The Misunderstood: 3 Albums

Of the thousands of U.S. garage bands who struggled in the '60s without achieving international success, the Misunderstood were not only among the very best, but among the very few to progress beyond basic garage sounds to music that has been (belatedly) recognized as nearly as accomplished and innovative as that of the British Invasion bands who touched off the garage explosion in the first place.

Formed in Riverside, CA, in 1963, the group began as a basic R&Brock combo in the tradition of the Stones and the Animals. After the addition of steel guitarist Glenn Campbell, they rapidly moved toward a proto-psychedelic sound with guitar feedback, sustain, Middle Eastern influences, and exploratory song structures that strongly echoed the Yardbirds.
                                          

The Misunderstood were an American psychedelic rock band originating from Riverside, California in the mid-1960s The band moved to London early in their career, and although they recorded only a handful of songs before being forced to disband, they are considered highly influential in the then-emerging genre.

Creem, in their September 2004 review, wrote, "The saga of the Misunderstood is one of the most unbelievable, heartbreaking, and unlikely stories in the entire history of rock."
Classic Rock's June 2010 issue stated, "The truth is that this band (the Misunderstood) were so far out on their own, so individual and innovative that you can only wonder at the set of circumstances that conspired to prevent them from becoming the iconic name that was surely their destiny."
                                                                  

With the encouragement of local expatriate British radio announcer John Ravenscroft (who would

shortly become one of Britain's most influential DJs as John Peel, a designation he holds to this day), the band moved to England in 1966 in an attempt to find a sympathetic audience. The group cut six songs (a few of which were issued as extremely rare singles) that found them anticipating the early innovations of groups like Pink Floyd and Jimi Hendrix. The band was influenced by and often compared to the Yardbirds, and in 2004 were called "the American Yardbirds" by Rolling Stone. Distinctive features of the band's sound included the steel guitar of Glenn Ross Campbell and the innovative style of Whiting, known for his use of slide, fuzz tone and distortion. The Misunderstood are known for having pioneered the live light show. They also played with lights at the Marquee

Club in London in mid 1966. An advanced, multicolored, large scale version of this "light show" or "visual sound" system was being planned in London when the band were forced to retire. Another feature of their visuals was getting all three guitars feeding back using different tremolo settings, thereby leaving the stage flashing with musical lights.
                                                               

The Misunderstood are the stuff of legend among fans of '60s garage rock and psychedelia, and they'd probably be even more celebrated if more people heard their work. The band played music their own

GLENN ROSS CAMPBELL

way, and while they were far ahead of their time, the ferocity and imagination they revealed in their recordings would have been challenging in any era. The Misunderstood's savage interpretation of rhythm & blues was strong stuff in 1965, with vocalist Rick Brown wailing with uncommon ferocity and steel guitarist Glenn Ross Campbell filling the arrangements with otherworldly sweeps and cries through his pedal steel guitar. (Campbell's work with the Misunderstood arguably represents the most confident and visionary efforts to explore the pedal steel's possibilities outside country music.)
                                                 

Fontana Records introduced the band with a four-song live performance in London's Philips Studios. British media response was positive, but at this juncture it was decided that Campbell, Whiting, and Moe should go to Europe to sort out their British visas and work permits, while Brown returned to

GLENN ROSS CAMPBELL

California for his draft. In London they released their second single, "I Can Take You to the Sun", before being forced to disband. They had only recorded six tracks in London. British DJ John Peel championed the Misunderstood's music throughout his entire career. Shortly before his death, in an interview with Index Magazine, Peel stated, "If I had to list the ten greatest performances I've seen in my life, one would be the Misunderstood at Pandora's Box, Hollywood, 1966. My god, they were a great band!"
                                                 

By the time they developed acid consciousness, they cut some of the most powerful music of psychedelia's year zero -- "Children of the Sun," "I Unseen," and "Find the Hidden Door" rank with the 13th Floor Elevators' debut album among the first truly classic psych tracks. In spite of

their relatively small output, many musicians consider them to be influential pioneers of the acid style of rock music.[8] Head Heritage in a 2006 review wrote, "The Misunderstood's material extended far beyond the reach of the period in which it was conceived. The extraordinarily advanced tracks on side one from 1966 reveal them as one of the earliest and most original probes into psychedelic rock."  
                                        

