The Clash : Super Black Market Clash (Collective Version) 1993

This rare version contains 25 tracks.The normal version contains 20 or 21 tracks.
Format : 3 Vinyl EPs
Label : Columbia (Sony Music)
Made in USA

This is my last post before to go for Summer vacations to the island of the other mad contributor of this Blog.

Super Black Market Clash is a compilation album released by The Clash in 1993 that contains B-sides and rare tracks not available on their other albums. It is a repackaging of the original 1980 Black Market Clash, which was a single 10" EP, containing only 9 songs.
The man in the foreground of the front cover art is Don Letts, who worked with the Clash on several projects and later was a founding member of Big Audio Dynamite.

VINYL ONE

SIDE 1

1. 1977

Produced by Micky Foote. Recorded at CBS Studios,Whitfield Street,London W1,February 1977
.1st released as B side of single "White Riot" - UK 18th March 1977.

2. Protex Blue

Produced by Micky Foote. Recorded at CBS Studios,London,February 1977.1st released "The Claash" album - UK 8th April 1977.

3. Deny

Produced by Micky Foote. Recorded at CBS Studios,London,February 1977.1st released "The Clash" album - UK 8th April 1977.

4. Cheat

Produced by Micky Foote. Recorded at CBS Studios,London,February 1977.1st released "The Clash" album - UK 8th April 1977.

5. 48 Hours

Produced by Micky Foote. Recorded at CBS Studios,London,February 1977.1st released "The Clash" album - UK 8th April 1977.

6. Listen

(Instrumental)
Produced by Micky Foote. Recorded at CBS Studios,London,April 1977. From the original
"Capital Radio" EP - Only available through the New Musical Express April 1977.

SIDE 2

1. Jail Guitar Doors

Produced by Micky Foote. Recorded at CBS Studios,London,September 1977.1st released as B side of "Clash City Rockers" single - UK 17th February 1978.

2. The City Of The Dead

Produced by Micky Foote. Recorded at CBS Studios,London,August 1977.1st released as B
side of the "Comlete Control" single - UK 23th September 1977.

3. The Prisoner

Produced by The Clash.Recorded at Marquee Studio,London,March 1978.1st release as B side
of "White Man in hammersmith Palais" single - UK 16th June 1978.

4. Pressure Drop

Produced by The Clash.Recorded at Marquee Studio,Richmond Mews,London W1,March 1978.
1st release as B side of "English Civyl War" single - UK 23th February 1979.

5. 1-2 Crush On You

Produced by The Clash.Recorded at Marquee Studio,London,March & possibly June 1978.
1st released as B side of "Tommy Gun" single - UK 24th November 1978.

Take it Here  MP3@320

VINYL TWO

SIDE 3

1. Groovy Times

Produced by The Clash and Bill Price.Recorded at CBS Studios,London and Utoppia Studios,
Spencer Court, London Nw1,May 1978.Recorded and mixed at Wessex Studios,Highbury New
Park,London,January 1979.1st released on the "Cost of Living" EP - UK 11th May 1979.
2. Gates Of The West

Produced by The Clash and Bill Price.Recorded at Island Studios,Basing Street,London W11
April/May 1978.The Automatt,Folsom Street,San Francisco August 1978,The Record Plant,321 W44 Street,New York City,N.Y. September 1978.Mixed at Wessex Studios,London,January 1979.
1st released on the "Cost of Living" EP - UK 11th May 1979.

3. Capital Radio Two

Produced by The Clash and Bill Price.Recorded at Wessex Studios,London,January 1979.
1st released on the "Cost of Living" EP - UK 11th May 1979.

4. Time Is Tight

Produced by The Clash.Recorded at Marquee Studio,London,March 1978.Remixed by Bill Price
at Wessex Studios,London, August 1980.1st released on "Black Market Clash" 10" record
USA October 1980.

