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Monday, August 10, 2020

Paul Roland: 2 Albums: Grimm 2011 + Strychnine 1992


GRIMM  2011

England's psychpop guru Paul Roland, dubbed 'the male Kate Bush' by one time label mate Robyn
Hitchcock, releases his first new album for two years exclusively on German label Syborg music on May 25th.
All of the songs on 'Grimm' were inspired by the dark fairy tales of the Brothers Grimm but given a baroque chamber pop setting by Paul whose highly original character-rich narratives have earned him the title of the 'Edgar Allen Poe of Pop'. For the first time Paul plays all the instruments on the album and also narrates two stories which he re-wrote as spoken word bonus tracks based on two of the Grimm Brothers lesser known tales.


Paul Roland is a true storyteller and his voice, along with a perfect choice of instruments, guide us among the true essence of some of the most weird, odd and dangerous characters and places that
Carroll disguised as Rabbits, animated cards and chess pieces, Queens and Kings, talking flowers...but with Roland they finally show their real features....HUMAN features, and that's the reason why they are even more catchy and scaring.
The music is catchy too, very catchy, but often it turns into something dark, gothic, and the strings and keyboards that we considered friends began suddenly threatening. Nevertheless we CAN'T leave...we MUST go on because we want to see what's going to happen next, and what the bizarre, pathetic, lovely, disgusting (you be the judge) of each song is going to do.


The lyrics are poignant, funny, grotesque and the plot is unpredictable. The ending is always a surprise. Roland's melodies are beautiful : they would work even played with a simple acoustic guitar.


Absolutely Unique! This is a perfect product of one of the most incredibly original storytellers of underground pop of all times! Particularly fascinating the narrative use of the strings and the ability
in writing complex gothic or edwardian tales for a folk-pop structure. If they mention Barrett or Cope or Hitchcock to explain Paul's music, that's not completely true... Paul remains absolutely unique, and these two mini-lps are the definitive proof... Find were Smog and other dark-folk gurus have found some inspiration! 


Paul Roland ‎– Grimm
Label: Syborgmusic ‎– sbm 016 - 3
Format: CD, Album
Country: Germany
Released: 2011
Genre: Rock, Pop, Folk, World, & Country
Style: Folk, Ballad, Acoustic, Indie

All song written and composed by Paul Roland. All instruments played by Paul Roland.
Special guest: Rosie Eade, backing vocals. Spoken word interludes by Michael and Joshua Roland.
Album engineered and produced by Paul Roland.
Artwork by Ralf Jesek.
Illustrations by Arthur Rackman

Recorded at World's End Studios, Baden - Wurttemberg, Germany and Bag End Studios, England in Winter / Spring 2009 - 2010

TRACKS


01. Nevermore (intro)    2:24   
02. If the Sun Refused To Shine    4:14   
03. A Long Time Ago    5:24   
04. Rapunzel    5:51   
05. What Will Become of Me?    3:51   
06. Lowly Weeps the King    4:00   
07. Maleen    3:57   
08. The Devil's Bride    4:25   
09. The Way of the World    3:56   
10. Once Upon A Time    5:31   
11. Nevermore (Reprise)    2:09

BONUS TRACKS
   
12. The Elderly Mother (Spoken Word)    2:18   
13. The Master Thief (Spoken Word)    10:17


STRYCHNINE  1992


PAUL ROLAND is a Crossover Prog, Progressive Rock artist from United Kingdom. Paul Roland biography German based UK author, composer and musician Paul ROLAND was born back in 1959, and at the age of 20 he made his official debut as a recording artist with the 7 single Oscar Automobile. An extensive set of releases would follow from the first full length effort "The Werewolf in London" in 1980 until he decided to concentrate on his author career in 1997.


His character creations include a Regency magistrate, various 19th Century murderers, a retired executioner, an opium addict, and an entire court of medieval grotesques.
Cult English recording artist Paul Roland, described as "the male Kate Bush" by one-time label mate Robyn Hitchcock, has released 10 albums for collectable labels such as Bam Caruso, New Rose and Imaginary in a low-key career that has seen him acclaimed on the continent but criminally ignored in his native country.


