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Sunday, July 12, 2020

Various ‎– Garage Beat '66 Vol.3 (Feeling Zero...) 2004 + Garage Beat ’66 Vol. 4 (I’m In Need!) 2004


 GARAGE BEAT '66 VOL.3 (FEELING ZERO...)

Garage Beat '66 Volume 3: Feeling Zero... is a compilation album featuring rare material recorded by American psychedelic and garage rock bands that were active in the 1960s. The album's contents are sourced from the original master tapes. It is the third installment of the Garage Beat '66 series and was released on April 27, 2004 on Sundazed Records.


The album marks a point in the series in which the musical content began branching out to compile fuzz-drenched psychedelia and more standard pop rock-influenced numbers. Musical highlights include "Mother Nature/Father Earth", a rare 1968 single by the proto-punk band the Music Machine. The Preachers are represented with their snarling take of Bo Diddley's "Who Do You Love?", which received attention with its inclusion on Pebbles, Volume 1.


Additional highlights include the Brogues' Pretty Things-inspired "Don't Shoot Me Down", Southwest F.O.B.'s cover version of "Smell of Incense", which became a moderate national hit, and the E-Types' harmonized pop song "She Moves Me". Further exploration into psychedelia is evident with the track "Feeling Zero" by the San Francisco group Neighb'rhood Childr'n.


[ By Richie Unterberger
The third volume in Sundazed's Garage Beat '66 follows the same format as the preceding installments, the 20 tracks hailing from all over North America, most of them quite rare, all of them sourced from the original masters.


Mid-'60s garage rock is the main course here, but it does allow for some different shades than the stereotypical snarling fuzz-laden pounders, including some psychedelic and pop-influenced productions.


The Music Machine is the only group here that had a big hit (though they're represented by a non-charting 1968 single, "Mother Nature/Father Earth"), and while some of the other songs and artists will be fairly familiar to '60s collectors who specialize in this area, most listeners who've only just digested the Nuggets box set will find most of it virgin territory.


It occupies a somewhat peculiar niche, though, in that collectors who dig this stuff might be apt to Southwest F.O.B.'s pop-psychedelic "Smell of Incense," the first-rate harmonized pop/rock of the E-Types' "She Moves Me," the Preachers' fierce version of "Who Do You Love," the Brogues' -inspired "Don't Shoot Me Down" (with a couple of future members of Quicksilver Messenger Service), and the Mourning Reign's moody "Satisfaction Guaranteed." The other songs are mostly below the standard of the aforementioned items, but a few goodies do lurk here, particularly the mix of stomping rhythms and tag-team harmonies in the Answer's "I'll Be In" and the Mile Ends' "Bottle Up and Go," a galvanizing slice of blues-pop-garage that's one of the best such efforts not to show up on too many compilations.]


This is probably one of the most comprehensive series on Garage Rock I've ever purchased. it covers bands from many areas of the U.S.A with varied influences. one band which went by the name "The Answer" I first came across on youtube by accident. someone had uploaded their track "Why You Smile"(which appears on this CD) and included some old 1960s film footage of a very attractive young brunette woman which I discovered after researching was a young actress by the name of Arlene Farber.


Anyway, another track by this California band "I'll Be In" by this band also appears on this edition. their style is reminiscent of early Rolling Stones(think similar to "Heart of stone" and some of their more uptempo bluesier tunes from "December's Children", for instance). many bands do have sort of a stones/animals/yardbirds/kinks type influence such as The Mourning Reign's "Satisfaction Guaranteed" and The Preachers, who cover a classic blues tune(Who Do You Love). the exception would be a band by the name of Southwest F.O.B., a Texas proto-psych band that probably had more in common with folk-rock bands such as The Byrds with keyboards added.


Overall it is an excellent compilation and quite an enjoyable listen for both fans of Garage Rock and Rock music in general and whether you're a fan of 1960s Garage Rock, 1970s Punk , Hard Rock and Metal or any other style of Rock I highly recommend this comp. Sundazed has done a lot of research on the bands presented on this disc including location of band and date of release for each track. it's definitely worth the price imho!


Garage Beat '66 Volume 3: Feeling Zero... was strictly released to compact disc, and, like other albums in the series, is commended for its good sound-quality.