SIDE 4

1. Justice Tonight/Kick It Over

Produced by The Clash.Chief engineer Bill Price,2nd engineer Jerry Green.Recorded at Wessex Studios,London,November 1979.1st released as dub side on "london Calling"/"Armagideon Time" 12" single - UK 11th january 1980

2. Robber Dub

Recorded at Pluto Studios,Granby Row,Manchester.producer Mikey "Dread at the Controls"
Dread 1980.1st released on "Black Market Clash" 10" record USA October 1980.

Take it Here 
Mp3@320

VINYL THREE

SIDE 5
1. Stop The World

Produced by Bill Price and The Clash.Engineered by Jeremy Green.Recorded Electric Lady Studios,New York City,March 1980.Recorded and mixed Wessex Studios,London,September 1980.
1st released as B side of "The Call Up" single - UK 28th November 1980.
2. The Cool Out

Produced by The Clash.Remixed by Pepe Unidos.Recorded at Electric Lady Studios,W.8th Street,New York City,1980.Remixed at Wessex Studios,London,February 1981.1st released on
"Magnificent Seven"/"The Call Up" 12" single - USA 27th March 1981.

3. First Night Back In London

Produced by The Clash.Mixed by Mick Jones.Recorded on the Rolling Stones mobile.Ear Studios,Peoples Hall,London W 10,September 1981 and Electric Lady Studios,New York City,
November/December 1981.1st released as B side of "Know Your Rights" single - UK 23rd April 1982.

4. Long Time Jerk

Produced by The Clash.Mixed by Mick Jones.Recorded at Ear Studios,London W 10,September
1981 and Electric Lady Studios,New York City,November/December 1981.1st released as B
side of "Rock The Casbah" single - UK 11th June 1982.

5. Cool Confusion

Produced by The Clash.Recorded at Electric Lady Studios,New York City,November/December 1981.1st released as B side of "Should I Stay or Should I Go" - USA 24th June 1982.

SIDE 6

1. The Magnificent Dance

Produced by The Clash.Remixed by Pepe Unidos.Recorded at Electric Lady Studios,New York City,March 1980.Remixed at Wessex Studios,London,February 1981.1st released on "Magnificent Seven"/"The Call Up" 12" single - USA 27th March 1981.
2. This Is Radio Clash

Produced by The Clash.Recorded at Marcus Music UK Studio,Kensigton Gardens,London W2
April 1981.1st released as B side of the "This is Radio Clash" single - UK 20th November 1981.

3. Mustapha Dance

Produced by Mick Jones.Engineer Bob Clearmountain.Recorded at Electric Lady Studios,New York City,November/December 1981. Remixed at Power Station Studios,W53rd Street,New York City.May 1982.1st released on "Rock the Casbah" 12" single - UK June 1982.

Take it Here 
MP3 @ 320

Blood Sweat & Tears : Child Is Father to the Man 1968 (The First Album)

They were originally formed in 1967 in New York City by BLUES PROJECT defectors,Al Cooper and Steve Katz,together with rhythm section Bobby Colomby and Jim Fielder.The other members were:Fred Lipsius, Randy Brecker, Jerry Weiss and Dick Halligan.
Al Kooper named the band "Blood, Sweat & Tears" after Johnny Cash's 1963 album Blood, Sweat and Tears.

The band was a hit with the audience, who liked the innovative fusion of jazz with acid rock and psychedelia. After signing to Columbia Records, the group released perhaps one of the most critically acclaimed albums of the late 1960s, "Child Is Father to the Man", featuring the Harry Nilsson song, "Without Her", and perhaps Kooper's most memorable blues number, "I Love You More Than You'll Ever Know".The album is one of bandleader Al Kooper's most enduring works and album introduced the idea of the big band to rock and roll and paved the way for such groups as Chicago.

The band began to court the media and became the critic's darlings for a short time (even arppearing at Woodstock).The project showed much promise but both Cooper and Brecker decided to quit and the second album was fronted by vocalist David Clayton-Thomas, a Canadian singer, born in Surrey, England.Allthough the album was a massive hit, containing three gold US singles.

Since their beginnings in 1967, the band has gone through numerous iterations with varying personnel and has encompassed a multitude of musical styles. What the band is most known for, from its start, is the fusing of rock, blues, pop music, horn arrangements and jazz improvisation into a hybrid that came to be known as "jazz-rock".

