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Saturday, June 28, 2025

Anaconda: Sympathy For The Madman 1969

 

In 1969 the leader of British psychedelic legends ARCADIUM created a project exploring the dark edges of progressive folk rock, together with two male and two female whose names are lost in a temporal pea-souper. No recordings were thought to have survived (Miguel Sergides lost all his


belongings in a house fire in the 80s) until the discovery of the sole Anaconda acetate LP in 2019. Overnight it became the second most valuable folk rock LP in the world (after Easton Baveret's Suicide Notes). Its owner has flatly rejected a €7000 (over $8000) offer. The LP is a revelation that reveals a Seygian underworld of British folk rock that links Anaconda to Tea & Symphony, Forest, Lifeblud, Heriom, and Comus. Predating Comus, Anaconda has a very similar sound using violins and flutes but is lace with aching melancholia and themes of alienation. It is a genuine lost masterpiece of folk rock, one of three works of genius by Sergides: Arcadium, Anaconda and The Savanna Silver Band.
                     
MIGUEL SERGIDES

Anaconda - Sympathy For The Madman CD is a psychedelic folk masterpiece, recorded by Arcadium's Miguel Sergideshis. CD edition is limited to 300 copies. This recently rediscovered masterpiece of psychedelic folk melancholia is being hailed as one of the greatest folk rock lps of all time. The recording was made in late 1969 in John Kongos flat. It's a pitty that the only negative thing, is that the production of this great album sucks being very blured and a little bit distorted.
                    

ANACONDA Sympathy For the Madman (2020 UK 5-track vinyl LP on Seelie Court, a new archival label home to ultra rare British titles dating between 1965-78, all sourced from a private collection.Supposedly just one acetate LP exists for this record previously, valued at Ł7000+ & lost since 1969, the album is confirmed to be a post Arcadium project [vocals by Miguel Sergides] & a missing piece of British psychedelic folk rock on wax [think Comus!].
                  
JOHN CONGOS

CD only subsidiary of Seelie Court , limited 300 copies editions in card Gatefold sleeves, all issued with co operation of the bands/artists, under contract. Mastered by Reynolds Mastering, pressed at The Vinyl Factory, England. Post Arcadium psychedelic folk masterpiece, lost since 1969, just one original acetate LP exists,valued at £7000+, the LP has an intense pagan mood and deals with themes of alienation, notably in Outsider, it sounds very similar to Comus with flutes, violins but replaces the insanity of Comus with dark folked out melancholia. Short at 24 mins. Quite possibly the finest prog-folk lp ever made, with songwriting and lead vocal by Miguel Sergides who crafted the psych LP masterpiece by Arcadium. Accomplished and meticulous prog folk genius.
                                    

Anaconda – Sympathy For The Madman
Label: Seelie Court Digital – scd 001, Seelie Court – scd 001
Format: CD, Album, Limited Edition, Reissue 2021
Country: UK
Released: 1969    
Genre: Rock, Folk, World, & Country
Style: Folk, Folk Rock, Psychedelic

TRACKS

                           


01. It's Not Me       3:42
02. Riding Alone   4:20
03. Who Are We?       5:36
04. Outrider       3:40
05. Sympathy For The Madman       4:20

LINE - UP

                  


Flute – Alistair 
Performer [Performed By] – Anaconda 
Violin, Guitar – Clive Timperley
Vocals, Percussion – Frances
Vocals, Percussion - Kim
Vocals, Twelve-String Guitar – Miguel Sergides
    

NOTES


Recorded By – John Kongos
Written-By – Miguel Sergides (Real GREEK Name: Michalakis Stelios Sergides)

Flac Size: 152 MB

                           


ARCADIUM was a British psychedelic group who released one album in 1969. The band was led by Miguel Sergides who was joined by John Albert Parker, Graham Best, Allen Ellwood and Robert Ellwood.