Various ‎– Garage Beat '66 3 (Feeling Zero...)
Label: Sundazed Music ‎– SC 11141
Series: Garage Beat '66 – 3
Format: CD, Compilation, Mono
Country: US
Released: 2004
Genre: Rock
Style: Garage Rock, Psychedelic Rock 

TRAXS

 

01. The Purple Underground: Count Back  2:42
02. The Music Machine: Mother Nature/Father Earth 2:14
03. The Others: Revenge 2:00
04. The Answer: I'll Be In 2:32
05. Living Children: Crystalize Your Mind 2:50
06. The Preachers: Who Do You Love? 2:16
07. The Great Scots: I Ain't No Miracle Worker 2:44
08. The Mourning Reign: Satisfaction Guaranteed 2:19
09. The Brogues: Don't Shoot Me Down 2:20
10. Southwest F.O.B.: Smell of Incense 2:43
11. The Mile Ends: Bottle Up and Go 2:14
12. The E-Types: She Moves Me 2:17
13. Butch Engle and the Styx: Going Home 2:07
14. The Answer: Why You Smile 2:35
15. The Rear Exit: Miles Beyond 1:57
16. Moss and the Rocks: There She Goes 2:55
17. The Preachers: Stay Out of My World 2:33
18. Neighb'rhood Childr'n: Feeling Zero 3:05
19. Living Children: Now It's Over 2:05
20. The Brogues: But Now I Find 2:16

MP3 @ 320 Size: 113 MB
FLAC  Size: 177 MB

 GARAGE BEAT '66 VOL.4 (I'M IN NEED!)


Garage Beat '66 is back on the scene with a legion of rail-thin kids wielding obnoxiously loud guitars! The original army of teenage garage bands, the ones who made life worth living in the '60s and the heroic subjects of Sundazed's ongoing series Garage Beat '66, has returned with a vengeance. Garage Beat '66, the most far-reaching, legit, vintage garage-rock series ever, presents two new volumes showcasing fuzz-drenched genre cornerstones by Zakary Thaks, the Gonn and the Haunted as well as mind-numbing brilliance from forgotten combos like the Rahgoos, the Basement Wall and the Nuchez.


Garage Beat '66 spans the U.S. and Canada, with each volume meticulously assembled from the original source tapes and with full participation of many of the artists.
That means this stuff has never sounded so wonderful! We've included voluminous liner notes by garage experts and tons of eye-popping band photos and graphics.



For some odd reason(s) this particular volume of the 'Garage Beat 66'' CD series took awhile to locate a physical copy of. Only band here that I seem to recognize is Canadian's The Haunted with their hit "1-2-5". After giving this disc several spins, I found myself especially taking notice the obscure band The Torquays (who came from my neck of the woods - Shawnee Mission, KS) as this CD has two tracks from them; turns out The Torquays had at least one proper lp out as well as several compilations, the Count Four's "Discussion Of The Unorthodox Council" (from Goldsboro. SC), the catchy Groupies' "Down In The Bottom", the awesome Joey Fee & The Come-On's "You Know 'Til The End Of Time", the Henchmen Six with "Is Love Real?", the very psychedelic sounding the Galaxies Four's "Don't Lose Your Mind", the Quarrymen's (obviously, not the early Beatles incarnation) "Don't Try Your Luck" and The Cords "Ghost Power". Highly recommended.


[By Stephen Thomas Erlewine  [-]
Sundazed picks up its Garage Beat '66 series where it left off, with the fourth volume, subtitled I'm in Need!, following the same pattern as the first three, serving up 20 garage rock sides from the latter half of the '60s (1966 is ground zero for this comp, but it features tracks recorded between 1965 and 1970).


While this series does have something to offer serious collectors -- primarily excellent sound quality and a handful of previously unreleased tracks -- it isn't intended for garage fanatics: it's designed as
the next step for listeners who love Nuggets but don't have the time, inclination, or patience to sort through the various Pebbles and Rubble series. It's also for listeners who have a fairly strict definition of garage, preferring American bands inspired by the Rolling Stones and Yardbirds bashing out blues-influenced primitive rockers, not the psychedelia that runs rampant through Nuggets, because there's precious little of that to be found here. Which isn't to say that Garage Beat is monotonous (well, no more than any other garage rock comp, but anybody interested in this music knows that going into the disc).


