Mike Bloomfield: The Bluesman (28 July 1943 - 15 February 1981)

 

In 15 February 1981, Mickael Bloomfield's lifeless body was found locked inside a car on a side

street in San Fransisco. His mysterious drug - related death ended the troubled life of a world - Class Bluesman who had influenced an entire generation of music lovers and guitar players. He was 37.
                                  

Michael Bloomfield was one of America's first great white blues guitarists, earning his reputation on the strength of his work in the Paul Butterfield Blues Band. His expressive, fluid solo lines

and prodigious technique graced many other projects, most notably Bob Dylan's earliest electric forays, and he also pursued a solo career, with variable results. Uncomfortable with the reverential treatment afforded a guitar hero, Bloomfield tended to shy away from the spotlight after spending just a few years in it; he maintained a lower-visibility career during the '70s due to his distaste for fame and his worsening drug problems, which claimed his life in 1981.
                              

Michael Bernard Bloomfield was born July 28, 1943, into a well-off Jewish family on Chicago's North

Side. A shy, awkward loner as a child, he became interested in music through the Southern radio stations he was able to pick up at night, which gave him a regular source for rockabilly, R&B, and blues. He received his first guitar at his bar mitzvah and he and his friends began sneaking out to hear electric blues on the South Side's fertile club scene (with the help of their families' maids).
                                   

ERIC CLAPTON & MIKE BLOOMFIELD

The young Bloomfield sometimes jumped on-stage to jam with the musicians and the novelty of such a spectacle soon made him a prominent scenester. Dismayed with the turn his education was taking, his

parents sent him to a private boarding school on the East Coast in 1958 and he eventually graduated from a Chicago school for troubled youth. By this time, he'd embraced the beatnik subculture, frequenting hangout spots near the University of Chicago. He got a job managing a folk club and frequently booked veteran acoustic bluesmen; in the meantime, he was also playing guitar as a session man and around the Chicago club scene with several different bands.
                                     

In 1964, Bloomfield was discovered through his session work by the legendary John Hammond, who signed him to CBS; however, several recordings from 1964 went unreleased as the label wasn't sure how to market a white American blues guitarist. In early 1965, Bloomfield joined several

associates in the Paul Butterfield Blues Band, a racially integrated outfit with a storming, rock-tinged take on Chicago's urban electric blues sound. The group's self-titled debut for Elektra, released later that year, made them a sensation in the blues community and helped introduce white audiences to a less watered-down version of the blues. Individually, Bloomfield's lead guitar work was acclaimed as a perfectly logical bridge between Chicago blues and contemporary rock.
                                      

BOB DYLAN & MIKE BLOOMFIELD

Later, in 1965, Bloomfield was recruited for Bob Dylan's new electrified backing band; he was a prominent presence on the groundbreaking classic Highway 61 Revisited and he was also part of Dylan's epochal plugged-in performance at the 1965 Newport Folk Festival. In the meantime,

Bloomfield was developing an interest in Eastern music, particularly the Indian raga form, and his preoccupation exerted a major influence on the next Butterfield album, 1966's East-West. Driven by Bloomfield's jaw-dropping extended solos on his instrumental title cut, East-West merged blues, jazz, world music, and psychedelic rock in an unprecedented fashion. The Butterfield band became a favorite live act on the emerging San Francisco music scene and in 1967, Bloomfield quit the group to permanently relocate there and pursue new projects.
                               

Bloomfield quickly formed a new band called the Electric Flag with longtime Chicago cohort Nick

Gravenites on vocals. The Electric Flag was supposed to build on the innovations of East-West and accordingly featured an expanded lineup complete with a horn section, which allowed the group to add soul music to their laundry list of influences. The Electric Flag debuted at the 1967 Monterey Pop Festival and issued a proper debut album, A Long Time Comin', in 1968. Critics complimented the group's distinctive, intriguing sound, but found the record itself somewhat uneven.
                             

Unfortunately, the band was already disintegrating; rivalries between members and shortsighted management -- not to mention heroin abuse -- all took their toll. Bloomfield himself left the band he'd formed before their album was even released. He next hooked up with organist Al Kooper, whom

he'd played with in the Dylan band, and cut Super Session, a jam-oriented record that spotlighted his own guitar skills on one half and those of Stephen Stills on the other. Issued in 1968, it received excellent reviews and moreover became the best-selling album of Bloomfield's career. Super Session's success led to a sequel, The Live Adventures of Mike Bloomfield and Al Kooper, which was recorded over three shows at the Fillmore West in 1968 and released the following year; it featured Bloomfield's on-record singing debut.
                                    

