Radio Birdman 1981 ( 2005 remastered reissue BONUS CD )

Radio Birdman was one of the first Australian independent bands to carry the punk label, along with the Saints. They were formed by Deniz Tek and Rob Younger in Sydney in 1974.The group influenced the work of many successful, mainstream bands, and are now considered instrumental in Australia's musical growth .

Deniz Tek and Rob Younger formed Radio Birdman in mid-1974 in Sydney, having recently left their bands TV Jones and the Rats respectively. The pair sought to begin a band that would challenge the commercial mainstream and be completely uncompromising. They recruited classical keyboard player Philip "Pip" Hoyle, drummer Ron Keeley and bassist Carl Rorke. The band took their name from a misheard lyric from the Stooges' song "1970" (the actual lyric is "radio burnin'").

After being rejected many times from various venues, and having resorted to putting on its own concerts in rented garages and tiny community halls, by mid 1975 Radio Birdman found an upstairs room at the Oxford Tavern in Taylor Square, Sydney. Soon, a small but growing subculture grew around Radio Birdman. This

coincided with the beginnings of the Sydney punk scene.After unsuccessfully trying several studios, Radio Birdman found a supportive recording milieu with the help of Rock Australia Magazine editor, Anthony O'Grady. They recorded an EP, Burn My Eye. and their first album Radios Appear, produced by John L Sayers and Charles Fisher at Trafalgar Studios in Annandale.

While Radios Appear (overseas version) remains the full-fledged classic by Radio Birdman, the reissue of Living Eyes shows that it was damn near as good as the first one, and maybe a bit more original.

Living Eyes was the second studio album released by Sydney, Australia punk-rock band Radio Birdman. It was the last recorded album by the band as they split up shortly after it was recorded in 1978.The album was recorded over a three-week period at the Rockfield Studios in Waleswhilst the band was on its first overseas tour, supporting the Flamin' Groovies around Britain and Europe.

Fully loaded with classic songs that inspired several generations of Australian rockers, Living Eyes is an album that has benefited greatly from modern technology as well as a little luck. Recorded at the legendary Rockfield Studios in Wales when the band went to Europe to tour with the Flamin' Groovies (their first shows outside Australia), the original master tapes disappeared before the album was released.

The band then broke up and Living Eyes ended up being mastered from a cassette. While no one really complained about the sound quality at the time, it wasn't all it could've been.
Flash forward to the '90s and the master tapes are found on a dusty shelf at Rockfield. The band bakes them up and remixes, remasters, and re-sequences the album. It is now a total monster, screaming out of your speakers with intent to do damage.

From the time Chris Masuak's stun guitar comes in at the beginning of "Hanging On," it is apparent that this is not your big brother's Living Eyes. The sound is deeper by degrees. The songs remain superb. "Crying Sun" and "Breaks My Heart" were both made classic by the New Race but rock in a slightly more tempered way here.

"More Fun" is an upbeat little punk-surf tune while "Smith & Wesson Blues" is truly chilling.
Sample lyric: "You're never alone with a Smith & Wesson, baby...." There are plenty of references to the Ann Arbor, MI, area where guitarist/songwriter Deniz Tek grew up, particularly "I-94," which was covered on the Dodge Main disc and has even inspired a website dedicated to Detroit/Australian rock & roll.

Living Eyes, unlike its predecessor, doesn't have any "there's an MC5 riff" moments. In fact, one of the four bonus tracks, "Didn't Tell the Man," finds guitarist Chris Masuak heavily influenced by the Flamin' Groovies, and it is simply a gorgeous, twangy rock song. Singer Rob Younger is as ferocious as ever, a true original to the hardcore, and Deniz Tek solidifies his place as father of real Australian rock & roll.