There's a good variety of sounds and attitudes on I'm in Need!, from the snide, harmonica-fueled the Haunted's "1-2-5" and Rob Kirk & the Word's minor-key, trippy "Girl Talk" to 's fuzzy, sneering "Good Times" and the Torquays' tense, Yardbirds-styled "Harmonica Man (From London Town)." There are three previously unissued cuts here, all noteworthy: the Counts IV's dense, wordy "Discussion of the Unorthodox Council," the Groupies' version of Willie Dixon's "Down in the Bottom," which is a rowdy barnstormer, and the Rahgoos' "Do the Rahgoo," an exhilarating manic two-minute blast of chaos.


While there are no big hits here and a couple of cuts don't rise above the appealingly generic, this is a tight, compulsively listenable collection of some of the best second-tier garage rock singles. Much of this can be found elsewhere or is well known to hardened collectors, but for those listeners who don't want to amass a large collection of garage comps, this volume of Garage Beat, like the others, is an excellent distillation of some of the best lesser-known sides of the genre.]


Classic, killer garage punk gold, beautifully mastered. Very definitely the equivalent of Nuggets in terms of quality. My only regret is that Sundazed, normally prone to such things, didn't do a simultaneous pure-analog vinyl release. All volumes recommended.


Various: Garage Beat ’66 Vol. 4 (I’m In Need!)
Label: Sundazed Music ‎– SC 11150
Series: Garage Beat '66 – 4
Format: CD, Compilation, Mono
Country: US
Released: 2005
Genre: Rock
Style: Garage Rock

TRAXS


01. The Haunted: 1-2-5   2:25
02. The Torquays: Stolen Moments   2:05
03. The Counts Four: Discussion Of The Unorthodox Council   2:33
04. The Mile Ends: Bring 'Em On In   3:02
05. The Groupies: Down In The Bottom   2:33
06. The Barons: Surprise, Surprise   2:17
07. Joey Gee &The Come-Ons: You Know 'Til The End Of Time     2:10
08. Nobody's Children: Good Times   2:49
09. Up Stairs: Operator Please   2:47
10. The Torquays: Harmonica Man (From London Town)   2:17
11. The Henchmen Six: Is Love Real?     2:11
12. Rob Kirk & The Word: Girl Talk   2:10
13. The Others: I'm In Need   2:11
14. The Galaxies Four: Don't Lose Your Mind   3:02
15. The Quarrymen: Don't Try Your Luck   2:36
16. The Driving Stupid: Horror Asparagus Stories   2:36
17. Mike London And The Englishmen: Gypsy Lady     2:41
18. The Rahgoos: Do The Rahgoo   2:11
19. Joey Gee &The Come-Ons: She's Mean   2:47
20. The Cords: Ghost Power   3:07

MP3 @ 320 Size: 117 MB
FLAC  Size: 210 MB

Tuesday, July 07, 2020

Various: Garage Beat '66 Volume 1: Like What, Me Worry? (2004) + Garage Beat '66 Volume 2: Chicks Are For Kids! (2004)


GARAGE BEAT '66 VOLUME 1: LIKE WHAT, ME WORRY?

Garage Beat '66 Volume 1: Like What, Me Worry?! is the first installment in the Garage Beat '66 series of garage rock compilations issued by Sundazed Records, which is available exclusively on compact disc. It features well-researched liner notes, written by recognized garage rock authorities, which supply background information about each song and act, often including photographs of the bands. Like all of the entries in the series it is noted for good sound quality, as all of the tracks are mastered from the original studio master sources.


The set opens with "Like What, Me Worry," by 006. Also featured are two cuts by the Sparkles from Levelland, Texas: "No Friend of Mine" and "Hipsville 29 B.C. (I Need Help)." Fellow Lone Star
State residents, Neal Ford and the Fanatics, of Houston perform "Shame on You," replete with its highly idiosyncratic guitar solo. The Fe-Fi-Four Plus 2 provide the bad acid trip-saga, "I Wanna Come Back (From the World of LSD)." Matthew Moore Plus Four cover Buffy Sainte-Marie's oft-covered garage folk anthem "Codyne (She's Real)" and the Words of Luv do a rendition P.F. Sloans "I'd Have to Be Outta My Mind." The set also includes the unlikely presence of John Hammond Jr. covering Billy Boy Arnold's "I Wish You Would," with Bill Wyman on bass and Robbie Robertson on guitar, doing a different take of the number than the one which appears on his So Many Roads album.