ARCADIUM on Urban Aspirines HERE

Thursday, June 26, 2025

Blue Cheer: 2 Albums + 1 Compilation

 

U.S. American rock band, established in 1966 in San Francisco. Considered by some commentators to be the first heavy metal band, with particular reference to their version of "Summertime Blues."
Blue Cheer was the name of a popular laundry detergent at the time, and also a variety of potent LSD.


Blue Cheer might have been named after a particular batch of LSD produced by Haight Ashbury acid guru Owsley Stanley, but they were unlike any other San Francisco band to emerge in the 60s. They were the sound of the Jimi Hendrix Experience filtered into an elongated, deafening, primitive howl; they were Motörhead 10 years before Motörhead. And in 2009 the band told Classic Rock their story.  
                          

They were the bellowing Gods Of Fuck. There were no big ugly noises in rock’n’roll before Blue Cheer. They created sonic brutality, coiling their teenage angst into an angry fist of sludge and feedback and hurling it at stunned, stoned hippies like a wave of mutilation. Everything about them was badass.

They had a Hell’s Angel for a manager, they were despised by the other bands in their scene, and they played so loud that people ran from them in fear. Proto-punk, proto-metal and proto-rehab, Blue Cheer took acid, wore tight pants, cranked their walls of Marshall stacks and proved, once and for all, that when it came to all things rock, excess was always best.
                          

Blue Cheer was at first a gangly, six-piece blues revue with much teenage enthusiasm and little

direction. After seeing Jimi Hendrix perform for the first time, the band’s prime movers – Peterson, drummer Paul Whaley and guitarist Leigh Stephens – thinned the line-up and discovered their sound, a wall-shaking throb of low- end beastliness that sounded exactly like the world ending.
                            

Anchored by a sweat-soaked, hell-for-leather cover of Eddie Cochran’s teenage lament Summertime

Blues, Blue Cheer’s definitive sonic manifesto Vincebus Eruptum arrived in 1968. It was the blues defined by acid-fried biker goons, and it changed the world. Two years later, the band was effectively over, its members shell-shocked, disillusioned, ripped-off and super-freaked. And it would take 40 years for them to put all the pieces back together.
                                  

BLUE CHEER - OUTSIDEINSIDE 1968

                                  


Outsideinside is the second album by American rock trio Blue Cheer. Philips Records released the album in August 1968, only seven months after their debut LP, Vincebus Eruptum. The album was

recorded both outdoors and indoors—hence the title of the album. Captures the psychedelic side of their musical personality with greater clarity than the blunt approach of the debut; Outsideinside doesn't sound trippy so much as righteously buzzed, and the speedy roar of this the music is big enough that the legend that parts of this were so loud they had to be recorded outside seems not just plausible, but perfectly reasonable. 
                              

Blue Cheer – Outsideinside
Label: Linam Records – LMCD 9.51076 X, Line Records – LMCD 9.51076 X
Format: CD, Album, Reissue
Country: Germany
Released: 1991
Genre: Rock
Style: Hard Rock, Psychedelic Rock

TRACKS

                       


01. Feathers From Your Tree    3:29
02. Sun Cycle    4:12
03. Just A Little Bit    3:24
04. Gypsy Ball    2:57
05. Come And Get It    3:13
06. Satisfaction    5:07
07. The Hunter    4:37
08. Magnolia Caboose    1:38
09. Babylon    4:32

LINE - UP


Leigh Stephens – guitar
Dickie Peterson – bass guitar, vocals (September 12, 1946 – October 12, 2009)
Paul Whaley – drums (January 14, 1947 – January 28, 2019)


Guest musician


Ralph Burns Kellogg – keyboards, organ, reeds

Flac Size: 223 MB

BLUE CHEER - Bc #5 THE ORIGINAL HUMAN BEING 1970

                                  


The Original Human Being is Blue Cheer's fifth album. It was released in 1970 and shows Blue Cheer

exploring a more psychedelic and laid‑back rock and roll with horn sections on a few of the songs. This album features a very unusual, and different, song for Blue Cheer: "Babaji (Twilight Raga)", which features extensive use of sitar and synthesizer. These instruments were only used one other time in the song "I'm the Light" on the album Oh! Pleasant Hope. 
                    