Radio Birdman – Living Eyes ( 2005 remastered reissue  BONUS CD )

Label : Red Eye Records – 529 441 2, Red Eye Records – RED CD 53

Format : CD, Album, Reissue, Remastered

Released : 1981

Recorded : 1978

Country : Australia

Genre : Rock

Style : Garage Rock, Punk 

    Artwork – Ray Maras

    Bass – Warwick Gilbert

    Drums – Ron Keeley

    Guitar, Backing Vocals – Chris Masuak, Deniz Tek

    Lead Vocals – Rob Younger

    Organ, Piano – Pip Hoyle

    Producer – Deniz Tek

    Written-By – Deniz Tek

DISCOGRAPHY

Studio EPs/albums

Burn My Eye EP Trafalgar Records     1976

Radios Appear LP Trafalgar Records     1977

Radios Appear LP (Sire)     1978

Living Eyes LP     1981

Zeno Beach CD and LP     2006

Live albums

More Fun! (ep)     1988

Ritualism     1996

Live In Texas     2011

Live at Paddington Town Hall     2015

     TRAXS

01. Hanging On     3:38

02. 455 SD     2:45

03. Do The Movin' Change 2:28

04. T.P.B.R. Combo     2:12

05. I 94     2:49

06. Iskender Time     1:49

07. Burn My Eye '78     1:35

08. Alien Skies     3:15

09. Time To Fall     3:11

10. Smith and Wesson Blues 2:55

11. Crying Sun     2:56

12. Breaks My Heart     3:02

13. More Fun     2:00

14. Alone In The Endzone 2:07

15. Dark Surprise     3:29

16. Didn't Tell The Man 3:12

17. Death By The Gun     3:05

18. Dark Surprise     3:56

19. Breaks My Heart     2:54

20. More Fun     2:00

MP3 @ 320 Size : 502 MB

FLAC  Size : 502 MB

Πέμπτη 25 Οκτωβρίου, Fuzz Live Music Club (Πειραιώς 209 ΠατριάρχουΙωακείμ 1, Ταύρος, Αθήνα, 210 3450817

Οι Radio Birdman, ένα από τα σπουδαιότερα και επιδραστικότερα groups της καταπληκτικής Αυστραλέζικης σκηνής των 70s-80s, επιστρέφουν στην Αθήνα, 11 χρόνια μετά την τελευταία τους επίσκεψη στα μέρη μας. Ο Deniz Tek (κιθάρα, φωνή), ο Rob Younger (φωνή), ο Pip Hoyle (πλήκτρα), μαζί με τους Jim Dickson (Survivors, Barracudas, The New Christs), Dave Kettley (The New Christs), Nick Rieth (The Celibate Rifles, The Visitors), έρχονται για να μας ξαναθυμίσουν για ποιο λόγο θεωρούνται πρωτοπόροι της high energy rock'n'roll σκηνής, την Πέμπτη 25 Οκτωβρίου, στο Fuzz Live Music Club.

Η προπώληση ξεκινάει προς 24 ευρώ και για περιορισμένο αριθμό εισιτηρίων. Μετά την εξάντλησή τους, θα συνεχιστεί στα 27 ευρώ. Στο ταμείο, η τιμή θα είναι 30 ευρώ.

Died Pretty : Free Dirt 1986

Died Pretty was formed in 1983 in Sydney after vocalist Ron Peno had left his previous band, Screaming Tribesmen. Peno had been a member of Sydney punk band The Hellcats (as Ronnie Pop, 1977), and followed with The 31st (in Brisbane, 1979–1981) and Screaming Tribesmen (Brisbane then Sydney, 1981–1983).

In April 1983, music journalist and keyboardist Frank Brunetti of Super K had formed a duo with lead guitarist and vocalist Brett Myers from The End (in Brisbane then Sydney).
Myers was a fan of American group Velvet Underground and the duo modelled themselves after experimental New York protopunk band Suicide.



Brunetti suggested Peno join as singer and their first five performances were in Brisbane under the name Final Solution, after the song by Pere Ubu.[4] Peno provided the name Died Pretty, and on drums, they recruited Rob Younger (Radio Birdman, Super K) for two months.

After various bass guitarists, Jonathan Lickliter joined and Younger was replaced by Colin Barwick both from The End with Myers.

Free Dirt is the first full-length album by Australian alternative rock band Died Pretty, released in 1986. The album was repackaged in 2008 by Aztec Music with a second CD containing seven singles and six live recordings from 1986.