[Sundazed's Garage Beat '66 series of mid-'60s garage rock takes much the same approach as hundreds, if not thousands, of such compilations that have been issued since the late '70s.


Each volume has an assortment of tracks from all over North America, many of them rare, none of them national hits, and most of the acts known only within their region, if at all. The emphasis is on raw, fuzzy outrage, often inspired by (but not as polished as) the more R&B-aligned end of the British Invasion. It's better than the average '60s garage rock anthology, though, in part because unlike virtually all other such animals, the tracks are mastered from the original sources, and the liner notes include copious commentary on each selection by garage rock authorities.


So if you're the kind of fan likely to collect such stuff, although you may well already have items like 006's "Like What, Me Worry," the Fe-Fi-Four Plus 2's "I Wanna Come Back (From the World of
LSD)," and the Sparkles' "Hipsville 29 B.C. (I Need Help)" elsewhere, you may well not have them in as good fidelity as they boast here. While the songs do tend toward basic bluesy teen rants, there's room for some eclecticism, particularly in the inclusion of John Hammond's cover of Billy Boy Arnold's "I Wish You Would" from a 1966 single (with Bill Wyman on bass and Robbie Robertson on guitar,
and a different version than the one that appears on his album So Many Roads); Matthew Moore Plus Four's garage-folk-rock cover of Buffy Sainte-Marie's "Codyne (She's Real)"; and Words of Luv's version of an obscure P.F. Sloan folk-rocker, "I'd Have to Be Outta My Mind." The no-holds-barred absurdity of the aforementioned "I Wanna Come Back (From the World of LSD)" and the crunching soul-rock-pop of the Sparkles' "No Friend of Mine" stick out as the highlights, however.
By Richie Unterberger]


Various: Garage Beat '66 Volume 1: Like What, Me Worry?
Label: Sundazed Music ‎– SC 11139
Series: Garage Beat '66 – 1
Format: CD, Compilation, Mono
Country: US
Released: April 27, 2004
Genre: Rock
Style: Garage Rock

TRACKS


01. 006: Like What, Me Worry 2:34
02. The Country Gentlemen: Saturday Night 1:55
03. Fever Tree: I Can Beat Your Drum 2:03
04. The Sparkles: Hipsville 29 B.C. (I Need Help) 2:11
05. The Centuries: Hard Times (Billy Beard) 2:26
06. The Kreeg: Impressin' (Bob Sturtcman) 2:38
07. The "In": Just Give Me Time 2:20
08. The Ban: Bye Bye (Tony McGuire) 2:44
09. Executioners: I Want the Rain 2:43
10. The Odyssey: Little Girl, Little Boy (Jerry Berke) 2:22
11. Matthew Moore Plus Four: Codyne (She's Real) (Buffy Sainte-Marie) 2:51
12. Livet Nord: I'd Have to Be Outta My Mind (P.F. Sloan) 2:49
13. Five Of Us: Hey You 2:14
14. John Hammond, Jr.: I Wish You Would (Billy Boy Arnold) 2:40
15. Just Two Guys: Eyes 2:47
16. Olivers: Beeker Street 2:04
17. Neal Ford and the Fanatics: Shame on You (Bobbye Johnson) 2:13
18. Smokestack Lightnin': Look What You've Done (Ronnie Darling/Ric Eiserling) 2:54
19. The Sparkles: No Friend of Mine (Jay Turnbow) 2:24
20. The Fe-Fi-Four Plus 2: I Wanna Come Back (From the World of LSD) (Danny Houlihan) 2:17

All tracks recorded 1965-1968.

MP3 @ 320 Size: 114 MB 
FLAC  Size: 185 MB

GARAGE BEAT '66 VOLUME 2: CHICKS ARE FOR KIDS!


Various: Garage Beat '66 Volume 2: Chicks Are For Kids!
Label: Sundazed Music ‎– SC 11140
Series: Garage Beat '66 – 2
Format: CD, Compilation, Mono
Country: US
Released: 2004
Genre: Rock
Style: Garage Rock 



Garage Beat '66 Volume 2: Chicks are for Kids! is the second installment in the Garage Beat 66 series of garage rock compilations issued by Sundazed Records, which was released on April 27, 2004 and is available exclusively on compact disc. It features well-researched liner notes, written by Ugly Things publisher Mike Stax, which supply background information about each song and act, usually including photographs of the bands.