Blue Cheer – Bc #5 The Original Human Being
Label: Linam Records – LMCD 9.51079, Line  – LMCD 9.51079 Z
Format: CD, Album, Reissue 1991
Country: Germany
Released: 1970 
Genre: Rock
Style: Blues Rock, Acid Rock, Hard Rock

TRACKS

                               


01. Good Times Are So Hard To Find    3:22
02. Love Of A Woman    4:34
03. Make Me Laugh    5:04
04. Pilot    4:49
05. Babaji (Twilight Raga)    3:47
06. Preacher    4:03
07. Black Sun    3:30
08. Tears By My Bed    2:04
09. Man On The Run    3:52
10. Sandwich    5:02
11. Rest At Ease    5:36 

LINE - UP


Dickie Peterson – bass, guitar, lead vocals (tracks 2, 3, 9)
Gary Lee Yoder – guitar, harmonica, vocals, harp, lead vocals (tracks 1, 4–8, 10–11), producer  (January 25, 1946 – August 7, 2021)
Ralph Burns Kellogg – organ, piano, synthesizer, bass  (August 2, 1946 – June 19, 2003)
Norman Mayell – drums, guitar, percussion, sitar, producer on track 1


Flac Size: 299 MB

BLUE CHEER - THE HISTORY OF BLUE CHEER: GOOD TIMES ARE SO HARD TO FIND 1990

                      


Blue Cheer's massive contribution to the early evolution of American heavy metal exists entirely on their first two 1968 releases, Vincebus Eruptum and Outsideinside. While those initial releases charted

admirably, critics largely ignored the band's loud, bluesy, psychedelic-tinged hard rock. The touchy-feely summer of love lasted a lot longer than three months and building heavy metal momentum in the States was a difficult affair. There resulted some lineup shifts, minor stylistic excursions, brief creative flourishes, more lineup changes, solo projects, half retirement, and reunion retreads. 
                                    

Some decent songs were recorded during that long descent and fortunately many of them were picked to grace the track list of Good Times Are So Hard to Find. Chief among them is the title cut and "Pilot"

from 1970's Original Human Being. Other tracks from the group's eponymous release and 1971's Oh! Pleasant Hope have a boogie-down and MOR feel respectively that, while competent, contains hardly any of the group's original fire. Of course there are a few 1968 classics like the splendid "Out of Focus," "Parchment Farm," and the band's first (and only) big hit "Summertime Blues." 
                               

Blue Cheer – The History Of Blue Cheer Good Times Are So Hard To Find
Label: Mercury – 834 030-2
Format: CD, Reissue, Compilation
Country: Europe
Released: Oct 25, 1990
Genre: Rock
Style: Psychedelic Rock

TRACKS

                  


01. Summertime Blues    3:45
02. Out Of Focus    3:56
03. Parchment Farm    5:47
04. Feathers From Your Tree    3:30
05. The Hunter    4:30
06. Babylon    4:22
07. Peace Of Mind    7:02
08. Fruit And Icebergs    6:03
09. Fool    3:32
10. Hello L.A., Bye Bye Birmingham    3:17
11. Saturday Freedom    5:56
12. Good Times Are So Hard To Find    3:17
13. Pilot    4:46
14. Preacher    3:56
15. Hiway Man    4:18
16. I'm The Light    5:39