MIKE BLOOMFIELD & JOHNNY WINTER

Bloomfield, however, was wary of his commercial success and growing disenchanted with fame. He was also tired of touring and after recording the second album with Kooper, he effectively retired for a

while, at least from high-profile activities. He did, however, continue to work as a session guitarist and producer, and also began writing and playing on movie soundtracks (including some pornographic films by the Mitchell Brothers). He played locally and occasionally toured with Bloomfield and Friends, which included Nick Gravenites and ex-Butterfield mate Mark Naftalin. Additionally, he returned to the studio in 1973 for a session with John Hammond and New Orleans pianist Dr. John; the result, Triumvirate, was released on Columbia, but didn't make much of a splash.
                                         

Neither did Bloomfield's 1974 reunion with Electric Flag and neither did KGB, a short-lived

supergroup with Barry Goldberg, Rik Grech (Traffic), and Carmine Appice that recorded for MCA in 1976. During the late '70s, Bloomfield recorded for several smaller labels (including Takoma), usually in predominantly acoustic settings; through Guitar Player magazine, he also put out an instructional album with a vast array of blues guitar styles, titled If You Love These Blues, Play 'Em as You Please.
                                    

Unfortunately, Bloomfield was also plagued by alcoholism and heroin addiction for much of the '70s, which made him an unreliable concert presence and slowly cost him some of his longtime musical

associations (as well as his marriage). By 1980, he had seemingly recovered enough to tour in Europe; that November, he also appeared on-stage in San Francisco with Bob Dylan for a rendition of "Like a Rolling Stone." However, on February 15, 1981, Bloomfield was found dead in his car of a drug overdose; he was only 37.
By Steve Huey.

MIKE BLOOMFIELD AND AL KOOPER - 1968 THE LIVE ADVENTURES OF MIKE BLOOMFIELD AND AL KOOPER  1997

                                        

Mike Bloomfield And Al Kooper – 1968 The Live Adventures Of Mike Bloomfield And Al Kooper
Label: Columbia – COL 475978-2
Format:    2 x CD, Album
Country: Europe
Released: 1997    
Genre: Rock
Style: Blues Rock, Electric Blues

DISC ONE

                                                

01. Opening Speech  (Speech [Spoken Word] – Mike Bloomfield)  1:31
02. The 59th Street Bridge Song (Feelin' Groovy)  5:33
03. I Wonder Who  (Vocals – Mike)  6:01
04. Her Holy Modal Highness    8:57
05. The Weight    3:56
06. Mary Ann  (Vocals – Mike)  5:19
07. Together 'Til The End Of Time  (Piano – Roosevelt Gook/Vocals – Al)  4:14
08. That's All Right  (Vocals – Mike)  3:18
09. Green Onions    5:20

MP3 @ 320 Size: 109 MB
Flac  Size: 271 MB

DISC TWO

                                                

01. Opening Speech - Al Kooper  (Speech [Spoken Word] – Al Kooper)  1:29
02. Sonny Boy Williamson  (Guitar – Carlos Santana/Vocals – Al)  6:05
03. No More Lonely Nights  (Vocals, Guitar – Elvin Bishop  12:23
04. Dear Mr. Fantasy  (Vocals – Al)  8:09
05. Don't Throw Your Love On Me So Strong    10:53
06. Finale - Refugee  (Guitar [Dropping On Floor] – Mike Bloomfield)  1:47

MP3 My MP3 Producer refuses to convert this CD to MP3
Flac  Size: 244 MB

MUSICIANS

                                                        

  
Al Kooper – organ, ondioline, piano (overdub as Roosevelt Gook on "Together 'Til the End of Time") and lead vocals
Mike Bloomfield – guitar and vocals
John Kahn – bass
Skip Prokop – drums
Carlos Santana – guitar on "Sonny Boy Williamson"
Elvin Bishop – guitar and lead vocal on "No More Lonely Nights"

Steve Miller and Dave Brown had also volunteered their services. Kooper says (in his book Backstage Passes & Backstabbing Bastards) that Santana, Bishop and Miller performed on three or four songs each. He says Miller "played great", but does not appear on the album because Capitol Records would not give permission.