Like all of the entries in the series it is noted for good sound quality, as all of the tracks are mastered from the original studio master sources.


The set opens with "Sweetgina," by the Things to Come. Also featured is The Guess Who's 1966 The Remains perform a rough alternate take of "Why Do I Cry." The Barbarians deliver their The Litter, do aversion of the Small Faces' Whacha Gonna do About It? Also on the set is The Five Americans 1964 single, "I'm Feeling O.K." The Spiders (featuring Vincent Furnier, later known as Alice Cooper) play a fuzz-drenched outtake of "Don't Blow Your Mind."
Mersey Beat influenced debut 45, "Hey Little Bird."
single, "Believe Me."


Seattle's the Sonics perform "You've Got Your Head on Backwards." Some of the lesser-known songs
are the Bold's lewd "Gotta Get Some" and the Go-Betweens' "Have You for My Own." The Jynx, whose roster included future Big Star member Chris Bell on lead guitar, do a rendition of Them's "Little Girl." The Ugly Ducklings close out the set with their unreleased version of Bo Diddley's "I'm a Man."


[By Richie Unterberger

The second volume in Sundazed's Garage Beat '66 series follows much the same format as its predecessor: 20 garage rockers from all over America, though generally from the rawer end of the spectrum rather than the poppier side.


There's a slightly higher concentration of names that'll be at least somewhat known to some of the less specialized listeners, though, including the Guess Who (their 1966 single "Believe Me"), the
Remains, the Barbarians (with their crude Merseybeat-influenced debut 45, "Hey Little Bird," which was their best recording), the Litter, the Five Americans (with their 1964 single "I'm Feeling O.K."), We the People, the Spiders (who evolved into Alice Cooper), the Ugly Ducklings (with a previously unreleased version of "I'm a Man"), and the Sonics.
That alone is enough to make it a better than average '60s garage compilation, and the sound quality (mastered, unusually for a garage anthology, from original sources) and detailed track-by-track annotation by Ugly Things publisher Mike Stax are other bonuses.


As for the rarer, less-anthologized items here, some of these tend toward the more run-of-the-mill garage rock of the era, though the Bold's lewd "Gotta Get Some" (which recalls Paul Revere & the
Raiders' toughest moments) and the weird ringing guitar of the Go-Betweens' "Have You for My Own" are ear-catching. The Jynx's 1965 cover of Them's "Little Girl" isn't nearly as exciting as the original, but does possess historical interest for featuring future Big Star member Chris Bell on lead guitar.]

TRAXS


01. Things to Come: Sweetgina (Steve Runolfsson) 3:00
02. The Bold: Gotta Get Some (Dick Lapalm) 2:30
03. The Guess Who: Believe Me (Randy Bachman) 2:54
04. The Jynx: Little Girl (Van Morrison) 1:55
05. The Gestures: I'm Not Mad 2:37
06. Menn: Things to Come 2:07
07. The Sonics: You Got Your Head on Backwards (Gerald Roslie) 2:22
08. Best Things: Chicks Are for Kids 3:08
09. The Remains: Why Do I Cry (Barry Tashian) 3:07
10. The Barbarians: Hey Little Bird (Tommy Kaye) 2:21
11. The More-Tishans: (I've Got) Nowhere to Run 2:09
12. The Concepts: Faces Come, Feelings Go (Rob Zolner) 2:50
13. The Go-Betweens: Have You for My Own (Bob Brancati) 2:29
14. The Litter: Whatcha Gonna Do About It? 2:27
15. The Electras: (Just a Little) Soul Searchin' (Warren Kendrick) 2:46
16. The Five Americans: I'm Feeling O.K. (Johnny Durrill/Michael Rabon) 2:19
17. The Spiders: Don't Blow Your Mind 2:53
18. The Third Bardo: Lose Your Mind (R. Evans) 2:14
19. We the People: When I Arrive (Tommy Talton) 3:05
20. The Ugly Ducklings: I'm a Man (Ellas McDaniel) 5:02


All tracks recorded 1965-1968.