Guest musicians on Roland’s albums include Robyn Hitchcock, Bevis Frond, Nick Nicely, Knox of the Vibrators and Andy Ellison (of John’s Children).
Album success on labels such as Bam Caruso, Imaginary and New Rose led to Paul’s first European tours and releases in France, Germany, Greece, Italy, the USA and Japan. He also received offers to work with film composer Michael Nyman and members of the Velvet Underground for which he penned the songs on his belatedly released 2013 album, ‘Bates Motel’, a collection of macabre tales with a sinister garage and psych rock setting.


Paul Roland ‎– Strychnine
Label: New Rose Records ‎– 422431
Format: CD, Album
Country: France
Released: 1992
Genre: Rock
Style: Indie Rock, Acoustic

TRACKS


01. Too Much To Dream  (Written-By – The Electric Prunes)  3:55
02. Arabian Knights  (Written-By – Siouxsie & The Banshees)  3:32
03. Iscariot  (Written-By – Marc Bolan)  2:03
04. Strychnine  (Written-By – The Sonics)  2:33
05. Young Girl Blues (Lead Guitar – Nick Saloman) (Written-By – Donovan Leitch)  4:27
06. Guinevere  (Written-By – Donovan Leitch)  3:24
07. Lady Rachel  (Written-By – Kevin Ayers)  4:08
08. Venus In Furs  (Written-By – Lou Reed)  5:00
09. The King Is Dead   (Written-By – Paul Roland)  3:40
10. The Great Edwardian Airaid   (Written-By – Paul Roland)  3:05
11. Candy Says  (Written-By – Paul Roland)  2:53
12. Ghost Ships  (Written-By – Paul Roland)  3:39


MEMBERS

Bass – John Tracey
Cello – John Gallagher
Clarinet – Phil Smith
Drums – Simon Jeffries
Engineer – Rob Williams
Flute, Backing Vocals – Valerie Franco
Instruments [Arabian Instruments] – Ali Ben Shakzar
Keyboards, Percussion, Arranged By [Strings, Wind] – Chris Randall
Lead Guitar – Derek Heffernan
Lead Guitar (on Track 5 – Nick Saloman from Bevis Frond)
Painting – Henry Wallis
Producer – Paul Roland
Trumpet, Flugelhorn – Nick Pye
Violin – Jenny Benwell
Vocals, Acoustic Guitar – Paul Roland

NOTES


New Rose Records
Produced and engineered at Elsewhere Studios, Kent, in July 1992.
"1992 Lithon Music © 1992 New Rose Records" (back).
"Fabrique an France par MPO" (disc).

GHOST SHIPS  LYRICS


Jack he sits alone by the waterfront,
Waiting for the Ghoststip to come,
All his bags are packed
for a voyage from which he knows he wil never return.

Looming through the fog glides
the Ghost ship rotting from crows nest to keel,
Not a soul was seen to steer her,
Save a corpse lashed to the wheel.

The horned moon is pinned by its splintered mast,
Grey torn shrouds that once were sails,
Dead men stir from their sleep
in the holdtheir jaws lined with dust,
their song but a wail.


Their mouths hung by threads,
their eyes are a hollow,
calling Iike demons, restless in chains,

A Ghost ship cursed to sail on forevermore,
Timbers shriek but not with the strain.

GUINEVER  LYRICS


Guinevere of the royal court of Arthur
Draped in white velvet, silk and lace.
The rustle of her gown on the marble staircase,
Sparkles on fingers, slender and pale.

The jester he sleeps but the raven he peeps
Through the dark foreboding skies of the royal domain.
Maroon-colour wine from the vineyards of Charlemagne
Is sipped by the queen's lips and so gently
Indigo eyes in the flickering candlelight,
Such is the silence o'er royal Camelot.

The jester he sleeps but the raven he peeps
Through the dark foreboding skies of the royal domain.
Guinevere of the royal court of Arthur
Draped in white velvet, silk and lace.

The rustle of her gown on the marble staircase,
Sparkles on her fingers both slender and pale.
The jester he sleeps but the raven he peeps
Through the dark foreboding skies of the royal domain.