AL KOOPER AND MIKE BLOOMFIELD - FILMORE EAST - THE LOST CONCERT TAPES 12/13/68 2004

                                                       

Al Kooper - Mike Bloomfield – Fillmore East: The Lost Concert Tapes 12/13/68
Label: Columbia – COL E253
Series:    Live From The Vaults
Format:    CD, Album, Remastered
Country: Europe
Released: 2004
Genre: Rock
Style: Blues Rock

TRACKS

                                                

01. Introductions/Speech [Spoken Word] – Mike Bloomfield  1:27
02. One Way Out  (Written-By – E. James, M. Sehorn, S. Williamson)  4:21
03. Mike Bloomfield's Introduction Of Johnny Winter/(Speech [Spoken Word] – Mike Bloomfield)  0:59
04. It's My Own Fault  (Featuring – Johnny Winter/Written-By – B.B. King, J. Taub)  10:57
05. 59th Street Bridge Song (Feelin' Groovy)  (Written-By – P. Simon)  6:16
06. (Please) Tell Me Partner  (Written-By – M. Bloomfield)  10:11
07. That's Alright, Mama  (Written-By – A. Crudup)  3:40
08. Together Till The End Of Time  (Written-By – F. Wilson)  4:30
09. Don't Throw Your Love On Me So Strong  (Written-By – A. King)  8:41
10. Season Of The Witch  (Written-By – D. Leitch)  8:59

MUSICIANS

                                          

Drums – Johnny Cresci
Executive-Producer – Bruce Dickinson
Guitar, Vocals – Johnny Winter (tracks: 4), Mike Bloomfield
Mastered By – Allan Tucker
Organ, Piano, Vocals – Al Kooper
Piano – Paul Harris
Producer – Al Kooper
    
Recorded December 13th & 14th 1968 at Bill Graham's Fillmore East.
© 2003 Sony Music Entertainment Inc.

MP3 @ 320 Size: 141 MB
Flac  Size: 354 MB

MIKE BLOOMFIELD - DON'T SAY THAT I AIN'T YOUR MAN! (ESSENTIAL BLUES 1964-1969) 1994

                                              

Mike Bloomfield - Don't Say That I Ain't Your Man! (Essential Blues 1964-1969)
Label: Columbia – 476721 2, Legacy – 476721 2
Series:    Roots n' Blues, Contemporary Blues Masters
Format:    CD, Compilation
Country: Europe
Released: 1994
Genre: Rock    
Style: Blues, Electric Blues

TRACKS

                                               

01. I've Got You In The Palm Of My Hand    2:26
02. Last Night    3:24
03. Feel So Good    2:54
04. Goin' Down Slow    3:40
05. I've Got My Mojo Working    2:39
06. Born In Chicago (With Butterfield Blues Band)    3:08
07. Work Song (With Butterfield Blues Band)    7:55
08. Killing Floor    4:11
09. Albert's Shuffle    6:54
10. Stop    4:23
11. Mary Ann    5:28
12. Don't Throw Your Love On Me So Strong    11:03
13. Don't Think About It Baby    2:34
14. It Takes Time (With Nick Gravenites)    4:07
15. Carmelita Skiffle    5:13

MP3 @ 320 Size: 167 MB
Flac  Size: 434 MB

MICKAEL BLOOMFIELD WITH NICK GRAVENITES AND FRIENDS - LIVE AT BILL GRAHAM'S FILMORE WEST 1969

 

 

Michael Bloomfield With Nick Gravenites An
d Friends – Live At Bill Graham's Fillmore West 1969
Label: Raven Records – RVCD-293
Format:    CD, Album, Compilation, Remastered
Country: Australia
Released: 2009
Genre: Rock
Style: Blues Rock

TRACKS

                                 

01. It Takes Time  (Vocals – Nick Gravenites/Written-By – Otis Rush, Willie Dixon)  4:27
02. Oh Mama  (Written-By, Vocals – Michael Bloomfield)  2:59
03. Love Got Me
(Vocals – Bob Jones/Written-By – Arthur Conley)  2:37
04. Blues On A Westside  (Written-By, Vocals – Nick Gravenites)  15:18
05. One More Mile To Go  (Vocals – Taj Mahal/Written-By – Joseph Cotton)  10:35
06. It's About Time  (Written-By, Vocals – Nick Gravenites)  7:00    
07. Carmelita Skiffle (Instrumental)  (Written-By – B. T. Jones, M. Naftalin, M. Bloomfield, N. Gravenites)  5:11
08. Killing My Love  (Written-By, Vocals – Nick Gravenites)  5:18
09. Gypsy Good Time  (Written-By, Vocals – Nick Gravenites)  4:30
10. Holy Moly  (Written-By, Vocals – Nick Gravenites)  3:54
11. Moon Tune  (Written-By, Vocals – Nick Gravenites)  8:32

BONUS TRACK

    
12. Mary Ann  (Drums – Skip Prokop/Organ, Vocals, Producer – Al Kooper)  5:28

MUSICIANS

                                                       

Baritone Saxophone – Snooky Flowers
Bass – John Kahn
Congas – Dino Andino
Drums, Vocals – Bob Jones (tracks: 1 to 11)
Guitar, Vocals – Michael Bloomfield
Liner Notes – Ian McFarlane
Mastered By – Warren Barnett
Organ – Ira Kamin (tracks: 1 to 11)
Piano – Mark Naftalin (tracks: 1 to 11)
Producer – Elliot Mazer (tracks: 1 to 11)
Tenor Saxophone – Noel Jewkis
Trumpet – John Wilmeth
Vocals – Taj Mahal
Vocals, Guitar – Nick Gravenites (tracks: 1 to 11)