Since late 2005, the band has been touring world wide with a refeshed line up and sometimes backs up former "Three Dog Night" singer Chuck Negron in his shows. The year 2007 witnessed the band's first world tour in a decade. From 2008 through 2010, Steve Katz even returned to appear at "BS&T's" shows as a special guest. 2011 saw "BS&T" and "Chicago" co-headlining a Jazz festival in Stuttgart Germany.

"Our blues is a crazy blues . A lot of us are nuts and music is our outlet"

(Al Cooper)

TRACKS

 1.Overture (Kooper) – 1:32

2.I Love You More Than You'll Ever Know (Kooper) – 5:57

3.Morning Glory (Larry Beckett, Tim Buckley) – 4:16

4.My Days Are Numbered (Kooper) – 3:19

5.Without Her (Harry Nilsson) – 2:41

6.Just One Smile (Randy Newman) – 4:38

 7.I Can't Quit Her (Kooper, Irwin Levine) – 3:38

8.Meagan's Gypsy Eyes (Steve Katz) – 3:24

9.Somethin' Goin' On (Kooper) – 8:00

10.House in the Country (Kooper) – 3:04

11.The Modern Adventures of Plato, Diogenes and Freud (Kooper) – 4:12

12.So Much Love"/"Underture (Gerry Goffin, Carole King) – 4:47

I LOVE YOU MORE THAN YOU'LL EVER KNOW

(Al Kooper)

If I ever leave you

You can say I told you so

And if I ever ever hurt you babe

You know I hurt myself as well

Chorus: Is that any way for a man to carry on

d'you think he wants his little loved one gone?

I love you Baby, more than you'll ever know

More than you'll ever know

When I wasn't makin' too much money

you know where my paycheck went

you know I brought it home to baby

and I never spent one red cent

(Chorus)

I'm not tryin' to be

any kind of man

I'm tryin' to be somebody

you can love, trust, and understand

I know that I can be, yeah yeah

a part of you that no one else could see

I just gotta hear, to hear you say

It's all right

yeah, yeah, yeah!

I'm only flesh and blood

But I can be anything that you demand

I could be president of General Motors baby, heh

or just a tiny little grain of sand

(Chorus)

If I ever leave you

You can say I told you so

And if I ever hurt you baby

You know I hurt myself as well

(Chorus)

I love you, I love you, I love you baby!

Well all right!

I told ya, so many times before

I love you

I love you!

If you don't know, then I'll tell ya one more time

I love you!

I love you!

Label : CBS 32481

Made in : Greece

Released : 1968

Format : Vinyl LP

Flac Part 1  Size : 159 MB

Flac Part 2  Size : 142 MB

The Walkabouts - Train Leaves At Eight

The Walkabouts - Train Leaves At Eight

Tracklist & credits
discogs here

Vocals – Carla Torgerson, Chris Eckman
Bass – Joe Skyward
Drums – Brian Young
Guitar – Carla Torgerson, Chris Eckman
Harmonium – Chris Eckman
Melodica – Carla Torgerson
Organ – Glenn Slater
Percussion – Brian Young
Piano – Carla Torgerson, Chris Eckman, Glenn Slater
Synthesizer – Glenn Slater
Producer – Kevin Suggs

Take it HERE  [flac 403MB]

Review by Chris Nickson [allmusic]

The Walkabouts' second collection of covers comes with a quite definite theme, a musical tour of Europe, ranging from Greece in the South all the way up to Norway. And it's most definitely a journey, one which suits the darker, more introspective, and very literate nature of this Seattle band. But the ground covered is more than geographic; not many bands could move from Greek icon Mikis Theodorakis to Krautrockers Neu! on the same record. But the Walkabouts, whose career has largely happened in Europe, handle it with aplomb, throwing up plenty of changes in arrangements and working hard to penetrate to the core of a song, even the enigmatic "Solex in a Slipshod Style," on the face of it an odd choice, coming from Dutch sampling queen Solex. A few of the writers might be familiar to Americans, like Jacques Brel and Scott Walker, but the majority of the names will be unknown -- a good thing, since the music can be judged on the interpretation, not the original version. A few famous friends, like R.E.M.'s Peter Buck and Los Lobos sax man Steve Berlin add contributions, but it's the band who make it special, with Carla Torgerson's velvety voice caressing the lyrics while Chris Eckman worries his way into others. It might not be the most relaxing journey on offer, but it's one of the most rewarding, a night train across a Europe, not only through the countries, but also the hearts, minds, and souls.