The band's first full-length album found the group starting to come into its own more and more. While the various influences that can be referred to are still present, Died Pretty are starting to sound more like a group finding a distinct sound instead of taking a cue from good influences.

Helped in the studio by a variety of guests on everything from sax to pedal steel guitar, and with good, full production from Rob Younger continuing the job he started with the Pre-Deity tracks, Free Dirt is a fine, fiery effort.

"Wig-Out" serves as good an example of its quality as any -- with martial drumming and a very Celtic drinking tune atmosphere made just that much more intense by being performed on rock instruments; it shows how the band hotwires the past for its own purposes. Opening song "Blue Sky Day" is, perhaps, the band's best-yet, an energetic but never overbearing rocker with a comfortable glow and surge to it, Brett Myers' really wonderful guitar matched by the additional performances on mandolin and violin.

Personnel

    Frank Brunetti – keyboards
    Tim Fagan – saxophone
    Graham Lee – pedal steel
    Mark Lock – bass
    Brett Myers – guitar, vocals
    John Papanis – mandolin
    Ron S. Peno – vocals
    Louis Tillett – piano
    Julian Watchhorn – violin
    Chris Welsh – percussion, drums

Track listing

01. Blue Sky Day – 3:29
02. Round and Round – 2:41
03. Wig-Out – 3:06
04. Laughing Boy – 3:34
05. Through Another Door (Myers) – 3:17
06. Life to Go (Landsakes) – 5:31

07. Just Skin (Myers) – 6:37
08. The 2000 Year Old Murder – 4:31
09. Next to Nothing – 6:47
10. Stoneage Cinderella (Atkinson, Myers, Peno) – 3:19

Albums

    Free Dirt (August 1986)
    Lost (June 1988)
    Every Brilliant Eye (1990) – AUS #79[5]
    Doughboy Hollow (1991) – AUS #24[5]
    Trace (1993) – AUS #11[5]
    Sold (1996) – AUS #29[5]
    Using My Gills as a Roadmap (1998)
    Everydaydream (2000)

Label : What Goes On
Format : Vinyl, LP, Album
Made in : France
Country : Australia
Released : 1986
Genre : Rock
Style : Alternative Rock 

MP3 @ 320 Size : 102 MB

FLAC  Size : 307 MB

Other Albums of Died Pretty HERE

MDC : Millions Of Dead Cops 1982 + Multi Death Corporation : "7" 1983 + Millions Of Dead Children / Chicken Squawk : "7" 1984 + Live At CBGB's 1983 + Stains : "7" 1980

Formed in the late 1970s as The Stains and playing their first gig under this name in August 1980, MDC were one of three pioneering hardcore punk bands in Austin, Texas, in the early '80s, alongside The Dicks and Big Boys.
These bands frequently played together and established the Austin hardcore scene.

Based in San Francisco during the '80s, MDC trumped the Dead Kennedys by performing politically charged hardcore punk that was arguably more extreme than what got the Kennedys into trouble.

Alternately known as Multi-Death Corporation, Millions of Dead Cops, or Millions of Damn Christians, the group formed in Texas in 1980 but moved to the West Coast by the time of their first release, a 1981 7"

titled "John Wayne Was a Nazi." After their album debut, 1982's Millions of Dead Cops, the band released a 1983 EP but then was silent for several years.
They released one single as the Stains in 1981, featuring a slower version of the future MDC song "John Wayne Was a Nazi" backed with "Born to Die".Both songs were later released on the debut MDC album.

During the summer of 1982 they became involved in the Rock Against Reagan Tour.
By 1982 the band had relocated to San Francisco, California, and renamed themselves MDC. By this point the band were active participants in the growing hardcore scene and released their debut LP Millions of Dead Cops on their own label, R Radical; Jello Biafra's Alternative Tentacles helped with distribution.

Their involvement in the Rock Against Reagan activities continued through 1983 and they returned to recording with the EP "Multi-Death Corporations" which was distributed in the UK by British anarcho-punk label Crass Records and R Radical in the U.S.
The EP broke new ground by addressing, in the lengthy liner notes and artwork, the growth of corporations and the violent suppression of left-wing politics in Central America.