MP3 @ 320 Size: 163 MB
Flac  Size: 414 MB

NICK GRAVENITES - MY LABORS (EXPANDED EDITION)  2008 (WITH MIKE BLOOMFIELD)

                                                  

This is a strong major-label debut that the Chicago-born San Francisco bluesman was unable to capitalize on. Some of the tracks are from the same session that produced Live at Bill Graham's Fillmore West by Mike Bloomfield. Gravenites, an exceptional songwriter and decent singer, benefits from the presence of the amazing Bloomfield. He elevates the fierce "Moon Tune" to dizzying heights with two dazzling, lengthy solos. Quicksilver Messenger Service backs former producer Gravenites on several studio tracks.

Nick Gravenites – My Labors
Label: Sony Records Int'l – SICP 1965
Series:    New Rock Series Young Power
Format:    CD, Album, Limited Expanded Edition, Reissue, Remastered
Country: Japan
Released: Dec 24, 2008
Genre: Rock    
Style: Blues

TRACKS

                                            

01. Killing My Love    4:29
02. Gypsy Good Time    3:55
03. Holy Moly    5:19
04. Moon Tune    8:48
05. My Labors    2:55
06. Throw Your Dog A Bone    2:35
07. As Good As You've Been To This World    10:04
08. Wintry Country Side    2:57
09. Work Me Lord    13:15
10. Born In Chicago    4:25
     

MP3 @ 320 Size: 137 MB
Flac  Size: 358 MB

MIKE BLOOMFIELD - LATE AT McCABE'S GUITAR WORKSHOP, JANUARY 1, 1977

    

Mike Bloomfield – Late At Night - McCabe's January 1, 1977
Label: RockBeat Records – ROC-3421
Format:    CD, Album
Country: US
Released: 2018
Genre: Rock
Style: Blues

ACOUSTIC PERFORMANCES    

            
01. Hymn Tune    3:34
02. Frankie And Johnny    4:41
03. I'm With You Always    3:40
04. Some Of These Days    4:58
05. Stagger Lee    4:29
06. Darktown Strutter's Ball    4:04
07. I'm Glad I'm Jewish    3:16

ELECTRIC PERFORMANCES

            
08. Medley:    (3:52)
8a. Jockey Blues    
8b. Old Folks Boogie    
09. Eyesight To The Blind    4:14
10. Bloomfield Chats    0:55
11. Don't You Lie To Me    3:32
12. A-Flat Boogaloo    5:17

MUSICIANS

                                         

Bass – Buell Neidlinger
Drums – Buddy Helm
Executive-Producer – Arny Schorr, David Skye
Guitar, Vocals – Mike Bloomfield
Keyboards – Mark Naftalin
Mastered By – Randy Perry

Recorded live at McCabe's Guitar Shop, Santa Monica, CA on Januay 1, 1977 during the late show.

MP3 @ 320 Size: 109 MB
Flac  Size: 241 MB

MIKE BLOOMFIELD - LIVE AT NIGHT McCABE'S GUITAR WORKSHOP, JANUARY 1, 1977

 

             

Mike Bloomfield – Live At McCabe's Guitar Workshop, January 1, 1977

       

Label: RockBeat Records – ROC 3392
Format:    CD, Album
Country: US
Released: 2017
Genre: Rock
Style: Blues

TRACKS

                                           

01. Women Lovin' Each Other
02. Don't You Lie To Me
03. Cherry Red
04. Hully Gully
05. Wings Of An Angel (Prisoner's Song)
06. Walkin' The Floor Over You
07. Junko Partner
08. Knockin' Myself Out
09. Prescription For The Blues
10. You Must Have Jesus

MUSICIANS

Bass – Buell Neidlinger
Drums – Buddy Helm
Guitar, Vocals – Michael Bloomfield
Keyboards – Mark Naftalin
Mastered By [Mastering] – Randy Perry
Producer [Executive Archival Producer] – David Skye

MP3 @ 320 Size: 103 MB
Flac  Size: 210 MB

MIKE BLOOMFIELD - LIVE AT THE OLD WALDORF  1976 - 77

 
    

Mike Bloomfield – Live At The Old Waldorf  1976 - 77
Label:    Columbia – 491575 2
Series: Legacy
Format:    CD, Album, Remastered  1998
Country: Austria, Europe
Released: 1976 - 77    
Genre: Rock
Style: Blues, Electric Blues

TRACKS

                           

