mike Price (bass), and Stuart

Rossiter (drums). Price left in spring 1968 and was replaced by Terry Brace (born Terrence Brace, 28 September 1943, Bristol). Vocalist and guitarist Al Read (b. Alan G Read, 26 March 1942, Chelsea, London) joined at the same time. Arbus had been trained in the violin, but it wasn't until he saw Jean-Luc Ponty playing on-stage in Paris that he realized the possibilities that the amplified instrument offered. He added the electric violin to his repertoire, greatly broadening the band's range and sound, and the following year, they moved to London.
         

With this line-up the band released the now very-rare single, "King Of Siam", on 25 July 1968. They appeared in the film Laughter in the Dark. The group was signed to Decca's progressive rock imprint

Deram label in 1968, and cut two LPs, Mercator Projected and Snafu, of which the latter made it into the British Top 30, while a single, "Ramadhan," got to number two in France. In the Mercator Projected album, featuring the line-up of Dave Arbus, Ron Caines, Geoff Nicholson, Steve York and Dave Dufort (Dufort's surname was misspelled "Dufont" on the cover of the original LP release, and also on the CD re-release in 2008.
              

This album was followed by Snafu (1970) featuring Nicholson, Britton, Arbus, Caines and Sneddon;

and later by Jig-a-Jig, a European-only compilation, released in 1971. After the band had left Deram, the company released Jig-A-Jig as a single and it was a surprise Top-10 hit. Caines and Nicholson had left the band in 1970, and the band (now effectively a quartet of Arbus.
              

Caines and Nicholson left the band as the '70s began, and Arbus kept it together. They jumped to the Harvest label, but their work there never caught on, coinciding as it did with a change in style and a

veering away from Eastern music to a country-ish sound. Arbus left in the early '70s and was replaced by future Rory Gallagher collaborator Joe O'Donnell. The band carried on through the mid-'70s as almost exclusively a European act, recording and releasing albums in Europe only. The three original core members reunited in 1999 for the recording and release of the album Kalipse, which was followed by two additional albums after the turn of the century, Armadillo (2001) and Graffito (2004).
                                 

EAST OF EDEN - MERCATOR PROJECTED (APRIL 1969)

                


East of Eden's debut LP is one of the hardest-rocking albums to come out of the progressive rock movement, and maybe the best non-Rolling Stones albums issued by English Decca label during the late 1960s. It's also one of the most daring debut albums of its period, less tightly focused than, say, King Crimson's Court of the Crimson King, but otherwise equally bold and maybe more challenging.

The whole record is eerie -- coming from a pop culture where most psychedelic rock tended toward the light and airy -- East of Eden use high-impact bass, drum, and guitar parts mixed with the distinctly Oriental and Central/Eastern European classical influences. The first track is a surprise coming from any British psychedelic band of the period, opening with a pounding heavy metal beat pumped out on Steve York's bass and Dave Dufort's drums, while Dave Arbus' electric violin subs for what would normally be the rhythm guitar part, and Geoff Nicholson's guitar twists a blues riff around before setting a Jimi Hendrix-like wave of tonal pyrotechnics ablaze for the finale.
                    

East Of Eden – Mercator Projected
Label: Esoteric Recordings – ECLEC 2033
Format: CD, Album, Reissue, Remastered 2008
Country: UK
Released: 1969    
Genre: Jazz, Rock
Style: Jazz-Rock, Psychedelic Rock, Prog Rock

TRACKS

                     
                  


01. Northern Hemisphere    5:02
02. Isadora    4:32
03. Waterways    6:49
04. Centaur Woman (Vocals – Ron Caines)   7:09
05. Bathers    4:57
06. Communion    4:03
07. Moth    3:54
08. In The Stable Of The Sphinx    8:30

BONUS TRACKS        

09. Waterways (Demo)    6:40
10. In The Stable Of The Sphinx (Demo)    11:10
11. Eight Miles High   6:51
Remix – Mark Powell, Paschal Byrne
Written-By – David Crosby, Gene Clark, Roger McGuinn

LINE - UP


Dave Arbus - Electric Violin, Flute, Bagpipes [Bagpipe], Recorder [Recorders], Saxophone [Two Saxophones At Once], Performer [Lavatory]
Ron Caines - Soprano Saxophone [Acoustic And Amplified], Alto Saxophone [Acoustic And Amplified], Organ
Steve York - Bass Guitar, Harmonica, Thumb Piano [Indian Thumb Piano]
Geoff Nicholson - Guitar, Vocals  
Dave Dufont - Percussion

NOTES


Originally released in March 1969 as Deram SML 1038.
Bonus tracks are previously unreleased.
Tracks 9-10 recorded in July 1968.
Tracks 11 recorded Tangerine Studios London 3rd September 1969.