* * * * * * *

¨Η πως η αγάπη των Walkabouts για την Ευρωπαϊκή κουλτούρα - και τους ανθρώπους βεβαίως - μετουσιώνεται σε ένα cd... Πάντα η Ευρώπη τους χάριζε αυτό που η μαμά πατρίδα φαινόταν ανίκανη να παραδεχτεί, και αυτοί κατά κάποιο τρόπο με αυτό το cd επιστρέφουν πίσω...Με όλη τους την αγάπη και απεριόριστο σεβασμό. Δίσκος πολυεπίπεδος, βάλσαμο για την ψυχή.

Haig Yadjian: The Beast Οn The Moon 2000

Haig Yazdjian is a composer and a vocalist and a Oud player and a producer. He was born in Aleppo, Syria in 1959. His parents are Armenians from Caesarea,Cappadocia,modern-day Turkey. He has lived in Greece,which is where he began his interest in Eastern music.

His first album " BEAST ON THE MOON " was not that famous,but the second one " TALAR ",(You can find it on this Blog) ,accelerated his popularity.Yazdjian played on Loreena McKennitt's 2006 album " An Ancient Muse". Born in Siria from Armenian parents , he has been working and living for more than twenty years in Greece. It is here where he discovered the enchanting elements of the music from the East.

He can play various instruments such as the nay, cumbus, nashatkar or percurssion, but it is with the oud ( Outi ) with which he expresses his permanent musical search. This search , by the way , transcends time and geographical borders.


A musical journey through the Armenian landscape is offered to us here. Like the sound of water flowing over the stones and the sand. Kanun, taboura, flute, duduk, ney, shevi, riko, saz and daul, unite their sounds with the oud to project the vividness of the colors and scents of this land.


This feeling reaches its zenith in the song 'Kouyr Grounk', where Haig holds the leading role in the theatre of Armenian history, and aids the listener to feel this pain and anguish.


In the summer of 2000, Haig published BEAST ON THE MOON, an album that was a turning point on his musical search. During his career he has combined traditional music with new music from the East, and even with contemporary music. This combination of fresh audacity make his performances a real event for a public that is looking for the roots of traditional music with modern sounds.

In his concerts, Haig plays and sings traditional Armenian songs from his four records (TALAR, GARIN, THE BEAST ON THE MOON y YERAZ), but leaving always a space for improvisation . Those are unique moments, because the best musicians of the emerging Greek music are with him. A lot of these musicians are from the East
( Amazon )

Tracks

1. Haig Yazdjian - Pari Lousou (Intro)

2. Haig Yazdjian - Pari Lousou

3. Haig Yazdjian - Home

4. Haig Yazdjian - Wedding

5. Haig Yazdjian - In My Face

6. Haig Yazdjian - The Pram

7. Haig Yazdjian - Evening Pray

8. Haig Yazdjian - Dream Of Life

9. Haig Yazdjian - Sirounner Mik Neghanak

10. Haig Yazdjian - Beast On The Moon

11. Haig Yazdjian - Aram And Seta

12. Haig Yazdjian - Despair

13. Haig Yazdjian - Vorsgan Akhber

14. Haig Yazdjian - My Life

15. Haig Yazdjian - Mer Dan (Vocal)

16. Haig Yazdjian - Mer Dan (Instrumental)

17. Haig Yazdjian - Mer Dan

Ρεμάλια Φασιστοειδή , Χρυσαυγίτες , Σκατομούτσουνοι.
Κατάμαυρα Λυκοτόμαρα Νεοναζί
θα τολμούσατε ποτέ να πειράξετε έναν τέτοιο άνθρωπο
του Τρίτου Κόσμου που ήρθε στην Ελλάδα ?