01. Blues Medley:    (7:45)
1a. Sweet Little Angel  (Written-By – B.B. King, Jules Bihari)
1b. Jelly Jelly  (Written-By – Billy Eckstein, Earl Hines)
02. Feel So Bad  (Written-By – Lightnin' Hopkins)  4:26
03. Bad Luck Baby  (Written-By – Nick Gravenites)  5:52
04. The Sky Is Cryin'  (Written-By – Elmore James)  5:53
05. Dancin' Fool  (Written-By – Nick Gravenites)  3:49
06. Buried Alive In The Blues  (Written-By – Nick Gravenites)  4:55
07. Farther Up The Road  (Written-By – Don Robey, Joe Veasey)  3:16
08. Your Friends  (Written-By – Deadric Malone)  7:18
09. Bye, Bye  (Written-By – Nick Gravenites)  4:25

MUSICIANS

                            

Bass – Roger (Jellyroll) Troy
Drums – Bob Jones , George Rains (tracks: 1a, 1b)
Harmonica – Mark Adams  (tracks: 1a, 1b)
Lead Guitar – Mike Bloomfield
Lead Vocals – Bob Jones  (tracks: 2, 4), Roger (Jellyroll) Troy (tracks: 1a, 1b, 7, 8)
Lead Vocals, Rhythm Guitar – Nick Gravenites (tracks: 3, 5, 6, 9)
Mastered By – Al Quaglieri, Chris Athens, Don Ososke
Organ [Hammond] – Barry Goldberg (tracks: 1a, 1b)
Piano – Mark Naftalin (tracks: 1a to 3, 5 to 9), Unknown Artist (tracks: 4)
Producer, Photography By, Liner Notes – Norman Dayron
Recorded By – Norman Dayron (tracks: 2 to 9)

Tracks recorded live at Old Waldorf, San Francisco, CA:
2 & 7, March 14, 1977
3 & 4, May 16, 1977
5, February 27, 1977
6 & 8, December 19, 1976
9, March 13, 1977
Tracks 1a & 1b recorded before an audience at Record Plant, Sausalito, CA, on November 10, 1974 and broadcast live on KSAN radio.

MP3 @ 320 Size: 112 MB
Flac  Size: 292 MB

MIKE BLOOMFIELD - THE ROOT OF BLUES  1994

 
          

Mike Bloomfield – The Root Of Blues
Label: LaserLight Digital – 12 357
Format:    CD, Album, Reissue
Country: US
Released: 1994
Genre: Rock
Style: Blues

TRACKS

                                    

01. City Girl
02. The Train Is Gone
03. Hey Foreman
04. WDIA
05. Death Cell Rounder Blues
06. Mama Lion
07. Thrift Shop Rag
08. Death In The Family
09. Kansas City
10. East Colorado Blues

MUSICIANS

Acoustic Guitar – Woody Harris
Baritone Saxophone – Hart McNee
Bass – Doug Killmer
Drums – Tom Donlinger
Piano – Ira Kamin
Slide Guitar, Electric Guitar, Acoustic Guitar, Bass, Piano, Organ, Drums – Michael Bloomfield
Tenor Saxophone – Ron Stallings

MP3 @ 320 Size: 76 MB
Flac  Size: 191 MB

MIKE BLOOMFIELD - KNOCKIN' MYSELF OUT  2002

 
  

Mike Bloomfield – Knockin' Myself Out
Label: Fuel 2000 – 302 061 256 2
Format:    CD, Compilation, Stereo
Country: US
Released: Nov 19, 2002
Genre:Rock
Style: Blues

TRACKS

                                                 

01. Knockin' Myself Out  (Songwriter – Lillian Green)  4:03
02. Sloppy Drunk  (Arranged By – Mike Bloomfield/Songwriter – Traditional)  5:59
03. You Took My Money  ((Arranged By – Mike Bloomfield/Songwriter – Traditional)  3:59
04. Peepin' an A-Moanin' Blues  (Songwriter – Mike Bloomfield)  2:38
05. The Gospel Truth  (Songwriter – Norman Dayron)  4:42
06. Lights Out  (Songwriter – Mac Rebennack, Seth David)  1:48
07. Orphan's Blues  (Songwriter – Robert Brown)  5:12
08. Mr. Johnson And Mr. Dunn  (Songwriter – Mike Bloomfield)  2:52
09. Peach Tree Man  (Songwriter – Mike Bloomfield)  3:46
10. Saturday Night  (Songwriter – Mike Bloomfield)  1:51
11. Your Friends  (Songwriter – Deadric Malone)  6:55
12. It'll Be Me  (Songwriter – Jack Clement)  2:59
13. At The Cross  (Songwriter – Louis Johnson, Rev. Claude Jeter)  4:34
14. Crisco Kid  (Songwriter – Mike Bloomfield)  6:45