MP3 @ 320 Size: 103 MB
Flac  Size: 237 MB

Thursday, August 06, 2020

Villa 21: Men Of Clay 1986



Κώστας Ποθουλάκης- Φωνή, Κιθάρα, Συνθ
Άντα Λαμπάρα- Keyboards
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
 
Ηχογράφηση στις 4 Μαρτίου 1985 , σε ένα μόνο live session (Mastersound Studios)

TRAXS

SIDE A

Α1. Men of Clay
A2. Meaning
A3. Creature
A4. Move

SIDE B
 
B1.
Still Can Burn
B2. New Days
B3. Birth
B4. Damnation

( From the box: The Dark Years) 


 
Α. ΒΑΣΙΚΗ ΔΙΣΚΟΓΡΑΦΙΑ


1. I See No / The Dream
7'' single (Creep Records 1982)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα
Άντα Λαμπάρα- Συνθ, Ρυθμ Μποξ
Σόλων Σταθόπουλος- Μπάσο
Στέλιος Χατζηκρεμιλής- Ντραμς
Ηχογράφηση 20-21 Σεπτ 1982 (Mastersound Studios)

2. Move / My Last Chance
7'' single (Creep Records 1983)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα, Συνθ
Άντα Λαμπάρα- Συνθ, Ρυθμ Μποξ
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
Κώστας Βούρτσης- Σαξόφωνο
Ηχογράφηση Οκτ 1983 (Mastersound Studios)


3. A Ghost On the Move
LP (Creep Records 1983)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα, Συνθ
Άντα Λαμπάρα- Συνθ, Ρυθμ Μποξ
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
Ηχογράφηση Οκτ 1983 (Mastersound Studios)

A1. Welcome To The Villa
A2. In The Darkened Night     
A3. Like The First Time
B1. Annie's Animal      
B2. Too Much Nothing
B3. Losing Control
B4. Death Career


4. Men of Clay
LP (Creep Records 1986)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα, Συνθ
Άντα Λαμπάρα- Keyboards
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
Ηχογράφηση στις 4 Μαρτίου 1985 , σε ένα μόνο live session (Mastersound Studios)

Α1. Men of Clay
A2. Meaning
A3. Creature
A4. Move
B1. Still Can Burn
B2. New Days
B3. Birth
B4. Damnation


5. Electric Poison

LP (Wipe Out Records 1987) ("Right Answers, Wrong Questions / Need Nobody Around") 7'' single (Wipe Out Records 1987) - (Limited Edition, included free with LP Electric Poison)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα
Άντα Λαμπάρα- Κιθάρα
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
Ηχογράφηση Ιούλιος 1987 (Blue Moon Studios)

Α1. Bad Luck 
Α2. Future Survivors   
Α3. Sentimental Trip    
Α4. Tombstone Blues  
Β1. (The Land Where The) Sun Never Shines 
Β2. Blackout Baby      
Β3. I Wanna Be Your Dog      
Β4. Bottomless Well
    
Bonus 7"
Right Answers Wrong Questions         
Need Nobody Around



6. House of the Damned
12” EP (Wipe Out Records 1988)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα
Άντα Λαμπάρα- Κιθάρα
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
Ηχογράφηση Ιούλιος 1988 (Blue Moon Studios)

A1. The House Of The Damned    
A2. The Night Of The Vampire
B1. Ride The Night Away
B2. Back For More


7. Hellucinations
LP (Penguin Records 1990)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα
Άντα Λαμπάρα- Κιθάρα
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς

A1. Blood On My Axe
A2. I Need More
A3. Voodoo Baby
A4. Feel So Sad
B1. Hot Blooded R'N'R
B2. Moonwhited Room  
B3. Sick Brain
B4. Gone Too Far  
B5. Golden Girl


8. Villa 21 - Voodoo Baby
LP (The Unreleased "Damned" Sessions), (Dia De Los Muertos Records 2013)

Κώστας Ποθουλάκης- Φωνή, Κιθάρα
Άντα Λαμπάρα- Κιθάρα
Ανδρέας Παπαδόπουλος- Μπάσο
Μπάμπης Δαλίδης- Ντραμς
 






Villa 21 ‎– The Dark Years - The Villa 21 Creep Records Complete Discography
Label: Inner Ear ‎– none
Format:
Vinyl, 7", 45 RPM, Single, Reissue
Vinyl, 7", 45 RPM, Single, Reissue
Vinyl, LP, Album, Reissue
Vinyl, LP, Album, Reissue
Box Set, Compilation, Limited Edition
Limited to 300 boxes.
Country: Greece
Released: 09 Jan 2012
Genre: Rock
Style: New Wave, Darkwave

Notes:
Includes a 24-page magazine (interviews, abstracts, photography etc.).
Recorded at Mastersound Studios during a one day live session on March '85.
Remixed August '85.
Includes insert with lyrics, photography & credits.