Flac : Size : 200 MB

Λεωνίδας Παφιλιάρης - Άστεγος κι Απόψε (Νέο cd)

Ο Λεωνίδας Παφιλιάρης (ιδρυτικό μέλος των Ριφιφί) κυκλοφορεί με την ΕΜΣΕ την πέμπτη του προσωπική δουλειά με γενικό τίτλο "Άστεγος κι Απόψε".

Το cd περιλαμβάνει τρεις ατμοσφαιρικές μπαλάντες, δύο ρυθμικά ροκ κομμάτια και ένα rythm n’ blues. Ορόσημο σε αυτό το άλμπουμ είναι η συνεργασία του με δύο εξαίρετους στιχουργούς, το Σαράντη Αλιβιζάτο και το Μάκη Πολλάκη, οι οποίοι υπογράφουν τους στίχους σε πέντε από τα έξι τραγούδια του.

Τα κομμάτια "Στο καπηλειό του Παύλου" και "Προδομένες προσδοκίες" είναι αφιερωμένα στη μνήμη των Παύλου Σιδηρόπουλου και Κατερίνας Γώγου αντίστοιχα.

Το cd θα κυκλοφορήσει μέσα στο πρώτο δεκαήμερο του Φεβρουαρίου.

Και εδώ το βίντεο του "Ομόνοια Θησείο"




Το cd " Οδύσσεια" είναι αναρτημένο στο blog μας εδώ.

GENESIS - An Art Work by Kostas & Panagis

       Written and directed by Kostas Pap (Urban Aspirines.blogspot) 

 Fotographer : Panagis Hartuliaris Moussouris

Actors :

Adam : Nikos Anastasiadis

Eve  : Dina Perlega

This is an Art Work made in Greece by "Kostas Pap " and the photographer "Panagis Hartuliaris Mousouris" in the 1995 , presented in various galleries in Greece ( Kefalonia - Mykonos - Athens ) and in Italy
( Renfe Gallery - Ferrara ).
It's a concept art work about our origins and the creation of  Life .
Many critics ( Greek newspapers ) wrote that was heretic . (  Life on Earth was created after the visit of a spaceship from outer space ) Ezekiel .

 Was released without computers or Photoshop .

This whole work was published in the Greek Art magazine " Ατυπον " in the year 1995 .

Was inspired of the Bible book of   "Genesis"

and the book of  Ezekiel : References in some holy scripture to strange flying machines have prompted , throughout history , speculation and conjecture in order to lend acceptable ,  if not rational , explanations of the phenomenon reported.

In the Bible , in Ezekiel 1, Ezekiel reported seeing a vision of a "living beings" flying from a center of a gigantic storm cloud . Some interpret his description of this entity or entities and how it moves as a Flying Aircraft , it has wheels beneath it such that "when the living beings moved , the wheels moved". "When the living beings stopped , the wheels stopped".

                                           

This art work is only an allegory of the myth and the technology , that simply plays with
fantasy .

Designs By : Kostas

 

 https://www.youtube.com/watch?v=2WDgtw2AgLA

Paul Roland : Gaslight Tales 2003

                                                                                   
The Anthology (1980-1997) / 2 CD set   
Label : Last Call
Release date : July 2003

This eccentric son of Kent is one of the most unashamedly literate singer-songwriters that you'll ever be likely to hear and this collection is rather like a version of the Victorian Strand magazine, delivering short vignettes of crime, adventure and courtly romance.  RETFORD TIMES

With tracks with titles like Knights, Nosferatu and Sprong Heeled Jack, you get the feeling this is the type of album Mary Shelley would have made if she were around in the 1970s.  SWINDON EVENING ADVERTISER

Gothic rock as cartoon.  ALTERNATIVE PRESS
PAUL ROLAND has been variously described as the last English eccentric, a Twentieth Century troubadour and a Romantic in the tradition of Poe, Lovecraft and M.R. James. His songs teem with characters, both grotesque and humorous, juxtaposed and set in music suitably atmospheric and evocative.
Paul's preoccupation with fantasy and historical themes, often set in Victorian or Edwardian England has been described as "Gothic in the traditional sense ". This compilation explores those interests. Spanning the years 1980 to 1990 it encompasses some of his delightful songs and almost stories.