Producer – Norman Dayron

Tracks 1,2,3 & 5 taken from the album "Michael Bloomfield" (TAK 7063)
Tracks 6,7 & 11 taken from the album "Between The Hard Place And The Ground" (TAK 7070)
Track 12 taken from the album "Cruisin' For A Bruisin'" (TAK 7091)
Tracks 4, 8 & 13 taken from the album "Analine "(TAK 1059)
Tracks 9 & 10 previously unrealeased on CD
Track 14 previously unrealeased

MP3 @ 320 Size: 139 MB
Flac  Size: 292 MB

Al Kooper on Urban Aspirines HERE
Al Kooper + Mike Bloomfield + Steve Stills: Super Session HERE
Nick Gravenites Live In Greece HERE

The Saints: (I'm) Stranded 1977 + Prehistoric Sounds 2007 + Chris Bailey & The Saints: Rarities

Chris Bailey, the lead singer of legendary Australian band the Saints, has died.
                                                    

The band announced his death on Facebook on Monday.
“It is with great pain in our hearts that we have to inform you about the passing of Chris Bailey, singer

and songwriter of The Saints, on April the 9th 2022,” the statement said.
“Chris lived a life of poetry and music and stranded on a Saturday night.”
Bailey was born in Nanyuki, Kenya, to Irish parents in 1957 and lived the first seven years of his life in Belfast before his family emigrated to Australia. They lived in Inala in Brisbane and he met bandmates Ed Kuepper and Ivor Hay at Corinda state high school. They originally named their band Kid Galahad and the Eternals, changing the name to the Saints in 1974.
                                        

On Monday Kuepper, who left the band in 1978 after musical disagreements with Bailey, expressed his

sadness at Bailey’s death, saying the pair had “an extremely strong artistic partnership” and he “couldn’t have hoped for a better singer”. The Saints were the core of the Australian punk scene in the 1970s – though police attended the band’s Brisbane shows and arrested audience members and musicians, leading to their bookings evaporating.
                                      

Roaring out of Brisbane, Australia in 1977 with the punk-era classic "(I'm) Stranded," the Saints,

despite going through numerous incarnations, were a part of rock & roll for more than 20 years, thanks mainly to their indefatigable leader (and founder), Chris Bailey. Although they didn't play anything that passes for punk rock after about 1978, and despite extended dormant periods, the Saints never officially broke up, and Bailey always seemed to have another version of the band and another record ready to release.
                                    

Saints' fans generally fall into two distinct camps: the punk-era fans (up to about 1980) and the mature pop fans, which for American audiences begins with the release of All Fools Day in 1987. After co-

founder Ed Kuepper left in 1979 and the band became Bailey's show, the twists and turns he took them through (horns, folk/blues arrangements, as well his numerous solo excursions) produced some good music, but it was mostly scattershot and lacked focus, though Bailey did record two fine records with the late-'80s incarnation of the band.
                                        

Punk-era Saints were exactly what you'd expect: buzzsaw guitars, Bailey's pissed-off, nasal vocals, and locomotive rhythms supplied by bassist Kym Bradshaw and drummer Ivor Hay. After the LP (I'm) Stranded became a modest hit in England, the follow-up record, Eternally Yours, showed some changes

(more varied tempos, acoustic guitars) that would set the stage for their third record, Prehistoric Sounds, which combined horn arrangements into a punk-ish sort of R&B. It was at this point that the Saints were beginning to change enough to not resemble the band they were just a scant two years earlier. Kuepper left to form the arty Laughing Clowns and eventually made a number of records as a solo act. Bailey, however, got to keep the name the Saints and soldiered on, taking time here and there to record his own solo records.
                                 

The group had their first hit with (I’m) Stranded in 1976 and released their first LP with the same name in 1977. They went on to release 13 more records. After forming their own label, Fatal Records in 1976, they were then signed by record label EMI for a three-album contract.
Bailey was the only member to be with the band its entire run.
                                      

Chris Bailey (1957 – 9 April 2022) was the co-founder and singer of rock band The Saints. He was born in Nanyuki, Colony of Kenya to Irish parents. Bailey grew up in Belfast, Northern Ireland until the

age of seven, when his family emigrated to Australia. His family settled in Inala, in Brisbane, Queensland and he and his sister Margaret attended Inala State High School, Oxley State High School and Corinda State High School where Ed Kuepper and Ivor Hay were also students. They formed the band, The Saints in 1973. Their first hit was in the UK with the classic punk anthem "(I'm) Stranded". The band slowly evolved toward a more sophisticated sound on their next few albums.
                               