The group was praised by the British press and up-and-coming acts like Pink Floyd and the Move, but

was hounded by U.S. draft authorities and internal problems, and disbanded in confusion around early 1967. Campbell kept the Misunderstood's name alive briefly with a couple unimpressive singles before forming Juicy Lucy, who had a small British hit with a cover of "Who Do You Love." The group's other guitarist, Tony Hill (actually a Britishman who joined the band after they arrived in England), joined High Tide, who recorded some progressive rock albums.
                                             

GLENN ROSS CAMPBELL

The Misunderstood finally gained some measure of the respect due to them with a well-packaged reissue of their best material in the early '80s. Rolling Stone in a September 2, 2004, review described the Misunderstood's Campbell as "Jeff Beck and Jimmy Page rolled into one.".

DISCOGRAPHY

                                                            

1. 7" Vinyl 45rpm EP: Children of the Sun (Cherry Red Records CHERRY22, 5/81)
2. Vinyl album and CD: Before the Dream Faded (Cherry Red BRED32, 4/82)
3. Vinyl album and CD: The Legendary Gold Star Album (Cherry Red CDMRED142, 1997)
4. Vinyl album and CD: The Lost Acetates 1965-66 (Ugly Things[1] Records [USA] UTCD-2201, 2004)
5. CD: Broken Road (Cherry Red CDMRED147, 1998) Produced by Kevin Reach, recorded 1981-83 in Hollywood

MEMBERS

Rick Brown
Glenn Ross Campbell
Tony Hill
Rick Moe
Greg Treadway
Steve Whiting
George Phelps
--1969 lineup--
Glenn Campbell
Steve Hoard
David O'List
Chris Mercer
Guy Evans
Nic Potter
Ray Owen

BEFORE THE DREAM FADED  1966  (GARAGE ROCK) 1992

Includes rarities,obscurities and never before released tracks.

                                                   

[One of the great lost '60s albums. Side one includes all six of the tracks the Misunderstood recorded in England in 1966, with magnificent guitar work and nervy, ambitious (if a bit overtly cosmic) songwriting that combines some of the best aspects of the Jeff Beck-era Yardbirds and Syd Barrett's Pink Floyd. Remember that Pink Floyd and Hendrix had yet to record when these sides were waxed; they aren't derivations, but genuinely innovative and groundbreaking performances.

Side two contains seven pre-psychedelic demos from their U.S. garage days in the mid-'60s that, while not nearly as important as their 1966 work, are solid, crunching R&B-soaked rock in the tradition of their chief British influences.
Innovative! Killer music! Highly recommended.
By Richie Unterberger]
                                           

(COLOUR OF THEIR SOUND)
Produced by Dick Leahy, recorded 1966 in London at Fontana Studios and IBC
                                           

01. Children of the Sun (Tony Hill, Rick Brown)
02. My Mind (Hill, Brown)
03. Who Do You Love (Ellas McDaniel)
04. I Unseen (Hill, lyrics from Nâzım Hikmet)
05. Find the Hidden Door (Hill, Brown)
06. I Can Take You to the Sun (Hill, Brown)

(BLUE DAY IN RIVERSIDE)
1965 USA recordings (preserved from acetate)
                                  

07. I'm Not Talkin' (Mose Allison)
08. Who's Been Talkin' (Chester Burnett)
09. I Need Your Love (Greg Treadway, Brown)
10. You Don’t Have to Go (Jimmy Reed)
11. I Cried My Eyes Out (Treadway, Brown)
12. Like I Do (Treadway, Brown)
13. You've Got Me Crying Over Love (hidden track)

MP3 @ 320 Size: 90 MB
Flac  Size: 223 MB

THE LEGENDARY GOLD STAR ALBUM/GOLDEN GLASS  (BLUES) 1997

                                           

CD 1: The Legendary Gold Star Album - Produced by John Peel, recorded early 1966 in Hollywood, California at Gold Star Studios.