Flac Size: 371 MB

EAST OF EDEN - SNAFU 1970

                      


East of Eden's second album had to be one of the least commercial albums ever to enter the British Top

30, as well as one of the most stylistically diverse (or inconsistent, depending upon your mindset). The term "progressive rock" fit as well as any, yet much of it was rather along the lines of early jazz-rock fusion, with lengthy hard-to-hum instrumental passages. But there was a lot of Eastern influence as well, especially on those pieces that highlighted Dave Arbus' violin and flute.
                  

East Of Eden – Snafu
Label: Eclectic Discs – ECLCD 1013
Format: CD, Album, Reissue, Remastered 2004
Country: UK
Released: 1970    
Genre: Rock
Style: Prog Rock

TRACKS

                    


01. Have To Whack It Up   2:20
Alto Saxophone [Electric], Vocals – Ron Caines
Violin – Dave Arbus
02a. Leaping Beauties For Rudy   7:02
Alto Saxophone – Ron
Tenor Saxophone – Dave
02b. Marcus Junior
Soprano Saxophone – Ron
Tenor Saxophone, Electric Violin – Dave
03a. Xhorkom   8:07
Harmonica [Harp] – Geoff Nicholson
Piano, Vocals – Ron
03b. Ramadhan
Claves, Drum [African Hand Drum] – Geoff Britton
Flute – Dave
Soprano Saxophone, Vocals – Ron
03c. In The Snow For A Blow
Alto Saxophone [Electric And Acoustic] – Ron
Trumpet, Tenor Saxophone – Dave
Vocals [Everyone] – East Of Eden
04. Uno Transito Clapori   2:53
Tape – Peter, Robin
05a. Gum Arabic   8:18
Flute, Bells [Indian], Bagpipes [Bagpipe Chanter] – Dave
Synthesizer [Stylophone] – Ron
05b. Confucius   
Flute, Electric Violin – Dave
Tenor Saxophone, Soprano Saxophone – Ron
06. Nymphenburger   5:46
Alto Saxophone [Electric] – Ron
Guitar [Both], Vocals – Geoff Nicholson
Violin [Six Violins] – Dave
07a. Habibi Baby   6:22
Flute – Dave
Soprano Saxophone – Ron
Vocals – Geoff Nicholson
07b. Beast Of Sweden
Electric Violin – Dave
07c. Boehm Constrictor
Flute, Violin – Dave
Percussion – Geoff Britton
Strings – Andy, Geoff Nicholson
08. Traditional: Arranged By East Of Eden   1:33
Piano, Strings – Geoff Nicholson
Piano, Vocals – Ron

BONUS TRACKS        

    
09. Jig-A-Jig    3:43
10. Petite Fille (Previously Unreleased)    3:52
11. Biffin Bridge (Previously Unreleased)    5:50
12. Blue Boar Blues (Previously Unreleased)    7:06
13. Nymphenburger (First Take)    5:10
14. Marcus Junior (Single Edit)    3:56
15. Jig-A-Jig (Take Nine)    4:10

LINE - UP

                  


Ron Caines - Soprano Saxophone, Alto Saxophone [Electric], Piano, Vocals, Synthesizer [Stylophone]
Dave Arbus - Violin [Six Violins],  Electric Violin, Tenor Saxophone, Flute, Trumpet, Bells [Indian], Bagpipes [Bagpipe Chanter]  
Geoff Britton - Claves, Drums, Percussion, Drum [African Hand Drum]  
Geoff Nicholson - Guitar [Both], Strings, Piano, Harmonica [Harp], Vocals    
Andy Sneddon - Bass Guitar

NOTES


Originally released in February 1970 as Deram SML 1050
All tracks remastered from the original tapes at the Audio Archiving Company, London.

Flac Size: 465 MB

Saturday, November 02, 2024

Phil Lesh (March 15, 1940 – October 25, 2024) Grateful Dead (7 Albums)

              


PHIL LESH  

                               


Philip Chapman Lesh (March 15, 1940 – October 25, 2024) was an American musician and a


founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career.
                         

After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with

side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their repertoire, as well as songs of the members of his own group.
                                  

Lesh operated a music venue called Terrapin Crossroads. From 2009 to 2014, he performed in Furthur

alongside former Grateful Dead bandmate Bob Weir. He scaled back touring in 2014 but continued to perform concerts.
                      
 

GRATEFUL DEAD

                        


So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a

psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like.
                 

Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era. The Grateful Dead effectively ended with bandleader Jerry Garcia's death in

1995, but their presence never faded. The Grateful Dead was founded in the San Francisco Bay Area during the rise of the counterculture of the 1960s. The band's founding members were Jerry Garcia (lead guitar and vocals), Bob Weir (rhythm guitar and vocals), Ron "Pigpen" McKernan (keyboards, harmonica, and vocals), Phil Lesh (bass guitar and vocals), and Bill Kreutzmann (drums). Members of the Grateful Dead, originally known as the Warlocks, had played together in various Bay Area ensembles, including the traditional jug band Mother McCree's Uptown Jug Champions.
                    