LINE - UP


Backing Vocals – Paul Whaley (tracks: 1 to 6)
Bass – Dickie Peterson
Dilruba [Delruba] – Norman Mayell (tracks: 15, 16)
Drums – Paul Whaley (tracks: 1 to 8)
Drums, Percussion – Norman Mayell (tracks: 9 to 16)
Guitar, Lead Vocals – Randy Holden (tracks: 7, 8)
Guitar, Vocals – Bruce Stephens (tracks: 9 to 11), Gary Yoder (tracks: 9 to 16), Leigh Stephens (tracks: 1 to 6)
Harmonica [Harp] – Gary Yoder (tracks: 12 to 14)
Keyboards – Ralph Kellogg (tracks: 9 to 11)
Lead Vocals – Dickie Peterson (tracks: 1 to 6)
Organ, Reeds – Ralph Kellogg (tracks: 6)
Piano, Organ, Bass – Ralph Kellogg (tracks: 12 to 16)
Sitar – Norman Mayell (tracks: 12 to 16)

NOTES


Tracks 1-3 from "Vincebus Eruptum", Jan. 1968 [Philips ‎PHS 600 264]
Tracks 4-6 from "Outsideinside", Aug. 1968 [Philips ‎PHS 600 278]
Tracks 7 & 8 from "New! Improved! Blue Cheer", Mar. 1969 [Philips ‎PHS 600 305]
Tracks 9-11 from "Blue Cheer", Dec. 1969 [Philips ‎PHS 600 333]
Tracks 12-14 from "The Original Human Being", Sept. 1970 [Philips ‎PHS 600 347]
Tracks 15 & 16 from "Oh! Pleasant Hope", Apr. 1971 [Philips ‎PHS 600 350] 

Flac Size: 450 MB  

Blue Cheer : Vincebus Eruptum 1968

Tuesday, June 24, 2025

The DelMonas: Discography

 

British garage pop girl group, the Del Monas began life as the Milk-Boilers, by singing backup on some early Milkshakes recordings. Sarah and Hilary took the lead on a rendition of the Shirelles song


“Boys” (as covered by the Beatles) before Louise joined, striking out on their own with a couple of four-song EPs in 1984: Comin’ Home Baby (popularized by Mel Tormé) and Hello, We Love You (actually the Doors’ “Hello, I Love You”). In both cases, the Milkshakes served as their backing band, Billy Childish and Mickey Hampshire penning the original numbers. By this time the girls had been re-christened the Del Monas, the name being inspired by the Bo Diddley song or taking their name from the word for a decorative handbag favored by women in the Klaipeda region of Lithuania, 
                    

The following year, the girls released their first full-length recording, Dangerous Charms, which contained a different version of ‘Comin’ Home Baby’ (without organ), the remaining EP tracks, three outtakes, and five numbers from a BBC radio broadcast (it was later re-released with additional

material from another BBC session from 1988). Interpersonal tensions resulted in a recording gap of several years and a revamped lineup for 1986′s follow-up, Delmonas 5!. Louise had since left the group and Hilary and Sarah had renamed themselves Miss Ida Red and Ludella Black. The original duo, now backed by Childish, Russ Wilkins and John Agnew, cranked out a louder, harder-hitting sound for their next album The Delmonas, released in 1989. 
                  

It featured Dangerous Charms’ lost title-track and a couple of earlier numbers redone in French. Do the Uncle Willy, released Del Monas 5 LP-coverlater the same year, was the band’s final musical

document. It compiled material from previous releases, a couple of alternate takes, and a new version of Thee Mighty Caesars’ “Lie Detector.” On all of their recordings, the Delmonas mixed cover versions from the ’50s and ’60s with original compositions that sounded as if they came from that era — upbeat ravers in the spirit of the Shangri-Las, Lesley Gore, Nancy Sinatra, and other tough-but-tender girl acts. If they didn’t quite have the vocal range of those artists, they made up for it in attitude and enthusiasm.
                        

This spirit was carried over into the Headcoatees, which included Ludella Black, Holly Golightly,

Kyra Rubella, and Bongo Debbie.
This new band would fulfill the same function: as backup to Thee Headcoats and as a band backed by them. 
                

