Kayhan Kalhor + Toumani Diabaté: The Sky Is The Same Colour Everywhere 2023 + Kayhan Kalhor & Rembrandt Frerichs Trio: It's Still Autumn 2019

 

KAYHAN KALHOR

                  

Kayhan Kalhor is an internationally acclaimed virtuoso on the kamancheh (spiked fiddle), who through his many musical collaborations has been instrumental in popularizing Persian around the

world and is a creative force in today’s music scene. His performances of traditional Persian music and multiple collaborations have attracted audiences around the globe. He has studied the music of Iran’s many regions, in particular those of Khorason and Kordestan, and has toured the world as a soloist with various ensembles and orchestras including the New York Philharmonic and the Orchestre National de Lyon.
                     

Kayhan Kalhor, from Iran, is the leading player of the kamancheh, the Persian spike fiddle. Played kneeling down, Kayhan says it’s “like riding a wild horse”. It has four strings played with a short bow.

He is co-founder of the renowned ensembles Dastan and Masters of Persian Music. Kalhor has composed works for Iran’s most renowned vocalists Mohammad Reza Shajarian and Shahram Nazeri and has also performed and recorded with Iran’s greatest instrumentalists. He has composed music for television and film and was featured on the soundtrack of Francis Ford Copolla’s Youth Without Youth in a score that he collaborated on with Osvaldo Golijov.
                 

John Adams invited him to give a solo recital at Carnegie Hall as part of his Perspectives Series and he has appeared on a double bill at Lincoln Center’s Mostly Mozart Festival, sharing the program with the
Festival Orchestra performing the Mozart Requiem.

Kayhan is an original member of Yo-Yo Ma’s Silk Road Project for whom he continues to compose for and tour with. His compositions appear on all of the Ensemble’s albums. His most recent albums include Silent City, collaboration with Brooklyn Rider and I Will Not Stand Alone with santoor player Ali Bahrami Fard. Kayhan has been nominated for three Grammys and in 2017 was awarded a Grammy with Yo-Yo Ma and the Silk Road Ensemble (2017).

TOUMANI DIABATE

                         

Toumani Diabaté 10 August 1965 – 19 July 2024) was a Malian kora player. In addition to performing the traditional music of Mali, he was involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles of music. In 2006, the London-based newspaper

The Independent named him one of the fifty best African artists. In its obituary, The Times described him as "a bold and innovative musical visionary". Diabaté was born on 10 August 1965 in Bamako, the capital of Mali, five years after the country had gained its independence from France. He came from a long family tradition of players of the kora, a 21-string west African harp-like instrument. His father, Sidiki Diabaté, recorded the first-ever kora album, in 1970.
                    

His mother, Nene Koita, was a singer. His family's oral tradition tells of 70 generations of musicians preceding him in a patrilineal line. His cousin Sona Jobarteh was the first female professional kora

player to come from a griot family. His younger brother Mamadou Sidiki Diabaté is also a kora player. According to Diabaté, a childhood illness resulted in his losing the use of his right leg, and he walked using a crutch. He played at festivals and concert halls around the world, and worked both as a soloist and with a remarkable array of other artists, ranging from his own Symmetric Orchestra to the guitarist Ali Farka Touré, the London Symphony Orchestra, and musicians from Spain, Cuba and Brazil.
                  

His exquisite, relaxed playing mixed the ancient and modern, as he switched from pieces that dated

back hundreds of years to his own compositions that he said reflected influences ranging from other African artists to Jimi Hendrix, Otis Redding and Pink Floyd. His kora work mixed bass lines with melodies and improvisation – it was as if several musicians were performing at once – and as a devout Muslim, he said: “Music was a gift to me from God, the kora was a gift to me from God.”

 

REMBRANDT FRERICHS  

                   

Rembrandt Frerichs (born 1977) is a jazz pianist and composer from the Netherlands. He leads a

few ensembles: Rembrandt Frerichs Trio and Levantasy. In his playing he is being influenced by the American jazz tradition, as well by philosophy and Arabic music. Frerichs teaches jazz piano on the conservatory of Tilburg.
             

Frerichs studied at the Royal Conservatory of The Hague and the New York Conservatory for Dramatic Arts. He completed his studies in The Hague with honors. At the age of 22 he made his debut at the

North Sea Jazz Festival. Rembrandt plays in several of his own ensembles such as Rembrandt Frerich Trio, Chiaroscuro and (with Vinsent Planjer and Yoram Lachish) 'Levantasy'. He has also collaborated with Michael Brecker, the New Trombone Collective, Marnix Busstra, Michel Godard, and Hermione Deurloo. In addition to jazz, he was inspired by classical European music as well as Arabic music, for which he developed a passion during a two-year stay in Egypt.
                  