Lesh was the last member to join the Warlocks before they changed their name to Grateful Dead, replacing Dana Morgan Jr., who had played bass for a few gigs. Drummer Mickey Hart and non-performing lyricist Robert Hunter joined in 1967. With the exception of McKernan, who died in 1973,

and Hart, who left the band from 1971 to 1974, the core of the band stayed together for its entire 30-year history. Other official members of the band included Tom Constanten (keyboards from 1968 to 1970), John Perry Barlow (non-performing lyricist from 1971 to 1995), Keith Godchaux (keyboards and occasional vocals from 1971 to 1979), Donna Godchaux (vocals from 1972 to 1979), Brent Mydland (keyboards and vocals from 1979 to 1990), and Vince Welnick (keyboards and vocals from 1990 to 1995). Bruce Hornsby (accordion, piano, vocals) was a touring member from 1990 to 1992, as well as a guest with the band on occasion before and after the tours.
                  

The roots of the Grateful Dead lie with singer/songwriter Jerry Garcia, a longtime bluegrass enthusiast who began playing the guitar at age 15. Upon relocating to Palo Alto, California, in 1960, he befriended


Robert Hunter, whose lyrics later graced many of Garcia's most famous melodies; in time, he also came into contact with aspiring electronic music composer Phil Lesh. The Warlocks made their electric debut that July; Ken Kesey soon tapped them to become the house band at his notorious Acid Tests, a series of now-legendary public LSD parties and multimedia "happenings" mounted prior to the drug's criminalization.
                 

As 1965 drew to its close, the Warlocks rechristened themselves the Grateful Dead, the name

taken from a folk tale discovered in a dictionary by Garcia; bankrolled by chemist/LSD manufacturer Owsley Stanley, the bandmembers soon moved into a communal house situated at 710 Ashbury Street in San Francisco, becoming a fixture on the local music scene
and building a large fan base on the strength of their many free concerts. Signing to MGM, in 1966 the Dead also recorded their first demos; the sessions proved disastrous, and the label dropped the group a short time later.
              

In San Francisco on January 8, 1966 the Grateful Dead played at the Trips Festival, a three-day psychedelic rock weekend party and event produced by Ken Kesey, Stewart Brand, and Ramon Sender, that, in conjunction with the Merry Pranksters, brought the nascent hippie movement together for the

first time. As 1967 mutated into the Summer of Love, the Dead emerged as one of the top draws on the Bay Area music scene, honing an eclectic repertoire influenced by folk, country, and the blues while regularly appearing at top local venues including the Fillmore Auditorium, the Avalon Ballroom, and the Carousel. In March of 1967 the Dead issued their self-titled Warner Bros. debut LP, a disappointing effort which failed to recapture the cosmic sprawl of their live appearances; after performing at the Monterey Pop Festival, the group expanded to a six-piece with the addition of second drummer Mickey Hart.
                  

The Dead's response to the situation was to bow to the demands of fans and record their first live album, 1969's Live/Dead; highlighted by a rendition of Garcia's "Dark Star" clocking in at over 23

minutes, the LP succeeded where its studio predecessors failed in capturing the true essence of the group in all of their improvisational, psychedelicized glory. It was followed by a pair of classic 1970 studio efforts, Workingman's Dead and American Beauty; recorded in homage to the group's country and folk roots, the two albums remained the cornerstone of the Dead's live repertoire for years to follow, with its most popular songs -- "Uncle John's Band," "Casey Jones," "Sugar Magnolia," and "Truckin'" among them -- becoming major favorites on FM radio.
                 

Hart took time off from the band in February 1971, after his father, an accountant, absconded with much of the band's money;[48] Kreutzmann was once again as the sole percussionist. Hart rejoined the Grateful Dead for good in October 1974. Tom "TC" Constanten was added as a second keyboardist

from 1968 to 1970, to help Pigpen keep up with an increasingly psychedelic sound, while Pigpen transitioned into playing various percussion instruments and vocals. After Constanten's departure, Pigpen reclaimed his position as sole keyboardist. Less than two years later, in late 1971, Pigpen was joined by another keyboardist, Keith Godchaux, who played grand piano alongside Pigpen's Hammond B-3 organ. In early 1972, Keith's wife, Donna Jean Godchaux, joined the Grateful Dead as a backing vocalist.
                       

Following the Grateful Dead's "Europe '72" tour, Pigpen's health had deteriorated to the point that he could no longer tour with the band. His final concert appearance was June 17, 1972, at the Hollywood

Bowl, in Los Angeles; he died on March 8, 1973, of complications from liver damage. Despite increasing radio airplay and respectable album sales, the Dead remained first and foremost a live act, and as their popularity grew across the world they expanded their touring schedule, taking to the road for much of each year. As more and more of their psychedelic-era contemporaries ceased to exist, the group continued attracting greater numbers of fans to their shows, many of them following the Dead across the country.
                    