PAUL ROLAND BY HIMSEL

I was born more years ago than I care to remember backstage during a performance of 'Hamlet' in which my actress mother was cast as Ophelia.
It was my mother who instilled in me the importance of stage craft which basically amounted to being well rehearsed, speaking clearly and communicating to the audience. She also nurtured my love for quaint old movies featuring quintessentially English characters such as Margaret Rutherford, Alastair Sim and Will Hay, which is by way of an excuse for my later behaviour and for my skewed view of the world.

My father was less outgoing. He was a writer who used to entertain me with his Jules Verne-styled bedtime stories featuring explorers who set off into the wide blue yonder in a balloon in search of lost continents and strange creatures. Unfortunately, his descriptions of the apparatus were so involved that I would fall asleep before the travellers reached their wondrous destination and so I was left with a fascination for invention and the spirit of adventure, but little sense of geography.

I was an only child (with no brothers or sisters to annoy) and was sent away at an early age to be educated at Dr Benjamin Twists' Prep School For The Sons of Gentlemen where I spent the lessons staring out of the window and playing war games with an unhealthy attention to military tactics and gruesome detail that can only have come from memories of a previous life.

                                                                                    
I wasn't particularly academically inclined, although I could be relied upon to stage a melodramatic end-of-term play based on an old horror movie with myself cast as the mad doctor/monster and my friends as the hapless victims. And I was often in trouble for trying to incite my chums to go on strike under the pretext that convicted criminals were not incarcerated for as long as we were. I always considered myself to being held against my will in the educational system.

I amused myself on occasion by pretending to be dying of an incurable illness which gave me the perfect excuse for having fits during lessons that I didn't like or attacking the school bully, who was prevented from fighting back due to my affliction. Thankfully, none of the teachers had heard of Black Snake Swamp Fever, which I claimed to have caught off an uncle in Africa, so I could vary the symptoms at my whim.

I think Dr Twist and his staff were as happy to see me leave at the age of 16 as I was to go. Needless to say I was miraculously 'cured' of Black Snake Swamp Fever the day I left their establishment.

I would like to boast of having spent my childhood reading and dreaming of wondrous worlds, but to be honest I was too impatient to sit and read. Instead I would spend the school holidays racing around the grounds of our crumbling old house on my bike scaring the wits out of the servants and any tradesmen foolish enough to risk life and limb to enter Roland Towers. In the evenings I would put on shows for nanny and my tutors who applauded politely after each song or magic trick. I don't know if their appreciation was genuine or if it was because they feared what might happen if they didn't.

You see, my other childhood obsession was magicand I don't mean the kind where the conjuror pulls a rabbit out of a hat. I wanted to conjure up surprises that were neither fluffy nor friendly. Ever since my first out-of-body experience at the age of 5 or 6 I was obsessed with the occult and what lay beyond the physical world of our senses, a gift I inherited from my mother's side of the family, several of whom were psychic.

At night I would practice leaving my body and exploring the astral world. At other times I would attempt to make the lights go out in neighbour's houses or invoke elementals (creatures of the lower worlds) or create thought forms - an indulgence which came to an abrupt end when I came to my senses one night to find the room crawling with insects that I had created! Unfortunately, it was not as easy to walk away from magic as it had been to walk into it.

It was 1974 and the time of the 'Exorcist'. I happened to watch a documentary on demonic possession one afternoon and being the imaginative kid that I was I became convinced that I was possessed by the devil - which made life at school even more lively than it had been before. Fortunately my father happened to know a real magician (as he had been on a spiritual search of his own) and he convinced me that such things are not possible.