After several years of solo adventure, Bailey revived The Saints to record Howling in 1996. This album was followed by Everybody Knows the Monkey (1998), Spit the Blues Out (2002), Nothing is Straight in My House (2005), Imperious Delirium (2006) and "King of the Sun" (2012-Australia, 2013-Europe) which were all recorded under the name of The Saints.

THE SAINTS - (I'M) STRANDED 1977

                                                                  

The Saints – (I'm) Stranded
Label: EMI – 50999 5 00371 2 4, EMI – 5003712
Format:    CD, Album, Reissue, Remastered 2007
Country: Australia
Released: 1977   
Genre: Rock
Style: Punk

TRAXS

                                       

01. (I'm) Stranded   (Written-By – Bailey, Kuepper)  3:25
02. One Way Street  (Written-By – Bailey, Kuepper)  2:54
03. Wild About You  (Written-By – Anderson)  2:38
04. Messin' With The Kid  (Written-By – Bailey, Kuepper)  6:05
05. Erotic Neurotic  (Written-By – Bailey, Kuepper)  4:11
06. No Time  (Written-By – Bailey, Kuepper)  2:45
07. Kissin' Cousins  (Backing Vocals – The Flat Top Four)  (Written-By – Wise, Randy Starr)  2:04
08. Story Of Love  (Written-By – Kuepper)  3:14
09. Demolition Girl  (Written-By – Kuepper)  1:45
10. Nights In Venice  (Written-By – Bailey, Kuepper)  5:49

BONUS TRAXS       

                                  

  
11. Untitled  (Written-By – Kuepper)  2:56
12. This Perfect Day (Single Version)  (Written-By – Bailey, Kuepper)  2:12
13. L-I-E-S  (Written-By – Bailey, Kuepper)  2:05
14. Do The Robot  (Written-By – Kuepper)  2:44
15. Lipstick On Your Collar  (Written-By – Edna Lewis, George Goehring)  2:35
16. One Way Street  (Written-By – Bailey, Kuepper)  2:52
17. Demolition Girl  (Written-By – Kuepper)  1:59
18. River Deep Mountain High  (Written-By – Ellie Greenwich, Jeff Barry, Phil Spector)  3:53

MEMBERS

                                          

Bass – Kym Bradshaw
Drums – Ivor Hay
Engineer – Bill Price (tracks: 12, 15 to 18), Mark Moffatt (tracks: 1, 6)
Guitar, Remastered By – Ed Kuepper
Liner Notes [Reissue] – Toby Creswell
Producer – Chris Bailey (tracks: 1, 6, 12 to 18), Ed Kuepper (tracks: 1, 6, 12 to 18), Rod Coe (tracks: 2 to 5, 7 to 11)
Remastered By – Don Bartley
Vocals – Chris Bailey

Originally released in 1977.
Track 11 outtake from " (I'm) Stranded ".
Tracks 12 to 14 originally released as ltd. single 12" " This Perfect Day c/w L-I-E-S " in 1977.
Tracks 15 to 18 originally released as EP 7" " One Two Three Four " in 1977.
Tracks 1 & 6 recorded at Window Studios, Brisbane, Australia, June 1976
Tracks 2 to 5 and 7 to 11 recorded at Window Studios, Brisbane, Australia, December 1976
Track 12 recorded at Wessex Studios, London, June 1977
Tracks 13 & 14 recorded at EMI Studios, Sydney, Australia, February 1977
Tracks 15 to 18 recorded at Air Studios, London, July 1977
Remastered at Studios 301, Sydney, Australia, during 2003 and 2004

MP3 @ 320 Size: 129 MB
Flac  Size: 417 MB

PREHISTORIC SOUNDS (REMASTERED 2007)

                                               

With Prehistoric Sounds (the last record of the band's original lineup), the Saints provide the textbook

by which to make a great rock record where horns play as much of a role as guitar. Further extracting themselves from the limitations of punk, the band retains the attitude and turns it into a smart, bluesy, gutsy combination of controlled power. There's more dip in the hip and additional swagger. The days of "(I'm) Stranded" might have been long gone, but the varied tempos and sophisticated songwriting don't sacrifice the band's intensity at all. The horns are the real treat, a central element to the record's solidity.
                                       

They don't make the Saints sound like Chicago, and they don't make them sound like a faux '70s soul band -- they don't make them sound like the Doors of "Touch Me" or the Bowie of Young Americans, either. Whether used for the basis or just punctuation of each song, the tasteful use of saxophones is a

genuine masterstroke. The dynamic "Brisbane (Security City)" -- which is like an update of the Stooges' "1969" and "1970" in terms of subject matter -- is the high point. After two minutes of Chris Bailey's Iggy-like lament on his hometown, the medium tempo shifts into high gear, thanks to rhythmic overdrive, charged guitars, and (of course) the ubiquitous horns. Other bright spots include "Every Day's a Holiday, Every Night's a Party" and an energetic cover of Otis Redding's "Security," where Bailey sounds so much like a young Van Morrison that it's scary.
by Andy Kellman