01. Blues with a Feeling
02. Who's Been Talkin'
03. You Got Me Dizzy
04. You Don't Have to Go
05. Goin' to New York
06. Shake Your Money Maker
07. I Just Want to Make Love to You
08. I'm Not Talkin'

CD 2 (Bonus CD): Golden Glass
                                       

01. Never Had a Girl (Like You Before)
02. Golden Glass
03. I Don't Want to Discuss It
04. Little Red Rooster
05. You're Tuff Enough
06. Freedom
07. Keep on Running
08. I'm Cruising

MP3 @ 320 Size: 156 MB
Flac  Size: 316 MB

THE LOST ACETATES 1965 - 1966 (GARAGE ROCK)

William Locy Sound, Riverside, California, July 1965 - January 1966

                                            

01. She Got Me (version 2) (Treadway/Brown)
02. Don't Bring Me Down (The Animals' arrangement)
03. Bury My Body (Original arrangement)
04. Why? (Treadway/Brown)
05. Got Love If You Want It (The Kinks' arrangement)
06. She Got Me (version 1) (Treadway/Brown)
07. End of Time (Treadway)
08. Thunder & Lightning (Hoyt Axton)
09. I Unseen (version 1) (Nâzım Hikmet) (riff by Whiting)
                                 

Gold Star Studios, Hollywood, California, April 1966

01. Who's Been Talkin' (Chester Burnett)

Demos, IBC Studios, London, September 9, 1966

01. My Mind (Hill/Brown)
02. Find the Hidden Door (Hill/Brown)
03. Children of the Sun (Hill/Brown)
04. I Unseen (version 2) (Nâzım Hikmet) (Original arrangement with riff by Whiting)

MP3 @ 320 Size: 91 MB
Flac  Size: 117 MB

Various - To The Outside Of Everything - A Story Of UK Post Punk 1977 - 1981 (5 CD BOX) 2017

Post-Punk was a belated term adopted to describe the creative outpouring of largely independent music

which flourished in the wake of the Punk explosion.
Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, TO THE OUTSIDE OF EVERYTHING tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red.

THE SLITS

Includes landmark singles by Joy Division, PiL, Wire, Gang Of Four, The Slits, Killing Joke, Echo And The Bunnymen, Scritti Politti, The Pop Group, Human League, The Fall, Alternative T.V., Tubeway Army, Adam And The Ants, Josef K, The Teardrop Explodes, Throbbing Gristle, The Psychedelic Furs, Theatre Of Hate, The Birthday Party, The Associates, Fire Engines, and Ultravox.

THEATRE OF HATE

Created by the same Cherry Red team behind such previous, acclaimed box sets as Scared To Get Happy, Millions Like Us, Still In A Dream, Action Time Vision, etc.

THE THE

The compilation has been put together by the same team at Cherry Read that compiled the Manchester North of England and Silhouettes and Statues boxsets and more! The compilation is full of many of the staples of the early UK Post-Punk scene, as well as lesson known and cult acts. Check out the 111-song tracklist below—tracks subject to change.

Great sounds from some of our favorite years of the British scene – those moments right after punk first exploded, and a generation of young English artists took off in so many different musical directions! The era's been labeled as post-punk, but what makes it really unique is that the label hardly does the music justice – as the time had such a rich array of sounds and styles, it would be impossible to sum of the vibe in just a few short words!

There's definitely some punk elements in the music, but there's also electronic moments, sweeter songs, noisy bits, compressed prog inspirations, and even some occasional witty elements – with songwriting that's really stood the test of time over the years. There have been other collections of post-punk work over the years, but we've never seen a package like this – as the 5CD set features 111 tracks in all, packaged inside a book-style cover that's overflowing with notes and images – all with a track selection that includes lots of lost gems.

THE POP GROUP

In other words, even if you're like us, and already love this period, you'll still find plenty of greatness here – as the whole thing's balanced well enough to please both newcomers and longtime collectors. Includes work by Dif Juz, Glaxo Babies, The Homosexuals, Ultravox, Swell Maps, Clock DVD, Maximum Joy, Section 25, The Cravats, Native Hipsters, Josef K, Art Objects, The Passions, Big In Japan, Fischer-Z, Family Fodder, Girls At Our Best, Ludus, Boots For Dancing, In Camera, The Disco Zombies, Medium Medium, Alternative TV, The Nightingales, My Captains, Five Or Six, Steve Diggle, Dance Chapter, Fire Engines, Spoon Fazer, and many others!  © 1996-2022, Dusty Groove, Inc.

[By Ed Whitelock / 5 December 2017

THE ASSOCIATES

In an age when the compact disc has been pushed aside by downloads and streaming, the time, effort, and expense of putting together a CD box set might seem like an exercise in futility, of blind nostalgia for a dying form. But there was a time, however brief, when a well-curated box-set was something that could actually shift the cultural zeitgeist and re-frame the conversations of popular music history and reception.