In 1984 they released another EP, Millions of Dead Children (also known as Chicken Squawk), this time dealing with vegetarian and vegan issues via a cowpunk tune.

The album is now widely considered a punk classic, and features songs such as "John Wayne Was a Nazi", "Dick for Brains", and the harsh criticism of the police, "I Remember". Other targets of criticism devoid of irony included capitalism ("Corporate Death Burger"), homophobia ("America's So Straight"),and American culture ("Violent Rednecks").
 It was like they thought there was something to be gained politically from cops busting the heads of kids, the old Yippies routine.... [C]onfrontational barricades politics are tactics that failed, only helped those they were intended to hurt. Now that was an awful thing for me to say right? But when MDC met with Crass in England, Crass told them they were bothered by the name Millions of Dead Cops and wouldn't include them on a compilation album they were plotting unless they changed it. So Mega Death Corporation was born.

Their third album, This Blood's for You, followed in 1987 and saw them continuing to showcase orthodox hardcore punk style and classic rock, including a cover of the Cream song "Politician". Themes again included intervention in Central America and criticism of the Reagan Administration. MDC toured Europe in 1988, where the live album Elvis - In the Rhineland was recorded. The band released the album Metal Devil Cokes in 1989 with guitar player Eric Calhoun and bassist Joe Strom.

The 1990s opened with a number of lineup changes, swiftly followed by the 1991 album Hey Cop! If I Had a Face Like Yours..., featuring Bill Collins (formerly of Fang, Special Forces, Intensified Chaos) on guitar and Matt Freeman (of Operation Ivy and Rancid) on bass. Collins wrote all the music on the album and sang three of the songs. This lineup toured the US and Europe. The acclaimed Shades of Brown album appeared in 1993, released by New Red Archives in the U.S. and We Bite in Europe.

MDC's singer, Dave Dictor, returned with an entirely new backing line-up in 2000, which included Long Island musicians Matt Van Cura,(bass) Erik Mischo,(guitar) and John Soldo,(Drums). MDC released a new album, Magnus Dominus Corpus, in 2004.

In November 2016, MDC released a video for the forthcoming release of a new recording of "Born to Die",[7] made to protest the Donald Trump presidential campaign. The song's slogan "No Trump, no KKK, no fascist USA" was reported to be heard at anti-Trump demonstrations in Chicago.

Singles/EPs

    Stains - "John Wayne was a Nazi" 7", R Radical Records, 1980
    Millions of Dead Cops - "John Wayne was a Nazi" 7", R Radical Records, 1981
    Multi-Death Corporations - "Multi-Death Corporations" EP, Crass Records, 1983
    Millions of Dead Children - "Chicken Squawk" EP, R Radical Records, 1984

Albums

    Millions of Dead Cops (1982)
    Smoke Signals (1986)
    This Blood's for You (1987)
    It's The Real Thing (1989)
    Hey Cop, If I Had A Face Like Yours (1991)
    Shades of Brown (1993)
    Magnus Dominus Corpus (2004)
    Mein Trumpf (2017)


M.D.C.– Millions Of Dead Cops - Millennium Edition
Label : Beer City Records – BCR175-2
Format : CD, Album, Reissue, Remastered
Country : US
Released : 28 Nov 2014
Genre : Rock
Style : Hardcore, Punk

Tracklist

    Millions Of Dead Cops 1982

 

01. Business On Parade    
02. Dead Cops / America's So Straight    
03. Born To Die    
04. Corporate Deathburger    
05. Violent Rednecks    
06. I Remember    
07. John Wayne Was A Nazi    
08. Dick For Brains    
09. I Hate Work    
10. My Family Is A Little Weird    
11. Greedy & Pathetic    
12. Church And State    
13. Kill The Light    
14. American Achievements
    