Keith and Donna Jean Godchaux left the band in February 1979, citing artistic differences. The early '80s were a time of considerable upheaval for the Dead -- the Godchauxs had been dismissed from the lineup in 1979, with Keith dying in a car crash on July 23, 1980. Still, the Dead were widely regarded

as little more than an enduring cult phenomenon prior to the release of 1987's In the Dark; their first studio LP since Go to Heaven, it became the year's most unlikely hit when the single "Touch of Grey" became the first-ever Dead track to reach the Top Ten on the pop charts.  Not only did concert tickets become increasingly tough to come by for longtime followers, but there were also more serious repercussions -- the influx of new fans shifted the crowd dynamic considerably, and once-mellow audiences became infamous not only for their excessive drug habits but also for their violent encounters with police.  
                  

Shortly after Mydland found his place in the early 1980s, Garcia's health began to decline. He became a frequent smoker of "Persian," a type of heroin, and he gained weight at a rapid pace.

He lost his liveliness on stage, his voice was strained, and Deadheads worried for his health.
After he began to curtail his opiate usage gradually in 1985, Garcia slipped into a diabetic coma for several days in July 1986, leading to the cancelation of all concerts in the fall of that year. Garcia recovered, the band released In the Dark in July 1987, which became its best-selling studio album and produced its only top-40 single, "Touch of Grey," Also, that year, the group toured with Bob Dylan, as heard on the album Dylan & the Dead.
    

Jerry Garcia died on August 9, 1995. A few months after Garcia's death, the remaining members of the Grateful Dead decided to disband. Since that time, there have been a number of reunions by

the surviving members involving various combinations of musicians. Additionally, the former members have also begun or continued individual projects.  In 2012, Phil Lesh opened a venue in San Raphael, California, called Terrapin Crossroads, where his band Phil Lesh & Friends often played, as well as a variety of Dead-related acts. It would be the hub of his creative activities until it closed in 2021, though Lesh continued to book concerts periodically. Phil Lesh died on October 25, 2024, at the age of 84.
               

1. GRATEFUL DEAD - GRATEFUL DEAD 1967 (50th ANNIVERSARY 2CD DELUXE EDITION 2017)

                   


The Grateful Dead is the debut studio album by the American rock band the Grateful Dead, released by Warner Bros. Records on March 17, 1967. According to the biographies of both bassist Phil Lesh and

drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead. Though the album was considered "a big deal in San Francisco", it did not see much airplay on AM radio stations outside of the Bay Area. The freeform FM radio format that favored bands like the Dead was still developing.Warner Bros. held an album release party on March 20, 1967 at the Fugazi Hall in North Beach.
         

Grateful Dead – The Grateful Dead
Label: Rhino Records – R5 557478
Format: 2 x CD, Remastered, 50th Anniversary Deluxe Edition Jan 20, 2017
Country:US
Released: 1967
Genre: Rock
Style: Psychedelic Rock, Blues Rock

CD1.

                     

              
01. The Golden Road (To Unlimited Devotion)   2:12
Written-By – Kreutzmann, Weir, Garcia, McKernan
02. Beat It On Down The Line   2:33
Written-By – Fuller
03.Good Mornin' Little School Girl   5:50
Written-By – Williamson
04. Cold Rain And Snow   2:31
Arranged By – Weir, Garcia, Lesh, McKernan
Written-By – Trad.
05. Sittin' On Top Of The World   2:08
Written-By – Carter, Jacobs
06. Cream Puff War   2:31
Written-By – Garcia
07. Morning Dew   5:09
Written-By – Dobson, Rose
08. New, New Minglewood Blues   2:37
Written-By – Kreutzmann, Weir, Garcia, Lesh, McKernan
09. Viola Lee Blues   10:16
Written-By – Lewis

Flac Size: 219 MB

CD2.  P.N.E. GARDEN AUDITORIUM, VANCOUVER, BRITISH COLUMBIA, CANADA   7/29/1966

                    

 

  
01. Standing On The Corner   3:23
Written-By – Kreutzmann, Weir, Garcia, Lesh, McKernan
02. I Know You Rider   3:14
Arranged By – Weir, Garcia, McKernan
Written-By – Kreutzmann, Lesh, Trad.
03. Next Time You See Me   3:37
Written-By – Harvey, Forest
04. Sittin' On Top Of The World   3:47
Written-By – Carter, Jacobs
05. You Don't Have To Ask   5:14
Written-By – Kreutzmann, Weir, Garcia, Lesh, McKernan
06. Big Boss Man   4:16
Written-By – Smith, Dixon
07. Stealin'   3:37
Arranged By – Grateful Dead
Written-By – Cannon
08. Cardboard Cowboy   2:56
Written-By – Lesh
09. It's All Over Now, Baby Blue   5:23
Written-By – Dylan
10. Cream Puff War   7:52
Written-By – Garcia
11. Viola Lee Blues   10:03
Written-By – Lewis
12. Beat It On Down The Line   2:47
Written-By – Fuller
13. Good Mornin' Little Schoolgirl   5:47
Written-By – Williamson