SCRITTI POLIITTI

The Complete Robert Johnson box set (1990), for example, brought household name status to that artist in a way that a hundred testimonies from Jimmie Page, Eric Clapton, and Stevie Ray Vaughan could never do despite Johnson’s great influence upon them.

It did so by making Johnson a status purchase, a commodity. But the care in restoration and research that went into the collection transcended its existence as a product and served to revise popular history. That was the power of the box set in its heyday.

THE FALL

Cherry Red‘s John Reed hasn’t forgotten that, and To the Outside of Everything: A Story of UK Post Punk 1977 – 1981 is a box set that does everything right to a level that is capable of re-writing the common history.
                                                        

THE PSYCHEDELIC FURS

Simply put, this is the definitive story in sound of post punk in the UK.
This is a collection that will stand alongside Simon Reynolds’ equally definitive history of the age, Rip It Up and Start Again.

PUNISHMENT OF LUXURY

We wait only for the comprehensive work that would collect America’s bold provocateurs of the period who were content to let New York and Los Angeles wallow in piss-filled punk while occupying outlying urban centers like Boston and Cleveland, which produced the mutated art of Mission of Burma, Human Sexual Response, and Pere Ubu, among dozens of others.

Indeed, To the Outside of Everything offers hours of discovery and renewed acquaintance with a time when, disrupted by the slash and burn of punk but also disaffected by it, anything seemed possible. Neil Taylor has composed an enlightening collection of liner notes for the set, from the extensive opening essay through the informative write-ups on each of the performers compiled, often with their first-hand input.

KILLING JOKE

Taylor smartly refuses to argue for any kind of stylistic consistency to post-punk while also avoiding the romance of calling its period of dominance an era, akin to, say, the ’60s. Rather, for Taylor post-punk is “neither a genre nor an era, but an approach, one where innovation and playfulness, the deliberately odd and the purposefully unconventional meet.” It is, he continues, “an approach to creativity that has always been here and always will be here.”

MODERN ENGLISH

Taylor describes how the next wave of artists learned from punk’s disappointingly quick commodification and descent into scenester prescriptivism and chose to be inspired by its DIY anything-goes spirit and distaste for nostalgia. This aligns with Reynolds’ take on the transitory period following punk’s quick decline: “By the summer of 1977, punk had become a parody of itself.

” For Reynolds, the first wave of post-punk artists defined punk as “an imperative to constant change” and “dedicated themselves to fulfilling punk’s uncompleted musical revolution, exploring new possibilities by embracing electronics, noise, jazz and the classical avante-garde, and the production techniques of dub reggae and disco.” Post-punk, it becomes plain, is an amalgam comprised of anything that seemed to fit together, or better still, did not fit but could be hammered into a justifiable framework.

IN CAMERA

The 111 cuts from as many distinct performers argue for the adventurousness of the times while capturing a captivating collection of the known, the vaguely familiar, the rumored, and the forgotten. Numerous among the groups collected here would go on to commercial success, though most would have to go through significant reorganization of members (and vision) in order to coordinate a successful assault on the charts.

JAH WOBBLE

Future UK pop sensations who appear here in earlier, less mass-appeal iterations include Adam and the Ants, Ultravox!, Thompson Twins, Human League, and Modern English.

Others who would burn bright but briefly earning early critical praise and growing into legendary status over time such as PiL, Wire, Joy Division, Raincoats, Birthday Party, Gang of Four, and Josef K. Still more, like Au Pairs, Crispy Ambulance, and Pop Group would become the focus of apocryphal legend and cult followings. And a few, like The Fall, The The, and Killing Joke would stubbornly forge singular and surprisingly long-term careers.

JOY DIVISION

Possibly most fascinating here are those collectives whose raw visions echoed or shaped those of others while being overlooked by the masses. These are among the most vivid, exciting, and important inclusions on the anthology. Consider Art Objects whose track “Hard Objects” captures cold war malaise in brilliant succinctness: “The nuclear bomb is a blunt instrument in the hands of disturbed children.

” Then there’s Glaxo Babies whose “This is Your Life” offers up a British perspective of the kind of existential urban paranoia mastered by Talking Heads. The Last Gang’s lone single “Spirit of Youth” grinds forward with a Gang of Four-like aggression while throwing shade on the spastic if sincere passions of youth. The excavation of lost or forgotten tracks like this is what makes a box set of such imposing reach special.