VICE: 24 Μάρτιος 2019, 8:39am
Η Άντα Λαμπάρα Έθεσε τις Βάσεις για τις Γυναίκες της Ελληνικής Underground Σκηνής
Μια κουβέντα με την κιθαρίστρια των θρυλικών Villa 21 και Nonmandol.
Κείμενο Αντώνης Κωνσταντάρας
φωτογραφίες Πάνος Κέφαλος

ΑΝΤΑ ΛΑΜΠΑΡΑ.


Είναι μία από τις πιο σημαντικές μορφές στην ιστορία της εγχώριας underground πραγματικότητας. Μπορεί πλέον να μην είναι ενεργή μουσικά, όμως το όνομά της αναφέρεται συχνά σε συζητήσεις και άρθρα που αφορούν την «υπόγεια» μουσική πραγματικότητα της Αθήνας των '80s και των '90s. Ο λόγος για την Άντα Λαμπάρα, η οποία άφησε το στίγμα της ως ιδρυτικό μέλος των θρυλικών Villa 21 και αργότερα της all female μπάντας των Nonmandol. Μια γυναίκα που ανήκει στη γενιά των μουσικών που έθεσαν τις βάσεις ώστε να υπάρχει σήμερα η ανεξάρτητη σκηνή που απολαμβάνουμε και βλέπουμε, σιγά-σιγά, να αποκτά όλο και περισσότερους fans.



Διαβάστε ΕΔΩ:
https://www.vice.com/gr/article/a3b945/h-anta-lampara-e8ese-tis-baseis-gia-tis-gynaikes-ths-ellhnikhs-underground-skhnhs?fbclid=IwAR3Vpvve5mCAuj3_3Elr9HVuh8u0_eXso7JTLFp2YB1QjqfS0SpiOfiGWew

ΕΔΩ ΔΕΝ ΥΠΑΡΧΕΙ ΑΣΥΛΟ (ΝΤΟΚΥΜΑΝΤΕΡ)



https://www.lifo.gr/team/music/60364

ΔΕΙΤΕ ΤΟ ΕΔΩ:
https://www.youtube.com/watch?v=pp2IwW_42FQ&feature=emb_err_woyt
«Εδώ δεν Υπαρχει Ασυλο»: Ξέχασες κιόλας τη ζωή σου;
https://flix.gr/news/no-asylum-here-crowdfunding-02.html

Το "Εδώ δεν υπάρχει άσυλο" είναι το ντοκιμαντέρ για ανεξάρτητη μουσική σκηνή της Αθήνας των 80’ς. Οι δημιουργοί του, Θανάσης Γιαννόπουλος (σενάριο) και ο Μιχάλης Καφαντάρης (σκηνοθεσία) συναντήθηκαν και μίλησαν με 17 συγκροτήματα που δρούσαν εκείνη την εποχή τους: Παρθενογένεσις, Magic de Spell, Groupies, Stress, Panx Romana, Ανυπόφοροι, Metro Decay, Villa 21, Yell-o-Yell, Clown, South of no North, Not 2 without 3, Anti Troppau Council, Yeah!, Χωρίς Περιδέραιο, Αρνάκια, Libido Blume, Flowers of Romance.

Δεν έκαναν όμως μόνο αυτό, κατάφεραν να τους πείσουν να παίξουν στο Gagarin205 πέρσι τον Ιανουάριο σε μια μοναδική ιστορική συναυλία για τις ανάγκες τους ντοκιμαντέρ. Στην Αθήνα μετά από μια σειρά guerilla προβολές, το ντοκιμαντέρ θα κάνει επίσημη πρεμιέρα την Πέμπτη στις 17 Σεπτεμβρίου, στον κινηματογράφο "Μικρόκοσμος".