P.N.E. GARDEN AUDITORIUM, VANCOUVER, BRITISH COLUMBIA, CANADA   7/30/1966    

      
14. Cold Rain And Snow   3:14
Arranged By – Weir, Garcia, Lesh, McKernan
Written-By – Trad.
15. One Kind Favor   4:23
Written-By – Bihari, Hopkins
16. Hey Little One   5:39
Written-By – Vorzon, Burnette
17. New, New Minglewood Blues   3:23
Written-By – Kreutzmann, Weir, Garcia, Lesh, McKernan

Flac Size: 491 MB


LINE - UP

                


Bass Guitar, Vocals – Phil Lesh
Drums – Bill Kreutzmann
Lead Guitar, Vocals – Jerry Garcia
Organ, Harmonica, Vocals – Ron "Pigpen" McKernan
Rhythm Guitar, Vocals – Bob Weir

2. GRATEFUL DEAD - ANTHEM OF THE SUN 1968

                     


Anthem of the Sun is the second studio album by American rock band the Grateful Dead, released on July 16, 1968, by Warner Bros-Seven Arts. It is the first album to feature second drummer Mickey Hart. The band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio

techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were blended together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental studio amalgam that is neither a pure studio album nor a live album.
         

Grateful Dead – Anthem Of The Sun
Label: Rhino Records (2) – R2 74393, Warner Bros. Records – R2 74393
Format: CD, HDCD, Album, Reissue, Remastered, Digipak
Country: US
Released: 1968    
Genre: Rock
Style: Folk Rock, Psychedelic Rock

                      TRACKS


01.That's It For The Other One    (7:40)

01.I. Cryptical Envelopment
Written-By – Jerry Garcia
01.II. Quadlibet For Tender Feet
Written-By – Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron McKernan, Bob Weir
01.III. The Faster We Go, The Rounder We Get
Written-By – Bill Kreutzmann, Bob Weir
01.IV. We Leave The Castle
Written-By – Tom Constanten
02New Potato Caboose   8:25
Written-By – Phil Lesh, Robert Petersen
03.Born Cross-Eyed   2:07
Written-By – Bob Weir
04.Alligator   11:20
Written-By – Phil Lesh, Robert Hunter, Ron McKernan
05.Caution (Do Not Stop On Tracks)   9:50
Written-By – Bill Kreutzmann, Bob Weir, Jerry Garcia, Phil Lesh, Ron McKernan

BONUS TRACKS        

    
06.Alligator (Live)   18:43
Written-By – Phil Lesh, Robert Hunter, Ron McKernan
07.Caution (Do Not Stop On Tracks) (Live)   11:38
Written-By – Bill Kreutzmann, Bob Weir, Jerry Garcia, Phil Lesh, Ron McKernan
08.1.Feedback (Live)   4:01
Written-By – Bill Kreutzmann, Bob Weir, Jerry Garcia, Mickey Hart, Phil Lesh, Ron McKernan, Tom Constanten
08.2.(no audio)    2:57
09.Born Cross-Eyed (Single Version) [Hidden Track]   2:55
Written-By – Bob Weir

LINE - UP

              



Bass, Trumpet, Harpsichord, Guiro, Kazoo, Piano, Timpani – Phil Lesh
Drums, Bells [Orchestra], Gong, Chimes, Crotales, Piano [Prepared], Finger Cymbals – Bill Kreutzmann, Mickey Hart
Lead Guitar, Acoustic Guitar, Kazoo, Vibraslap – Jerry Garcia
Organ, Claves [Celesta] – Ron McKernan
Piano, Piano [Prepared], Tape [Electronic] – Tom Constaten
Rhythm Guitar, Twelve-String Guitar, Acoustic Guitar, Kazoo – Bob Weir

Flac Size: 486 MB

3. GRATEFUL DAED - AOXOMOXOA 1969 (50th ANNIVERSARY 2 CD DELUXE EDITION) 2019

                 


Aoxomoxoa is the third studio album by American rock band the Grateful Dead, released on June 20, 1969, by Warner Bros.-Seven Arts. It was one of the first rock albums to be recorded using 16-track


technology. The title is a meaningless palindrome, usually pronounced /ɒksə.məksˈoʊə/.
Rolling Stone, upon reviewing the album, mentioned that "no other music sustains a lifestyle so delicate and loving and lifelike". The album was certified gold by the RIAA on May 13, 1997.[3] In 1991 Rolling Stone selected Aoxomoxoa as having the eighth best album cover of all time. It was voted number 674 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).
              