ECHO AND THE BUNNYMEN

Another particularly refreshing element of the collection is the way in which the compilers clarify and acknowledge the role of women in the music of this time. The feminine perspective is an often under-examined element of the post-punk stew of influence, but To the Outside of Everything serves to emphasize the fact that female artists were actively influencing from the inside of the agglomerative movement.

FISCHER - Z

Indeed, some of the best and defining cuts of the set, and the time, come from female-fronted bands. Of course Raincoats, The Slits, and Throbbing Gristle (whose Cosi Fanni Tutti deserves equal visionary credit with Genesis P’Orridge) are all represented here, but so too are important contributions from Poison Girls, Family Fodder, Mo-dettes, Ludus, Occult Chemistry, and Blue Orchids (featuring Una Barnes, a founding member of the Fall).

While still greatly outnumbered by the boys, some of the most refreshing and important tracks among the five discs collected here are shaped by a feminine vision.

BLUE ORCHIDS

In all, To the Outside of Everything is a challenging and enlightening listen from start to finish, and it is a triumph of curatorship that provides near-encyclopedic insight into this important chapter of UK popular music history. From the punk hangover of O’ Level and The Addicts, to the cold war paranoid drone of The Membranes and Tubeway Army, to the art-noir funk of Spoon Fazer and 23 Skidoo, the proto-goth of The Birthday Party, and the ever-forming dark-pop sensibility of bands like Human League and Psychedelic Furs that would come to dominate the charts under the banner of new wave: To the Outside of Everything captures its age in full.]

Various - To The Outside Of Everything - A Story Of UK Post Punk 1977 - 1981
Label: Cherry Red – CRCDBOX44
Format:    5 x CD, Compilation, Box Set
Country: UK & Europe
Released: Dec 8, 2017
Genre: Rock
Style: New Wave, Punk, Post-Punk, Indie Rock, Electro

CD1.

                                           

01. Ultravox! –   Young Savage    2:59
02. Magazine  –  Shot By Both Sides    3:59
03. Wire  – I Am The Fly    3:07
04. 'O' Level  –    East Sheen    3:03
05. Throbbing Gristle  –  United    4:04
06. The Normal – T.V.O.D.    2:53
07. Punishment Of Luxury –  Puppet Life    3:03
08. Tubeway Army –  Bombers    3:53
09. The Fall –  Repetition    4:55
10. Thomas Leer – Private Plane    4:00
11. The Tights – China's Eternal    4:57
12. Fischer-Z –  Wax Dolls    2:46
13. Scritti Politti – Skank Bloc Bologna    5:55
14. Gang Of Four – Damaged Goods (LP Version)    3:28
15. The Flying Lizards – Summertime Blues    3:34
16. Big In Japan – Suicide A Go Go    2:26
17. Fàshiön – Steady Eddie Steady    3:36
18. The Homosexuals – Hearts In Exile    2:24
19. Glaxo Babies – This Is Your Life    3:06
20. The Teardrop Explodes – Sleeping Gas (Zoo 7" Version)    4:40
21. The Passions – Needles And Pills    3:48
22. The Raincoats – Fairytale In The Supermarket  2:59

MP3 @ 320 Size: 191 MB
FLAC  SIZE: 499 MB

CD2.

                                 

01. The Human League – The Dignity Of Labour Pt. 1    4:26
02. Alternative T.V. – Lost In Room    4:55
03. Echo And The Bunnymen – The Pictures On My Wall    2:55
04. Pil – Death Disco    4:17
05. The Monochrome Set – Eine Symphonie des Grauens    2:23
06. Second Layer –  Courts Or Wars    3:49
07. Poison Girls – Ideologically Unsound    2:42
08. The Slits –  Typical Girls    3:56
09. Spizzenergi – Soldier Soldier    3:51
10. Au Pairs – You    2:51
11. Joy Division – Transmission    3:36
12. Fad Gadget – Back To Nature    5:49
13. The Passage – 16 Hours (EP Version)    3:35
14. The Pop Group – We Are All Prostitutes    3:14
15. The Last Gang – Spirit Of Youth    2:53
16. The Adicts – This Week    1:02
17. Killing Joke – Turn To Red    3:57
18. Modern Eon – Second Still    2:48
19. The Psychedelic Furs – We Love You    3:27
20. Mo-dettes –  White Mice    3:38
21. The Deep Freeze Mice – Emile Zola    3:30
22. Crispy Ambulance – From The Cradle To The Grave    3:20
23. The Durutti Column – Sketch For Summer    3:01

MP3 @ 320 Size: 191 MB
FLAC  SIZE: 532 MB

CD3.