MP3 @ 320 Size: 127 MB
FLAC  Size: 188 MB

Thursday, July 02, 2020

Amon Düül II: Tanz Der Lemminge 1971


Amon Düül II (or Amon Düül 2, Pronunciation = Amon Düül) is a German rock band. The group is generally considered to be one of the pioneers of the West German krautrock scene. Their 1970 album Yeti was described by British magazine The Wire as "one of the cornerstones of [...] the entire Krautrock movement."


The band emerged from the radical West German commune scene of the late 1960s, with others in the same commune including some of the future founders of the Red Army Faction. Founding members are Chris Karrer, Dieter Serfas, Falk Rogner (b. 14 September 1943), John Weinzierl (b. 4 April 1949), and Renate Knaup-Krötenschwanz (b. Renate Aschauer-Knaup, 1 July 1948).


The band was founded after Weinzierl and the others met at the Amon Düül 'art commune' in Munich. The commune consisted mainly of university students, who formed a music group initially to fund the commune, with everyone who lived there joining in to play music whether or not they had any experience or ability.


Their first album Phallus Dei ('God's Phallus'), released in 1969, consisted of pieces drawn from the group's live set at the time. By this time the line-up was built around a core of Karrer (mainly violin and guitar), Weinzierl (guitar, bass, piano), Rogner on keyboards, bass player Dave Anderson, and two drummers (Peter Leopold (b. 15 August 1945) who had joined the group from Berlin, and Dieter Serfas).


Their second album Yeti (1970) saw them introducing arranged compositions along with the bluesy violin and guitar jams such as the long improvised title track. The next album Tanz der Lemminge
(1971) was based on four extended progressive rock suites. By this time bassist Anderson had returned to England and joined Hawkwind, to be replaced by Lothar Meid (born 28 August 1942), and the group was augmented by synthman Karl-Heinz Hausmann (Karrer had formed a short-lived group in 1966 - supposedly named 'Amon Düül O' - with future Embryo founders Lothar Meid and drummer Christian Burchard).

Amon Düül II's drummer, Peter Leopold, died on 8 November 2006. A memorial service was held for Leopold in Munich, where the remaining members of Amon Düül II sang a song for him. Leopold was replaced by multi-instrumentalist Daniel Fichelscher, for many years guitarist and drummer of Krautrock group Popol Vuh. Fichelscher is not new to the group, and in fact has had a long affiliation with Amon Düül II, having played with them as early as 1972 on Carnival in Babylon.
Bass player Lothar Meid died on 3 November 2015.


Tanz der Lemminge (English: Dance of the Lemmings) is a double LP released in 1971.
The first side of disc 1 is a 4-movement sidelong epic (lasting some16 minutes) called March Of The
Roaring 70's where the group appears in top form, ready to exploit the ground broken with pallus and Yeti, and indeed the wild psych they dealt us in Yeti is at least matched on this first side. Wriiten by Chris Karrer, the track is an excellent progressive space folk track. The flipside is occupied by Weinzerl's 7-movement Restless Skylight/Transistor Child suite, which is extremely wide in its scope ranging from Indian (guesting is futurePopol Vuh sitarman al Grommer) to a devillish and ever-changing soundscape, including a mellotron.


The album's second disc is opened by Rogner's Chamsin Soundtrack (for a seldom seen film), filled with completely spaced out ambiances created by a sliding growling organ lines and echoed guitars answers. While this track might be faaaaar out, it stands out also as a bit too spaced out for repeated
listenings and since it takes on a full side of the album's seciond disc.....
Its flipside is a confused affair, filled with a succession of short tracks that seem somewhat linked together. With these three "shorter " tracks, we return to the screaming full psych that had been lacking us since the start (there was a bit of it during Weinzerl's suite), but Chewingum Telegram is a bit short, but sounding like some Quicksilver Messenger Service on strong dope... More crunchy guitars on Melted Moonlight, but here the recording sound shoddy and the whole thing lacking tightness. Closing the album is the medium-sized (for this album anyway with its almost 8 minutes) Toxological Whispering, an excellent Agitation Floyd track


[There aren't many double art-rock albums from the early '70s that have stood the test of time, but then again, there aren't many albums like Tanz, and there certainly aren't many groups like Amon Düül II. While exact agreement over which of their classic albums is the absolute standout may never be reached, in terms of ambition combined with good musicianship and good humor, the group's third album, is probably the best candidate still. The musical emphasis is more on expansive arrangements and a generally gentler, acoustic or soft electric vibe; the brain-melting guitar from Yeti isn't as prominent on Tanz, for example, aside from the odd freakout here and there. You will find lengthy songs divided up into various movements, but with titles like "Dehypnotized Toothpaste" and "Overheated Tiara," po-faced seriousness is left at the door.