Grateful Dead – Aoxomoxoa
Label: Rhino Records – 603497856121, Rhino Records – R2 573668
Format: CD, Album, Reissue, Remastered, (50th Anniversary Deluxe Edition)
Country: US
Released: Jun 7, 2019
Genre: Rock
Style: Blues Rock, Country Rock, Psychedelic Rock, Experimental
                       


CD1. ORIGINAL 1969 MIX        

                

  
01. St. Stephen   4:26
Written-By – Jerry Garcia, Phil Lesh, Robert Hunter
02. Dupree's Diamond Blues   3:39
Written-By – Jerry Garcia, Robert Hunter
03. Rosemary    2:04
Written-By – Jerry Garcia, Robert Hunter
04. Doin' That Rag   5:14
Written-By – Jerry Garcia, Robert Hunter
05. Mountains Of The Moon   4:10
Written-By – Jerry Garcia, Robert Hunter
06. China Cat Sunflower   4:15
Written-By – Jerry Garcia, Robert Hunter
07. What's Become Of The Baby   8:25
Written-By – Jerry Garcia, Robert Hunter
08. Cosmic Charlie   5:24
Written-By – Jerry Garcia, Robert Hunter

1971 REMIX            


09. St. Stephen   4:25
Written-By – Jerry Garcia, Phil Lesh, Robert Hunter
10. Dupree's Diamond Blues   3:32
Written-By – Jerry Garcia, Robert Hunter
11. Rosemary   1:58
Written-By – Jerry Garcia, Robert Hunter
12. Doin' That Rag   4:41
Written-By – Jerry Garcia, Robert Hunter
13. Mountains Of The Moon   4:01
Written-By – Jerry Garcia, Robert Hunter
14. China Cat Sunflower   3:40
Written-By – Jerry Garcia, Robert Hunter
15. What's Become Of The Baby   8:11
Written-By – Jerry Garcia, Robert Hunter
16. Cosmic Charlie   5:29
Written-By – Jerry Garcia, Robert Hunter

Flac Size: 427 MB
         
CD2. AVALON BALLROOM SAN FRANCISCO (1/24-26/69)

             

  
01. New Potato Caboose   13:59

Written-By – Phil Lesh, Robert Petersen
02. Dupree's Diamond Blues   4:41
Written-By – Jerry Garcia, Robert Hunter
03. Doin' That Rag   5:42
Written-By – Jerry Garcia, Robert Hunter
04. Alligator   9:09
Written-By – Phil Lesh, Robert Hunter, Ron McKernan
05. Caution (Do Not Stop On Tracks)   7:11
Written-By – Bill Kreutzmann, Mickey Hart, Ron McKernan
06. Feedback   3:46
Written-By – Grateful Dead
07. And We Bid You Goodnight   2:39
Arranged By – The Grateful Dead
Written-By – Trad.
08. Clementine   11:05
Written-By – Phil Lesh, Robert Hunter
09.Death Don't Have No Mercy   9:57
Written-By – Rev. Gary Davis

Flac Size: 393 MB

LINE - UP

              


Bass Guitar, Vocals – Phil Lesh
Guitar, Vocals – Bob Weir, Jerry Garcia
Keyboards – Tom Constanten
Keyboards [Pig Pen] – Ron McKernan
Percussion – Bill Kreutzmann
Musician – David Nelson (tracks: 1-1 to 1-16), Marma-Duke (tracks: 1-1 to 1-16), Peter Grant (tracks: 1-1 to 1-16)

4. GRATEFUL DEAD - LIVE DEAD 1969

             


Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live

rock album to use 16-track recording. To assuage debt accrued with their record label from their recent album Aoxomoxoa, as well as fulfill their record contract, the band decided to record a live album. They were also interested in releasing an album more representative of their live performances and actual musicianship, as opposed to the in-studio experimentation of previous albums. The band's soundman, Owsley "Bear" Stanley, asked electronics designer Ron Wickersham to invent a microphone splitter that fed both into the PA and the record inputs, with no loss in quality. The songs were recorded with an Ampex 16-track machine.
              

The Grateful Dead – Live/Dead
Label: Warner Bros. Records – 1830-2
Format: CD, Album, Reissue, Remastered
Country: US
Released: Sep 6, 1988
Genre: Rock
Style: Folk Rock, Country Rock, Blues Rock, Psychedelic Rock

TRACKS

                


01. Dark Star   23:15
Written-By – Garcia, Hunter
02. Saint Stephen   6:45
Written-By – Garcia, Lesh, Hunter
03. The Eleven   9:39
Written-By – Lesh, Hunter
04. Turn O Your Love Light   15:30
Written-By – D. Malone, J. Scott
05. Death Don't Have No Mercy   10:30
Organ – Pigpen
Written-By – Rev. Gary Davis
06. Feedback   8:52
Written-By – McGannahan Skyjellyfetti
07. And We Bid You Goodnight   0:36
Written-By – Traditional

LINE - UP

             