Thereafter I left the occult alone until I was old enough to know how to handle my abilities and then I allied myself firmly on the side of the angels. (If you want to know more, the rest of this story can be found in 'Investigating The Unexplained' published by Piatkus)
And then I discovered something which offered a healthy distraction - music.
Marc Bolan loomed large in my world all through my teens not only because of his extraordinary voice, but also because his early music evoked a fanciful world with magical overtones.

I didn't have time for anybody else until I started making my own records then I opened up to other influences and found my own style.
At the age of 14 I bought my first guitar and started writing songs as soon as I had learnt my first three chords. At 19 I recorded my first single and a few months later my first album.
And now, after an absence of several years, I'm tempted to return to music - if only to get it right this time!

Paul


Paul Roland Bibliography  untill 2003

'Kabbalah ­ A Piatkus Guide' (paperback) Publisher: Piatkus 1999 UK
'Kabbalah Cards' (pack and book) Publisher: AGM Muller Switzerland 2003
'Revelations ­ Wisdom of the Ages (hardback) Publisher: Carlton, 1995 UK
'Prophecies and Predictions' (hardback) Publisher: Island/S.Webb & Son 1997 UK
'Complete Guide To Dreams' (hardback) Publisher: Hamlyn, 1999 UK
Angels ­ A Piatkus Guide' (paperback) Publsiher: Piatkus 1999 UK
*'New Age Living' (hardback) Publisher: Hamlyn 2000 UK
'Investigating The Unexplained' (hardback & paperback) Publisher: Piatkus UK 2000
'How To Meditate' (hardback and paperback) Publisher: Hamlyn 2000 UK
'Meditation' (paperback) Publisher: HarperCollins/Gem 2002 UK
'Meditation Solutions' (hardback) Publisher: Hamlyn 2002 UK
'How Psychic Are You?' (p/back) Publisher: Hamlyn 2003 UK
'Jazz Singers' (hardback) Publisher: Hamlyn 1999 UK
'Teach Yourself Rock & Pop' (paperback) Publisher: Hodder Headline 1999 UK
'Chrysalis Guide To Rock & Pop On CD ' (paperback) Publ: B.T.Batsord 2001 UK

Paul has also contributed a chapter on the history of French music to 'Paris - Traditions' and a chapter on Irish Drama and Literature to 'Dublin ­ Traditions' both published in hardback by Hamlyn.

CD 1


1. Blades of Battenburg     3:01

2. Lon Chaney             3:03    
3. Werewolves of London     3:26    
4. Dr Strange             2:56    
5. Madelaine             3:01    
6.The Puppet Master         3:39    
7. Captain Blood         4:08    
8. Cairo             3:38    
9. Death or Glory         3:30    
10.Burnt Orchids         3:06    
11.Ghost Ships             4:24    
12.Berlin             2:31    
13.Gabrielle             2:58    
14.Witchfinder General         3:41    
15.The Great Edwardian Air-raid 3:15    
16.In the Opium Den         5:37    
17.Buccaneers             2:07    
18.Wyndham Hill         4:05    
19.Walter the Occultist     3:31    
20.Cousin Emilia         3:09    
21.Demon In A Glass Case     3:04    


CD 2


1. Nosferatu             6:05    
2. The Crimes of Dr Cream     3:03    
3. Alice's House         3:31    
4. Pharoah             4:41    
5. The Ratcatcher's Daughter     4:58    
6. Candy Says             3:44    
7. The Sea Captain         5:15    
8. Poets and the Painters     4:06    
9. Come to the Sabbat         6:30    
10.Morgan Le Fey         3:12    
11.Beyond the Realm of Sleep     4:10    
12.Waltzing the Square Ring Again 3:03    
13.A Thousand and One Nights     6:01    
14.Ophelia             2:53    
15.Aleistair Crowley         3:07    
16.Gargoyles             3:59    

Bonus Track

17.The Cars That Ate New York     4:50

Πρώτη ανάρτηση και απο εμένα για το 2013 . Τι άλλο απο Paul Roland ; Καλή Χρονιά παιδιά .

CD 1  Mp3 : Size : 176 MB
CD 2  MP3 : Size : 179 MB

CD 1 Flac :  Size : 464 MB

CD 2 Flac :  Size : 473 MB