Frerichs teaches jazz piano at the Conservatory of Tilburg and has been a guest teacher at the

conservatories of Amsterdam, Rotterdam and Utrecht. He is also artistic director of various cultural events, such as the Rabo Jazz Festival (Oud-Beijerland), the Waterfront Jazz Club (Almere) and the Regentenkamer (The Hague). His debut album Self Portrait was nominated for an Edison Award In 2014, his album A Long Story Short was also nominated for this prestigious Dutch award.

KAYHAN KALHOR AND TOUMANI DABATE - THE SKY IS THE SAME COLOUR EVERYWHERE 2023

                     

The Sky Is the Same Colour Everywhere is a spiritual meditation - best listened to in one sitting - by two master musicians and culture bearers of centuries-old musical traditions sharing modes based on

Persian and Malian repertoires on kamancheh (spike fiddle) and kora (harp/lute). Kayhan Kalhor and Toumani Diabaté are both well-known soloists in their own right, but this duo recording is something special taking us on an improvisational musical journey into new landscapes. “It’s like this music was already there waiting for us,” says Toumani. “And it’s like the two of us knew each other before - in another life.”

                                     

Kayhan Kalhor And Toumani Diabaté – The Sky Is The Same Colour Everywhere
Label: Real World Records – CDRW238
Format: CD, Album, Stereo
Country: UK, Europe & US
Released: May 5, 2023
Genre: Folk, World, & Country, Ethnic
Style: African, Persian Classical

TRACKS

                        

01. Wayfarers Of The Legends    7:28
02. The Path Of No Return    15:10
03. Stay Here    2:48
04. Joyful Sun    5:34
05. I'm Speaking To You    2:22
06. Whereto    2:52
07. Anywhere That Is Not Here    3:58
08. Is Anyone There?    2:51
09. The Sky Is The Same Colour Everywhere    8:57

LINE - UP

                        

Kayhan Kalhor - Kamancha [Kamancheh] (The kamancheh (also kamānche or kamāncha) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow.   
Toumani Diabaté - Kora (The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It has features of the lute and harp.

NOTES

The album is divided into 9 tracks but plays as a continuous piece and is designed to be listened to in one sitting.

Flac Size: 289 MB

REMBRANDT FRERICHS TRIO & KAYHAN KALHOR - IT'S STILL AUTUMN 2019

                 

“In Iran, you feel that they are hungry for our music. You can therefore conclude that jazz is very

relevant,” said pianist Rembrandt Frerichs  in 2018 in an interview with the magazine Jazzism. Frerichs would know because he has played abroad a lot and he even lived in Egypt for a time. The pianist met the famous Iranian kamancheh player Kayhan Kalhor (Teheran,1963) at a performance in 2013.
               

In the sound of the Iranian’s instrument (that is played da gamba), Frerichs recognized a great opportunity to add a new dimension to his own musical journey which in recent years had led him to

playing jazz on a fortepiano. Mozart used such an instrument to compose on. Bassist and violinist Tony Overwater and drummer Vinsent Planjer, with his self-designed whisper kit, have adjusted their playing to suit this new tonal ideal. The result is music with no boundaries that was recently recorded on the evocative album It’s Still Autumn.
                                      

Kayhan Kalhor, Rembrandt Frerichs, Tony Overwater, Vinsent Planjer – It’s Still Autumn
Label: Kepera Records – Kepera 74715
Format: CD, Album
Country: Netherlands
Released: Apr 5, 2019
Genre: Jazz, Folk, World, Ethnic
Style: Free Improvisation, Fusion

TRACKS
                   

DAWN           
01. Introduction    4:47
02. Dew Drops    3:48
03. Kayhan’s Chahar    8:48
04. Still    6:53
05. Offering    4:17

DUSK   
06. Introduction    8:10
07. Autumn    5:21
08. Autumn Winds    3:23
09. Long Story Short    9:20

LINE - UP

Fortepiano, Harmonium – Rembrandt Frerichs
Kamancha [Kamanche] – Kayhan Kalhor
Percussion [Whisper Kit] – Vinsent Planjer
Violone, Double Bass – Tony Overwater

NOTES

Recorded at Fattoria Musica Osnabrück, 10 - 6 November 2015.
The 'whisper kit' is an invention by Vinsent Planjer which combines percussion instruments of various cultures and epochs.

Flac Size: 482 MB

Toumani Diabaté on Urban Aspirines HERE