Tom Constanten – organ
Jerry Garcia – guitar, vocals
Mickey Hart – drums, percussion
Bill Kreutzmann – drums, percussion
Phil Lesh – electric bass, vocals
Ron "Pigpen" McKernan – vocals, congas, organ on "Death Don't Have No Mercy"
Bob Weir – guitar, vocals
Robert Hunter – spoken word on "Dark Star" (single version)

Flac Size: 392 MB

5. GRATEFUL DEAD - WORKINGMAN'S DEAD 1970

          

         
Workingman's Dead is the fourth studio album (and fifth overall) by American rock band Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. The album and its

studio follow-up, American Beauty, were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums in favor of Jerry Garcia and Robert Hunter's Americana-styled songcraft. In 2003, the album was ranked number 262 on Rolling Stone magazine's list of the 500 greatest albums of all time, 264 in a 2012 revised list, and 409 in the 2020 list. It was voted number 371 in Colin Larkin's All Time Top 1000 Albums.
            

Grateful Dead – Workingman's Dead
Label: Rhino Records – 8122-74396-2, Warner Bros. Records – 8122-74396-2
Format: CD, HDCD, Album, Reissue, Remastered
Country: Europe
Released: 2003
Genre: Rock
Style: Blues Rock, Country Rock, Psychedelic Rock

TRACKS

     


01. Uncle John's Band   4:42
Lyrics By – Robert Hunter
Music By – Jerry Garcia
02. High Time   5:12
Lyrics By – Robert Hunter
Music By – Jerry Garcia
03. Dire Wolf   3:11
Lyrics By – Robert Hunter
Music By – Jerry Garcia
04. New Speedway Boogie   4:04
Lyrics By – Robert Hunter
Music By – Jerry Garcia
05. Cumberland Blues   3:14
Acoustic Guitar – David Nelson
Lyrics By – Robert Hunter
Music By – Jerry Garcia, Phil Lesh
06. Black Peter   5:41
Lyrics By – Robert Hunter
Music By – Jerry Garcia
07. Easy Wind   4:57
Written-By – Robert Hunter
08. Casey Jones   4:24
Lyrics By – Robert Hunter
Music By – Jerry Garcia

BONUS TRACKS

    
09. New Speedway Boogie (Alternate Mix)   4:06
Lyrics By – Robert Hunter
Music By – Jerry Garcia
10. Dire Wolf (Live)   2:32
Lyrics By – Robert Hunter
Music By – Jerry Garcia
11. Black Peter (Live)   9:07
Lyrics By – Robert Hunter
Music By – Jerry Garcia
12. Easy Wind (Live)   8:10
Written-By – Robert Hunter
13. Cumberland Blues (Live)   4:52
Lyrics By – Robert Hunter
Music By – Jerry Garcia, Phil Lesh
14. Mason's Children (Live)   6:33
Lyrics By – Robert Hunter
Music By – Jerry Garcia, Phil Lesh
15. Uncle John's Band (Live)   6:51
Lyrics By – Robert Hunter
Music By – Jerry Garcia

LINE - UP

               


Bass, Vocals – Phil Lesh
Drums – Bill Kreutzmann, Mickey Hart
Guitar, Steel Guitar [Pedal], Vocals – Jerry Garcia
Guitar, Vocals – Bob Weir
Keyboards – Tom Constanten (tracks: 10 to 14)
Keyboards, Harmonica, Vocals – Pigpen

Flac Size: 498 MB

6.  GRATEFUL DEAD - AMERICAN BEAUTY 1970

             


American Beauty is the fifth studio album (and sixth overall) by American rock band the Grateful Dead. Released in November 1970, by Warner Bros. Records, the album continued the folk rock and

country music style of their previous album Workingman's Dead, released earlier in the year. Upon release, American Beauty entered the Billboard 200 chart, ultimately peaking at number 30 during a nineteen-week stay in January 1971. On July 11, 1974, the album was certified Gold by the Recording Industry Association of America, and it later reached Platinum and Double Platinum certification in 1986 and 2001, respectively. In 2003, the album was ranked number 258 on Rolling Stone magazine's list of the 500 greatest albums of all time, 261 in a 2012 revised list, and 215 in a 2020 revised list.
         

Grateful Dead – American Beauty
Label: Rhino Records – R2 74397, Warner Bros. Records – R2 74397
Format: CD, Album, Reissue, Remastered
Country:  US
Released:1970
Genre: Rock
Style: Country Rock, Psychedelic Rock, Classic Rock

TRACKS

           


01. Box Of Rain   5:17
Written-By – Phil Lesh, Robert Hunter
02. Friend Of The Devil   3:21
Written-By – Jerry Garcia, John Dawson, Robert Hunter
03. Sugar Magnolia   3:17
Written-By – Bob Weir, Robert Hunter
04. Operator   2:22
Written-By – Ron McKernan
05. Candyman   6:10
Written-By – Jerry Garcia, Robert Hunter
06. Ripple   4:10
Written-By – Jerry Garcia, Robert Hunter
07. Brokedown Palace   4:06
Written-By – Jerry Garcia, Robert Hunter
08. Till The Morning Comes   3:07
Written-By – Jerry Garcia, Robert Hunter
09. Attics Of My Life   5:10
Written-By – Jerry Garcia, Robert Hunter
10. Truckin'   5:03
Written-By – Bob Weir, Jerry Garcia, Phil Lesh, Robert Hunter