THE DELMONAS - HELLO I LOVE YOU! THE BIG BEAT EPs 
                                 


The DelMonas – Hello, We Love You! The Big Beat EPs
Label: Big Beat Records – 10WIK 348
Format: Vinyl, 10", 33 ⅓ RPM, Compilation, Remastered, Stereo
Country: UK
Released: 2021
Genre: Rock
Style: Garage Rock, Beat, Rhythm & Blues

SIDE A. COMIN' HOME BABY 1984

                           


A1. Comin' Home Baby   2:27
Written-By – Benjamin Tucker, Bob Dorough
A2. Chains   1:55
Written-By – Gerry Goffin, Carole King
A3. Woa' Now   1:49
Written-By – Billy Childish, Micky Hampshire
A4. He Tells Me He Loves Me   2:35
Written-By – Billy Childish, Micky Hampshire

SIDE B. HELLO WE LOVE YOU 1984

                   


B1. Hello, I Love You   2:02
Written-By – Jim Morrison, John Densmore, Ray Manzarek, Robert Krieger
B2. I'm The One For You   2:36
Written-By – Billy Childish, Micky Hampshire
B3. Peter Gunn Locomotion   2:38
Written-By – Henry Mancini, Sammy Cahn
B4. I Want You   2:58
Written-By – Billy Childish, Micky Hampshire   

NOTES


A Milkshakes Production
A1 to A4 first issued as "The Delmonas Volume 1" Big Beat SW 101, 1984
B1 to B4 first issued as "The Delmonas Volume 2" Big Beat SW 102, 1984

Flac Size: 152 MB

THE DELMONAS - DANGEROUS CHARMS 1985
                               


The DelMonas – Dangerous Charms
Label: Vinyl Japan – ASKCD 107
Format: CD, Album, Reissue Mar 27, 2000
Country: UK
Released: 1985    
Genre: Rock
Style: Garage Rock

TRAXS

                    


01. Peter Gunn Locomotion   2:43
Wri tten-By – Mancini, Cahn
02.You Did Him Wrong   2:48
Written-By – Childish, Hampshire
03. Hello I Love You   2:07
Written-By – Morrison, Densmore, Manzarek, Krieger
04. Comin' Home Baby   2:33
Written-By – Tucker, Dorough
05. Lies   2:23
Written-By – Charles, Randall
06. C. C. Rider   2:50
Written-By – Rainey
07. He Tells Me He Loves Me   2:40
Written-By – Childish, Hampshire
08. Hidden Charms   2:02
Written-By – Dixon
09. Twist And Shout   2:29
Written-By – Russell, Medley
10. I'm The One For You   2:41
Written-By – Childish, Hampshire
11. Fever   2:47  
Written-By – Eddie Cooley, Davenport
12. Chains   1:59
Written-By – King, Goffin
13. Please Don't Tell My Baby   1:55
Written-By – Childish, Hampshire
14. I Want You   2:58
Written-By – Childish, Hampshire
15. Take Me Home Tonight   2:05
Written-By – Childish, Hampshire
16. Woa' Now   1:54
Written-By – Childish, Hampshire
17. Kiss Me, Honey Honey, Kiss Me   2:10
Written-By – Timothy, Julien
18. The World Keeps Going Round   2:34
Written-By – Ray Davies
19. I'll Use Evil    2:52
Written-By – Childish, Hampshire
20. You Can't Sit Down   2:24
Written-By – Muldrow, Clark, Upchurch
21. Farmer John   2:53
Written-By – Terry, Harris
22. Uncle Willy   2:56
Written-By – Colbert

LINE - UP

                        


Drums – John Agnew (tracks: 17 to 22)
Drums, Guitar – Bruce Brand (tracks: 1 to 16)
Guitar – Billy Childish, Mick Hampshire (tracks: 1 to 16)
Guitar, Bass – Russ Wilkins
Vocals – Hilary  (tracks: 1 to 16), Ida Red (tracks: 17 to 22), Louise (tracks: 1 to 16), Ludella Black (tracks: 17 to 22), Sarah (tracks: 1 to 16)

NOTES


Arranged By – The Milkshakes
Tracks 2, 8, 9, 11, and 13 are from a 1985 BBC session. First transmission date: 18th February 1985.
Tracks 17 to 22 are from a 1988 BBC session. First transmission date: 25th April 1988.