Πριν από αυτό θα προηγηθεί ένα party στη Death Disco την Τρίτη 15 Σεπτεμβρίου με live και dj sets με μερικούς από τους πρωταγωνιστές του φιλμ. Ο Θανάσης Γιαννόπουλος μας μιλάει για την εμπειρία του και για μια εποχή που παραμένει πιο επίκαιρη πιο ποτέ. Πηγή: www.lifo.gr

Sunday, August 02, 2020

Paul Roland: 2 Albums: Bates Motel 2013 - Roaring Boys 1991


BATES  MOTEL  2013

PAUL ROLAND is a prolific recording artist and author who has been called the ‘Edgar Allen Poe of psych-pop’ and, more recently, ‘the proto-Steampunk musician’. His arrival into the world on September 6, 1959 in Kent, England, was anything but ordinary, when his mother gave birth to him backstage during a production of Hamlet. She was playing Ophelia at the time.


Born to an actress mother and a writer father, Paul’s love of the arts blossomed early and set the scene for an extraordinary musical career which has seen him connect with some of the music industry’s most influential figures.Since the release of his first album "The Werewolf of London" in 1980, Paul has written and recorded 15 albums which he is now in the process of ‘retouching’ ready for re-release to a loyal cult following in the UK, Europe and the US.


Formerly managed by June Bolan, the widow of T. Rex frontman, Marc Bolan, Paul has spent his musical career spinning tales against a backdrop of gothic rock, psych pop, nu folk, and occasionally, baroque strings earning him the sobriquet,  the “Edgar Allen Poe of psych pop”.His varied music creations include 19th Century murderers, a retired executioner, a Regency magistrate, an opium addict and an entire court of medieval grotesques, to name but a few.


An only child, Paul’s childhood was filled with adventure and rebellion. A self-confessed ‘non-academic’, he loved to stage melodramatic plays based on old horror movies where his friends were
cast as the hapless victims and he as the mad doctor/monster. Early musical influences were Marc Bolan, King Crimson and The Velvet Underground but when Paul bought his first guitar aged 14 and learned his first three chords, he developed his own style and started writing his uniquely narrative songs, many set in Edwardian and Victorian England.
At 19 he recorded his first single and just a few months later his very first album, The Werewolf of London (1980) which was picked up by Armageddon Records in the UK and is now a highly collectible item.


Album success led to Paul’s first European tours and label deals in France, Germany, Greece, Italy, the USA and Japan.He also received offers to work with film composer Michael Nyman and
members of the Velvet Underground. In 1997 the musician took a seven-year break from music to raise his two young sons and write a series of books on mysticism and true crime. He now has more than 30 titles to his credit which have been translated into more than 15 languages.In 2002 Paul returned to the music scene with an appearance at a Berlin Goth festival. Then, after a series of re-issues on a small German label, he released his first new album, "Pavane" (2004), on his own Gaslight label and recorded a second, "Re-animator" (2006), featuring several songs based on stories by H.P Lovecraft, with members of Caravan.


In 2006 Paul left England to live in Germany where he carved out a successful career, writing and performing. Referred to by many as “the Godfather of Steampunk”, 2011 sees the release of Paul’s new album, "Grimm", inspired by Grimm’s Fairytales. He’s also working on yet another album which will be more 60s influenced psych pop (featuring songs written for an aborted project with the surviving members of the Velvet Underground and 60s psych pop group John’s Children) and with the usual dash of macabre humour which has become one of his many trademarks over the years.


Paul Roland's 1980 debut "Werewolf of London" (originally credited somewhat anonymously to Midnight Rags) has quite the reputation, but has been hard to track down a legitimate copy of up until this point. Originally released in a limited run of 300 copies by a nineteen year old Roland who was unhappy with the end result, it was then picked up for wider release by Armageddon Records, giving Paul the opportunity to resequence and rejig the album into its ideal, finalised form, which is how it appears here.


Its presence is enough to make "In the Opium Den" an essential purchase itself, and for those who are only familiar with the Edwardian Syd Barrett's later psychedelic pop opuses, this may prove to be a
real surprise. Lashings of neo-psychedelia are already to be found here, but there's also a distinct new wave edge apparent on a number of tracks, not to mention the Gary Numan style synth-pop of "Brain Police". Roland's lyrical pre-occupation with the macabre (which has earned him a reputation as the psychedelic Edgar Allan Poe) is already well established here, as is his ability to augment even the most unlikely, literary references with irresistable pop hooks.