    Multi Death Corporations  : "7" 1983


15. Multi Death Corporations    
16. Selfish Shit    
17. Radioactive Chocolate    
18. No Place To Piss
    
    Millions Of Dead Children / Chicken Squawk  : "7" 1984


19. Chicken Squawk    
20. Death Of A Nun    
21. Kleptomaniac    
22. (R)Evolution In Rock    
23. Pay To Come Along    
24. Pecking Order
   
        MDC - Live At CBGB's 1983, Beer City Records BCR190-1, 2015 (Limited to 1000 copies, on translucent green vinyl)

25. Intro    
26. Multi Death Corporation    
27. Selfish Shit    
28. Pay To Come Along    
29. Dick For Brains    
30. I Remember    
31. John Wayne Was A Nazi    
32. Warning To Bouncer    
33. Born To Die    
34. Radioactive Chocolate    
35. (R)Evolution In Rock    
36. Corporate Deathburger    
37. Greedy & Pathetic    
38. Church And State (Intro)    
39. Church And State    
40. Business On Parade    
41. Dead Cops / America's So Straight
   
    Stains  : "7" 1980

42. John Wayne Was A Nazi    
43. Born To Die

Credits

    Backing Vocals [Back-up Vocals] – Buxf, J.J., Tammy
    Bass [On Half The Album] – Franc'o, Mike Offender
    Cover [Front Cover Art Adapted By] – Carlos Lowry
    Cover [Original Front Cover Art] – Raul Valdez (2)
    Drums [Stix] – Alschvitz
    Engineer [Mastering Engineer] – Eric Wolfe
    Engineer [Recording Engineer] – Dan Yaney
    Guitar [Gits] – Ron
    Vocals [Guts] – David

 MDC – John Wayne Was A Nazi  Lyrics


John Wayne was a Nazi
He liked to play S.S.
He had a picture of Adolph ole' boy
Tucked in his cowboy vest.

Well, he would string up your mama
Sure he would torture your pop
Sure he would march you up to the wall
Sure he would hang you by your last ball.

He was a nazi!
But not anymore
He was a nazi, life evens the score
He was a nazi!
But not anymore
He was a nazi

John Wayne slaughtered our Indian brothers
Burned their villages and raped their mothers
Now he has given them a white man's lord
"Live by this, or die by my sword!"

He was a nazi!
He's not anymore
He was a nazi, life evens the score
He was a nazi!
But not anymore
He was a nazi

John Wayne killed a lot of gooks in war.
We don't give a fuck about John anymore.
We know his tale of blood and gore,
Just another pawn for the capitalist whore.

He was a nazi!
He's not anymore
He was a nazi, life evens the score
He was a nazi!
But not anymore
He was a nazi

John Wayne wore an army uniform
Didn't like us reds and fags that didn't conform
Great White Hero had so much nerve,
Lived much longer than he deserved

You were a nazi!
You're not anymore
You were a nazi, life evens the score
You were a nazi!
But not anymore
You were a nazi

Late show Indian or Mexican dies
Klan propaganda legitimized
Hypocrite coward never fought a real fight
When i see John i'm ashamed to be white
Death Bed Christian of this you avowed
If god's alive, you'll roast in Hell
Well done, we've got no regrets,
As long as you died a long and painful death.

You were a nazi!
You're not anymore
You were a nazi, death evened the score
You were a nazi!
But not anymore
You were a nazi!
Death evened the score,
You're dead, dead, dead.

Beer City Skateboards & Records
P.O. Box: 1759
Milwaukee, WI 53201-1759
Ph. 414.672.9948
http://store.beercity.com/mm5/merchant.mvc?Screen=SFNT&Store_Code=BCOShttp://store.beercity.com/mm5/merchant.mvc?Screen=SFNT&Store_Code=BCOS

MP3 @ 320 Size : 164 MB
FLAC  Size : 470 MB




This post is dedicate to Nuzz Prowling Wolf . Visit his blog Here.

Screamin' Jay Hawkins : Portrait Of A Man 1972

Jalacy "Screamin' Jay" Hawkins (July 18, 1929 – February 12, 2000) was an American singer, songwriter, musician, and actor. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", he sometimes used macabre props onstage, making him an early pioneer of shock rock.

Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His initial goal was to become an opera singer (Hawkins cited Paul Robeson as his musical idol in interviews), but when his initial ambitions failed he began his career as a conventional blues singer and pianist.

Hawkins' most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues,
"Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales,although it failed to make the Billboard pop or R&B charts.

"I Put a Spell On You" became a classic cult song, covered by a variety of artists such as Creedence Clearwater Revival, Nina Simone, Alan Price, The Animals, Them with Van Morrison, Arthur Brown, Bryan Ferry, Buddy Guy with Carlos Santana, Tim Curry, Leon Russell, Joe Cocker, Nick Cave in a concert only version, Marilyn Manson, Mica Paris with David Gilmour, Jeff Beck and Joss Stone, Diamanda Galas, and Annie Lennox in 2014 for her Grammy nominated album Nostalgia. Hawkins' original "I Put a Spell on You" was featured during the show and over the credits of Episode 303 of The Simpsons.

Portrait of a Man is a collection of rarities and obscurities from a man whose very career was filled with arcania.
Of course, it contains the original version of "I Put a Spell on You," but what Screamin' Jay Hawkins collection doesn't? The main point of the disc is rarities that aren't anywhere else, whether it's a remake of "I Put a Spell on You" or his freak English hit "Heart Attack and Vine.

" There are more interesting things here than the average Screamin' album, which is both good ("Mountain Jive" ) and bad ("Armpit No. 6"). Either way, it's one of the handful of Hawkins compilations that aren't strict hits collections but are worth hearing.

TRACKS

01. Little Demon
Orchestra – The Leroy Kirkland Orchestra 2:24
02. I Put A Spell On You
Orchestra – The Leroy Kirkland Orchestra 2:26
03. Baptize Me In WIne     2:30
04. Not Anymore     2:55
05. I Hear Voices
Backing Band – The Chicken Hawks Orchestra – The Teddy McCrea Orchestra 2:55
06. Just Don't Care
Backing Band – The Chicken Hawks Orchestra – The Teddy McCrea Orchestra 2:20
07. Ashes
Backing Vocals – Shoutin' Pat Newborn 2:29
08. There's Something Wrong With You     2:30
09. Strange
Orchestra – The Sammy Lowe Orchestra 2:08
10. The Whammy
Orchestra – The Sammy Lowe Orchestra 2:38
11. All Night
Orchestra – The Leroy Kirkland Orchestra 2:00
12. Poor Folks
Orchestra – The Walter Young Orchestra 2:57
13. Your Kind Of Love
Orchestra – The Walter Young Orchestra 2:17
14. Mountain Jive     2:12
15. Voodoo
Written-By – Joey Levine, Marc Bellack 2:25
16. You Put A Spell On Me     3:40
17. Portrait Of A Man     4:12
18. Ol' Man River
Written-By – Jerome Kern, Oscar Hammerstein II 5:56
19. Heart Attack & Vine
Written-By – Tom Waits 4:22
20. I Don't Know
Written-By – Willie Mabon 3:17
21. Don't Deceive Me     3:42
22. Whistling Past The Graveyard
Written-By – Tom Waits 3:37
23. Armpit NO. 6     3:36
24. I Put A Spell On You (1979 Version)
Guitar – Keith Richards 2:57
25. Scream The Blues
Written-By – Robert Duffey  3:31

Release Date 1972
Duration : 01:17:49
Genre : Rock & Blues
Styles : Early R&B , Rock & Roll

MP3 @ 320 Size : 182 MB

FLAC  Size : 364 MB

Green On Red : Gas Food Lodging 1984

Much like their pals the Dream Syndicate, Green on Red used up nearly all their psychedelic influences early on, and 1985's Gas Food Lodging found Dan Stuart and company veering into country-inflected roots rock that dovetailed nicely with the populist themes Stuart had begun to explore in his lyrics.

Opening with "That's What Dreams," a tough but moving first-person tale of a working man struggling to hold on to his dignity, Gas Food Lodging takes a long look at the sometimes-fractured state of the American psyche during the Reagan years, as seen through the eyes of a low-budget rock band out on the road.