My EAC Program converts in Flac only 14 tracks. So, take it in MP3-320  MP3 Size: 130 MB


THE DELMONAS - DELMONAS 5 1986 + THE DELMONAS 1989
                              


Delmonas – DelMonas 5 + The DelMonas
Label: Vinyl Japan – ASKCD32
Format: CD, Compilation
Country: UK
Released: Oct 1993
Genre: Rock
Style: Garage Rock

DELMONAS 5 1986

                       


01. Dr. Goldfoot & His Bikini Machine   2:01
Written-By – Guy Hemric, Jerry Styner
02. Heard About Him   2:16
Written-By – Chris Andrews 
03. Why Don't You Smile Now   2:16
Written-By – Vance, Cale, Reed, Phillips
04. Black Elk Speaks   2:16
Written-By – Childish
05. Hound Dog   2:03
Written-By – Leiber/Stoller
06. Delmona (The Temptress Of Love)    3:18
Written-By – Childish, Black
07. I Feel Like Giving In   2:08
Written-By – Childish
08. Keep Your Big Mouth Shut    2:36
Written-By – McDaniel
09. When I Want You   2:00
Written-By – Hampshire
10. Black Ludella   2:13
Written-By – Childish
11. Your Love   1:44
Written-By – Page, Julien
12. Don't Fall In Love (Every Single Time)   2:04
Written-By – Black, Hampshire
13. Jealousy    2:06
Written-By – Childish

 THE DELMONAS 1989

                   

                       
14. Jealousy (French Version)    2:20

Written-By – Childish
15. That Boy Of Mine    2:05
Written-By – Unknown
16. Can't Sit Down   2:20
Written-By – Muldrow, Clark, Upchurch
17. Kiss Me Honey   2:07
Written-By – Unknown
18. I've Got Everything I Need   3:20
Written-By – Childish
19. Uncle Willy   2:56
Written-By – Unknown
20. I Feel Like Giving In   1:50
Written-By – Childish
21. Farmer John   2:50
Written-By – Terry, Harris
22. You Did Him Wrong    2:45
Written-By – Childish, Hampshire
23. Dangerous Charms    2:06
Written-By – Childish, Hampshire
24. The Long Drop    1:59
Written-By – Childish
25. I Feel Alright   3:04
Written-By – Stooges

LINE - Up

                               


Vocals – Ida Red
Vocals – Ludella Black
Bass – Russell Wilkins
Drums – John Agnew
Guitar – Billy Childish

NOTES


A two-albums-in-one CD.
Tracks 1-13: "Delmonas 5" - Hangman Records 1986.
Tracks 14-25: "The Delmonas" - Hangman Records 1989.

Flac Size: 352 MB

THE DELMONAS - DO THE UNCLE WILLY 1989

                            


The DelMonas – Do The Uncle Willy
Label: Get Hip Recordings – GH-1113CD
Format: CD, Album, Compilation, Reissue 2003
Country: US
Released: 1989
Genre: Rock
Style: Garage Rock
                              

TRAXS

                             


01. I Feel Alright    3:06
02. Heard About Him    2:17
03. Farmer John    2:51
04. Ca'rnt Sit Down    2:37
05. Uncle Willy    2:56
06. I Feel Like Giving In    2:01
07. Dangerous Charms    2:07
08. Black Ludella    2:14
09. I Did Him Wrong    2:45
10. Jealousy    2:06
11. Lie Detector    2:01
12. I've Got Everything I Need    3:22
13. That Boy Of Mine    2:06
14. Delmona, The Temptress Of Love    3:20

Flac Size: 233 MB