The music isn't always wacky per se, but knowing that the group can laugh at itself is a great benefit. The first three tracks each take up a side of vinyl on the original release, and all are quite marvelous. "Syntelman's March of the Roaring Seventies" works through a variety of acoustic parts, steering
away from folksiness for a more abstract, almost playfully classical sense of space and arrangement, before concluding with a brief jam. "Restless Skylight-Transistor Child" is more fragmented, switching between aggressive (and aggressively weird) and subtle passages. One part features Meid and Knaup singing over an arrangement of guitars, synths and mock choirs that's particularly fine, and quite trippy to boot. "Chamsin Soundtrack" exchanges variety for a slow sense of mystery and menace, with instruments weaving in and out of the mix while never losing the central feel of the song. Three briefer songs close out the record, a nice way to get in some quick grooves at the end.
By Ned Raggett ]


Amon Düül II ‎– Tanz Der Lemminge
Year: 1971
Label: Repertoire Records ‎– REP 4915, Repertoire Records ‎– REP 4915A
Format: CD, Album, Remastered
Country: Germany
Released: 2001
Genre: Rock
Style: Krautrock, Psychedelic Rock, Progressive Rock

TRACKS

    Syntelman's March Of The Roaring Seventies  15:51

01. In The Glassgarden     1:39
02. Pull Down Your Mask  4:39
03. Prayer To The Silence     1:04 (Vocals- Chris Karrer)
04. Telephonecomplex     8:26

    Restless Skylight-Transistor-Child

05. Landing In A Ditch     1:12
06. Dehypnotized Toothpaste     0:52
07. A Short Stop At The Transylvanian Brain-Surgery (Vocals – Lothar Meid)  5:00

    Race From Here To Your Ears

08. Little Tornadoes (Vocals – Chris Karrer)  2:08
09. Overheated Tiara     1:46
10. The Flyweighted Five     1:26
11. Riding On A Cloud (Vocals – Henriette Kroetenschwanz, Lothar Meid)  2:33
12. Paralized Paradise  (Vocals – John Weinzierl)  3:07
13. H.G. Well's Take Off  (Vocals – Rolf Zacher)  1:26

    Chamsin Soundtrack

14. The Marilyn Monroe-Memorial-Church (Impr.)     18:05
15. Chewinggum Telegram     2:44
16. Stumbling Over Melted Moonlight     4:39
17. Toxicological Whispering     7:50

CREDITS

Chris Karrer (1969-1981): Acoustic Guitar, Violin, Saxophone, Electric Guitar (tracks: 1 to 17)
Lothar Meid: Bass, Double Bass (tracks: 1 to 13), Vocals (1971-1973, 1974, died 2015) 
Peter Leopold: Drums 
Electronics, Engineer [Sound] – K.-H. Hausmann
John Weinzierl(1969-1977): Guitar, Piano (tracks: 14 to 17)
Mixed By, Remix – Kalle Hausmann
Falk Rogner: Organ, Electronics (tracks: 14 to 17)(1969-1971, 1972-1975, 1981)
Jimy Jackson: Organ, Organ [Choir-organ], Piano (tracks: 1 to 13)
Peter Leopold: Percussion (tracks: 1 to 13) (1969-1972, 1973-1979, died 2006)
Peter Leopold: Piano (tracks: 14 to 17)
Producer – Amon Düül II, Olaf Kuebler
Al Gromer: Sitar  (tracks: 1 to 13)
Written-By – Karrer (tracks: 1 to 4, 14 to 17), Rogner (tracks: 2, 8, 14 to 17), Weinzierl (tracks: 5 to 17), Meid (tracks: 14 to 17)

 MP3 @ 320 Size: 160 MB
FLAC  Size: 404 MB