Of course, Dan Stuart's America is populated by drunks, losers, drifters, and psychopaths, but there's a genuine measure of compassion in his portrayal of this collection of lost souls, and this lineup of the band with Chuck Prophet IV on guitar and Chris Cacavas ( Greek man ) on organ created evocative music that added depth and detail to Stuart's grubby vision.

Gas Food Lodging set a template for the music Green on Red would make in the future, but they rarely hit their targets as squarely as they did here .

there's an emotional weight and a ring of truth to this material that missing from much of the band's later work, and while closing with "We Shall Overcome" might seem like an especially obvious gesture, through sheer bloodshot sincerity this band makes it work and makes it genuinely moving. This is  Green on Red's best album will do nicely.

The band issued an overtly psychedelic, self-released red vinyl EP, sometimes called Two Bibles, though its first widely available record was an EP issued in 1982 by Dream Syndicate leader Steve Wynn on his own Down There label.

Green on Red followed the Dream Syndicate onto Slash Records, which released the album Gravity Talks in the fall of 1983. San Francisco-based guitarist Chuck Prophet joined for the 1985 Gas Food Lodging (Enigma), after which MacNicol was replaced on drums by Keith Mitchell (later of Mazzy Star).

In 2006 'Gas' was performed live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series. Also in 1985, Stuart collaborated with Steve Wynn as "Danny & Dusty" on the album The Lost Weekend (A&M).

This album is a masterpiece of Rock Music in the 80's .

Paisley Underground is a subgenre of jangle pop that originated from California. It was particularly popular in Los Angeles, reaching a peak in the mid 1980s. Paisley Underground bands incorporated psychedelia, rich vocal harmonies and guitar interplay, owing a particular debt to 1960s groups such as Love and the Byrds, but more generally referencing a wide range of pop and garage rock revival.

TRAXS

SIDE A

 

01. That's What Dreams     4:22
02. Black River     2:43
03. Hair Of The Dog     2:31
04. This I Know     2:30
05. Fading Away     4:35

SIDE B

 

06. Easy Way Out     3:05
07. Sixteen Ways     3:43
08. The Drifter     2:32
09. Sea Of Cortez     3:51
10. We Shall Overcome     2:27

Personel :

Bass, Vocals – Jack "Jake" Waterson
Design – A.B.T.P
Drums – Alex "Big Dog" MacNicol
Engineer – Carolyn Collins, Paul B. Cutler
Guitar, Vocals – Chuck "Billy The Kid" Prophet IV
Keyboards, Jew's Harp [Mouth Harp], Vocals – Chris "Chez" Cacavas
Lacquer Cut By – Porky
Photography By [Band Photo] – Craig Takahashi
Producer – Paul B. Cutler
Vocals, Guitar – Dan "Big Daddy" Stuart
Recorded at Eldorado Studios, Hollywood, December 1984.

Format : Vinyl LP
Made in : Greece
Label : Virgin
Gerne : Rock
Style : Paisley Undrground

THAT'S  WHAT DREAMS  LYRICS

It seems that no one has any faith anymore
Well isn't that what we invented heroes for?
Got the world intent that I was through.
Still the young man I know that that ain't true.

That's what dreams were made for

Staring in the eyes of the preacher who sold me down the river
Well I got too much faith for him to deliver
Guess I'll just be poor for the rest of my life
It's better than giving up the fight.

That's what dreams were made for

It seems the handshake means nothing today
Lifetime of work sold down the river for a mans weekly pay.
Guess I'll just be poor for the rest of my life
It's better than giving up the fight

That's what dreams were made for

 MP3 @ 320 . SIZE : 75.9 MB

FLAC  SIZE  :  226 MB

The Sound : All Fall Down 1982

All Fall Down is the third studio album by English Dark Wave band the Sound, recorded from March to August 1982 and released in November 1982 on record label WEA.

After being pressured by their record label to release a more commercially successful album, since their previous records failed to attract the attention of the public, the Sound rebelled and recorded All Fall Down, which has been called "distinctly uncommercial".