The Saints – Prehistoric Sounds
Label: EMI – 50999 500373 2 2, EMI – 5003732
Format:    CD, Album, Reissue, Remastered
Country: Australia
Released: 2007
Genre: Rock
Style: Alternative Rock

TRAXS

                                      

01. Swing For The Crime    3:42
02. All Times Through Paradise    4:09
03. Every Day's A Holiday, Every Night's A Party    2:49
04. Brisbane (Security City)    4:23
05. Church Of Indifference    5:05
06. Crazy Googenheimer Blues    2:32
07. Everything's Fine    2:37
08. The Prisoner    5:01
09. Security  (Written-By – Redding)  2:22
10. This Time    3:16
11. Take This Heart Of Mine    2:28
12. Chameleon    5:17
13. Save Me  (Written-By – Aretha Franklin, Carolyn Franklin, Curtis Ousley)  3:34

BONUS TRAXS

                                   

          
14. Looking For The Sun (Studio Outtake From Prehistoric Sounds) (Live At Paddington Town Hall, Sydney 21,04,1977)  3:28
15. Intermission    0:12
16. This Perfect Day    2:12
17. Run Down    2:47
18. Erotic Neurotic    3:18
19. Demolition Girl    1:40
20. Nights In Venice    7:15

MEMBERS

                                        

Bass – Alasdair Ward (tracks: 1 to 14), Kym Bradshaw (tracks: 15 to 20)
Drums – Ivor Hay
Engineer – Bill Price (tracks: 1 to 14), Jeremy Spencer Green* (tracks: 1 to 13)
Guitar – Ed Kuepper
Producer – Chris Bailey, Don Bartley (tracks: 15 to 20), Ed Kuepper (tracks: 1 to 14)
Remastered By – Don Bartley, Ed Kuepper
Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Piano, Arranged By [Brass Arrangements] – Roger Cawkwell (tracks: 1 to 13)
Trombone – Paul Nieman (tracks: 1 to 13)
Trumpet – Martin Bruce (tracks: 1 to 13), Martin Dover (tracks: 1 to 13)
Vocals – Chris Bailey
Written-By – Chris Bailey (tracks: 1 to 3, 6, 10 to 12), Ed Kuepper (tracks: 1 to 8, 10, 12)

MP3 @ 320 Size: 156 MB
Flac  Size: 496 MB

CHRIS BAILEY AND THE SAINTS - RARITIES

   

The Saints & Chris Bailey – Rarities
Label: Firewood Records – 1298
Format:    CD, Compilation
Country: ?
Year: ?   
Genre:  Rock

TRAXS

    
01. Chris Bailey & Friends – Me And My Uncle
02. Chris Bailey – Midnight Run
03. The Saints – Marie Antoinette
04. Chris Bailey – It Doesn't Matter Anymore
05. Chris Bailey – Not Even Close
06. Chris Bailey – Curtains (Live)
07. Chris Bailey – Marie Antoinette (Dub)
08. Chris Bailey – Rescue
09. Chris Bailey – Wait Till Tomorrow
10. Chris Bailey – Curtains
11. Chris Bailey – Follow The Leader
12. The Saints – Some Things Never Change
13. The Saints – Calling On You
14. The Saints – Mad Race
15. The Saints – Minus A Ride
16. The Saints – Storm
17. The Saints – East Is East
18. The Saints – Idiot Blues

Written-By – Bailey (tracks: 2, 3, 6 to 18), Phillips (tracks: 1), Anka(tracks: 4), Finn (tracks: 5)
No release year is given and this CD looks suspiciously like a bootleg. It was sold at various online stores which don't otherwise deal with bootlegs so it may have been an authorised release after all.

Track 1 from the "Play New Rose For Me" compilation.
Tracks 2 and 7 are Chris Bailey single B sides.
Track 3 from Bucketfull Of Brains single.
Track 4 from "Every Day Is A Holly Day" tribute album.
Track 5 from "Earth Music" compilation.
Track 6 from "Live At The Kremlin" compilation.
Tracks 8 to 11 from the "Chris Bailey" [sic] album but excluded from the CD version.
Tracks 12 and 13 from the original Australian "Prodigal Son" album, replaced on later pressings.
Tracks 14 to 18 are The Saints singles B sides.

MP3 @ 320 Size: 143 MB
Flac  Size: 402 MB

 THE SAINTS ON URBAN ASPIRINES HERE