BONUS TRACKS            


11. Truckin' (Single Version)   3:14
Written-By – Bob Weir, Jerry Garcia, Phil Lesh, Robert Hunter
12. Friend Of The Devil (Live)   4:21
Written-By – Jerry Garcia, John Dawson, Robert Hunter
13. Candyman (Live)   5:15
Written-By – Jerry Garcia, Robert Hunter
14. Till The Morning Comes (Live)   3:20
Written-By – Jerry Garcia, Robert Hunter
15. Attics Of My Life (Live)   6:28
Written-By – Jerry Garcia, Robert Hunter
16. Truckin' (Live)  9:03
Written-By – Bob Weir, Jerry Garcia, Phil Lesh, Robert Hunter
17. Ripple (Alternate Take)    3:01
18. American Beauty Radio Spot    1:10


LINE - UP

             


Bass, Guitar, Piano, Vocals – Phil Lesh
Drums – Bill Kreutzmann
Guitar, Pedal Steel Guitar, Piano, Vocals – Jerry Garcia
Guitar, Vocals – Bob Weir
Harmonica, Vocals – Pig Pen (Ron McKernan)
Percussion – Mickey Hart
Songwriter – Robert Hunter

WITH:


Guest [With] – New Riders Of The Purple Sage
Guest [With], Bass – Dave Torbert (tracks: 1)
Guest [With], Electric Guitar – David Nelson (tracks: 1)
Guest [With], Mandolin – David Grisman (tracks: 2, 6)
Guest [With], Organ – Howard Wales (tracks: 5, 10)
Guest [With], Piano – Howard Wales (tracks: 7), Ned Lagin (tracks: 5)

NOTES


This album was originally issued as Warner Bros. #WS-1893 (11/70). The original tape from which the live version of "Truckin" was taken is missing the opening chorus.

Flac Size: 471 MB

7.  GRATEFUL DEAD -  GRATEFUL DEAD (SKULL & ROSES) 1971

          


Grateful Dead is a live album by rock band the Grateful Dead. Released on September 24, 1971 on

Warner Bros. Records, it is their second live double album and their seventh album overall. Although published without a title, it is generally known by the names Skull and Roses (due to its iconic cover art) and Skull Fuck (the name the band originally wanted to give to the album, which was rejected by the record company). It was the group's first album to be certified gold by the RIAA[4] and remained their best seller until surpassed by Skeletons from the Closet.

                


Grateful Dead – Grateful Dead
Label: Rhino Records – R2 74398, Warner Bros. Records – R2 74398
Format:    CD, HDCD, Album, Reissue, Remastered, Stereo   2003
Country: US
Released: 1971
Genre: Rock
Style: Blues Rock, Country Rock, Psychedelic Rock

TRACKS

         


01. Bertha   5:40
Lyrics By – Robert Hunter
Music By – Jerry Garcia
Organ – Merl Saunders
02. Mama Tried   2:42
Written-By – Merle Haggard
03. Big Railroad Blues   3:33
Written-By – Noah Lewis
04. Playing In The Band   4:39
Lyrics By – Robert Hunter
Music By – Bob Weir, Mickey Hart
Organ – Merl Saunders
05. The Other One   18:03
Written-By – Bill Kreutzmann, Bob Weir
06. Me & My Uncle   3:03
Written-By – John Phillips
07. Big Boss Man   5:11
Written-By – Al Smith, Luther Dixon
08. Me & Bobby McGee   5:43
Written-By – Kris Kristofferson
09. Johnny B. Goode   3:41
Written-By – Chuck Berry
10. Wharf Rat   8:31
Lyrics By – Robert Hunter
Music By – Jerry Garcia
Organ – Merl Saunders
11. Not Fade Away / Goin' Down The Road Feeling Bad    (9:12)
11.1.Not Fade Away

Written-By – Charles Hardin, Norman Petty
11.2.Goin' Down The Road Feeling Bad
Arranged By – Bill Kreutzmann, Bob Weir, Jerry Garcia, Phil Lesh, Ron "Pigpen" McKernan

BONUS TRACKS

    
12. Oh, Boy!   2:50
Written-By – Bill Tighman, Norman Petty, Sonny West
13. I'm A Hog For You   4:08
Written-By – Jerry Leiber, Mike Stoller

LINE - UP

             


Bass, Vocals – Phil Lesh
Drums – Bill Kreutzmann
Rhythm Guitar, Vocals – Bob Weir
Lead Guitar, Vocals – Jerry Garcia
Organ, Harmonica, Vocals – Ron "Pigpen" McKernan

Flac Size: 491 MB