Moving forward in time, the bulk of disc one is split between 1987's "Danse Macabre" and 1985's "Burnt Orchids". Dealing with these in chronological order "Burnt Orchids" sees Roland dealing in a much richer tapestry production-wise, bringing in a number of baroque instruments, providing an ideal match for Roland's historical lyrics. And finally, the "Danse Macabre" album consolidates all of the styles that Roland has previously dabbled with, along with a much stronger sense of neo-psychedelia.


It's most likely his strongest set of songs too, with "The Great Edwardian Air-Raid" being credited in many circles as one of the earliest attempts at a steam-punk lyric, while "Gabrielle" and "Still Falls The Snow" have untapped chart-topper potential (although "Gabrielle" did rather well in some parts of Europe). Elsewhere, Paul shows an aptitude for prime keyboard-led psychedelia with an excellent cover of Pink Floyd's "Matilda Mother" and the sublime, opiated gem "In The Opium Den".



[ Monday, 4 February 2013, 20:34 | Category : Reviews
Tags : John's Children, Velvet Underground

Paul Roland, one of England’s great cult songwriters, has released one of his most intriguing albums with “Bates Motel”. Strange Brew editor Jason Barnard highlights the interesting tale behind the record’s release and gives the long player a spin.Last year Paul explained on his Strange Brew session that he was placing the finishing touches to an album with strong links to the Velvet Underground and John’s Children.


Paul: “When the VU album was released I interviewed Nico, Maureen Tucker and Sterling Morrison for a Sunday newspaper. In the course of that interview I explained who I was and they became quite
intrigued. Sterling in particular was keen to collaborate. He liked my songs, particularly the structure so I wrote some songs for them. I got some tapes together and sent them over to America but there was some technical incompatibility problems. Around this time I also wrote songs for Andy Ellison of John’s Children and their reunion album. Andy said my style was ‘The closest to his old friend Marc Bolan’ which was a great honour for me.”



Bates Motel - Paul Roland

Paul continued: “So I wrote songs for these two projects but they all got shelved because I gave up
music for seven years. So I’ve pulled this half completed project out of the woodwork and finished it off. It’s not Paul Roland imitating the Velvet Underground or John’s Children. It’s the songs that I wrote for …Nico, Sterling and Maureen… that I would have invited them to play on plus [the tracks I wrote] for John’s Children. The John’s Children ones are the darkly humorous and rocky whereas the Velvet Underground ones are a little more sinister and atmospheric.”

And the result?

On “Bates Motel” Paul  seamlessly weaves the dark and the light.


Opener “I Was A Teenage Zombie” sets the tone for an hour of enjoyable dark rock with tragicomic
undertones. Second number “Kali” ventures in expands the aural palette with psychedelic space rock. The title track is classic Paul Roland inspired by Psycho, blending gothic Americana typified with lyrics with an undercurrent of murderous intent: “I was rolling west on Route 66, just outside of Fairville, no more than a couple of clicks, when the sky turned blacker than a biblical plague and the night descended like the axeman’s blade.”

Other highpoints include the crunching guitars of “Tortured By The Daughter of Fu Manchu” and “Crazy” encapsulating the best garage rock. The biblical “Cain” has an incessantly catchy hook with the memorable lines summarising the album theme beautifully, “If there is light then there’s darkness as well. Every pleasure brings the promise of pain.”.



Paul Roland

In summary “Bates Motel” is not only an important curio for fans of the Velvets and John’s Children but essential listening for those interested in garage and goth rock.]


Rock music from the mid 60s onwards – podcasts, features and much more

TRACKS


01. I Was A Teenage Zombie     3:25
02. Kali     4:47
03. Bates Motel     5:23
04. How I Escaped From Devil's Island     2:59
05. The Wailing Well     4:17
06. Tortured By The Daughter Of Fu Manchu     4:02
07. The Light Of Life Drains Out Of Me     4:00
08. Katmandu     3:23
09. Promised Land     3:59
10. Crazy     3:07
11. Cain     3:40
12. I'm In Love With Myself     3:37

MP3 @ 320 Size: 107 MB
FLAC  Size: 303 MB

ROARING BOYS  1991


Paul Roland has been revisiting and retouching many of his earlier albums for reissue on Syborg. The latest to benefit from his 'restoration' treatment is 'Roaring Boys' (1991) and 'Sarabande' (1994) which now feature FIVE previously unreleased songs in place of the cover versions and weaker tracks, making this release a true 'director's cut'. Roland in his own words: "'Roaring Boys' was recorded when I was enjoying some success in Greece, Italy, Germany and France, touring quite regularly and issuing albums on four different labels.