                                           

01. Swell Maps – Let's Build A Car    3:08
02. Family Fodder – Warm    3:49
03. Adam And The Ants –    Cartrouble    3:25
04. Clock DVA –  Brigade    3:26
05. Girls At Our Best! – Warm Girls    4:04
06. The Membranes – Ice Age    3:24
07. Boots For Dancing –  Boots For Dancing    5:33
08. Ludus – Lullaby Cheat    4:39
09. Modern English – Swans On Glass    4:35
10. Thompson Twins – Squares And Triangles    3:19
11. The Disco Zombies –  Mary Millington    4:19
12. Occult Chemistry – Fire    2:10
13. In Camera –  Final Achievement    4:52
14. Section 25 – Girls Don't Count    4:29
15. Art Objects – Hard Objects    3:10
16. Josef K – Radio Drill Time    4:06
17. The The –  Controversial Subject    2:53
18. Blurt –  My Mother Was A Friend Of An Enemy Of The People    3:15
19. The Associates – The Affectionate Punch    3:30
20. ...And The Native Hipsters – There Goes Concorde Again    6:43

MP3 @ 320 Size: 189 MB
FLAC  SIZE: 509 MB

CD4.

                                            

01. The Birthday Party – The Friend Catcher    4:22
02. The Cravats – Precinct    2:29
03. Dislocation Dance –    It's So Difficult    3:01
04. Spöön Fazer – Do Different Dances    2:18
05. Colin Newman – B.    2:59
06. Blue Orchids – Disney Boys    3:39
07. Mass – Cabbage    5:36
08. Fire Engines – Get Up And Use Me    2:09
09. Dance Chapter – Anonymity    4:54
10. Blancmange – Overspreading Art Genius    2:19
11. The Diagram Bros. –  We Are All Animals    2:43
12. Repetition – A Still Reflex    4:03
13. New Order –  Ceremony (7" Version)    4:38
14. Medium Medium – Hungry, So Angry    3:59
15. Steve Diggle – 50 Years Of Comparative Wealth    3:44
16. Five Or Six – Another Reason    3:01
17. The Danse Society – Clock    3:49
18. The Laughing Apple – Sometimes I Wish    3:14
19. The Past Seven Days – Raindance    6:04
20. Eyeless In Gaza – Invisibility    2:41
21. The Nightingales – Idiot Strength    3:11
22. My Captains – Nothing    4:10

MP3 @ 320 Size: 189 MB
FLAC  SIZE: 531 MB

CD5.

                                

01. Theatre Of Hate – Rebel Without A Brain    3:54
02. Notsensibles – I Am The Bishop    3:18
03. New Asia – Central Proposition    3:32
04. Marine – Life In Reverse    2:44
05. Tunnel Vision – Watching The Hydroplanes    3:51
06. Jah Wobble – Fading    3:09
07. TV21 – Snakes And Ladders    3:19
08. The Sinatra's – Happy Feeling    2:42
09. Soul – Tribes    3:17
10. The Drowning Craze – Storage Case    3:09
11. Sad Lovers And Giants – Imagination    5:42
12. Dif Juz – Hu    2:57
13. Spider King – Animals    3:33
14. Nico – Vegas    3:41
15. The Higsons – I Don't Want To Live With Monkeys    2:05
16. Apb – I'd Like To Shoot You Down    2:35
17. René Halkett, David Jay – Nothing    2:22
18. Maximum Joy – Stretch (7" Version)    3:50
19. Artery – Afterwards    3:49
20. 23 Skidoo – Last Words (7" Version)    3:40
21. The Skodas – Everybody Thinks Everybody Else Is Dead Bad    2:22
22. Biting Tongues – Heart Disease    4:08
23. The Reflections – 4 Countries    2:04
24. This Heat –  Radio Prague    2:29

MP3 @ 320 Size: 187 MB
FLAC  SIZE: 501 MB

2022

(Click on the video)

 

HAPPY NEW YEAR AND A COVID - FREE 2022 TO ALL