The album was poorly received by critics and led to the termination of the Sound's contract with WEA. No singles were released from the album.
This is is a great Dark Wave album full of desperate lyrics , deep pain and great songs .

"All Fall Down" is one of those maligned records where some fans bailed but a select few would be inclined to attempt through demonstrative hand gestures and longwinded, shouty, pouty explanations of the circumstances surrounding it why it's the band's greatest achievement. All this despite the fact that the majority of the other people who have heard it will tell you it should be avoided at all costs.

"It's hopelessly 'down,' it's got no 'tunes,' it doesn't go anywhere," etc. Truthfully, it falls somewhere between those two views. This is one of those records where patience pays off, because it will gradually become more apparent that the songs all fit together and pretzel themselves in a sense that each one's effect is optimized with the context of those surrounding it. 

It's not a sprawl of songs but an album. Nothing comes by and smacks you in the face; its progression unfolds slowly. They play around with song structures, avoid choruses, drop down unexpected portals, use rhythmic drives for extended stretches, and employ chanted refrains, tape effects, and mechanized handclaps. Some songs build and build and build on a slight gradient and fade out or disappear with no resolution, no catharsis. 

None of these developments emaciate the band's power. However difficult the record is to crawl into, it shows a band that had reached another level of mastery. Renascent reissued All Fall Down in 2002 with superb sound and added three previously unreleased songs. The vocal tracks seem to be slowed down significantly, making Adrian Borland sound very intimidating.

ΤRAXS

01. All Fall Down      2:28
02. Party of the Mind     3:57
03. Monument              5:08
04. In Suspense             4:05
05. Where the Love Is      4:09
06. Song and Dance      3:55
07. Calling the New Tune 3:30
08. Red Paint             3:15
09. Glass and Smoke      6:54
10. We Could Go Far     4:04

Bonus Tracks

11. The One And A Half Minute Song     1:32
12. Sorry     3:47
13. As Feeling Dies     4:38
14. We could Go Far  3.31
15. Plenty  4.49
16. Neath Dancing Waves 2.46
17. Amber  3.57
18. Scapegoat In A Country Churchyard  2.52

Personnel

Adrian Borland – vocals, guitar, production

Adrian Kelvin Borland (6 December 1957 – 26 April 1999) was an English singer, songwriter, guitarist and record producer, best known as the frontman of post-punk band The Sound.

Another Dark Prince is gone . He cut his life lost in Glass and Smoke .

Graham Green – bass guitar, sound effects, drum machine programming, percussion, production

Max Mayers – keyboards, production

Mike Dudley – drums, percussion, production

Additional personnel

Manor Choir – backing vocals on "All Fall Down"
Craig Milliner – engineering
Flood – engineering
Steve Prestage – engineering
Bill Smith – sleeve artwork design
Andrew Douglas – sleeve photography
Nick Robbins – production

All Fall Down  LYRICS

The simple notions
Of this damned nation
There's words on the page still
But where's all the rage gone?
All fall down, all fall down

Dance in the streets
Sing ring-a-ring-a-roses
Their disease is complete
With a pocket full of poses
All fall down, all fall down

Pack of cards, den of thieves
Safe as houses until the breeze
Just watch it all fall down
Just watch it all fall down

Don't turn the clock back
Break its hands off
Two minutes to midnight
Are you ready to collapse?
Ready to all fall down


GLASS AND SMOKE LYRICS

The world is turning
The world is turning
Full speed, full moon
It'll be the right time
To get right out soon

We have killed our days

With boredom

Drank the hours

Left them undone

When glass and smoke call

It's a farewell, a sad farewell

We are lost in glass and smoke
Cut by glass, choked by smoke

I'm not stupid
I know i'm guilty
Going on a journey
You can't come with me

 Adrian Borland

Following a substantial musical career spanning numerous groups, as well as a solo career, he succumbed to symptoms of what is known as schizoaffective disorder, and committed suicide by jumping in front of a train on 26 April 1999.

 Flac  Size : 506 MB

Other Albums of The Sound : HERE