In that optimistic mood I wrote what I would consider some of my more 'commercial' songs and left several more 'idiosyn-cratic' songs aside. Now I think that choice was a mistake and I have dropped 'Thunderbird', 'Sad Sweet Smile' and 'Doctor Rocque' in favour of 'Faeries' and 'Faerie Ring' which I felt were undeveloped at the time, but which now sound more convincing and more in keeping with my writing style.


TRACKS


01. Roaring Boys 04:23
02. Resurrection Joe 03:51
03. Christine 03:32
04. The Executioner's Song 02:54
05. Thunderbird 04:52
06. Sad Sweet Smile 03:10
07. Tarot 03:41
08. The Poets And the Painters 03:54
09. Doctor Rocque 02:52
10. The Minstrel's Song 03:26
11. Come to the Sabbat 06:39
12. Hurdy Gurdy Man 03:04
13. Who Do You Love? 02:10
14. Red Cadillac and Black Mustache 02:10

Total Time: 00:52:47


Paul Roland – Vocals, Acoustic Guitar
Derek Hefferman - Lead & Rhythm Guitar
Chris Randall – Keyboards
Jenny Benwell - Violins
John Tracey - Bass
Simon Jeffrey - Drums
Nick Saloman - Lead Guitar, Bass
John Gallagher - Cello
Phil Smith - Sax & Clarinets
Tony Rico - Sax on "Resurrection Joe"
John Hoose - Harmonica on "Thunderbird"
Dave Corsby - Flute
Martin Reed - Spanish Guitar

DISCOGRAPHY


1. Danse macabre 1987
2. A cabinet of curiosities 1987
3. Happy families 1988
4. Duel 1989
5. Masque 1990
6. House of dark shadows 1991
7. Roaring boys 1991
8. Strychnine 1992
9. Sarabande 1994
10.Gargoyles 1997
11.Gaslight tales 2003
12.Pavane 2004
13.Re-animator 2007
14.Nevermore 2008
15.Demos 2009
16.Grimm 2011
17.Bates Motel 2013
18.White zombie 2016

ROARING BOYS  LYRICS


The devil take you all, we're bound for Bedlam
You'll find no finer boys to take you with them

I'm running with the roaring boys

Some think us rakes and rogues, all high born fellows
Some swear they'll see us swing upon the gallows

The mobs' upon our heels, fine sport they'll give us
If we get buckled boys we'll take some with us

A good times' guaranteed at Brooks or Billys
There a flash girls' company for seven guineas

COME TO THE SABBAT  LYRICS


Thirteen I summon in sight of the altar,
Thirteen I summon on the eve of Beltane
Thirteen I summon to the womb of our coven
And we'll worship the old gods again

Thirteen will welcome the bride of the altar
Thirteen will welcome the bride of Beltane
Thirteen will welcome the bride of our coven
And we'll worship the horned god again.

Come into the circle with me
Daughters of darkness and daughters of light
Come into the circle with me
Come to the Sabbat this night

Prepare ye the feast for the bride of the altar
Prepare ye the feast for the bride of Beltane
Prepare ye the feast for the bride of our coven
And we'll worship the old gods again.

TAROT  LYRICS


Where the houses are hunched like a beggar
In the quarter known as Armand Germain
L ascended the stairs to the garret
To call on the widow of fortune again

The first card foretelling of fortune
A monkey, it's hand at the wheel,
The next told only that late lies
With the fool and the hound that is tearing at his heel

Twelve Is the Hanged Man, his debt is paid
Mute as the march Wind and the flute on which he played

Thirteen was death on a pale horse, his is the card without name
Fifteen the Horned Goat of Mendes - the Devil and the forms
By which he came

She then drew the card of the magus
And her breath came faltering and hard,
'Death comes disguised as a young man
Death for me at the turn of the next card'

MP3 @ 320 Size: 118 MB
FLAC  Size: 299 MB